2009 February Signature Music & Entertainment Memorabilia Auction
| Sale Number: | 7004 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | February 21st at 1 PM CT through February 22nd |
View PDF version of the printed catalog.
(Right-click and "Save Target As..." to save it to your hard drive.)
Session 1
Movie/TV Memorabilia
Don Ameche's Moon Over Miami Sport Coat. A tan sport coat by MacIntosh, worn by Ameche in a dance number in Moon Over Miami (1941), custom tailored for him. A tailoring tag inside the inner pocket bears Ameche's name and the date of February 1941. The jacket is in Excellent condition.
Milo Anderson Costume Sketches. A pair of 15" x 20" costume sketches of evening gowns for an unspecified production, colored ink and gouache on illustration board, by designed Milo Anderson (1910-84). Anderson was a costume designer for 24 years, most of them at Warner Bros., where he created gowns for the likes of Olivia de Havilland (Captain Blood), Anita Louise (Anthony Adverse), Jane Wyman (Woman in Black), and Jean Muir (Stars Over Broadway). The sketches are in Fine to Very Fine condition, with numerous tack holes and mild wear to both, and are accompanied by 16 b&w 8" x 10" stills of Anderson at work behind the scenes, his designs, and more.
Ursula Andress 4 for Texas Costume Design Drawing. A 16" x 20" costume drawing, gouache on heavy illustration board, featuring a gown design for Andress for the 1963 comedy Western. In Excellent condition, signed by costume designer Norma Koch in pencil in the lower left corner.
Fatty Arbuckle Signed Letter to Wife Minta (1924). Spokane, Washington, September 22, 1924. Roscoe "Fatty" Arbuckle was not only hugely popular, but responsible for helping to develop the screen careers of comic geniuses Buster Keaton and Charlie Chaplin. Arbuckle sent this letter to his wife, Minta, about a month before she filed for divorce a second time. Two years earlier, he had been charged with first-degree murder and vilified by the Hearst newspapers following the death actress Virginia Rappe. He eventually was acquitted after three highly publicized trials. Nonetheless, his acting career was ruined, and he struggled to make a few additional films. A sad, broken man, he drank heavily, and this, combined with his obesity, led to his early demise from a heart attack at age 46. He writes to Minta (in part): "I suppose you can order a bottle of wine in any language in Paris and they will know what you mean. Hope you have a very pleasant time on the voyage over, as no doubt you will, because I know from experience, that you have no weakness for feeding the fish. However, on a boat as large as you are going across on, the suggestion of salt pork doesn't affect even the most squeamish stomach." Shortly after reaching Paris, Minta again filed for divorce. In Fine condition, with original folds (including two small tears at right margin), paper clip mark top left, one hole punch top margin, and two small chips at edges. Accompanied by a COA from PSA/DNA.
Fatty Arbuckle Signed Photograph. A b&w 11" x 14" photo portrait inscribed "Dear Sam/The car is insured/how about the dog?" and signed "Yours truly/Roscoe" by Arbuckle in black fountain ink. In 1921, while at the peak of success, Arbuckle's career was ruined when a young starlet died after allegedly being sexually assaulted by the 320-pound actor. Arbuckle was charged with manslaughter; twice, the trial ended in a hung jury and in a third trial he was acquitted, but public opinion forced Arbuckle's retirement from the screen. In Very Good condition with some tears, pieces missing from the edges, mild toning, and tape residue on the reverse. Accompanied by James Spence Authentication auction LOA.
Robert Armstrong and Others Actor-Signed Photos. Set of five signed b&w 8" x 10" photos includes Robert Armstrong, Robert Morley, Robert Montgomery, George Dewey Washington, and Maurice Evans. Studio stamps on the reverse of each. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Lionel Atwill Signed Photo. A vintage b&w 7.25" x 9" photo of Lionel Atwill in the title role of Deburau, his Broadway triumph of 1920, inscribed in black fountain ink: "Sincerely, Lionel Atwill." Atwill's portrayal of the French clown and mime was a dramatic sensation and established the British actor as a New York stage star with a "spellbinder" reputation. It's bizarre to see the famed horror star of Mystery of the Wax Museum and Son of Frankenstein in clown makeup; then again, this is a rather perverse-looking clown -- holding a knife! A sharp, clean signature on a marvelous study of Atwill, long before the Hollywood horror classics and infamous sex scandal. In Very Fine condition with studio stamp on the reverse. Accompanied by James Spence Authentication auction LOA.
Mischa Auer Costume from The Flame of New Orleans. A striking Victorian-style dark blue dress coat with tails, slacks, and matching cloak with white silk lining, worn by Auer in the romantic comedy The Flame of New Orleans (1941). The Russian born actor appeared primarily in comedies from the '30s-'60s, and was nominated for an Oscar for his role in My Man Godfrey (1936). The costume is in Excellent condition; United Costumers tags sewn into the coat and slacks identify it as having been used by Auer.
Lucille Ball and Desi Arnaz Signed Contract and Four Royalty Statements. This excellent lot includes an August 5, 1952, merchandising contract, 8.5" x 13", six pages, between Desilu Productions and Western Printing and Lithographing Company, boldly signed in blue ballpoint on page six by Lucille Ball and Desi Arnaz; and four royalty statements, each 8.5" x 11", from Western Printing -- two dated December 31, 1960 (I Love Lucy comic #25), May 31, 1961 (I Love Lucy comics #31 and #32), and February 28, 1962 (I Love Lucy comic #35). The contract is affixed to a blue sheet of paper with seven staples. The statements are stapled into a 9.5" x 15" file folder. All items include pencil annotations in another hand. In Fine condition, with original folds; two of the statements include a piece of yellowed cellophane tape. Accompanied by James Spence Authentication auction LOA.
Lucille Ball Signed Contract. A single-page, double-sided agreement, dated June 10, 1957, engaging the comedienne to appear on the panel show I've Got a Secret. The contract is signed "Lucille Ball Arnaz" on the back page in blue ink. In Very Fine condition with some wear and toning. Accompanied by James Spence Authentication auction LOA.
Batman & Robin Set Design Concept Art. Set of three pencil drawings of Arnold Schwarzenegger as Mr. Freeze on a sheet of 8.5" x 11" drafting paper, plus one pencil drawing on 17" x 14" drafting paper, four ink sketches on 8.5" x 11" drawing paper, and 14 photocopied drawings on four sheets of heavy printing paper, all featuring set design art for the 1997 sequel. In overall Excellent condition.
Ben-Hur Production Design Sketch. A 27.25" x 12" set design sketch, colored pencil on illustration board, from the classic Academy Award-winning 1959 Biblical epic that starred Charlton Heston in the title role. In Excellent condition, matted to an overall size of 28" x 12".
Prop Roman Galley from Unknown Production. This large wood and metal model Roman ship was used in an unknown period epic. The model measures approximately 10" x 30" x 75" and is in Very Good to Fine condition with wear, paint loss, and a few separate pieces of the ship, included. A great item from a cinema classic.
Dan Blocker Signed Photo. A b&w 8" x 10" photo of Blocker as his most memorable character, Hoss Cartwright from the Western TV series Bonanza, inscribed and signed by the actor in black felt tip. Blocker died at the age of 43 near the end of the show's 14-year run, a factor that contributed to its cancellation a year later. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Ray Bolger and Others Actor-Signed Photos. Set of five signed b&w 8" x 10" photos includes Ray Bolger, Chester Conklin, Fred Allen, Jackie Coogan, and Edgar Kennedy. In overall Very Fine condition, with studio stamps on the reverse of all but the Conklin photo. Accompanied by James Spence Authentication auction LOA.
Jack Haley and Ray Bolger Signed Wizard of Oz Poster (Nostalgia Merchant, 1977). A limited edition 24" x 30" poster signed by actors Jack Haley (the Tin Man) and Ray Bolger (the Scarecrow). Matted and framed to an overall size of 27.5" x 34" and in Excellent condition with little wear or discoloration. Accompanied by James Spence Authentication auction LOA.
Clara Bow Signed Photo. A b&w 11" x 14" photo portrait of "the It girl", inscribed and signed by her in black ink. In Very Fine condition with mild wear and some toning. Accompanied by James Spence Authentication auction LOA.
William A. Brady Jr. Document Archive. Includes more than 100 items dating from 1914-36, primarily letters and report cards from Brady's school years. A number of the items are typed and handwritten letters from Brady to his parents written while at the Lawrenceville School in New Jersey, many signed and largely full of complaints. Also included are three vintage b&w photos and Brady's certificate of honorable discharge from the New York National Guard. Items are in overall Very Fine condition.
William A. Brady Street Scene 1931 Annotated and Cast Signed Script. 9" x 11", 150 pages, front cover marked in black ink "Property of Wm. A. Brady/The Playhouse/137 W. 48th Street, New York City." Theatrical impresario William A. Brady produced this Elmer Rice play at New York's Playhouse. This was his personal copy of the Pulitzer Prize-winning script, signed by all 50 members of the original cast, including Erin O'Brien-Moore (who later co-starred with Humphrey Bogart in Warner Bros.' Black Legion), Beulah Bondi (Boris Karloff's victim in The Invisible Ray), Matt and Ed McHugh (brothers of Warner Bros. favorite Frank McHugh), and John Qualen (The Grapes of Wrath, The Searchers, and other John Ford classics). Several of the actors reprised their roles in Samuel Goldwyn's 1931 film version. The script features handwritten annotations in black ink throughout. In Very Good condition with some age toning in the paper; the front cover is loose and has some paper loss along the spine. From the William and Alice Brady Estate Archive. Accompanied by a COA from PSA/DNA.
Breakfast at Tiffany's Oversized Promo Banner. A large, 18' x 3' vintage promotional banner for Blake Edward's incomparable 1961 romantic comedy. The banner bears a classic image of star Audrey Hepburn and the tagline "The gayest sophisticated comedy Hollywood has served up in years". In Fine to Very Fine condition with some large areas of soiling.
Billie Burke and Others Signed Photos. Set of four signed b&w 8" x 10" photos includes Billie Burke, Helen Hayes (Excellent), Beulah Bondi, and Ann Sothern. In overall Very Fine condition, except as noted, with studio stamps on the reverse. Accompanied by James Spence Authentication auction LOA.
Robert A. Burns Signed Texas Chain Saw Massacre Photos. Set of three b&w 8" x 10" behind-the-scenes production photos from the landmark 1974 horror movie, each inscribed and signed by production manager and art director Robert A. Burns in silver ink. Burns signed these photos just days before his death in 2004. All are in Excellent condition.
Richard Burton Signed Contract. A three-page agreement between Richard Burton and Bushel Productions Limited, dated August 30, 1962, and signed by Burton on the last page in black ballpoint. The agreement employed Burton exclusively with the company for a period of seven years, and is in Very Fine condition with some mild wear and toning. Accompanied by James Spence Authentication auction LOA.
President George Bush Sr. and Vice President Dan Quayle Signed White House Photo. An approximately 16" x 12" color photo of a snow-covered White House, #46 in a limited edition of 60 signed by the photographer, and also signed on the mat by Bush and Quayle in black pencil. In Excellent condition, matted and framed to an overall size of 22" x 18.5". From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and LOA from James Spence Authentication.
James Cagney and Others Cast-Signed Copy of The Public Enemy. A copy of the 1931 movie tie-in edition of classic gangster novel (originally titled Beer and Blood), signed on the inside front cover by James Cagney and first free page by director William Wellman and actors Joan Blondell and Mae Clarke. The movie established the gangster film as a genre and propelled Cagney to superstar status. In Fine to Very Fine to Excellent condition with dustjacket missing. Accompanied by James Spence Authentication auction LOA.
Johnny Carson Monologue Cue Card. A 22" x 28" cue card used by Carson during the monologue for the August 14, 1981 episode of The Tonight Show. Topics included the NBC fall season and the "Feckner Maneuver" (as indicated on the card), as well as President Reagan and air traffic controllers, the Chicago Cubs, and, of course, Doc Severinsen's clothes. In Fine to Very Fine condition with some creases.
Helen Chandler Signed Photo. A vintage b&w 8" x 10" photo portrait of the actress, dated 1934, inscribed and signed by her in black ink. Chandler is mostly remembered for her performance as Mina in Tod Browning's classic 1931 adaptation of Dracula. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Lon Chaney Jr. Signed Photo. A b&w 5" x 7" photo of the legendary Wolf Man actor, inscribed "To Betty" and signed by Chaney in black fountain ink. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Lon Chaney Jr. and Ralph Bellamy Signed Wolfman Paperback. A copy of the 1977 paperback adaptation of the classic Universal horror movie, with an inscription and signature from actor Lon Chaney Jr. in blue ballpoint on a slip of paper affixed to the inside front cover, accompanied by a signature from Ralph Bellamy in blue felt tip. Both signatures are clear and bold, and the book is in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Lon Chaney Jr. Signed Letter. A single-page type written letter, dated November 22, 1969, signed and also initialed under a postscript by Chaney in blue ink. It reads in part: "Some day I hope to do a biography of my father -- but right now -- one thing at a time is more than enough! We'll see what happens." In Very Fine to Excellent condition with horizontal fold creases. Accompanied by James Spence Authentication auction LOA.
Charlie Chaplin Signed Sketch with Photo (1913). An astounding piece of Chaplin memorabilia, this 6.5" x 8" sheet of paper features perhaps the earliest known autograph by Charlie Chaplin, one dating from before his first film appearance. The inscription reads "Drink to me only with thine eyes/Yours romantically/Charles Chaplin/June 20th 1913" and is accompanied by a self-portrait caricature by Chaplin, all in pencil. Chaplin would frequently draw a caricature of his famous film alter ego, the Little Tramp, next to his name; on this rare lot, the caricature is simply of himself. The date suggests it was drawn and signed by Chaplin a full year before the production of his first feature film, Making a Living. (The Little Tramp debuted in the following film, Kid Auto Races at Venice.) The sketch/autograph is in Very Fine condition with mild wear and some toning, and is accompanied by a vintage 3.5" x 5.5" postcard featuring a b&w image of a young Chaplin, with a partial inscription in pencil on the reverse by Chaplin, in Very Good to fine condition with tape repair to one corner. Accompanied by James Spence Authentication auction LOA.
Charlie Chaplin Signed Photo. A fantastic vintage b&w 7" x 9" photo of a very young, pre-motion picture Chaplin, inscribed "To Mr. and Mrs. Hurley/With every good wish. Yours to a turn/Charles Chaplin/November 28th, 1913" in blue ink. The photo also bears a second inscription, "Charles Chaplin/good luck" in blue ink near the lower right corner. The date corresponds closely to the time when Chaplin was discovered by Mack Sennett and began his journey to film stardom and icon status. The photo is in Good to Very Good condition with pieces missing from the corners, mild toning, a small hole near the bottom edge, tape residue to the edges, and some general wear and tear -- little of which affects the signatures. It is accompanied by a b&w 3" x 5" postcard bearing a photo portrait of Chaplin, in Good condition with some wear, glue stains, and remnants of cardboard matting. Accompanied by James Spence Authentication auction LOA.
Maurice Chevalier Signed Sketch from the Brown Derby. A framed 11" x 14" caricature sketch of the French entertainer by Eddie Vitch, inscribed "At the brown Derby/From 1928 to 1958 and ???..." and signed and dated 1958 by Chevalier in black ink. This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades, and Vitch was the artist who began the tradition in 1929. This particular sketch is signed by Vitch in the lower right corner. In Very Fine condition with some mild age toning and heavy moisture damage to the bottom edge, largely smearing the date but not affecting the signature. Accompanied by James Spence Authentication auction LOA.
Al Christie Signed Photo. A b&w 9.5" x 12" photo of members of the Nestor Company motion picture studio circa 1918, inscribed and signed by silent-era writer-director-producer Al Christie in black ink. Christie is noted for having turned out hundreds of one-reel comedy shorts during his 30-year career. In Very Fine condition with some soiling and wear along the edges. Accompanied by James Spence Authentication auction LOA.
Cleopatra (1963) Draft Scripts. This set of four scripts from the notorious epic includes a first draft (April 24, 1959, 205 pages, by Nigel Balchin); revised first draft (May 13, 1959, 190 pages by Balchin); third draft (January 11, 1960, 155 pages plus revisions by Balchin and Dale Wasserman); and original shooting script from the film's first incarnation under Rouben Mamoulian (July 15, 1960, 147 pages plus revisions, no byline). A mammoth production that went through two directors, four screenwriters, numerous actors, and a $44 million budget ($300 million in today's economy, modified for inflation), plus a mounting series of misfortunes during production that included a scandalous public affair between stars Elizabeth Taylor and Richard Burton, resulted in a large-scale misfire that nearly bankrupted 20th Century Fox. The scripts are in overall Very Fine condition.
Claudette Colbert, Gypsy Rose Lee, and Luise Rainer Signed Photos. Set of three signed vintage b&w 8" x 10" photos of Claudette Colbert, Gypsy Rose Lee, and Luise Rainer. Studio stamps on the reverse of all but the Colbert photo. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Joan Collins Girl in the Red Velvet Swing Costume Sketches. A 13" x 20" pencil and ink costume design sketch on drawing paper featuring a dress design for Joan Collins as Evelyn Nesbit in the 1955 drama. In Very Fine condition.
Viola Dana and Betty Compson Vintage Signed Photos. Includes a b&w 9.5" x 13.5" photo of Viola Dana and a b&w 10" x 13.5" photo of Betty Compson, both inscribed and signed by the respective silent era actresses. Both photos are in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
The Conqueror Costume Design Drawing. A costume design for John Wayne, pencil and watercolor on 13" x 18" illustration board with "The Conqueror -- John Wayne" handwritten in pencil on the reverse in an unknown hand. The notorious 1956 historical epic featured Wayne oddly cast as Genghis Khan. In Excellent condition.
Bob Crane Signed Photo. A b&w 7" x 9" photo of Crane in his signature role of Colonel Hogan in the popular sitcom Hogan's Heroes, inscribed and signed by him in blue ink. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Joan Crawford Signed Photo. A b&w 8" x 10" photo of the Mildred Pierce star, inscribed and signed by her in blue ink. In Very Fine condition with studio stamps on the reverse. Accompanied by James Spence Authentication auction LOA.
Joan Crawford Dress Design Sketch by Edith Head. An 11" x 14" evening gown design sketch, pencil and watercolor on heavy drawing paper, inscribed "For Joan Crawford" and signed "Edith" in pencil by the legendary costume designer. In Very Fine to Excellent condition.
Dorothy Dalton and Elizabeth Patterson Signed Photos. Pair of signed b&w 8" x 10" photos of Dorothy Dalton (headshot, Excellent condition) and Elizabeth Patterson (in So Red the Rose, Very Fine with studio stamp on reverse). Accompanied by James Spence Authentication auction LOA.
Mickey Daniels Photograph Archive. Forty-eight photos of Our Gang star Mickey Daniels, all b&w, most 8" x 10". Some of the photos are from Hal Roach comedies and others are publicity pictures of Daniels in various costumes. Also pictured with Mickey are his brother Clifford, his father Richard Daniels, and his fellow Hal Roach actors. Best known as the red-haired, gap-toothed, freckled character in the Our Gang series, Daniels continued playing bit parts in feature films and comedy shorts through 1946. He eventually quit the movie industry to become a construction worker. Some of the photographs have minor edge chipping, else Very Good or better.
Mickey Daniels of Our Gang Archive. Mickey Daniels (1914-1970) was the toothy, freckle-faced "Mickey" of Hal Roach's Our Gang comedies, the nephew of actress Bebe Daniels and yet another member of the Our Gang troupe fated for a tragic death (he died in a transient hotel in San Diego of cirrhosis of the liver and in "complete obscurity"). This archive contains extensive material that Daniels himself had saved, including Our Gang publicity, clippings and a script for a vaudeville act that Daniels had headlined. In Very Good condition. Accompanied by James Spence Authentication auction LOA.
Sammy Davis Jr.'s 50th Anniversary Jacket. A head-turning, eye-popping quilted jacket by Joseph's Coats with tassels, brocade, and assorted trim, owned and worn by Davis. A tag on the inner lining reads: "Sammy Davis Jr. 50th Anniversary in Showbusiness 1980". In Excellent condition.
Sammy Davis Jr.'s Personal Camera. A Konica Z-80 camera with autofocus and pop-up flash, owned and used by Davis. A small brass plate with the singer-actor's name engraved on it is affixed to the handgrip on the right side. The camera is still in working order, and in overall Excellent condition.
Sammy Davis Jr.'s Presidential Ring and Crucifixes. Included are a large gold ring bearing the Seal of the President of the United States, and a pair of small matching gold crucifixes, from the estate of Sammy Davis Jr. All are in Excellent condition.
Sammy Davis Jr.'s Gold Ring. A small 18k gold ring with face motif, owned and worn by Davis. In Excellent condition.
Sammy Davis Jr.'s Gold Lion Ring. A gold ring with lion's head motif that features small diamonds set in the eye sockets, from the personal belongings of Sammy Davis Jr. In Excellent condition.
Sammy Davis Jr.'s Star of David Money Clip. An ornate 14k gold money clip featuring a Star of David over a menorah, with a total of eight settings of small diamonds, mounted over a pair of scrolls representing the Torah. The scrolls open on hinges to reveal the Ten Commandments underneath. The back side of the clip is engraved: "To -- Sammy Davis Jr. Good Luck Always/Jack Entratter/1957." Entratter was a rather notorious Las Vegas Mafia character who oversaw the Sands Casino; he also, as legend has it, was instrumental in "persuading" Columbia Studios boss Harry Cohn to give Frank Sinatra the role of Maggio in From Here to Eternity, for which Sinatra won an Oscar. In November of 1954, Davis was almost killed in a life-altering car wreck that cost him his left eye. While recovering in the hospital, his friend Eddie Cantor discussed with him the similarities between the Jewish and black cultures, a conversation that prompted Davis to begin studying the history of Jews. He converted to Judaism soon after, and remained devoted to the religion for the rest of his life. The clip shows some very light scratches on the back, but is otherwise in Excellent condition.
Sammy Davis Jr.'s Wristwatch with Photo Inset. A Jamie West men's wristwatch with leather strap and a face that features an inset photo of Davis and his wife, Altovise, from his personal belongings. Still in working order and in overall Excellent condition.
Sammy Davis Jr.'s Pocket Watch. A Swiss-made gold-tone Arnex pocket watch owned and used by Davis, with the initials "SD" had written inside the back cover in black felt tip. The action still winds up, but the hands no longer move; otherwise, in Very Fine to Excellent condition.
Dawn of the Dead (2004) Screen-Worn Costume. A (fake) blood-spattered costume consisting of a sleeveless top and drawstring pants, worn by an unspecified actor in Zack Snyder's remake of the classic 1978 sequel to Night of the Living Dead. In Very Fine to Excellent condition, despite its initial appearance. Accomapnied by a letter of authenticity.
Return of the Living Dead 5 Prop Special Effects Bust. A life-size, very life-like sculpted foam rubber bust of a man used for a rather grotesque effects shot in 2007 direct-to-video sequel. The bust was used in a scene where an unfortunate extra gets his head squeezed by a zombie until his eyes pop out. A plastic nozzle on the back of the bust allows for fake blood to be pumped through. In Very Fine to Excellent condition, accompanied by color screen grabs of the scene.
The Day the Earth Stood Still Set Blueprint (1951). A 35" x 36" pencil blueprint for an interior space ship set, dated March 5, 1951, used in the production of the classic science fiction movie. The set design was overseen by noted set decorators Thomas Little and Claude Carpenter, who collaborated with architect Frank Lloyd Wright for the design of the space craft. The blueprint is in Very Fine condition with some minor edge wear.
James Dean Archive with Marcus Winslow Signed Letters. A large selection of more than 100 items that includes primarily vintage magazines and newspapers with Dean-related articles plus some Dean-related correspondence, as well as two letters (circa 1956) handwritten and signed by Dean's cousin, Marcus Winslow. Also included is an original photograph of Dean, signed by his uncle. The letters are in Excellent condition; the other items are Very Fine.
Demetrius and the Gladiators Costume Sketch. A 15" x 20" costume sketch, watercolor on illustration board, featuring a design for the 1954 Biblical epic that featured Victor Mature and Susan Hayward. In Very Fine to Excellent condition with mild toning and some staples along the edges.
Cecil B. DeMille Signed Sketch from the Brown Derby. An 11" x 14" caricature sketch of the legendary director by Frank "Pancho" Willmarth, inscribed "To Bob Cobb -- Greetings" and signed by DeMille in black ink. (Bob Cobb was co-owner of the restaurant and creator of the well-known Cobb Salad.) This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades. This particular sketch is signed "Pancho" and dated 1941. In Very Fine to Excellent condition with some mild toning. Accompanied by James Spence Authentication auction LOA.
Cecil B. DeMille and Other Filmmaker-Signed Photos. Set of four signed b&w 8" x 10" photos includes Cecil B. DeMille, Samuel Goldwyn, William Wyler, and Hal Wallis. In overall Fine to Very Fine condition, with studio stamps on the reverse of each. Accompanied by James Spence Authentication auction LOA.
Cecil B. DeMille Signed Contract. A single-page contract, dated November 22, 1950, negotiating the use of cinematographer and visual effects designer Gordon Jennings for the 1952 drama The Greatest Show on Earth, signed by DeMille in blue ink. In Very Fine condition with some edge wear and mild discoloration. Accompanied by James Spence Authentication auction LOA.
Walt Disney Autograph in Crayon. A 5" x 4" notecard with a large signature handwritten by Disney in green crayon. A great example of Disney's rare signature, in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Kirk Douglas Signed Letters and Annotated Speech. Includes a pair of single-page typed letters, dated May 9, 1958 on business letterhead and November 24, 1959 on personal letterhead, respectively, both signed by Douglas in blue ink. The letters are accompanied by a seven-page typed lecture titled "Sound Effects", dated March 31, 1984, with Douglas' handwritten notations in pencil throughout. All are in Very Fine condition, with mailing crease to the letters and staple and punch holes to the lecture.
Pete Dunn Signed Monster of Piedras Blancas Photo. A tinted 11" x 14" photo from the 1959 Creature from the Black Lagoon knock-off (both monsters were designed by Jack Kevan, thus the similarity), inscribed and signed by actor Pete Dunn in blue ink. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Jimmy Durante Signed Set of Sketches from the Brown Derby. A pair of framed 11" x 14" caricature sketches of Durante by Eddie Vitch circa the 1930s, with most of Durante's profile on one and his famously large nose extending into the other! One is inscribed "To Vitch -- Get me back in that other frame. (I mean my schnozzle) Hot cha" and signed by the legendary comedian in black fountain ink, with additional signatures from unknown parties added below. This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades, and Vitch was the artist who began the tradition in 1929. This particular sketch is signed by Vitch in the lower right corner of the righthand drawing. In Very Fine condition with some mild age toning, some very mild moisture damage to the bottom edge, and a little fading to the ink. Accompanied by James Spence Authentication auction LOA.
Celebrity-Signed Copy of The Emmy Awards: A Pictorial History. A copy of the 1970 history of of the Emmy Awards, spanning 1948-70 inclusive, inscribed on the front and back inside covers, title page, flyleaves, and elsewhere by Robert Stack, Phil Silvers, Melvyn Douglas, Rob Reiner, Andy Griffith, Patty Duke Astin, Arte Johnson, Buck Henry, Sid Caesar, and many, many others. In Very Fine condition with mild wear. Accompanied by James Spence Authentication auction LOA.
Douglas Fairbanks and Others Signed Photos. Set of four signed b&w 8" x 10" photos includes Douglas Fairbanks (Very Fine), Basil Rathbone (Fine with some smearing to signature), Walter Huston (Excellent), and Bruce Cabot (Fine). Studio stamps on the reverse. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Philo Farnsworth Autograph. A 3" x 5" notecard bearing a rare inscription and signature by Farnsworth, inventor of the first completely electronic television, in black ink. In Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
W. C. Fields Stage-Worn Top Hat. A light grey, felt stovepipe hat with wide black ribbon band, owned and worn by fields in the 1923 Broadway musical Poppy. The production turned him into a star, and for reasons perhaps both sentimental and superstitious, Fields insisted on wearing the hat in the 1936 film version, as well as Sally of the Sawdust (1925). Though the hat is more than 70 years old and shows some wear, it is largely intact despite having been stored for numerous years in the trunk of longtime love Carlotta Monti's 1938 Cadillac (a gift from Fields). The hat was made expressly for Fields with a durable structure that allowed for his acclaimed juggling and comedic mishandling. It is in overall Fine condition, and is accompanied a letter of provenance from Monti and a 1971 newspaper clipping showing her with the hat.
W. C. Fields' Golf Trophy, circa 1932. A 12" sterling silver trophy, inscribed: "Presented to W. C. Fields by the Sleepy Hollow Country Club as a token of their appreciation of the World's Greatest Parlor Golfer". An avid golfer, Fields worked the sport into the short films "The Golf Specialist" (1930, his first "talkie"); the instructional "How I Play Golf, by Bobby Jones" (1931); "The Dentist" (1932), in which he made use of the golf routine he developed for the Ziegfeld Follies during his vaudeville days, and others. In Very Fine condition with some areas of tarnishing and mild wear, but no dents, dings, or noticeable scratches.
Errol Flynn and Others Signed Music Sheet. A 6.5" x 4.5" piece of sheet music signed on one side by Flynn, former Mouseketeer Jimmie Dodd, and actors Martha O'Driscoll, Ruth Carrell, and Harry Mendoza in black ink. In Very Fine condition with some toning and a vertical fold crease that runs through the signatures. Accompanied by James Spence Authentication auction LOA.
John Ford Signed Letter to Darryl Zanuck. A single-page handwritten letter on hotel stationery, undated, from director John Ford to producer Darryl Zanuck, congratulating the latter on his Academy Award for Best Picture for How Green Was My Valley (1941). Ford, who directed the movie and won an Oscar for his work on it as well, facetiously writes "Please grant me a favor. Would you have a miniature Oscar made up for me as a memento? You know, quarter size -- "Best Production", etc.? Would appreciate it and it looks like a long time before I compete again." Ford was serving in the Naval Reserve at the time, and the letter is signed "Cmdr. John Ford USNR" in black ink. Mailing creases and punch holes at the top edge, otherwise in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Clark Gable Photo Portraits by Clarence Bull. A set of three b&w 10" x 13" photo portraits of Gable, including one of the actor in his US Army uniform, with caption info and Bull's credit stamps on the reverse. One is in Fine condition, the other two are Very Fine.
Clark Gable Photo Portraits by Clarence Bull. A striking set of three b&w 10" x 13" photo portraits of Gable with caption info, studio stamps, and Bull's credit stamps on the reverse. One is in Fine condition, the others are Very Fine.
Clark Gable Signed Contract. A 48-page agreement between Clark Gable and Paramount, dated January 1, 1959, with a large, bold signature by the actor on the last page in blue ink. The contract engaged Gable to appear in three movies produced by the studio; these would turn out to be Teacher's Pet (1958), But Not For Me (1959), and It Started in Naples (1960) -- the last three movies released during his lifetime (The Misfits was released posthumously). The agreement is in Very Fine condition with mild wear and toning and binder holes to the top edge. Accompanied by James Spence Authentication auction LOA.
Sir John Gielgud and Others Actor-Signed Photos. Set of six signed b&w 8" x 10" photos includes Sir John Gielgud (Fine condition), Otto Kruger (Excellent), Dick Foran (Very Fine), Robert Stack (Excellent), Charles Ruggles (Very Fine), and Victor Jory (Very Fine). Studio stamps on the reverse of each. Accompanied by James Spence Authentication auction LOA.
Gladiator Prop Sword. A 27" prop gladius short-sword with retracting blade for stunt work, used during the production of the Academy Award-winning epic directed by Ridley Scott and featuring Russell Crowe. In Excellent condition with mild wear.
Gone With the Wind Test Shot Script Pages This remarkably rare GWTW lot includes four different "Reading of Test Scenes" used in the casting of the epic film. The scenes include Scarlett, Ashley, and Rhett (in which Ashley tells Scarlett he doesn't love her); Rhett and Scarlett in the jail scene; Rhett proposing to Scarlett; and Scarlett and Melanie in the governor Scene. Pages date to late 1937, long before David O. Selznick cast the key roles; one page is printed on the reverse of a script page from the 20th Century-Fox film Danger - Love at Work (1937). Pages include extensive annotation and one features the signature of "Roberta Vale", presumably a candidate for Scarlett. Fascinating GWTW artifacts in Very Good condition.
Cary Grant Signed Photo. A color 8" x 10" photo featuring a rare image of a grey-haired and bespectacled Grant late in life, inscribed "To Shelley, by way of Mark, and with happy thoughts!' and signed by the actor in black felt tip. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Erin Gray's Buck Rogers in the 25th Century Costume Helmet. A brown plastic helmet with metal ornaments decorations, created for Gray to wear as Wilma Deering in an unspecified episode of the late-'70s science fiction series. In Very Fine condition with a little paint loss and a two-inch split in the plastic at the base of the neck.
Eiffel Tower Model from The Great Race. An approximately 8.75" x 6.5" x 13" plastic scale model of a collapsed Eiffel Tower, used to film the final scene of director Blake Edward's 1965 globetrotting slapstick comedy. A couple of pieces of debris have come loose; otherwise the model is in Very Fine condition.
Green Dolphin Street Costume Design Sketches. A set of three 13" x 19" pencil and ink costume design drawings for the 1947 period drama, including a gown design for Lana Turner. In overall Very Fine condition with some wear and tear to the edges.
Charles D. Hall Texas Studio Painting. A 27.5" x 20" painting of Texas Studios, applied paint on paper with pencil accents and writing, by Charles D. Hall, the art director for Frankenstein (1931). In Fine to Very Fine condition with some wear, tearing to the edges, and missing corners.
Charles D. Hall Western Painting. A 24.5" x 19" painting with a Western-themed street scene, applied paint on paper with pencil accents and writing, by Charles D. Hall, art director for Frankenstein (1931). In Very Fine condition with some mild wear.
Charles D. Hall Texas Studios Map Painting. A 26.75" x 19.75" painting featuring a map of Texas Studios, applied paint over a photocopy image with pencil accents and writing, by Charles D. Hall, the art director for Frankenstein (1931). In Very Fine condition with some mild wear and a missing top left corner.
Juanita Hall's 1949-50 Tony Award, the First Ever Awarded to an African-American. Most often remembered for her roles in various Rodgers and Hammerstein musicals, actress Juanita Hall broke social barriers in 1950 when she became the first African-American to win this Tony Award for Best Supporting Actress for her role as Bloody Mary in South Pacific. (She later reprised the part in the 1958 film version, though her singing of "Bali Hai" and "Happy Talk" was dubbed, at Richard Rodgers' request, by Muriel Smith who had played the role in the London production.) Though the awards were established in 1947, it wasn't until 1949 that the first medallions were actually presented to winners, making this one of the earliest Tony awards handed out. The award is in Excellent condition, and is accompanied by a 64-page hardback making-of book detailing the production of the 1958 movie (Fine condition).
Jean Harlow Inscribed Photo to William Wyler. A vintage b&w 10" x 13" photo of the very glamorous Harlow inscribed: "'Willie' darling - Loads of love to you from Jean" by her in black ink. "Willie" is believed to be director William Wyler. Jean Harlow died from renal failure at the tender age of 26, just as her career was flourishing; during her lifetime, much of her correspondence and autograph-signing duties was handled by her mother, "Mama Jean" Harlow. As such, signed items bearing Harlow's actual signature are hard to come by. This is a superb example of such a rare autograph, in Fine to Very Fine condition with some fading, toning, and wear. Accompanied by a signed letter of provenance. Accompanied by James Spence Authentication auction LOA.
Jonathan Harris Prop Head. A life-size reproduction of Harris as Dr. Smith on the popular '60s science fiction series. Harris played the scheming character during the series' three-season run. In Very Fine condition with some wear and a few scratches to the surface.
Marilyn Harris Signed Frankenstein Photo. A b&w 8" x 10" photo still of the tragic lakeside scene between the Monster and Marilyn Harris in the classic horror movie, inscribed and signed by Harris (who played Little Maria in the scene) in blue felt tip. A rare and highly desirable signature. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Rita Hayworth and Shirley Temple Autographs. A plain brown 5" x 7" piece of paper inscribed and signed in black ink on one side by leading lady Rita Hayworth, and on the other by child star Shirley Temple. In Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Rita Hayworth Worn Chiffon Jumpsuit. A floor length skirted chiffon overlay in yellow and green, transforms the jumpsuit into a gown, its flowing sleeves extending to a point well past the knee. Beneath the overlay is a sleeveless chiffon jumpsuit in the same pattern with a gathered V-neck, which has a center back zipper that opens to a pale yellow lining. The jumpsuit is in very good condition.
Rita Hayworth Worn Pink Robe. The diagonally striped floor length pink chenille robe is in a wrap around design embellished with rosettes in tones of pink at the neck and at the cuff of the straight sleeve. Closed at the shoulder with three hooks, the interior is lined in pink with the label reading "Posh Couture". While in overall good condition, there is a burn hole close to the front edge, a few light stain marks on the front and a very small hole at the left arm seam.
Edith Head Gunfight at the O.K. Corral Costume Design Drawing. A 12.75" x 16" costume drawing by Head, pencil and watercolor on drawing paper, for a dress design for Rhonda Fleming in the 1957 Western. In Very Fine to Excellent condition.
Mark Hellinger and Others Movie Mogul-Signed Photos. Set of five signed b&w 8" x 10" photos includes Mark Hellinger, George Abbott, William LeBaron, Leo McCarry, and Jesse Lasky. In overall Very Fine condition, with studio stamps on the reverse of all but the LeBaron photo. Accompanied by James Spence Authentication auction LOA.
Audrey Hepburn Signed Photo. Charming b&w 8" x 10" portrait of a wide-eyed Audrey Hepburn, circa late 1950s, signed, "To Allen - My Best Audrey Hepburn." Clean blue ballpoint signature and a lovely pose, and in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Katherine Hepburn Signed Undercurrent Costume Design Drawing. A 12.5" x 18" costume design sketch, pencil on drawing paper with a fabric swatch attached, for a negligee and coat worn by Hepburn in the 1946 thriller. the drawing has been signed by costume designer Irene, Hepburn, and director Vincente Minnelli, and initialed by producer Pandro Berman in pencil. In Very Fine condition, accompanied by a b&w 8" x 10" photo still featuring Hepburn wearing the costume in the film.
Her Jungle Love Storyboards. Set of four storyboards, watercolor and ink on 30" x 10" heavy illustration board, each featuring four images from the pre-production phase of the 1938 adventure movie. A Technicolor classic, Her Jungle Love featured Dorothy Lamour (once again in a sarong) and Ray Milland. The drawings are in Very Fine condition.
Alfred Hitchcock Signed Contract. A 23-page employment contract, dated August 5, 1954, employing Hitchcock as director for the black comedy The Trouble With Harry. The contract establishes compensation, services of director, grant of rights, and other provisions, and is signed by Hitch in blue fountain ink on the last page. In Fine to Very Fine condition with mild wear and the usual staple and binder holes to the top edge. Accompanied by James Spence Authentication auction LOA.
Alfred Hitchcock Signed Contract. A two-page agreement dated December 7, 1965, detailing advertising agreements between Hitchcock and Universal Studios, signed by the legendary director in blue ink on page two. In Very Fine condition with mild toning, staple holes to the upper left corner, and binder holes to the top edge. Accompanied by James Spence Authentication auction LOA.
Dustin Hoffman Signed Contract. An single-page, double-sided, exclusive agency contract between Ashley Famous Agency and Hoffman, dated May 19, 1965, and signed by the actor on the reverse in blue ballpoint. In Very Fine condition with some wrinkling, fold creases, a piece missing from the top left corner, and binder holes to the top edge. Accompanied by James Spence Authentication auction LOA.
Moe Howard and Larry Fine Signed Letters. This pair of letters from the stalwart Stooges includes a single-page letter on lined paper, undated (envelope postmarked December 6, 1973), handwritten and signed by Larry Fine with his personal stamp near the bottom; and a single page letter on hotel stationery, undated, handwritten and signed by Moe Howard in blue ink. Both are in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Moe Howard Signed Letter and Photos. Included is a single-page letter, undated, handwritten and signed by the lead Stooge himself in blue ink. The letter is accompanied by a copy of the CD One on One with Moe and Larry; a three-page article about the comedy team; and four b&w photos, sizes 5" x 1.5" to 5" x 7", also signed by Howard. Items are in overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Edgar Hurley Signed Document and Picture Archive. Edgar Hurley, British stage star, was headliner of the Karno vaudeville troupe that brought Charlie Chaplin and Stan Laurel to the United States. This lot features 26 items, including a signed contract dated May 19, 1915 with Henderson's Music Hall of Coney Island, NY, and an undated contract with the Gus Sun Booking Exchange Co., as well as ten pictures of the team of Edgar Hurley and Ethel Wren (with duplicates of a number of the shots). Included is an illustrated interview with Hurley in the November 27, 1938 edition of the Buffalo Courier-Express, in which he recalls sailing from Liverpool October 9, 1912 with Chaplin and Laurel in his troupe. providing fascinating reminiscences about the historic tour. An unusual archive of great historic import. Good condition.
Edgar Hurley Autograph Book. British vaudeville star Edgar Hurley and his wife Ethel Wren brought this autograph book to the United States in 1913, during which time they toured in a comic troupe including Stan Laurel and Charles Chaplin. This 6.5" x 8" autograph book with black leather cover contains the signatures of many of the acts they met along the way, some of whom added cartoons to their inscriptions and signatures. The cover of the 96-year old book is now unattached, and the book has long traveled in a leather wrapping, and is in Fair condition. However, the inside pages are funny and colorful, and contain awesome show business history. Accompanied by James Spence Authentication auction LOA.
Walter Huston and Others Actor-Signed Photos. Set of five signed b&w 8" x 10" photos includes Walter Huston, Burgess Meredith, Elisha Cook Jr. (Fine condition), Fredric March, and Edmund Lowe (Excellent). Studio stamps on the reverse of each. In overall Very Fine condition, except as noted. Accompanied by James Spence Authentication auction LOA.
Indiana Jones and the Last Crusade Prop Sword. A 38.5" prop medieval-style broadsword used in the 1989 sequel. The sword has a stainless steel blade and hilt of similar material, and is in Excellent condition with little tarnishing.
Rex Ingram Signed Photo. Vintage b&w 11" x 14" photo inscribed and signed by the silent-era director in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Important George Jessel Signed Letter. A single-page typewritten letter on personal stationery, dated December 11, 1941, from Jessel to Captain Charles Roosevelt, requesting a naval commission as a public relations officer. (He would ultimately travel abroad with the USO.) The letter is signed by Jessel in black ink, and is in Very Fine condition with some light toning and mailing creases. It is accompanied by a response letter from Capt. Roosevelt's secretary. Accompanied by James Spence Authentication auction LOA.
Jumanji Concept Art Sketches. A pair of 11" x 17" design sketches, ink and water color on illustration paper mounted on heavy cardstock, featuring concept art of a giant mosquito and tarantula, for the 1995 fantasy-adventure movie. In Excellent condition.
Boris Karloff Signed Sketch from the Brown Derby. A framed 11" x 14" caricature sketch of Karloff by Eddie Vitch circa the 1930s, inscribed "To the Brown Derby/Best Wishes" and signed by the iconic actor in black ink. This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades, and Vitch was the artist who began the tradition in 1929. This particular sketch is signed by Vitch in the lower right corner. In Very Fine condition with some mild age toning and some moisture damage to the bottom edge, just barely touching the signature. Accompanied by James Spence Authentication auction LOA.
Boris Karloff Handwritten Letter on Arsenic and Old Lace Stationery, with Photo. A two-page letter dated March 20, 1942, handwritten front and back on Arsenic and Old Lace Fulton Theatre letterhead and signed by Karloff in black ink. The letter was written by Karloff to his mother-in-law, Louise Stine, during the actor's 1,400-performance run in the comedy play. Karloff was very close to Stine, and remained so after his 1946 divorce from Dorothy, to the extent that he continued to pay Stine's expenses for many years. Karloff discusses the play, an upcoming Columbia production with Peter Lorre (And The Boogie Man Will Get You), his activities in the war effort, and books he was reading at the time. The letter is in Very Fine condition with mailing folds, but has been stored flat for years, and is accompanied by its original mailing envelope and a b&w 8" x 10" cast photo from the 1957 Anchorage, Alaska, production of the play (from Karloff's personal collection). Accompanied by James Spence Authentication auction LOA.
Boris Karloff Signed Photo. A b&w 8" x 10" photo of the Frankenstein star, dated 1938 and inscribed and signed by him in black ink. In Very Fine to Excellent condition with mild wear and studio stamps on the reverse. Accompanied by James Spence Authentication auction LOA.
Boris Karloff and Forrest J. Ackerman Signed Paperback. A copy of Ackerman's 1969 profile of Karloff, with an inscription and signature from the latter, dated 1966, affixed to the inside front cover, and an inscription and signature by Forry added underneath. (Ackerman, who passed away last December, writes: "Only regretting that the star of this book isn't still with us.") Both signatures are in clear, bold ballpoint, and the book is in Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Boris Karloff, Gloria Swanson, and Others Signed Copy of Tonight or Never. A copy of the novelization of the 1931 comedy (based on the play by Lily Hatvany)signed on the first free page by actors Boris Karloff (on a decal affixed to the page), Gloria Swanson, and Melvyn Douglas; and on the title page by director Mervyn LeRoy. (The movie was Douglas' film debut.) In Very Fine condition with a Very Good to Fine dustjacket. Accompanied by James Spence Authentication auction LOA.
Boris Karloff, Vincent Price, Christopher Lee and Others Signed Horror Movie Book. A copy of An Illustrated History of the Horror Film (1967) signed on the first free pages by legendary horror movie icons Lon Chaney Jr., Elsa Lanchester, William Castle, Mae Clarke, Vincent Price, Christopher Lee, and seven others; an inscription and signature by Karloff are on a decal affixed to the front flyleaf. In Excellent condition with a Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Jack P. Pierce's Scrapbook. Jack P. Pierce was the true Dr. Frankenstein of Universal City.
The most legendary makeup artist in Hollywood history, Pierce was a scrappy genius, an unassuming artist, and a genuine creator of folklore. His name is synonymous with Golden Age Universal, where he was makeup chief from 1927 until 1947. Pierce designed and protected the beauty secrets of actresses, designed and applied brilliantly believable age makeups, and worked cinema magic.
Most famously, he created monsters.
Boris Karloff's Frankenstein Monster and Mummy, Claude Rains' bandaged Invisible Man, Elsa Lanchester's Bride of Frankenstein, Lon Chaney Jr.'s Wolf Man -- indeed, every Universal creature of the night who inspired nightmares throughout the Depression and World War II came into being via the tricks, tools, and remarkable imagination of Jack Pierce.
This is a once-in-a-lifetime opportunity to own Pierce's personal scrapbook. It's an amazing artifact, so packed with original photos, clippings and correspondence that lifting the massive 18-pound, 16.5" x 18" book provides the spine-tingling sensation of actually holding classic Universal history in your hands. Although the consignor has removed some of the horror material to preserve in his own collection, a gothic treasure-trove remains -- and all of the shots are originals (with some of them actual proofs, pre-dating the originals), as are all the clippings. Among the material, all personally attached to the book by Pierce with makeup tape, are:
A newspaper photo of Jacques Lerner in Pierce's simian makeup in 1927's The Monkey Talks; a magazine photo of Conrad Veidt with Pierce on 1928's The Man Who Laughs; newspaper and magazine clippings on 1931's Frankenstein; a two-page spread on 1932's The Old Dark House, with photos of Karloff as Morgan and Elspeth Dudgeon as the 102-year old Mr. Femm, plus reviews; multiple pages on 1932's The Mummy, with stills of Karloff and Zita Johann, trade paper coverage of Karloff presenting Pierce the Hollywood Filmograph award for makeup (with trade paper photos of Karloff and Pierce with the trophy), a Universal Weekly page devoted to the film, congratulatory telegram to Pierce and Karloff on the film, the magazine feature "Makeup Secrets of Movie Horror Pictures;" a Spanish magazine feature; Claude Rains portraits (in goggles and bandages) from The Invisible Man; magazine photo of Elsa Lanchester in Bride of Frankenstein, separate magazine photos of Karloff and Lanchester, clippings including a New York Times story on the film (May 10, 1935) and Spanish magazine feature; trade ad for Werewolf of London, two stills of Henry Hull, the Variety review and a Feg Murray newspaper sketch of Hull as the lycanthrope; Douglass Montgomery in old age makeup from The Mystery of Edwin Drood; magazine photo of Karloff in The Raven; portrait photos of Karloff and Lugosi in The Invisible Ray; two Karloff portrait photos from Night Key; candid photo of Pierce with Karloff, Lugosi and director Rowland V. Lee clowning on Son of Frankenstein, plus page from the press book, a Feg Murray color newspaper sketch of Karloff's Monster, Buffalo Times rotogravure two-page spread sketch entitled "Monsters in the Making"; Karloff "attacking" Pierce candid from Tower of London, plus photos of Basil Rathbone, Ian Hunter and Vincent Price; candids from Black Friday of Pierce with Karloff, and of Karloff with Stanley Ridges; photos of Vincent Price and Margaret Lindsay in House of the Seven Gables; four shots from The Mummy's Hand, including two of Tom Tyler's Mummy; two photos of Pierce with John Barrymore on The Invisible Woman; two photos of Lon Chaney Jr. in Man Made Monster; three shots of Chaney Jr. as The Wolf Man, plus clippings; two photos of Chaney and Lugosi in The Ghost of Frankenstein; Lionel Atwill in Asian makeup as "the Baron" in Junior G-Men of the Air; photo of Chaney in The Mummy's Tomb; Hollywood Reporter story "Bela Lugosi Collapses Under Monster Makeup" regarding 1943's Frankenstein Meets the Wolf Man, plus Newsweek review of film; seven stills from 1943's Phantom of the Opera; David Bruce in makeup as 1943's The Mad Ghoul; photos of Karloff and J. Carrol Naish in House of Frankenstein; photo of Vicky Lane in Jungle Captive; photo of Chaney in House of Dracula.
Of course, there's more than horror here -- in fact, the scrapbook dates all the way back to 1915 and covers a half-century of film and TV history. There's original material related to many Universal classics of the 1930s and 1940s: All Quiet on the Western Front, East of Borneo, Back Street (both the 1932 and 1941 versions), Great Expectations, Show Boat (both the 1929 and 1936 versions with a magnificent two-page spread on the latter), Three Smart Girls, Arabian Nights, and many more. The stars are here too: beautiful photo portraits of Deanna Durbin (including a candid of Jack attending her 19th birthday party), clippings of Abbott and Costello joining Jack in making an effigy of Hitler, photos of Tom Tyler (as Buffalo Bill), Sidney Fox (in Asian makeup), Edward G. Robinson, Irene Dunne, Edgar Bergen and Charlie McCarthy, Maria Montez, and a 1931 full-length portrait of starlet Bette Davis (with original snipe en verso).
There are "thank you" letters from charities and wartime organizations that Jack assisted, a spread of photos from 1948's Joan of Arc (which Jack worked on after leaving Universal), candids of Jack from various phases of his career, and finally, a page with a horseshoe drawing, signed by the company of Mr. Ed -- Jack's professional swan song -- signed by stars Alan Young and Connie Hines, director Arthur Lubin, and the voice of the horse (of course), Allan "Rocky" Lane, who's signed his own name as well as Mr. Ed's.
The book is brown leather, inscribed on the lower right corner: "Jack Pierce from Harry Gladstone." There is some minor tattering on some pages and a few cracked edges on some pictures, and Jack has written names and/or dates on some photos. Still, the overall quality of the material is Very Good and the impact of this material and its history nearly overwhelming.
Jack Pierce died in 1968, fearing that Hollywood had virtually forgotten him. Fans of classic cinema have embraced him with a respect he never enjoyed in his lifetime, and this scrapbook is an intimately personal testimony to his genius. The Jack Pierce scrapbook is a wonderful relic from a bygone Hollywood, carrying the very essence of the man who once was this scrapbook's proud custodian.
The most legendary makeup artist in Hollywood history, Pierce was a scrappy genius, an unassuming artist, and a genuine creator of folklore. His name is synonymous with Golden Age Universal, where he was makeup chief from 1927 until 1947. Pierce designed and protected the beauty secrets of actresses, designed and applied brilliantly believable age makeups, and worked cinema magic.
Most famously, he created monsters.
Boris Karloff's Frankenstein Monster and Mummy, Claude Rains' bandaged Invisible Man, Elsa Lanchester's Bride of Frankenstein, Lon Chaney Jr.'s Wolf Man -- indeed, every Universal creature of the night who inspired nightmares throughout the Depression and World War II came into being via the tricks, tools, and remarkable imagination of Jack Pierce.
This is a once-in-a-lifetime opportunity to own Pierce's personal scrapbook. It's an amazing artifact, so packed with original photos, clippings and correspondence that lifting the massive 18-pound, 16.5" x 18" book provides the spine-tingling sensation of actually holding classic Universal history in your hands. Although the consignor has removed some of the horror material to preserve in his own collection, a gothic treasure-trove remains -- and all of the shots are originals (with some of them actual proofs, pre-dating the originals), as are all the clippings. Among the material, all personally attached to the book by Pierce with makeup tape, are:
A newspaper photo of Jacques Lerner in Pierce's simian makeup in 1927's The Monkey Talks; a magazine photo of Conrad Veidt with Pierce on 1928's The Man Who Laughs; newspaper and magazine clippings on 1931's Frankenstein; a two-page spread on 1932's The Old Dark House, with photos of Karloff as Morgan and Elspeth Dudgeon as the 102-year old Mr. Femm, plus reviews; multiple pages on 1932's The Mummy, with stills of Karloff and Zita Johann, trade paper coverage of Karloff presenting Pierce the Hollywood Filmograph award for makeup (with trade paper photos of Karloff and Pierce with the trophy), a Universal Weekly page devoted to the film, congratulatory telegram to Pierce and Karloff on the film, the magazine feature "Makeup Secrets of Movie Horror Pictures;" a Spanish magazine feature; Claude Rains portraits (in goggles and bandages) from The Invisible Man; magazine photo of Elsa Lanchester in Bride of Frankenstein, separate magazine photos of Karloff and Lanchester, clippings including a New York Times story on the film (May 10, 1935) and Spanish magazine feature; trade ad for Werewolf of London, two stills of Henry Hull, the Variety review and a Feg Murray newspaper sketch of Hull as the lycanthrope; Douglass Montgomery in old age makeup from The Mystery of Edwin Drood; magazine photo of Karloff in The Raven; portrait photos of Karloff and Lugosi in The Invisible Ray; two Karloff portrait photos from Night Key; candid photo of Pierce with Karloff, Lugosi and director Rowland V. Lee clowning on Son of Frankenstein, plus page from the press book, a Feg Murray color newspaper sketch of Karloff's Monster, Buffalo Times rotogravure two-page spread sketch entitled "Monsters in the Making"; Karloff "attacking" Pierce candid from Tower of London, plus photos of Basil Rathbone, Ian Hunter and Vincent Price; candids from Black Friday of Pierce with Karloff, and of Karloff with Stanley Ridges; photos of Vincent Price and Margaret Lindsay in House of the Seven Gables; four shots from The Mummy's Hand, including two of Tom Tyler's Mummy; two photos of Pierce with John Barrymore on The Invisible Woman; two photos of Lon Chaney Jr. in Man Made Monster; three shots of Chaney Jr. as The Wolf Man, plus clippings; two photos of Chaney and Lugosi in The Ghost of Frankenstein; Lionel Atwill in Asian makeup as "the Baron" in Junior G-Men of the Air; photo of Chaney in The Mummy's Tomb; Hollywood Reporter story "Bela Lugosi Collapses Under Monster Makeup" regarding 1943's Frankenstein Meets the Wolf Man, plus Newsweek review of film; seven stills from 1943's Phantom of the Opera; David Bruce in makeup as 1943's The Mad Ghoul; photos of Karloff and J. Carrol Naish in House of Frankenstein; photo of Vicky Lane in Jungle Captive; photo of Chaney in House of Dracula.
Of course, there's more than horror here -- in fact, the scrapbook dates all the way back to 1915 and covers a half-century of film and TV history. There's original material related to many Universal classics of the 1930s and 1940s: All Quiet on the Western Front, East of Borneo, Back Street (both the 1932 and 1941 versions), Great Expectations, Show Boat (both the 1929 and 1936 versions with a magnificent two-page spread on the latter), Three Smart Girls, Arabian Nights, and many more. The stars are here too: beautiful photo portraits of Deanna Durbin (including a candid of Jack attending her 19th birthday party), clippings of Abbott and Costello joining Jack in making an effigy of Hitler, photos of Tom Tyler (as Buffalo Bill), Sidney Fox (in Asian makeup), Edward G. Robinson, Irene Dunne, Edgar Bergen and Charlie McCarthy, Maria Montez, and a 1931 full-length portrait of starlet Bette Davis (with original snipe en verso).
There are "thank you" letters from charities and wartime organizations that Jack assisted, a spread of photos from 1948's Joan of Arc (which Jack worked on after leaving Universal), candids of Jack from various phases of his career, and finally, a page with a horseshoe drawing, signed by the company of Mr. Ed -- Jack's professional swan song -- signed by stars Alan Young and Connie Hines, director Arthur Lubin, and the voice of the horse (of course), Allan "Rocky" Lane, who's signed his own name as well as Mr. Ed's.
The book is brown leather, inscribed on the lower right corner: "Jack Pierce from Harry Gladstone." There is some minor tattering on some pages and a few cracked edges on some pictures, and Jack has written names and/or dates on some photos. Still, the overall quality of the material is Very Good and the impact of this material and its history nearly overwhelming.
Jack Pierce died in 1968, fearing that Hollywood had virtually forgotten him. Fans of classic cinema have embraced him with a respect he never enjoyed in his lifetime, and this scrapbook is an intimately personal testimony to his genius. The Jack Pierce scrapbook is a wonderful relic from a bygone Hollywood, carrying the very essence of the man who once was this scrapbook's proud custodian.
Jacqueline Bouvier Kennedy's Sympathy Response Cards. Set of 11 cards and envelopes inscribed with the Kennedy family crest and the message "Mrs. Kennedy is deeply appreciative of your sympathy and grateful for your thoughtfulness", sent to well-wishers following the assassination of President Kennedy. The items are in Excellent condition with some instances of very mild toning.
Ernie Kovacs and Edie Adams Signed "Potato Head Prize." This 3.5" x 5.5" WCBS-TV New York card was apparently the "Potato Head Prize" sent to a fan who submitted questions and answers for the "Ignorance Unlimited" skit on Ernie Kovacs' Kovacs Unlimited TV show. The card shows Kovacs in prison garb flanked by show cast regulars Edith Adams (as Edie was called in those days), Andy McKay, Trygve Lund, and Eddie Hatrak, all of whom have signed in different color ink. Also included is a note on WCBS-TV letterhead, written in green ink by Andy McKay to the prize winner, as well as the envelope, postmarked in New York January 28, 1953, with a "keep your eye on CBS Television" logo stamped on the front of the envelope. Kovacs' office address is on the envelope also, and on the back flap is a cartoon of Kovacs' eyebrows, mustache, and cigar. Very Good condition. Accompanied by James Spence Authentication auction LOA.
Ernie Kovacs Signed Letter and Card. Typed letter on CBS Television letterhead, dated September 16, 1953, signed in fountain ink by Ernie Kovacs. The letter is to a fan and Kovacs included an "EEFMS" membership card -- "The Early Eyeball Fraternal and Marching Society," which Kovacs has also signed over a line reading: "(Janitor) WCBS-TV." The front of the card has a huge eyeball illustrated on it; this likely was a novelty offered to fans as Kovacs' TV fame grew. Added to the letter is a handwritten note to the fan from "Vicki," possibly one of the "Philly fans" on Kovacs' show. Letter is postmarked in New York September 16, 1953 and has a "Keep your eye on CBS Television" stamp on the front of the envelope. Excellent condition.
Ernie Kovacs Signed Script and Letter, Show Tickets and Facsimile Autographed Picture. , From the early era of Ernie Kovacs TV mayhem comes this lot, which includes the script for the July 14, 1954 show (including Ernie's soliloquy as Molnar, the invisible Hungarian butcher), signed by Ernie, "To Evie, Best to an old Philadelphia buddy. Ernie", a handwritten letter on WABD (Channel 5, New York) stationery, signed "Ernie"; five tickets to Kovacs' show when it aired on WPTZ (Channel 3, Philadelphia); and a promotional photo of Ernie posing with the RCA Victor dog (or a dummy of same), with facsimile autograph. WABD letter comes with original envelope. In Very Good condition. Accompanied by James Spence Authentication auction LOA.
Stanley Kramer's NAACP Vanguard Award. Created in 1998 for the 29th Annual NAACP Image Awards, the Vanguard is presented to a person whose groundbreaking work increases understanding and awareness of racial and social issues. Stanley Kramer was the first recipient of the honor, in recognition of the strong social themes that ran through his body of work. (It has been presented only twice more to date, to Steven Spielberg in 2000 and Prince in 2005). This is the statuette presented to Kramer, a stirring representation of a man bearing the weight of the world. It measures 14" in height, with a circumference of 8" at the base, and is in Excellent condition. From the Stanley Kramer Estate.
View our 14 minute video: In celebration of Stanley Kramer
View our 14 minute video: In celebration of Stanley Kramer
Stanley Kramer's American Foundation for the Performing Arts Lifetime Achievement Award. This ornate plaque was awarded to Stanley Kramer by the Foundation March 25, 1991, and personally presented to the director by former President Gerald Ford. The piece was created by world-renowned Russian artist Mihail Chemiakin,whose work has been exhibited at the Hermitage Museum, St. Petersburg; Museum of Modern Art, Rio de Janeiro; Tokyo Museum of Contemporary Art; Pushkin Museum of Art, Moscow; and Trianon Palace at Versailles. The large brass award measures 12" x 12.5" x 1" with a wood backing, and is in Very Fine condition with a few small areas of mild wear and tarnishing. Also included is a program book from the event and a b&w 8" x 10" photo of Kramer and President and Mrs. Ford at the awards ceremony, both in Excellent condition. From the Stanley Kramer Estate.
View our 14 minute video: In celebration of Stanley Kramer
View our 14 minute video: In celebration of Stanley Kramer
Carl Laemmle Jr. Autograph. A 6" x 4.5" autograph album page inscribed and signed by the film industry pioneer in black ink. Laemmle Jr. was responsible for convincing his father to delve into the horror film genre. In Very Fine condition with tanning along the edges that does not affect the signature. Accompanied by James Spence Authentication auction LOA.
Carl Laemmle Signature and Early Universal Studios Correspondence. Carl Laemmle, the founder of Universal Pictures in 1912, was one of the most legendary of all Hollywood pioneers, and his studio one of the most colorful in film history. This packet of four letters includes a typed letter on The Laemmle Film Service letterhead (prior to Laemmle founding Universal), dated March 24, 1910, and signed in full by Laemmle in black fountain ink; a typed letter dated August 27, 1914, on Universal Films letterhead, signed by studio business manager P. Lawhead in black fountain ink; a typed letter on Universal Film Exchange letterhead and signed by the studio's Milwaukee branch manager W. Brimmer; and a typed letter dated April 24, 1935, on Universal Film Exchange stationery, signed in purple fountain ink by asst. Milwaukee manager John Bergant. The last piece is typed and signed on specially designed color stationery promoting Bride of Frankenstein, featuring wonderful illustrations of Boris Karloff as the Monster and leading lady Elsa Lanchester. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Dorothy Lamour and Others Actress-Signed Photos. Set of five signed vintage b&w 8" x 10" photos includes Dorothy Lamour, Mae West, Martha Raye, Zasu Pitts (Excellent condition), and Irene Dunn. Studio stamps on the reverse of each. In overall Very Fine condition except as noted. Accompanied by James Spence Authentication auction LOA.
Dorothy Lamour Signed Photo. A slightly racy b&w 11" x 14" photo of Lamour in chains from one of her many jungle adventure films, inscribed and signed by the actress in black ink. In Very Fine condition with mild toning and corner wear. Accompanied by James Spence Authentication auction LOA.
Harry Langdon Signed Photo. Vintage b&w 10.5" x 13.5" photo inscribed and signed by the comedian in black ink. In Fine condition with some soiling, edge wear, and moderate toning. Accompanied by James Spence Authentication auction LOA.
Stan Laurel and Oliver Hardy Signed Photo. This is the Stan and Ollie portrait that most of their fans prefer -- the world's most beloved comedy team, circa 1930, smiling in their derbies, Ollie's arm around Stan's shoulder. Stan has signed in the lower margin in blue ink, "Hello George! Stan Laurel," while Ollie has signed his full name under his image in blue ink (now slightly faded). In Fine to Very Fine condition with some silvering, a vertical crease across Laurel and the "S" in his signature, and staples along the edges. Stamped on the reverse is "Please credit photo by Stax." Few comics ever brought so much joy to so many people, and this famous pose with its signatures presents the legendary duo in their most desirable form. Accompanied by James Spence Authentication auction LOA.
Laurel and Hardy Signed Photo. A classic b&w 8" x 10" photo of the world's most beloved comedy team, circa 1930, smiling in their derbies with Ollie's arm around Stan's shoulder, inscribed "To Ed & Ethel -- as ever!" and signed "Stan" and "Ollie" by the legendary comedy duo in blue ink. The photo is in Fine to Very Fine condition, and is accompanied by a sheet of stationery and envelope that bear Laurel and Hardy's official business letterhead. Accompanied by James Spence Authentication auction LOA.
Stan Laurel Early Photos and Script Draft. Includes seven vintage b&w photos and postcards featuring Laurel (including two of him with fellow Keystone player Charlie Chaplin) early in his vaudeville career, plus a six-page draft for a sketch titled "The Nutty Burglars" that featured the comedian. The photos range in size from 3.5" x 5.5" to 6.5" x 8.5" and are in overall Very Good to Fine condition; the script is in Fine condition.
Stan Laurel Signed Photo from 1913, Signed Stan Jefferson. A rare vintage b&w 8" x 10" photo of a very young Stan Laurel, inscribed and signed "Sincerely yours, Stan Jefferson/1913" on the front in black ink, and "To Edgar & Ethel -- all the best in the world old pal. Yours as ever, Stan" on the reverse in blue. Laurel was born Arthur Stanley Jefferson in Lancashire, England, in 1890. In 1910, he joined Fred Karno's acting troupe, where he was an understudy to Charlie Chaplin and toured the U.S. for the first time. The date on the photo places it during that early, pre-Laurel and Hardy era. The photo is in Fine condition with a crease along the right edge that ends in part of the signature, fading to the front inscription, damaged right-hand corners, mild to moderate toning on both sides, and some soiling to the reverse. Accompanied by James Spence Authentication auction LOA.
Stan Laurel Signed Photos and Early Documents. An early, 7.5" x 9" photo of a very young, almost elfin Stan Laurel, signed in blue fountain ink, "Still - Silly old Joey!! Love to you both! Stan." Accompanying the photo is an amazing collection of documents, contracts, correspondence and datebooks, dating as far back as 1912, regarding Edgar Hurley, with whom Stan toured during the Fred Karno vaudeville era. Laurel won his early distinction in the Karno company, in which a fellow member was Charlie Chaplin (Laurel was his understudy). The documents include a July 23, 1912 letter on Karno's stationery, signed by Karno in pencil and threatening legal action if Hurley violated his contract, and even Hurley's French drivers license, with photo and signature! The Laurel photo has some surface damage on the hat he's holding -- Fair condition, but a stunning piece nonetheless. The items (nearly 100 years old) are in surprisingly Good condition. Incredible artifacts from the early show business adventures of a comedy immortal. Accompanied by James Spence Authentication auction LOA.
Photos of a Very Young Stan Laurel and Charlie Chaplin in Edgar Hurley's Scrapbook. This vintage scrapbook is a remarkable piece of show business history, dating back to 1913, when Stan Laurel and Charlie Chaplin were touring the United States with the Fred Karno troupe, starring Edgar Hurley. Hurley himself maintained this scrapbook, which includes ten photos of the 23-year-old Laurel and three of the 24-year-old Chaplin, the latter in his "Little Tramp" makeup and costume. (For a time Laurel served as Chaplin's understudy.) The snapshots show the troupe at their leisure as they play everywhere from Billings to Salt Lake City to Los Angeles -- including a snapshot of Stan cooling off in a lake. The scrapbook also features marvelous vintage photos of Wild West attractions, elephants, 1913-era cars -- a virtual time machine back to the days and nights of barnstorming troupes of the early 20th century. A one-of-a-kind artifact from the formative years of Chaplin and Laurel, in Very Good condition.
Peggy Lee Signed Contract with Photo. A ten-page contract between Lee and Capitol Records dated February 23, 1965, and signed by the influential Jazz and Pop singer in black ballpoint on the last page. The agreement is in Very Fine condition and is accompanied by a b&w 8" x 10" photo of Lee. Accompanied by James Spence Authentication auction LOA.
Rowland V. Lee Signature Cutting. A small clipping from an unknown document featuring the filmmaker's signature in black ink. In Very Fine condition, accompanied by a b&w 4" x 6" photo of Lee clipped from a magazine with his signature reproduced under the picture. Accompanied by James Spence Authentication auction LOA.
Bert Lahr Signed Photo. A b&w 8" x 10" photo inscribed and signed by the Wizard of Oz actor in black ink. The photo is dated April 29, 1937 and has caption info and studio credit stamp on the reverse. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Frank Lloyd Signed Photo. A b&w 10.5" x 13.5" photo portrait of the Mutiny on the Bounty director, inscribed and signed by Lloyd in black ink. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Harold Lloyd and Richard Daniels Photograph Archive. Includes 18 b&w 8" x 10" publicity photographs, 12 of which show both Lloyd and Daniels. The remaining images picture Daniels alone (two duplicate photos). Richard Daniels appeared in four Harold Lloyd films: For Heaven's Sake, Safety Last!, Girl Shy, and Dr. Jack. Daniels is perhaps best known as the father of the Our Gang star, Mickey Daniels. A few photos show wear and edge chipping; otherwise, in Fine condition.
Carole Lombard Signed Photo. A beguiling b&w 11" x 14" photo of Lombard, inscribed "To my great friend Bob/your friendship means so much to me/Love, Carole" by the actress in black ink. In Very Fine to Excellent condition with credit stamp on the reverse and what appear to be light ink stains to the bottom edge. Accompanied by James Spence Authentication auction LOA.
Sophia Loren That Kind of Woman Costume Design Sketches. A pair of 11" x 15" costume design sketches, pencil and watercolor on heavy drawing paper, featuring dress designs for the 1959 romantic comedy. In Very Fine condition with some smudging to the notes on one.
Bela Lugosi Signed Abbott and Costello Meet Frankenstein Photo. A rare b&w 8" x 10" photo of Lugosi as Count Dracula in Abbott and Costello Meet Frankenstein, inscribed "To Norman, good luck" and signed by the legendary horror actor in blue ink. In Very Fine condition with a little fading to the signature and some small spots of soiling. Matted and framed to an overall size of 11.5" x 14.5".
Bela Lugosi Signed Contract. A two-sided 8.5" x 22" Screen Actors Guild Minimum Contract for Free Lance Players, dated June 11, 1937 engaging Lugosi to co-star in the Republic serial SOS Coastguard, signed by him in black fountain ink and also initialed twice in regard to starting date and co-star billing, and once more on an attached flyer. Republic executive E. Goldstein has also signed the contract. It's notable that Lugosi's career was in trouble at the time; indeed, this was his last film work before Son of Frankenstein began shooting more than 16 months later. Also intriguing is that his character's name, as noted on the contract, is "Boroff," which sounds suspiciously like a contraction of the name of his rival, Boris Karloff. There are some small tears at the top of file hole area, otherwise Very Good condition. Accompanied by a COA from PSA/DNA.
Bela Lugosi Signed 1951 Dracula Program. A program book from the 1951 British stage tour of Dracula, signed by Lugosi in red ink. This tour would be Lugosi's last hurrah with his Dracula counterpart, as his health waned drastically after returning from the ill-fated production. The program, from the Golders Green stop in the tour, is also signed by actress Sheila Wynn. Her portrayal of Lucy Seward in the play was rumored to be inspired by a genuine state of hypnosis, supposedly brought about by Bela's effect on the 21-year-old actress. Though Golders Green was Sheila's hometown, it was also the only venue where the troupe received hostile reactions from the crowd for the use of crucifixes throughout the play. She signed page four of the program in blue ink. A fascinating relic from Lugosi's last days as Dracula. In Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Bela Lugosi Painting. A 16" x 20" acrylic painting of the iconic horror movie actor in Ed Wood's Glen or Glenda (1953), in Excellent condition and framed to an overall size of 20" x 24", accompanied by a b&w 8" x 10" photo of the scene that inspired it.
Man in the Iron Mask Costume Design Drawing. A 11.5" x 13" costume design for the 1939 Three Musketeers movie, ink and gouache on rice paper with five fabric swatches attached. In Fine to Very Fine condition with staples along the edges and some toning and small stains.
Ray Milland's Costume Dress Jacket from Reap the Wild Wind. A dark blue dress coat with tails and black silk collar, worn by Milland in the seafaring epic Reap the Wild Wind (1942). The ruffle is missing from the left cuff, otherwise it is in Very Fine to Excellent condition with a United Costumers label bearing Milland's name sewn inside the inner pocket. (The company shut down in 1947.)
Nolan Miller Designed Black Satin Gown for Ann-Margaret. This black satin strapless gown is form fitting through the torso, flaring to the floor once over the hips and forming a train. The gown is embellished with applique black and white lace in an asymmetrical design from the right shoulder continuing down the leg and is accented with black and white seed beads and rosettes of lace and netting. The zipper closure is at back center, opening to an internal stayed corset with separate zipper fastener and the label to the right which reads "Nolan Miller Collection". Included is the original marker and glitter sketch for the gown, signed "Nolan Miller" and labeled "Ann-Margaret". The gown is in Very Good condition, with slight pulling to right of back zipper. From the Nolan Miller Collection.
Nolan Miller Designed Black Beaded Gown for Sophia Loren. A scooped-neck, floor-length gown is in black silk crepe beaded with black bugle beads in double vertical rows spaced at one half-inch intervals laid over a flesh toned silk crepe lining. Fitted through the torso, the skirt flares below the hips, gaining fullness with inset panels. Neck and cuffs are trimmed in black satin, with a zipper close at the wrist of the straight sleeve. The back opens by a center zipper with the label at the left side seam reading "Nolan Miller Couture". Included is the original marker and glitter sketch for the gown, signed "Nolan Miller" and labeled "Sophia Loren". The gown is in overall Good condition with minor bead loss. From the Nolan Miller Collection.
Nolan Miller Designed Gown for Sophia Loren. This full-length gown is in brown satin, the fabric woven in strips to form the fitted bodice with off-the-shoulder short sleeves and "V" back. From the bodice the full, gathered skirt flows to the floor with a slit to the thigh left of center. The center back zipper opens the stayed bodice, exposing a commercial black corset secured with 12 hooks and eyes, and a label to the left of the zipper reading "Nolan Miller Couture". Included is the original felt tip-and-glitter sketch for the gown, signed "Nolan Miller" and labeled "Sophia Loren". The gown is in Good condition with minor small spots on the front, which are not noticeable without close scrutiny, and a pull and minor fraying at the base of the zipper. From the Nolan Miller Collection.
Nolan Miller Designed Wedding Gown for Heather Locklear, 1994. Designed for Heather Locklear's December 1994 wedding to Richie Sambora, this ensemble is composed of a jacket and gown. The gown is in cream lace and satin, has a high-necked lace halter bodice lined in a flesh-toned satin that extends over the hips. The edge of the lace cut to follow the lace design is appliqued to the flared floor length skirt that forms a train. The back center zipper opens to the Nolan Miller Couture label and interior corset with stays, fastened by hooks and eyes. The jacket, in lace over flesh-toned satin, has scalloped edges and long straight sleeves finished at the cuff with six satin-covered buttons and loops. Included is the original marker-and-glitter sketch for the gown, signed "Nolan Miller" and labeled "Heather Locklear". The dress is in Good condition, with the front hem basted during a final fitting. From the Nolan Miller Collection.
Nolan Miller Designed Sequined Gown for Farrah Fawcett. In vertically applied rows of sequins of dark blue and shades of green, this off the shoulder dress is form fitted through the torso, the form exaggerated by the flesh tone net inserts along the side. Once over the hips the skirt flares to the floor, and is slit at the back center exposing the violet lining. A sequined sash backed in violet is attached at the left shoulder and is seen in the accompanying sketch signed by Nolan Miller as it wraps the neck and flows down the back. The dress is fastened at center back by zipper and bears the interior Nolan Miller Collection label. The gown is in very good condition. From the Nolan Miller Collection.
Nolan Miller Designed Gown for Jaclyn Smith. The off-the-shoulder gown with attached black chiffon overlay at the shoulder has a form-fitted torso, flaring below the hip to the floor and forming a train. The skirt, with a lower edge in pink crepe, serves as a foundation for streamers in pink and black crepe which are enhanced with beading and glitter, extending upward into the bodice. A side zipper exposes the Nolan Miller Collection label to the back. The dress is in good condition with glue residue showing loss of glitter rising from the streamers. From the Nolan Miller Collection.
Nolan Miller Designed Black Sequined Gown for Linda Evans. Featuring a cross-over bodice with drop sleeves, the black lace of this gown is used directionally, with a horizontal placement to the bodice and vertical to the skirt that has a rear center slit.The center back zipper opens to a flesh-toned lining, interior stayed corset, and a label at the left side that reads "Nolan Miller Couture". Included with the gown is the original marker-and-glitter sketch, signed "Nolan Miller" and labeled "Linda Evans". The gown is in Very Good condition. From the Nolan Miller Collection.
Nolan Miller Designed Black Lace Gown for Joan Collins. This black lace and net gown has a form fitting shape to the knee where it flares out to the floor in layers of polka dotted lace, netting, satin and organdy. The fitted torso of satin over flesh toned crepe is embellished with black tumbled stones, seed and bugle beads, and flounces of frayed fabric in rosettes. The dropped shoulders are enhanced with applique lace leaves flowing into straight polka dotted lace sleeves. The center back zipper closure opens to an interior corset with stays and is flanked to the left by the Nolan Miller Couture label. Included is the original marker and glitter sketch for the gown, signed Nolan Miller and labeled Joan. The gown is in Very Good condition. From the Nolan Miller Collection.
Nolan Miller Design for Dynasty, a White, Beaded Chiffon Suite with Skirt and Pants for Joan Collins in her Role as Alexis. Circa 1985; chiffon, bugle beads; label: Nolan Miller; dress size: 6/8. Nolan Miller designed this evening suite for Joan Collins in her role as Alexis in the TV series Dynasty. The white beaded chiffon evening suite includes a waisted top, floor-length skirt and pants. The top has a "jewel" neckline closing at back with a zipper and velcro strap and velcro at the waist band. The fullness is emphasized with a padded shoulder and raglan sleeve tapering to a narrow wrist, closed with a zipper. The top, fully hand-beaded in a tight meandering line of white bugle beads, is fully lined in white chiffon. One of the shoulder pads is made of batting, the other is covered with a snap closure for lingerie straps. The skirt, also beaded in a tight meandering line of white bugle beads, is fully lined in silk chiffon with the waist finished with a grosgrain ribbon. The pant is fitted with two darts front and back with an unbeaded chiffon waist band. The pant is closed by zipper and hook & eye at back center. Like the top and skirt the pant is fully lined in chiffon and has an overall beading in a tight meandering line of white bugle beads. In Very Fine condition with some soiling to the inside neck lining, and bead loss on the back of the top at the waistband. From the Nolan Miller Collection.
Nolan Miller Designed Sequined Gown for Elizabeth Taylor. A gown with bloused draped bodice and spaghetti straps that flows to a floor-length flared skirt forming a train. The dress is of an abstract netting in lavender, gold, and silver embroidered with gold thread in a meandering line, embellished with sequence in silver and lavender over a lavender crepe lining. The side zipper closure exposes the Nolan Miller Collection label to the rear. Included is the original marker and glitter sketch for the gown, signed Nolan Miller and labeled Elizabeth Taylor. The gown is in very good condition. From the Nolan Miller Collection.
Nolan Miller Designed Crepe Gown for Elizabeth Taylor. This dusty pink gown with gathered and crossed bodice has a straight skirt of two layers of crepe and matching silk chartreuse as the lining. A swag in lavender crepe drapes the skirt and is continued as a sash flowing up and over the left shoulder cascading down the back. The center back zipper closure exposes the structured bodice shaped with stays and the signature Nolan Miller Couture label at the zipper left. Included is the original marker and glitter sketch for the gown, signed Nolan Miller and labeled "Elizabeth Taylor". The gown is overall in Good condition, while there are some pulls in the fabric at the zipper edge. Of the original set of hooks and eyes accompanying the zipper, only the eyes are in place. From the Nolan Miller Collection.
Nolan Miller Design for Dynasty Wide-Brimmed Straw Hat and Marker Sketch of Costume for Linda Evans. Circa 1985; straw, silk ribbon; label: Nolan Miller Couture; hat size: not known. The wide-brimmed natural straw hat, with narrow brown satin ribbon around crown, has an interior edged with a cotton band and a label on cotton band reading "Nolan Miller Couture." The marker sketch of Linda shows her dressed for her honeymoon with Blake. In pencil, Nolan signed the sketch and labeled it "Dynasty, Crystal--Hawaii." The honeymoon was cut short due to Blake's business obligations in Episode 3 Season 1, and the hat and beach ensemble are never seen on air. The hat is in Very Fine condition with the silk ribbon slightly curled at edge. The sketch is in Excellent condition with mild age toning. From the Nolan Miller Collection.
Nolan Miller Design for Dynasty, Evening Suite for Linda Evans. Circa 1985; four-ply silk crepe, chartreuse, bugle beads; label: Nolan Miller Couture; dress size: 8. Nolan created this tailored suite for Linda Evans as Krystle on Dynasty. In his desire to capitalize on her broad shoulders and small hips, he dressed her in triangular compositions with exaggerated shoulder pads, coming down to very narrow pants or skirt. This "look" certainly caught the attention of the viewing public, with Nolan becoming famous for Linda's blouses. In fact her shoulders became wider as the seasons progressed, and by the end of the series Linda's shoulders were wider than John Forsythe's, who played her husband, Blake Carrington. The long straight V-necked jacket and full length pinstriped skirt are four-ply silk crepe, both fully lined in black satin chartreuse. The front opening is secured with hook & eye at top and a snap between each button with hand-beaded pinstripes in silver bugle beads. This suite is in Very Fine condition with some beads ajar; the episode is unknown, but Linda Evans wore this in personal appearances. From the Nolan Miller Collection.
Nolan Miller Designed Ensemble for Dynasty, Consisting of a Gold Lamé Chiffon Strapless Gown, Overcoat and Turban Worn by Diahann Carroll in her Role as Dominique. Circa 1985; gown: lamé, satin; coat: lamé; turban: lamé, wool felt; label: Nolan Miller; dress size: 6/8. This ensemble was designed by Nolan Miller for Diahann Carroll as Dominique on Dynasty, Carroll's role from 1984-1987. In deep green and gold lamé chiffon, the strapless floor-length gown features a fitted, bonded, draped bodice and deep green satin lining. The bodice has a center back zipper closure finished with a hook & eye, a weight at the center front neckline, and a ribbon belt tied into the waist that is closed by a set of hooks & eyes. The floor-length overcoat, in a related deep green and gold lamé, has straight front panels, open at the center, the edge bound in a tape using the reverse side of the fabric. The back is a single panel with an inverted pleat at the center neckline. Accompanying the coat is a turban built on a felt form, wrapped with the deep green and gold lamé used for the overcoat. The gown, coat, and turban are in Excellent condition. From the Nolan Miller Collection.
Nolan Miller Designed Masquerade Mask in Red Sequins with Beads in Black, Blue and Purple. Ca. 1985; Sequins, beads, jersey, elastic; Label: Nolan Miller; 8" wide, 4 1/2" high. The mask has a woven red ground with red yarn with red sequins. The eyes are underlined with black flowerette beads and the upper edge of the eye in blue faceted rounds and black faceted drops. There are large faceted purple rounds further outlining the eyes and accenting the corners, the middle of the forehead and nose. The back is lined with velveteen. When worn, an elastic at eye level holds the mask in place. Fine condition with some missing beads. From the Nolan Miller Collection.
Nolan Miller Masquerade Mask in Black Feathers with Sequins and Large Red Jewels on Handle. Ca. 1985, Feathers, sequins, jewels, beads, black velveteen, wood dowel; Label: Nolan Miller; 17" wide, 35" high. Black feathered mask with gold sequins lining eyes, and layering of sequins and beads into the feathering. The layering is in large silver sequins and smaller sequins in copper, blue and silver, jewels in pink, red and purple and beads in pink, red, purple and gold. The back of the mask is covered in a gold lamé and edged in black glue to secure design and handle. The handle end is jeweled with faced purple rounds, bezel set jewels and a strand of white jewels. Fine condition, with some loss of beads on the mask and jeweled handle, as well as some loose beads on the mask. From the Nolan Miller Collection.
Nolan Miller Designed Masquerade Mask in Black Feathers, Black Beads and White Jewels on Jeweled Handle. Ca. 1986; Feathers, mirrors, bugle and rocaille beads, faceted beads, sequins, white faceted jewels in black plastic bezel, velveteen, wood dowel; Label: Nolan Miller; 16 1/5" wide, 37" high. This elaborately beaded mask has a black net foundation with an asymmetrical composition of beads, sequins and jewels. From the right side are radiating arms of white jewels in black plastic bezels interspersed with round mirrors, overlaid with appliqued and beaded flowers and leaves that continue across the mask. Framed with black feathers, with jewels and applique extending into the feathers. The back is covered with black velveteen and shows black glue which secures the design and handle. The end of the handle is spiraled with black bugle beads and sequins, finished with a white jewel and a black tassel. Fine condition. There is some bead loss on the mask and perhaps on the handle at the upper edge. From the Nolan Miller Collection.
Nolan Miller Designed Masquerade Mask in Red Sequins and Beads with a Feather Plume. Ca. 1986; Ostrich feathers, sequins, roacaille beads, white and red faceted jewels in round, rectangular and tear drop, felt, elastic; Label: Nolan Miller; 8" wide, 19" high. This red sequined mask, designed in a leaf form in felt, boasts an ostrich feather plume with a line of white prong-set jewels, red sequins, and attached loose strings of beads. The eyes are . Each "leaf" tip is highlighted with a faceted tear drop. Going up from the eyes (each lined in white prong-set jewels) to the plume base is a series of faceted tear-drop beads framed with leaves created in white and red rocaille beads. The back exposes the glue that secures the design. At the top is a netting hook for hanging and at eye level are net hoops holding an elastic to secure the mask when worn. In Fine condition. There is some bending of the felt form where the elastic band is held on the right side. From the Nolan Miller Collection.
Nolan Miller Designed Blue Feathered Masquerade Mask with Sequins and Jewels on Handle. Ca. 1985; Feathers, sequins, beads, wood dowel; Label: Nolan Miller; 21" wide, 30" high. The mask, with a blue woven foundation, is sequined in blue, with eyes outlined in purple flower beads with square mitered beads placed randomly. These beads pool onto the blue feathers that radiate from the mask, which are tipped with blue sequins. A blue glue band lines the edge of the mask back securing the black velveteen backing and handle. The handle end is jeweled in blue, purple beads, and prong set clear faux jewels. In Fine condition. There is some damage to the feathers and loss of beads to the mask and jeweled stick end. From the Nolan Miller Collection.
Nolan Miller Designed Masquerade Mask for a Costume Worn by Elizabeth Taylor. Ca. 1985; Ostrich feathers, mother-of-pearl, beads, sequins, mirrors, mesh, velveteen, wood dowel; Label: Nolan Miller; 17" wide, 39" high. This mask was designed by Nolan Miller for a costume for Elizabeth Taylor. The exuberant design on a black, sequined, mesh ground features a flurry of butterflies in painted mother-of-pearl set in gold foil. The butterflies are further adorned with faceted beads in white, iridescent, pink and purple. Rising from the butterflies at right is a plume in black ostrich feathers with applied round mirrors. The back of the mask is covered in black velveteen. The end of the handle is jeweled with a large black faceted jewel, white prong-set jewels, pink beads and a pearl. In Fine condition. There are missing beads on the mask and stick. Both wings of the butterfly on the upper left corner are cracked. From the Nolan Miller Collection.
Nolan Miller's Limited Edition Rolls-Royce Silver Cloud. Costume designer Nolan Miller's designs for the primetime soap opera Dynasty influenced couture throughout the '80s, and earned numerous awards and accolades (including four Emmy nominations) in the process. At the height of the show's popularity (roughly 50 million viewers), Miller was receiving almost as much mail as the stars, and he was the highest paid costumer in Hollywood. For a bonus one year, producer Aaron Spelling and his wife surprised Miller with this eye-turning 1965 Rolls-Royce Silver Cloud III.
Miller often chauffeured his celebrity friends and colleagues in his prized dream car, which has since become a symbol for the man and the Hollywood glamour he helped mold and shape. Passengers included Spelling, Barbara Stanwyck, Sophia Loren, Joan Collins, Linda Evans, Lana Turner, and Joan Crawford -- many of whom he drove to various awards ceremonies and red carpet events. In 1999, the QVC program Extreme Shopping Hollywood offered a $15,000 Dynasty package that included a trip to L.A., clothes and jewelry designed by Miller, consultation with him, and -- rounding off a full Nolan Miller experience quite nicely -- car service in the form of his prized Rolls.
This stately automobile is one of roughly 200 that were made, and features a V-8 engine and odometer with a mere 62,500 miles on it. The car has been maintained and detailed consistently by a specialized mechanic and is in outstanding condition. Currently in California, the Rolls-Royce will require third-party shipping.
Miller often chauffeured his celebrity friends and colleagues in his prized dream car, which has since become a symbol for the man and the Hollywood glamour he helped mold and shape. Passengers included Spelling, Barbara Stanwyck, Sophia Loren, Joan Collins, Linda Evans, Lana Turner, and Joan Crawford -- many of whom he drove to various awards ceremonies and red carpet events. In 1999, the QVC program Extreme Shopping Hollywood offered a $15,000 Dynasty package that included a trip to L.A., clothes and jewelry designed by Miller, consultation with him, and -- rounding off a full Nolan Miller experience quite nicely -- car service in the form of his prized Rolls.
This stately automobile is one of roughly 200 that were made, and features a V-8 engine and odometer with a mere 62,500 miles on it. The car has been maintained and detailed consistently by a specialized mechanic and is in outstanding condition. Currently in California, the Rolls-Royce will require third-party shipping.
Tom Mix, Rex Ingram, and George Arliss Signed Photos. Set of three signed b&w 8" x 10" photos includes Mix, Ingram, and Arliss, all with studio stamps on the reverse. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Marilyn Monroe Picture and Negative. Jack Benny was the host of the Madison Square Garden birthday celebration for JFK in 1962, and this picture captures a backstage moment between Benny and a smiling Marilyn, still glowing after her sultry serenade of the dashing young President. Marilyn had only months left to live; the venerable Benny lived until 1974, reaching the age of 80 (well past the 39 he comically admitted!). This superb candid shot of two legends on a historic night comes with its original negative and its copyright. In Excellent condition.
Marilyn Monroe Signed Check. A personal check for $200 made payable to her psychiatrist, Dr. A. Gottesman, dated March 31, 1953, and signed by Monroe in black ink. The signature is clear and bold, and the date means it was written just as her career was taking off. The check is in Very Fine condition, with the usual bank cancellation marks. Accompanied by James Spence Authentication auction LOA.
Marilyn Monroe Signed Check. A handwritten check signed by Marilyn Monroe in black ink. The check is drawn on the Bank of America and dated November 15, 1950, payable to Dr. Louis A. Motchan for $67. At the time, Monroe had just appeared in The Asphalt Jungle and All About Eve, and was well on her way to stardom. The check is in Very Fine condition, with a very nice signature and the usual bank cancellation marks. Accompanied by a COA from PSA/DNA.
Marilyn Monroe's Something's Got to Give Promptbook (1961). A 32-page carbon typescript bound in black paper wrappers with a typewritten label reading "Marilyn Monroe/'Something's Got to Give' " on the front cover. This was Monroe's personal copy, with her handwritten notations in pencil on 11 pages.
One of the most infamous unfinished films in history, this remake of My Favorite Wife (1940) paired a struggling Monroe with explosive director George Cukor. Monroe was in poor health when filming started, suffering from a bout of sinusitis and recent gallbladder surgery, and missed 17 of her 30 scheduled shooting days. This led to her being fired from the picture, the footage (which included a notorious skinny-dipping scene) being shelved, and the project being canceled. Monroe died two months later. The book measures 9" x 7.25" and is in Very Fine to Excellent condition with mild toning to the pages.
One of the most infamous unfinished films in history, this remake of My Favorite Wife (1940) paired a struggling Monroe with explosive director George Cukor. Monroe was in poor health when filming started, suffering from a bout of sinusitis and recent gallbladder surgery, and missed 17 of her 30 scheduled shooting days. This led to her being fired from the picture, the footage (which included a notorious skinny-dipping scene) being shelved, and the project being canceled. Monroe died two months later. The book measures 9" x 7.25" and is in Very Fine to Excellent condition with mild toning to the pages.
Marilyn Monroe Signed Check. A check for $86.85 from Marilyn Monroe Productions made payable to the New York State Unemployment Insurance Fund, dated July 24, 1961, signed by Monroe in black ink. The check was written just a few months after the release of The Misfits, her final completed film. It is in Very Fine condition with the usual bank cancellation marks, and has been matted and framed along with a small plaque and b&w 8" x 10" photo of Monroe in her memorable pose from Seven Year Itch, to an overall size of 19" x 29". Accompanied by James Spence Authentication auction LOA.
Marilyn Monroe Candid Photos. Set of four b&w 8" x 10" photos of Marilyn at an unknown special event, hobnobbing with Lucille Ball, Betty Grable, Jane Russell, Daryl Zanuck, and others. A great selection of rare images, in Very Fine condition.
Marilyn Monroe Candid Photos, Including Her with Joe DiMaggio. Set of seven b&w 8" x 10" photos of Marilyn at an unknown special event, hobnobbing with Lucille Ball, Betty Grable, Jane Russell, Daryl Zanuck, and others; plus one 7" x 9" of Monroe and husband Joe DiMaggio cutting a cake at a Cinemascope anniversary party. A great selection of rare images, in Very Fine condition.
Fred Niblo Signed Photo. Vintage b&w 9" x 12" photo of the pioneer filmmaker, inscribed and signed by him in black ink. In Very Fine condition with moderate toning. Accompanied by James Spence Authentication auction LOA.
Nightmare on Elm Street 5 Glove Prop. A prop "razor glove" designed for use by actor Robert Englund in Nightmare on Elm Street 5: The Dream Child; the glove was unfinished and thus not used onscreen. Englund reprised his role as supernatural killer Freddy Krueger in the 1989 sequel. In Excellent condition and accompanied by an LOA from the designer.
David Niven and Others Actor-Signed Photos. Set of five signed b&w 8" x 10" photos includes David Niven, Ray Milland (Excellent condition), Ralph Bellamy, Raymond Massey, and Charles Boyer. Studio stamps on the reverse of each. In overall Very Fine condition, except as noted. Accompanied by James Spence Authentication auction LOA.
Mabel Normand Signed Photo. Vintage b&w 11" x 14" photo inscribed and signed by the tragic silent era actress. Normand's career was marked by scandal -- including the unsolved murder of director William Desmond Taylor -- before she died of tuberculosis at age 37. The actual image area measures 7" x 9", and the photo is printed on heavy, thick cardstock. In Fine condition with some soiling, toning, and wear. Accompanied by James Spence Authentication auction LOA.
Maila Nurmi "Vampira" Signed Phantom of the Opera Drawing. A 9" x 11" pencil and watercolor sketch of Lon Chaney as the Phantom, signed "M. Nurmi '00" by her in pencil in the lower left corner, and again near the lower right edge as "Vampira" in pencil and traced over with purple felt tip. In Excellent condition.
Candidate Signed 2007 Democratic Presidential Debate Program. A program booklet from the Democratic Presidential debate held June 3, 2007, at Saint Anselm College in Manchester, New Hampshire, signed by President-elect Barack Obama; Vice President-elect Joe Biden; Obama's choice for Secretary of State, Hillary Rodham Clinton; Chris Dodd; John Edwards; Mike Gravel; Dennis Kucinich; Bill Richardson; and moderator Wolf Blitzer in felt tip. The debate ran two hours and was televised live on CNN. A unique piece of political memorabilia from what has since become an historic presidential race. Accompanied by a COA from PSA/DNA.
All In the Family Cast-Signed Magazine Cover. A cover for the November 21, 1971 issue of the L.A. Times West insert, featuring the cast of the long-running, controversial, and highly influential sitcom, inscribed by Carroll O'Connor, Jean Stapleton, Rob Reiner, and Sally Struthers in black ink. In Very Fine condition with some water damage to the bottom edge, matted and framed to 19.5" x 23.5". Accompanied by James Spence Authentication auction LOA.
Warner Oland Signed Sketch from the Brown Derby. A framed 11" x 14" caricature sketch of Oland by Eddie Vitch circa the 1930s, signed by the star of several Charlie Chan movies in black fountain pen. This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades, and Vitch was the artist who began the tradition in 1929. This particular sketch is signed by Vitch in the lower left corner. In Very Fine condition with some mild age toning and moisture damage to the bottom edge. Accompanied by James Spence Authentication auction LOA.
Laurence Olivier's Costume Shirt from That Hamilton Woman. A white dress shirt with ruffled collar and cuffs, worn by Olivier in the 1941 period drama. The shirt bears a third, shortened sleeve, allowing Olivier to convincingly play an armless Admiral Horatio Nelson. In Excellent condition with United Costumers tag sewn inside the collar.
Robert Osborne and Others Celebrity-Signed Copy of Academy Awards Illustrated. A copy of Robert Osborne's 1966 history of of the Academy Awards, spanning 1927-65 inclusive, inscribed on the front and back inside covers, title page, flyleaves, and elsewhere by Osborne, Joan Crawford, Bing Crosby, Frank Capra, Melvyn Douglas, Ray Milland, Agnes Moorehead, Karen Black, Robert Stack, Irwin Allen, William Wellman, and 40 others. In Fine to Very Fine condition with some wear to the hinges and spine. Accompanied by James Spence Authentication auction LOA.
Robert Osborne and Others Celebrity-Signed Copy of Academy Awards Illustrated Revised Edition. A copy of the 1977 updated edition of Robert Osborne's history of of the Academy Awards, spanning 1927-76 inclusive, inscribed on the front and back inside covers, title page, flyleaves, and elsewhere by Osborne, James Cagney, Bette Davis, Anthony Quinn, William Holden, Olivia de Havilland, Gregory Peck, Janet Leigh, Jack Lemmon, Harold Russell, Frank Capra, Ginger Rogers, Sydney Poitier, Charlton Heston, and 37 others. In Very Fine condition with dustjacket, accompanied by tickets, auto pass, parking pass, and other ephemera from the 1966 Awards ceremony. Accompanied by James Spence Authentication auction LOA.
Maureen O'Sullivan and Others Signed Photos. Set of five signed b&w 8" x 10" photos includes Maureen O'Sullivan, Ilona Massey, Anita Loos, Ethel Merman, and Edith Atwater. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Dorothy Parker Signed Book with A Star is Born Script and Photos. A copy of the 1930 edition of Laments for the Living, inscribed "To Zoila with best wishes and gratitude to her for wanting this extremely unimpressive signature" and signed by Parker in blue ink on the first free page. The book is accompanied by a copy of the script for A Star is Born (final shooting draft, October 16, 1936, 127 pages with annotations), for which Parker received an Oscar nomination, and a b&w 8" x 10" photo of Fredric March autographed in black ink. Items are in overall Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Fess Parker Costume Frontier Shirt. A faux frontier-style shirt worn by Parker in an unspecified production -- quiet likely as Davy Crockett in the Disney TV movies of the 1950s or Daniel Boone in the 1964-70 TV series, two of his most fondly remembered roles. In Excellent condition with a Western Costume Co. label sewn into seam (bearing Parker's typed name and production number 2294) and WCC stamps inside the collar and along lower back seam.
Gregory Peck Costume Coat from The Big Country. A brown sport coat worn by Peck in the 1958 Western. In Excellent condition with a Western Costume stamp inside the right sleeve and a tag bear Peck's name and dated July 1957 inside the inner pocket.
Joe Penner "The Life of the Party" Sketch. A 20" x 23.5" pencil and ink drawing of the vaudeville legend in one-man-band attire, titled " 'The Life of the Party' Joe Penner One Man Band". In Fine to Very Fine condition with edge and corner wear and areas of discoloration that do not affect the image.
Ron Perlman's Beauty and The Beast Costume with Likeness. Includes a sweater-like shirt, quilted waistcoat, and leather pants worn by Perlman as Vincent on the popular late-'80s television series. The costume is in Excellent condition with Western Costume tag, and is accompanied by a likeness of Vincent sculpted out of foam rubber.
Mary Pickford and Douglas Fairbanks Engraved Silver Tea Set. An ornate sterling silver tea cup, plate, and saucer set with each piece engraved "Colleen Dionysia Skouras from Mary Pickford and Douglas Fairbanks/January 1926". Each piece is in Excellent condition with minimal tarnishing or scratching.
Mary Pickford, Alice Brady, and Adela Rogers Signed Photos. Set of three signed b&w 8" x 10" photos includes shots of Mary Pickford (Excellent condition), Alice Brady (Very Fine), and Adela Rogers (Fine to Very Fine). Studio stamps on the reverse of each. Accompanied by James Spence Authentication auction LOA.
Eleanor Powell and Others Actress-Signed Photos. Set of five signed b&w 8" x 10" photos includes Eleanor Powell, Sophie Tucker (Excellent), Gracie Fields (Fine), Ethel Merman, and Helen Morgan. Studio stamps on the reverse of each. In Very Fine condition, except as noted. Accompanied by James Spence Authentication auction LOA.
Vincent Price and Others Actor-Signed Photos. Set of six signed b&w 8" x 10" photos includes Vincent Price, Chic Sale, Jay C. Flippen, Paul Muni, Burgess Meredith, and Eddie Albert. Studio stamps on the reverse of each. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Vincent Price Signed Agreement with Alice Cooper, Plus Photos. A two-page letter of agreement, dated January 9, 1975, signed by Price on the second page in black ink. The contract secured Price to do voiceover for Cooper's 1975 album Welcome to My Nightmare. It is accompanied by two b&w 8" x 10" photos of Price and Cooper together, and one of Price with the cast of Champagne for Caesar (1950), with Price's handwritten notes on the reverse of each. One of the photos is signed to Price by Cooper on the reverse. Items are in overall Very Fine condition. Accompanied by LOAs from Victoria Price and James Spence Authentication.
Vincent Price Merit Award. A merit award for Excellence in Advertising, presented to Price by the Advertising Club of Springfield for Price's commercials for Milton Bradley's Hangman board game. Framed to 12" x 9.5" and in Excellent condition, with a vintage copy of the game included.
Prince Charles and Princess Diana Signed Christmas Card. A Christmas card with a color 4" x 5.5" photo of the Prince and Princess of Wales and sons William and Harry circa the late '80s, signed by Charles and Diana in black ink. Diana and Charles separated in 1992, after a high-profile engagement and marriage in 1981. Tragically, Lady Di was killed in an automobile accident four years later. An uncommon item featuring the signatures of both Royals, the card is in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Anthony Quinn Signed Contract. A 13-page employment agreement dated April 17, 1961, engaging Anthony Quinn to appear in Requiem for a Heavyweight (1962), signed on the last three pages by Quinn and initialed by him on the attached rider in blue ink. Requiem was originally written (by Rod Serling) and performed as 90-minute live drama on the TV anthology series Playhouse 90 in 1956; Quinn appeared in the lead role in the 1962 theatrical version, to great acclaim. In Very Fine to Excellent condition with some toning and mild wear from handling. Accompanied by a COA from PSA/DNA.
Anthony Quinn Road to Morocco Screen-Worn Cloak. A heavy wool cloak worn by Quinn opposite Bing Crosby and Bob Hope in the 1942 comedy. Quinn starred in such movies as Viva Zapata! (1952), Lust for Life (1956), Lawrence of Arabia (1962), and Zorba the Greek (1964), and won two Academy Awards for Best Supporting Actor. The cloak is in Excellent condition with a United Costumers tag bearing Quinn's name sewn inside.
Ronald Reagan Signed Sketch from the Brown Derby. A framed 11" x 14" caricature sketch of Reagan by Frank "Pancho" Willmarth, inscribed "Good luck Bob + plenty of runs, hits & no errors" and signed by the actor-turned-President in black ink. This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades. This particular sketch is signed "Pancho" and dated 1941. "Bob" was quite possibly Bob Cobb, co-owner of the restaurant and creator of the well-known Cobb Salad. In Very Fine to Excellent condition with some mild age toning. Accompanied by James Spence Authentication auction LOA.
George Reeves Autograph. A 3.5" x 3" card bearing Reeves' autograph in black ink. A rare autograph from the Adventures of Superman star who died under tragic circumstances. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Dale Robertson's Saddle. A handsome brown leather saddle owned and used by cowboy actor Dale Robertson, with his name engraved on a silver nameplate affixed to the back of the seat. During his decades-long career, Robertson appeared in dozens of movies and TV series, primarily Westerns, a contribution recognized when he was inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum in 1983. The saddle is in Fine to Very Fine condition with some wear.
Edward G. Robinson Signed Sketch from the Brown Derby. An 11" x 14" caricature sketch of Robinson by "Zel" circa 1940, inscribed "I'm still waiting for my steak" and signed by the actor in black ink. This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades. This particular sketch is signed by the artist below the inscription. In Very Fine condition with some mild age toning and apparent moisture damage to the bottom edge. Accompanied by James Spence Authentication auction LOA.
Robot Prop from Unknown Production. A 21" x 33" x 21" prop robot, constructed primarily from plastic, no moving parts, from an unknown science fiction film. In Very Fine to Excellent condition with mild wear and cosmetic battle damage.
Gene Roddenberry Signed Contact. A three-page assignment-of-rights contract dated June 25, 1962, and signed on the last page by Roddenberry in black ballpoint. The contract grants all rights related to Roddenberry's teleplay The Submarine Story to Avasta Productions. In Very Fine to Excellent condition with mild toning and the usual staple and binder holes. Accompanied by James Spence Authentication auction LOA.
Roy Rogers Signed Poster. A beautiful 19" x 25" full-color poster of Rogers astride his equally famous horse, Trigger, with a facsimile inscription and signature "Many Happy Trails / Roy Rogers & Trigger". Some minor corner damage, otherwise in Excellent condition.
Will Rogers Signed Copy of Illiterate Digest. A first edition copy of Rogers' 1924 book of humor, #40 in a limited edition of 250 signed by him on the front endpaper in black fountain ink. An accomplished cowboy, comedian, actor, humorist, and social commentator, Rogers was the nation's most widely read newspaper columnist and Hollywood's highest-paid actor at the time of his tragic death in a plane crash in 1935. In Fine to Very Fine condition with some soiling and areas of discoloration to the covers. Accompanied by James Spence Authentication auction LOA.
Mack Sennett Signed Photo. A vintage b&w 10.5" x 13.5" photo of the legendary mogul inscribed and signed by him in white ink. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Rod Serling Signed Letter with Photo. A searing one-page typed letter on personal letterhead, dated January 20, 1966, signed by Twilight Zone creator Rod Serling in black ink. It reads in part: "Some twenty years of professional experience dictates the following position as regards the current form of feature length motion picture presentations on television. The wholesale and indiscriminate cutting of said films in order to arbitrarily permit commercials is in almost every case injurious to the continuity and clarity of the story lines." The letter is in Very Fine condition with mild toning, mailing creases, and binder holes to top edge, and is a accompanied by a color 8" x 10" photo of Serling. Accompanied by James Spence Authentication auction LOA.
She Freak Make-Up Prosthetics Display. A set of two prosthetics -- a false eye and teeth -- used on actress/snake charmer Madame Lee in the 1967 exploitation flick She Freak, a loose (very loose) remake of Tod Browning's 1932 classic, Freaks. The pieces are mounted in a 9" x 11" x 1.5" shadow box along with a clipped magazine photo of Lee and a partial newspaper clipping of an interview with screenwriter David F. Friedman. Accompanied by a letter from make-up artist Harry Thomas. In overall Very Fine condition.
Tommy Lasorda and Others Signed Frank Sinatra Photo. A great b&w 14" x 9.5" photo of Sinatra at a 1977 Dodgers-Giants game, with friend Jilly Rizzo and coach Tommy Lasorda visible in the background, inscribed and signed on the mat to Rizzo by Lasorda, first baseman Steve Garvey, and pitcher Charlie Hough. In Very Fine to Excellent condition, glued to a 20" x 16" mat. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and LOA from James Spence Authentication.
Frank Sinatra Photo by George Kalinsky. A b&w 11" x 14" photo of Sinatra onstage by George Kalinsky, onetime official photographer for Madison Square Garden. In Excellent condition, matted to an overall size of 16" x 20". From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra and Jilly Rizzo Portrait by LeRoy Neiman. An approximately 20" x 18" watercolor portrait of Sinatra and his good friend and right-hand man by pop artist LeRoy Neiman. The painting is inscribed "Frank Sinatra/Jilly Rizzo/Boyd Estate Coconut Grove, Florida/Shooting for 'Tony Rome' May 2 '67" and signed by the artist. The two were close friends for decades, until Jilly was killed in a car accident with a drunk driver on his 75th birthday, an event that left Sinatra devastated. The painting is in Excellent condition, matted and framed to an overall size of 27.5" x 25.5". From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and an LOA from James Spence Authentication.
Frank Sinatra Related - Jilly Rizzo's Boxing Painting by LeRoy Neiman. An approximately 19" x 15" boxing-themed painting, watercolor on paper, #27 in a limited edition of 250 by Neiman. Dated 1972, the drawing depicts a match between heavyweight fighter Duane Bobick and an unnamed Russian fighter, and features notations by Neiman in pencil. In Excellent condition, matted and framed to 28.75" x 24.75". From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and an LOA from James Spence Authentication.
Frank Sinatra Related - Jilly Rizzo Portrait by LeRoy Neiman. An approximately 11.5" x 13" ink and watercolor portrait of Rizzo by pop artist LeRoy Neiman, inscribed "Waldorf Aug 1st '73/Distinguished glasses, hair a bit longer (fashionably), good taste tie" and signed by the artist. In Excellent condition, matted and framed to an overall size of 18.25" x 20.5". From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and an LOA from James Spence Authentication.
Frank Sinatra Related - Jilly Rizzo's 52nd Street Painting. A portrait of 52nd Street, 23" x 18" oil on canvas, circa 1974, featuring a view of Jilly's restaurant. In Excellent condition, framed to 27" x 22". From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Signed Concert Poster Art by LeRoy Neiman. A "Sinatra in Concert" lithograph poster, #157 in a limited edition of 300, signed by both Sinatra and Neiman. In Very Fine to Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Carved Artwork. A 16" x 20" carved wood panel featuring representations of Sinatra. In Excellent condition, from the personal collection of Sinatra's friend and right-hand man, Jilly Rizzo. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Copy of Sinatra: Spring Tour '75 Concert Itinerary. From April 24 to May 14, 1975, Sinatra right-hand man Jilly Rizzo was back on the road with Frank, securing arenas and stadiums from Los Angeles to New Haven, up and down the West Coast, through the Midwest and into Canada before arriving back in New York. No matter where he was, he could always be seen carrying Sinatra's official tour itinerary in a vinyl three-ring binder with his name embossed on the front cover. This unique Sinatra: Spring Tour '75 itinerary, housed in a custom black vinyl three-ring binder, is embossed in gold lettering on the front cover with the title and the name "Jilly Rizzo". Contents include the complete tour dates and transportation and lodging requirements for each city; a separate section, marked by a file tab, is included for each venue. This one-of-a-kind item was in the possession of Jilly Rizzo until his death in 1992. In Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Two Personal Bound Copies and Mickey Rudin's Bound Copy of Sinatra: "The Concert" '76 Concert Itinerary. From May 1-10, 1976, Jilly Rizzo was back on the road for Frank Sinatra's spring tour. While Jilly was the official right-hand man, a note in his official tour itinerary for the Miami show on November 19 illustrates how Ol' Blue Eyes used local security: "Mr. Sinatra, and his party will be escorted to the building (approximately thirty minutes from the hotel) by Dick Curtis, the Fontainebleau Security Men, and in conjunction with the Miami Beach Police Department. The above mentioned people will be at the hotel at 7:00 p.m., on 19 November 1976, and will await instructions as to departure time from Mr. Sinatra. The procedure for Mr. Sinatra's return will be the same as above." These three unique, bound Sinatra "In Concert" '76 volumes include the complete itinerary used by Jilly Rizzo and Mickey Rudin during all the dates. The vinyl bindings are embossed in black lettering with the title; two of the volumes are also embossed with the name "Jilly Rizzo," and the third is embossed "Mickey Rudin". Contents include the complete tour dates, and transportation and lodging requirements for each city. This one-of-a-kind item was in the possession of Jilly Rizzo until his death in 1992. In Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Copy of Sinatra: "Fall Tour" 1976 Concert Itinerary. In October 1976, Sinatra right-hand man Jilly Rizzo was back on the road for Frank's fall tour, flying to 12 dates along the East Coast, including Buffalo, Pittsburgh, Norfolk, and Richmond. Following the October 22 performance at the Jefferson Civic Center in Birmingham, Frank, Jilly and party flew directly to Atlanta, for a concert at the Omni the next evening. This unique Sinatra: "Fall Tour" 1976 itinerary, housed in a custom black vinyl three-ring binder, is embossed in gold lettering on the front cover with the title and the name "Jilly Rizzo". Contents include the complete tour dates and transportation and lodging requirements for each city; a separate section, marked by a file tab, is included for each venue. This one-of-a-kind item was in the possession of Jilly Rizzo until his death in 1992. In Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Two Personal Bound Copies of Sinatra: "On Tour" 1978 Concert Itinerary. On June 14, 1978, Sinatra right-hand man Jilly Rizzo and others in Frank's crew joined Ol' Blue Eyes and his musicians at NBC Studios in New York to rehearse for a series of six dates at major venues in Cleveland, Kalamazoo, Cincinnati, Washington, Huntington and Terre Haute. Five additional dates were scheduled for late October, leading off in Providence, hitting Toledo, Atlantic City and New York, then closing in Chicago on Halloween night. These unique, bound Sinatra "On Tour" volumes include the complete itinerary used by Jilly Rizzo during all the dates. The vinyl bindings are embossed in gold lettering with the title; one of the volumes is also embossed with the name "Jilly." Contents include the complete tour dates, rehearsal information, and transportation and lodging requirements for each city: a separate section, marked by a file tab, is included for each venue. These unique items were in the possession of Jilly Rizzo from 1974 until his death in 1992, when it became part of his estate archive. Very fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Copy of The 1981 Unabridged Traveler's Guide to Sun City, South Africa Sinatra Tour Packet. Sinatra right-hand man Jilly Rizzo found himself in the middle of an international controversy during the summer of 1981, when Ol' Blue Eyes played a series of dates in Sun City, South Africa, for which he was condemned by the United Nations Special Committee on Apartheid. Before the Sinatra contingent left on the tour, Jilly and each member of the band received Frank's official Unabridged Traveler's Guide covering the proper etiquette they were to follow at customs, hotels, and restaurants while in South Africa, then in Argentina and Brazil, where further dates were scheduled. This unique guide is marked "Jilly" in black marker on the front cover. Contents include information on customs, lodging, dining, gambling, and other leisure activities, and staging requirements for the Sinatra performances. This volume is a one-of-a-kind treasure related to one of Frank Sinatra's major tours, and was in the possession of Jilly Rizzo until his death in 1992. Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Copy of Frank, Dean and Sammy: Together Again! 1988 "Rat Pack" Concert Itinerary. During the spring of 1988, Sinatra right-hand man Jilly Rizzo was back on the road with Frank and, for the first time, on a national tour with Dean Martin and Sammy Davis, Jr. for the "Together Again!" concerts, an historic reunion of the legendary Rat Pack. From the start, Dino's heart wasn't in it. His son, Dean Paul, had been killed the previous year, he hated the huge, impersonal venues booked for the tour, and his depressed state didn't fit into Frank's plans of staying up to party into the wee small hours. After only three shows, Dean left the tour in Seattle and was replaced by Liza Minnelli. This unique, spiral-bound Together Again! itinerary marked "Jilly Rizzo" in blue ink on the front cover. Contents include a separate tour calendar, Frank, Dean, and Sammy's itinerary, staff list, hotel rooming lists, luggage tag list, musicians' itinerary, and technical crew itinerary. This volume was in the possession of Jilly Rizzo until his death in 1992. Fine condition with minor wear on the covers. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Sinatra Shooting Schedule and Script. Cloth-covered copy of the shooting script for the Emmy-nominated television special, third revision, 62 pages, dated August 28, 1969; with staff contact list and shooting schedule included and Jilly's name embroidered on the front. In Fine to Very Fine condition with some loose pages. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Cartoon by Pat Oliphant. A single-panel editorial cartoon by the legendary Pat Oliphant for the L.A. Times Syndicate, dated 1976, featuring a caricature of Sinatra. In Excellent condition, matted and framed to 18.5" x 13.5". From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Bound Copy of Contract on Cherry Street Script. Prior to his mother's death in 1977, Frank Sinatra had vowed never to act in television films. Accepting a role as an anti-Mob detective in Edward Anhalt's adaptation of Philip Rosenberg's novel Contract on Cherry Street -- which had been his mama's favorite book -- he hired top craftsmen such as director William Graham and composer Jerry Goldsmith. During production, New York was hit by a 24-hour blackout on July 13-14, 1977. Though Frank and right-hand man Jilly Rizzo were staying on the 38th floor of the Waldorf Towers, they walked down the stairs to street level, and then climbed up eight flights to the NBC studios to rehearse. Frank surrounded himself with a fine supporting cast, including Martin Balsam, Verna Bloom, Martin Gabel, Harry Guardino, Henry Silva, and Jilly, who played Louis Silvera, a bodyguard for the Manzaro crime family. This unique presentation copy of the Contract on Cherry Street final draft script, dated June 9, 1977, 150 pages, was bound for Jilly Rizzo by Frank Sinatra and the California Bookbinding Co. on Selma Avenue in Hollywood. The script, beautifully bound in burgundy material, with the title and the name "Jilly Rizzo" embossed in gold lettering on the front cover and spine, and housed in a matching slipcase, was in the possession of Rizzo until his death in 1992. In Very Fine to Excellent condition with minor wear on the slipcase. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Bound Copy of A Night with the Champ: A Tribute to Joe Louis Sinatra Program Book. On November 9, 1978, Sinatra right-hand man Jilly Rizzo served as assistant to producer John Francis for A Night with the Champ, a tribute to legendary boxer Joe Louis, at Caesars Palace in Las Vegas. Sponsored by the Joe Louis International Sports Foundation, this lavish celebration of the historic career of "The Brown Bomber," who first became Heavyweight Champion of the World by defeating James J. "Cinderella Man" Braddock in 1937, included a dinner committee on which Jilly joined such other notables as Dave Bradley and Don King. Individual accolades were offered in this lavish companion program book by Ryan O'Neal, Sammy Davis Jr., Merv Griffin, Ralph Edwards, and the owners of many Vegas casinos and hotels. This unique A Night with the Champ book, dated November 9, 1978, was bound for Jilly Rizzo by Frank Sinatra. Beautifully bound in burgundy leather, with the title and the name "Jilly Rizzo" embossed in gold lettering on the front cover, was in the possession of Rizzo from 1978 until his death in 1992, when it became part of his estate archive. In Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Portrait. A 16" x 20" portrait of Ol' Blues Eyes, acrylic on canvas, framed to 24" x 28" and in Excellent condition. From the collection of Sinatra's friend and right-hand man, Jilly Rizzo. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Portrait. A fantastic 16" x 20" portrait, oil on canvas, featuring a classic depiction of a dapper middle-aged Sinatra. In Excellent condition, matted to an overall size of 19" x 23". From the personal collection of Sinatra's friend and right-hand man, Jilly Rizzo. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Signed Flyer. A vintage double-fold promo mailer advertising the Sands Hotel and Casino's famous Copa Room, with emphasis on performances by Frank Sinatra (with opening acts Mel Young and Red Norvo), signed by Sinatra on the inside in blue ballpoint. It was at the Copa that the Rat Pack took form and Sinatra's career was revitalized. A great item, in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Frank Sinatra Signed Contract. A standard AFTRA engagement contract, dated December 26, 1972, and signed by Sinatra in blue ink. The contract engaged Sinatra to perform in the television special Duke Ellington... We Love You Madly, a tribute show that also featured Ray Charles, Count Basie, Sammy Davis Jr., Aretha Franklin, and many others. The special aired February 11, 1973, just over a year before Ellington's death. In Very Fine to Excellent condition, accompanied by a program brochure and invitation to the show.
Frank Sinatra Portrait by Nelson De La Nuez. An approximately 20" x 20" three-dimensional portrait of Sinatra by pop artist Nelson De La Nuez, matted in linen and framed to 26" x 26" and in Excellent condition.
Frank Sinatra's Silver Cigarette Case. A sterling silver cigarette case presented as a gift to Sinatra and wife Mia Farrow. The lid is engraved "Noel/Frank & Mia '66". In Fine to Very Fine condition with some moderate overall tarnishing.
Frank Sinatra Signed Columbia Records Agreement. A two-page royalties agreement on Columbia letterhead, dated June 1, 1958, and signed by Sinatra on the second page in blue ink. At the time this was signed, Sinatra had spent the past few years revamping his career after a brief downturn in the late '40s. Release of the LPs In the Wee Small Hours and Songs for Swingin' Lovers, as well as strong performances in From Here to Eternity and The Man With the Golden Arm, had helped restore his popularity. The contract is in Very Fine condition with missing top left corners and some tearing and punch holes to the left edge. Accompanied by James Spence Authentication auction LOA.
Frank Sinatra Related - Robin and the & 7 Hoods Prop Sign. A 16" x 22" wooden sign reading "Northside Orphanage", featured in the 1964 Rat Pack movie that set the legend of Robin Hood in 1920s gangdom. In Very Fine condition.
Frank Sinatra Related - Prop Slot Machine from Robin and the 7 Hoods. This vintage slot machine was used as a prop in the 1964 Rat Pack caper comedy (their last film). The movie transplanted the Robin Hood legend into a 1920s gangster setting, and the slot machine was used in some of the casino scenes. The non-functioning prop measures 14" x 15.5" x 10.5" is in Fine to Very Fine condition with some areas of mild wear and paint loss, and is accompanied by b&w 8" x 10" promo stills for the movie and color screen grabs with the slot machine visible in the background. A great piece of Rat Pack memorabilia.
Frank Sinatra Bust. A life-size bronze bust of Ol' Blue Eyes, 11" tall with a 7" square brass base, one of only four that were made, presented to Sinatra at a Scopus Award Dinner and Ball on November 14, 1976, at the Century Plaza Hotel. The Award is the highest honor conferred by the American Friends of the Hebrew University, awarded to individuals who demonstrate leadership and involvement with humanitarian causes throughout their careers. Gregory Peck and Kirk Douglas were among the attendees at Sinatra's honoring. The bust is in Excellent condition.
Frank Sinatra Oil Painting. A 16" x 20" oil-on-canvas portrait of a young Sinatra by an unknown artist. In Excellent condition, matted in canvas and framed to 23" x 27".
Robert Stack Signed Photos with Unsolved Mysteries Script. One color and one b&w 8" x 10" photo of Stack, both inscribed and signed by him. The photos are accompanied by a three-ring binder containing Stack's narration for episodes of Unsolved Mysteries, dated July 19-August 21, 1989, signed by him on a label on the front cover. The items are in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Stargate SG-1 Prop Weapon. A single-piece resin prop energy handweapon with holster and bandolier, from the long-running science fiction TV series. In Excellent condition.
Star Trek Items Signed by Roddenberry, Shatner, and Nimoy. Includes a single-page typed letter on MGM letterhead, dated August 5, 1963, signed by Roddenberry in blue ink; and a copy of the novel Star Trek: Mission to Horatius, inscribed and signed on the title page by William Shatner in green felt tip and Leonard Nimoy in blue. Both are in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Star Trek Production Design Drawings. Set of three design sketches, apparently from the first few Star Trek movies, includes a design for a parabolic collector prop, ink and watercolor on 11" x 17" drawing paper; a costume design for characters labeled "observers", pencil and watercolor on 15" x 20" illustration board; and a costume design for one of Khan's followers in Star Trek II, watercolor and pencil on 14.5" x 23" poster board with three fabric swatches and a measurements card attached. In overall Very Fine to Excellent condition.
Gloria Stuart Signed Photo Portrait by Roman Freulich. Vintage b&w 10.5" x 13.5" photo of Stuart inscribed, dated 1932, and signed by her in black ink. Caption info and studio and Freulich credit stamps on the reverse. In Very Fine condition with tack holes to the corners. Accompanied by James Spence Authentication auction LOA.
Adventures of Superman TV Show 4" x 5" Negatives. Twelve 4" x 5" negatives from TV's The Adventures of Superman, each one an art department shot of a set used in that legendary entertainment of the 1950s. You can imagine George Reeves credibly acting on all of them. Excellent condition.
Ape Mask from an Unknown Early Production. Based on the patent date on the zipper, this ape mask (with real ape fur) was most likely used in an early, silent-era film. The mask is in Good condition, with wear from age and use. A fascinating item from the early days of film.
Elizabeth Taylor and Others Signed Copy of Ivanhoe. A 1952 movie tie-in edition of Sir Walter Scott's adventure novel, signed on the front flyleaf by Elizabeth Taylor, Sebastian Cabot, and producer Pandro S. Berman. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Shirley Temple Signed Photo. A b&w 8" x 10" photo of the child star, inscribed and signed by Temple in blue ink. In Very Fine condition with some toning and a studio stamp on the reverse. Accompanied by James Spence Authentication auction LOA.
Shirley Temple Poor Little Rich Girl Costume Pants. A pair of costume pants worn by Temple in the 1936 musical Poor Little Rich Girl. The pants are white satin with black piping, and were worn by her in the "Military Man" scene opposite Alice Faye and Jack Haley. In Fine condition with some fraying and soiling, primarily along the lower legs, accompanied by one color and two b&w (both matted and framed) 8" x 10" photos of Temple wearing the pants in the film.
Prop Statue from Unknown Production. A prop plaster statue of an Egyptian deity used in an unspecified film production, measuring 58" x 12" x 15" with a 21" x 25.5" x 12.5" base. The left hand was detached and repaired at some point; otherwise the statue is in Very Fine condition with some areas of paint loss.
The Ten Commandments Prop Spear. A 43" wooden prop spear from the 1956 feature film, acclaimed director Cecil B. DeMille's final production and arguably the best Biblical epic ever made. The prop is In Very Fine condition with minor wear and some paint loss.
The Ten Commandments Costume Bracelets. A pair of large brass bracelets worn by Esther Brown as Princess Tharbis in the 1956 Biblical epic. Both are in Very Fine condition with some mild wear, and are accompanied by a pair of snapshot-sized color screen shots of Brown wearing the bracelets in the movie in a scene with Charlton Heston and Woody Strode.
Life Cast from 300. A rather unsettling life-like dummy used as a prop in 300 (2007), Zack Snyder and Frank Miller's fanciful retelling of the Battle of Thermopylae. Take a close look -- the poor fella bears a strong resemblance to writer and comic book artist Miller. Could this have been his cameo in the movie? The gruesome prop is in Excellent condition, though this particular Persian soldier is not, having been speared and left as a warning to Xerxes' advancing army.
Costume Design Sketch from Unknown Production. A 12.25" x 19.5" costume design sketch for an unknown feature film, pencil and watercolor on heavy drawing paper, for an exotic costume with hints of Oriental influence. The drawing is in Fine to Very Fine condition with some wear along the edges and an approximately two-inch tear at the bottom that affects the drawing.
Rudolph Valentino 1926 Funeral Admission Card and Photos. Includes an original admission card for Valentino's funeral mass held at St. Malachy's Church, New York City, on Monday, August 30, 1926; and 26 b&w 8" x 10" photos (18 featuring Valentino), including scenes from Blood and Sand (1922) and Son of the Sheik (1926). The photos also include Lila Lee and Walter Long (later a regular in the Laurel and Hardy shorts produced by Hal Roach). The card is Very Fine, with some soiling; the stills range from Very Good to Fine, with some creases, chipping (one is trimmed on bottom border), and scrapbook residue en verso.
Rudolph Valentino and Others Vintage Promo Photos. Set of six b&w photos ranging in size from 4" x 5" to 8" x 10", featuring primarily Rudolph Valentino and Mary Pickford, some with printed-on signatures. In overall Fine to Very Fine condition.
Edward Van Sloan Signed Photo. A b&w 8" x 10" photo still from Betty Co-Ed (1946), one of Van Sloan's final film appearances, inscribed and signed by the actor in purple ink. In Very Fine to Excellent condition with a little smearing to the inscription. Accompanied by James Spence Authentication auction LOA.
John Wayne Autographed Rooster Cogburn Photo. A great vintage b&w 8" x 10" promo photo of Wayne as U. S. Marshal Reuben J. "Rooster" Cogburn in the 1975 sequel to True Grit, inscribed, dated 1976, and signed by Wayne in black ink. Plans for a third Rooster Cogburn movie never materialized, as Wayne made only one more movie, The Shootist, before succumbing to cancer in 1979. The photo is in Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
John Wayne Autographed Photo. A color 8" x 10" photo of Wayne in his final screen role -- that of J. B. Books in the 1976 Western The Shootist -- inscribed, dated 1976, and signed by him in black felt tip. Directed by Don Siegel, the movie presaged the final days of John Wayne, who died from stomach cancer three years after production ended. His health was in decline during the production, and knowledge of this inspired much of the movie's content. The photo is in Excellent condition. Accompanied by James Spence Authentication auction LOA.
John Wayne Signed Photo. A b&w photo of Wayne circa the 1940s, inscribed and signed by him in blue ink. Originally 8" x 10", the photo has been trimmed to 7.25" x 9.25" and is in Fine to Very Fine condition with some toning, a little smearing to the inscription and signature, and damage to the right edge that effects the inscription. Accompanied by James Spence Authentication auction LOA.
John Wayne's Costume Cavalry Coat from Unknown Western. A full-length, heavy wool, cavalry-style frock cloak worn by Wayne in an unspecified Western. Wayne starred in a number of Westerns during his decades-long career, and in many of them he played a heroic US Army officer. The coat is in Excellent condition with a Western Costume Co. tag bearing Wayne's name sewn inside the inner pocket.
Orson Welles' Screen-Worn Sport Coat by Nudie Cohen. A chocolate-brown Western-style sport coat worn by the iconic actor-director in the 1957 crime drama Man in the Shadow. The jacket was tailored for him by the equally noteworthy Western wear designer, Nudie Cohen. In Excellent condition, with Nudie's distinctive label on the inside pocket.
Roland West Signed Photo. Vintage b&w 10.5" x 13.5" photo of the notorious actor, inscribed and signed by him in black ink. A controversial figure with supposed underworld ties, West has long been a suspect in the mysterious death of his mistress, actress Thelma Todd. The image area measures, and the photo is in overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Paul Whiteman Signed Sketch from the Brown Derby. An 11" x 14" caricature sketch of Whiteman by "Zel" circa 1940, signed by the bandleader in black ink. This was one of many celebrity caricatures that decorated the walls of the legendary Brown Derby restaurant in Los Angeles for decades. This particular sketch is signed by the artist in the bottom left corner. In Very Fine condition with some mild age toning and moisture damage to the bottom edge. Accompanied by James Spence Authentication auction LOA.
Billy Wilder - Some Like It Hot Vintage Promo Photos. Set of seven b&w 8" x 10" promo photos that includes shots of Marilyn Monroe, Tony Curtis, Jack Lemmon, and Billy Wilder. In overall Fine to Very Fine condition, with some discoloration to the edges. From the Billy Wilder Archive.
Billy Wilder - Some Like It Hot Vintage Original Promo Photos. Set of 12 b&w 8" x 10" promo photos that includes five shots of the movie's beach locations and several shots of George Raft and assorted gangster characters. In overall Fine to Very Fine condition, with some discoloration to the edges. From the Billy Wilder Archive.
Billy Wilder - Some Like It Hot Vintage Promo Photos. Set of 11 b&w 8" x 10" promo photos that includes some great gangster-related images from the movie -- namely George Raft popping out of the giant cake with a Tommy Gun -- as well as a slightly more provocative shot of a young actress popping out of the same cake, only with much less clothing than George, and no gun. The stunt was used by Wilder to garner true "reaction footage", and one can gather by the actors' expressions that Wilder was pleased with the results of this risqué tactic. In overall Fine to Very Fine condition, with some discoloration to the edges. From the Billy Wilder Archive.
Billy Wilder - Some Like It Hot Vintage Promo Photos. Set of seven original b&w 8" x 10" promo photos for the classic comedy, including two shots of Marilyn Monroe, two shots each of Jack Lemmon and Tony Curtis in and out of drag, and a shot of the now-iconic closing scene with Lemmon and Joe E. Brown. In overall Fine to Very Fine condition with some discoloration to the edges. From the Billy Wilder Archive.
Billy Wilder - Some Like It Hot Vintage Promo Photos. Set of 16 b&w 8" x 10" promo photos that includes shots of Marilyn Monroe, Tony Curtis, Jack Lemmon, Joe E. Brown, and Billy Wilder -- as well as shots of Marilyn's ukulele dance and a set visit by Sammy Davis Jr. (Porgy and Bess was being filmed next door, and Davis, Sidney Poitier, and Dorothy Dandridge would often swing by.) The photos are accompanied by six United Artists press releases with captions for the images. The photos are in overall Fine to Very Fine condition, with some discoloration to the edges; the releases are in Fine condition with some discoloration to the edges and brittleness. From the Billy Wilder Archive.
Billy Wilder Original 4" x 5" Negatives. This lot of 4" x 5" negatives includes a b&w copy neg of a childhood photo of Billy Wilder (and six 3" x 4.5" prints struck from it); original b&w negs of candid portraits of Wilder; original b&w negs of Wilder toasting with an unidentified man; original color negs of Wilder and frequent collaborator Charles Brackett; an original b&w neg of Wilder, writer George Axelrod, and an unidentified man; and original b&w negs of Wilder and others on a production set. In Fine condition. From the Billy Wilder Estate Archive.
Billy Wilder's Signed and Annotated Stalag 17 Script, Plus Final "White" Script. This lot contains the 129-page final "white" script for Stalag 17, dated January 30, 1952, as well as the 46-page dialogue continuity script, dated April 4, 1952. Billy Wilder signed his name in pencil on the cover of the dialogue continuity script, which features some annotation. Both scripts are in overall Good condition. From the Billy Wilder Archive.
Billy Wilder The Emperor Waltz Awards and Preview Comments File. This lot from Billy Wilder's 1948 Paramount musical comedy The Emperor Waltz, starring Bing Crosby and Joan Fontaine, includes: The Exhibitor Laurel Award Selection 1948, notifying the recipient that "It is hereby publicly acknowledged that Billy Wilder's THE EMPEROR WALTZ has been chosen as one of the best pictures during the four-week period ending July 7, 1948", 10" x 14"; and Emperor Waltz first, second, third, fourth, and final preview comment files. In Very Good to Fine condition, with some age toning, minor wear, and light discoloration along edges. From the Billy Wilder Archive.
Billy Wilder Stalag 17 Correspondence and Press Archive. A fascinating lot, packed with 116 separate items regarding Billy Wilder's classic POW drama/comedy Stalag 17. The basic groups are correspondence to and from Wilder regarding the reception of the film, including congratulatory notes regarding his Academy Award nomination for Best Director; and a packed file of international press notices, with reviews, ads and box office ratings. From the Billy Wilder Archive. Accompanied by James Spence Authentication auction LOA.
Billy Wilder Stalag 17 Production Archive. Stalag 17 is one of the classic POW films of all time, a brilliant mix of comedy and melodrama, masterfully directed by Billy Wilder and sparked by William Holden's Oscar-winning performance. This lot contains five folders of production information on this powerful and well-remembered film, chocked with so much material that a reader will feel he or she actually experienced the shoot of the film. Includes: contract and salary information for the various actors, including carbon copies of most of the contracts; daily production reports, including who worked what days on what sets and for how long; weekly production cost sheets; additional production budget information; and the shooting schedule and daily call sheets. Such intimate documentation of the making of a film rarely becomes available or, indeed, even survives; a truly remarkable collection of behind-the-scenes facts and figures on an unforgettable film. From the Billy Wilder Archive.
Billy Wilder Stalag 17 Script and Production Material. Released August 10, 1953, Stalag 17 was a blockbuster, winning a Best Actor Oscar for William Holden and Academy nominations for director Billy Wilder and supporting actor Robert Strauss. This lot includes typed and handwritten preliminary notes, including the famous baby on doorstep sequence ("I believe it!") and Animal's Betty Grable hallucination (both handwritten), hand-drawn set layouts of Barracks Four, four film synopses (one annotated), a Paramount Studios film fact sheet and lists of WW II expressions. Fascinating material on the genesis of a classic comedy/melodrama. From the Billy Wilder Archive.
Billy Wilder Stalag 17 Scripts. The film of Stalag 17 evolved both from the actual World War II POW camp and the Broadway play, which opened at the 48th Street Theatre May 8, 1951 and ran 472 performances. Billy Wilder and Edwin Blum adapted the play by Donald Bevan and Edmund Trzcincski (who played a role in the film), and this lot includes two annotated sets of the film's preliminary sequences ("A" and "B"), the first preliminary green script (dated December 17, 1951, not annotated) and the release dialogue script (July 16, 1952, not annotated). Excellent condition. From the Billy Wilder Archive.
Billy Wilder Stalag 17 Script. Hundreds of pages of Stalag 17 script, drafted between January and April of 1952, showing the evolution of the characterizations and dramatic/comic sequences of Billy Wilder's classic POW film. Excellent condition. From the Billy Wilder Archive.
Billy Wilder - Stalag 17 Handwritten Script Sequences. A virtual mountain of handwritten material, representing the earliest form of the script for the 1953 film Stalag 17, by Billy Wilder and Edwin Blum (based on the play by Donald Bevan and Edmund Trzcinski). Excellent condition. From the Billy Wilder Archive.
Billy Wilder - Stalag 17 Script, Production Archive and Photos. This collection of original Stalag 17 material includes extensive budget/salary information, six 8" x 10" production stills, nine 8" x 10" storyboard stills, and the July 16, 1952 release dialogue script. The script has some faint border discoloration; otherwise, in Excellent condition. From the Billy Wilder Archive.
Billy Wilder Stalag 17 Scripts. This lot includes both a copy of the play script for Stalag 17, by Donald Bevan and Edmund Trzcinski, and the first preliminary "green" film script, adapted by Billy Wilder and Edwin Blum. The play script has extensive annotation by Wilder and Blum regarding new ideas and dialogue, including this well-remembered exchange: Harry (looking at a picture): "Who is that other wrestler, the one with the mustache?" Schultz: "That's my wife." Excellent condition. From the Billy Wilder Archive.
Billy Wilder - Stalag 17 Press Archive and Signed Correspondence from Charlton Heston, Related Correspondence. The remarkable lot includes 28 items on Stalag 17 , among them a German poster, a Denmark poster, photos from the openings in Paris and Brussels, the March 24 and March 26, 1954, issue of Variety reporting the Oscar poll and Oscar wins (Stalag 17's William Holden as Best Actor), an Overseas exploitation publicity book, Box Office Digest (May 16, 1953), Today's Cinema (May 12, 1953), financial figures, assorted quotes from New York City critics, a congratulatory cable to William Holden from Wilder, a map of the prison camp, letters, a telegram from Jose Ferrer (who directed the play), and various letters. Four especially unusual items:
1.) A letter from Billy Wilder regarding a proposed release of the film in Germany, changing the Nazi German informant into a Pole (Wilder protests - "...I am both shocked and disgusted...I promise to raise a stink of world-wide proportions...").
2.) A March 15, 1954 letter to Wilder on Academy Award Motion Picture Arts and Sciences letterhead, outlining the Academy Do's-and-Don't's regarding the upcoming March 25 ceremony (where Wider was a nominee for Stalag 17). One of the rules is "...our time problem is such as to permit only the shortest of acceptance speeches," and indeed, William Holden gave the shortest Oscar acceptance speech to that time - "Thank you." A seating chart of the Academy Theatre is attached to the letter.
3.) A February 14, 1952 letter from censor Joseph Breen, listing many censorship concerns (e.g., "...Stosh would not be portrayed as a man who is on the verge of losing his mind trough sex frustration. Instead of any such pathological flavor, he would merely be a man who likes to talk and kid about girls.")
4.) A postcard postmarked New York, September 1951, advertising the Broadway play Stalag 17, sent to Wilder with the written question, "I wonder if there would be a film in this?" and signed "Chuck Heston." Charlton Heston became Wilder's first choice for Stalag 17's starring role of Sefton before William Holden took the role!
This is a genuine wealth of material on one of the greatest films of the 1950s, in Fair to Good condition. From the Billy Wilder Archive.
1.) A letter from Billy Wilder regarding a proposed release of the film in Germany, changing the Nazi German informant into a Pole (Wilder protests - "...I am both shocked and disgusted...I promise to raise a stink of world-wide proportions...").
2.) A March 15, 1954 letter to Wilder on Academy Award Motion Picture Arts and Sciences letterhead, outlining the Academy Do's-and-Don't's regarding the upcoming March 25 ceremony (where Wider was a nominee for Stalag 17). One of the rules is "...our time problem is such as to permit only the shortest of acceptance speeches," and indeed, William Holden gave the shortest Oscar acceptance speech to that time - "Thank you." A seating chart of the Academy Theatre is attached to the letter.
3.) A February 14, 1952 letter from censor Joseph Breen, listing many censorship concerns (e.g., "...Stosh would not be portrayed as a man who is on the verge of losing his mind trough sex frustration. Instead of any such pathological flavor, he would merely be a man who likes to talk and kid about girls.")
4.) A postcard postmarked New York, September 1951, advertising the Broadway play Stalag 17, sent to Wilder with the written question, "I wonder if there would be a film in this?" and signed "Chuck Heston." Charlton Heston became Wilder's first choice for Stalag 17's starring role of Sefton before William Holden took the role!
This is a genuine wealth of material on one of the greatest films of the 1950s, in Fair to Good condition. From the Billy Wilder Archive.
Bruce Willis' Costume Coat from Moonlighting. A heavy wool coat by Fiorucci, worn by Willis in an unspecified episode of the popular 1980s TV series. In Excellent condition, accompanied by an LOA from Willis' personal dresser.
"Writing Credits of Edward D. Wood, Jr. 1971-1972-1973" [Ed Wood, Jr.]. An amazing listing of Wood's prodigious writing output for motion pictures, television, and stage, as well as his many novels, short stories, picture stories, and articles -- the curriculum vitae of the Hollywood screen legend that, two years after his death in 1978, was named the "Worst Director of All Time". The writing credits are on 34 pages, 25 of which have two double-spaced columns of short stories, articles, and picture stories. Aside from Wood's better-known works, Glen or Glenda and Plan 9 From Outer Space, literally hundreds of lesser and previously unknown stories are listed. The pages, 8.5" x 11", are for the most part typed carbon copies. All pages have three holes punched along the left side. A biography of Wood, Nightmare of Ecstasy, described his work habits working on a dozen projects at once, simultaneously watching television, eating, drinking, and carrying on conversations while typing. Wood advised new writers to "Just keep on writing. Even if your story gets worse, you'll get better." Though the lot displays mild yellowing, minor corner wear, and a tiny quarter-inch nick to the cover page, the document is in overall Very Good condition.
Polly Ann Young Signed Photo Portrait by Ruth Harriet Louise. Vintage b&w 10" x 13" photo of actress Polly Ann Young inscribed and signed by her in black fountain ink, with Louise's credit stamp on the reverse. In Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Actors and Actresses Autograph Album, 1905-1910. Comprising 110 individual signatures including: Louise Dresser; William Gillette, "Sherlock Holmes"; Harry Lauder, Scottish vaudevillian; David Warfield; Wilton Lackaye; Florence Reed; DeWolf Hopper, Casey at the Bat; Helen Raymond; John Mason; Margaret Pitt; Helen Gibson; Trixie Friganza; Frances Durant; Elsie Janis; H. B. Warner; Thomas F. Graham; Elsa Ryan; Arthur Hoyt; Edward Montgomery; Lew Fields; Frank McCormack; Victor Moore; Carl Eckstrom; Edmund Elton; Maude Odell; William Hodge; Marjorie Wood; Sallie Fisher; Helen Hale; William H. Crane; Amelia Bingham; Henry E. Dixey; William Collier; Guy Maynard; Marie Dors; Mlle. Dazie; Marry Mannering; Bonita; Anna Held; Maxine Elliott; Rebecca Warren; Theo W. Ross; Fred A. Stone; Clarence Handyside; Harry Hillard; Helen A. Tracy; Lulu Glaser, and many more. Various sizes, most clipped, all mounted on pages, 8.5" x 11", often with newspaper or magazine images. Very Good to Fine. Accompanied by James Spence Authentication auction LOA.
Assorted Starlet Signed Vintage Photos. Set of five inscribed and signed b&w 8" x 10" photos includes Allison Shipworth, Mary Ellis, Helen Kane, Billie Haywood, and Rose Hobart. In Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Actor Signed Photos. Set of six signed b&w 8" x 10" photos includes Richard Barthelmess, Lionel Stander, Vladimir Sokoloff, John Emery, Louis Hayward, and Edward Everett Horton. Studio stamps on the reverse of each. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Silent Film Stars Signed Photos. Set of three vintage autographed b&w photos includes Marie Walcamp (7.25" x 10"), Harold Lockwood (9.5" x 13"), and Robert Woolsey (10.5" x 13.5"). Each died tragically before their time: Walcamp of suicide at 42, Lockwood of the Spanish flu at 31, and Woolsey of kidney disease at 50. The photos are in overall Fine condition with mild to moderate toning, some wear, and tack holes to the corners of the Woolsey photo. Accompanied by James Spence Authentication auction LOA.
Assorted Silent Era Starlet-Signed Photos. Set of four b&w 11" x 14" photo portraits includes shots of Laura La Plante, Jessie Matthews, Priscilla Dean, and Vilma Banky, each inscribed and signed by the respective actresses. The photos are in overall Fine condition with some instances of wear, toning, and/or torn corners. Accompanied by James Spence Authentication auction LOA.
Assorted Silent Era Starlet-Signed Photos. Set of four b&w photo portraits includes shots of Sally O'Neil, Genevieve Tobin, Claire Windsor, and Marian Nixon, each inscribed and signed by the respective actresses. The photos range in size from 9.25" x 12.25" to 10.5" x 13.5" and are in overall Very Fine condition with some instances of wear and toning. Accompanied by James Spence Authentication auction LOA.
Assorted Vintage Silent Era Starlet-Signed Photos Set of five b&w photo portraits includes shots of Georgie Sewell (two, including one with sister Lissie), Alberta Vaughn, Alice White, and one unknown performer (with heavy fading to signature), each inscribed and signed by the respective actresses. The photos range in size from 7.25" x 9.5" to 11" x 14" and are in overall Fine to Very Fine condition with some instances of wear, toning, and/or torn corners. Accompanied by James Spence Authentication auction LOA.
Nine Signed "Unknown Star" Portraits. Nine early era stars in various size photos, ranging from 7" x 9" to 11" x 14". Nice mystery lot! In Fair to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Celebrity-Signed Sketch & Letters, c. 1945. Includes an 8.5" x 11" pencil sketch of Sgt. Don T. Schloat by artist Dolya Groutman and autographed by Clark Gable, Joan Blondell, Hoagy Carmichael, Andy Devine, Danny Kaye, and several others, and a signed typewritten letter to Sgt. Schloat from Edward G. Robinson, undated. Also included is a b&w 8" x 10" photo of Schloat sitting for the sketch with Gable beside him. Items are in Very Fine condition.
Assorted Celebrity Autographs Collection. This set of a whopping 139 assorted autographs includes June Allyson, Max Baer (inscribed "Your dad's sparring partner and your bodyguard" and dated 1942), Lucille Ball, Joseph Cotten, Jimmy Durante, Errol Flynn, Ava Gardner, Lena Horne, Buster Keaton, Basil Rathbone, Ronald Reagan, Cesar Romero, and many more. The signatures were obtained by an employee of MGM studios over a period of years beginning in 1942, and are in overall Fine to Very Fine condition. A great way to augment or jumpstart any autograph collection. Accompanied by James Spence Authentication auction LOA.
Actor-Signed Copy of The Oscar People. A copy of George Likeness' 1965 profile of Academy Award-winning actors and actresses, signed on the flyleaves by Joan Crawford, Barbara Bel Geddes, Bing Crosby, Teresa Wright, and 20 other Oscar nominees and recipients. In Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Gregory Peck and Others Signed Movie Editions. Set of three vintage movie editions includes Little Robinson Crusoe, inscribed and signed by Jackie Coogan in black felt tip on the flyleaf; Fallen Angel, inscribed and signed on the flyleaf by Dana Andrews in blue ink and Alice Faye in green felt tip; and The Keys of the Kingdom, signed by Vincent Price in red felt tip and Gregory Peck in blue. All are in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Assorted Vintage Handbills for English Plays. Set of 13 vintage handbills for plays and vaudeville venues, dating from the early 1900s, including three mentioning Fred Karno's comedy troupe and star Charlie Chaplin. Overall condition ranges from Good to Fine.
Assorted Autographed Sci-Fi Movie Lobby Cards. Set of four autographed 11" x 14" lobby cards includes Last Man on Earth (1964, two cards, both signed by Vincent Price), Night of the Blood Beast (1958, signed by makeup artist Harry Thomas and director Roger Corman), and Day the World Ended (signed by Corman and producer Samuel Arkoff). The cards are in overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Assorted Stars Signed Happy Birthday, Hollywood! Book. A copy of the 1987 book celebrating the 100th anniversary of Hollywood, signed on the inside covers, flyleaves, and elsewhere by Harry Dean Stanton, Yvonne De Carlo, Vincent Price, Sidney Poitier, Lisa Bonet, and many others. In Very Fine condition.
Assorted Actors Life Masks, Set of Ten. Includes plaster life masks of Dennis Hopper, Laurence Olivier, Bob Hope, Dustin Hoffman, Tor Johnson, David Letterman, Fredric March, Fred Astaire, Robert DeNiro, and Robert Duvall. In Excellent condition.
Two 8" x 10" portrait negatives of Boris Karloff in The Black Cat. Boris Karloff's all-time most evil performance was Hjalmar Poelzig, "the modern incarnation of Lucifer" in Universal's The Black Cat (1934), co-starring Bela Lugosi and directed by Edgar G. Ulmer. Jack P. Pierce created a superb makeup that made Karloff resemble a sly, perverse devil, and these two 8" x 10" negatives showcase Karloff's wicked Poelzig in all his demonic splendor. One presents him somber, another with a spine-chilling smile. Both shots are evocative of this exotic villain who richly deserved his climactic skinning alive by Lugosi. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Two Portraits of Boris Karloff Late-in-Life. This lot includes two 8" x 10" b&w pictures of Karloff in his twilight years. One is a superb study of a very late-in-life Karloff, in a pensive pose, circa 1968 -- the year before his death. The other shows the horror king, circa early 1960s, bespectacled and sampling the vintage cider at a Sussex pub. Some crease lines are evident in the latter photo; otherwise Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Four Negatives of Karloff in Bride of Frankenstein. Boris Karloff's portrayal of the Monster in Universal's 1935 sequel Bride of Frankenstein, directed by James Whale, is still astounding today -- a heartbreaking tour de force that saw the creature talking, laughing, crying and, for one startling moment, even becoming a Christ symbol. This lot includes an 8" x 10" negative close-up that magnificently showcases both the Jack P. Pierce makeup and the soulful Karloff personality that shines through it. Three small negatives feature an additional close-up, a full-length shot of the Monster, and a candid shot of Karloff relaxing in his special "Monster chair" on the set. Excellent condition. Bonus: an 8" x 10" photocopy of Dorothy Karloff, actor James Gleason and artist Rolf Armstrong, admiring the portrait that Armstrong painted of Karloff from Bride of Frankenstein. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Negative Portrait from The Black Room. Boris Karloff gave a virtuoso portrayal in Columbia's 1935 melodrama The Black Room, playing medieval twin brothers -- good Count Anton and evil Count Gregor. This 8" x 10" negative provides a portrait of what (obviously!) is the bad brother, with Karloff's glowering Gregor staring right at you through an open castle door. A moody, malevolent study of one of Karloff's most brilliant characterizations. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Lot of 20 Boris Karloff Pictures and Negatives, circa 1930s. The lot features Boris Karloff in his halcyon Hollywood heyday. It includes a 2.5" x 3.5" snapshot of Karloff with Sir C. Aubrey Smith and other Hollywood Cricket Club associates, The first group of Hollywood cricketeers on UCLA campus grounds; an 8" x 10" picture of Karloff standing by his pool and trees in background (plus the negative); a 3.5" x 4.5" negative of Boris, Dorothy and friends between tennis rounds; eight 8" x 10" negatives of Karloff at his Coldwater Canyon home, working in the gardens, enjoying the pool and reading by the fireplace; and eight 8" x 10" negatives of Karloff in various portraits. A wonderful mini-archive devoted to the the King of Hollywood horror, in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Three Boris Karloff Pictures, circa 1930s. This lot features copies of three snapshots of Boris Karloff, all from the mid-1930s and each a special favorite of his daughter Sara. The first shot shows Karloff on a hillside, playing with his dogs; the second presents Boris gardening, in swim trunks and top hat (!), and the third shows shows Boris in England in 1936, between rounds of cricket with the Oxford University Team. The uniquely personal shots truly capture Karloff the man and the copies are in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Three Boris Karloff 1930s Pictures. An interesting trio of 8" x 10" b&w pictures of Boris Karloff during his most colorful career decade. The lot includes a portrait of a smiling Karloff, taken shortly after the triumphant release of Frankenstein; a candid shot of Boris with his wife Dorothy at a restaurant, circa mid-1930s; and a candid of Karloff relaxing in a lounge chair by the pool of his Coldwater Canyon home, circa 1936. (Nearby is a life saver from the S.S. Paris, which Boris brought home as a souvenir from one his voyages.) All are copies from Sara Karloff's collection and are in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Three Boris Karloff Negatives from Devil's Island. In 1938, Boris Karloff starred in Warner Bros.' Devil's Island, enjoying one his most heroic, sympathetic roles as Dr. Charles Gaudet, unjustly imprisoned on the infamous penal colony. Warners provided Boris a handsome, dynamic makeup, and these three negatives present three different and dramatic showcases of the star as the suffering Gaudet. Karloff himself admired these shots and saved them until his death in 1969. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Three Boris Karloff 1930s Candid Photos. This trio of candid b&w photos of Boris Karloff all date from the late 1930s. The shots are copies of originals and include a 7.5" x 9.5" shot of the horror star relaxing between tennis rounds; a picture of a bespectacled Boris, his head shaved for Tower of London, with wife Dorothy by a snack bar; and a 5" x 8" picture of Boris (hair still growing back) escorting his mother-in-law. Nice variety, with Karloff in the tennis shot looking rather like a matinee idol. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Three Boris Karloff Negatives from Arsenic and Old Lace. On January 10, 1941, Boris Karloff made his Broadway debut in Arsenic and Old Lace. His role was mad Jonathan Brewster, a killer transformed by a drunken plastic surgeon to resemble... Boris Karloff! The play was one of the most successful in American theatre history and Karloff fondly remembered Jonathan as "the happiest role of my life." This lot includes three 4" x 5" negatives from the original production: one of Karloff and Edgar Stehli (as "Dr. Einstein") making their entrance; another view of this entrance, this one including Josephine Hull and Jean Adair (as "Aunt Abby" and "Aunt Martha"); and a third of Karloff and Stehli menacing Allyn Joslyn (as "Mortimer"). Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Negative of Boris Karloff Rehearsing for an All-Star Navy Relief Show, 1942. In March of 1942, Boris Karloff, then starring on Broadway in Arsenic and Old Lace, appeared in an all-star fund raiser for Navy Relief, presented at Madison Square Garden. Karloff appeared "in drag" as part of the "Florodora Sextette!" This negative shows Boris in a rehearsal publicity pose (in male attire and with parasol) with fellow "Sextette" members Ed Wynn, Vincent Price, Clifton Webb, Danny Kay and Eddie Cantor. Standing behind the men are the ladies who appeared in the act in "male drag" (and here wearing male hats) -- Leonora Corbett, Peggy Wood, Eve Arden, Sophie Tucker, Tallulah Bankhead, and Gertrude Lawrence. This picture appeared in the 1975 book Dear Boris by Cynthia Lindsay and is a very rare shot of a variety of show business legends all clearly having great fun. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Lot of Boris Karloff Pictures and Negatives from Radio's Information Please. During his Broadway run in Arsenic and Old Lace from 1941 to 1942, Boris Karloff paid several guest visits to radio's Information Please, a highly intellectual quiz show that revealed the contestants' (and Boris') wide range of knowledge. This lot features six original 8" x 10" b&w matte finish photos of Karloff on Information Please, three of him alone and three with fellow contestant Franklin P. Adams. All pictures have the photographer's stamp en verso and the lot comes with negatives of each shot. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Negative for The Mummy. This negative offers a marvelous study of Boris Karloff, both the man and actor. It's a Universal publicity portrait, capturing a casual Karloff in his cricket jacket, reading and smoking a pipe; meanwhile, "observing" him from the wall is a portrait of the star as Ardath Bey, better known to vintage horror fans simply as The Mummy (1932). This, of course, was one of Karloff's truly classic horror performances in a makeup Jack P. Pierce proudly claimed was his own finest work. A stunner! Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Three Boris Karloff Cricket Pictures. Boris Karloff called himself "the happy rabbit" of the Hollywood Cricket Club, playing his beloved sport at every opportunity and saving his mementoes of the sport throughout his life. This lot includes copies of a 7.5" x 9.5" b&w photograph of Boris, circa 1933, posing for a team shot with his fellow players, including Sir C. Aubrey Smith and H. B. Warner; a 3.5" x 4.5" b&w snapshot of Boris (in Hollywood Cricket Club cap, striped jacket, and white slacks) posing with teammate Desmond Roberts; and a 2.5" x 3.5" team shot (different from the first one described), with Boris in cricket jacket. Some minor creases on the pictures; otherwise, in Very Good condition. Fascinating personal photos of "the Monster" at play. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Negative of Boris Karloff from The Mask of Fu Manchu. "What can one so poor as Dr. Fu Manchu do for you?" leered Boris Karloff in The Mask of Fu Manchu, MGM's deliriously kinky horror classic of 1932. This negative presents Karloff in a pose as resplendently high camp as the film itself, in full Fu regalia, wearing a towering bonnet that would have been the envy of Carmen Miranda. A marvelous memento that captures the aura of Karloff's high-spirited, tongue-in-cheek performance. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Two Boris Karloff Portrait Negatives. This lot of two striking 8" x 10" Karloff portraits date from the early 1930s, as he was winning screen immortality as Frankenstein's Monster and the Mummy. One shows the actor smoking a pipe, looking intently at the camera -- a handsome "movie star" study that Karloff selected as the picture he signed in the early 1930's in response to fan mail. The other portrait shows Boris, again with pipe, this time in his striped Hollywood Cricket Club jacket, posing with his cricket paddles. The star is presumably at his Toluca Lake home, and in the background one can see the bust Ivan Simpson sculpted of Karloff (negatives of which are also offered in this auction). Both shots dynamically capture the Karloff star mystique and are in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Three Photo Negatives of Boris Karloff Posing for a Bust Sculpture. In the wake of Frankenstein, Boris Karloff, an overnight star internationally, received the honor of sculptor (and actor) Ivan Simpson sculpting his image. This lot includes two 8" x 10" negatives of Karloff posing with the bust -- one showing Simpson at work, the other of Karloff posing with the final product. A third 8" x 10" negative shows Simpson with a bust (also presumably Simpson's work) of George Arliss in his Academy Award-winning performance as Disraeli. The bust adorned Karloff's home for many years (and its eventual disappearance is a mystery). All three negatives are in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Personal Signed Photo of Boris Karloff at Home, 1931/1932. Following his shattering performance as the Monster in Frankenstein, Karloff celebrated his new stardom by buying a home on the shore of Toluca Lake. This 5" x 7" personal photo from the Karloff family shows the house, Boris on the balcony, and his wife Dorothy and an unidentified woman on the grounds. Written in black fountain ink in the upper right area is the inscription, "To Dorothy and Boris Karloff with many thanks for hospitality 1931-32," followed by a full (and indecipherable) signature. The reverse bears the stamp, "Enlarged by Earl V. Lewis Co., L.A. & Hollywood." One can presume the guest took this photo as a snapshot, had it enlarged and signed it to the Karloffs. The picture survives as testimony to the "fruits of stardom" enjoyed by Karloff after Frankenstein, and the generous way the star shared his good fortune with friends. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Two Negatives of Boris Karloff from The Old Dark House, Including Test Makeup. Boris Karloff's eagerly-awaited horror follow-up to Frankenstein was Universal's The Old Dark House (1932), directed by James Whale with macabre elegance and setting Karloff loose as Morgan, the mad, drunken butler of the title domicile. This lot features an ultra-rare negative of Karloff in the fierce, almost bestial test makeup by the legendary Jack P. Pierce. Also included is a negative of the final, refined makeup, with Karloff's Morgan (still a very unnerving image!) casting a monstrous shadow on the wall. Wonderful testimony to Karloff's stardom and classic Universal horror. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Candids and Portraits from the 1930s. This lot includes nine negatives of Boris Karloff in various portrait poses and at-leisure shots from 1930s. Several date from 1932/1933, in the wake of Karloff's tremendous international success in Frankenstein. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Frankenstein Negatives. The lot features four negatives of Boris Karloff as the Monster from Universal's original 1931 Frankenstein, the classic that forever established the actor as a true Hollywood legend. Included is a stunning 8" x 10" negative of Karloff's Monster in a very rare pose, kneeling in the watchtower dungeon. The small negatives include the classic scenes of Frankenstein's Monster entering through the door and playing by the lake with Marilyn Harris' Little Maria, as well as a shot of Jack Pierce tending to Karloff's makeup on the set. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Negative Portrait of Boris Karloff from Young Donovan's Kid. One of Boris Karloff's most villainous pre-Frankenstein roles was Cokey Joe, a leering dope peddler trying to hook little Jackie Cooper in RKO's Young Donovan's Kid (1931). The film is unfortunately considered "lost" at this time, but this 8"x 10" portrait of a glowering Karloff survives, in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Five Oversize Pictures of Boris Karloff. This ultra-rare assortment of 11" x 14" pictures showcase Karloff in his masterful makeups, including a copy of a candid from Frankenstein (on the set, with "the Monster" being made up by Jack Pierce); an original portrait of the test makeup as Morgan from The Old Dark House (with photographer Freulich's credit stamped en verso); an original study of Boris as General Fang in West of Shanghai; and two original portraits of Karloff as Dr. Gaudet in Devil's Island (both with photographer Schuyler Crail's credit stamped en verso). The Frankenstein shot has considerable surface damage and is a bit fuzzy in its reproduction; The Old Dark House has some border chipping; other originals are in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman.
Three Oversize Boris Karloff Portraits. Three striking, original oversize portraits of Boris Karloff include a picture of him in his study, reading a script during the 1941/1942 Broadway run of Arsenic and Old Lace; and two studies (8.5" x 9.5" in an 11" x 14" matte) of Karloff in The Linden Tree, a Broadway failure of 1948 for which Karloff held great affection. There's surface damage on the upper inch of the Arsenic-era shot (which was used in Cynthia Lindsay's 1975 book Dear Boris and is attached to board backing); the shots for The Linden Tree (with photographer's name en verso) are in near-Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman.
Boris Karloff Signed Sir C. Aubrey Smith Sketch and Hollywood Cricket Club Archive. One of Karloff's true passions was the sport of cricket. These snapshots and stills from his days in the Hollywood Cricket Club are among the very few personal pictures he saved from the exciting era of the early and mid-1930s. This expansive lot includes a striking 8" x 10" portrait of Karloff in his cricket jacket, holding a cricket paddle and smoking a pipe; a shot of him with Sir C. Aubrey Smith and Teammates; a wonderful original portrait of Boris in full cricket uniform and cap, signed and humorously inscribed to him by a crony named "Ted"; five snapshots of Boris in cricket clothes; a 2" x 3" original shot of Boris in a cricket sweater and slacks, with "KARLOFF in Universal Pictures" stamped on the reverse, and an inscription en verso by wife Evelyn: "Boris in complete cricket regalia"; and a negative of Boris with his teammates. Also included is a 4.5" x 7.5" sketch of stalwart British actor/team captain Sir C. Aubrey Smith, signed "To Boris - bless you, Aubrey." Karloff signed his own name in full en verso in pencil. Extras: an 8" x 10" still of Boris and wife Evelyn at home, circa late 1950s, with this sketch of Smith visible and framed on the wall; a shot of Smith with cricket bat; and a shot of Smith posing at his gate in his cricket jacket (what else?). The pictures, most of them approximately 75 years old, are in Fine to Very Good condition. Superb evidence of Golden Age Karloff at play. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Boris Karloff Album Page Signed "Frankenstein" with Ivor Novello Signature. Rare 4.25" x 2.5" album page signed in full "Boris Karloff/Frankenstein". The great Boris Karloff was a frequent signer for his many fans, but it is rare indeed to find anything on which he also signed the name of his most famous film. The reverse features the signature of English actor Ivor Novello, a star of silent films whose career ended just a few years after the "talkies" arrived. His most famous role is the serial-killer title character in Alfred Hitchcock's 1927 thriller The Lodger. This is a terrific, unique piece for the horror collector! In Fine condition with minor age toning. From the Boris Karloff Estate Collection. Accompanied by a COA from PSA/DNA and a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Costume Sketches from Brigadoon, Signed by the Artist. Boris Karloff owned and displayed in his home these beautiful, original color costume sketches for Brigadoon, the Lerner and Lowe musical that opened at Broadway's Ziegfeld Theatre March 13, 1947 and ran for 581 performances. These 5.5" x 8.25" sketches present a "Villager" in kilt, home from the hunt and bearing two dead birds, and "A Village Woman" carrying a basket. The two sketches are each taped to a 7.5" x 10" white paper backing and are both signed in black ink by the costume designer, David Ffolkes, who has added the date "Nov: '46" below his name. (Tape on the "Village Woman" sketch covers the date.) Additionally the sketches bear the circular stamp of "United Scenic Artists Local 829" above Ffolkes' signature. Ffolkes won the 1947 Tony Award for Best Costume design - not for this play, but for King Henry VIII, and was costume designer for such shows as Maurice Evans' Hamlet (1938) and Ray Bolger's Where's Charley? (1948). The strikingly colorful sketches were surely charming decorations in the Karloff home and survive as mementoes of both the star's personal taste and a legendary Broadway musical. Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Dr. Seuss Condolence Letter to Mrs. Boris Karloff. One of Boris Karloff's greatest late-in-life triumphs was his narration of Dr. Seuss' How the Grinch Stole Christmas, first telecast December 18, 1966. This letter of condolence to Mrs. Karloff after Boris's death is typed on Dr. Seuss' 7.25" x 10.5" pale green stationery, dated February 7, 1969 (five days after Karloff's death) and reads: "My dear Mrs. Karloff: Please do not think of answering this letter. Please, only, know how much I admired your husband. Working with him on 'How the Grinch Stole Christmas' was a privilege, an honor, and the experience will be an inspiration to me always. Sincerely," and is signed "Dr. Seuss" in green ink. Included is the original envelope, postmarked San Diego, Calif. and dated February 7, 1969, with "Dr. Seuss, The Tower, La Jolla, California" printed on the back and its two 10-cent airmail stamps. Mrs. Karloff, filing the letter, had written "Dr. Seuss" in the envelope's return address area and placed a check mark beside the name. Both the letter and envelope are in Excellent condition. A wonderful memento intimately related to two phenomenal talents and a beloved Christmas TV tradition. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Chuck Jones' Condolence Letter to Mrs. Boris Karloff. This wonderful letter comes from legendary animator Chuck Jones, who produced and directed Sr. Seuss' Yuletide classic How the Grinch Stole Christmas. The letter is written in black ink on Jones' 8.5" x 11" Metro-Goldwyn-Mayer Inc. stationery, bearing the Leo the Lion Logo, with a color illustration of the Grinch in the lower left corner. The sentiment reads: "Dear Mrs. Karloff, It now appears apparent that "How the Grinch Stole Christmas" will be a Christmas feature on Television for as long as anyone can envisage. In my opinion the major reason for this is that Mr. Karloff gave such a thoughtful and understanding reading of the script. I think it is entirely appropriate that children for many generations will find joy and a deeper understanding of Christmas through the skill of your husband. Thank you - and him. Chuck Jones. Producer/Director "The Grinch." Jones has added next to the Grinch illustration, "Watch How the Grinch Stole Christmas - or else!" and also added "CBS/TV 7:00 December 18th." The letter is undated, but the original envelope (with MGM logo and the name "Chuck Jones" typed in the return address area) bears the Hollywood postmark of Feb. 5, 1969 -- three days after Karloff's death. Mrs. Karloff added a small check mark beside Jones' name on the return envelope; otherwise, the letter and envelope are in Excellent condition. A delightful item -- and Jones' prediction about the show's enduring power was happily prophetic. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Peter Bogdanovich Condolence Letter to Mrs. Boris Karloff, with Clipping. Peter Bogdanovich, director of Karloff's last great film, Targets (1968), dated this handwritten letter February 9, 1969, one week after Boris's death. He wrote in black ink on 6.5" x 7.0" stationery: "Dear Evie, We thought you'd like to see these clippings - in case someone else hasn't already sent them. Love from Polly, Antonia and me - Peter." The lot includes an eloquent tribute to Karloff written by Bogdanovich and published in the Los Angeles Times, as well as the original envelope, postmarked Feb. 10, 1969, with Bogdanovich's return address sticker and the two 10-cent airmail stamps. As with the other letters of condolence, Mrs. Karloff placed a small check mark beside the return address; she also wrote the word "called." The letter, envelope and clipping are in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Christopher Lee Handwritten Condolence Letter to Mrs. Boris Karloff. This is a moving piece of iconic horror film history - Christopher Lee's handwritten condolences to Boris Karloff's widow. Written in black ink on pale blue, 6.5" x 8" stationery and dated February 5 -- three days after Karloff's 1969 death -- the letter reads in part: "My dear Evie...The affection and the admiration that I felt for Boris were and always will be boundless. From the days when I was a small boy he was always my favorite and he always remained so...He was wonderfully kind to me and he will always be very much in my heart. As the world knows he was a superb actor - and those of us who knew him and felt for ourselves his kindness, gentleness and humor will always be greatly privileged. I pray God I can follow his example...My love to you, Christopher." Included is the original stamped envelope, postmarked London 5 Feb. 1969, which Lee had marked "Personal" in the return address. Mrs. Karloff wrote "Christopher Lee" in the return address area and, as with her other condolence letters, placed a small check mark beside the name. Both the letter and envelope are in Excellent condition. A very eloquent testimony to Karloff as man and actor, from fellow horror film royalty. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Mae Clarke Condolence Card to Mrs. Boris Karloff. In Universal's original Frankenstein (1931), Mae Clarke played Elizabeth, who, on her wedding night, receives a visit in her boudoir from Boris Karloff's legendary Monster. The actress, always proud of that classic credit, sent this 3.5" x 6.5" Salesian Fathers Mass card to Mrs. Karloff after the actor's death February 2, 1969. The card has a color cover of Jesus Christ and the Catholic sacrament of Holy Communion; inside, the card notes that 25 Masses will be offered in Karloff's honor. Mae wrote "Dearly remembered Boris" in black ink at the top of the card, and signed it, "Mae Clarke - 'The Bride-to-be' in #1 Frankenstein." She also wrote on the blank inside page, "My dear Mrs. Karloff, I grieve with you. And I pray as deeply for your consolation...," signing "Mae." Also included is the original envelope, postmarked Feb. 4, 1969 in North Hollywood, hand-addressed by Mae, with her name and address printed by her on the envelope's reverse and complete with its 20-cent airmail stamp. Mrs. Karloff wrote "Mae Clark" [sic] in the return address area of envelope and placed a small check mark beside the name. Both card and envelope are in Excellent condition. An unusual and moving connection to two stars of the greatest horror film ever produced. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Sir Alec Guinness Condolence Letter to Mrs. Boris Karloff. The famed actor Sir Alec Guinness wrote this condolence letter to Mrs. Boris Karloff, dated April 12, 1969 and handwritten in black ink on his 6.25" x 8" personal stationery. It reads in part: "We were so distressed to hear of Boris's death and knowing what anguish you must be in - please accept our heartfelt condolences. I do wish I had known him better. I liked him so very much and so greatly admired him. His passing is a sadness for us all...Yours ever, Alec." Also included is the original hand-addressed stamped envelope, postmarked Petersfield, April 13, 1969; Mrs. Karloff wrote "Alec G." in the return address area and added a check mark beside the name. Letter and envelope are in Excellent condition. An interesting time period for Sir Guinness, equidistant between his Oscar-winning performance in The Bridge on the River Kwai (1957) and his Obi-Wan Kenobi in Star Wars (1977). From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Condolence Telegrams to Mrs. Boris Karloff. This lot contains ten telegrams to Mrs. Boris Karloff, following the death of her celebrated husband on February 2, 1969. The telegrams come from "Vincent and Mary" (Price), Red and Georgia Skelton, Mrs. C. Aubrey Smith, R.F. Dunham (manager of the Boris Karloff Wax Museum in Niagara Falls, Canada), "Peter and Polly" (Bogdanovich), Katharine Cornell, Charlton Heston (for the Board of Directors of the Screen Actors Guild), Marjorie Corso, Tony Tenser, and Sara Karloff. Mrs. Karloff marked each telegram with a small check mark, probably to indicate she had responded to them. Emotions expressed in the telegrams give eloquent evidence of how very beloved a man Boris Karloff truly was. Also included and in a lighter vein: a typed copy of a satirical poem about stage producers Howard Lindsay and Russel Crouse, who produced Karloff's Broadway triumph Arsenic and Old Lace. Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman.
Robert Bloch Condolence Letter to Mrs. Boris Karloff. A 7.5" x 12" "aerogramme" typed letter from famed horror writer Robert Bloch, best-remembered as the author of the novel Psycho, to Mrs. Boris Karloff, dated 4 February, 1969 and expressing condolences to Mrs. Karloff on the star's death. Bloch signs in blue ink "Bob Bloch" and writes of Karloff's passing, "...I think what affected me most was the number of people who called all day yesterday... they knew how very fond we were of Boris and that we'd listen, and all of them needed someone to talk to...concerning a man who commanded their affection and admiration..." The front contains Mrs. Karloff's London address and Bloch's Los Angeles address with 13-cent airmail postage. Bloch was also the author of some of the best-remembered episodes of Karloff's Thriller TV program, including "The Cheaters" and "Yours Truly, Jack the Ripper". A moving piece, featuring Bloch's signature in touching and very desirable form. Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman. Accompanied by James Spence Authentication auction LOA.
Boris Karloff's Personal Script Pages for Flair. Even the most ardent Karloff fans have forgotten (or perhaps were never aware) that the star recorded daily spots for the radio show Flair. The years were 1960 and 1961 and the topics of Karloff's one-minute chats were family and child care. This collection of 16 script pages include 14 different spots, concerning such topics as baby talk, sitting still (an "assignment more difficult than climbing Mount Everest without a snowpick", he asserts), disciplining a child, family trips, and more. There is considerable annotation by Karloff in pen and pencil, notably in which words and phrases to emphasize in his readings. It's fun to imagine Hollywood's Horror King delivering these prosaic lessons, in Excellent condition. From the Boris Karloff Estate Collection, accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Personal Script Pages for Flair. Even the most ardent Karloff fans have forgotten (or perhaps were never aware) that the star recorded daily spots for the radio show Flair. The years were 1960 and 1961 and the topics of Karloff's one-minute chats were family and child care. This collection of 25 script pages include 18 different spots, concerning such topics as Groundhog's Day, Friday the 13th and superstitions (he warns against their potential impact on "youthful imaginations"), the birth of Abraham Lincoln, Christmas thank-you letters, and babies who bite. There is considerable annotation by Karloff in pen and pencil, notably in which words and phrases to emphasize in his readings. It's fun to imagine Hollywood's Horror King delivering these prosaic lessons; also notable is the Groundhog's Day entry, since Karloff had a special fondness for the Groundhog legend - died on Groundhog's day, 1969. Excellent condition. From the Boris Karloff Estate Collection, accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Personal Scripts for Flair. This batch of Boris Karloff scripts from radio's Flair, on which he offered tips of family dynamics and child-raising, dates from 1960/1961. The seven scripts (ten pages) cover such topics as "Naughty Words", New Year's Eve, and a child's privacy ("To parents, the baby picture of Junior in his birthday suit may be 'utterly adorable'; to Junior - now aged five - it may be a source of inexpressible anguish when exhibited to visiting friends and relations"). The pages contain Karloff's annotation for accent and emphasis in his reading. Excellent condition. Unique material from a long-forgotten credit on the horror star's resume. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman.
Christopher Lee Tribute to Boris Karloff. This lot features a typed, four-page, annotated draft of a tribute to horror icon Boris Karloff by fellow gothic superstar Christopher Lee. Apparently never published, the tribute is heartfelt and expansive and covers a wide-range of topics: Lee's fan following of Karloff as a boy, their work together on TV's Col. March of Scotland Yard and the films Corridors of Blood and The Curse of the Crimson Altar, the challenges of playing horror roles convincingly, the love of cricket they both shared, and many personal reminiscences of their time together. Lee's depth of emotion shows in his words, and to quote a section: "People like him never really die, you know. He has left a great heritage behind him - he has left his mark on the Cinema. He will never be forgotten...He was a very great man; he was a very great human being and he was a very great actor..." Some annotation in pencil - Excellent condition. A unique, moving and truly one-of-a-kind item. From the Boris Karloff Estate Collection. Accompanied by a Letter of Provenance from Sara Karloff Sparkman.
Boris Karloff's Personal This is Your Life Script Signed by Ralph Edwards. A copy of the final draft script for the November 20, 1957 episode of the popular '50s documentary TV series This Is Your Life, labeled "Stage Manager" and kept as a souvenir by Boris Karloff -- subject of that episode. The script is signed on the first page by host Ralph Edwards, numbers 53 pages, is unbound, and in Very Fine condition with minor wear and no insect chews. From the Boris Karloff Estate Collection. Accompanied by a COA from PSA/DNA a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Personal Scrapbook for The Lark. The Lark, in which Boris Karloff played the Bishop Cauchon to Julie Harris's Joan of Arc, was a Broadway hit of 1955/1956 and the pinnacle of Karloff's success as a legitimate actor. This is the star's personal scrapbook in brown leather binding, measuring 12" x 12.5," with 35 pages of clippings including reviews from the major New York papers, advertisements, interviews, photos, and signed letters to Karloff from Julie Harris and the play's author, Lillian Hellman (respectively signed "Julie" and "Lillian"). The scrapbook's cover is a color Time magazine cover sketch, November 28, 1955, showing Julie Harris as Joan. Karloff kept very few scrapbooks -- this one, devoted to the performance of which he was probably proudest, was a prized keepsake and survives as a wonderful memento from a legendary career. From the Boris Karloff Estate Collection. Accompanied a Letter of Provenance from Sara Karloff Sparkman.
Boris Karloff's Heavily Annotated Script for The Lark. Boris Karloff reached his peak as a serious "legitimate" actor on the evening of November 17, 1955, when the play The Lark opened on Broadway. Karloff's heartrending portrayal of Bishop Cauchon, who tries to save Julie Harris' Joan of Arc from being burned at the stake, won him outstanding critical notices and a Tony Award nomination. Written by Jean Anouilh, adapted by Lillian Hellman and scored with incidental music by Leonard Bernstein, The Lark was a critical and popular triumph, running 229 performances, and Karloff and Harris reprised their roles on TV's The Hallmark Hall of Fame (February 10, 1957).
This is Karloff's personal script for The Lark, filled with his extensive annotations. The actor had written his name (simply as "Karloff") in ink on the title page, and has added in pen and pencil throughout the script many notes, including the rehearsal location (New Amsterdam Roof), names, addresses and phone numbers of various people in the company and many dialogue changes, cuts, and notes, all in his own handwriting. Perhaps most interesting are the directions Karloff wrote in the script during rehearsals regarding his portrayal of Cauchon -- such as "Nervous", "Irritability", "No pleading", "Brutal", "Fight Joan in this scene", "gentler on last sentence", "The guts of the scene are gone", and "I knew the girl and I loved her". As such the script offers great insight into the depth of Karloff's dramatic perception.
The script is in a 9" x 11.5" black leather binder with The Lark engraved in gold lettering. Also included is a clipping from The Christian Science Monitor (May 19, 1956), showing Karloff studying the script.
This is the only Karloff preserved annotated script Heritage has ever offered in auction -- truly a one-of-a-kind artifact, and great testimony to Boris Karloff's legendary passion and professionalism as an actor. From the Boris Karloff Estate Collection. Accompanied by James Spence Authentication auction LOA.
This is Karloff's personal script for The Lark, filled with his extensive annotations. The actor had written his name (simply as "Karloff") in ink on the title page, and has added in pen and pencil throughout the script many notes, including the rehearsal location (New Amsterdam Roof), names, addresses and phone numbers of various people in the company and many dialogue changes, cuts, and notes, all in his own handwriting. Perhaps most interesting are the directions Karloff wrote in the script during rehearsals regarding his portrayal of Cauchon -- such as "Nervous", "Irritability", "No pleading", "Brutal", "Fight Joan in this scene", "gentler on last sentence", "The guts of the scene are gone", and "I knew the girl and I loved her". As such the script offers great insight into the depth of Karloff's dramatic perception.
The script is in a 9" x 11.5" black leather binder with The Lark engraved in gold lettering. Also included is a clipping from The Christian Science Monitor (May 19, 1956), showing Karloff studying the script.
This is the only Karloff preserved annotated script Heritage has ever offered in auction -- truly a one-of-a-kind artifact, and great testimony to Boris Karloff's legendary passion and professionalism as an actor. From the Boris Karloff Estate Collection. Accompanied by James Spence Authentication auction LOA.
Boris Karloff's Arsenic and Old Lace Reception Guest Book, Alaska, 1957. In March of 1957, Boris Karloff reprised his role of Jonathan in Arsenic and Old Lace in Anchorage, Alaska. The Community College Theatre Workshop, Little Theatre, and Symphony of Anchorage hosted a reception on the eve of rehearsal in his honor -- hence this 6" x 7" guest book with green leather cover, which Karloff signed in full on the special guests page in blue fountain ink. Additionally, Karloff gave the play's director, Frank Brink, his old "Arsenic" shoes (Brink had requested them when Karloff proposed a gift) and the book contains a typed note, reading, "My dear Frank, You can't possibly know what this experience has meant to Evie and me. And of course we will come back whenever you want us. I meant what I said last night. It was indeed the most rewarding moment of my career. Now I can't imagine why you would want my old Arsenic shoes but they are yours. They tramped through hundreds of performances of 'Arsenic' and other works as well, mostly because they were comfortable. Please rest your mind. I have no emotional attachment to them." Karloff signed the note in black fountain ink, "love, Boris Karloff." The book contains two color snapshots of the shoes, with a printed card identifying them and signed in blue ink by Karloff's widow Evelyn. She also signed the guest book, as did more than 200 guests and 30 members of the company. Later in 1957, director Frank Brink was one of the guests on the This Is Your Life show honoring Karloff. An unusual item with two great Karloff signatures, and a keepsake that held considerable sentiment for its famous former owner. In Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a COA from PSA/DNA and a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Alaska Scrapbook. A remarkable item in its own right -- with an original painting cover, and a genuine fur-trimmed front and a fur-covered back -- this scrapbook commemorates Boris Karloff's 1957 visit to Alaska to star in an Anchorage production of Arsenic and Old Lace. The play's director Frank Brink and his wife Jo (who painted the cover of a theater building backed by snow-covered mountains) created this scrapbook for Karloff, which contains 25 pages (now in plastic sleeves); there are several additional pages with clippings inside the book. Snapshots, a map, newspaper coverage of Karloff's arrival, his reception, Karloff's offer to present his proceedings to help build a new theater, the play itself, Karloff visiting an air force hospital and an oil field -- expansive coverage. The Brinks had written in the front of the scrapbook, "Evelyn and Boris, You walked so easily among us -- Surely we must have known you somewhere before. Love, Jo and Frank." The fur is detaching slightly from the lower right corner on the back cover; otherwise Very Good condition. Karloff called this visit to Alaska "the highlight of my life," saying he'd never received so warm and hospitable a greeting, so this surely must have been a cherished and meaningful keepsake for Boris. A wonderful item. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Ernie Kovacs Signed Caricature. An 11" x 14" printed caricature of Kovacs, inscribed "I should never have ordered that second plate of cannelloni" and signed by him in black pencil. The artwork has been matted and framed to an overall size of 15.5" x 19.5" and is in Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive. Accompanied by James Spence Authentication auction LOA.
Edie Adams Cartoon Drawing by Al Capp. An appropriately "hillbilly burlesque" 13.5" x 19.5" ink cartoon drawing by Li'l Abner creator Al Capp, inscribed "To Edie Adams - Ideel of all us red-blooded American boys" and signed by the artist in black ink. Adams won a Tony Award for her performance as Daisy Mae in the 1956 Broadway musical adaptation of the strip. In Excellent condition with mild toning and some wear to the frame. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams Life Magazine Photos by Allan Grant. A great set of 20 b&w 10" x 13" photos of Edie Adams onstage, backstage, on location, interacting with the likes of Glenn Ford and Rock Hudson, and other shots, taken by noted photojournalist Allan Grant for Life magazine in 1963. A great selection of images, in Excellent condition with credit stamps on the reverse of each. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams Photo Portrait. A gorgeous sepia-tinted 20" x 16" photo of a glamorous Adams outside the DeMille Theatre in Los Angeles, circa the late '50s/early '60s. (The stylish Rolls-Royce was hers.) In Excellent condition, matted and framed to 23" x 19". From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Wonderful Town Memorabilia. Set of eight framed items includes a poster, telegram, b&w publicity photo, newsclippings, and magazine covers related to Adams' performance in the 1953 Broadway musical comedy. Edie originated the role of Eileen in the musical, which featured compositions by her good friend Leonard Bernstein. The play earned five Tony Awards, and Adams received a Theatre World Award for her performance. In overall Very Fine condition. Sizes range from 8" x 10" to 15" x 22.5". From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Li'l Abner Archive. Edie Adams won a Tony Award for Best Featured Actress in a Musical for her performance as Daisy Mae in the 1956 Broadway musical adaptation of Al Capp's popular comic strip, which ran for 693 performances. Unfortunately, she was not selected to reprise the role in the 1959 movie version, and was replaced with Leslie Parrish instead. This selection of Abner-related items comes from Adams' personal collection, and includes a poster for the stage version and associated newspaper and magazine clippings that feature photos of Adams as Daisy Mae, plus a 30" x 20" pencil and ink cartoon drawing of Adams in character (Fine condition with wear to the edges and corners), signed by artist Paul Webb. Items are in overall Very Fine condition except as noted. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams Vintage Photo Portraits. A set of five assorted b&w vintage portraits of Edie as a young woman, plus a small promo poster for the 1961 comedy Lover Come Back. All but one of the photos are framed, with overall sizes ranging from 10.5" x 13.5" to 19.5" x 23.5". In overall Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs Signed Check to the IRS. A personal check for $1,000 written to the IRS, dated October 11, 1960, and signed by Kovacs in blue ink. The memo on the check reads "Ernie Kovacs 1958 income tax liability on account". A frequent critic of the federal tax system, Kovacs owed the IRS several hundred thousand dollars in back taxes due to his simple refusal to pay, and as much as 90 percent of his earnings would be garnished as a result. Kovacs began investing his money in a convoluted series of paper corporations, with names such as The Bazooka Dooka Hicka Hocka Hookah Company, in a bid to thwart Uncle Sam. Kovacs' tax woes also affected his career to the point that he would take any work offered to him, whether or not it fit with to his style of comedy; it was his widow Edie who eventually paid off the debt, many years after his death. The check is in Excellent condition with the usual bank cancellation marks. From the Ernie Kovacs/Edie Adams Estate Archive. Accompanied by James Spence Authentication auction LOA.
Ernie Kovacs and Edie Adams Signed Check. A personal check for $600 cash, dated September 26, 1960, signed by Kovacs and Adams and endorsed by them on the back. In Very Fine condition with three fold creases and the usual bank cancellation marks. From the Ernie Kovacs/Edie Adams Estate Archive. Accompanied by James Spence Authentication auction LOA.
Ernie Kovacs Signed Check to Andrew Kovacs. A check for $121.25 written by Kovacs to his father, dated September 27, 1960, signed by the comedian on the front and endorsed by his father on the back. In Excellent condition with the usual bank cancellation marks. From the Ernie Kovacs/Edie Adams Estate Archive. Accompanied by James Spence Authentication auction LOA.
Ernie Kovacs Signed Check. A business check for $100 dated September 29, 1960, signed by legendary TV comedian Kovacs to his mother Mary (who also endorsed the reverse) in blue ink. Kovacs' ad-libbed, often experimental style influenced comedic programming for years after his tragic death in an automobile accident. Shows such as Rowan and Martin's Laugh-In, Monty Python's Flying Circus, Saturday Night Live, Captain Kangaroo, Sesame Street, and even David Letterman all owe elements of their style to Kovacs. The check is in Very Fine condition with the usual cancellation marks. From the Ernie Kovacs/Edie Adams Estate Archive. Accompanied by James Spence Authentication auction LOA.
Ernie Kovacs' Steve Canyon Comic Strip Art From Milton Caniff. The original art for a four-panel Steve Canyon newspaper strip by Milton Caniff, featuring a character with a pet tarantula named Ernie. Caniff inscribed the work across the top: "Ernie -- Our little friend must have been looking for a match when this was shot -- Best --", dated it August 1956, and signed it in brown ink. The 23" x 8" pencil and ink art has been matted and framed to 28" x 12.5" and is in Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs Portrait Sketch. An approximately 12" x 14.5" charcoal sketch of Kovacs, with signature cigar and bowtie, matted and framed to an overall size of 20" x 23". In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs Drawings. A pair of 14" x 17" drawings that includes a pastel sketch of Kovacs and his Percy Dovetonsils alter ego, and a pencil sketch of Kovacs as Percy, both by an unknown artist. Each is in Very Fine to Excellent condition, and matted to an overall size of 18" x 18". From the Ernie Kovacs/Edie Adams Estate Archive.
Mia Kovacs Drawing with Bible. A 21.25" x 17.25" portrait of Ernie Kovacs' daughter Mia as a young girl, accompanied by her childhood Bible. Mia was born in 1959 to Kovacs and his wife Edie Adams; tragically, Mia died in an automobile accident in 1982. Both are in Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Cowboy Props from Cigar Commercial. Includes a pair brown cowboy boots, black cowboy hat, and prop six-shooter, used by Kovacs' counterpart in one of his TV commercial for Dutch Masters brand cigars. Although Kovacs was a longtime spokesman for Dutch Masters, in reality he preferred expensive Havana cigars, sometimes going through as many as 20 a day at a cost of $2 apiece. Items are in Fine to Very Fine condition with some wear. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' "Nairobi Trio" Ape Masks. One of Kovacs' best-known comedy bits is the "Nairobi Trio" series of sketches. Each involved three gorillas (played by Kovacs, his wife Edie, and assorted guests such as Jack Lemmon and Frank Sinatra) wearing derby hats and overcoats, mechanically miming to the tune "Solfeggio" like wind-up toys, their antics soon devolving into physical assault. These are three of the ape masks worn by Kovacs and his cohorts in the sketches. In Fair condition with some wear from age; the latex material has deteriorated over the decades and is quite brittle. Prize relics of classic TV comedy. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' "Nairobi Trio" Timpani Mallets. It's one of the most bizarre and oddly hilarious comedy acts in the annals of TV history. There are three "gorillas," forming the "Nairobi Trio," sporting derby hats and long coats as they groove to the strains of "Solfeggio." The middle "ape" smokes a cigar and conducts with a banana, the stage left simian thumps on a piano, and the stage right beast brandishes timpani mallets. As the trio performs their weird, robotic concert, the timpani player regularly and mischievously delivers a 'ba-da-BUM" bongo riff on the center simian's head. However, revenge is sweet at the end of "Solfeggio" as the center ape climactically smashes a vase over the timpani player's skull.
Well, Ernie Kovacs was the center Nairobi member, Edie Adams frequently served as the hirsute pianist, and such Kovacs cronies as Frank Sinatra and Jack Lemmon "went ape" as the tormenting timpani player as Kovacs and the gang performed this legendary skit. This lot features no less than those formidable timpani mallets, 19" long with white rubber heads on white painted sticks. It's touching to realize that Edie Adams saved these props, first employed by Kovacs over half-a-century ago, when he was indeed running amok and pounding his chest in the very wild jungles of early TV. True comedy history, in Very Good condition - and ready for use! From The Ernie Kovacs/Edie Adams Estate Archive.
Well, Ernie Kovacs was the center Nairobi member, Edie Adams frequently served as the hirsute pianist, and such Kovacs cronies as Frank Sinatra and Jack Lemmon "went ape" as the tormenting timpani player as Kovacs and the gang performed this legendary skit. This lot features no less than those formidable timpani mallets, 19" long with white rubber heads on white painted sticks. It's touching to realize that Edie Adams saved these props, first employed by Kovacs over half-a-century ago, when he was indeed running amok and pounding his chest in the very wild jungles of early TV. True comedy history, in Very Good condition - and ready for use! From The Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' "Percy Dovetonsils" Glasses. He was the most famous (notorious?) of Ernie Kovacs' wickedly funny alter egos: Percy Dovetonsils, the eternally soused poet who sported two spit curls, a zebra smoking jacket, and those very bizarre spectacles, all the while sipping a martini (with a flower floating in it) as he soulfully lisped such self-created poems as "Ode to a Housefly" (aka "Philosophical Ruminations on a Beastie in the Booze"). Politically correct? Hardly, but Ernie's Percy was flamboyantly unforgettable, and his goo-goo eyes were perhaps his most memorable feature, twinkling behind those brown frame glasses.
Now Heritage offers Percy Dovetonsils' glasses - and eyes. The eyes are actually a part of the glasses, and have tiny holes so Ernie's Percy could see (and flirt) with the camera, and the eye color is a blend of black, blue, and a smashing violet.
Also included is a 2.5" x 8" white box for the glasses, on which Edie Adams had written "Percy Glasses", and three photos of Ernie as Percy. All items are in Excellent condition.
The Percy Dovetonsils eyes/glasses are a genuine artifact of TV comedy history. Win this bid, wear these glasses, and you too may soon be sipping a flowery martini and sensitively reciting "Leslie the Mean Animal Trainer". From the Ernie Kovacs/Edie Adams Estate Archive.
Now Heritage offers Percy Dovetonsils' glasses - and eyes. The eyes are actually a part of the glasses, and have tiny holes so Ernie's Percy could see (and flirt) with the camera, and the eye color is a blend of black, blue, and a smashing violet.
Also included is a 2.5" x 8" white box for the glasses, on which Edie Adams had written "Percy Glasses", and three photos of Ernie as Percy. All items are in Excellent condition.
The Percy Dovetonsils eyes/glasses are a genuine artifact of TV comedy history. Win this bid, wear these glasses, and you too may soon be sipping a flowery martini and sensitively reciting "Leslie the Mean Animal Trainer". From the Ernie Kovacs/Edie Adams Estate Archive.
Title Cards from The Ernie Kovacs Show. Set of four 22" x 14" title cards from Kovacs' groundbreaking TV comedy series, for sketches titled "Two Passing Strangers", "You'll Laugh", "Bernie Leighton at the Pianer" (with "Meanwhile..." on the reverse), and "The Weather with Schroeder". The cards are in overall Fine to Very Fine condition with some instances of mild scuffing, edge wear, and crunched corners. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Prop H-Bomb Book. A large prop book titled The Story of the H Bomb, used by Kovacs in one of his comedy sketches. The interior of the book has been hollowed out with a flashbulb and batteries placed inside; the effect was illuminating to say the least. In Fine to Very Fine condition with some wear to the book and nonfunctioning innards, easily restored. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Female Sexual Behavior Prop Book. A small prop "book" titled Female Sexual Behavior, owned and and used as a gag by Kovacs. It's not actually a book at all, but a hollow facade designed to give the "reader" a mild electric shock when touched. The book is no longer in working order, but could be easily restored; otherwise, in Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs Magazine Gag Prop. This is a February 12, 1955 edition of The New Yorker magazine, irreverently transformed by Ernie Kovacs - for purposes of his TV show - into The Snobbe Shop: Gifts for One Who Has Everything. Annotated script pages pasted inside the magazine include ideas for the sportsman (e.g., "a tennis racquet made of sheared beaver"), the rich child ("a promiscuous nurse"), Dad ("a large bath towel and a wet girl"), and more. Also interesting for the 55-year-old cartoons and advertisements, this TV artifact gives ample insight into one of the medium's most subversively satiric talents. In Very Good condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' National Comedy Hall of Fame Award. A 14" x 8.5" x 3.5" award presented posthumously to Kovacs upon his induction into the Hall of Fame in November 2003. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Buster Award. A 10.25" x 7" x 6" award presented to Adams in 2004 "For Professional Excellence in the Tradition of Buster Keaton." In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Emmy Nomination Plaque. A 9" x 11" plaque commemorating Adams' 1956 Emmy Award nomination for Best Continuing Performance by a Comedienne in a Series for her work on the Ernie Kovacs Show. This was her first nomination; she would receive two more for Here's Edie in 1963. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Best Writing Emmy Award Nomination Plaque. A 9" x 11" plaque commemorating Kovacs' 1956 Emmy Award nomination for Best Comedy Writing - Variety or Situational Comedy on the Ernie Kovacs Show. The show was nominated for three other Emmys that year, including Best New Program Series. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Assorted Awards Plaques. Set of five plaques includes awards from the Helene Curtis Guild of Professional Beauticians, Chicago Press Photographers Association, Los Angeles Chapter of Waif international Social Service, Actors' Fund of America, and "500" Festival Memorial Parade. Items range in size from 5.75" x 8.75" to 10.5" x 14.5" and are in overall Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Assorted Awards. Includes a Citation of Merit from the Muscular Dystrophy Associations of America (1957), a Share Inc. Life Member plaque (1960), City of Hope Golden Anniversary Award trophy (1963, Fine to Very Fine with some tarnishing), Jeanie Golden Halo Eagle Award trophy (1994), Grove City Bicentennial commemorative plaque (1998), and a certificate commemorating Adams' induction into the Academy of Motion Picture Arts and Sciences (Very Fine with some wear and toning). Items are in overall Very Fine condition except as noted. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs Assorted Awards. Includes Kovacs' Film Daily Filmdom's Famous Five certificate (December 30, 1957) and Tennessee Square Award/Deed (March 18, 1960), and a framed full-page ad from Variety congratulating him on his citation for Most Entertaining Commercial from First American TV Commercials Festival and Forum. In overall Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' and Edie Adams' Assorted Awards. Includes Ernie's Annual Award of the Men's Club Infants Home of Brooklyn plaque and Edie's Newspaper Guild of New York trophy, Key to the City of Trenton, and Class of 1945 Distinguished Alumna Award from her high school. In overall Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Outstanding Achievement Emmy Award Nomination Plaque. A 9" x 11" plaque commemorating Kovacs' 1961 Emmy Award nomination for Outstanding Achievement in Electronic Camera Work on the Ernie Kovacs Show. Ernie also won a Directors Guild of America award that year for Outstanding Directorial Achievement in Television. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Awards from Cleveland Hungarian Community. Includes a large plaque from the Hungarian Community of Greater Cleveland saluting Adams and Kovacs for their work as entertainers; and a Key to the City of Cleveland from Mayor Ralph S. Locher. Both are dated October 27, 1963, and in Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Headliner Plaques with Photos. Includes three plaques from the Harrah's Reno casino given to Edie during her stints in the Headliner Room from February 19, 1968, through December 17, 1969. Accompanied by one color and one b&w 8" x 10" photo of Edie as a young actress. In overall Very Fine to Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Grammy Award Nomination Plaque. A 8.5" x 10.5" plaque commemorating Kovacs' posthumous 1977 Grammy Award nomination for Best Comedy Recording for The Ernie Kovacs Album. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs and Edie Adams' Awards. Includes a 5" x 6" x 5" trophy from Channel 3 KYW in Philadelphia, commemorating the duo's contributions to television (1982); and a 14" x 11" plaque inducting Kovacs into the National Association of Broadcasters Hall of Fame (1989). Both are in Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Television Academy Hall of Fame Award. This striking steel sculpture/trophy was awarded to Kovacs posthumously in 1987 in recognition of his career and contributions to television comedy during the early days of the medium, and his comedic style has influenced generations of comedians and performers to the present day. The sculpture measures 8" x 34" x 8" and bears an engraved plaque that reads: "God gives and takes away. Ernie's genius left an indelible mark on the evolution of television comedy. Presented on the occasion of his induction into the Television Academy Hall of fame 1987". In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Edie Adams' Mickey Mouse Award. A 7" x 15" x 7" trophy featuring a 9.5" porcelain Mickey Mouse statuette, presented to Edie Adams in April 1989 by Disney-MGM to commemorate her contributions to the television industry. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Leonard Bernstein's TV Hall of Fame Award. This eye-catching trophy was presented to Bernstein in 1990 by the Television Academy Hall of Fame, in recognition of his 50 years as a professional composer. Bernstein, who died shortly after receiving this award, was also honored by the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, and others during his lifetime. Edie Adams, who had been lifelong friends with the composer, acquired the trophy at a 1997 estate auction. (Ernie had been inducted into the Hall of Fame three years prior.) It is in Very Fine to Excellent condition, with some chipping near the right support. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Broadcast Pioneers Award. A 3.5" x 12" x 3.5" trophy featuring a vacuum tube suspended in acrylic glass, presented to Kovacs posthumously in 1992 "For Extraordinary Contributions of Lasting Value to the Advancement of Broadcasting in Philadelphia." In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Homburg. A handsome black homburg by Dobbs of Fifth Avenue, owned and worn by Kovacs, with his initials embossed on the sweatband. Well-cared for and in Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Vest. A floral-print vest by Ermilio of Philadelphia, owned and worn by Kovacs. In Excellent condition with a tailor's tag bearing Kovacs' name sewn inside the left breast pocket. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Overcoat. A double-breasted, knee-length black cashmere overcoat owned and worn by Kovacs. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Top Hat. A black silk top hat, owned and worn by Kovacs. The hat is Very Fine condition with some wear and discoloration. As this was the only top hat in Ernie's wardrobe, chances are likely he donned the special hat for his scenes as an undertaker in the 1961 comedy Five Golden Hours (of his films, this was Ernie's personal favorite). From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Silk Suit. A brown silk suit by Cifonelli, from Kovacs' personal wardrobe. In Excellent condition with a tailor's tag on the pants pocket bearing Kovacs' name and the year 1956. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Suit. A dark blue suit and pair of slacks by Ermilio, from Kovacs' personal wardrobe. A tag inside the inner pocket verifies it as being custom-tailored for Kovacs. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Dinner Jacket and Slacks. A stylish white dinner jacket and black slacks by Ermilio, owned and worn by Kovacs. In Excellent condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Whiskey Flask. A stainless steel whiskey flask with leather covering, from Kovacs' personal belongings. In Fine to Very Fine condition with some wear and tarnishing, still full of liquid. (We hesitate to guess what it is or how long it's been in there.) From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Ashtray and Bar Tools. Includes a heavy 11" x 7" brass ashtray and set of bartending tools that features corkscrews, ice tongs, bottle openers, knife, and accompanying 11" metal stand. Items are in Fine to Very Fine conditions with some wear and tarnishing. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Matching Cigarette Lighters. A matched pair of goldtone desktop cigarette lighters, 2.5" tall with 2.5" bases, owned by Kovacs. The bases are unmarked, but the light portions show heavy tarnishing. Not currently in working order, but easily restored with new wicks and flints. From the Ernie Kovacs/Edie Adams Estate Archive.
Mark Hellinger's Early Underwood Typewriter. An essential part of Hellinger's life, this Underwood model #5 saw him through his early years as a sleep-deprived Broadway journalist in the heart of Manhattan. The articles and short stories Hellinger belted out on this machine were notoriously filled with "blind items" and ironic, O. Henry-esque wordplay. The serial number (3794689-5) dates the machine to a 1930 year of production. In overall Very Good condition, accompanied by two images of Hellinger posing with the typewriter. From the Mark Hellinger Archive.
Mark Hellinger's Underwood Travel Typewriter. Mark Hellinger's personal Underwood Noiseless Portable typewriter dates back to the early '40s (serial number P-1181691), and the dustproof travel container made it easy for Hellinger to take the machine with him during his war correspondence days in the Pacific from 1943-1945. The machine is certainly valuable on its own, but with a fascinating provenance like this one its value is impossible to overestimate. In Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger's Radio Show Acetates and Bound Scripts. Includes Hellinger's personal hardbound copy of the radio scripts he wrote for the Post Toasties Show, dated July 23 to August 27, 1942, accompanied by four boxes of acetate recordings of the shows and the typed manuscripts for two of his short stories ("New York Tale" and "It's Fun to be Fooled") that were adapted for radio. In overall Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger Radio Show Recordings, Corresponding Scripts and Signed Letter from Nunnally Johnson. After Cecil B. DeMille departed his stint as host of Lux Radio Theatre, Mark Hellinger was one of Lux's replacement hosts. This lot contains the recordings and red leatherbound annotated scripts for The Woman in the Window (broadcast June 25, 1945 and starring Edward G. Robinson, Joan Bennett, and Dan Duryea) and Experiment Perilous (broadcast September 10, 1945, and starring Paul Henreid, Virginia Bruce, and George Brent); also included is the annotated script and recordings for Hellinger's own radio show, The Fourth Estate, broadcast June 23, 1946. (A ticket from the broadcast is enclosed for this last item.) Bonus: An undated typed letter to Hellinger from prominent screenwriter/producer Nunnally Johnson, writer and producer of the film version of The Woman in the Window, on New York Evening Post letterhead. Excellent condition. From the Mark Hellinger Archive.
Mark Hellinger's Pre-War Travel Photos. Set of five framed b&w photos of Mark Hellinger abroad in the early '30s, including shots of him in Berlin in 1932 and Istanbul and Cairo in 1933. Each is in Very Fine condition and matted and framed, with overall sizes range from 5" x 5" to 11.25" x 8.75". From the Mark Hellinger Archive.
Boxing Memorabilia from the Personal Collection of Mark Hellinger. Includes an approx. 11" x 14" pencil sketch of Jimmie Braddock inscribed, dated July 14, 1935, and signed to Hellinger by the legendary boxer, plus a b&w 8" x 10" photo of Hellinger with boxing greats Joe Louis and Max Baer Sr. The sketch is matted and framed to a size of 13.5" x 14" and is in Fine condition with some creases; the photo is in Very Fine condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Wartime Travel Photos. Set of three framed b&w snapshots includes shots of Hellinger with American troops in Guadalcanal, Hollandia, and Biak Island in 1944, accompanied by a framed Dutch-language ad for The Roaring Twenties (1939). In overall Very Fine to Excellent condition. From the Mark Hellinger Archive.
Mark Hellinger's Personal Photos. Set of eight framed b&w photos from Hellinger's personal collection, including shots of him with Lauren Bacall and Edward G. Robinson, and a photo featuring Will Rogers, Wylie Post, and Hellinger's Roaring Twenties director Raoul Walsh. The photos are framed and in overall Very Fine condition. From the Mark Hellinger Archive.
Helen Morgan and Robert Ripley Signed Photos. A pair of framed b&w 8" x 10" photos featuring actress Helen Morgan and adventurer and Believe It or Not! creator Robert Ripley (seated with Mark Hellinger), each inscribed and signed in black ink. The photos are in overall Fine to Very Fine condition with moderate toning. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Framed Mementoes. Set of eight assorted framed items includes photos, clippings, certificates, and other items from Hellinger's personal collection. The items range in size from 8.5" x 6.5" to 17.5" x 10", and are in overall Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger Personal Framed Correspondence. Includes a telegrams from Al Jolson (February 4, 1944); a b&w 7.5" x 9.5" photo of Hellinger with Jolson; letters, clippings, and a handbill from Hellinger's stint as a columnist at the Daily Mirror (including a letter from publisher Charles McCabe); a telegram of praise from William Randolph Hearst; and a signed agreement between Hellinger and the Firm Amusement Corp. (April 19, 1935). The items are in overall Fine to Very Fine condition. From the Mark Hellinger Archive.
Louis Mountbatten Signed Letter to Mark Hellinger. A single-page typewritten letter on hotel stationery, dated October 7, 1941, signed by Admiral Mountbatten in black ink. It reads: "Thank you so very much for your share in the charming cigarette case. I have never received any gift which fills me with more pride or which I have appreciated more deeply." Framed to an overall size of 7.5" x 10.5" and in Very Fine condition with moderate toning and mailing creases. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Louis Mountbatten Signed Letter to Mark Hellinger. A single-page letter on South East Asia Command HQ stationery, dated September 19, 1944, from Admiral of the Fleet Mountbatten to Hellinger, thanking for a prior letter and discussing the war effort. The letter is signed "Louis Mountbatten" in green ink, and is in Very Fine condition with some wear and mailing creases, has been framed along with the mailing envelope to an overall size of 9.5" x 13.5". From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's First Play Script, None So Blind, Film Scripts, Play Scripts, Story Ideas. A massive archive of Hellinger's film scripts (un-produced), play scripts, and story ideas. The jewel of this archive is Hellinger's original typescript for his 1923 Broadway debut None So Blind, written and copyrighted by Hellinger when he was only 19. His handwritten title and signature grace the front of this rare find. Also included in the collection (two large boxfuls) are his annotated original typescript for The Fabulous Thirties (the unproduced sequel to The Roaring Twenties), and his Warner Bros.-issued temp script for the film -- John Garfield and Priscilla Lane were slated to play the leads. Loads of unearthed information graces this fascinating script archive, fit for a true film historian. In overall Very Good condition with mild border wear to script covers and yellowing to some internal pages. From the Mark Hellinger Archive.
Carl Laemmle Sr. and Carl Laemmle Jr. Signed Letters. Carl Laemmle Sr., founder of Universal Pictures, and his son Carl Laemmle Jr., Universal's "Crown Prince," are two legendary names in Hollywood history's Golden Age. This lot contains letters to Mark Hellinger from both "Sr." and "Jr.", including a signed letter on "Universal Pictures Corporation" stationery, dated May 25, 1930, with "Junior" thanking Hellinger for "the nice things" Hellinger had said about All Quiet on the Western Front (which won Junior the Best Picture Oscar several months later); a signed letter on Universal Picture Corporation stationery from Laemmle Sr., asking Hellinger to correct inaccuracies he'd printed about him; a signed letter on Laemmle Sr.'s personal stationery, dated December 9, 1936, requesting Hellinger send him his autograph; a signed follow-up letter dated December 22, 1936, also on Laemmle Sr.'s personal stationery and thanking Hellinger for the autograph; and a signed letter on Carl Laemmle Jr.'s stationery, dated December 7, 1936, concerning bets the always-gambling Junior had made. The first four letters are signed in full, the fifth is signed "C. L. Junior," all in fountain ink. The letters are attached to scrapbook pages and are in Excellent condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger Scripts for Florenz Ziegfeld and Al Jolson, with Signature and Scrapbook Pages. The fascinating lot includes two copies of Mark Hellinger's sketch "Victim of the Talkies," which was performed in Broadway's The Ziegfeld Follies of 1931, both copies signed in ink by Hellinger; a copy of Hellinger's musical comedy script Here's T'Mollie, which later became the book for the 1932 Ziegfeld show Hot-Cha!, starring Bert Lahr and Lupe Velez; two scripts based on Al Jolson - Mammy's Boy, The Life of Al Jolson, credited to Hellinger and Arthur Strawn ("In Collaboration with Al Jolson"), and Jolson Story, "Screenplay by Erwin Gelsey, Fifth Draft, November 25, 1944." (When The Jolson Story was released in 1946, neither Gelsey nor Hellinger received writer credit.); and eight of Hellinger's eight scrapbook pages, one with an 8" x 10" still of Hellinger with Al Jolson, and most of the pages covering the show Hot-Cha! One of the Here's T'Mollie scripts is marked in pencil "Property of Flo Ziegfeld," and the Jolson Story script is marked in ink "Mr. Jolson." Very Good condition. From the Mark Hellinger Archive.
Mark Hellinger Annotated Scripts for Night Court and Walking Down Broadway The lot contains script material for Night Court (MGM, 1932, starring Walter Huston) and Walking Down Broadway (20th Century-Fox, 1938, starring Claire Trevor), both based on plays by Mark Hellinger. The Night Court file includes an annotated copy of the 1930 play (by Hellinger and Charles Beahan) in "American Play Company, Inc." binding, a red leatherbound copy of the play script with the title and Hellinger's name embossed in gold lettering on the cover, an additional annotated copy of the play script, an annotated MGM file copy of the play script, and an annotated MGM file copy of the film script. The Walking Down Broadway material includes two copies (one annotated) of Hellinger's "Original Outline" (titled Six Girls and Death), one original treatment, and the 20th Century-Fox November 29, 1937 final film script (then titled Six Girls). In Very Good condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger Comet Over Broadway Archive, Including Signed Letter from Bette Davis. Mark Hellinger began his Warner Bros. sojourn writing the script for Comet Over Broadway, a 1938 saga based on a Faith Baldwin story of an ambitious stage star. Bette Davis refused the script ("It reminds me of weak tea," she carped) and Kay Francis (then in severe career decline) accepted the job. This volume (red leather binding with Hellinger's name embossed on the cover in gold) contains the 145-page script (which bears Bette Davis's name for the star role of "Eve Appleton"). Also included is a 72-page "Adaptation and Screenplay" by Hellinger; three letters from Faith Baldwin, each on her personal stationery and each signed "Faith;" and a typed letter from Better Davis, on her 6" x 8.5" personal stationery, dated March 31, 1939 and reading: "Dear Mark Hellinger, I appreciated your kind letter of congratulations regarding Dark Victory so much, especially so since I felt that you had no adverse feelings toward me regarding Comet Over Broadway!! Kindest personal regards," and she signs in black fountain ink, "Bette Davis." The Davis letter comes with its original envelope, postmarked Los Angeles April 1, 1939 and with a $.03 stamp. Very Good condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger, The Roaring Twenties Annotated Screenplay Archive. Includes the original typed manuscript of The Roaring Twenties, bearing its original title The World Moves On; Hellinger's typed and annotated notes on the screenplay; two carbon copies of the manuscript and one of the treatment; two copies of the film's screenplay dated June 2, 1939, and the other June 9, 1939; final copy of the shooting script dated June 15, 1939 (with original title) with Hellinger's typed notes; a final revised shooting script (with original title) dated July 7, 1939, bound with Hellinger's name stamped in gold letters on the cover and "The Roaring Twenties" on the spine. Also included is Hellinger's forward to the film, "It may come to pass that, at some distant date, we will be confronted with another period similar to the one depicted in this photoplay. If that happens, I pray that the events, as dramatized here, will be remembered..." Slight edge chipping to Hellinger's notes and light wear to the covers of the bound screenplay, else Fine. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Scripts for Hell's Kitchen, Garden of the Moon, and Torrid Zone with Jack Warner TLS. Mark Hellinger's annotated Hell's Kitchen script highlights this lot of three hardbound, personalized scripts. Hellinger's library was stocked with red books of this nature (he had each of his scripts bound for his personal library), and some, like this script for Garden of the Moon, even include signed, related correspondence. In this case it's a "confidential correspondence" signed by Jack Warner, thanking Hellinger for a job well done. Hellinger's relationship with Warner Bros.' Hal Wallis was infamously rocky, and the signed inter-office correspondence stored within his Torrid Zone script depicts exactly that. In overall Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger's Personal Set of Hardbound Scripts. An attractive matched set of seven screenplays from Hellinger's personal collection, each hardbound with leather spines and corners, his name embossed on the front covers. Includes: Kid Nightingale (May 27, 1939, 104 pages plus revisions); Adventures of Jane Arden (November 9, 1938, 121 pages including revisions); Cowboy Quarterback (April 5, 1939, 110 pages including revisions); British Intelligence (March 11, 1939, 110 pages plus revisions); Pride of the Blue Grass (March 20, 1939, 131 pages including revisions); Women In the Wind (September 20, 1938, 120 pages including revisions); and Racket Busters (May 19, 1939, 126 pages plus revisions). All are final drafts, and some are bound with shooting schedules, call sheets, and other related documents. In overall Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger's Personal They Drive by Night Scripts. Included are Hellinger's personal copy of the final draft script for the 1940 noir classic, dated April 18, 1940, 142 pages plus added revision pages, with handwritten notations throughout by Jack Warner to Hellinger regarding Breen Office-related script changes; and Hellinger's hardbound keepsake copy of the screenplay, dated April 20, 1940, 146 pages, with his name embossed on the cover and movie review clippings pasted on the front flyleaf and free pages. The final draft is in Fine to Very Fine condition with some wear to the cover; the hardbound copy is in Very Fine condition with some moisture damage to the front cover. From the Mark Hellinger Archive.
Mark Hellinger's Personal Scripts: Brother Orchid, Manpower, Between Two Worlds, Affectionately Yours, The Two Mrs. Carrolls (Annotated). A set of five hardbound scripts from Mark Hellinger's personal library, including Brother Orchid, Manpower, Between Two Worlds, Affectionately Yours, and The Two Mrs. Carrolls. Hellinger's masterpiece of the bunch, undoubtedly, was the 1940 gangster comedy Brother Orchid (with Humphrey Bogart and Edward G. Robinson); Hellinger's bound script includes original inter-office correspondence to and from Hal Wallis (with handwritten comments) ranging from casting to costuming to WWII. Also included is his annotated script for the Humphrey Bogart/Barbara Stanwyck mystery and an original behind he scenes photo of Stanwyck, Bogart and Hellinger behind the scenes. His hardbound scripts for Manpower, Between Two Worlds, and Affectionately Yours round off the lot. In overall Fine condition with very minor signs of wear to a few of the covers. From the Mark Hellinger Archive.
Mark Hellinger's High Sierra Script and Production Archive and Nobody Lives Forever Script. High Sierra ranks as a Warner Bros. "red meat" classic on a variety of levels -- a powerhouse performance by Humphrey Bogart as Mad Dog Earle, a gritty leading lady turn by Ida Lupino, slick direction by Raoul Walsh, a gripping "sociopathic gangster" screenplay by W.R. Burnett (of Little Caesar fame) and John Huston, and a knockout production supervised by producer Mark Hellinger. This lot features Hellinger's red, 8.5" x 11" leatherbound 138-page script for High Sierra -- the volume also containing reviews and a wealth of production data, including the budget sheets, daily call sheets, location shoot information, pages of annotated censorship concerns from Joseph Breen, even the addresses and phone numbers of the stars. Included are nine original studio stills from High Sierra with snipes and studio stamps on the reverse. This lot also features Hellinger's annotated script for Nobody Lives Forever (then titled I Wasn't Born Yesterday), which was scripted by W. R. Burnett, released in 1946 and starred John Garfield. (Although the script lists Hellinger as producer, Robert Buckner eventually received the credit.) Hellinger has written his last name in pencil on the Nobody Lives Forever script cover. Some of the stills from High Sierra are cut and a bit tattered -- altogether Very Good condition. Fascinating material from a dynamic Warner Bros. prime mover. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger Moontide Screenplay and Annotated Radio Script Archive. Hellinger produced the film version of Moontide in 1942 starring Jean Gabin and Ida Lupino. In 1945 Hellinger produced a radio play version of Moontide on the Lux Radio Theater starring Humphrey Bogart and Virginia Bruce. This fascinating lot includes a final revised copy of the shooting script, still photographs, and set schedule of Moontide, dated November 12, 1941, bound in half pebble morocco red leather and with Mark Hellinger's name stamped in gold letters on the cover and Moontide in gold on the spine; a framed 8" x 10" b&w photograph of Jean Gabin, Fritz Lang, Ida Lupino, and Mark Hellinger; a smaller photo of Gabin, Lang, and Hellinger; a heavily annotated copy of the radio script of Moontide bound in half pebble morocco red leather and with Mark Hellinger's name stamped in gold letters on the cover and Lux Radio Theater and Moontide in gold on the spine, dated April 30, 1945; a near mint recording of the radio show. All are in Fine condition. From the Mark Hellinger Archive.
Mark Hellinger's Rise and Shine Archive. A somewhat-forgotten Jack Oakie vehicle, Rise and Shine (1941) also featured Linda Darnell, Walter Brennan, and Milton Berle in a riotous wartime sports-comedy. Included in this selection of items from Hellinger's personal collection is a copy of the final shooting draft of the script (dated August 27, 1941, Herman J. Mankiewicz, 133 pages plus revisions), a second copy of the same script that's hardbound with call sheets, wardrobe sheets, b&w 8" x 10" photos, and other documents; a framed b&w 8" x 10" photo of Hellinger and Oakie; and four acetate recordings of the songs from the film. In overall Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger's Thank Your Lucky Stars Archive. Warner Bros. released the musical Thank Your Lucky Stars in 1943 as a fundraiser for the Hollywood Canteen; each of the cast members was paid a $50,000 fee for their appearance which was then donated to the Hollywood Canteen. Included in producer Hellinger's archive are three copies of the final draft script (dated October 14, 1942, 129 pages with revisions, two copies with annotations on one page each), three b&w 8" x 10" photos of Hellinger on set (he made a cameo appearance in the movie), and his Box Office Blue Ribbon Award for the movie with related, framed newspaper clippings. items are in overall Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger The Doughgirls and Thank Your Lucky Stars Screenplay Archive with Annotated Script and Signed Correspondence. Includes the original script of the play The Doughgirls by Joseph Fields; the final screenplay by James V. Kern and Sam Hellman dated February 21, 1944; a final revised copy of the shooting script, still photographs, and production budget of The Doughgirls bound in half pebble morocco red leather and with Mark Hellinger's name stamped in gold letters on the cover and The Doughgirls in gold on the spine; a typed letter signed from J. Edgar Hoover, dated March 15, 1944, saying that he [Hoover] has confidence that Hellinger will protect the FBI in The Doughgirls screenplay; a final revised copy of the shooting script dated October 14, 1942 complete with still photographs; shooting schedule, wardrobe plot, and production budget of The Thank Your Lucky Stars bound in half pebble morocco red leather and with Mark Hellinger's name stamped in gold letters on the cover and Thank Your Lucky Stars in gold on the spine; a framed inscribed photograph from director David Butler of Hellinger surrounded by a photomontage of cast members; three publicity photographs showing Hellinger with Eddie Cantor (2); and another with Hellinger and John Garfield. All Fine. From the Mark Hellinger Archive.
Mark Hellinger's Working Script and Hardbound Script for The Horn Blows at Midnight (1945). Includes Mark Hellinger's personal working script (with handwritten notations) for his 1945 Jack Benny vehicle The Horn Blows at Midnight. 144 total pages. Also included is Hellinger's hardbound script for the film, with alternate beginning and ending sequence pages, as well as wardrobe plots, added scenes, budget and set breakdowns, and multiple publicity photos from the production. In overall Very Good condition with minor nicks and corner wear to the working script. From the Mark Hellinger Archive.
Bette Davis ALS Regarding The Killers (to Mark Hellinger) and Related Original Photos from the Production. A handwritten letter from Bette Davis to Mark Hellinger on a 4" x 6" sheet of stationery, complimenting him on The Killers. Dated January 27, 1947, it reads in part: "In a tiny theatre in Whitefield, New Hampshire, last evening I saw 'The Killers' -- it is wonderful -- wonderful enough to sit down today and have to tell you -- your cast, your director -- your camera man. The whole presentation." The letter is accompanied by a laudatory telegram from screenwriter Ward Greene, and 17 b&w 8" x 10" promo stills for The Killers that feature Hellinger, Ava Gardner, Burt Lancaster, and Robert Siodmak. The letter and telegram are in Fine to Very Fine condition with tape reinforcement to the center; the photos are in Fine condition with some toning, wear, and binder holes to the edges of many. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's The Killers Original Film Script with Production Breakdown and Publicity Scrapbook (1946). Mark Hellinger's personal, hardbound script from his 1946 production of the film noir masterpiece The Killers with handwritten notations altering the shooting schedule and noting the use of a phantom stage in two scenes. Also noted on the cast list is a handwritten update to Ava Gardner's phone number. The 8.5" x 11.5" script also contains 25 production photos, bound into the script alongside their corresponding scenes. On the script's red cover is Hellinger's name as well as the name of the film embossed on the spine. Also included is Hellinger's personal 14" x 17" publicity scrapbook, containing multiple reviews of the film from August-September, 1946. In overall Fine condition with minor corner wear and nicks to the covers of each. From the Mark Hellinger Archive.
Mark Hellinger's The Killers Archive with Signed Correspondence from Ronald Colman, Others. Deemed "culturally, historically, or aesthetically significant" and selected for preservation by the National Film Registry last year, The Killers stands as one of the most influential films noirs ever made. Included in this archive is Hellinger's large scrapbook containing press clippings and other items pertaining to the movie; congratulatory letters to Hellinger from actor Ronald Colman, journalist Herbert Bayard Swope, and then-Mayor of Pittsburgh David L. Lawrence, all dated September 1946; and a pair of full-page Hollywood Reporter ads framed together, from Hal Wallis and assorted actors, congratulating Hellinger on the film's success. Items are in overall Fine to Very Fine condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
The Killers Archive with Scripts, Correspondence, and Original Hemingway Photos with Mark Hellinger. A mounted set of five candid b&w snapshots ranging from 6.5" x 5" to 8" x 10" of Ernest Hemingway with Hellinger at La Floridita in Havana, from Hellinger's visit with Hemingway for pre-production talks on adapting Hemingway's original short story "The Killers"; typed letter, two pages, n.d., to director Robert Siodmak from Hellinger regarding his story idea for The Killers; three clearance agreements each signed "Ernest Hemingway" by his lawyer agreeing to the use of "The Killers" title for Hedda Hopper's radio broadcast with Hellinger, Burt Lancaster, Edmond O'Brien, and others, along with two sets of original acetates from the show dated April 19, 1947; Hellinger's rehearsal script for "The Lucky Strike Program" with Jack Benny promoting The Killers (Nov. 10,1946); Hellinger's personal keepsake bound radio script for his appearance on "The Louella Parsons Program" (Sept. 15, 1946) promoting The Killers. A truly amazing archive... Killers fans, have at it! In overall Very Good condition with a little residue on the acetates and yellowing to documents. From the Mark Hellinger Archive.
Mark Hellinger's Brute Force Script and Photos. A brooding prison film that delivers on what its title promises, Brute Force (1947) expertly captured the cynicism and malaise of post-war America with a level of onscreen violence unusual for the time. Included here are Hellinger's personal copy of the temp script for the movie, dated December 20, 1946, 134 pages, complete; three b&w 8" x 10" photos taken during production, all featuring Hellinger and star Burt Lancaster (one featuring them with director Jules Dassin); and a striking 10.25" x 13.5" photo still of Lancaster in the movie, matted and framed to 17.5" x 15" and inscribed "To Mark -- with all my thanks -- Burt" on the mat. A great selection of items, in overall Very Fine condition. From the Mark Hellinger Archive.
Brute Force Portrait by John Decker, Owned by Producer Mark Hellinger. The lady in the portrait is wickedly haunting, gaining in her perverse power as one learns the portrait's history.
She was the creation of John Decker, the notorious Hollywood artist, forger, and crony of such besotted geniuses as John Barrymore, Errol Flynn, and W. C. Fields (whom Decker once painted, in Old Masters style, as Queen Victoria). Producer Mark Hellinger commissioned the portrait for Brute Force, his 1947 classic noir prison melodrama starring Burt Lancaster as a rebellious inmate and Hume Cronyn as a sadistic captain of the guards who tortures a prisoner while listening to Wagnerian opera. Decker supposedly made his The Lady of Brute Force an arch, baroque blend of actresses Ella Raines, Ann Blyth, and Yvonne De Carlo (the three leading ladies of Brute Force), and the result served as the cell inmates' calendar girl whose alluring image, beheld each night before lights out, triggered the various convicts' grim memories.
Yet the back story becomes stranger... and darker. The woman in the portrait, eyes closed, shoulders bare, appears dead, or perhaps undead, almost vampiric - and the fact is that Decker enjoyed visiting Los Angeles morgues and painting pictures of female cadavers. (He once gifted Ida Lupino a painting of a Mexican girl on a slab with her throat cut.) Decker signed and dated his Lady of Brute Force portrait 1947; he died that year on June 7, and Universal-International Studios released Brute Force three weeks after his death. Mark Hellinger so admired Decker's piece that he displayed it in his home, but he had a tragically short time to admire it -- he too died in 1947 at the age of 44, less than six months after Brute Force's release.
Might The Lady of Brute Force have a curse upon it? Unlikely -- it has benignly remained in the Hellinger family for over 60 years, perennially attracting admirers but presumably tallying no victims. The matted portrait (composed in delicate layers of compressed charcoal) measures 16" x 18.5". The Decker signature is pronounced and the piece survives in Excellent condition with all of its strange, "afterglow" quality.
Undeniably beautiful, strangely seductive, The Lady of Brute Force has an aura that is both eerie and voluptuous, as if she came slinking out of a John Decker nightmare and luxuriantly died in his arms. This is a fascinating curio on several levels -- an artifact from a brilliantly dark film, an heirloom from the family of a gutsy producer, and the final macabre masterpiece from a profanely brilliant artist whose work is ripe for rediscovery. A stunner! From the Mark Hellinger Archive.
She was the creation of John Decker, the notorious Hollywood artist, forger, and crony of such besotted geniuses as John Barrymore, Errol Flynn, and W. C. Fields (whom Decker once painted, in Old Masters style, as Queen Victoria). Producer Mark Hellinger commissioned the portrait for Brute Force, his 1947 classic noir prison melodrama starring Burt Lancaster as a rebellious inmate and Hume Cronyn as a sadistic captain of the guards who tortures a prisoner while listening to Wagnerian opera. Decker supposedly made his The Lady of Brute Force an arch, baroque blend of actresses Ella Raines, Ann Blyth, and Yvonne De Carlo (the three leading ladies of Brute Force), and the result served as the cell inmates' calendar girl whose alluring image, beheld each night before lights out, triggered the various convicts' grim memories.
Yet the back story becomes stranger... and darker. The woman in the portrait, eyes closed, shoulders bare, appears dead, or perhaps undead, almost vampiric - and the fact is that Decker enjoyed visiting Los Angeles morgues and painting pictures of female cadavers. (He once gifted Ida Lupino a painting of a Mexican girl on a slab with her throat cut.) Decker signed and dated his Lady of Brute Force portrait 1947; he died that year on June 7, and Universal-International Studios released Brute Force three weeks after his death. Mark Hellinger so admired Decker's piece that he displayed it in his home, but he had a tragically short time to admire it -- he too died in 1947 at the age of 44, less than six months after Brute Force's release.
Might The Lady of Brute Force have a curse upon it? Unlikely -- it has benignly remained in the Hellinger family for over 60 years, perennially attracting admirers but presumably tallying no victims. The matted portrait (composed in delicate layers of compressed charcoal) measures 16" x 18.5". The Decker signature is pronounced and the piece survives in Excellent condition with all of its strange, "afterglow" quality.
Undeniably beautiful, strangely seductive, The Lady of Brute Force has an aura that is both eerie and voluptuous, as if she came slinking out of a John Decker nightmare and luxuriantly died in his arms. This is a fascinating curio on several levels -- an artifact from a brilliantly dark film, an heirloom from the family of a gutsy producer, and the final macabre masterpiece from a profanely brilliant artist whose work is ripe for rediscovery. A stunner! From the Mark Hellinger Archive.
Mark Hellinger's Brute Force Script with Photos and Signed Correspondence. Hellinger's personal copy of the shooting script (January 27, 1947, 127 pages including revisions) for the violent 1947 film noir, hardbound along with b&w 8" x 10" production photos, a copy of the production budget, and other related documents. Also included are 18 b&w 8" x 10" production photos, a framed 7" x 9" photo of Hellinger with Brute Force actor Jay C. Flippen, and a typed note signed by Force co-star Anita Colby, humbly joking "My part didn't hurt a bit, did it? Or did it?" -- signed "Colby". In overall Fine to Very Fine condition with some warping to the volume. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Naked City Final Draft Scripts. A pair of scripts for the 1948 noir produced by Hellinger, who also provided narration for what would be his final production (he died at age 44 after a massive heart attack near the end of filming). Included is a final draft script dated May 7, 1947 (147 pages), and a final shooting draft dated May 20, 1947 (126 pages with revisions). Both bear the film's original title, Homicide, on the cover and each is in Very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger's Naked City Script and Related Archive. A great selection of items relating to the classic 1948 noir, from Hellinger's personal library. Includes a final shooting draft of the script (May 20, 1947, 127 pages) bearing the original title, Homicide; Hellinger's personal second edition copy of the book Naked City by famed photographer Weegee, basis for the movie; a 1947 letter from Essential Books verifying sale of the book's title to Hellinger; four b&w 8" x 10" production stills; an award certificate from Photoplay magazine; and a framed newspaper clipping. Items are in overall very Fine condition. From the Mark Hellinger Archive.
Mark Hellinger's Personal Naked City Script with Notations and Photos. Hellinger's personal copy of the shooting script for the 1948 noir classic, 122 pages, dated April 2, 1947, and bearing the movie's original title (Homicide) and studio property stamp on the front cover. The script has handwritten notations regarding necessary medium and long shots in pencil by Hellinger throughout, and is accompanied by 17 b&w 8" x 10" stills from the movie featuring Hellinger, director Jules Dassin, actor Barry Fitzgerald, and others. Items are in Very Fine condition with some mild wear and creasing to the script's cover and some curling to the photos. From the Mark Hellinger Archive.
Mark Hellinger Naked City and Swell Guy Production Archive. A great Naked City archive including a temporary script (original story and screenplay) with its original title Homicide, April 2, 1947; a binder with over 275 b&w 8"x 10" production photos from Naked City; continuity breakdown with corrections; summary of the $1,351,262 production budget; two copies of the preview program with notes on the last page; Hellinger's 13-page report on the first sneak preview of Naked City shown on December 16, 1947. The Swell Guy materials include: a temporary screenplay for the film, January 15, 1946; an annotated final screenplay, May 8, 1946; a large file of legal documents transferring the rights to The Hero (later renamed Swell Guy) to Mark Hellinger; a final revised copy of the shooting script, still photographs, and continuity breakdown of Swell Guy, May 31, 1946, bound with Hellinger's name stamped in gold on the cover and Swell Guy in on the spine; a large scrapbook with newspaper clippings, titled "Swell Guy Publicity" and dated "Dec. 1947-Jan. 1947". All Fine or better. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Hellinger's Film Copyright Archive with Signed Correspondence from David O. Selznick, Others. This fascinating archive includes a signed letter from David O. Selznick (Dec. 11, 1946) to Hellinger regarding his request to use the Selznick-owned rights to the title "New York" -- presumably as a title choice for what would become Naked City -- commenting "Hitch feels most reluctant to give up the title..." Perhaps Hitchcock was sitting on the title rights for what would become Rear Window? Cornell Woolrich's original short story was written in 1942, so it's very likely! Also included is documentation confirming that Hellinger did, in fact, purchase from Hemingway the rights to Snows of Kilimanjaro for $75,000. Though the documentation does not state the story title, it does list the outrageous purchase price (for the time) and date, matching up with this little known fact -- and dated exactly one month before Hellinger's death. Also included are copyright correspondence and transactions and for Criss Cross, Act of Violence, Knock on Any Door, Brute Force, and other projects. In overall Very Good condition with mild yellowing and crinkling to some of the documents. From the Mark Hellinger Archive.
Four Mark Hellinger Books and Darryl F. Zanuck Signed Letter. The lot features four copies of Mark Hellinger's books - three copies of The Ten Million (1934) and one of Moon Over Broadway (1931). The copies of The Ten Million, signed by Hellinger, are respectively signed to Ed Sullivan, Jack Murray and Florence Fellen; Moon Over Broadway is not signed. Also included is a signed letter from Darryl F. Zanuck on Twentieth Century Pictures, Inc. stationery, dated October 13, 1934, thanking Hellinger for sending him a copy of The Ten Million, and noting his current productions ("...I am struggling with Barnum, Clive, Richelieu, Jean Valjean and several other boys from the past..."). The book covers are tattered but still effective, and one of the copies of The Ten Million has some border damage; overall Very Good condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Ben Hecht Signed Copy of The Kingdom of Evil. A first edition copy of The Kingdom of Evil (1924), #869 in a limited edition of 2,000, signed by Hecht on the limitation page in green ink. The book and dustjacket are in Very Fine condition, accompanied by a first edition copy of Hecht's The Florentine Dagger, also in Very Fine condition. Both were part of Mark Hellinger's personal library. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Ben Hecht Autographed Novels Owned by Mark Hellinger. First edition copies of Hecht's novels Fantazius Mallare, a Mysterious Oath (#785 in a limited edition of 2,000, Fine, dust jacket is Very Good with fading and a loose piece on the spine) and Gargoyles (Fine condition with corner bumping and some shelf wear, no dust jacket). Both are inscribed and signed by him on the first free page in black ink, and both are from the personal library of Mark Hellinger. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Wilkinson 7 Day Razor with Engraved Case. A vintage Wilkinson 7 Day Safety Razor, Empire Model, in its original chrome art deco case with felt lining and the initials "M.H." engraved on the lid. The set includes a razor, seven blades (one for each day of the week), leather strop, and instruction booklet. Wilkinson introduced their revolutionary safety razor in 1898, and this particular version dates from the 1920s, with similar vintage razors going for as much as $500. The case is in Fine condition with moderate to heavy pitting and some tarnishing; the other items are in overall Very Fine condition. From the Mark Hellinger Archive.
Original Sam Berman Illustrations with Corresponding Newspaper Appearances (1936-37). From Mark Hellinger's "Goin' to Town" articles ranging from 1936-1937, this archive features five original Sam Berman ink/gouache illustrations on board, with printing annotations, along with their corresponding appearances in original periodical clippings (contained chronologically in two large 19" x 23.5" scrapbooks). The illustrations range in size from 7" x 20" to 10" x 22" and include caricatures of Joan Crawford, Marlene Dietrich, Al Jolson, Errol Flynn, many others. In overall Good condition with yellowing to the scrapbook pages and border wear, corner wear, and tanning to the illustrations. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Original Jacques Kapralik and Sam Berman Illustrations with Corresponding Newspaper Appearances (1937-42). Featured in Mark Hellinger's "Goin' to Town" articles, this archive includes 18 original ink/gouache illustrations, on board, by Jacques Kapralik and Sam Berman (with printing annotations), as well as the illustrations' corresponding appearances in original scrapbooked periodical clippings, all from 1937-42. The illustrations range in size from 9.5" x 13" to 24" x 11" and feature caricatures of Jimmy Stewart, Katherine Hepburn, Marlene Dietrich, and hundreds of others. In overall Good condition with cover wear to the 19.5"x23.5" scrapbook, yellowing to the scrapbook pages, with border/corner wear (heavy chipping in some cases with some corners missing) and mild tanning to the illustrations. From the Mark Hellinger Archive.
Original Jacques Kapralik and Sam Berman Illustrations with Corresponding Newspaper Clippings (1938). From Mark Hellinger's "Goin' to Town" articles, this archive features 22 original ink/gouache illustrations on board, by Jacques Kapralik and Sam Berman (with printing annotations), as well as their corresponding appearances in original scrapbooked periodical clippings, all from 1938. The illustrations range in size from 11" x 14" to 29" x 11" and feature the recognizable mugs of Jimmy Cagney, Clark Gable, Carmen Miranda, and others. In overall Good condition with cover wear to the 19.5" x 23.5" scrapbooks, yellowing to the scrapbook pages, with border/corner wear and mild tanning to the illustrations (in some cases heavy chipping with some corners missing). From the Mark Hellinger Archive.
Original Jacques Kapralik and Sam Berman Illustrations with Corresponding Newspaper Appearances (1938-42). From Mark Hellinger's "Goin' to Town" articles ranging from 1938-1942, this archive features 19 original ink/gouache illustrations on board, by Jacques Kapralik and Sam Berman (with printing annotations), as well as the illustrations' corresponding appearances in original scrapbooked periodical clippings. The ten strips range in size from 10" x 13" to 27" x 11" and the nine caricature portraits range in size from 8.5" x 11" to 11" x 15" -- featuring the recognizable mugs of Clark Gable, Carmen Miranda, and others. In overall Good condition with cover wear to the 19.5" x 23.5" scrapbooks, yellowing to the scrapbook pages, and with border/corner wear (in some cases heavy chipping with some corners missing) and mild tanning to the illustrations. From the Mark Hellinger Archive.
Original Jacques Kapralik and Sam Berman Illustrations with Corresponding Newspaper Appearances (1940-41). Featured in Mark Hellinger's "Goin' to Town" articles, this archive includes 20 original ink/gouache illustrations, on board, by Jacques Kapralik and Sam Berman (with printing annotations), as well as their corresponding appearances in original scrapbooked periodical clippings, all from 1940-41. The ten strips range in size from 10" x 13" to 27" x 11" and the ten caricature portraits range in size from 8.5" x 11" to 11" x 15" -- featuring hilarious renditions of Bing Crosby, Spencer Tracy, Cary Grant, and others. In overall Good condition with cover wear to the 19.5" x 23.5" scrapbook, yellowing to the scrapbook pages, and with border/corner wear (heavy chipping in some cases) and mild tanning to the illustrations. From the Mark Hellinger Archive.
Mark Hellinger, Beatrice Houdini, Evelyn Nesbit, and Henry K. Thaw Archive. A scandalous group of correspondence that includes an autograph letter to Hellinger from Evelyn Nesbit, signed "E.N.", eight pages, in pencil, in which Nesbit details the shabby treatment she has received from her ex-husband Harry K. Thaw who had shot and killed the starlet's former paramour, Stanford White; an autograph letter signed "Evelyn N.", five pages, n.d., haranguing Hellinger for his story on her past and tempestuous relationships with White and Thaw; an autograph letter signed "Evelyn Nesbit", n.d., inviting Hellinger to Nesbit's opening at the Wivel Restaurant; a Christmas card from Harry K. Thaw signed, "H. K. Thaw" in pencil; a telegram to Hellinger from Thaw, mentioning his murder trial and commenting on prosecuting attorney William Travers Jerome; Beatrice "Bess" Houdini typed letter signed and annotated, on Houdini letterhead, relaying to Hellinger that the New York Graphic article "Houdini Message a Big Hoax!" (printed the day before she wrote the letter) was false, and claiming that she did hear Houdini's "code" words in the notorious séance (only one other letter of this nature, written to Walter Winchell, has surfaced); an autograph signed letter, from Bess to Hellinger referring to books of Houdini's she gave the newspaperman; an autograph signed letter, from Bess Houdini apologizing for asking him to visit her at the West Hills Sanitarium, "I am surrounded by mad people...". The first Nesbit letter is brittle with chipping at the edges, the second letter is strong and clear, the third letter has a small tear at the "N" of the signature. All correspondence dates from 1924-29. The first Houdini letter is mounted and the others show evidence of mounting, else Very Good to Fine. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Jimmy Durante, Eddie Cantor, and Others, Signed Correspondence to Mark Hellinger in Personal Scrapbook (1927-28). Included in this 13" x 17" scrapbook is signed correspondence to producer Mark Hellinger from Jimmy Durante, Texas Guinan, Eddie Cantor, Ona Munson and Eddie Buzzell, Sam L. Warner (on Vitaphone letterhead), and many others. A fascinating slice of Broadway in the late '20s. Though there is wear to cover and tanning to internal pages, the correspondence has been stored well and is in overall Very Fine condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Scrapbooks, Signed Correspondence from Irene Dunn, Eddie Cantor, Others (1929 - 1941). Four of Mark Hellinger's personally owned scrapbooks with signed correspondence from Irene Dunne, Evelyn Nesbit Thaw, Eddie Cantor, Billy Rose, silent film starlet Alma Rubens, others, and telegrams from Texas Guinan, Al Jolson, Jimmy Durante, Helen Morgan, and Eddie Cantor. The scrapbooks' covers and pages are in Good condition (some have Hellinger's handwritten name) and the correspondence stored within is in Very Good condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Scrapbooks, Signed Correspondence from Chico Marx, Fanny Brice, Others (1929-1933). Four of Mark Hellinger's personally owned scrapbooks containing signed correspondence from Chico Marx, Jimmy Durante, Rudy Vallée, Ed Sullivan, Fanny Brice, Lew Cody, writer Merrian C. Cooper, others, and an autograph cut from Calvin Coolidge. Also included are telegrams from Al Jolson, Jack Dempsey, Milton Berle, Johnny Weissmuller, Bert Wheeler. The scrapbooks' covers and pages are in Good condition (considering their age), and the correspondence held within is in Very Good condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger, Texas "Tex" Guinan, and James J. "Jimmy" Walker Archive with Signed Correspondence. Includes a four page, autograph letter signed from Guinan haranguing Hellinger for writing she was a "Snitch"; an autograph post card from Guinan; an autograph postcard signed "Texas" offering Hellinger the use of her hotel suite; a typed letter boldly signed "Texas" on Guinan's letterhead dated September 18, 1930 inviting Hellinger to a midnight party for the "'gents' of the press"; a four page autograph letter signed "Texas" lamenting Hellinger's moving away from New York; a photo and negative of Hellinger, journalist Walter Winchell, and Guinan, published in one of Hellinger's articles as well as in his biography; two copies of Strictly Modern a screenplay by Mark Hellinger and New York Mayor James J. "Jimmy" Walker (1936); a two page autograph letter signed from stage actress Betty Compton, "Only a person who understands the meaning of real love could understand...". Jimmy Walker divorced his wife to marry Betty Compton, creating yet another scandal for the notorious mayor. Most items have mounting residue on the verso, else Near Fine. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
William Randolph Hearst Recording and Typed Letter Signed to Mark Hellinger. The typed one page letter, 7.5" x 7" (trimmed), April 18, 1931, Los Angeles, on Los Angeles Examiner letterhead and signed "W. R. Hearst", is thanking Hellinger for a copy of his book. The recording, on two 12" aluminum acetate discs, broadcast on radio station WMCA at the Hammerstein Theatre in New York on April 23, 1940, features Hearst giving advice to young men on how to be a successful businessman. The recordings are muffled but are still audible, the letter is mounted, else Very Good. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger's Personal Scrapbook with Signed Correspondence from Robert Ripley, Jimmy Durante, Harry Carey Sr., Others. A fascinating set of correspondence filed by Hellinger into his personal scrapbook, amongst his clippings and other memorabilia from 1932-34. Signed letters and notes from Robert Ripley (with doodle), Jimmy Durante, silent star Harry Carey, Sr., Warner Baxter, Sophie Tucker, and others highlight the lot. Signed correspondence from fellow journalists also abound, including letters from Gordon Sinclair, O.O. McIntyre, Arthur Brisbane, Heywood Broun, Reuben Maury, and others. With mild wear to the cover, nicks and corner wear to the scrapbook pages. The internal letters are in overall Very Fine condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Darryl Zanuck Photographs and Two Typed Letters Signed to Mark Hellinger. Including: a typed letter signed from Darryl Zanuck, January 11, 1937, on Twentieth Century-Fox letterhead, in which he thanks Hellinger for his glowing review of Zanuck's film One In A Million. Zanuck writes, "Exhibitors tell me that your Sunday column is a 'word to the wise' for movie-goers, so we value your critical praise all the more."; a typed letter signed from Zanuck, September 23, 1936, on Twentieth Century-Fox letterhead, congratulating Hellinger on a story treatment (most likely The Roaring Twenties) saying, "I am sure that it will prove to be the basis of a fine picture." Also included are four photographs of Zanuck and Hellinger: two large pictures (different shots), 14" x 11" b&w, matte finish, of the men standing by Zanuck's desk; another large matte finish photo, 13.5" x 10.5" of Zanuck and Hellinger shaking hands; and another print, glossy, of the same shot, 8" x 10". The first letter is mounted and the other framed. The small photo is evenly toned, the large are Fine. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Signed Correspondence to Mark Hellinger, Double Dummy Archive. Including signed correspondence from: Rudy Vallée, on personal stationery; Albert B. "Happy" Chandler, on Senate letterhead; Harold Wallace Ross, on New Yorker notepaper; author Gertrude Atherton, on personal letterhead; Dudley Field Malone (of "Monkey Trial" fame); Charles Hanson Towne; Delight Evans, on Screenland letterhead; Buddy DeSylva, on personal letterhead. Also included: Western Union telegram, inviting Hellinger to a gathering in honor of Robert Benchley who died two weeks earlier, signed "Friends of Mr. Benchley"; a certificate, 11" x 8.5", recognizing Hellinger's contribution to the Hollywood Canteen with a printed signature of Bette Davis; a large folder of magazines (Life, Post, Variety, etc.) with stories on Hellinger and his films; and, four copies of the script of the Hellinger-produced play Double Dummy in various iterations. All correspondence ranging from 1936-1947. Canteen certificate and the Chandler letter have water staining; the other letters have mounting residue, else Fine. From the Mark Hellinger Archive.
Mark Hellinger Large Archive of Handwritten Story Ideas, Notes, and Annotated Short Stories, and Scrapbooks. Including: 110 Hellinger short stories, most annotated, many with tear-sheets from the stories' appearances in print (1931-37), generally in Hellinger's "Broadway Episodes" column in the Sunday Mirror; two sheets with pencil story ideas in Hellinger's hand (1931-32) with titles "The Girl Who Changed", "The Taxi Story", and "Room for Improvement"; a ledger-style scrapbook, filled with 1921 newspaper clippings of stage and screen actors, stories indexed by name (Roscoe "Fatty" Arbuckle [including his scandal press], the Barrymores, Theda Bara, Charlie Chaplin, D. W. Griffith, Mary Pickford, hundreds of others); another large scrapbook, 13"x 16", filled with torrid news stories clipped from New York newspapers, a typed spine label reads, "Volume No. 17/M.H. Personal Scrap Book 10/13/29 - 5/23/30" in pencil it reads, "Story Ideas News Clips". The clippings and manuscript pages are brittle, else Very Good. From the Mark Hellinger Archive.
Large Archive of Mark Hellinger's Published and Unpublished Short Stories. Hundreds upon hundreds of Mark Hellinger original short stories, many annotated, occupy this vast archive (three large boxfuls). Many in the lot were published, many were not. The archive is thorough, as was Hellinger's style, each story filed away with related notes, documents and correspondence. One letter stands out: addressed to Al Kaufman of Selznick Studios, the 1936 typed correspondence refers to Mr. Kaufman's interest in Hellinger's short story The World Moves On (the original title to The Roaring Twenties). Hellinger outlines the story idea and insists that George Raft play the lead. A fascinating bit of background to what would be Hellinger's first real taste of Hollywood success. Though most of the pages have yellowed with time, the archive is in overall Very Good condition, its never-before-seen contents waiting to be treasured. From the Mark Hellinger Archive.
Set of Four Scrapbooks of Hellinger Articles (1928-36). Four volumes of scrapbooked Hellinger articles, ranging in date from 1928-36. A fabulous slice of the young journalist's coverage of Broadway. From Hellinger's personal library. In overall Good condition with wear to the covers and yellowing to the internal pages, with mild chipping. From the Mark Hellinger Archive.
Mark Hellinger's Personal Scrapbooks of Film Publicity Clippings, Daily Mirror Articles (1937-1941). Ten of Mark Hellinger's personally owned scrapbooks containing Hellinger's collection of press on his films High Sierra, Moontide, Rise and Shine, Man Power, and Affectionately Yours, and typed correspondence from 20th Century-Fox bigwigs William Le Baron, Harry Brand, and others entertainment figures including Ruth Etting. Also included is a scrapbook archive of "Broadway Episodes" (Hellinger's notorious weekly Sunday article in the New York Mirror), his weekly "All in a Day" contributions, "Short Story" contributions, and his "Broadways of the World" weekly contributions. Hellinger's wife, Ziegfeld girl Gladys Glad, was also a weekly contributor to the Daily Mirror with an advice column on beauty; three of her scrapbooks are also included in this lot. In overall Very Good condition. From the Mark Hellinger Archive.
Mark Hellinger and Gladys Glad Newspaper Column Clip Books. Set of ten scrapbooks compiling an array of newspaper clippings, circa 1930-31, that compile Gladys Glad's beauty advice columns and Mark Hellinger's About Broadway and All In a Day columns for the New York Daily News. Glad had been a Ziegfeld Girl before she married Hellinger and moved on to writing and other endeavors; Flo Ziegfeld never forgave Hellinger for effectively stealing her away, and never passed up a chance to remind him of it. Also, Hellinger's Broadway column was a forerunner of the gossip column, and an early example of the "blind item". In overall Fine condition to Very Fine. From the Mark Hellinger Archive.
Mark Hellinger's Official Citations. A set of framed documents from Hellinger's personal effects includes letters of citation and introduction from Secretary of State Henry L. Stimson (October 6, 1932), Governor of Michigan Frank Murphy (April 30, 1937), and a second, handwritten letter from Murphy during his stint as the US Attorney General (January 5, 1939); plus a commendation from the US Navy for his work as a war correspondent (April 12, 1946). The items are in overall Very Fine condition, with sizes ranging from 4.5" x 5.5" to 11.5" x 13". From the Mark Hellinger Archive.
Mark Hellinger World War II Archive, Signed Items. Already a major force in Hollywood, Hellinger, impassioned to serve as decided to serve as a war correspondent for the Hearst newspapers in the Pacific theater from 1942-45. The archive contains: three personal typed letters from the F.B.I., two signed by J. Edgar Hoover, "Edgar"; a large signed photograph of Hellinger in his war correspondent uniform, 13.5" x 17"; a signed release from Warner Bros. allowing Hellinger to work for Hearst newspapers as correspondent; three large wartime scrapbooks with multiple maps and clippings from WWII; three framed Hellinger columns from 1944; a framed citation for Hellinger's services to a December 25, 1941, radio broadcast signed by Secretary of the Treasury Henry Morgenthau, Jr.; three photographs of Hellinger in uniform, one standing by actor Melvyn Douglas. The scrapbooks are brittle, else the letters, photos, and framed items are Fine. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Mark Hellinger Tribute, Biography, and Manuscript Archive. Including: notebooks of Hellinger biographer Jim Bishop; letters to Hellinger regarding book royalties; letters to Walter Winchell (eventually given to Hellinger's widow) offering assistance on a Hellinger biography; two folders of typed stories with memos from Jim Bishop; a copy of the Mark Hellinger Memorial book with tributes from Humphrey Bogart, Lauren Bacall, Walter Winchell, and many others; an acetate recording of "To Remember Mark Hellinger" from Philco Radio Time, February 4, 1948, in a sleeve with a photo of Hellinger, Jimmy Durante, and Bing Crosby; an acetate recording of Walter Winchell's tribute to Hellinger on the Lucky Strike Hour; two large scrapbooks with newspaper clippings from 1942-47, two 11" x 14" studio portraits of Hellinger, and clippings related to his death. The scrapbooks are brittle with some water damage to one, the typed materials and recordings are Very Good. From the Mark Hellinger Archive.
Bing Crosby Signed Letter, with Picture and Radio Recordings. The lot includes a typed letter on Bing Crosby's 7" x 10.5" stationery, dated April 16, 1943 and addressed to Mark Hellinger, regretting not being able to accept a film offer Hellinger made ("Lord knows when I'll get such a chance again," expresses Crosby), and signed "Bing" in green fountain ink, with original stamped envelope; an 8" x 10" original still of Crosby with Hellinger; recordings of Hellinger's radio interview with Bing Crosby; and recordings of Les Smith's radio interview with Mark Hellinger (July 9, 1947). The Smith/Hellinger interview dates to the time of Brute Force's release and was conducted five months before Hellinger's untimely death. Very Good condition. From the Mark Hellinger Archive. Accompanied by James Spence Authentication auction LOA.
Session 2
Music Memorabilia
Louis Armstrong Signed Letter. A single-page typewritten letter on Armstrong's personal "Satchmo" stationery, dated May 24, 1950, signed by him in green ink at the bottom. Addressed to Stuff Murry at the Horseshoe Bar in Rock Island, Illinois, it reads in part: "Just a little Scribblings to let you know how you knocked Ol Satchmo completely out....I've worked with a lot of great stars like yourself, but you have a certain something, when a person work [sic] with you they feel so at ease, and stuff like that.....". The letter has three deep mailing creases; otherwise, it is in Excellent condition, accompanied by the original mailing envelope. Accompanied by James Spence Authentication auction LOA.
Louis Armstrong Signed Contract. A five-page agreement on Columbia Records letterhead, dated April 25, 1955, signed by Armstrong in black fountain ink. The contract engages Armstrong to provide session musicians and record nine songs for the purpose of making an LP. The songs listed include "Black and Blue", "Honeysuckle Rose", and "Ain't Misbehavin'." Armstrong subsequently released these recordings on Satch Plays Fats: The Music of Fats Waller in 1955. In Very Fine condition with mild edge wear, punch holes to the top edge, and a deep fold crease to the back page (signature unaffected). Accompanied by James Spence Authentication auction LOA.
Beach Boys - Dennis Wilson Signed Self-Portrait Sketch (1965). A 6" x 8" self-portrait pencil sketch of the late Beach Boys drummer, inscribed and signed by Wilson in 1965. In Very Fine condition with a horizontal fold crease that runs through the center of the image. Accompanied by color photocopy images of Wilson at work with his sketch pad. Accompanied by LOA from Rockaway Records. Accompanied by James Spence Authentication auction LOA.
Sidney Bechet Signed Contract. A two-page agreement on Columbia Records letterhead, dated May 2, 1947, with attached memo dated June 9, 1947, signed on the second page by the Jazz musician in black ink. The agreement engaged Bechet as a studio musician. This was signed during the later recording years of the famed soprano saxophonist/clarinetist, and almost 25 years after his famed relationship with Louis Armstrong. Although listed as a sideman, Bechet was actually the leader of three well-received Columbia sessions in 1947. In Very Fine condition with some fold creases, mild wear, and staple and binder holes to the top edge. Accompanied by James Spence Authentication auction LOA.
Biggest Show of Stars for 1960 Autographed Program Book. A vintage copy of the program book from the 1960 music showcase, featuring a fantastic selection of signatures that includes Fabian, Brenda Lee, Jimmy Clanton, Chubby Checker, Freddy Cannon, Bill Black, Jimmy Charles, Gary Miles, Bob Beckham, and others. Twenty-four pages, in Very Good to Fine condition with mild cover wear, moderate spine wear, a popped staple, and largely unfaded pages. From the Larry Knechtel Collection. Accompanied by a COA from PSA/DNA.
Tim Buckley Signed Check A check for $19.25, dated June 5, 1970, and written in black ink to Buckley by Buckley, and endorsed by him on the back, in order to close out an existing bank account. A talented musician with a great deal of promise, Buckley's life was cut short at age 28 by a heroin overdose in 1975, making his signature fairly rare. In Very Fine condition with the usual bank cancellation marks. Accompanied by James Spence Authentication auction LOA.
Tim Buckley Signed Contract. A three-page agreement between Buckley and Herb Cohen, dated May 31, 1971, engaging the services of the latter as manager for Buckley, initialed throughout by both and signed by them on the last page in blue ink. A talented musician with a great deal of promise, Buckley's life was cut short at age 28 by a heroin overdose in 1975, making his signature fairly rare. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Paul Butterfield Signed Harmonica. A Hohner Special 20 harmonica signed in black felt tip by late Blues legend Paul Butterfield, who introduced the Blues to white America and influenced hundreds of bands. In Very Fine condition with mild wear and tarnishing, and accompanied by a plastic carrying case. Accompanied by James Spence Authentication auction LOA.
Johnny Cash and June Carter Signed Program Book (1962). A ten-page booklet featuring full-page b&w photos of Cash, Carter, Luther Perkins, and others, signed on facing pages by Cash and Carter in blue ballpoint from their 1962 tour. In Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
John Cipollina Signed 45 with Necklace. Includes a 45 for "X-Rated" signed on the sleeve by the late Quicksilver Messenger Service guitarist, accompanied by a pendant version of the band's logo. Both are in Excellent condition.
Eric Clapton Signed Limited Edition 24 Nights (Genesis Publications, Ltd., 1981). Genesis Publications is famous for their limited edition books and boxed sets of Rock icons, which become immediate collectibles among fans. We're very pleased to be offering ten of the deluxe sets in our current auction (see the Everything Beatles section for the others). This is a box set format, titled 24 Nights and numbered #1,828 in a limited edition of 3,500. The set consists of a 128-page, 8.5" x 12" hardbound scrapbook of drawings by Peter Blake, that's been autographed by Eric Clapton and features a "Thank You" to artist Peter Blake by George Harrison (whose autograph is printed); a companion 58-page, 6" x 8.5" hardbound commentary by Derek Taylor; an envelope containing a guitar string, backstage pass, badge, and four guitar picks, all in a clamshell case; and two limited edition CDs of live recordings. The volume is in Excellent condition. From the Randy Bachman Collection.
Dave Clark Five Ed Sullivan Show Contact Sheets. A pair of b&w 8" x 10" contact sheets featuring a total of 16 images from the Dave Clark Five's March 1964 performance on The Ed Sullivan Show. Images include shots of Sullivan and the band before the show. In overall Very Fine to Excellent condition.
Dave Clark Five Band-Signed Copy of Try Too Hard. A copy of the band's 1966 U.S. release signed on the back cover by Dave Clark, Mike Smith, Lenny Davidson, Rick Huxley, and Denis Payton in black ink. In Fine to Very Fine condition with a few scratches to the LP and some wear, toning, and soiling to the cover that does not adversely affect the signatures. Accompanied by James Spence Authentication auction LOA.
Kurt Cobain and Courtney Love Archive of Photos, Art, and Lyrics. During the final years of his life, Nirvana frontman Kurt Cobain struggled with drug addiction and media pressures surrounding him and his wife, Courtney Love. The two were a controversial couple during their time together, with many of Love's harshest critics claiming she was using him to boost her own music career. This small selection of items from the couple's time together includes ink sketches, a three-ring binder containing typed and handwritten lyrics, lyrics written on the pack of an 8.5" x 14" handbill, an invite to Edward Norton's birthday party from an unspecified year, and a couple of dozen color snapshots of Love, Norton, Drew Barrymore, Dave Grohl, and other friends and family. Our authenticator was unable to verify which of the lyrics and sketches were done by Cobain and which were by Love. The items are in overall Very Fine to Excellent condition.
Kurt Cobain's Personally Owned, Stage and Screen-Worn Wristwatch. It was the only watch Kurt Cobain wore, according to good friend and legendary Babes in Toyland singer Kat Bjelland. That being said, Cobain undoubtedly wore the watch on that heartbreaking day in April, 1994, the day he died. In fact, the electrician who discovered the tragic scenario, Gary Smith, initially thought Cobain's body was a mannequin... until he saw a few details, including Cobain's watch.
He wore it everywhere: during the taping of the 1993 Nirvana Unplugged album and video, in Nirvana's "Heart Shaped Box" music video, in multiple press photos with his bandmates, even in random candid shots, the watch is ever-present.
Kurt's odd little black timepiece carries with it a touching and fascinating provenance. The aforementioned Kat Bjelland was given the watch within days of Cobain's funeral as a memento of her longtime friend (as a gift from his wife Courtney). According to Bjelland, it stopped ticking one week after Kurt's death. She chose to leave the watch unrepaired.
A notarized letter from Bjelland detailing events leading up to and after her acquisition of the piece accompanies the lot, and though it's missing part of the wrist band, the watch is in good shape considering its history. Greenish oxidation, a typical result of sweat, is present on the back and a tiny rhinestone (which once sat at the 12 hour) has been shaken loose within the frame of the face.
In the end, an entire generation was touched by Cobain's music and persona, both of which are emulated to this day -- fans young and old simply want to feel a connection to the iconic musician. And if anything represents the iconic artist and all-too-brief time with us, this is it.
He wore it everywhere: during the taping of the 1993 Nirvana Unplugged album and video, in Nirvana's "Heart Shaped Box" music video, in multiple press photos with his bandmates, even in random candid shots, the watch is ever-present.
Kurt's odd little black timepiece carries with it a touching and fascinating provenance. The aforementioned Kat Bjelland was given the watch within days of Cobain's funeral as a memento of her longtime friend (as a gift from his wife Courtney). According to Bjelland, it stopped ticking one week after Kurt's death. She chose to leave the watch unrepaired.
A notarized letter from Bjelland detailing events leading up to and after her acquisition of the piece accompanies the lot, and though it's missing part of the wrist band, the watch is in good shape considering its history. Greenish oxidation, a typical result of sweat, is present on the back and a tiny rhinestone (which once sat at the 12 hour) has been shaken loose within the frame of the face.
In the end, an entire generation was touched by Cobain's music and persona, both of which are emulated to this day -- fans young and old simply want to feel a connection to the iconic musician. And if anything represents the iconic artist and all-too-brief time with us, this is it.
Sam Cooke Signed Check. A check for $56.90, dated May 7, 1959, to Cooke from the William Morris Agency, endorsed on the back in blue ink by the late R&B singer. In Very Fine condition with some fold creases and the usual bank cancellation marks.
Creedence Clearwater Revival Bayou Country Poster and Stand-up Display(1969). Framed promo poster of CCR Bayou Country with no lettering and measures approximately 15" x 19". In excellent condition. Plus a cardboard stand-up of the band which measures 26" x 28" high. In Fine condition, with some wear.
Bing Crosby and Others Singer-Signed Photos. Set of four signed b&w 8" x 10" photos includes Bing Crosby, Al Jolson, Tony Martin, and Allan Jones. Studio stamps on the reverse of each. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
David Crosby Signed Long Time Gone Proof Copy. An uncorrected proof copy of Crosby's 1988 autobiography, signed on the title page by him in black felt tip. In Very Fine condition with mild wear and some discoloration to the cover. Accompanied by James Spence Authentication auction LOA.
Crosby, Stills & Nash Photo by Henry Diltz. A color 11" x 14" photo of the group circa the early '70s, by noted folk musician and photographer Henry Diltz, signed by him in the lower right corner. Matted and framed to an overall size of 22.5" x 18.5" and in Excellent condition.
Crosby, Stills & Nash Signed Program with Memorabilia. A program booklet for a 1989 benefit concert signed on the front by David Crosby, Stephen Stills, and Graham Nash in black felt tip. Accompanied by a wristwatch and embroidered patch, both emblazoned with a CSN logo. Items are in overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Crosby, Stills, and Nash Signed Tour Book with Artwork. A CSN tour book signed by David Crosby, Stephan Stills, and Graham Nash in gold felt tip, accompanied by CSN&Y-themed artwork. In overall Excellent condition.
Crosby, Stills & Nash Signed Giant Guitar Pick with CSN Album Cover Display. A very large -- 9" x 10.5" -- guitar pick signed by Crosby, Stills, and Nash in white felt tip, accompanied by a framed 12.5" x 12.5" reproduction of the cover of their 1977 LP CSN with a mirrored background. Both are in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Crosby, Stills and Nash Signed License Plate with Photo. A personalized California license plate reading "CSN FAN" signed by David Crosby, Stephen Stills, and Graham Nash in black felt tip. Accompanied by a b&w 20" x 16" photo of the band circa the 1970s, both in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Crosby, Stills & Nash Box Set Guide Photo and Unused Album Slick (Atlantic, 1991). The best and the rest of CSN were collected for a great four-CD boxed set, which featured various solo tracks from all three performers, as well as tracks from all their albums, plus outtakes. This lot includes a large photo print of the front cover image, used as a color guide, plus an unused "slick" of the covers. As a bonus, a copy of the boxed set, signed by Graham Nash in gold ink, is included. All items are in Excellent condition. Accompanied by a COA from PSA/DNA.
Henry Diltz Photos of Crosby, Stills and Nash Meeting House, Group of 4 (c. 1968). While David Crosby, Steven Stills, and Graham Nash all knew each other from years of bumping into one another at events like the Monterey Pop Festival, the three finally got together and blended their voices for the first time as CSN at a mutual friend's house -- Mama Cass Elliott, of the Mamas and Papas, at a party in December, 1968. Here are two prints each of Elliott's cozy dining room where the magic first happened, plus a shot of the exterior of the house, as photographed by Henry Diltz. The oversize prints, which measure approximately 19.75" x 13.5", came directly from Graham Nash's collection. The prints, each of which is stamped on the back with Diltz's name and address, average Excellent condition, although one of the exterior prints has a few light creases in the lower right corner.
Crosby, Stills & Nash Photo by Henry Diltz. A color 11" x 14" photo of David Crosby, Stephen Stills, and Graham Nash taken at an unspecified performance by folk musician and noted photographer Henry Diltz. In Excellent condition.
Crosby, Stills & Nash Photos with Signed Album Cover. A great set of three color 18.5" x 12" photo portraits by photographer Joel Bernstein, one each for David Crosby, Stephen Stills, and Graham Nash, taken during the high seas photo session that generated the cover art for the band's 1977 album CSN. Each is in Excellent condition, accompanied by a copy of CSN signed on the front cover by Nash in black felt tip. Accompanied by a COA from PSA/DNA.
Crosby, Stills & Nash Daylight Again Album Artwork. Five separate art elements that were used for the trippy UFO-themed album cover for Crosby, Still & Nash's 1982 LP, designed by Mac James and painted by Gilbert Williams. Also included are Mark Hanauer and Henry Diltz's photo illustrations. Items are in overall Very Fine to Excellent condition.
Jimmie Davis Signed Contract. A two-page contract with rider, between Davis and Decca Records, dated October 23, 1941, and signed by the Country musician and two-term Louisiana governor in black ink. The agreement is for a minimum of 24 songs to recorded by Davis over two years. In Very Fine condition with mild wear and rusted staple holes. Accompanied by James Spence Authentication auction LOA.
Jimmie Davis Assorted Music Correspondence with Tex Ritter Signed Letter. Set of two telegrams and five signed letters, dating from September 25, 1940 to July 7, 1941, to Country musician/Louisiana politician Jimmie Davis from the likes of the Southern Music Publishing Company, singing cowboy Tex Ritter, Nashville radio station WSM, and others. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Jimmie Davis Signed Controversial Contracts with Copy of Biography. In a performing career spanning eight decades, Jimmie Davis embraced both raucous Country-Blues and traditional Gospel while maintaining a public-service career that saw him twice elected governor of Louisiana. Davis is largely associated with the classic tune "You Are My Sunshine", which he claimed he wrote while attending LSU. In reality, he bought it from performer Paul Rice in 1939, as evidenced by this contract, dated December 16, 1939, and signed by Rice in black ink. The agreement gave all rights to the song to Davis for the sum of $35, and established that "Jimmie Davis and Charles Mitchell shall be listed as writers of the above musical composition and not include myself as co-writer." Also included is a royalties agreement for the song "You Don't Love Me Anymore", dated April 17, 1941, signed by Davis in blue ink (as well as Mitchell and Paul's brother, Hoke Rice); and a copy of You Are My Sunshine: The Jimmie Davis Story by Gus Weill. The contracts are in Fine to Very Fine condition with some mild wear and soiling, and the book is in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Miles Davis Signed Contract. A two-page agreement on Columbia Records letterhead, dated June 24, 1958, signed by Davis on the second page in blue ink. The document engages Davis to record the songs "Django", "The Jitterbug Waltz", " 'Round Midnight", and "Wild Man Blues" with French composer Marchel Legrand for what would become the classic album Legrand Jazz. (Its most revered tracks feature Davis performing the aforementioned standards with the likes of John Coltrane, Phil Woods, Herbie Mann, and Bill Evans.) In Very Fine condition with punch holes along the top edge. Accompanied by James Spence Authentication auction LOA.
Sammy Davis Jr. Signed Contract. Three-page contract on Capitol Records stationery, dated July 22, 1949, initialed three times on the first two pages and signed by him on the last page in black ink. The contract engaged Davis as a performer for the purposes of making master recordings of the songs "Dreamy Blues", "What Can I Do?", "Got a Great Big Shovel", and "We're Gonna Roll". This was an Artist Copy meant for Davis' personal records, and it is in Fine to Very Fine condition with some mild wear and discoloration, mailing creases, and staple holes. Accompanied by James Spence Authentication auction LOA.
Sammy Davis Jr. 60th Anniversary Celebration Script with Complete Set of Michael Jackson Cue Cards. A large three-ring binder containing the script and shooting schedule for the 1990 anniversary special, accompanied by all nine of the 22" x 14" cue cards bearing Michael Jackson's lines spoken during his portion of the special. Sadly, Davis died three months after the show aired. Items are in overall very Fine condition.
Bob Dylan Signed Copy of The Times They Are A-Changin'. A copy of Dylan's 1964 LP, boldly signed on the front cover by the elusive, iconic musician in black felt tip. Though it was his third album, it was his first to feature only original songs. The album is in Very Fine condition with mild wear, and framed to an overall size of 14.25" x 14.25". Accompanied by James Spence Authentication auction LOA.
Bob Dylan Signed Contract. A 12-page notarized purchase agreement between Dylan and the Minneapolis Community Development Agency arranging for the latter to purchase the Orpheum Theatre, dated June 25, 1988, and signed by Dylan on page 11 in black felt tip. The Agency purchased the theater for the sum of $1.4 million from Dylan and his brother and restored and reopened it in 1993. The contract is in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Duke Ellington Signed Photo. A vintage b&w 8" x 10" promo photo of the legendary bandleader, inscribed and signed by Ellington in blue ballpoint. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Musical Instruments
Benny Goodman Mason Hamlin Piano Model A (1926). A beautiful, mahogany finish baby grand piano with bench, previously sold by Sotheby's in a 1986 sale of Benny Goodman Estate items, is our featured item for this lot. We believe the piano was from Benny's home, and not necessarily used for recording. Nevertheless, it remains a lovely instrument, in Excellent playing condition. Pianos of this type, without any celebrity associations, sell for as much as $25,000 or more. NOTE: Third party shipping is required on this lot.
Music Memorabilia
Billie Holiday Signed Agreement. A single page letter of agreement between Holiday and Columbia Records, dated December 26, 1940, and signed by the Jazz vocalist in black ink. The letter dissolves a prior agreement between the artist and the label in order to execute an updated one. This agreement was written and signed more than a year after Holiday began performing the groundbreaking, controversial "Strange Fruit" -- a song that took her career to the next level -- and just months before she hit it big with her most famous song, "God Bless the Child". The document is in Very Fine condition with mailing creases, and punch holes and tears to to the top edge. Accompanied by James Spence Authentication auction LOA.
Buddy Holly Autograph and Picture Disc Framed Display. This 6" x 4" autograph album page was signed by the legendary Rock and Roll pioneer in black, with the date "14/7/58" added along the right edge in an unknown hand. The date places the autograph just a few months after his historic UK tour, and just one month before his marriage to Maria Elena Santiago. Sadly, Holly died the following February in a plane crash that also took the lives of Richie Valens and J. P. "The Big Bopper" Richardson. The autograph has been matted and framed along with a picture disk LP, to an overall size of 19" x 24". All items are in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Buddy Holly, Ritchie Valens, and Big Bopper Signed Autograph Book, 1959. When the lives of Buddy Holly, Ritchie Valens, and J. P. "The Big Bopper" Richardson were lost in in a tragic plane crash in the early morning hours of February 3, 1959, that day became forever known as the Day the Music Died. Three pioneering musicians were cut down in their prime, though their influence and legacy can still be felt. This autograph book features signatures from all three, with the date "1/31/59" added to the pages by an unknown hand, making these some of the last autographs given by Holly, Valens, and the Bopper, obtained by the original owner at their performances in Duluth, Minnesota. A diary-like entry on one-page reads in part: "Buddy Holly was also good. Though his glasses were thick he's real cute." Waylon Jennings also signed a page in the book. Jennings' participation in the fateful coin toss just a few days later decided who would and who would not be on that tragic plane flight; Jennings often cited that event as the day his life took a turn for the worse. An interesting note on the night these autographs were acquired: in the audience that evening was the fourteen-year-old Bob Dylan who was so moved by the show that he followed into the same career himself. A fantastic item in Fine to Very Fine condition with some wear to the cover and somewhat loose hinges. Accompanied by James Spence Authentication auction LOA.
Janis Joplin/Big Brother and Noel Redding Autographs. In 1966, Joplin's bluesy vocal style attracted the attention of the psychedelic band Big Brother and The Holding Company, and she was quickly recruited to be their lead singer. Joplin performed with the band for two-and-a-half years before striking out on a solo career; she died from a heroin overdose less than a year later. Included are 5" x 3" pieces of paper signed in ink by Joplin and Big Brother members Sam Andrew, James Gurley, and David Getz, plus a smaller slip of paper signed by late Jimi Hendrix Experience bassist Noel Redding. All are affixed to a 5.5" x 10" piece of construction paper, and in overall Very Fine condition.
Charles Mingus Signed Letter. A single-page letter, dated October 12, 1973, photocopied from original typed draft and signed by Mingus in blue ink. In Very Fine condition with mailing creases. Accompanied by James Spence Authentication auction LOA.
Thelonious Monk Signed Contract. A single-page agreement on Columbia Records letterhead, dated September 23, 1963, signed by Monk in blue ink. The agreement is in regards to the recording and distribution of Monk's live performance at the 1963 Newport Jazz Festival. The concert proved to be a pivotal one for Monk, and a year later he was featured on the cover of Time. in Very Fine condition with some toning, mild creasing, and punch holes to the top edge. Accompanied by James Spence Authentication auction LOA.
Motown Autographed Album Group of 3. Throughout their 1960s heyday, well into the 1970s, the Temptations, Four Tops, and Smokey Robinson and the Miracles, comprised three of the "Big Four" of the Motown label (the Supremes being the fourth), with hit after hit on the charts, forever making their mark on American Pop music. Included here are three albums, one by each group, autographed and ready for display on your own Motown Hall of Fame! Smokey Robinson has signed his album; the Temps' album is signed by original members Otis Williams and Melvin Franklin; and the Tops' album is signed by original members Lawrence Payton, Reynaldo "Obie" Benson, and Abdul "Duke" Fakir. Accompanied by James Spence Authentication auction LOA.
Stanley Mouse Skull and Roses Original Art (1988). The famed poster artist for the Grateful Dead (among many others) produced this lovely original graphite and watercolor artwork, on a large piece of heavy art paper. The image are measures approximately 20.5" x 13"; there is a bit of light contact wear along the outer areas of the textured paper, but the art itself appears in Excellent condition. The piece is signed and dated by Mouse, in very lightly colored ink.
Moon Mullican Signed Handwritten Letter to Jimmie Davis. From one Country icon to another, a single-page letter on a 5" x 8" sheet of lined paper, written and signed in pencil by Mullican, known as the "King of the Hillbilly Piano Players." The letter is addressed to Moon's fellow Country star, Jimmie Davis, best known for his classic "You Are My Sunshine" in 1940, and for serving as Governor of Louisiana from 1944-48 and 1960-64. It is accompanied by the original mailing envelope, postmarked July 28, 1941, and is in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Graham Nash Signed Harmonica. Includes a Hohner Orchester I harmonica signed by Nash in black felt tip, accompanied by a tour book and keyring fob from his 1980 Spring tour, all in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Graham Nash Signed Album with Football Jersey. Includes a copy of CSN&Y's 1970 LP Deja Vu, signed on the front cover by Nash in black felt tip, accompanied Cleveland Browns jersey with his name on the back. Both are in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Graham Nash Photos, Set of Four. A set of four b&w 11" x 14" photos by Graham Nash circa 1986-88. One is labeled "Dallas 86" and signed and dated by Nash in pencil, another is labeled by Nash "New York City - '88", also in pencil. In Very Fine to Excellent condition. Accompanied by a COA from PSA/DNA.
Graham Nash Self Portrait Photos. Set of five b&w 11" x 14" self portrait photos by Graham Nash taken over a series of years, each featuring an image of Nash as reflected in a mirror. One has been signed in the lower right corner by Nash in pencil. In overall Very Fine condition with some curling and corner dings. Accompanied by a COA from PSA/DNA.
Ricky Nelson Signed Photo. A b&w 8" x 10" photo of the late musician as a young man, inscribed and signed by him in black ink. Nelson died tragically at age 45 in a plane crash following a New Year's Eve 1985 concert in Dallas. The photo is in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Rolling Stones Vintage Program Books. Program books for the All Stars '64 and Big Beat Show of '65 showcase concerts, both featuring the Rolling Stones very early in their career. Although already stars in the UK by early 1964, the group didn't really take off in the US until late summer, and it was October before they scored their first Top Ten hit "Time Is On My Side." The programs are in Fine condition with some wear along the spine.
Grace Slick Kiss The Sky Jimi Hendrix Limited Giclee 276/300 (2002). A beautiful, colorful giclee on canvas of Jimi's face, peering at us through the clouds, as painted and signed by his friend Grace Slick, who is best remembered for her days as lead singer for the Jefferson Airplane. Image area is approximately 20" x 25.5", and the canvas print is professionally framed to an overall size of 32" x 37". Excellent condition.
Grace Slick Signed White Rabbit in Wonderland Giclee. A 32" x 19" giclee on canvas by the former Jefferson Airplane vocalist, #171 in a limited edition of 300, signed by her in the lower right corner. In Excellent condition.
Bruce Springsteen "Born To Run" 45 Sleeve Proofs (1975). Two different unused layouts. Both measure approximately 9" x 14.75", and are both in Excellent condition.
Tom Waits Handwritten "Drunk On the Moon" Lyrics. A folded 8.5" x 11" sheet of Ebbets Field stationery with the partial lyrics for "Drunk On the Moon" handwritten on one section by Waits in red ballpoint. Another bears partial phrases and lyric ideas written by him in blue ballpoint. The song was released in 1974 on Waits' sophomore LP, Heart of Saturday Night. Accompanied by James Spence Authentication auction LOA.
Tom Waits Handwritten "Wrong Side of the Road" Lyrics. A single sheet of Tropicana Motor Hotel stationery bearing the lyrics to the song "Wrong Side of the Road" from Tom Waits 1978 LP Blue Valentine, handwritten by him in (appropriately) blue ballpoint. In Very Fine condition with some soiling to left and bottom edges. Accompanied by James Spence Authentication auction LOA.
Dinah Washington Signed Contract. A single-page agreement on Columbia Records letterhead, dated October 4, 1951, signed by Washington in blue ink. The agreement mutually terminated her contract with the label. Washington had previously been signed to Mercury Records, but felt that her contract had been violated, and subsequently signed with Columbia. After much legal wrangling, she was forced to sign this document and return to Mercury. The document is in Very Fine condition with mild edge wear and staple and file holes to the top edge. Accompanied by James Spence Authentication auction LOA.
"We Are the World" Autographed Sheet Music. Recorded in 1985 by a supergroup of popular musicians billed as U.S.A. for Africa, "We Are the World" was a chart-topping charity single like no other that helped raise millions of dollars to fight famine in Africa. The song was written by Michael Jackson and Lionel Richie, produced and conducted by Quincy Jones, and featured vocals from Richie, Jackson and five of his siblings, Stevie Wonder, Bob Dylan, Bruce Springsteen, Cindy Lauper, Ray Charles, and 33 others, recorded in one session during and after the 1985 American Music Awards ceremony. These are three pages of sheet music from that session, signed by the various singers who participated. The pages have been matted and framed to an overall size of 37.5" x 22.5" with a plaque reading: "On January 28, 1985, 45 American artists got together to record 'We Are the World' to help fight hunger across Africa. Within three months, fifty million dollars were raised from this initial effort." The pages are in Very Fine to Excellent condition with some mild toning. Accompanied by James Spence Authentication auction LOA.
The Who Cincinnati 1979 Concert Ticket. An unused ticket to The Who's fateful December 3, 1979 concert at the Riverfront in Cincinnati, where a rush for general seating before the sold-out concert resulted in a crush that killed 11 fans, an event that devastated the band. In Very Good to Fine condition with moderate wear.
The Who - John Entwistle "Germans" Preliminary Sketch Original Art Group Set of six comic sketches (plus a fourth with Nazi armband detail) by the late Who bassist, mostly in pencil, of German characters. The art is on white paper in various sizes. In Excellent condition. Accompanied by Letter of Authenticity from the John Entwistle Estate.
The Who Related - John Entwistle's Personal Copy of the Bible. Leather-bound Oxford Bible with illustrations and ornate latch closure, owned and used by the late Who bassist. In Fine condition with some moderate cover wear from use. Accompanied by a letter of provenance.
Hank Williams Signed "Me and My Broken Heart" Royalty Contract. A single-page royalty contract dated June 5, 1951, between Country music legend Hank Williams and Acuff-Rose Publications, signed at the bottom by Williams in green ink. The contract, signed less than two years before Williams' untimely death, gave him three cents per copy of the sheet music for the song sold in the U.S., one-fourth cents per copy sold overseas, and 50 percent of assorted licensing and recording receipts both domestic and foreign. The contract is in Very Fine to Excellent condition with file holes to the top, two heavy fold creases, and very slight discoloration along the edges. Due to his meteoric but brief career, authentic autographs by Williams are extremely rare, and the presence of this one on an official document makes it especially desirable. Accompanied by James Spence Authentication auction LOA.
Hank Williams Sr. and Other Grand Ole Opry Stars Signed Program Book. The oldest continuous radio program in the United States, having been broadcast since October 5, 1925, the Grand Ole Opry started out as the WSM Barn Dance program in Nashville and quickly grew into the nation's premier showcase for Country music, largely defining the genre during it's early days. A vintage eight-page program book signed by Williams (who was stripped of his Opry membership in 1952), Cowboy Copas, Hank Garland, and more than a dozen others. In Fine to Very Fine condition with noticeable wear along the spine. Accompanied by James Spence Authentication auction LOA.
Woodstock Tour Book, Flyer, and Rolling Stone Special Edition. Set of rare memorabilia from the landmark music festival includes a tour book, 8" x 8.5" concert flyer, and a copy of the special edition of Rolling Stone magazine covering the event. Items are in overall Very Fine condition
Frank Zappa Handwritten Note to Herb Cohen. A single-page note to manager Herb Cohen, undated, handwritten and signed by Zappa in black marker faded to brown. It reads: "Herb -- I got a job to play for $20 at a sleazey [sic] dive in Santa Monica & had to go (see map enclosed) drop in to watch it -- 12 layouts done/Zappa". The layouts mentioned possibly refer to the cover of Zappa's 1966 Freak Out! LP. This was obtained directly from Herb Cohen, Frank's former manager and co-founder of Straight, Bizarre and Discreet Record labels. In Fine condition with some wear, toning, and moderate to heavy soiling and water stains. Accompanied by James Spence Authentication auction LOA.
Zappa Related/GTO'S - Pamela Miller Handwritten Lyrics. Single-page set of lyrics for an unreleased song by the GTOs, titled "Daddy's Got Gold Fever", handwritten by Pamela Miller (later Pamela Des Barres). In Fine to Very Fine condition with mild wear, toning, and a fold crease. Accompanied by James Spence Authentication auction LOA.
Frank Zappa Handwritten Sheet Music. Two-pages of sheet music for the keyboard part of "Kung Fu", handwritten in black ink by Zappa circa 1972. The track was unreleased until compiled for the 1996 posthumous LP The Lost Episodes. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Frank Zappa Handwritten "RDNZL" Sheet Music (1972). Eight pages of sheet music for the song "RDNZL", handwritten in black ink by Zappa circa 1972. The track was later released on the 1978 album " Studio Tan". The music is in Very Fine condition with mild toning and wear, and some water stains. Accompanied by James Spence Authentication auction LOA.
Various '70s Country Stars Signed Photo. A b&w 8" x 10" CBS Records promo photo titled "The Nashville Family of Music", signed by Willie Nelson, Charlie Daniels, Kris Kristofferson, Johnny Paycheck, and numerous others. In Very Fine condition with some mild wear.
AC/DC Band-Signed Guitar. A black Signature Series electric guitar inscribed "Back in Black" and signed by Brian Johnson, Angus Young, Malcolm Young, Cliff Williams, and Chris Slade in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Anthrax Frontman - Scott Ian Signed Guitar. A black Autograph Pros electric guitar signed on the pickguard by the Anthrax guitarist in blue felt tip at the Comfort Inn Hotel in Springfield, Virginia on October 6, 2005. In Excellent condition. Accompanied by a COA from PSA/DNA.
Band of Gypsys Signed Guitar. A black Signature Series electric guitar with band logo on the body, signed by Billy Cox and Buddy Miles in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Chuck Berry Signed Guitar. A pale green Galveston electric guitar signed with an image of Berry from his early days as a Rock legend, signed by him in silver marker on the pickguard. A small ding to the top edge, otherwise in Excellent condition. Accompanied by a COA from Roger Epperson.
Black Sabbath-Related - Geezer Butler Signed Guitar. A black Autograph Pros electric guitar signed by the Sabbath bassist in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
James Blunt and Others Signed Guitars. Set of three black Autograph Pros acoustic-electric guitars signed by James Blunt, Billy Gillman, and Blaine Larsen, respectively, in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Jon Bon Jovi Signed Guitar. A black New York Pro electric guitar signed by Jon Bon Jovi in black felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Bono Signed Guitar. A black New York Pro electric guitar with a caricature of the U2 frontman on the body, signed by Bono in blue marker on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Garth Brooks Signed Guitar. A pale yellow Galveston electric guitar with an image of Brooks airbrushed onto the body, inscribed and signed by him in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Buffalo Springfield Band-Signed Guitar. An International electric guitar with natural finish, signed by Neil Young, Stephen Stills, Richie Furay, Jim Messina, and Dewey Martin in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Cheech and Chong Signed Guitar. A green-and white Hemp Leaf acoustic guitar signed by Cheech Marin and Tommy Chong in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Cher Signed Guitar. A pink Copley acoustic guitar with Cher logo on the body, signed on the body by the legendary singer in black felt tip. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
John Cipollina Autographed Guitar. A vintage Gibson SG electric guitar with brown wood finish, owned and played by the late Quicksilver Messenger Service guitarist and autographed by him in silver marker on the pick guard. Known for his classical-influenced style, Cipollina died in 1988 from emphysema at the age of 45. The guitar is in Very Fine condition with some areas of chipping, scuffing, and wear to the finish from regular use. Accompanied by James Spence Authentication auction LOA.
Eric Clapton Signed Guitar. A black Squier Fender Stratocaster signed by the legendary guitarist in black felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Musical Instruments
Eric Clapton Signature Model Fender Stratocaster (not signed). A cherry red Eric Clapton signature model Fender Stratocaster in Excellent condition with Clapton's signature printed on the headstock. Features include vintage noiseless pickups, special soft V-shaped maple neck, and blocked tremolo. Carrying case included.
Music Memorabilia
Collective Soul Signed Guitar. A blonde Fender Squire Stratocaster signed on the body by Ed Roland, Dean Roland, Joel Kosche, Will Turpin, and Ryan Hoyle in black felt tip. In Excellent condition. Accompanied by a COA from PSA/DNA.
Alice Cooper Signed Guitar. A black Signature Series electric guitar signed by Cooper in black felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
The Crickets Band-Signed Guitar. A light yellow Galveston electric guitar with Buddy Holly image and logo on the body, signed by Joe B. Mauldin and Jerry Allison in black felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Miley Cyrus Signed Guitar. A black New York Pro electric guitar with Hannah Montana logo, signed by Cyrus in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Deep Purple Band-Signed Guitar. A black New York Pro electric guitar signed by Ian Gillan, Steve Morse, Don Airey, Roger Glover, and Ian Paice in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Doobie Brothers Band-Signed Guitar. An Autograph Pros electric guitar with vintage sunburst finish, signed on the pickguard by Guy allison in black felt tip and by Tom Johnston, Patrick Simmons, and John McFee in blue felt tip. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Electric Light Orchestra Guitar. A white Signature Series electric guitar with ELO logo on the body, signed by frontman Jeff Lynne in black felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Fleetwood Mac Signed Guitar. One of the premier bands of the late '60s and 1970s, Fleetwood Mac churned out a number of groundbreaking albums despite (and perhaps because of) an almost constantly shifting lineup. This green Johnson electric guitar has been signed by founding father Mick Fleetwood, by John McVie who joined the band by the second album, and by the duo Stevie Nicks and Lindsey Buckingham, who joined in 1975 completing the lineup (which by then included Christine McVie) that most fans consider the "classic" Fleetwood Mac lineup. In Very Fine condition with some small dings and scratches to the backside of the body. Accompanied by James Spence Authentication auction LOA.
Foo Fighters Band-Signed Guitar. A black Signature Series electric guitar signed by Dave Grohl, Chris Shiflett, Nate Mendell, and Taylor Hawkins in black felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Foreigner Band-Signed Guitar. A white Signature Series electric guitar with band logo, signed by Kelly Hansen in blue felt tip on the body and by Mick Jones, Jeff Pilson, Tom Gimber, Michael Bluestein, and Jason Bonham in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Musical Instruments
Gibson Six-String Acoustic Guitar (not autographed). Gibson Blues King Electro style six-string acoustic guitar with natural finish and mother of pearl fret markers, serial number 91174012, in Excellent condition with original carrying case included.
Music Memorabilia
David Gilmour Signed Guitar. A jet black Stratocaster-style electric guitar inscribed and signed by the iconic Pink Floyd guitarist on the body in white felt tip. In Excellent condition.
Grateful Dead - Bobby Weir Signed Guitar. A white Signature Series electric guitar with Grateful Dead logo and a b&w photo of Weir on the body, signed by him in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Pat Green, Chris Cagle, Jason Aldean Signed Guitars. Set of three green Autograph Pros acoustic-electric guitars signed by Pat Green, Chris Cagle, and Jason Aldean, respectively, in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Musical Instruments
Guild 12-String Acoustic Guitar (not autographed). Guild model JF30-12BL 12-string acoustic guitar with natural finish, serial number AJ321446, in Excellent condition with original carrying case included.
Music Memorabilia
Guns N' Roses Band-Signed Guitar. A Squier Fender Telecaster with natural finish, signed on the body by Slash and Steven Adler in black felt tip and by Izzy Stradlin in blue, and on the pickguard by Axl Rose and Duff McKagan in blue. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Arlo Guthrie Signed Guitar. A black Autograph Pros electric guitar signed by the Folk music icon in black felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Emmy Lou Harris Signed Guitar. A black Autograph Pros electric guitar signed on the pickguard by Harris in blue felt tip at the Birchmere Club in Alexandria, Virginia, on October 23, 2006. In Excellent condition. Accompanied by a COA from PSA/DNA.
INXS Band-Signed Guitar. An Autograph Pros electric guitar with vintage sunburst finish signed by bandmembers in black felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Johnny Jackson Signed Guitar. A white Signature Series electric guitar signed by Johnny Jackson in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Journey Band-Signed Guitar. A black Signature Series electric guitar with band logo on the body, signed by Steve Perry, Neal Schon, Ross Valory, Jonathan Cain, and Steve Smith in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
The Kinks - Ray Davies Signed Guitar. An Eleca acoustic guitar with Union Jack body design, inscribed "You really got me" and signed by the Kinks frontman in blue felt tip on the body. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
KISS - Ace Frehley Limited Edition Guitar. A limited edition Epiphone guitar (serial number 199102682) with mahogany bottom, maple top and neck, trans-black finish, mother of pearl KISS lightning bolt inlays on the neck, and Frehley's likeness printed on the head. In Excellent condition.
Mark Knopfler Signed Guitar. A Copley acoustic guitar with natural finish, signed by the Dire Straits frontman in black felt tip on the body. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Jerry Lee Lewis Signed Guitar. A black Signature Series electric guitar signed by the Rock and Roll pioneer in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Lovin' Spoonful Band-Signed Guitar. An acoustic guitar with aged tiger finish, signed by John Sebastian, Steve Boone, Joe Butler, and Jerry Yester in white felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Aimee Mann Signed Guitar. A black Autograph Pros acoustic-electric guitar inscribed and signed by Mann in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
George Martin Signed Guitar. A black New York Pro electric guitar signed by the legendary producer and "Fifth Beatle" in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Dave Matthews Signed Guitar. A white Signature Series electric guitar with Matthews' image airbrushed onto the body, signed by him in blue marker on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Brian May Signed Guitar. A white Signature Series electric guitar signed by the former Queen guitarist in silver felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Metallica Band-Signed Guitar. A black Galveston electric guitar with band logo on the body, signed by James Hetfield, Kirk Hammett, Robert Trujillo, and Lars Ulrich in blue and black felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Monkees Related - Davy Jones Signed Guitar. A cherry red Autograph Pros electric guitar signed by the ex-Monkees lead singer in black felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Mötley Crüe Band-Signed Guitar. A black New York Pro electric guitar with band logo on the body, signed by Vince Neil, Mick Mars, Nikki Sixx, and Tommy Lee in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Vince Neil Signed Guitar. A dark blue Autograph Pros electric guitar signed by the Mötley Crüe frontman in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Willie Nelson Autographed Guitar. A Stars-and-Stripes themed Eleca acoustic guitar signed on the pickguard by Nelson in silver marker. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Willie Nelson Signed Guitar. A pale yellow Galveston electric guitar with an image of the Country music icon airbrushed onto the body, signed by Nelson in blue marker on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Olivia Newton-John Signed Guitar. A vermilion Autograph Pros electric guitar signed by the Australian singer-actress in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Night Ranger Band-Signed Guitar. A black Signature Series electric guitar with band logo on the body, signed by Kelly Keagy, Jack Blades, Brad Gillis, Christian Cullen, and Joel Hoekstra in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Les Paul Signed Guitar. An Epiphone-style Autograph Pros electric guitar with antique sunburst finish, signed by the legendary guitarist in black felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Tom Petty Signed Guitar. A vintage 1975 Fender Telecaster with natural wood finish, signed on the pickguard by Petty in black felt tip. In Excellent condition, accompanied by an LOA. Accompanied by James Spence Authentication auction LOA.
Tom Petty Signed Guitar. A hollow-body electric guitar with cherry sunburst finish, signed by Petty in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Liz Phair, Jo Dee Messina, Julie Roberts, and Mindy Smith Autographed Guitars. Set of four pink Autograph Pros acoustic-electric guitars signed by Liz Phair, Jo Dee Messina, Julie Roberts, and Mindy Smith, respectively, in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Lou Reed Signed Guitar. A black Autograph Pros electric guitar signed by Reed in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
REO Speedwagon Band-Signed Guitar. A white signature series electric guitar with band logo on the body, signed by Kevin Cronin, Dave Amato, Neal Doughty, Bruce Hall, and Bryan Hitt in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Keith Richards Signed Guitar. A Fender Squier Telecaster electric guitar with natural finish, signed by Richards of the Rolling Stones in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Todd Rundgren Signed Guitar. A black Autograph Pros electric guitar signed and dated "2008" by Rundgren in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Sex Pistols Band-Signed Guitar. A mustard yellow Signature Series electric guitar signed by Johnny Rotten, Steve Jones, Glen Matlock, and Paul Cook in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Blake Sheldon, Cowboy Troy, and Jamie O'Neal Signed Guitars. Set of three black Autograph Pros acoustic guitars signed by Country stars Blake Sheldon, Cowboy Troy, and Jamie O'Neill in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Carly Simon Signed Guitar. A rose pink Autograph Pros electric guitar signed by the "You're So Vain" singer in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Simon and Garfunkel Signed Guitar. A Laurel electric guitar with honey burst pattern, signed on the pickguard in blue felt tip by legendary Folk Rock duo Paul Simon and Art Garfunkel. In Excellent condition. Accompanied by a COA from Roger Epperson.
Static-X Band-Signed Guitar. A black Autograph Pros electric guitar signed by bandmembers Wayne Static, Koichi Fukuda, and Nick Oshiro in black felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Cat Stevens Signed Guitar. A New York Pro electric guitar with natural finish, Inscribed "Salams" and signed "Yusuf" by the former folk musician in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Stephen Stills Signed Guitar. A red Autograph Pros electric guitar signed by Stills in silver felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Sly Stone Signed Guitar. A white Signature Series electric guitar with Sly and the Family Stone logo on the body, signed by Stone in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Stooges Band-Signed Guitar. A black Autograph Pros electric guitar signed by bandmembers Iggy Pop and Ron and Scott Asherton in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Supremes Band-Signed Guitar. A pink Indiana electric guitar signed by Diana Ross, Mary Wilson, and Cindy Birdsong in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Taylor Swift Signed Guitar. A pink Copley acoustic guitar signed on the pickguard by Swift in blue felt tip. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
James Taylor Signed Guitar. A white Signature Series electric guitar with an image of a young Taylor airbrushed onto the body, signed by him in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Susan Tedeschi Signed Guitar. A black Autograph Pros acoustic-electric guitar signed by the blues singer in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Tesla Band-Signed Guitar. A black Autograph Pros electric guitar signed by bandmembers Dave Rude, Frank Hannon, Jeff Keith, and and one illegible member in black felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Pete Townshend Signed Guitar. A Les Paul-style electric guitar with Union Jack body, signed by the Who guitarist in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Derek Trucks Signed Guitar. An Autograph Pros acoustic guitar signed on the pickguard by Trucks in silver felt tip at the Strathmore Concert Hall in Rockville, Maryland, on January 14, 2006. In Excellent condition. Accompanied by a COA from PSA/DNA.
The Ventures Band-Signed Guitar. A Galveston electric guitar with brown natural finish and band logo on the body, signed by Nokie Edwards, Don Wilson, Bob Spalding, and Leon Taylor in blue felt tip on the pickguard. In Excellent condition. Accompanied by a COA from Roger Epperson.
Roger Waters Signed Guitar. A white Signature Series electric guitar with The Wall logo airbrushed onto the body, signed by the former Pink Floyd bassist in black felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Brian Wilson Signed Bass Guitar. A cream yellow Fender Squier bass guitar signed on the body by the Beach Boys co-founder and Rock icon in blue felt tip. In Excellent condition. Accompanied by a COA from Roger Epperson.
Ann and Nancy Wilson Signed Guitar. A red Galveston electric guitar with Heart logo, signed by the Wilson sisters in red felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Johnny and Edgar Winter Signed Guitar. A white Signature Series electric guitar signed by the Blues/Rock brothers in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Steve Winwood Signed Guitar. A blue Autograph Pros electric guitar signed by Winwood in blue felt tip on the pickguard. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Lee Ann Womack, Rockie Lynne, and David Lee Murphy Signed Guitars. Set of two pink Autograph Pros acoustic-electric guitars signed by Lee Ann Womack and Rockie Lynne in silver marker, and one black Autograph Pros acoustic signed by David Lee Murphy in silver. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Dwight Yoakam Signed Guitar. A Laurel acoustic guitar with vintage cherry finish, signed by Yoakam in black felt tip on the body. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Young Rascals Band-Signed Guitar. A Galveston electric guitar with vintage sunburst finish, signed on the pickguard by Felix Cavaliere in black felt tip, and by Eddie Brigati, Gene Cornish, and Dino Danelli in blue. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Zombies Band-Signed Guitar. A black Autograph Pros electric guitar signed by original bandmembers Colin Blunstone and Paul Atkinson, and by bassist Jim Rodford (the cousin of original bandmember Rod Argent), who joined the band in 2000 and who had been a founding member of the group Argent, as well as playing with other seminal British Invasions groups the Kinks and the Swinging Blue Jeans. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
ZZ Top Band-Signed Guitar. A New York Pro electric guitar with vintage sunburst finish, signed by Dusty Hill and Frank Beard in blue felt tip and by Billy Gibbons in black on the pickguard. In overall Excellent condition. Accompanied by a COA from Roger Epperson.
Assorted Country Music Singer-Songwriter Signed Guitars. Set of three black Autograph Pros acoustic-electric guitars signed by Craig Morgan, Brian McComas, and Buddy Jewell, respectively, in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Singer-Songwriter Autographed Guitars. Set of two pink Autograph Pros acoustic-electric guitars signed by Nikka Costa and Tracy Byrd in silver marker, and one black Autograph Pros acoustic signed by Jimmy Wayne in silver. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Singer-Songwriter Autographed Guitars. Set of four pink Autograph Pros acoustic-electric guitars signed by Shelly Fairchild, Patty Griffin, Miranda Lambert, and Carolyn Dawn Johnson, respectively, in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Country Music Singer-Songwriter Signed Guitars. Set of three black acoustic guitars signed by Phil Vassar, Josh Turner, and Mark Wills, respectively, in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Country Music Singer-Songwriter Signed Guitars. Set of three black Autograph Pros acoustic guitars signed by Neal McCoy, Phil Azar, and Eric Church, respectively, in silver marker. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Musical Instruments
Gibson Chet Atkins Super 4000 Limited Edition Guitar (1978) Condition: Near Mint.
The Chet Atkins Super 4000 was the last guitar Chet designed for Gibson before his passing in 2001. It's everything a Custom Shop guitar should be, with incredible attention to detail, using the finest materials to produce an archtop instrument superior to none, even the beloved Citation.
Both top and back feature a pronounced arch, and the depth is asymmetrical, varying from 2 1/2" at the heel, to 2 17/32" at the widest point of the lower bout, to 2 5/8" where the neck meets the body (bass side), to 3 1/32" mid-cutaway. This variance means there are almost no parallel surfaces inside the guitar, resulting in no "wolf tones", or odd-sounding, non-sustaining notes. The resonance pattern of this instrument is totally even from note to note throughout its range, and the guitar is amazingly comfortable to play. Chet's preferences called for a Tune-o-Matic instead of a carved Ebony bridge, to maximize sustain, especially through an amp. The guitar features an AAA grade tight grain select Sitka Spruce arch top, and highly figured AAA grade bookmatched carved maple back. The neck is of five-ply curly maple. The finish is faded cherry sunburst. The serial number is 7099827, and the guitar is one of only 25 produced. Comes with a plush brown leather case with brown lining and brown Cordura case cover with an embroidered logo and leather trim. Accompanied by a certificate signed by Chet Atkins.
After playing and hearing this wonderful guitar, its appointments somehow seem more understated than they actually are. That's sort of how Chet was, too. From the Russ Cochran Guitar Archive.
The Chet Atkins Super 4000 was the last guitar Chet designed for Gibson before his passing in 2001. It's everything a Custom Shop guitar should be, with incredible attention to detail, using the finest materials to produce an archtop instrument superior to none, even the beloved Citation.
Both top and back feature a pronounced arch, and the depth is asymmetrical, varying from 2 1/2" at the heel, to 2 17/32" at the widest point of the lower bout, to 2 5/8" where the neck meets the body (bass side), to 3 1/32" mid-cutaway. This variance means there are almost no parallel surfaces inside the guitar, resulting in no "wolf tones", or odd-sounding, non-sustaining notes. The resonance pattern of this instrument is totally even from note to note throughout its range, and the guitar is amazingly comfortable to play. Chet's preferences called for a Tune-o-Matic instead of a carved Ebony bridge, to maximize sustain, especially through an amp. The guitar features an AAA grade tight grain select Sitka Spruce arch top, and highly figured AAA grade bookmatched carved maple back. The neck is of five-ply curly maple. The finish is faded cherry sunburst. The serial number is 7099827, and the guitar is one of only 25 produced. Comes with a plush brown leather case with brown lining and brown Cordura case cover with an embroidered logo and leather trim. Accompanied by a certificate signed by Chet Atkins.
After playing and hearing this wonderful guitar, its appointments somehow seem more understated than they actually are. That's sort of how Chet was, too. From the Russ Cochran Guitar Archive.
D'Angelico Excel Guitar (1950) Condition: Very Good+.
This beautiful archtop guitar has the serial number #1838, which is one away from the Excel Chet Atkins used throughout 1950-54 when he played with the Carter Family, and on many early recordings. The D'Angelico is widely considered the "Stradivarius of the Guitar," beautifully hand-made by John D'Angelico. This guitar features a floating "Howard Roberts" pickup, and standard stairstep tailpiece. The instrument was refinished and rebound by master luthier John Montelone in the 1970s, and sports only faint wear along the top surface. A wonderful, full-toned instrument that can be played acoustically or amplified. Comes with a hardshell case. From the Russ Cochran Guitar Archive.
This beautiful archtop guitar has the serial number #1838, which is one away from the Excel Chet Atkins used throughout 1950-54 when he played with the Carter Family, and on many early recordings. The D'Angelico is widely considered the "Stradivarius of the Guitar," beautifully hand-made by John D'Angelico. This guitar features a floating "Howard Roberts" pickup, and standard stairstep tailpiece. The instrument was refinished and rebound by master luthier John Montelone in the 1970s, and sports only faint wear along the top surface. A wonderful, full-toned instrument that can be played acoustically or amplified. Comes with a hardshell case. From the Russ Cochran Guitar Archive.
Sultana Acoustic Archtop Guitar (Bacon Belmont, c. 1930s). Condition: Good-plus.
In the late 1930s, large-bodied acoustic archtops were popular for orchestral use. The Gibson Super 400, with its 18" wide body of 1934 soon inspired John D'Angelico's magnificent 18" New Yorker model, and Elmer Stromberg's huge 19" Master 400. At the point in time, the Bacon Belmont Company of Grotin Connecticut produced this unusual 18" Sultana, with a neck reportedly designed by D'Angelico himself. This one does look a little rough on first inspection; the top has been stripped of its original finish, and a neck pickup and control knobs have been removed and the missing wood replaced. The overall finish of the neck and sides looks well-worn, but the guitar itself plays beautifully, with a great, bright tone. This is a real "player's" guitar. The serial number is 026681. Comes with case and outer cover. From the Russ Cochran Guitar Archive.
In the late 1930s, large-bodied acoustic archtops were popular for orchestral use. The Gibson Super 400, with its 18" wide body of 1934 soon inspired John D'Angelico's magnificent 18" New Yorker model, and Elmer Stromberg's huge 19" Master 400. At the point in time, the Bacon Belmont Company of Grotin Connecticut produced this unusual 18" Sultana, with a neck reportedly designed by D'Angelico himself. This one does look a little rough on first inspection; the top has been stripped of its original finish, and a neck pickup and control knobs have been removed and the missing wood replaced. The overall finish of the neck and sides looks well-worn, but the guitar itself plays beautifully, with a great, bright tone. This is a real "player's" guitar. The serial number is 026681. Comes with case and outer cover. From the Russ Cochran Guitar Archive.
Jim Triggs Master 400 Cutaway Guitar (1993). Condition: Excellent.
Well-known luthier Jim Triggs made this exact copy of a Stromberg Master 400 19" archtop acoustic guitar. The Master 400's exceptional cutting power made it a favorite of such guitarists as Freddy Green, of Count Basie's band. A beautiful-sounding guitar, with lovely attention to detail, including a beautiful, curly maple back that has to be seen to be appreciated. Serial number 09930043. Comes with a hardshell case. From the Russ Cochran Guitar Archive.
Well-known luthier Jim Triggs made this exact copy of a Stromberg Master 400 19" archtop acoustic guitar. The Master 400's exceptional cutting power made it a favorite of such guitarists as Freddy Green, of Count Basie's band. A beautiful-sounding guitar, with lovely attention to detail, including a beautiful, curly maple back that has to be seen to be appreciated. Serial number 09930043. Comes with a hardshell case. From the Russ Cochran Guitar Archive.
Martin F-9 Archtop Acoustic Guitar (1937) Condition: Very Good-plus.
This is an extremely rare pre-war F-9, in its original archtop mode. It features Brazilian rosewood sides and back, and produced in very limited quantities -- perhaps less than 80 were made, with a number later converted to flattops. This guitar has the same headstock and neck inlay as the prewar D-45. The fretboard appears to have had some careful restoration, a pickguard has been removed, and the entire body has been refinished with heavy lacquer, partially filling an old wear groove along the high E-string. Comes with the original case. From the Russ Cochran Guitar Archive.
This is an extremely rare pre-war F-9, in its original archtop mode. It features Brazilian rosewood sides and back, and produced in very limited quantities -- perhaps less than 80 were made, with a number later converted to flattops. This guitar has the same headstock and neck inlay as the prewar D-45. The fretboard appears to have had some careful restoration, a pickguard has been removed, and the entire body has been refinished with heavy lacquer, partially filling an old wear groove along the high E-string. Comes with the original case. From the Russ Cochran Guitar Archive.
Gibson L-5 Archtop Acoustic Guitar (1934) Condition: Very Good.
Gibson's 16" carved top L-5 was its first to feature f-holes, and has proven to be a popular guitar among players for many years. Among those who favor the L-5 have been Mother Maybelle Carter, Wes Montgomery, Lee Ritenour, Eric Clapton, and John Mayer. Features a great, soft V-shaped neck. The body of the guitar shows light wear, and the strings have been repositioned more narrowly on the bridge for small hands. Included, but not attached, is a floating Shadow pickup designed to be attached to the pickguard. This sunburst beauty has a serial number of 91438, and comes with its original purple-lined case. From the Russ Cochran Guitar Archive.
Gibson's 16" carved top L-5 was its first to feature f-holes, and has proven to be a popular guitar among players for many years. Among those who favor the L-5 have been Mother Maybelle Carter, Wes Montgomery, Lee Ritenour, Eric Clapton, and John Mayer. Features a great, soft V-shaped neck. The body of the guitar shows light wear, and the strings have been repositioned more narrowly on the bridge for small hands. Included, but not attached, is a floating Shadow pickup designed to be attached to the pickguard. This sunburst beauty has a serial number of 91438, and comes with its original purple-lined case. From the Russ Cochran Guitar Archive.
Gibson Super 400 Archtop Acoustic Guitar (1947) Condition: Very Good.
A beautiful sunburst-finish guitar. Elvis' main guitar man, Scotty Moore, preferred the Super 400, and used one for his album, The Guitar That Changed the World. Elvis himself is seen playing a Super 400 on his 1968 Comeback Special. This sweet acoustic features light wear and several small dings to the top, some wear along the neck, and some minor corrosion to the brass tailpiece. The sides and back wood are lovely, and the overall appearance of this instrument is wonderful, as it its playability. The serial number A700, and the instrument comes with its original case. From the Russ Cochran Guitar Archive.
A beautiful sunburst-finish guitar. Elvis' main guitar man, Scotty Moore, preferred the Super 400, and used one for his album, The Guitar That Changed the World. Elvis himself is seen playing a Super 400 on his 1968 Comeback Special. This sweet acoustic features light wear and several small dings to the top, some wear along the neck, and some minor corrosion to the brass tailpiece. The sides and back wood are lovely, and the overall appearance of this instrument is wonderful, as it its playability. The serial number A700, and the instrument comes with its original case. From the Russ Cochran Guitar Archive.
Heritage D'Angelico "New York II" Guitar (undated) Owned and Used by Rick Derringer, Condition: Excellent.
A "Heritage D'Angelico", made by Heritage Guitars in the U. S. A. before production of new D'Angelicos moved to Japan. The instrument was previously owned by Rick Derringer and was used exclusively by him on his 2002 release Free Ride. This was only one of five D'Angelico copies made by Jim Triggs for Heritage, and the only one finished in cherry red. It was originally appraised for Derringer for $25,000 (documentation included with lot) and features a pretty red finish, with only the slightest visible wear. The floating single pickup is attached to the pickguard, which has become slightly loose from the neck connection point. This guitar is light, easy to handle, and plays very well. The label inside this guitar is signed by Bill Paige, Jim D., and J. P. Mosto. Serial number is 1039. Includes a gorgeous snakeskin-finish case. Accompanied by a notarized LOA from Rick Derringer. From the Russ Cochran Guitar Archive.
A "Heritage D'Angelico", made by Heritage Guitars in the U. S. A. before production of new D'Angelicos moved to Japan. The instrument was previously owned by Rick Derringer and was used exclusively by him on his 2002 release Free Ride. This was only one of five D'Angelico copies made by Jim Triggs for Heritage, and the only one finished in cherry red. It was originally appraised for Derringer for $25,000 (documentation included with lot) and features a pretty red finish, with only the slightest visible wear. The floating single pickup is attached to the pickguard, which has become slightly loose from the neck connection point. This guitar is light, easy to handle, and plays very well. The label inside this guitar is signed by Bill Paige, Jim D., and J. P. Mosto. Serial number is 1039. Includes a gorgeous snakeskin-finish case. Accompanied by a notarized LOA from Rick Derringer. From the Russ Cochran Guitar Archive.
Gibson L-5 Natural Finish Archtop Acoustic Guitar (1939) Condition: Very Good.
Gibson introduced the L-5 Natural Finish in 1939, and it sold at the time for an extra premium of $15, due to the hand-picked Maple used for the carved tops. As such, it is far less common than other L-5s today. There is some light wear along the top, and a small crack has developed on the upper part of the neck, near the nut along the left side, but it feels solid, with easy neck action and a great tone. This beauty has a serial number of #95751, comes with factory-installed Grover Imperial tuners, and the original Gibson striped case, which has lost its handle over the years. From the Russ Cochran Guitar Archive.
Gibson introduced the L-5 Natural Finish in 1939, and it sold at the time for an extra premium of $15, due to the hand-picked Maple used for the carved tops. As such, it is far less common than other L-5s today. There is some light wear along the top, and a small crack has developed on the upper part of the neck, near the nut along the left side, but it feels solid, with easy neck action and a great tone. This beauty has a serial number of #95751, comes with factory-installed Grover Imperial tuners, and the original Gibson striped case, which has lost its handle over the years. From the Russ Cochran Guitar Archive.
Martin OM-45 Acoustic Guitar (1979) Condition: Excellent.
A classic guitar, favored by many players. If a solid, dependable, well-built acoustic is what you need, there's no reason to look any further than this. Only a touch of very light wear is visible on this great-playing guitar. Serial number #413625; comes with a Martin hardshell case. From the Russ Cochran Guitar Archive.
A classic guitar, favored by many players. If a solid, dependable, well-built acoustic is what you need, there's no reason to look any further than this. Only a touch of very light wear is visible on this great-playing guitar. Serial number #413625; comes with a Martin hardshell case. From the Russ Cochran Guitar Archive.
Gibson L-5 Natural Finish Archtop Acoustic Guitar (1952) Condition: Very Good.
Another beautiful L-5 in natural Maple finish, with a carved top, and f-holes. A great neck is the hallmark of this instrument, which does have a few minor top dings and finish cracks. An old attachment to the tailpiece has left some plastic residue. Serial number is A11547. Comes with a velvet-lined case. From the Russ Cochran Guitar Archive.
Another beautiful L-5 in natural Maple finish, with a carved top, and f-holes. A great neck is the hallmark of this instrument, which does have a few minor top dings and finish cracks. An old attachment to the tailpiece has left some plastic residue. Serial number is A11547. Comes with a velvet-lined case. From the Russ Cochran Guitar Archive.
Martin B-40 Acoustic/Electric Bass Guitar (1996) Condition: Excellent.
Great playing four-string acoustic bass, perfect for "unplugged" session work. Included is a factory-installed Fishman Transducer preamp, so you can plug it in for a variety of amplified tones. Serial #581731. Comes with a hardshell case and all the original paperwork. From the Russ Cochran Guitar Archive.
Great playing four-string acoustic bass, perfect for "unplugged" session work. Included is a factory-installed Fishman Transducer preamp, so you can plug it in for a variety of amplified tones. Serial #581731. Comes with a hardshell case and all the original paperwork. From the Russ Cochran Guitar Archive.
Martin HD-28 Chet Atkins Owned Acoustic Guitar (1987) Condition: Excellent.
A great, dependable, no-problem Martin acoustic, with the added cache of having been formally owned and played by Mr. Guitar himself, Chet Atkins - in fact, Chet signed the guitar in black marker, adding his self-awarded degree, CGP (Certified Guitar Player) after his name. The serial number is #470748, and the guitar comes with a custom Gibson hard case. From the Russ Cochran Guitar Archive.
A great, dependable, no-problem Martin acoustic, with the added cache of having been formally owned and played by Mr. Guitar himself, Chet Atkins - in fact, Chet signed the guitar in black marker, adding his self-awarded degree, CGP (Certified Guitar Player) after his name. The serial number is #470748, and the guitar comes with a custom Gibson hard case. From the Russ Cochran Guitar Archive.
Gibson Country Gentleman Original Prototype Guitar, Owned and Played by Chet Atkins (1986) Condition: Very Good+.
This cherry finish charmer features a number of innovations that were not carried over to the regular edition Gibson Country Gentleman, including string locks above the nut and fine tuners on each string, between the bridge and Bigsby tailpiece. Chet left a few marks on the guitar, including a piece of black tape on the neck pickup, where his finger pick usually brushed the surface, and there is some minor loss of finish on the brass areas, including the vibrato arm and the pickup covers, but for a well-used instrument, it's surprisingly well-kept. This gorgeous instrument is prominently featured in Russ Cochran's book, Chet Atkins - Me and My Guitars, with a full page picture on page 149, and a photo of Chet onstage with the guitar. The serial number is #81006902, and the guitar comes with a hardshell case. From the Russ Cochran Guitar Archive.
This cherry finish charmer features a number of innovations that were not carried over to the regular edition Gibson Country Gentleman, including string locks above the nut and fine tuners on each string, between the bridge and Bigsby tailpiece. Chet left a few marks on the guitar, including a piece of black tape on the neck pickup, where his finger pick usually brushed the surface, and there is some minor loss of finish on the brass areas, including the vibrato arm and the pickup covers, but for a well-used instrument, it's surprisingly well-kept. This gorgeous instrument is prominently featured in Russ Cochran's book, Chet Atkins - Me and My Guitars, with a full page picture on page 149, and a photo of Chet onstage with the guitar. The serial number is #81006902, and the guitar comes with a hardshell case. From the Russ Cochran Guitar Archive.
Gretsch Country Gentleman Owned and Played by Chet Atkins (1971) Condition: Very Good.
Chet began designing guitars with the Gretsch Company, and this was his Signature series, the Country Gentleman. This particular model is a double cutaway beauty with mahogany finish and gold hardware, complete with a Bigsby swivel-arm tailpiece. Chet used this guitar himself for many personal appearances and tours, including several TV appearances; it was later presented to Chet's sideman, Paul Yandell, who signed the guitar under the pad on the back. A few areas of the body binding have cracked, but the body itself is nicely preserved for a well-used instrument. This guitar has the serial number 871073, and is featured with a full-page photo in Russ Cochran's book, Chet Atkins - Me and My Guitars, page 91. It comes with a Gretsch hardshell case. From the Russ Cochran Guitar Archive.
Chet began designing guitars with the Gretsch Company, and this was his Signature series, the Country Gentleman. This particular model is a double cutaway beauty with mahogany finish and gold hardware, complete with a Bigsby swivel-arm tailpiece. Chet used this guitar himself for many personal appearances and tours, including several TV appearances; it was later presented to Chet's sideman, Paul Yandell, who signed the guitar under the pad on the back. A few areas of the body binding have cracked, but the body itself is nicely preserved for a well-used instrument. This guitar has the serial number 871073, and is featured with a full-page photo in Russ Cochran's book, Chet Atkins - Me and My Guitars, page 91. It comes with a Gretsch hardshell case. From the Russ Cochran Guitar Archive.
Gibson Octobass Modified Country Gentleman Guitar Owned and Played by Chet Atkins (1991) Condition: Excellent.
This modified, hybrid bass and guitar Country Gentleman features two larger bass strings in the fifth and sixth positions, tuned an octave lower than standard guitar strings. The first four strings are tuned normally. Chet used this interesting instrument while recording the humorous song "I Still Write Your Name in the Snow" for his live album Almost Alone - it sounds like two players on this track, but it's all Chet, playing both the bass and guitar parts simultaneously. The guitar has the serial number 92721473, and is stamped "Promotional, Not For Resale" on the back of the headstock. Comes with a contoured case. From the Russ Cochran Guitar Archive.
This modified, hybrid bass and guitar Country Gentleman features two larger bass strings in the fifth and sixth positions, tuned an octave lower than standard guitar strings. The first four strings are tuned normally. Chet used this interesting instrument while recording the humorous song "I Still Write Your Name in the Snow" for his live album Almost Alone - it sounds like two players on this track, but it's all Chet, playing both the bass and guitar parts simultaneously. The guitar has the serial number 92721473, and is stamped "Promotional, Not For Resale" on the back of the headstock. Comes with a contoured case. From the Russ Cochran Guitar Archive.
Gretsch Model 6120 Archtop Guitar Owned and Modified by Chet Atkins (1958). Condition: Very Good.
This modified single-pickup Model 6120 was one of Chet's test guitars (click the link below to watch Chet playing the guitar). The instrument was later given by Chet to his nephew, Gary Atkins. Gary related to us the story of staying with "Uncle Chester" in the summer of 1960: "One evening, when we were in the house for supper, Uncle Chester said 'Come on.' We went downstairs to the basement storage room. There was a row of guitar cases leaning against the wall. He picked out the white case with brown trim (and) took it to the work shop. The guitar in the case had been torn apart electrically. This was the instrument he used for his first experiments with a stereo sound, with split pickups. He rummaged around in the shop and found a pickup and installed it at the base of the neck. He found an empty pickup shell and put it in the bridge position. He found a set of knobs for the pots, and I was in business with a single pickup 6120. When it came time for me to go home, I went into his office and asked him where he wanted me to put the guitar. He looked up and said 'Well keep it, it's yours.'"
The guitar has some minor wear to the neck; and has the serial number 28495. It was signed to Gary Atkins by Chet, on paper attached to the interior of the guitar, visible through the f-hole. The original case is included with the instrument. From the Russ Cochran Guitar Archive. Click here to watch Chet Atkins playing this guitar.
This modified single-pickup Model 6120 was one of Chet's test guitars (click the link below to watch Chet playing the guitar). The instrument was later given by Chet to his nephew, Gary Atkins. Gary related to us the story of staying with "Uncle Chester" in the summer of 1960: "One evening, when we were in the house for supper, Uncle Chester said 'Come on.' We went downstairs to the basement storage room. There was a row of guitar cases leaning against the wall. He picked out the white case with brown trim (and) took it to the work shop. The guitar in the case had been torn apart electrically. This was the instrument he used for his first experiments with a stereo sound, with split pickups. He rummaged around in the shop and found a pickup and installed it at the base of the neck. He found an empty pickup shell and put it in the bridge position. He found a set of knobs for the pots, and I was in business with a single pickup 6120. When it came time for me to go home, I went into his office and asked him where he wanted me to put the guitar. He looked up and said 'Well keep it, it's yours.'"
The guitar has some minor wear to the neck; and has the serial number 28495. It was signed to Gary Atkins by Chet, on paper attached to the interior of the guitar, visible through the f-hole. The original case is included with the instrument. From the Russ Cochran Guitar Archive. Click here to watch Chet Atkins playing this guitar.
Standel Model 25L15 Electric Guitar Amplifier (1954). Condition: Very Good.
Although not that well known today, Standel amps were the best of the best in the mid-1950s, and featured many innovations that later turned up in amplifiers made by Fender and others. Each one was hand-made by order, and only 50 or so model 25L15 amps were made. The roster of owners includes Chet Atkins, Merle Travis, Hank Thompson, Hank Garland, and more. This particular amp has the serial number 1010, making it the tenth amp built after the initial prototype. Former owners of the amp include Jerry Miller of Moby Grape, and Paul Yandell, former sideman to Chet Atkins. The fabric covering has been replaced, but everything else remains original, and the amp is in good working order. From the Russ Cochran Guitar Archive.
Although not that well known today, Standel amps were the best of the best in the mid-1950s, and featured many innovations that later turned up in amplifiers made by Fender and others. Each one was hand-made by order, and only 50 or so model 25L15 amps were made. The roster of owners includes Chet Atkins, Merle Travis, Hank Thompson, Hank Garland, and more. This particular amp has the serial number 1010, making it the tenth amp built after the initial prototype. Former owners of the amp include Jerry Miller of Moby Grape, and Paul Yandell, former sideman to Chet Atkins. The fabric covering has been replaced, but everything else remains original, and the amp is in good working order. From the Russ Cochran Guitar Archive.
Music Memorabilia
AC/DC Razor's Edge RIAA Multi-Platinum Album Award with Band-Signed Photo. Presented to Leo Johnson to commemorate the sale of more than two million copies of the band's 1990 LP, framed to an overall size of 17" x 25". The award is accompanied by a b&w 8" x 10" photo signed by Malcolm and Angus Young, Cliff Williams, Chris Slade, and Brain Johnson in black felt tip. The album featured the hit singles "Thunderstruck" and "Moneytalks", and was Slade's only studio recording with the group. Both items are in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Crosby, Stills & Nash RIAA Gold Album Award. An RIAA award presented to Graham Nash to commemorate the sale of more than $1 million dollars worth of the legendary trio's 1969 debut album. It spawned to hit singles ("Marrakesh Express" and "Suite: Judy Blue Eyes"), peaked at #6 on Billboard's Top Pop Albums chart, and quickly lifted the band to stardom. This classic white-matted award is framed to an overall size of 17" x 21" and in Excellent condition.
Crosby, Stills, Nash & Young Deja Vu RIAA Platinum Album Award. An RIAA sales award presented to Graham Nash to commemorate the sale of more than two million copies of CSNY's 1970 sophomore LP. The album was their first as Crosby, Stills, Nash & Young, and it reached #1 on the Billboard 200 chart and yielded three Top 40 singles: "Teach Your Children", "Our House", and "Woodstock". The plaque measures 18" x 24" and is in Excellent condition with very minor wear to the frame.
Crosby, Stills, Nash & Young Deja Vu Platinum Album Award. An in-house sales award presented to Graham Nash to commemorate the sale of more than two million copies of CSNY's 1970 sophomore LP. The album was their first as Crosby, Stills, Nash & Young, and it reached #1 on the Billboard 200 chart and yielded three Top 40 singles. The plaque measures 18" x 24" and is in Very Fine to Excellent condition.
Crosby, Stills & Nash Daylight Again RIAA Platinum Album Award. An RIAA award presented to Graham Nash to commemorate the sale of more than one million copies of the 1982 CS&N album. Framed to an overall size of 17" x 21" and in Excellent condition.
The Best of the Doors RIAA Platinum Album Award. Commemorating the sale of more than one million copies of the 1985 two-disc greatest hits LP. Features a mounted silver disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
Michael Jackson Dangerous RIAA Platinum Album Award. Commemorating the sale of more than one million copies of Jackson's 1991 LP. It became his second to debut at #1 on the Billboard 200 album chart, where it spent four consecutive weeks before being upstaged by Nirvana's seminal Nevermind. Features a mounted silver disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 25" and in Excellent condition.
Waylon Jennings Signed Greatest Hits RCA Gold Album Award. An RCA award presented to the company's Miami office to commemorate the sale of more than 500,000 copies of Jennings' 1979 greatest hits LP, inscribed and signed by him in gold felt tip. Framed to an overall size of 17" x 21" and in Very Fine condition with some wear to the frame. Accompanied by a COA from PSA/DNA.
Lenny Kravitz Greatest Hits RIAA Triple Platinum Album Award. Presented to Record & Tape Traders to commemorate the sale of more than three million copies of Kravitz's 2000 best-of collection. Framed to an overall size of 32" x 18" and in Excellent condition.
Graham Nash's ASCAP Award. Featured on Crosby, Stills and Nash's 1977 LP CSN, "Just a Song Before I Go" reached #7 on the Billboard singles charts and remains a mainstay on '70s-themed radio stations nationwide. Nash, who wrote the piece on a dare during a ride to the airport, received this award from the American Society of Composers, Authors and Publishers in acknowledgement of its success. The plaque measures 10.5" x 16" and is in Very Fine condition.
Graham Nash Songs for Beginners RIAA Gold Album Award. An RIAA award presented to Nash to commemorate the sale of more than $1 million worth of his 1971 first solo album, and one of four high-profile albums released by each partner of Crosby, Stills, Nash & Young following their chart-topping Déjà Vu (1970). Framed to an overall size of 17" x 21" and in Very Fine condition with moderate tarnishing to the RIAA plate.
Best of Dolly Parton RIAA Gold Album Award. An RIAA award presented to Eddie Mascolo to commemorate the sale of more than 500,000 copies of Parton's 1975 greatest hits LP. Framed to an overall size of 17" x 21" and in Very Fine condition with some wear to the frame.
Prince Purple Rain Australian Platinum Album Award. ARIA sales award presented to Jill Willis to commemorate triple-platinum sales of Prince's 1984 soundtrack album, recently ranked by Entertainment Weekly as the #1 LP of the past 25 years. Framed to an overall size of 20" x 16" and in Excellent condition with mild wear to the frame. Accompanied by a Prince Nude 1990 European Tour itinerary book.
Bruce Springsteen Born in the USA Platinum Album Award. Columbia Records in-house platinum album award commemoration the sale of more than 20 million copies of Springsteen's best-selling LP, with a reproduction of his autograph printed on the label. The red-white-and-blue themed display is framed to an overall size of 20" x 24" and is in Excellent condition.
Vaughan Brothers Family Style RIAA Platinum Album Award. An RIAA award presented to Tony Davis to commemorate the sale of more than one million copies of the 1990 LP by Stevie Ray and Jimmy Vaughan, released a month after the former's tragic death. It was the only commercial recording they collaborated on, and Stevie Ray's last studio performance. Framed to an overall size of 17" x 21" and in Excellent condition.
Beach Boys "Surfin" Original 45 (X Records 301, 1961). The Beach Boys' first single had three early iterations. This was the earliest, and the small label pressing is extremely rare. The song was also released on the Candix label in 1961 as Candix 301, then again on Candix 331 later the same year before finally becoming a hit in early 1962. Condition: VG-EX 6.
Beach Boys "Surfin'" Rare Promo Copy 45 (Candix 301, 1961). Just about as rare as the original release on the X label is this promo copy on the Candix label. Candix pressed the single under two different numbers, and the song didn't creep onto the national charts until the second release under Candix 331, when it inched onto the Hot 100 peaking at #75 in 1961. This one will go nicely with your copy of the original X Records release! Condition: VG-EX 6.
Frank Sinatra Picture Sleeves From Around the World Group of 13 (1960s-70s). Considered by most the greatest popular music vocalist of the 20th century, as these worldwide releases testify! Included: from Argentina "Extraños En La Noche" ("Strangers In the Night") in VG 5/ VG 5; from France "Come Dance With Me"/ "Cheek to Cheek" (Capitol) in EX 7/ NM 8, "Let Me Try Again"/ "Send In the Clowns" in NM 8/ NM 8, and "Bad Bad Leroy Brown" in NM 8/ NM 8; from Italy "I Would Be In Love (anyway)" in NM 8/ NM 8 and "My Way" in NM 8/ NM 8; from Japan "All the Way"/ "Chicago" (Capitol) in EX 7/ EX 7, "South of the Border"/ "My Funny Valentine" (Capitol red vinyl) in VG 5/ VG 5, "Pocketful of Miracles" in NM 8/ NM 8, and "Night and Day"/ "Stardust" in NM 8/ EX 7 with small hole "adaptor" neatly punched out on record; from the Netherlands "Witchcraft"/ "I've Got You Under My Skin" in VG-EX 6/ NM 8; from the UK "Come Fly With Me"/ "Witchcraft" Promo in NM 8/ NM 8; and from the US, a juke box promotional EP Days of Wine and Roses, Moon River, and other Academy Award Winners in NM 8/ NM 8 with title strips.
Frank Sinatra EP Group of 14 (Various, 1950s). Frank Sinatra was a worldwide phenomenon, as evidenced by this multi-country group. Included are: from the USA - Frank Sinatra (Capitol Compact Double 33) in NM 8/ NM 8, Frank and Sarah and Nat and Vic Salute Harold Adamson (CBS-Robbins Promo Compact 33) in NM 8/ NM 8; from France - La Blonde ou La Rousse (Pal Joey) (President Records) in NM 8/ EX 7; from Australia - The Voice (Coronet) in VG-EX 6/ EX 7; from Germany - We 3 (RCA) in EX 7 (small tear and writing on back cover)/ EX 7; from Holland - Frank Sinatra (Philips) in VG-EX 6 (small tear back cover)/ VG-EX 6 (sticker on label); from New Zealand - Frank Sinatra (Coronet) in EX 7/ NM 8; and from the UK (all on the Fontana label) - We're In Love in MT 9/ MT 9, The Voice in EX 7/ NM 8, Frankie! in EX 7/ MT 9, The Song Is You in EX 7/ NM 8, You Go to My Head in VG-EX 6/ EX 7, Five Minutes More in VG-EX 6/ NM 8, and Fools Rush In in EX 7/ NM 8.
Frank Sinatra Radio Promo Series Group of 80 (Orange Productions, 1991-92). To serious Sinatra fanatics, the name Sid Mark and his "The Sounds of Sinatra" are probably already familiar. The program that Mark started over 50 years ago still originates weekly from WPHT in Philadelphia and is carried by over 100 other stations coast to coast. Offered here are 80 pristine discs of ready-to-play programming from 1991 and 1992. Each disc contains an hour of programming, including commentary by Marks, Sinatra himself, and comes with program notes. Then there's the music, hour upon hour of Sinatra's finest. Seventy-six discs cover the 38 week period from the weekend of May 31-June 1, 1991 to February 14-15, 1992. The four additional discs are from the programs of April 3-4, 1992 and December 11-12, 1992. The latter two program discs are still in their original mailers. All 80 discs are in NM 8.
Frank Sinatra 45 Acetate Group of 4 (United Recording, 1959-61).
Four rare acetates include two of songs among Sinatra's last releases for Capitol and two acetates of songs among his first for Reprise. Included: "Talk To Me"/ "They Came to Cordura" (two-sided, no label acetate, songs released on Capitol, 1959) in VG-EX 6, "It's All Right With Me"/ "Live and Let Live" (Capitol, from the soundtrack for Can-Can, 1960 - "Live and Let" sung by co-stars Maurice Chevalier and Louis Jourdan) in VG-EX 6, "Lady Day"/ "Lady Day" (2-sided, 1960) in NM 8, and "Something" (1961) in NM 8.
Four rare acetates include two of songs among Sinatra's last releases for Capitol and two acetates of songs among his first for Reprise. Included: "Talk To Me"/ "They Came to Cordura" (two-sided, no label acetate, songs released on Capitol, 1959) in VG-EX 6, "It's All Right With Me"/ "Live and Let Live" (Capitol, from the soundtrack for Can-Can, 1960 - "Live and Let" sung by co-stars Maurice Chevalier and Louis Jourdan) in VG-EX 6, "Lady Day"/ "Lady Day" (2-sided, 1960) in NM 8, and "Something" (1961) in NM 8.
Frank Sinatra 45 Acetate Group of 4 (Western Recorders and United Recording, 1961-66). Four 7" 45 rpm acetates from Sinatra's early years at Reprise, including "C'est Magnifique"/ "Let's Fall In Love" (no label, both songs on one side - 1961) in EX 7, "This Is All I Ask" (1965) in NM 8, "That's Life" (1966) in EX 7, and "Somewhere In Your Heart"/ "Emily" (two-sided, 1965) in NM 8.
Frank Sinatra 45 Acetate Group of 4 (Western Recorders and United Recording, 1965-67). Mid-sixties magic from the Chairman of the Board, is captured on these rare 7" 45 rpm acetates, including Sinatra's last Top 10 solo release, "That's Life" (1966), "Drinking Again" (1967), "This Town" (1967), and the two-sided "Golden Moment"/ "I'll Only Miss Her When I Think Of Her" (1965). All are Stereo except "Golden Moment"/ "I'll Only Miss Her When I Think Of Her" in Mono, and all are near perfect NM 8, except "Drinking Again" in a very nice EX 7.
Frank Sinatra 45 Acetate Group of 4 (Western Recorders and United Recording, 1969-71). Four 7" acetates of Frank Sinatra from his Reprise days, all in pristine NM 8 condition, including "Kids" (with Nancy Sinatra, 1969), "Sunrise In the Morning" (1971), "I'm Not Afraid" (1971), and the two-sided "Rain In My Heart"/ "Star" (1969). All are in Stereo, except "Rain In My Heart"/ "Star" in Mono.
Frank Sinatra The Complete Reprise Studio Recordings CD Box Set. The original box set from 1995, featuring 452 tracks on 20 discs encased in a miniature leatherbound trunk, #561 of a limited edition of 5,000, still sealed. The release of the set coincided with Sinatra's 80th birthday and claimed to be a complete collection of the songs he recorded with the studio, though a handful of tracks are missing. In Excellent condition.
Elvis Presley Rare EP (RCA SPD-23, 1956). Rare 3-disc EP was a promotional item that was originally available only with the purchase of a special Elvis Presley "autographed" record player. 1956 was Elvis' coming out year, and RCA seized the opportunity to market numerous products in the King's names. To help promote RCA's new portable record player division, they made two special Elvis record players. The first was the portable 4-speed model with Presley's "personal autograph" stamped in gold on the lid of the player. The second was something very new -- an "autographed" automatic 45 portable, capable of only playing 45s, but holding up to 14 records which were stacked above the turntable. Both players included special bonus Elvis EPs, a 2-disc EP with the first player, a 3-disc EP with the latter. This three-disc set is quite rare, much more so than the two-disc EP offered with the cheaper player. Condition: EX 7/ EX 7 (2 discs - other disc is VG-EX 6).
Elvis Presley EP Group of 3 (RCA, 1956-65). Elvis' earliest EP, plus two extra-nice copies of EPs from the mid-1960s. Included are the two-disc smash from 1956, Elvis Presley (RCA EPB-1254, dog on top) in VG-EX 6/ VG 5 (both discs); Viva Las Vegas (EPA-4382) in NM 8/ EX 7; and Tickle Me (EPA-4383) in MT 9/ MT 9.
Elvis Presley EP Group of 7 (RCA 1956-69). Terrific selection of seven EPs from Elvis, including Heartbreak Hotel (RCA EPA-821, 1956 - dog on top, white title strip on front) in NM 8/ EX 7; Elvis Presley (EPA-830, 1956 - dog on top, rarer black title strip) in NM 8/ EX 7; Jailhouse Rock (EPA-4114, 1957 - dog on top) in NM 8/ NM 8; Elvis Sails (EPA-4325, 1958) in MT 9/ NM 8; Kid Galahad (EPA-4371, 1962 - black label); Viva Las Vegas (EPA-4382, 1964 - black label, dog on top) in MT 9/ NM 8; and Peace In The Valley (EPA-5121, 1969 - orange label) in EX 7/ EX 7, with small sticker on label.
Elvis Presley EP Group of 7 (RCA, 1956-62). Wide-ranging collection shows off the King at his best. Included: Elvis Presley (RCA EPA-747, dog on top, white title strip on cover) in NM 8/ NM 8; Any Way You Want Me (EPA-965, dog on top, black title strip) in MT 9/ EX 7; Elvis Volume II (EPA-993, dog on top) in VG-EX 6/ EX 7; Love Me Tender (EPA-4006, dog on top, title strip on cover) in EX 7/ EX 7; Just For You (EPA-4041, dog on top, EP title strip on cover) in MT 9/ NM 8; Peace In The Valley (EPA-4054) in MT 9/ MT 9; and Follow That Dream (EPA-4368, dog on top, with incorrect playing times on back) in MT 9/ NM 8.
Elvis Presley EP Group of 5 (RCA, 1961-76). Gorgeous US EPs, plus two hard-to-find foreign EPs. The US records include Elvis By Request (RCA LPC-128) in MT 9/ MT 9; Easy Come, Easy Go (EPA-4387) in MT 9/ MT 9; and a still sealed copy of Aloha from Hawaii via Satellite (DTFO-2006), released for juke box operators only, complete with 10 title strips, in GM-MT 10/ Still Sealed condition. The foreign EPs include G. I. Blues (France - RCA 86.285) in EX 7 (writing on back cover)/ NM 8 (orange label) and 6 Super Hits de 60 (Brazil - RCA 102.4024), which features two songs each from RCA artists Elvis, Paul Anka, and Neil Sedaka, in NM 8/ MT 9.
Elvis Presley's Original Sun Recordings on 78 (RCA, 1954-55). Here they are - all five of Elvis' Sun recordings on 78 rpm. No self-respecting Elvis completist should be without the set. Included: "That's All Right"/ "Blue Moon of Kentucky" (RCA 209, 1954) in EX 7; "Good Rockin' Tonight"/ "I Don't Care If the Sun Don't Shine" (210, 1954) in NM 8; "Milkcow Blues Boogie"/ "You're A Heartbreaker" (215, 1955); "Baby Let's Play House"/ "I'm Left, You're Right, She's Gone" (217, 1955) in VG-EX 6 (radio station copy with writing on label, cataloging sticker, and with red protective band around outside of disc); and "Mystery Train"/ "I Forgot to Remember to Forget" (223, 1955) in EX 7.
Elvis Presley LP Group of 2 (RCA, 1956). The songs that fueled the legend! Elvis' first two album releases ruled Billboard's Top Pop Album charts in 1956, combining to hold down the #1 position for 15 weeks, while charting a total of 80 weeks. Get them both here! The copies of Elvis Presley (RCA LPM 1254) and Elvis (LPM 1382 -) both are Mono copies with "Long Play" at the bottom of the labels, and both in scintillating NM 8/ NM 8.
Elvis' Christmas Album LP (RCA 1035, 1957). Beautiful copy of what's arguably the most striking of all of Elvis' albums. We've never seen a nicer copy! The gold foil gift-giving sticker is not included. Condition: NM 8/ NM 8.
Elvis Presley Mono LP Group of 2 (RCA, 1958-59). Near perfect copies of two albums released back to back in 1958-59: King Creole (RCA LPM-1884), black and white photo insert not included, and For LP Fans Only (LPM-1990), which collected some of the King's legendary 1956 recordings. Both are in NM 8/ NM 8.
Elvis Presley LP Group of 2 (RCA, 1959-60). Pretty rare to find these two LPs in this nice of condition. Get 'em both together! A Date With Elvis is in Mono (RCA LPM-2011) and in NM 8/ MT 9 condition, while Elvis Is Back! is in Living Stereo (RCA LSP-2231) and in NM 8/ NM 8, with yellow titles sticker on front.
Elvis Presley LP Group of 3 (RCA, 1960-61). Extra-nice copies of three "Living Stereo" editions, including G. I. Blues (RCA LSP-2256) in NM 8/ NM 8; His Hand in Mine (LSP-2328) in NM 8/ MT 9; and Something for Everybody (LSP-2370) in MT 9/ MT 9.
Elvis Presley LP Group of 3 (RCA, 1965-66). Included are super copies of a trio of Elvis' movie soundtrack albums from the mid-1960s: Harum Scarum (RCA LSP-3468) ; Frankie and Johnny (LSP-3553); and Spinout (LSP-3702). All three come with the originally included bonus color photos of Elvis and are still in the original shrinkwrap with the "Special Bonus" sticker affixed. And all three are in way cool MT 9/ MT 9 condition!
Elvis As Recorded at Madison Square Garden Promo LP (RCA LSP-33-571, 1972). This two-disc, white label, double pocket issue was commercially issued as RCA LSP-4776. The tracks reflect the wide-ranging concert that consisted of many of Elvis' original '50s and '60s hits, plus covers of more contemporary hits from the late '60s and early '70s. Condition: VG-EX 6 (small tear upper right corner)/ NM 8 (both discs).
Elvis Presley 10" 78-rpm Sun Acetates (1955). Of Elvis' five Sun singles the pairing of "Milkcow Blues Boogie"/ "You're A Heartbreaker" is generally considered the rarest. And an acetate at that? Very cool! These are one-sided acetates, each with a side of Sun 215, Elvis' third single for Sam Phillips' label. The acetates bear the label "Audiodisc Recording Blank". Condition: "Milkcow" is an amazing NM 8; "Heartbreaker" is EX 7. From the GRT Collection.
Elvis Presley "Surrender"/ "Lonely Man" 10" 45-rpm Acetate RCA Victor Reference Recording (1961). Two-sided acetate of Elvis' two-sided hit from 1961. "Surrender" held the #1 position on Billboard's Hot 100 for two weeks, while "Lonely Man", one of Elvis' most beautiful and soulful ballads peaked at #32. This artifact comes with a COA from Elvis Presley Enterprises, so it wouldn't be a stretch to call this The King's copy! Add in the rarity factor and that it's in superior condition, and the sum is this is one of the premier Elvis items offered in this auction! Condition: EX 7. From the GRT Collection.
Elvis Presley in Uniform Photo Portrait. A b&w 11" x 14" photo of Elvis Presley in uniform with garrison cap. Elvis received his draft notice from the US Army on December 20, 1957, was granted a deferment until March 24,1958, in order to finish shooting King Creole, and served until honorably discharged on March 5, 1960 with the rank of Staff Sergeant. The photo is in Very Fine to Excellent condition with mild overall toning and some very small corner dings.
Elvis Presley in Uniform Photo Portrait. A b&w 11" x 14" photo of Elvis Presley in uniform with dress cap. Elvis received his draft notice from the US Army on December 20, 1957, was granted a deferment until March 24,1958, in order to finish shooting King Creole, and served until honorably discharged on March 5, 1960, with the rank of Staff Sergeant. The photo is in Very Fine to Excellent condition with mild overall toning and some very small corner dings.
Elvis Presley Blue Hawaii Contact Sheets. Set of 46 b&w 8" x 10" contact sheet featuring images taken on the set of the 1961 musical-comedy. Each sheet bears approximately one dozen images, including shots of Elvis, Joan Blackman, Angela Lansbury, Howard McNear, director Norman Taurog, and others. All have date stamps on the back ranging from April 24- May 4, 1961. In overall Very Fine to Excellent condition.
Elvis Presley Blue Hawaii Contact Sheets. Set of 46 b&w 8" x 10" contact sheet featuring images taken on the set of the 1961 musical-comedy. Each sheet bears approximately one dozen images, including shots of Elvis, Joan Blackman, Angela Lansbury, Howard McNear, director Norman Taurog, and others. All have date stamps on the back ranging from May 4-24, 1961. In overall Very Fine to Excellent condition.
Elvis Presley Blue Hawaii Contact Sheets. Set of 29 b&w 11" x 14" contact sheet featuring images taken on the set of the 1961 musical-comedy. Each sheet bears approximately one dozen images, including shots of Elvis, Joan Blackman, Angela Lansbury, Howard McNear, director Norman Taurog, and others. All have date stamps on the back ranging from March 29-April 11, 1961. In overall Very Fine to Excellent condition.
Elvis Presley Signed Contract (1974). This performance contract dated April 10, 1974 between J. D. Sumner and the Stamps Vocal Group and the Elvis Presley Show is an agreement for a four day tour commencing on May 10, 1974. While there were several management executives authorized to sign such contracts, Elvis showed his admiration for Sumner by signing the contract himself, reflecting his admiration for his boyhood idol as well as respect for a vital part of his touring concerts. The beautifully framed display includes a 9" x 7" black and white photo of Elvis, J. D. and the Stamps. Overall the unique display measures 16" x 33" and is in excellent condition. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Signed Postcard A 3.5" x 6" postcard featuring a b&w image of a young Elvis in the broadcast studio with legendary TV and radio personality George Klein, inscribed and signed on the reverse in blue ink. Klein was a close friend of Elvis' in high school and throughout his meteoric career. In Fine to Very Fine condition with a clean, bold autograph. From the George Klein Archive. Accompanied by a COA from PSA/DNA and a letter of provenance from Klein.
Elvis Presley Pacific War Memorial Commission Concert Poster (1961), One of only two shows the King did after being released from the Army and before his 1968 comeback. Poster measures approximately 9" x 12", and is in Good+ condition, with corner wear.
Elvis Presley It Happened at the World's Fair Movie Poster. A beautiful, very rare oversized full-bleed poster of the "King" himself advertising for the Reveille amplifier company and promoting his appearance in It Happened at the World's Fair. The movie marked the big-screen debut of one Kurt Russell, then 12 years old. The script called for Kurt to kick Elvis in the shins, but the young thesp was hesitant to do so -- until Elvis paid him $5 to take the shot. In Fine condition with some wear, discoloration, and some pinholes and separations at the folds.
Elvis Presley National Tribute Autographed Poster (1988). In 1988 there was a Elvis Tribute Show from January 4th thru the 10th held at the Showboat Hotel and Casino, in Atlantic City, to celibate Elvis' 53rd Birthday. The following performers and friends autographed this event poster. Carl Perkins, Charlie Rich, Roy Orbison, Ray Walkee, Neo Matthews, Doan West, Gordon Stoker, Charlie McCoy, Richard Davis, Bobby Manuel, Joe Esposito, D.J. Fontana, Mark James, Alan Fortas, George Klein, and the promoter Herbert S. O'Mell. Poster is in Very Good + condition.
Elvis Presley Vintage Poster. Large, approximately 30" x 40" color poster of Elvis onstage circa the 1970s, in Very Fine condition with decorative studs on the corners.
Elvis Presley Vintage Toy Guitar. A plastic Elvis-themed toy guitar with Elvis and "Hound Dog" decals on the body, produced by Emenee in 1956. Two strings are missing, one of the tuning knobs is cracked, some scuffing to the back side of the body, and the neck was broken at some point and reattached with glue (cracks visible from the back). In overall Fine condition, though it looks almost mint with minimal discoloration to the plastic.
Elvis Framed Memorabilia Display. Features a 5" x 7" promo card bearing a b&w image of Elvis, a 3" Elvis Summer Festival promo pinback button, and a card advertising an "Elvis Special" -- Polk salad with corn muffins and honey, $1.95. The items have been matted and framed under conservation glass to an overall size of 14.5" x 22.25", and are in Excellent condition.
Elvis Presley Telegram. A Western Union telegram, dated November 27, 1973, to Don Butler in Room 395 in Nashville's Saint Thomas Hospital. It reads, "Sorry to hear you have been ill. Hope you're feeling better. Regards from us all Elvis." Telegram measures 5.5" x 8.5," is folded and includes its original Western Union telegram envelope. 1973 was the year of Elvis's Aloha from Hawaii TV special and his divorce from Priscilla. In Excellent condition. Accompanied by a notarized LOA from Donald Butler, former business manager and agent for the Stamps Quartet.
Elvis Presley Gold "TCB" Necklace with Leather Box. After Presley and his friends and employees adopted the "TCB" acronym he eventually went so far as to officially name his band the TCB Band, had the tail of his private jet painted with the logo, and gave away TCB gold necklaces as gifts. The necklace is accompanied by its original Lowell Hays & Sons Jewelers leather storage box (part of the closure is missing from said box, otherwise it and the necklace are in Excellent condition. A fantastic item.
Elvis Presley's Costume Vest from Flaming Star. A blue-grey vest worn by Presley in the 1960 Western, in Very Fine condition with a Western Costumes tag bearing his name sewn inside the collar.
Elvis Presley's Silver Concho Belt. A handmade 37" Navajo leather belt decorated with four large 4.75" silver conchos and 4.25" silver buckle, owned and worn by Presley, a personal favorite of his that he later gave to a female friend, actress Barbara Leigh in late 1971, during his period in Las Vegas. Elvis originally purchased the belt from the legendary "Suzie Creamcheese". It is in Excellent condition and accompanied by a COA from the Elvis Presley Museum.
Elvis Presley Concert Used Microphone (1970s). This Shure brand microphone originally belonged to the late J. D. Sumner, Elvis' longtime bass singer. Sumner gave three mics to Elvis for his use on stage during the early 1970s concert performances. Elvis eventually returned the mics, at which point Sumner "retired" the them as a tribute to his friend. All three were later located by J. D. Sumner's daughter Shirley in a box labeled "Elvis' Mics". A unique, symbolic artifact associated with the King of Rock and Roll and his trusted friend. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley Hound Dog Given to J. D. Sumner (1970s) It's well-known how charitable Elvis Presley was. Ever since his classic hit "Hound Dog" ruled the charts in the summer of 1956, stuffed varieties of hounds were sold as Elvis mementoes. Ones like this were sold during Lake Tahoe and Las Vegas events to benefit local charitable hospitals and organizations. During one engagement Elvis loaded stuffed animals and members of his performing entourage into a caravan of vehicles and headed for one of the local hospitals to visit and present gifts to sick kids. The King told sidekick J. D. Sumner to take one of the collectible hounds home to his grandson, Jason Enoch. It became an integral part of a menagerie of similar toys that Jason grew up with, and was obviously well cared for, as it displays minimal wear from the passing decades. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley's Beloved Graceland in Miniature (1999). Miniatures like this were table centerpiece gifts at the 1999 Elvis Presley Fan Club luncheon, appropriately themed Green Green Grass of Home. One of the miniatures set was given to special guest, Frances Sumner Dunn, daughter of Elvis' bass singer J. D. Sumner, who was one of the honorees at the event. The Graceland miniatures were never circulated by Elvis Presley Enterprises, which make them highly desirable, rare collectibles. The highly detailed plaster replica of Elvis' Graceland Estate measures 10.5" x 5" x 8", and is complete with miniature Corinthian columns and lion statues perched on both sides of the portico. It's in excellent condition. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley Related - Shirley Sumner Enoch's Stamps Summer Tour Jacket (1970s). From J. D. Sumner and the Stamps Quartet Tours, this jacket was a favorite of the Stamps Fan Club members throughout the US and abroad. This particular jacket was made especially for Shirley Sumner Enoch, daughter of the Stamps' owner and renowned bass singer, J. D. Sumner, who had a long association with Elvis Presley. This is offered from Shirley's personal collection of mementoes of that era, and the gorgeous black and orange satin jacket proudly displays both the Stamps logo and the lightning bolt sanctioned by Elvis in the 1970s. It's in like-new condition. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley and The Stamps Framed Menu Display (1974). This rare collection and display from the Las Vegas Hilton, August 1974, includes an uncirculated photograph of J. D. Sumner and the Stamps Quartet taken in the lobby of the famed show palace of the Elvis Presley Show; a Hilton souvenir menu from 1972; a personnel patch; and a tin pin Now Elvis Now. Both sides of the menu are visible in the unique frame, which has been constructed in archival format, including acid-free mounting and UV clear glass. The impressive display measures 32.5" x 35" in frame. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
J. D. Sumner's The Three Nails Stage Worn Costume. Includes the robe, sandals, and pouch worn by onetime Elvis Presley back-up singer J. D. Sumner in the lead role of "Josh" in the highly acclaimed musical drama production of 1971 from Gospel Festival, U.S.A. -- The Three Nails. The costume is accompanied by a sealed LP copy of the cast album, program book, promo handbill, and a three-page contract dated June 10, 1970 and signed by the late Dottie Rambo, the Oak Ridge Boys' William Lee Golden, and of course, the late J. D. Sumner. The costume and LP are in Excellent condition, and the documents are in Very Fine condition. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley Related - J. D. Sumner's Camel Sport Coat and Boots (1980s). The impressive ultra-suede camel sports coat with stitching was worn on the cover of J. D. Sumner's 1985 solo album An American Trilogy. Not shown in that image, a copy of which is included here, were the boots, a pair of stylized patent leather Western boots, size 13D. Offered here together, the coat and boots were a favorite dress combination from the personal wardrobe of the definitive bass singer and confidante of Elvis Presley. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley Related - J. D. Sumner's Vintage Stetson Hat (1960s). During the late 1960s and early 1970s, this beaver and wool cowboy hat was a personal favorite of J. D. Sumner, the iconic bass singer and boss of the famed Stamps Quartet, Elvis Presley's handpicked backup vocal group, who were with Elvis from 1971 until his untimely death in 1977. Iconic also describes this Stetson, one of the most sought-after Western hats of the era, distinguished by its decorative woven band and bronze feathers. It's magnificent attire even without the provenance, but with its association, it's a real treasure. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley Related - J. D. Sumner's Leather Flight Bag. One of just 12 flight bags specially designed and commissioned by Donnie Sumner for members of Voice, the Stamps Quartet, Charlie Hodge, a few select personal friends, and one Mr. Elvis Presley! Flying from city to city on the hectic Elvis tours, it was mandatory for luggage to be kept in cargo, which created the need for a small bag for personals. This rare find from the 1970s, believed to be one of only two still in existence remained in J. D. Sumner's closet until found by his family, a sweet, nostalgic memory of days gone by. "J. D. S." is embossed on the side. From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Elvis Presley Related - J. D. Summer Sweater and Tie Belt w/ Photos J. D. Sumner serenades a group of children in this never-before-seen photo, which also includes another of Elvis Presley's favorite gospel singers, Jake Hess of the Statesmen Quartet. Included here is the heavy cardigan sweater Sumner is wearing in the photo and an accompanying tie belt. Note also J. D.'s boots, which we're also offering in this auction. This photo (and another included, which you can see at our website) was taken at Belmont University circa early 1980s, while Sumner was rehearsing for an upcoming solo album released later in the year. The sweater's in great shape, ready to wear or display among your other Elvis-related memorabilia!
From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
From the J. D. Sumner Archives. Accompanied by a letter of provenance from Shirley Sumner Enoch.
Beatles Please Please Me Mono LP (UK - Parlophone 1202, 1963). Other, later releases by the Beatles have garnered more critical acclaim, but as the first album released by the consensus greatest Rock band of all time, this is arguably the most important. This is a rare original pressing, with the gold printing over black label. Condition: VG-EX 6/ EX 7.
Beatles Yesterday and Today Third State Butcher Cover Mono LP (Capitol 2553, 1966). The Mop Tops' infamous "Butcher Cover" version of their LP Yesterday and Today was recalled almost immediately after initially shipping, but a relatively few were not returned as Capitol Records requested and have become some of the most prized collectibles of Beatles fans. Included with this offering are copies of two "recall" letters from Ron Tepper, Manager Press & Information Services of Capitol. This cover has some writing on the back, a 4" seam split at back top, and moderate wear along the edges. There's also a stain along the bottom of the back cover, but the outrageous front cover image is unscathed. The record is immaculate. Condition: VG-EX 6/ NM 8.
Beatles The Collection 14-Disc Boxed Set (Mobil Fidelity 1, 1982). Beautifully conceived set features half-speed mastered recordings of the following albums: Please Please Me, With the Beatles, A Hard Day's Night, Beatles For Sale, Help!, Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, Magical Mystery Tour, The Beatles (the "White Album"), Yellow Submarine, Abbey Road, and Let It Be. Set comes with a "Geo-Disc" alignment tool and oversized booklet of reproductions of the album covers and gatefolds. Brilliant! The heavy duty, latched box is in NM 8, with slight tarnish on the metal components. The album covers are in MT 9, and the 14 discs unplayed and in GM-MT 10.
Beatles Help! Interview Recording. A 7" reel-to-reel tape recording of an interview with the Beatles in which they discuss their then-upcoming movie Help! (1965) and other projects. In Very Fine to Excellent condition with very nice sound quality.
Beatles "Revolution" and "Hey Jude" Mothers (Denmark, 1968). Danish Mothers of two of the group's hits from 1968. For your review ('cause we know you knew this at one time), the chronological sequence is the master tape, acetate, master, mother, stamper, and, finally, the record. The shiny metal mother can be played; in fact, the sound is the purest of all, but it will tear up a normal stylus rather quickly! Condition: EX 7 (both discs).
Beatles Photo Group of 24. From the salad days of 1964 through the tumultuous '60s, here is the World's Greatest Band is captured nicely in a 24-photo collection. Mostly record label publicity stills, the photo group also includes several in-concert images, as well as candid behind-the-scenes pictures. See them all at our website!
Beatles Ed Sullivan Show Contact Sheets. A set of four b&w 8" x 10" contact sheets featuring a total of 48 images from one of the Beatles' historic February 1964 live performances on The Ed Sullivan Show. Images include shots of Sullivan (with and without a Beatles wig), the audience, and the band (including manager Brian Epstein) before, during, and after the show. A great set of images, in overall Very Fine to Excellent condition.
Beatles Ed Sullivan Show Contact Sheets. A set of five b&w 8" x 10" contact sheets featuring a total of 58 images from one of the Beatles' historic February 1964 live performances on The Ed Sullivan Show. Images include shots of Sullivan, Mitzi Gaynor, and the band (including manager Brian Epstein), including them during warm-up and on the beach in Miami before the show. A great set of images, in overall Very Fine to Excellent condition.
Beatles Ed Sullivan Show Contact Sheets. A set of five b&w 8" x 10" contact sheets featuring a total of 60 images from one of the Beatles' historic February 1964 live performances on The Ed Sullivan Show. Images include shots of Sullivan, the audience, and the band (including manager Brian Epstein) before, during, and after the show. A great set of images, in overall Very Fine to Excellent condition.
Beatles Winter Gardens Concert Ticket Stub. A used ticket to their July 13, 1963, performance at Winter Gardens in Kent, the last show in a six-night series, in Fine condition with some mild wear and creasing as well as staining to the top and bottom edges. Also included is a handbill for their performance the at the ABC Theatre in Blackpool on the following night, in Fine condition some minor creasing and wrinkling.
Beatles Fan Club Concert Ticket and Vouchers. Includes two official Beatles Southern Area Fan Club notices regarding the December 14, 1963, concert at the Wimbledon Palais Ballroom and an admission voucher for the show, all in Excellent condition, plus a ticket to the show in Good condition with a fair amount of wear. After the show, the Beatles lined up behind the bar and shook hands with the 3,000 fans who filed past.
The Beatles Unused 1964 Jacksonville Concert Ticket. One day after Hurricane Dora struck the Jacksonville, Florida area, causing flooding and some $300 million in property damage, the Beatles arrived to perform outdoors in the Gator Bowl in front of 20,000 screaming fans. This is an unused pink ticket from that event with a nice portrait of the Fab Four in magenta, in Excellent condition.
Beatles It Was Twenty Years Ago Today Autographed Copy By Derek Taylor (Genesis Publications, Ltd., 1987) The late Derek Taylor's wonderful recollections of 1967 and all things Fab and beautiful. Only 100 copies were made and autographed by Derek Taylor. Three-quarter leather and buckram binding with slipcase. This beautiful book is #59 of 100. Book consists vast reflections of Taylor's life with the Beatles, Hendrix, Pink Floyd, Grateful Dead and the whole psychedelic era of 1967. The book is in excellent condition.
Liverpool Days Limited Edition Signed by Astrid Kirchherr and Max Scheler (Genesis Publications, Ltd., 1994) In 1964 Astrid Kirchherr and Max Scheler traveled from Hamburg to London to photograph the Beatles. This new assignment for Astrid and Max involved shooting the group on the set of A Hard Day's Night and in their London homes. From there the pair traveled to Liverpool to photograph the Fabs' haunts, other Liverpool groups, and to record lunchtime sessions at The Cavern Club. The result is an amazing archive of photographs, limited to 2,500 copies, and all autographed by Astrid Kirchherr and Max Scheler. This beautiful copy is #1,829 of 2,500 and is in excellent condition. From the Randy Bachman Collection.
Beatles Autographs in Sgt. Pepper Display. Features one autograph clipping each from John, Paul, George, and Ringo, each measuring approximate four square inches, matted along with an 11" x 11" color reproduction of the cover art for Sgt. Pepper's Lonely Hearts Club Band to an overall size of 16" x 20". The autographs are in Excellent condition. Accompanied by James Spence Authentication auction LOA and COAs from Perry D. Cox and Roger Epperson.
Beatles Fan Club Memorabilia Group. Included with Apple memorabilia straight from the Official Beatles Fan Club in New York City, is the somber letter announcing the club's termination because (sob!) "The Beatles are no longer recording as a group..." accompanied by a pro-rated refund check of dues paid. See more of the collection at our website. Also included is an Apple postal mailer and an Apple matchbook.
Beatles 1963 Handbill, Tour Book, and Ticket. The Exciting! Dynamic! Fabulous!... reads the description on the flyer for the Odeon Leeds November 3rd, 1963 stage show staring the one and only Beatles. This is right before the lads took America by storm, but they had already won the hearts of England. This incredible collection, from a lucky British fan who attended the show, is the 5.5" x 12" black and pink handbill, a pink paper ticket stub for the first show, and the silver-covered booklet, featuring several rarely-seen black and white photos of the boys. The book is VG-, with some light tape damage to the covers; the handbill and stub are both VG.
The Beatles Shea Stadium Concert Poster (Sid Bernstein Enterprises, 1965). The Four Lads from Liverpool hit a new high with this summer show in New York City. The crowds were enormous, the band in playfully high spirits, and the mood joyous for this important concert. It would never be quite the same after this, with death threats in Manilla the next year, plus offhand remarks from John about being "bigger than Jesus" putting a slightly different spin on things to come. This ultra-rare, first-printing generic poster has the Beatles listed alongside other upcoming attractions, including Herman's Hermits, the Dave Clark Five, the Kinks with the Moody Blues, and a Folk Festival starring Johnny Cash, Chuck Berry, and others. It measures approximately 11" x 16.75", and is in Excellent condition.
Beatles Candlestick Park Concert Poster (1966). By 1966, the Fab Four were finding things on the road not so "fab" anymore. So with this August 29, 1966, concert, at San Francisco's Candlestick Park, the Beatles played their very last real show, for an audience of approximately 25,000 screaming fans. This original Wes Wilson-designed poster is in VG condition, with tackholes, small tear and creases. A great poster from one of the most important events in Rock 'n' Roll history! Poster measures approximately 17.25" x 24.25"
Beatles Shampoo Box (1964). One of only a handful of Beatles Shampoo known to survive. Made in 1964, the box features headshots of all four Beatles on each side, and boldly declares "The Beatles Shampoo, Keeps Hair Fresh, Clean and Lustrous. For All the Family." A nice piece of Beatlemania that's increasingly difficult to find, in Very Good to Fine condition.
Beatles Card Set Box (A. & B. C. Chewing Gum Ltd, 1964). Your vintage Beatles card set isn't complete without the box they came in! Much rarer than the cards themselves, boxes like this seldom show up. This one's in Very Good condition, with creasing at the front display flap, but otherwise about Fine.
The Beatles at the Hollywood Bowl RIAA Gold Album Award. Presented to Capitol Records to commemorate the sale of more than 500,000 copies of the 1977 live album. The LP featured songs compiled from two separate performances (August 1964 and August 1965) at the famous amphitheater. At the time, the Beatles were among the few major acts of the 1960s yet to have released a live album, and demand from fans was strong, so much that the album reached #1 on the UK charts #2 on the Billboard chart in the United States, even though the recordings used were 12 to 13 years old. The award measures 17" x 21" and is in Very Fine condition with some wear to the frame.
Beatles - John Lennon Photo Group of 18. Wide-ranging photo group includes black and white publicity stills, press release photos, and private photos of John Lennon, Yoko Ono, and some of their projects. There's a photo of John circa 1946, and a few photos from Beatles-era early '60s, but most are from the later Beatles years, his solo projects, and with Yoko, including the Plastic Ono Band. See all the photos at our website!
John Lennon In His Own Write (The Writing Beatle!), 1964, Signed with Sketch. Eleventh Printing, signed by Lennon in blue ink on the first free end page, adding "76" and a very clear and unhurried self-portrait caricature. The binding is tight, pages are crisp and clean, and there is only minimal age wear. In overall Fine condition considering the book is almost 45 Years Old! Accompanied by a COA from PSA/DNA.
Paul McCartney and Wings Back to the Egg Rare Promo Picture Disc (1979). Rare promo picture disc, one of just 2,000 pressed, was given by Paul McCartney to trumpet player Steve Howard, part of the Wings band that performed on the album and on tours. Professionally framed and ready for display. From the Steve Howard Collection.
Beatles - Paul McCartney Photo Group of 26. Treasure trove of images from the late '60s Beatles days up to 2001. Most are record label publicity stills, including a 15-photo set that's included in a Wings publicity folder. For the complete collection, go to our website for a look!
Beatles Related - Paul McCartney Signed Photo. A b&w 8" x 10" photo of a very young McCartney during the heyday of Beatlemania, signed by him in blue felt tip along the right edge. In Excellent condition, matted and framed to an overall size of 12" x 14". Accompanied by James Spence Authentication auction LOA.
Paul McCartney Signed Left-Handed Hofner Bass. In 1956, Walter Hofner conceived an amplified semi-acoustic bass that revolutionized popular music. The design was launched at the 1956 Frankfurt Music Fair and rose to fame after Paul McCartney bought his first Hofner bass in a shop in Hamburg in 1961, and used it on many of the Beatles' most famous songs. McCartney continues to use Hofner to this day, and the design is often referred to as the "Beatle bass." This Hofner Icon Series bass guitar, with a design approximating Hofner's original (made in China with slightly different materials, and is lacking the "zero" fret), is beautifully signed across the pickguard by McCartney in black felt tip and in Excellent condition. Accompanied by COAs from Frank Caiazzo and Perry Cox.
McCartney: Yesterday And Today Signed Book Limited Edition (Genesis Publications, Ltd., 1983). Yesterday and Today is a refection of McCartney's history of music and songwriting. Limited to 750 special copies, full bound with padded boards, photo print and marbled slipcase. Each copy is signed by Ray Coleman. This copy is #16 of 750 and in excellent condition. From the Randy Bachman Collection.
Beatles Related - Paul McCartney Signed 1989 Tour Book. A 98-page tour book from McCartney's 1989-90 world tour, signed by him on the front cover in black felt tip. The tour was McCartney's first since the death of John Lennon, and the U.S. leg represented his first Stateside concerts in 13 years. In Fine to Very Fine condition with some edge and corner wear, and a few small creases. Accompanied by COAs from PSA/DNA and Beatles historian Frank Caiazzo.
Paul McCartney Signed Tour Book. A copy of the tour book for McCartney's 1989-90 concert tour, inscribed "To 'Slow' Steve, with love and thanks Paul (McCartney) 1990" by the former Beatle in black felt tip. The tour was McCartney's first since the death of John Lennon. The program is in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Beatles Related - Wings 1976 Tour Items. Includes a press kit and tour itinerary book from the group's 1976 Wings Over America Tour, plus a Venus and Mars promo badge. Items are in overall Very Fine condition.
Beatles Related - Wings T-Shirt Collection. Set of five vintage t-shirts bearing Wings' band logo, from the collection of Steve Howard. In overall Excellent condition.
Beatles Related - Steve Howard's Wings at the Speed of Sound Necklace. A small medallion bearing Howard's name and a design based on the cover art for Wings' 1976 LP, with "Thanx 1976" engraved on the reverse. From Howard's personal collection, in Very Fine condition.
Beatles Related - Steve Howard's Wings European Tour Jacket and Itinerary. A red-brown satin pseudo-bomber jacket from the band's 1976 Wings Over the World Tour, with a band logo printed over the left breast and the name "Steve" over the right, and Howard's full name handwritten on the label inside the collar. Howard toured with the band as part of an added horns section. the jacket is accompanied by a copy of the band's tour itinerary book for the second European leg of the tour, during September 1976. Both in Excellent condition.
Beatles Related - Wings 1980 Japanese Tour Jacket. A blue cotton tour jacket with red and white trim, from Steve Howard's personal collection, manufactured for the Japanese leg of Wings' defunct 1980 world tour. In Excellent condition, accompanied by a tour itinerary for their January 16 arrival date in Tokyo. The entire world tour was abandoned when Paul McCartney was arrested for possession of marijuana at Tokyo Airport on January 16; McCartney was released from jail after nine days and deported. The jacket is in Excellent condition.
Beatles Related - Steve Howard's Wings Over America Wristwatch. A gold-tone men's wristwatch, with "Wings Over America/1976/Steve 'Slow Burnin' Howard Jr." engraved on the back. Looks great, but the digital display no longer functions. From Howard's personal collection.
Beatles Related - Steve Howard's Wings Over America RIAA Platinum Album Award. Presented to Wings member Steve Howard to commemorate the sale of more than one million copies of the band's 1976 triple-live album, their only live release. Compiled from all recorded shows of the band's Wings Over America Tour, the album was another success for Paul McCartney and the band (their fifth and final consecutive chart-topping release), reaching #1 in the US in early 1977 and #8 in the UK, ultimately selling several million copies. The award is framed to an overall size of 17.5" x 21.5" and in Very Fine to Excellent condition with some wear to the frame.
Beatles Related - Steve Howard's Wings Over America RIAA Gold Album Award. Presented to Wings member Steve Howard to commemorate the sale of more than 500,000 copies of the band's 1976 triple-live album, their only live release. Compiled from all recorded shows of the band's Wings Over America Tour, the album was another success for Paul McCartney and the band (their fifth and final consecutive chart-topping release), reaching #1 in the US in early 1977 and #8 in the UK, ultimately selling several million copies. The award is framed to an overall size of 17.5" x 21.5" and in Excellent condition with some mild wear to the frame.
Musical Instruments
Beatles Related - Steve Howard's Trumpet, Used On Tour with Paul McCartney and Wings. Formed in August 1971 by ex-Beatle Paul McCartney, Wings is notable for its chart-topping singles and its revolving line-up, landing nine Top-Ten albums on the charts while going through three different line-ups. Trumpet player Steve Howard played with Wings 1975-80, including all of the band's tours during that period. This is the Conn Constellation trumpet he played while with the band during those years, serial number 922964, and it can be heard on the recordings of "Silly Love Songs", "Let 'em In", and "Coming Up", and all film and video recordings of the band from that period -- including the "Rockestra" sessions. Howard can also be heard playing it on Patti LaBelle's hit "Lady Marmalade", Allan Toussaint's Southern Nights, and recordings by Dr. John, Tracy Nelson, and others. It was played by McCartney himself on one occasion, a published photo of which comes with the trumpet in the form of a copy of the book The Facts About a Pop Group Featuring Wings. It is in Very Fine condition with some tarnish and scratches from rigorous use, and it's been in Howard's possession ever since. Accompanied by a letter of provenance from Howard.
Music Memorabilia
George Harrison Framed Autographs Display. A great framed display piece that features one large and two smaller b&w photos of Harrison from throughout his career as a musician, each signed by the late Beatles guitarist. An outstanding selection of autographs, in Excellent condition. Accompanied by James Spence Authentication auction LOA.
George Harrison and Eric Clapton Live In Japan Book Signed By Harrison (Genesis Publications, Ltd.) Life In Japan is a large format, full color book featuring almost 500 previously unpublished photos. The foreward by Eric Clapton explains how George was persuaded to return to touring after a break of 17 years. The first chapter is written by George himself and details his thoughts and feelings on taking to the road after such a long absence. It includes George's personal recollections of the tour and memories of times on the road with the Beatles. Subsequent chapters are written by each member of Clapton's band. Along with the beautiful book you will get a double CD with original artwork and a total of 19 live tracks. A souvenir pack containing a laminated 'After Show' pass and Eric's and George's guitar picks accompanies this volume. The edition was limited to 3,500 copies, and is signed by George Harrison. This copy is #2,008 of 3,500. All items are in excellent condition. From the Randy Bachman Collection.
George Harrison Signed The Beatles CD. Most often referred to as The White Album and released at the height of the Beatles' popularity, their 1968 self-titled LP still stands as one of the major accomplishments in popular music and ranked #10 on Rolling Stone's list of the 500 greatest albums of all time. This particular copy of the two-disc CD version is signed by the late George Harrison in black ink on the front cover of the liner notes for disc 1. A great collectible, in Excellent condition. Accompanied by James Spence Authentication auction LOA.
George Harrison Signed Two Copies of I Me Mine (Genesis Publications, Ltd., 1980).
Two gorgeous, first-edition copies of George Harrison's book, #1828 & 1829 of 2000 in a limited edition, signed by Harrison in black ink on the limitation page. One is complete and the other has an extra chapter 6.1 (#1829). The leather-bound volumes, with slipcase, reproduce in facsimile the lyrics of 83 of Harrison's compositions together with the story behind each song, illustrated throughout with photographs. In Excellent condition. From the Randy Bachman Collection.
Two gorgeous, first-edition copies of George Harrison's book, #1828 & 1829 of 2000 in a limited edition, signed by Harrison in black ink on the limitation page. One is complete and the other has an extra chapter 6.1 (#1829). The leather-bound volumes, with slipcase, reproduce in facsimile the lyrics of 83 of Harrison's compositions together with the story behind each song, illustrated throughout with photographs. In Excellent condition. From the Randy Bachman Collection.
50 years Adrift Limited Edition Signed by George Harrison, Derek Taylor, and Martin Lewis (1984). From Genesis Publication Ltd., #1, 983 in a limited edition of 2,000 copies of Beatles publicist Derek Taylor's insider account of the Rock and Roll music business and authoritative Beatles bio. This handsome volume is bound in brown half calf with gilt device to boards, gilt edges, red title label, and matching slipcase, and has been signed by Derek Taylor in blue ink on the limitation page, by artist Larry Smith in pencil on the end papers, and with George Harrison's signature printed on the foreword. As an added bonus, it has been inscribed to Julian Lennon and signed by Beatles biographer Martin Lewis in green ink on the copyright page. Roughly half this edition were shipped to Australia prior to sale as part of a sales launch, meaning approximately 1000 copies for US and UK distribution. In Excellent condition.
George Harrison Signed Limited Edition Songs by George Prints (Genesis Publications, Ltd., 1986). A series of limited edition prints by artist Keith West who also did the books Songs by George, Vol. 1 and 2. Presented in a beautiful portfolio containing three prints titled Piggies, Here Comes The Sun, and Taxman. Each print is signed by Harrison and West, who hand-numbered and labeled each print. Each of the first three prints is limited to 850 copies; this one is #829 of 850. Each print is finely printed in eight colors using colorfast inks. The print measure approximately 17.25" x 25.50", and is in Excellent condition. From the Randy Bachman Collection.
George Harrison Signed Limited Edition Songs by George Vol. 1 (Genesis Publications Ltd., 1987). A limited edition of the deluxe format book Songs by George Harrison Vol. 1, #2009 limited edition of 2,500 signed by Harrison and illustrator Keith West. Genesis Publications is famous for its beautiful limited editions of Rock and Roll icons, and this is a prime example. The edition features lyrics from a wide array of songs written by Harrison with color plates and illustrations by Keith West throughout, black half-morocco boards, and gilt edges, the whole contained in a custom-made clamshell box with card tray. The Foreword of the book is by Jeff Lynne, the Middleword is by Elton John, and the Backword is by George Harrison. The special 33 1/3 rpm EP contains "Sat Singing" (Recorded March 1980), "Lay His Head" (Recorded April 1980), "For You Blue" (Recorded live in Washington DC, December 1974), and "Flying Hour" (Recorded March 1978). All are in NM condition. From the Randy Bachman Collection.
George Harrison Signed Limited Edition Songs by George Vol. II (Genesis Publications, Ltd., 1992). A limited edition of the deluxe format book that makes Genesis Publications so popular. This copy of Songs by George Harrison Vol. 2 is #2009 in a limited edition of 2,500 signed by Harrison and illustrator Keith West. As with Vol. I, this edition features lyrics from a wide array of songs written by Harrison with color plates and illustrations throughout, black half-morocco boards, and gilt edges, all contained in custom-made clamshell box with card tray. A Songs CD is also included, which contains "Life Itself" (demo version, all instruments by George Harrison), "Hottest Gong In Town", "Tears Of The World", "Hari's On Tour Express" (recorded live in Washington DC in 1974). All are in Excellent condition. This is simply a beautiful offering, typical of the limited editions from the publisher. From the Randy Bachman Collection.
George Harrison Cloud Nine RIAA Platinum Album Award. Commemorating the sale of more than one million copies of Harrison's 1987 comeback LP. Cloud Nine re-established Harrison as a critically-acclaimed recording artist, thanks in part to the chart-topping track "Got My Mind Set On You." That song reached the #1 spot on the Billboard Hot 100 chart. The LP was also George Harrison's final studio album released in his lifetime. Framed to an overall size of 17" x 21" and in Excellent condition.
Beatles - Ringo Starr Photo Group of 13. Photo group follows the Fab Four drummer from early Beatles days through his successful solo career in the '70s. See the complete collection of publicity stills, press release photos, and candid shots at our website.
Beatles-Related: Apple Catalog Group of 6. Four Apple catalogs are included: complete catalogs from June 1973 and January 1975 (with form letter to dealers), plus an abbreviated catalog for Christmas offerings (circa 1973) and an apple-shaped Apple catalog in Spanish from 1991, replete with cool biographical information en español! Rounding out the group is an Apple sticker. All in excellent condition, except the January 1975 catalog has a moderate circular stain on the front and staining on the back, and the apple-shaped catalog's "stem" is worn.
Allman Brothers Band Signed 30th Anniversary Tour Poster with Memorabilia. Includes a poster for their sold out shows at Radio City Music Hall signed by Gregg Allman, Dickey Betts, Warren Haynes, Jaimoe, Butch Trucks, Marc Quinones, and Allen Woody; plus a 30th Anniversary Tour hat and denim tour jacket. All items are in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Allman Brothers Band Autographed Poster (1995). An Evening With The Allman Brothers album poster signed by all seven members of the Allman Brothers. Size 24" x 36". Poster is in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Beach Boys 1962 Concert Handbill. A 8.5" x 5.5" handbill for the Beach Boys' March 31, 1962 concert at the Ontario National Guard Armory. The Vibrants served as the opening act. This is one of the earliest known Beach Boys handbills, and this particular copy comes from the personal collection of early bandmember David Marks, who had replaced Al Jardine as rhythm guitarist a month before this show. In Very Fine condition with some toning.
Beach Boys Xavier University Concert Poster (American Concerts, 1972). Black and white poster featuring the expanded line-up, including Ricky Fataar and Blondie Chaplin alongside Brian, Carl, and Dennis Wilson, Al Jardine and Mike Love. Poster measures approximately 14" x 21.75", in Very Good condition, with tack holes and a small water stain along the bottom edge.
Big Brother and the Holding Company Indian with Swirling Eyes Avalon Concert Poster FD-38, Artist Autographed (Family Dog, 1966). Bindweed Press first edition poster, featuring a classic portrait of the Family Dog mascot Indian, as portrayed by Zap Comix artist Victor Moscoso. Signed in black ink by Moscoso. VG condition, with numerous tack holes in all corners.
Big Brother and the Holding Company Contact Avalon Concert Poster FD-52 (Family Dog, 1967). First printing version of this Rick Griffin-designed poster, subtitled Keep in Touch!, and featuring Charles Lloyd and Sir Douglas Quintet appearing with Janis Joplin and the Big Brother boys. Measures approximately 14.25" x 20", in NM condition. From the Harlan Ellison Collection.
Big Brother And The Holding Company Matrix Concert Poster (1967). Neon Rose poster by artist Victor Moscoso. First printing. Size 14" x 20" excellent condition.
Big Brother And The Holding Company Contact Avalon Ballroom Concert Poster FD-52 (Family Dog Presents, 1967). The art of Michelangelo gets a touch-up by poster artist Rick Griffin on this cool '60s poster. Also at the Avalon for these shows were Charles Lloyd and the Sir Douglas Quintet. This scarce first printing is in NM, and measures approximately 14.5" x 20".
Big Brother and the Holding Company/Grateful Dead Winterland Concert Poster (1967). A first printing poster, designed by Mari Tepper, that isn't seen too often. Also features Quicksilver Messenger Service. The poster measures approximately 14" x 23.75", and is in Excellent condition.
Big Brother and the Holding Company Carousel Ballroom Concert Poster (1968). This colorful poster, with graphics by Crazy Arab, were for a show that never happened, as Janis Joplin and the boys had to cancel (they came back and played one of their hottest shows ever a few weeks later). This rare poster, which featured the Clara Ward Singers and H. P. Lovecraft as opening acts, measures approximately 14" x 19", and is in VG condition, with tack holes and damage to one corner. From the Velvet Underground Boutique Collection.
Blind Faith Pacific Coliseum Concert Handbill (Northwest Releasing, 1969). Vancouver concert, pairing Eric Clapton and Steve Winwood's Blind Faith with the late Rory Gallagher's Taste, for what must have been a great show. The black and white handbill measures approximately 8" x 11", and is in Excellent condition.
Blues Project Matrix Concert Poster NR-6 (Neon Rose, 1967). Beautiful first printing poster, featuring a glowing design by artist/printer Victor Moscoso. The poster measures approximately 14.75" x 20", and is in VG+ condition, with light edge wear
James Brown Rhode Island Auditorium Concert Poster (1963). The God Father of Soul rocks Rhode Island in 1963, a very rare poster. Size 14" x 22.50". Poster in Very Good+ condition.
James Brown Civic Auditorium Concert Poster (1971). "Sex Power and Love" reads the caption, advertised as part of the show on this approximately 22" x 20" cardboard poster for the Hardest Working Man in Showbiz. In VG condition, with staple holes and a scratch through the name "James".
Les Brown and his Band of Renown Concert Poster (c. 1959). The Big Band leader, at the Centennial Recreation Club. Poster measures approximately 14" x 22", in VG condition with light paper tanning and red ink fading.
The Byrds SRO for RFK Benefit L. A. Sports Arena Concert Poster (1968). The Byrds, featuring Gram Parsons, headlined this fundraising concert for 1968 Presidential candidate, Robert Kennedy, dated May 24. Kennedy was close to achieving his crucial win in the California Primary, and spirits were running high at this event. It was to end just a few days later; after winning the primary, Kennedy was shot to death on June 5. This first and only print of this poster measures approximately 11" x 17", and is in Excellent condition.
Carousel Ballroom Concert Postcard Lot of 9 (California Hall, 1967-68).
Selection of 9 great handbills from the Carousel Ballroom in 1967-68. John Lee Hooker, Big Brother, Charles Lloyd, Blue Cheer, Youngbloods, Steve Miller, Big Mama Thornton, Booker T and The MG'S and The Tuesday Night Jam. All postcards are in Excellent condition.From the Velvet Underground Boutique Collection.
Selection of 9 great handbills from the Carousel Ballroom in 1967-68. John Lee Hooker, Big Brother, Charles Lloyd, Blue Cheer, Youngbloods, Steve Miller, Big Mama Thornton, Booker T and The MG'S and The Tuesday Night Jam. All postcards are in Excellent condition.From the Velvet Underground Boutique Collection.
Charlatans Triptych Avalon Ballroom Concert Poster, Group of 3 (Family Dog, 1967). Three individual concert posters, all featuring the Charlatans as headliners, which form a single image when viewed together: FD-63 "CHA", with Blue Cheer (first printing, measuring approximately 14" x 21.75", VG+, with one tack hole); FD-67 "RLAT", with the 13th Floor Elevators (first printing, approximately 13.5" x 21.75", VG- with tack holes, corner and edge damage); and FD-71 "TANS", with the Youngbloods and the Other Half (believed to be a second printing, approximately 13.75" x 21.75, GD+ condition, with tack holes, slight paper loss in the upper right corner, edge wear, and tears). From the Velvet Underground Boutique Collection.
The Charlatans Medicine Show Concert Poster Signed by Rick Griffin (Berkeley Bonaparte, 1967). From the pen of poster artist Rick Griffin comes this beautiful poster. It was used to advertise two shows at the Irwin Street Warehouse in San Rafael. Also on the bill was Rick's own band, the Jook Savages. Concerts took place on Friday 12th and Saturday May 13th. In Near Mint condition; this poster measures 20" x 14".
Ray Charles Towson Center Concert Poster (Concert Productions, 1973). Brother Ray brings along Jazz great Roy Ayers and R & B singer Damita Jo DuBlanc for this Baltimore area concert performance poster. The poster measures approximately 17" x 25", and is in Good condition with numerous wrinkles, tack holes, corner and edge damage, and tape.
Cow Palace and Winterland Concert Postcards Lot of 7 (1968).
A selection of 7 Winterland postcard from the following bands. The Mothers, Canned Heat, Charlatans, Youngbloods, Donovan, Vanilla Fudge and The Iron Butterfly. All in excellent condition. From the Velvet Underground Boutique Collection.
A selection of 7 Winterland postcard from the following bands. The Mothers, Canned Heat, Charlatans, Youngbloods, Donovan, Vanilla Fudge and The Iron Butterfly. All in excellent condition. From the Velvet Underground Boutique Collection.
Creedence Clearwater Revival In Concert Proof Poster and Tour Book (1972). Poster with un-cut handbills and a fantastic '72 tour book. Poster size 23" x 29". Poster and tour book are in Very Good condition.
Crosby, Stills and Nash Fillmore Concert Posters, Set of 3 (Bill Graham, 1997). Matched set of three posters, each measuring approximately 13" x 19", and each signed by their respective performers: David Crosby on the green poster, Stephen Stills on the orange poster, and Graham Nash on the purple poster. A great-looking set! Each poster is printed on heavy paper stock. All are in NM- condition. Accompanied by James Spence Authentication auction LOA.
Crosby, Stills, Nash & Young Band-Signed Handbill. A 7" x 4.5" handbill for the group's November 13-16, 1969, shows at the Winterland (all four of which sold out), signed by each member in black felt tip. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Doors/Lothar and the Hand People/Captain Beefheart "Flash" Denver Concert Poster FD-84 (Family Dog, 1967). This must have been a fun show -- headliners the Doors alongside early electronic band Lothar and the Hand People, plus the added weirdness of Captain Beefheart and his Magic Band -- wow! You people in Denver really know how to party! Lothar and the Hand People were originally a Denver-based group who are remembered today as one of the very first bands to tour with a synthesizer; their big 1968 single was appropriately called "Machines". Bob Schnepf's blinding yellow and white graphics have given this poster its "Flash" nickname. This is a second printing; the poster measures 14" x 20", and is in NM condition.
Doors Break On Through To the Other Side FD-50 and Butterfly Lady FD-61 Avalon Ballroom Concert Poster Group (Family Dog, 1967). Both are second printings, measuring approximately 14" x 20". Both in Excellent condition.
The Doors Matrix Concert Poster First Printing (Neon Rose, 1967). This is the "green border" first printing of the classic Victor Moscoso-designed poster, for Jim Morrison & company's March, 1967, set of appearances at San Francisco's Matrix Ballroom. It measures approximately 14" x 20.5", and is in NM condition.
The Doors Pink Panther Avalon Concert Poster FD-64 (Family Dog, 1967).
A beautiful poster from the psychedelic pen of Victor Moscoso. This poster promotes two sets of concerts at the Avalon Ballroom, held June 1-4. The first is the Miller Blues Band with Daily Flash, the second is the Doors with the Miller Blues Band. In NM condition; this poster measures approximately 14" x 20".
A beautiful poster from the psychedelic pen of Victor Moscoso. This poster promotes two sets of concerts at the Avalon Ballroom, held June 1-4. The first is the Miller Blues Band with Daily Flash, the second is the Doors with the Miller Blues Band. In NM condition; this poster measures approximately 14" x 20".
Doors/Iron Butterfly Santa Monica Civic Concert Poster (Gad Fly, 1967). First edition poster for a "Summer of Love"-era Doors concert. This is one of the tougher Doors posters to find. Measures approximately 14" x 20". In Excellent condition.
Doors Northern California Folk-Rock Festival (Q. R. Productions, 1968). A fantastic portrait of Jim Morrison, framed by upside-down nude female figures, dominates this fantastic poster. Additional acts included the Animals, Big Brother, the Youngbloods, Electric Flag, Jefferson Airplane, Kaleidoscope, Country Joe, Taj Mahal, and Ravi Shankar, playing at the Santa Clara County Fairgrounds. A stunning 14.25" x 21.5" poster, in Excellent condition.
Bob Dylan Carnegie Chapter Hall Concert Handbill (Folklore Center, 1961). This handbill, listed as the singer's "first concert in New York" (after low-key gigs at Greenwich Village coffeehouses like Cafe Wha? and an opening gig for John Lee Hooker) is for a solo Dylan show, which was attended by a scant 53 people. This rare original 1961 handbill/Folklore Center newsletter measures 5.5" x 8.5" folded, and is in VG+ condition, with minor right edge wear.
Dylan Isle Of Wight Festival Event Poster (1969). Approximately 150,000 people attended the second Isle of Wight music festival on the tiny island's Wootton location. Bob Dylan, fresh from a long retreat following his 1967 motorcycle crash, appeared with the Band, who opened the set with selections from their first album. A veritable who's who of British Rock acts also appeared at the three-day event, including Fat Mattress, the Pretty Things, the Moody Blues, Joe Cocker, King Crimson, and of course, The Who. This double-wide poster, with a great portrait of Dylan in dark glasses, measures approximately 34" x 22.5", and is in VG condition, with moderate edge wear.
Eagles UMBC Gym Baltimore Concert Poster (1973). An early poster for the Eagles, picturing the original four-man line-up of Don Henley, Bernie Leadon, Randy Meisner, and Glenn Frey. Also on the bill were England's McKendre Spring. Cardboard poster, measuring approximately 22" x 28"; in professionally restored VG+ condition, including tear seals and paper replacement.
Duke Ellington Orchestra with Mercer Ellington Concert Poster (c. 1980). Duke's son carries on in this generic concert window card-style poster. It measures approximately 14" x 22", and is in VG+ condition, with some minor edge and corner wear.
Avalon Ballroom Concert Postcards Lot of 16 (Family Dog, 1968).
Selection of 16 Family Dog postcards from the following bands. Quicksilver(2), Buddy Miles, Flatt & Scruggs, John Mayall, Byrds, Mother Earth, Youngbloods, James Cotton, Spirit, Flumiusbandersnach, Country Joe, Steppenwolf, Bill Haley, Grateful Dead and The Velvet Underground. All postcard are in Excellent condition. From the Velvet Underground Boutique Collection.
Selection of 16 Family Dog postcards from the following bands. Quicksilver(2), Buddy Miles, Flatt & Scruggs, John Mayall, Byrds, Mother Earth, Youngbloods, James Cotton, Spirit, Flumiusbandersnach, Country Joe, Steppenwolf, Bill Haley, Grateful Dead and The Velvet Underground. All postcard are in Excellent condition. From the Velvet Underground Boutique Collection.
Avalon Ballroom Concert Postcards Lot of 14 (Family Dog, 1968). A selection of 14 Family Dog postcards from the following bands. Big Brother(2), Quicksilver(4), South Side Sound System, Buddy Guy, Youngbloods(2), Charlatans, Van Morrison, Canned Heat and Sun House. All postcards are in Excellent condition. From the Velvet Underground Boutique Collection.
Avalon Ballroom Concert Postcards Lot of 15 (Family Dog, 1968). A selection of 15 Family Dog postcards from the following groups. Blue Cheer,
Blues Project (2), Kaleidoscope, Blood Sweet & Tears,Youngbloods(2), Iron Butterfly, Tai Mahal, Jr. Wells, Steppenwolf, Quicksilver, Siegel Schwall, Electric flag
and Country Joe and the Fish. From the Velvet Underground Boutique Collection.
Blues Project (2), Kaleidoscope, Blood Sweet & Tears,Youngbloods(2), Iron Butterfly, Tai Mahal, Jr. Wells, Steppenwolf, Quicksilver, Siegel Schwall, Electric flag
and Country Joe and the Fish. From the Velvet Underground Boutique Collection.
Fillmore Auditorium Concert Postcards Lot of 24 (Bill Graham, 1967). A selection of 24 Fillmore postcards fro the following bands. Moby Grape, Chuck Berry, Otis Rush, Blues Project, Byrds, Buffalo Springfield, Howling Wolf, Jefferson Airplane, Sparrow, Butterfield Blues Band, Big Brother, Sam & Dave, Martha and the Vandellas, Nitty Gritty Dirt Band, Byrds, Yardbirds, Doors, Pink Floyd, BB King, Big Brother, Electric Flag, Buffalo Springfield, The Mothers and The Chambers Brothers. All in Excellent condition. From the Velvet Underground Boutique Collection.
Gerry & The Pacemakers Shindig! Performance Flyer. A flyer circa 1964-65, for the recording of an episode of Shindig! that featured Gerry & The Pacemakers with Bobby Sherman, Donna Loren, and others. It also lists future guests The Rolling Stones, The Dave Clark 5, The Kinks, and The Beatles. In Fine condition.
Grand Funk Railroad Band-Signed Poster. A vintage 21.25" x 33" poster for a Grand Funk performance at the University of Maryland, signed by bandmembers Don Brewer, Mel Schacher, and Mark Farner. Framed and in Very Fine condition.
Grand Ole Opry Road Show Window Card Poster (c. 1970s). Loretta Lynn and Conway Twitty headline this Opry roadshow window card. The top portion, where the local venue was to be filled in, has been left blank on this VG+ example. The poster measures approximately 14" x 22".
Grass Roots Fillmore Auditorium Concert Poster BG-00 (Bill Graham, 1966) With Quicksilver Messenger Service, Family Tree, and Tony Martin's Light Show. Friday, April 22 and Saturday, April 23. Poster artwork by Bonnie MacLean. This is the first poster of the Bill Graham series. Measuring approximately 12.5" x 18.5", in NM- condition.
Grass Roots Wonderland Avalon Ballroom Concert Poster FD-15 (Family Dog, 1967). First printing, with sticker covering "SAT.", replacing it with a hand-lettered "SUN." Measures approximately 14" x 20". In VG condition, with numerous tack holes.
Grateful dead Skeleton And Roses Avalon Ballroom Concert Poster FD-26 (1966). Third printing of the classic and rare poster, featuring the famous Mouse/Kelley Skeleton and Roses design later reworked as a live album cover. Poster measures approximately 14" x 20", and is in Excellent condition.
Grateful Dead Skeleton and Roses Concert Handbill FD-26 (Family Dog, 1966). A beautiful example of one of the most popular Grateful Dead designs (by Stanley Mouse), on a rare handbill. Remember, the handbills were not reprinted with the posters. Approximately 8.5" x 11", in Excellent condition.
Grateful Dead Hippie Santa Claus Concert Handbill FD-40-A (Family Dog, 1966). This wonderful handbill, featuring a devilish-looking Santa, was printed only one time. This example measures approximately 8.5" x 11", and is in Excellent condition.
Grateful Dead Frankenstein Concert Poster FD-22, Signed By Stanley Mouse (Family Dog, 1966). First printing copy measuring approximately 14" x 20", signed with artist Stanley Mouse's unique autograph in ink. Excellent condition.
Grateful Dead Skeleton and Roses Concert Poster FD-26-3 (Family Dog, 1966). Third printing on uncoated index stock, measuring approximately 14" x 20". VG+ condition.
Grateful Dead Skeleton and Roses Avalon Poster # FD26-2, Second Printing (Bindweed Press/Family Dog, 1966). Although this is a second printing of this classic poster, it was printed at the time of the concert, and has been reprinted ten different times in total. Poster measures approximately 14" x 20", in VG+ with neat tack holes in the four corners, and one in the middle of the top margin.
Grateful Dead Three Indian Dudes Avalon Concert Signed Poster & Postcard FD-54 Group (Family Dog, 1967). Rick Griffin lettered this poster design, and has added an autograph in marker on the poster. The poster appears to be s second printing, measuring approximately 14" x 20". It's in Excellent condition; the postcard, with a "place stamp here" reverse, measures approximately 5" x 7", and is also in Excellent condition.
Grateful Dead/Jefferson Airplane/XCanned Heat Kaleidoscope Concert Poster (1967). First in a series of round posters for the Hollywood Rock venue. The poster measures approximately 18.5" across, and is in Near Mint condition. Tough to find!
Grateful Dead/Steppenwolf/Santana Fillmore West Concert Poster BG-134 (Bill Graham, 1968). This poster's Lee Conklin design of a lion with some subtle human features was adapted for use as the cover for the first Santana album, in 1969. Also appearing in this all-star show: the Staple Singers, Preservation Hall Jazz Band, and Sons of Champlin. This first-printing poster is on uncoated stock, measures approximately 14" x 21", and is in Excellent condition.
Grateful Dead/Quicksilver Messenger Service Carousel Ballroom Concert Poster (1968). The "Hundred Dollar" design, printed on light tan paper stock. Measures approximately 16" x 20", and in VG+ condition, with professional restoration made to the corners.
Grateful Dead '69 Aoxoamoxoa Uncut Limited Edition Print (1982). 25" x 38" limited edition Rick Griffin print made in 1982 with the flyers still attached. In VG+ condition.
Grateful Dead Blues For Allah Original 13" x 13" Photograph (1975). Beautiful 13" x 13" photo from the original artist Phil Garris. His name and address is printed on back. Very Good condition. From the Harlan Ellison Collection.
Grateful Dead Selland Arena Concert Poster (Bill Graham, 1977). A Randy Tuten designed, black and white poster. Poster measures approximately 13" x 23", and is in VG condition, with minor creases and some light soiling.
Grateful Dead New Years Eve Blue Rose Winterland Concert Poster (1978). Great work from the art duo of Kelly and Mouse. With opening band The Blues Brothers, what a great new year's party that must have been!! First Printing Size
19" x 28" Poster is in Very Good + condition.
19" x 28" Poster is in Very Good + condition.
Grateful Dead New York City Radio City Music Hall (1980). This is the scarcer version of the Dead's 1980 tour posters. For a whole week, the Grateful Dead and their fans took over the most famous theater in the world, Radio City Music Hall. Poster measures approximately 27.5" x 21.25", and is in NM condition.
Grateful Dead A Benefit For The Rainforest Madison Square Garden (1988), by Robert Rauschenberg. Bruce Hornsby and Susan Vega were the opening bands. Size 18 x 28. Poster is in Excellent condition. The poster's striking collage design was created by renown artist Robert Rauschenberg.
Grateful Dead Skull And Roses Limited Mirror Poster Signed and Numbered by Mouse and Kelly (1990s). Fantastic mirrored Mouse and Kelly poster. Numbered 55 of 80. Size 20" x 27."
Grateful Dead Skull And Roses Limited Print Signed By Stanley Mouse ('90s). More great art from Stanley Mouse with a autograph from the artist. Size 22" x 29". Poster is in Excellent condition.
Rick Griffin Pacific Vibrations Movie Handbill, Group of 3 (American International, 1971). John Severson directed the surf documentary which these flyers promoted, starring some of the world's best surfers. Artist Rick Griffin appears himself in the film. There are three handbills, two black on white or blue paper stock measuring approximately 5.5" x 11", and one in full color, which measures approximately 8" x 12.5". The full color and blue paper stock flyers are VG+; the black on white is VG with staple holes in each corner.
Second Annual Grope for Peace Event Poster (Straight Theater, 1967). This December, 1967 event featured the "Flying Tibetan Phurba" at the old Haight Theater in San Francisco, which was renamed Straight Theater during the trippy sixties. This gorgeous Rick Griffin designed first-printing poster measures approximately 19.25" x 27.75", and is in VG+ condition, with very minor edge wear and a few small light creases.
Bill Haley, Platters, Chuck Berry and More Maple Leaf Gardens Concert Handbill (Super Attractions, 1956), "The Biggest Show of '56" also offered performances by Frankie Lymon and the Teenagers, Clyde McPhatter, and the Clovers, along with many lesser acts. This colorful handbill measures approximately 6" x 9", and is in attractive VG+ condition, with folds.
Bill Haley and Cornell Gunter Vintage Concert Poster. A vintage poster, 14" x 22", touting performances by Cornell Gunter and the Coasters, Bill Haley and the Comets, Chubby Checker, Bobby Rydell, Del Shannon, and many others at the Hollywood Bowl in 1972. In Very Fine condition with some tanning, matted to an overall size of 18" x 26".
Jimi Hendrix Experience Flying Eyeball Limited Edition Serigraph, 121/500 (c. 1988). Rick Griffin's famous design for Bill Graham's BG-105 concert poster is given the deluxe treatment in this beautiful, embossed, 28" x 41" serigraph print. Griffin signed the piece in pencil in the lower right margin. Absolutely stone beautiful, and in Mint condition -- it's even better than the real thing!
Jimi Hendrix Experience Flying Eyeball BG-105 Second Printing (1968). A nice copy of the second printing, in Excellent condition. Measures approximately 14" x 21.75".
Jimi Hendrix Experience Flying Eyeball Fillmore/Winterland Concert Poster BG-105 (Bill Graham, 1968). Sharp first-printing copy of this incredible poster, designed by Rick Griffin. Other than tack holes in the corners, this is an attractive, problem-free VG copy that will surely be a highlight of any Rock poster collection.
Jimi Hendrix Experience/Buddy Miles Express Winterland Concert Poster Signed by Victor Moscoso and Rick Griffin BG-140 (Bill Graham, 1968). Here's a show we really wish we could have attended. And what a show -- top-billed act Jimi Hendrix was at the peak of his success in '68, having just released the classic double-LP Electric Ladyland album. Joining Jimi would be two acts who had plenty in common with the explosive guitarist: drummer Buddy Miles, fresh from his stint in Electric Flag, was fronting his own outfit here, but in a year's time would join Hendrix to form the short-lived Band of Gypsies; and singer Dino Valente, who is credited (under the name Chet Powers) with one of Jimi's best-known songs, "Hey Joe." To top it all off, the poster features incredible graphics by the Zap Comix team of Rick Griffin and Victor Moscoso. This is one of the most famous of all the '60s San Francisco Rock posters, and, yes, this is a first printing, signed in black marker by Griffin and Moscoso in the lower corners! The poster measures 14" x 21.5", and is in NM condition.
Jimi Hendrix Experience Fillmore/Winterland Concert Poster BG-105 First Printing, Signed by Rick Griffin (Bill Graham, 1968). The famous Flying Eyeball design by Zap Comix artist Rick Griffin, in a rare first printing poster. This poster was from Rick's personal collection, and he signed the lower right corner in silver ink. Size is approximately 14" x 21.5". There is an unusual printing defect, leaving too much yellow ink in the design; otherwise, the poster is in Excellent condition.
Jimi Hendrix Kozik Limited Edition Signed Poster (1992). This amazing Kozik silkscreen print is hand number 83 of 150 and is signed by the Austin artist Frank Kozik. This limited 25.5 x 38 masterpiece is in near mint condition.
Buddy Holly and the Crickets British Concert Poster (1958). Buddy Holly toured the U. K. in March, 1958, changing the face of popular music forever. John Lennon was, at that time, a teenager obsessed with Buddy and the songs he heard playing late night on Radio Luxembourg. John wasn't able to attend any of Buddy's shows, but both he and Paul McCartney caught one of Holly's British "telly" performances, which left a lasting impression on both lads and their future careers. Holly's first stop of the tour, was the Trocadero in Southwark, a beautiful old theater which was since torn down. The band played for a scant twenty minutes, to a crowd of about 4,500 fans. This poster for that show is one of two known designs, and measures approximately 39.5" x 30". There is some light overprinting on the paper which "ghosts" the image in reverse, and there is one small missing piece in the upper left corner, away from the image area. It's been professionally mounted and framed, to an overall size of 43.75" x 33.75". Own a piece of Rock history with this outstanding item!
Buddy Holly, Ritchie Valens and Big Bopper Dead In Crash Poster (WEBR, 1959). February 3, 1959 -- the "Day the Music Died" -- was marked by this somber, hastily prepared poster, alerting Rock and Roll fans to tune in to radio station WEBR (in Buffalo, New York) for details. It's interesting to note that Richie Valens was listed over Buddy Holly, probably due to the fact that his hit songs, "Donna" and "La Bamba", were still charting at the time. This poster, done in black, green, and red sign paint on heavy cardboard, measures approximately 28" x 36", and is in VG condition.
Human Be-In Pow-Wow: A Gathering of the Tribes Event Poster Signed by Rick Griffin (1967). This is the event that eventually led to the Summer of Love in San Francisco. Gathered for a peaceful, blissed-out day of poetry, speeches, flowers, and music from all the major Rock bands of the time, including Grateful Dead, Jefferson Airplane, and more, some 50,000 young people grooved the day away at the Polo Grounds, in Golden Gate Park. The January 14th, 1967 event was organized by the Diggers, a radical collective of improv actors who provided free food every day at the park for those who had nothing. Beat poets (like Allen Ginsberg and Lawrence Ferlinghetti), actors, writers, comedian Dick Gregory, and LSD gurus Timothy Leary and Richard Alpert urged the crowd to "Tune in, turn on, and drop out" and the Hippie Nation was born. This lovely poster, featuring a Rick Griffin design, is a first printing, in black on buff uncoated stock, and is in VG condition. It measures approximately 14.25" x 20". Wow, man!
Iron Butterfly Fillmore Concert Poster BG141 (Bill Graham, 1968). Zap Comix fans, please take note of this wild Iron Butterfly poster! It features the mind-blowing art of Zap mainstays Rick Griffin and Victor Moscoso -- two-fifths of the legendary San Francisco Big Five -- who have created some of the most colorful and memorable images to emerge form the 1960s. Also present on the bill were the Sir Douglas Quintet+2 and Sea Train. The first-printing poster measures approximately 14" x 21.5" and is in VG condition with corner wear.
Jefferson Airplane Winterland/Fillmore Concert Poster BG-29 (Bill Graham, 1966). "Purple" version of this famous poster, designed by Wes Wilson. This version, and two others (black and magenta versions) are all considered original printings by Eric King's poster book. Joining the Airplane was Butterfield Blues Band and Muddy Waters. Poster measures approximately 13.25" x 24.25" and is in Near Mint condition. From the Harlan Ellison Collection.
Jefferson Airplane/Grateful Dead Fillmore Concert Poster BG-26 (Bill Graham, 1966). Gorgeous first printing poster for a series of shows that also featured Martha and the Vandellas, Quicksilver Messenger Service, Country Joe and the Fish, and more. Trippy Wes Wilson graphics! From Harlan Ellison's personal collection. The poster measures approximately 13.25" x 20.75", has been professionally linen backed, and is in Excellent condition. From the Harlan Ellison Collection.
Jefferson Airplane Edwardian Ball Fillmore Concert poster(1967). Stanley Mouse created this dandy image for the San Francisco State College Coming Home and Edwardian Ball concert event at the Fillmore Auditorium. A great, colorful first-printing poster, measuring approximately 14" x 20.75", in NM- condition.
Jefferson Airplane/Buffalo Springfield St. Ignatious High School Concert Poster (1967). One we don't see too often. An untrimmed first-printing poster, measuring approximately 14" x 20". In Excellent condition.
Jefferson Airplane Kaleidoscope Concert Poster (1968). One of the memorable round Kaleidoscope posters, this one featuring Jefferson Airplane, Canned Heat, and Buffalo Springfield -- what a line-up! The poster has a circumference of approximately 17", and is in Excellent condition.
Jefferson Airplane/Grateful Dead Concert Poster and Postcard Group (Winterland, 1970). An unusual show, put on by the Winterland Ballroom itself, without Bill Graham's participation. The poster measures approximately 14" x 20", and the postcard, which is blank on back, measures approximately 5" x 7". We believe both are first printings.
Joint Show Event Poster (1967). Rick Griffin designed this "double entendre" poster for a combined art show with Wes Wilson and Stanley Mouse. This oversized (approximately 22" x 28") poster is marked "First Edition 1200" in small print below the pack art. In Excellent condition.
Billy J. Kramer and the Dakotas Torquay Concert Poster (1963). The Mersybeat sound made famous by the Beatles included singer Billy J. Kramer (in fact, the "J" in Billy's name was added at the suggestion of Billy's friend, John Lennon, who thought it added a distinctive touch). This early poster, advertising a gig at the Torquay Town Hall in the southern tip of England, measures approximately 20" x 30", and is in Good+ condition, with some wrinkling to the neon yellow paper stock.
Led Zeppelin State Fair Coliseum Handbill (1969). Great 8.5" x 11" red-ink handbill, featuring a prime photo of the band. This one is sure to be of interest to all our Dallas, Texas customers! Excellent condition.
Little Richard/Bobby "Blue" Bland Memorial Auditorium Chattanooga, TN (1957). Amazing 1957 "Roots of R & B" concert poster from the Memorial Auditorium in Chattanooga, TN. The show featured Little Richard, Bobby "Blue" Bland, Junior Parker, The 5 Royals, Wynonie Harris, Big Maybelle, Tab Smith, Jimmy Reed, Noble Watts, and Tony Harris. What a show!!! Very, very rare! Size 22" x 28". The poster is in Very Good condition.
Love "Snake Lady" Signed By Stanley Mouse Avalon Ballroom Concert Poster FD-17A (Family Dog, 1966). Poster measures approximately 14" x 20", and is in VG condition. This poster was only printed once, for a concert that was ultimately canceled, with most copies destroyed. Mouse saved a few to sell; this is one of his signed copies.
Bob Marley & the Wailers Greek Theater/UC Berkeley Concert Poster (Superb/Overland Productions, 1978). This poster, for the Kaya tour, was designed by Colleen Cannon. Just one month prior, Marley was awarded the Peace Medal of the Third World from the United Nations. Poster measures approximately 12" x 18" and is in NM condition.
Victor Moscoso Concert Poster Group (Neon Rose, 1967). If trippy visuals are your thing, look no further than this excellent lot of two posters, both designed by Zap Comix regular Victor Moscoso. Included is a first-printing copy of Sopwith Camel Matrix Concert Poster #NR-5. It measures approximately 14" x 20" and is in Excellent condition. Also included is a poster from Moscoso's own company, Neon Rose, #NR-8, for a Matrix show starring Otis Rush. This poster was only printed once; our copy measures approximately 14" x 20" and is in Excellent condition. Two very colorful, and very cool, posters!
Mothers of Invention/Tim Buckley Fillmore/Winterland Concert Poster BG-97 (Bill Graham, 1967). Stanley Mouse and Alton Kelley teamed to provide the classy-looking graphics for this poster, which also includes opening act Chambers Brothers. This is the second version of the poster, which was created by altering the printing plate (by adding "#97" and correcting the spelling of Graham's name in thin lettering along the lower portion of the poster) during the original press run. Poster measures approximately 12.75" x 21.75", and is in NM condition. From the Harlan Ellison Collection.
New Riders of the Purple Sage Fort Wayne Concert Poster (WMEE, 1974). Commander Cody and The Lost Planet Airmen opened this great show in Fort Wayne, Indiana. Size 15" x 20". The poster is in Excellent condition.
New Tweedy Brothers Highway 1 Stinson Beach Concert Poster (Farallon East, 1968). Supposedly, these are the guys who inspired the Warlocks to change their name to Grateful Dead. Poster measures approximately 13.5" x 20", and is believed to be a first printing. In VG condition, with tack holes. From the Velvet Underground Boutique Collection.
Roy Orbison Portland Civic Center Concert Poster (Big Country, 1977). The big man from Wink, Texas is handsomely portrayed in this black and white concert poster, which measures approximately 13" x 22". We believe this to be a first printing, and it is in Excellent condition.
Pink Floyd Fillmore Concert Poster BG-90 (Bill Graham, 1967) First American tour for Pink Floyd. Here's the only printing of this handsome poster, featuring a design by Bonnie MacLean (at the time, Mrs. Bill Graham). Sharing the stage with Pink Floyd were Lee Michaels and Clear Light, on October 26, 27 and 28. The poster measures approximately 14" x 21", and is in VG+ condition with four staple holes along the top left, center and right.
Pink Floyd Fillmore West Concert Poster BG-230 (Bill Graham, 1970). Pink Floyd were really starting to catch on in America after the release of the double album Ummagumma. Here's a cool concert poster from that era, featuring the photo of the band in front of all their equipment, as originally shown on the back cover of the LP. The poster, which was not reprinted, measures approximately 14" x 22", and is in NM- condition.
Quicksilver/Big Brother Avalon Concert Poster FD-36 Artist Autographed (Family Dog, 1966). The poster known as Quicksilver, with an old-world style design by Victor Moscoso, who also added his signature in ink. This is the "brick red" variant described in the Eric King book as a first printing. The poster measures approximately 15" x 20", and is in VG condition, with tack holes and some light edge wear.
Quicksilver Messenger Service/Miller Blues Band Plains of Quicksilver Avalon Concert Poster FD-53-1 (Family Dog, 1967). One of the more interesting Victor Moscoso poster designs, featuring concentric circular lettering, vivid dayglo colors, and mirror images of the Quicksilver members at the top and bottom. It measures approximately 14.25" x 20", and is in NM condition.
Quicksilver Messenger Service James Gurly FD-48 and Eternal Reservoir FD-101 Avalon Ballroom Concert Poster Group (Family Dog, 1967 & 1968). The Quicksilver FD-48 is a first pressing and the FD-101 is a second pressing. Both posters measure approximately 14" x 20" and are in Excellent condition.
Quicksilver Messenger Service Independence Concert Poster Signed By Rick Griffin FD-69 (Family Dog, 1974). Second pressing done by Griffin himself on vintage engraved border stock. Poster measures approximately 11" x 17.5".
Quicksilver Messenger Service Avalon Concert Poster Signed by Rick Griffin, FD-101-A (Family Dog, 1968). A psychedelic Rick Griffin design limited edition #2362. This poster promotes three concerts at the Avalon Ballroom on January 12, 13, and 14, 1968. Kaleidoscope and Charlie Musselwhite (spelled Charley on the poster) opened for Quicksilver at the Avalon. This third pressing was printed in 1976 by Rick Griffin to distribute at a show in England. All were numbered as a limited edition. Measures approximately 20.25" x 29". In NM- condition.
Santana Rockarama Concert Poster (Soundproof Productions, 1969). An incredible poster for a five day event at San Francisco's Avalon Ballroom by Soundproof Productions. The Avalon Ballroom is best known as the home to Family Dog Presents; however, when they moved to Playland At The Beach in 1969, Soundproof took over putting on concerts at this venue. Over the course of the week people enjoyed sets from Santana, It's A Beautiful Day, Ace of Cups, Linn County, Clover, the Youngbloods, Alice Cooper, and nearly 20 other bands. The art to this poster is provided by Underground comics legend Gilbert Shelton. In NM- condition; this scarce poster measures 14" x 17". From the Velvet Underground Boutique Collection.
Frank Sinatra Hartford Civic Center Concert Poster (1981). Ol' Blue Eyes, on a silver and black poster -- very cool! Poster measures 14" x 22", and has been mounted onto a piece of cardboard; otherwise, in Excellent condition.
Frank Sinatra Greek Theatre Concert Poster (c. 1990). Frank Sinatra concert poster from his sold out show at the Greek Theatre in Los Angeles. August 1, 1990. This oversize poster measures 24" x 36". Poster is in Very Good condition.
Frank Sinatra Duets Concert Poster (Sands, 1993). This stunning concert poster was for Frank's 5 day show at the Sands Hotel and Casino in Atlantic City, November 10th thru the 14th 1993. The artwork was by famous artist Leroy Neiman. This oversized poster measures 24" x 36" and is in excellent condition.
Springsteen Related - Steel Mill Venue Poster (c. 1970). Before The E-Street Band, Bruce had a band called Steel Mill (Formerly Child of N.J.) - check out the Boss' hair! A must piece for the Springsteen collector, it measures 14" x 22". Poster is in Very Good condition with some minor wear and some clear glue.
Bruce Springsteen Related - Steel Mill, John Lee Hooker and Others Concert Handbill (Matrix, 1970). Rare original handbill featuring Bruce Springsteen's pre-fame unit, Steel Mill, plus Boz Scaggs, Commander Cody, Vince Guaraldi, Sandy Bull, and others. Approximately 5.25" x 7.25", in VG condition.
Bruce Springsteen St. Vincent College Concert Poster (Dicesare Engler, 1977). Still touring on the Born to Run album from 1975, Springsteen made a stop at the St. Vincent College and rocked the crowd. Poster measures approximately 11" x 17", in NM condition.
Bruce Springsteen and Others Bridge School Benefit Autograph Poster (1986). Signed by Nils Lofgrin, Bill Graham, Don Henley, Bruce Springsteen, and others. From the Graham Nash collection, with several autographs dedicated to Graham. Accompanied by James Spence Authentication auction LOA.
Summer Thing Santa Cruz Concert Poster (1968). Chambers Brothers and The Hourglass (Early Allman Brothers) headlined this show in June of 1968. Size 23" x 28.50". In Very Good condition.
James Taylor/Jimi Hendrix Experience Berkeley Community Theatre Concert Poster (Bill Graham, 1970). One of Jimi Hendrix's last shows in the United States. After his Band of Gypsys project, Jimi wanted to reunite his original backing band, the Experience. Mitch Mitchell was on board, but Noel Redding declined. The second show from this concert was later released on CD. The poster measures approximately 13.5" x 20.5", and is in VF condition.
13th Floor Elevators Avalon Ballroom Concert Handbill FD-28, Uncut Sheet of 2 (Family Dog, 1966). The classic Zebra Man design, on a two-up sheet of handbills for a show featuring Texas psych pioneers 13th Floor Elevators, plus Bay Area faves Quicksilver Messenger Service. Beautiful example; other than slight tape-pulls on the reverse side, in NM- condition. From the Harlan Ellison Collection.
13th Floor Elevators/Great Society Concert Poster Autographed by Grace Slick BG-25 (Bill Graham, 1966). A hauntingly beautiful young Grace Slick, representing her pre-Jefferson Airplane band, the Great Society, looks out from the psychedelic lettering of Wes Wilson in this stunning first-print poster. Signed in silver ink by Grace. Poster measures approximately 13.5" x 21"; in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Trip Or Freak Halloween Winterland Concert Poster (1967). Grateful Dead, Big Brother and the Holding Company (starring Janis Joplin), and Quicksilver Messenger Service were featured in this wild '67 show. Stanley Mouse, Rick Griffin, and Alton Kelly all contributed to the "acid blotter" design. A first-printing example From the Harlan Ellison Collection, measuring approximately 14.5" x 26". In VG+ condition with neat tack holes. Professionally linen-backed. From the Harlan Ellison Collection.
Conway Twitty, Sonny James and Connie Smith Concert Poster (Cochran Aud., 1959). A Country Showcase of Stars concert poster from the Cochran Auditorium Johnstown PA. February 28th 1959. Featured acts were Conway Twitty and His Lonely Blue Boys, Sonny James and Connie Smith. Size 22" x 28". The poster is in Very Good condition.
Stevie Ray Vaughan and Double Trouble Signed Jumbo Poster. Beautifully framed CBS promo poster signed by Stevie Ray Vaughan and Double Trouble. Size in frame 38.5" x 50.5". Poster and frame in VG+ condition.
Velvet Underground Concert Handbill (Vulcan Gas Co., 1969). Very rare Jim Franklin-designed handbill (later version, missing Lou Reed), for the Velvet's show in Austin, Texas. The colorful two-sided handbill measures approximately 8.5" x 11", and is in Excellent condition.
West Coast Pop Art Experimental Band Sausalito Concert Poster (Ark, 1966). An extremely scarce first-printing poster for a band of interest to many collectors. Poster measures approximately 13" x 20". In VG condition, with a ragged-cut right edge, and several dark flyspecks scattered across. From the Velvet Underground Boutique Collection.
Who Love Cry Want McDonough Arena Washington D.C.Concert Poster (1975). Beautiful pop art poster for The Who's 1969 concert at Georgetown University. Size approximately 22.5" x 38". Condition Very Good with some staining along left edge, a small 3" water stain along bottom, and a small hole down in the lower right area. A very rare poster.
Woodstock An Aquarian Exposition Original Poster (1969). This is the original poster design for the event that shaped a generation. Listed as the event site is Wallkill, New York, the second choice after the town of Woodstock; the final destination was, of course Bethel, home of Max Yasgur's farm. This interesting poster, featuring a Art Nouveau-inspired design by artist David Byrd, is rarely seen, as opposed to the much more famous 3 Days of Peace, Love, and Music dove-on-a-guitar later poster that was used during the actual event. This poster is believed to be a first printing, measuring approximately 13.50" x 22.30", and is in NM condition.
Woodstock Music And Art Fair Original Poster (1969). Original print of the classic "dove and guitar" poster, for the best-remembered outdoor Rock festival of all time. This early version includes canceled act Jeff Beck Group in the Sunday line-up. The poster measures 24.5" x 36.5", linen-backed, in Very Good+ condition.
Woodstock Music And Art Fair Original Poster Signed By Artist (1969). This summer will be the 40th anniversary of this historic festival. The line-up of talent was, of course, phenomenal: Janis. Jimi. Sly. Crosby, Stills, Nash and (for the first time) Young. The Dead. The Who. The Band. And on and on. This poster is the rare large-format pre-concert first printing from the original promotion for the show, not a later, after-the-fact edition. It measures 24" x 36.5", and is in Very Good+ condition. This is Arnold Skolnick-designed poster from the event that shaped a generation, and while other music festivals may come and go, there will never be another quite like it. Signed by the Artist.
X At The Florentine Gardens Los Angeles(1981). Amazing 1981 concert with X , The Gears, and Green On Red. This over-sized poster measures 26" x 40" and is in Very Good+ condition with some minor stains on the back.
Frank Zappa/Alice Cooper Cal State Fullerton Concert Poster (1968). This poster looks like it came right of Zap Comix, thanks to the playful Eyeball creations of Zap artist Rick Griffin. Measures approximately 14" x 20". Excellent condition. Hail!
Session 3
Movie/TV Memorabilia
Bud Abbott and Lou Costello Photo Portrait by Clarence Bull. Vintage b&w 10" x 13" photo of the comedy duo with caption info and Bull's credit stamp on the reverse. Excellent condition.
Forrest Ackerman and Others Signed Famous Monsters Convention Poster, 24" x 36". A 24" x 36" poster for the 35th Anniversary Famous Monsters of Filmland Horror, Sci-Fi & Fantasy World Convention, inscribed and signed to Sara Karloff (daughter of, you guessed it, Boris Karloff) by "Mr. Science Fiction" Forrest Ackerman, Bela Lugosi Jr., and Dwight Frye, Jr., son of actor Dwight Frye. Stapled along the edges to a same-sized piece of cardboard, otherwise in Very Fine condition with no creases, scuffs, or fading, and minimal wear to the edges. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Forrest J. Ackerman Signed Sketch. 12" x 16.5" page with drawing, inscription, and signature by Ackerman. Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Milo Anderson and Gale Robbins Signed Date Book. 7.5" x 5.25" hardbound day calendar signed by costume designer Milo Anderson and singer-actress Gale Robbins. In Fine condition with some wear and loose spine.
Maya Angelou, Norman Mailer, and Other Celebrity Autographs, Set of 8. Set of eight autographs includes Maya Angelou, Clive Barker (2), Dr. Benjamin Spock, Mickey Spillane, Norman Mailer, Lawrence Ferlinghetti, and Anne Rice. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Gene Autry and Bill Clinton Signed Photo. Color 8" x 10" photo of Autry and President Clinton, inscribed and signed by both in black felt tip. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Roseanne Barr CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 31 color snapshots of various attendees at the 1993 event honoring comedienne Roseanne Barr, matted and framed together to an overall size of 44" x 37". Photos include Steve Allen, Martin Mull, John Goodman, Zsa Zsa Gabor, and Sandra Bernhardt. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
John Barrymore Photo Portrait. Vintage b&w 11" x 14" photo of Barrymore with studio and credit stamps on the reverse. Very Fine condition.
John Barrymore Vintage Promo Photo by Clarence Bull. Vintage b&w 10" x 13" photo of Barrymore in Arsene Lupin (1932), with caption info and Bull's credit stamp on the reverse. Fine condition.
Lionel Barrymore Promo Still by George Hurrell. Vintage b&w 10" x 13" photo of Barrymore with caption info and Hurrell's credit stamp on the reverse. Excellent condition.
Lionel Barrymore Signed Photo. Vintage matte finish b&w 8" x 10" photo portrait of the actor, inscribed and signed by Barrymore in black ink. In Very Fine condition with mild handling wear and some toning. Accompanied by a COA from PSA/DNA.
Lionel Barrymore Photos by George Hurrell. A pair of b&w 10" x 13" headshots of Barrymore with Hurrell's credit stamps on the reverse, in Fine and Very Fine condition.
Frances Bavier Signed Letter. A single-page letter, dated July 2, 1987, on a sheet of 5.75" x 8" stationery, handwritten by the actress in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Warren Beatty Signed Contract, 1965. A two-page lending agreement dated November 30, 1965, and signed on the second page by actor-writer-director Beatty in blue ink. In Very Fine condition with some wrinkling and wear, and the usual staple and binder holes. Accompanied by James Spence Authentication auction LOA.
Wallace Beery Photo Portrait by George Hurrell. Vintage b&w 10" x 13" photo of Beery with Hurrell's credit stamp on the reverse. Very Fine condition.
Wallace Beery Promo Still by George Hurrell. Vintage b&w 10" x 13" photo of Beery in Min and Bill (1930) with caption info and Hurrell's credit stamp on the reverse. Very Fine condition.
Clara Bow Photo Portrait. Vintage b&w 8" x 10" photo portrait of Bow with credit stamp on the reverse. Good condition with punch holes to left edge.
Clara Bow Signed Christmas Card. Undated Christmas card with lengthy handwritten note and signature from Bow in blue ballpoint. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Charles Brackett Family Documents Archive. This lot of materials owned by prolific screenwriter-producer Charles Brackett (Oscar winner for The Lost Weekend, Sunset Boulevard, and Titanic) includes: Equitable Investment Corporation file containing ATT stock certificates in the name of Mrs. Lillian Fletcher Brackett, 1969-1974, photocopies and carbons, correspondence; receipt, October 20, 1959, signed by Charles Brackett; certified copy of Charles Brackett death certificate, March 17, 1969; Edgar T. Brackett original land deed, Saratoga County, NY, June 17, 1919; Power of Attorney notarized document signed by Lillian Fletcher Brackett, July 10, 1972; and a "Valuable Papers" folder containing Edgar T. Brackett and M. Emma Corliss' marriage certificate, November 22, 1882, with original envelope; two TLS from Director of Consular Service, Department of State, Washington, to Senator Edgar T. Brackett, October 26, 1917, and November 6, 1917, one page each, State Dept. letterhead; Department of State certificate, 17" x 14", with official seal, appointing "Charles W. Brackett Vice Consul of the United States of America at Nantes, France," January 2, 1918, signed by Robert Lansing; Commercial Travelers Mutual Accident Association of America, Utica, New York, Charles W. Brackett insurance policy and identification card, April 23, 1924. Overall Fine condition with minor wear and age toning.
Mr. and Mrs. William A. Brady 1910 Engraved Sterling Silver Chalice from A Woman's Way Company. William A. Brady Sr.'s production of the Thompson Buchanan play A Woman's Way ran for a total of 112 performances at New York's Hackett Theatre from February 22 through May 1909. This 5.75" x 4.75" sterling silver chalice presented to Brady and his wife, actress Grace George, features the engraved inscription "May You Live These Fifty Years/TO MR. & MRS. WM A BRADY/From 'A Woman's Way' Company/January Eighth/Nineteen Hundred and Ten". George had a featured role in the production, as did Robert Warwick, who frequently was cast in prominent parts by Brady. In Fine condition with minor wear and tarnishing. From the William and Alice Brady Estate Archive.
Alice Brady Charm Bracelet with Attached Coins Engraved with Film Titles. This 9" bracelet includes nine attached 1936 coins from the United States, Canada, and Mexico. The reverse of four coins are engraved with the following Alice Brady film titles: My Man Godfrey (1936), Go West Young Man (1936), Three Smart Girls (1936), and Call It a Day (1937). This is a rare memento of a superb, Oscar-winning actress who died at the height of her thespian powers in 1939. In Fine condition. From the William and Alice Brady Estate Archive.
Alice Brady Charm Bracelet with Attached Coins Engraved with 10 Film Titles. This 7" bracelet includes 11 attached 1934 and 1935 silver coins from the United States. The reverse of the ten coins (dimes, quarters, and half dollars) are engraved with the following Alice Brady film titles: When Ladies Meet (1933), Broadway to Hollywood (1933), Beauty for Sale (1933), Stage Mother (1933), Should Ladies Behave (1933), Mrs. Fane's Baby is Stolen (1934), The Gay Divorcee (1934), Gold Diggers of 1935 [engraved as "1936"] (1935), Let 'Em Have It (1935), and Lady Tubbs (1935). The 11th coin (a 1934 silver dollar) is engraved "from Alan." Another rare memento of a superb, Oscar-winning actress who died at the height of her thespian powers in 1939. In Very Fine condition. From the William and Alice Brady Estate Archive.
William A. Brady Jr., Silver Bowl from Cast of 1926 Play The Two Orphans. William A. Brady Sr.'s revival of Adolphe D'Ennery and Eugene Cormon's play The Two Orphans opened at New York's Cosmopolitan Theatre on April 5, 1926, and ran into early May. During this period, his son, William Jr., worked in various capacities for his father, as well as producing theatrical shows on his own. This beautiful, elegant silver bowl, 5" x 8.25", decorated with Angathas leaves was produced in London, England, in 1889. The bottom is engraved "Presented to William A. Brady, Jr./by the stars of The Two Orphans Company/April 17th, 1926". The outside of the bowl, near the top rim, is engraved with the signatures of the following cast members: May Robson, Mrs. Thomas Whiffen, Robert Loraine, Henrietta Crosman, Mary Nash, Florence Nash, Fay Bainter, William Seymour, Robert Warwick, Jose Ruben, Wilton Lackaye, and Henry E. Dixey. A stunning memento from a major Broadway production. In Very Fine condition with minor tarnishing. From the William and Alice Brady Estate Archive.
Alice Brady's Baby Gloves. This pair of 3" x 5" leather baby gloves with fur lining were worn by actress Alice Brady during infancy. Born on November 2, 1892, Brady achieved great success on Broadway (where she persuaded a young ne'er-do-well named Humphrey Bogart to take up acting) and in Hollywood, achieving two Best Supporting Actress nominations for My Man Godfrey (1936) and In Old Chicago (1937), for which she won the Oscar. A unique memento of a wonderful actress who died before her time in 1939 at age 46. In Very Fine condition with some wear and soiling. From the William and Alice Brady Estate Archive.
Joe E. Brown Signed Photo. Vintage b&w 10.5" x 13.5" photo portrait of Brown inscribed, dated November 17, 1932, and signed by him in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Richard Burton Autograph. A 3" x 5" notecard signed by Burton in black ink. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Dr. Jerry Buss CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 48 b&w snapshots of various attendees at the 1983 roast honoring the basketball team owner and poker player, matted and framed together to an overall size of 58" x 37". Photos include Red Buttons, Pat Riley, Slappy White, Kurt Rambis, Magic Johnson, Gabe Kaplan, and others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Frank Capra Signed A Hole In the Head Agreement. A four-page agreement dated March 10, 1960, regarding distribution of profits for the 1959 comedy, signed on the last page by Capra in blue ink. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Frank Capra, Barbara Stanwyck and Richard Loo Signed Copy of The Bitter Tea of General Yen. A copy of the movie tie-in edition of The Bitter Tea of General Yen signed on the first free page by director Capra (made the 1933 film adaptation) and actors Stanwyck and Loo (who starred in it) in black ink. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Colin Clive Autograph. A 5.5" x 4.25" autograph album page signed by the Frankenstein star in blue fountain ink. In Very Fine condition with some areas of toning that do not adversely affect the autograph. Accompanied by a COA from PSA/DNA.
Colin Clive Autograph. Autograph book leaf inscribed and signed by Clive in black ink. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Claudette Colbert Vintage Promo Photo. A b&w 9.5" x 13" photo of Colbert in Cleopatra (1934), with credit stamp on the reverse. Fine condition.
Gary Cooper Autograph with Photo (1954). Includes a vintage postcard autographed by the High Noon star in 1954, matted and framed along with a striking b&w 8" x 10" photo of Cooper to an overall size of 16" x 20". All items in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Jackie Cooper Vintage Photos by Hurrell and Bull. Set of three b&w 11" x 14" photos of Cooper, two by George Hurrell and one by Clarence Bull. Two are in Very Fine condition and one is Fine; all have studio and credit stamps on the reverse.
Joan Crawford Promo Photo. Vintage b&w 8" x 10" photo of Crawford with caption info and studio and credit stamps on the reverse. Very Fine condition.
Joan Crawford and Others Signed Copy of Paid. A copy of the 1930 movie tie-in edition of the play Within the Law, filmed and release under the title Paid, signed on the first free page by Joan Crawford, her daughter Christina, and actor William Blakewell in various inks. In Very Fine condition with Fine dustjacket. Accompanied by James Spence Authentication auction LOA.
Joan Crawford Signed Mildred Pierce Novel. A copy of the movie tie-in edition, signed by Crawford on a card affixed to the flyleaf. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Cathy Lee Crosby and Richard Belzer Signed Items. Assorted press kits, photos, letters, and a copy of One Woman magazine, inscribed and signed to Jilly Rizzo by actress Crosby and actor-comedian Richard Belzer. In overall Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and an LOA from James Spence Authentication.
Bette Davis, Mae West, Anthony Quinn and June Lockhart Signed Movie Books. Includes All This, and Heaven Too signed by Davis, June Lockhart, and director Anatole Litvak; The Wit and Wisdom of Mae West signed by her; and Barabbas signed by Anthony Quinn. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Marvin and Barbara Davis CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 36 color snapshots of various attendees at the 1982 roast honoring industrialist and philanthropist Marvin Davis and his wife, matted and framed together to an overall size of 53.5" x 37". Photos include Peter Falk, Eva Gabor, Phil Silvers, Red Buttons, George Burns, Cary Grant, James Stewart, Gregory Peck, Lucille Ball, Charles Bronson, and many others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Cecil B. DeMille Signed Letter. Single-page typed letter on Paramount letterhead, dated June 22, 1953, signed by DeMille in blue ink. Fine condition with some stains. Accompanied by James Spence Authentication auction LOA.
Reginald Denny Signed Photo. Vintage b&w 11" x 14" photo of Denny, inscribed and signed by him in black ink. Fine to Very Fine condition with moderate toning. Accompanied by James Spence Authentication auction LOA.
Marlene Dietrich Promo Still. Vintage b&w 8" x 10" photo for Destry Rides Again (1939) with caption info and studio and credit stamps on the reverse. Very Fine condition.
Marlene Dietrich Autograph with Photo. A 4" x 2" signature cut in black ink, matted and framed along with a b&w 8" x 10" photo to an overall size of 14" x 20". In Excellent condition. Accompanied by a COA from PSA/DNA.
Phyllis Diller CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 27 color snapshots of various attendees at the 1986 roast honoring the comedienne, matted and framed together to an overall size of 42.5" x 37". Photos include Harvey Korman, Jack Klugman, Henny Youngman, Rich Little, Sid Caesar, and others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Melvyn Douglas and Luise Rainer Promo Photo by Clarence Bull. A b&w 10" x 13" photo of Douglas and Rainer in The Toy Wife (1938), with studio and credit stamps on the reverse. Very Fine condition.
Famous Players-Lasky Vintage Contracts and Letters. Assorted letters and exhibitors' contracts for various Famous Players/Paramount movies, dating from 1923-30. In overall Very Fine condition.
William Farnum Signed Photo. A b&w 8" x 10" photo inscribed and signed by the silent-era actor in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Alice Faye Engraved Silver Cigarette Case Gift to Alice Brady, In Old Chicago (1937). This 4.5" x 3" Cartier-style silver cigarette case, a gift from Alice Faye to Alice Brady, is boldly engraved "For Alice with love from Alice" inside the lid. The case includes a 14k gold clasp with onyx ornament. Directed by Henry King, 20th Century-Fox's In Old Chicago features Alice Faye as Belle Fawcett and Alice Brady as Mrs. O'Leary in a cast that includes Tyrone Power, Don Ameche, Brian Donlevy, and Andy Devine. Brady won the Oscar for Best Supporting Actress for her performance. In Fine condition with minor wear and tarnishing. From the William and Alice Brady Estate Archive.
W. C. Fields Vintage Photos. A pair of b&w 11" x 14" photos of Fields, with studio and credit stamps on the reverse. Both in Very Fine condition.
Lynn Fontanne Photo Portrait by George Hurrell. Vintage b&w 10" x 13" photo of Fontanne taken for her sound picture debut in The Guardsman (1931), with studio and credit stamps on the reverse. Very Fine condition.
Clark Gable Promo Photos by Clarence Bull. A pair of b&w 10" x 13" photos of Gable by Clarence Bull: Comrade X (1940, Excellent condition) and The Uniform (1941 as They Met In Bombay, Very Fine). Caption info and studio and credit stamps on the reverse.
Clark Gable Promo Still by Clarence Bull. Vintage b&w 10" x 13" photo of Gable in The White Sister (1933) with caption info and Bull's credit stamp on the reverse. Excellent condition.
Clark Gable and Vivian Leigh Signed Items. A personal check dated June 11, 1945, signed by Gable in black ink; and a b&w 3.5" x 5.5" photo signed by Leigh in blue ink. Items are in Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Zsa Zsa Gabor CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 19 color snapshots of various attendees at the 1990 roast honoring Gabor, matted and framed together to an overall size of 39.5" x 37". Photos include Dick Van Patten, Jackie Cooper, Milton Berle, Henny Youngman, and others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Greta Garbo Photo Portrait. Vintage b&w 8" x 10" photo portrait of Garbo. Very Fine condition.
Greta Garbo Vintage Promo Photo. Vintage b&w 8" x 10" promo photo of Garbo in Flesh and the Devil (1926), with caption info and studio and credit stamps on the reverse. Fine condition.
Ava Gardner Vintage Photo Portrait by Clarence Bull. A b&w 10" x 13" photo portrait of Gardner with Bull's credit stamp on the reverse. Very Fine condition.
Ava Gardner and Eleanor Parker Vintage Promo Stills. Set of 17 color and three b&w 8" x 10" promo stills featuring Gardner and Parker. In overall Very Fine condition, some with caption info on the reverse.
Teri Garr's Signed and Annotated Mr. Mom Script. Teri Garr's script for the 1983 comedy super hit Mr. Mom, that co-starred Michael Keaton. Teri has signed her name in full in green ink on the title page of this "rainbow shooting script" (different color pages with revisions), marked "Eighth Draft Ninth Revisions." The script was by John Hughes, with the title page adding "Revisions by Norman Steinberg." The star penned many annotations in the script, which is housed in a plastic green ring binder and is in Very Good condition. Accompanied by James Spence Authentication auction LOA.
Greer Garson Photo Portrait by Clarence Bull. Vintage b&w 10" x 13" photo of Garson with Bull's credit stamp on the reverse. Fine condition.
Floyd Gibbons Signed Photo. Vintage b&w 10" x 13" photo of war correspondent Gibbons signed by him in red grease pencil. In Fine to Very Fine condition with mild to moderate toning. Accompanied by James Spence Authentication auction LOA.
Samuel Goldwyn Signed Photo. Vintage b&w 7.5" x 9.5" photo of the legendary producer and studio founder, inscribed and signed in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Bert I. Gordon Signed War of the Colossal Beast Lobby Card. 11" x 14" lobby card signed by director Bert I. Gordon in black felt tip and producer Samuel Arkoff in black ink. Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Great Expectations Cast/Crew Signed Novel. Movie tie-in edition signed by Jean Simmons, John Mills, and cinematographer Guy Green. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Margaret Hamilton Signed Letter. A single-page letter on monogrammed personal stationery, August 29, 1974, handwritten and signed by Hamilton in blue ink. Excellent condition with original mailing envelope. Accompanied by James Spence Authentication auction LOA.
Jean Harlow Photo Portrait by Clarence Bull. Vintage b&w 10" x 13" photo of Harlow with studio and credit stamps on the reverse. Very Fine condition.
Jean Harlow Vintage Promo Photos. Set of 31 b&w 8" x 10" promo stills featuring the original blonde bombshell, including stills for Red Dust (1932), Dinner at Eight (1933), Wife vs. Secretary (1936), and others. In overall Very Fine condition, some with caption info on the reverse.
Julie Harris Handwritten Letter and Signed Playbill. Single-page, double-sided letter, dated May 5, 1996, handwritten by Harris in blue ink; accompanied by December 26, 1968 Playbill signed by her and other Forty Carats castmembers. Items in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Ray Harryhausen Signed Seventh Voyage of Sinbad Poster. Japanese 20" x 28.5" poster for the 1958 movie signed by Harryhausen in blue felt tip. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Hurd Hatfield Signed Picture of Dorian Gray Photo. A b&w 10" x 13" promo still from the 1945 adaptation of Oscar Wilde's novel, inscribed, signed, and dated 1989 in silver felt tip by Hatfield. Matted and framed to an overall size of 18.5" x 14", and in Excellent condition. Accompanied by a COA from PSA/DNA.
Susan Hayward Vintage Promo Photos. Set of six color and 56 b&w 8" x 10" promo stills featuring Hayward. In overall Very Fine condition, some with caption info on the reverse.
Susan Hayward and Others Deadline at Dawn Cast-Signed Novel. A copy of the movie tie-in edition of Deadline at Dawn signed on the free pages by stars Susan Hayward, Paul Lukas, and Bill Williams in red and black inks. In Fine condition with a Good to Very Good dustjacket. Accompanied by James Spence Authentication auction LOA.
Rita Hayworth Signed MCA Contract and Correspondence. This MCA Exclusive Agency Contract, 8.5" x 13.5", two pages, dated July 15, 1959, extended an American Guild of Variety Artists agreement between Rita Hayworth and MCA Artists, Ltd., for a period of three years. The contract is signed "Rita Hayworth" in blue ballpoint at the bottom of page two. Included is a file of correspondence, inter-office memos, and postage receipts related to the contract. Fine condition, with original folds, hole punches in top margins, and staple marks. Accompanied by a COA from PSA/DNA.
Mark Hellinger's Set of Newspaper Illustration Proofs by Jacques Kapralik and Sam Berman. Set of cartoon newspaper proofs, four caricatures, and related documents, from the personal effects of Mark Hellinger. In overall Very Fine condition. From the Mark Hellinger Archive.
Hogan's Heroes Autographs Group Lot. Includes a b&w 8" x 10" photo signed by Leon Askin and blank matchbook covers signed by Bob Crane, Werner Klemperer, John Banner, Ivan Dixon, and Robert Clary. In overall Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Bob Hope Signed Photo. Color 28" x 22" photo of Hope at the Bob Hope Chrysler Classic, signed by him in black felt tip. In Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and an LOA from James Spence Authentication.
Zita Johann Signed The Mummy Photo. A b&w 8" x 10" photo still inscribed and signed by Johann in black ink. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Al Jolson Autograph. Autograph album leaf inscribed and signed by Jolson in blue ink. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Boris Karloff Signed Thank You Card. A 5" x 4" thank-you card with the printed message: "I cannot thank you enough for your good wishes which reached me during my recent stay in the hospital. They had the desired effect as I am fully recovered and back at work again.", signed by Karloff in large, bold script with a black felt tip. In Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a COA from PSA/DNA and a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Pre-Frankenstein Film Stills. "I was an actor for twenty years before Frankenstein, and nobody knew it but me!" laughed Boris Karloff. This lot of ten stills representing his Hollywood struggles include shots from His Majesty, the American (1919, village mob shot, Karloff not identifiable), The Last of the Mohicans (1920, Karloff not identifiable), Without Benefit of Clergy (1921, Karloff not identifiable), The Man from Downing Street (1922, Karloff as a maharajah), Lady Robinhood (1925, Karloff not identifiable), The Greater Glory (1926, Karloff not identifiable), Soft Cushions (1927, Karloff as a sheik), Two Sisters (1929, Karloff with actress), The Sea Bat (1930, Karloff with Gibson Gowland), and a portrait of a young Karloff from an unidentified film, with toothpick in mouth (negative included for this shot). All but Two Sisters and The Sea Bat have the Museum of Modern Art stamp on the reverse and appeared in Cynthia Lindsay's 1975 book Dear Boris. In Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Pre-Frankenstein Photos from 1931. In 1931, Boris Karloff became one of Hollywood's most striking pre-Code villains, and this lot traces his professional ascent that would climax in Frankenstein. The seven 8" x 10" stills include a shot of the January 1931 Central Casting Directory with a portrait of Karloff as jailbird "Galloway" in The Criminal Code; an additional portrait of Karloff as Galloway; a shot of Karloff as dope-peddler "Cokey Joe" in Young Donovan's Kid; a still as the perverse "Isopod" of Five Star Final; as gangster Gaffney in Scarface; and two shots as evil "Nikko" in The Miracle Man. (Karloff actually filmed The Miracle Man after Frankenstein, but before the horror classic's release changed his life and career.) Also included are a negative of the Central Casting Directory page and two negatives of a Karloff portrait from Young Donovan's Kid. The stills from Young Donovan's Kid and The Miracle Man have the Museum of Modern Art stamp on verso and appeared in the book Dear Boris. The Five Star Final shot, with Boris leering at Ona Munson's fishnets, is especially effectively vile. In Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff The Ghoul Photos. In 1933, Karloff's fame as Hollywood's top horror star won him passage to England -- where he'd not been since leaving his native country 24 years earlier -- to star in The Ghoul. This lot includes a marvelous candid shot of Karloff, on ship, seeing his homeland for the first time in nearly a quarter-century; his widow Evelyn had written on the reverse details about the return and that it was "a most tearful moment for Boris." Also in the lot: a terrific behind-the-scenes photo of Boris in the title role, filmed by the crew as his esteemed co-star Sir Cedric Hardwicke sits behind the camera; a shot of the Ghoul crashing through a barred window; and a portrait pose of Karloff from The Ghoul, sans makeup and looking very much the distinguished star in overcoat and with cane. Good to Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff 1930s Portraits and Sketch by Nocolai Fechin. Even "monsters" got the star treatment from the publicity departments in Golden Age Hollywood, and this lot proves it. Included is an original, dramatically intense b&w 8" x 10" Universal portrait of Karloff, in three-piece suit and smoking a pipe, circa 1933; "KARLOFF Universal Pictures Star" stamped en verso, as is "Please Credit Photo by Ray Jones Universal Pictures." (Note Universal was now billing Karloff by his last name only, a la MGM's "Garbo.") Also included: a portrait of Karloff, probably from the same photo session and wearing a hat (no credit en verso); and a 6" x 8" photo of a sketch of Karloff, circa 1933, by noted artist Nocolai Fechin. This photo of the sketch, which captures its subject as both handsome and demonic, has a copyright notice en verso from the National Portrait Gallery of London and was used as the frontispiece in the 1975 book Dear Boris. A copy of the picture in its layout page from that book is included too. Good to Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff and Bela Lugosi Archive. This lot commemorates the greatest and most moving collaboration in horror film history, with Karloff family material from Universal's trio of "KARLOFF and Bela LUGOSI" classics of the mid-1930's. The Black Cat lot features a still of Boris and Bela playing the famous chess game and five small negatives of Karloff close-ups; The Raven lot contains an 8" x 10" negative close-up of Boris in the disfigured Bateman makeup, plus two stills, one looking at his horrific reflection and one with Lugosi and Samuel S. Hinds; and The Invisible Ray offers an 8" x 10" full-length portrait and still of the discarded test makeup, and a very rare 4" x 5" candid shot of Karloff on the set with visiting tennis champion Kay Stammers. In Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff The Black Room Archive. Columbia's The Black Room (1935) presents two of Karloff's truly virtuoso performances, playing medieval twins: good Count Anton and evil Count Gregor. This lot offers six shots of Boris's wicked Gregor: four moody portraits, a shot with leading lady Marian Marsh and a still with Thurston Hall and John Buckler. In Good to Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff 1930s Portraits and Candids. This lot presents Boris Karloff at the peak of his 1930s popularity, in the form of portraits, candids, snapshots, and postcards. Included are 19 different portraits and 17 different candids. Portraits include a matte finish 3" x 5" of the portrait he sent to fans mid-late 1930s (some pinhole damage); candids show him enjoying cricket, floating in his pool, picking fruit, carrying a water can into his greenhouse, smiling on the tennis court, sitting by hearth with wife Dorothy, attending a Hollywood party with Cary Grant, Olivia de Havilland, Gloria Swanson and others, chatting with pal James Cagney at a formal affair, smiling with baby daughter Sara Jane, and so on. Two of the best: Boris relaxing in his cricket jacket, reading with a Bedlington terrier nestled beside him; and Boris, peeking in his farmhouse window, dressed and bearded as...Santa Claus! Wonderful mementoes of the legendary actor, both formal and informal. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Warner Bros. Photo Archive. In 1935 Boris Karloff signed a non-exclusive contract with Warner Bros. and headlined five melodramas for that studio. The lot includes three stills from The Walking Dead, two from West of Shanghai (plus three negatives), one from The Invisible Menace, two from Devil's Island (plus three negatives), and one from British Intelligence (plus an 8 " x 10" negative portrait). Also in the lot: a magnificent, original 11" x 14" profile portrait from Devil's Island, with "Elmer Fryer Hollywood" embossed in the lower left corner. Karloff had saved relatively few of his own oversize portraits at the time of his death, and this was one of them. One of The Walking Dead stills has border damage; another still from that film and the one from British Intelligence have the Museum of Modern Art stamp en verso and appeared in the book Dear Boris. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff The Man Who Changed His Mind Photos. In 1936, Boris Karloff returned to England again, this time to star as a mind-switching very mad doctor in The Man Who Changed his Mind. He signed for another British film (Juggernaut), and he and Dorothy spent six months there, leasing a countryside estate called "Old Malt House." This lot includes one still of Boris (with chimpanzee) in The Man Who Changed his Mind; a 6.5" x 8" photo of Boris on the cricket field (his widow Evelyn has written on the reverse regarding Boris and several Hollywood Cricket Club members, in London at the same time, challenging the Oxford University cricketers to a match); and nine 9" x 11.5" professionally-made photographs of Old Malt House. Also three shots of nearby inns and pubs. A different type of lot, and quite charming. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Charlie Chan at the Opera and Night Key Photos. Two great Karloff makeups and performances: a wonderfully over-the-top Mephistopheles in Charlie Chan at the Opera and a kindly old genius in Night Key. With horror films imperiled by international censorship trouble in 1936, Karloff extended his professional horizons - playing mad opera singer "Gravelle" in 20th Century-Fox's Chan film, and kindly old inventor David Mallory in Universal's crime melodrama Night Key. The Charlie Chan at the Opera file contains two portraits of Karloff in full opera devil regalia, plus a negative of one of the portraits. The Night Key lot offers a great original portrait of Karloff in age makeup, with "KARLOFF Universal Pictures Star" stamped en verso and original snipe, plus a shot of Karloff with leading lady Wendy Barrie and a negative of a different portrait. All shots are 8" x 10." The man could -- and did -- play every type of role. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Devil's Island Photo by Elmer Fryer. A b&w 11" x 14" photo of Karloff as a wrongfully imprisoned French surgeon -- a rare heroic role for him -- in the 1939 thriller. In Fine to Very Fine condition with Fryer's credit stamp in the lower left corner. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Tower of London and Black Friday Archive. "I've never killed in hot blood before!" exulted Karloff as Mord, the executioner with bald pate, club foot, and giant axe in Universal's Tower of London (1939). Then in his next film for Universal, Black Friday (1940), the chameleon-like Karloff was Dr. Sovac, a clotheshorse mad doctor, performing a mayhem-wreaking brain transplant. The Tower of London file features two 8" x 10" portraits of Boris as the bloodthirsty Mord, plus three candids; also an 8" x 10" portrait negative and four small negatives. The Black Friday folder contains an 8" x 10" Karloff portrait as the sinister Sovac, a shot of his test makeup, a b&w reproduction of the title card (with co-star Bela Lugosi), a candid of Karloff on the set playing "cat's cradle" with singer Gloria Jean; and one negative. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Columbia "Mad Doctor" Series Archive. Boris Karloff's "Mad Doctor" series for Columbia ran from 1939 to 1942 and spawned five unholy films. This lot features them all: The Man They Could Not Hang (two portraits, one still with Lorna Gray and others, one portrait negative), The Man with Nine Lives (three 8" x 10" stills, including candid of Karloff reading the comics to a little boy) with a negative and a color slide, Before I Hang (original 8" x 10" portrait with Evelyn Keyes with photographer stamp and snipe en verso, additional still with Keyes and Bruce Bennett), The Devil Commands (8" x 10" scene with Anne Revere), and The Boogie Man Will Get You (two 8" x 10" originals with Peter Lorre, photographer stamp and snipe en verso), with negative. One of the shots with Lorre has a surface scratch, otherwise Good to Very Good condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Black Friday Photo. A great, intense b&w 11" x 14" photo of Karloff in the 1940 horror thriller Black Friday, one of eight movies in which he appeared with fellow horror legend Bela Lugosi. In Very Fine condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff The Climax and House of Frankenstein Archive. Two Universal super melodramas awaited Karloff after he completed his Arsenic and Old Lace tour in 1944. The Climax starred Boris as a sinister hypnotist, and this lot includes a still of Karloff with actress Jane Farrar, a photocopy of a candid shot of Boris with director George Waggner, and a photocopy of a two-page November 7, 1944 magazine story (title not identified) with seven shots from the film. The rowdy House of Frankenstein starred Karloff as a mad doctor who revives Lon Chaney Jr.'s Wolf Man, John Carradine's Dracula, and Glenn Strange's Monster, and the lot offers two 7" x 9" matte finish portraits of Karloff, three glossy 8" x 10" portraits (one from the 1957 Screen Gems release of Shock! Theatre, which misidentifies the still as being from The Black Cat), an 8" x 10" shot of Boris with Chaney and Strange, an 8" x 10" still of an early poster, a 3" x 5" shot of Karloff with J. Carrol Naish (as the hunchbacked Daniel); also a negative of that shot and negatives of two Karloff portraits. Bonus: a candid of Boris and Chaney Jr. at Universal from early 1944. Pictures. In Fair to Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff 1940s Candid Photo Archive. The 1940s were an exciting decade for Boris Karloff: Broadway stardom in Arsenic and Old Lace, a climax to his horror glory as The Body Snatcher, and status as one of Hollywood's most respected character actors. He worked hard and played hard and this lot focuses on the play: Boris with wife Dorothy at a dance at the Waldorf-Astoria, Boris posing with Elsie the Borden Cow, publicizing RKO films in Manhattan, a proof sheet of shots with his dog and cat, and a photo of Boris in drag with Ed Wynn, Vincent Price, Clifton Webb, Danny Kaye, Eddie Cantor, and as the "Floradora Sextette." Also of interest: several 8" x 10" photos of Boris and wife Evelyn (whom he wed after his divorce from Dorothy) in the audience at a 1948 Truth or Consequences show, apparently as part of the gag. Pictures range from 2" x 3" snapshots to 8" x 10" stills, condition from Fair to Excellent. Fascinating glimpse into the life of a world-famous but basically very private man. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Late 1940s Films and Stage Appearance in On Borrowed Time. A repertoire of Karloff roles from the late 1940s. Photos include him as crazy designer van Druten in Lured (one shot with Lucille Ball), Chief Guyasuta in DeMille's Unconquered, Tishomingo in Tap Roots, and the Swami in Abbott and Costello Meet the Killer, Boris Karloff. Also included is an original 3.5" x 5" shot of Boris and wife Evelyn on the set of Tap Roots (her handwriting in pencil on the reverse) with negatives, an Unconquered shot, two Meet the Killer shots, and six original 8" x 10" shots of Karloff as "Gramps" in the fantasy play On Borrowed Time. (Karloff played the role at the El Patio Theatre in Los Angeles in November of 1946, and Jack Pierce did his makeup.) All pictures have the photographer's stamp on the reverse. The lot also includes a clipping from Hedda Hopper, and a negative of a publicity shot of Karloff with the child actor from the play, Tommy Ivo. In Fine condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Photo Portrait by Paul Jones. A b&w 11" x 14" photo portrait of Karloff and an unidentified young boy, signed and dated 1950 by photographer Paul Jones on the matting just below the lower right corner. Matted to an overall size of 16" x 20", the photo is in Very Fine condition with some wear around the edges of and mild to moderate toning to the mat. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff 1950s Portrait and Candid Photos. In some ways, the 1950s provided Karloff's most rewarding decade, as he acted in virtually every area of show business and worked all over the world. This lot is a mix of publicity photos and personal snapshots. It includes 13 candid photos from The Monster of the Island (1953) taken in Italy; publicity photos of the Karloffs in Acapulco posing with a giant swordfish they caught, plus 20 snapshots taken in Acapulco; 19 snapshots taken in Hawaii during the shoot of Voodoo Island (1957), plus color shot of Karloff sitting in director's chair; Boris and Evie in a New York theater, Boris sitting by a CBS camera, on the beach with his pants legs rolled up, attending the premiere of The Glenn Miller Story, chatting with bobbies in London, dining with friends, etc. Pictures range from small snapshots to 8" x 10" stills, with several negatives included, and are in Fine to very Fine condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Photo Portrait by Walter Bud. A tastefully matted b&w 11" x 14" portrait of Karloff taken later in life, signed by photographer Walter Bud in the lower left corner. In Very Fine to Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff 1960s Portraits and Candid Photos. Boris Karloff's passion for acting and devotion to his fans never left him and this lot honors the star both at his craft and at his leisure during the final decade of his life. Included are more than 40 shots: on a boat, at the beach, with a dog, chatting with Vanessa Redgrave, attending a premiere, visiting Sara and his two grandsons, and still playing cricket (even when nearing 80). Formats include some color 8" x 10" photos and snapshots and a fine variety of portraits, showing him actually a vitally handsome man to the very end. In overall Very Fine condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff 1960s Film Photos. The lot offers three shots from 1963's The Raven (including a rare promotional tour shot with Peter Lorre); one from The Terror (being strangled by Sandra Knight, a former Mrs. Jack Nicholson); two from The Comedy of Terrors; one from Black Sabbath; two from Die Monster Die!; three from The Venetian Affair; and two negatives from The Raven. In Very Fine condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff as "Mother Muffin" on The Girl from U.N.C.L.E. This lot is hopelessly devoted to Karloff's awesomely kinky Mother Muffin, who capered unforgettably on a 1966 episode of TV's The Girl from U.N.C.L.E. It includes two 1991 letters to Evelyn Karloff from Stefanie Powers ("April Dancer" herself), one a photocopy and the other an original with her signature; a color 8" x 10" close-up of Boris in Mother Muffin bonnet and wig; three black and white 8" x 10" publicity pictures, two of them portraits of Boris as Mother, the other showing him with Stefanie Powers (in tights) and Robert Vaughn (in a guillotine), with a negative of one of the portraits; and a two page color magazine feature on Karloff and the episode. In Very Fine condition. A valentine to one of the most infamous and delightful performances of Boris Karloff's late life. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff in Targets, House of Evil, and I Spy. Many Karloff fans consider his brilliant performance in Peter Bogdanovich's Targets (1968) his apotheosis, and this lot includes 12 b&w 8" x 10" shots from that unforgettable film, as well as two copies of a 5" x 7" French ad for the film and a negative of the ad. Additionally, the lot contains an 8" x 10" shot from a 1967 Karloff guest appearance on TV's I Spy with Bill Cosby and Robert Culp (with negative), and a candid shot from House of Evil, one of the star's final American/Mexican horror films. The shot shows Karloff with the film's director Jack Hill, who has signed: "To Sara Best wishes Jack Hill 'House of Evil'." In Fine condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Universal Composite and Vanity Fair Artwork. Here are two wonderful Karloff items. First is an original Universal Studios still from 1937, showing Karloff surrounded by head shots of some of his most famous roles of the 1930s: Frankenstein's Monster, Morgan of The Old Dark House (both final and test makeup), The Mummy, Bateman in The Raven (both makeups), Rukh in The Invisible Ray (test and final makeup), and Mallory in Night Key. Original snipe on the reverse hails Karloff as "The Man of Many Faces" and identifies the roles. The shot appears in the book Dear Boris and has the layout overlay for identifications of the makeups. The second item is a color two-page illustration by Robert Schulenberg, featured in the March 1983 Vanity Fair, titled "The Stars Look Down from Mount Olympus," with 29 stars caricatured as Greek gods: John Barrymore as Zeus, Mae West as Aphrodite, Conrad Veidt as Hades, etc.; Karloff appears as Charon, the ferry man of the River Styx! This was Evelyn Karloff's personal copy, sent to her by a friend who noted on the reverse that she might get a lithograph from Vanity Fair. Both the still and the illustration (folded in half and preserved in plastic) are in Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Photo from Devil's Island by Schuyler Crail. A great b&w 11" x 14" publicity photo of Karloff from Devil's Island, which was produced by Warner Bros. in 1938, with Schuyler Crail's photographer stamp on the reverse. In Very Fine condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Photo Portrait by Walter Bud. A great vintage b&w 11" x 14" photo portrait of Karloff taken later in life, signed by photographer Walter Bud in the lower left corner. Tastefully matted and in Very Fine condition with some wear to the bottom edge of the mat. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Photo Portrait. A great b&w 11" x 14" photo portrait of a smiling Karloff, pipe between his teeth, signed by photographer "Herky" in the lower right corner. In Very Fine condition, and matted to an overall size of 16" x 20". From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Devil's Island Photo by Elmer Fryer. A b&w 11" x 14" photo of Karloff as surgeon wrongfully convicted and sent to the titular prison colony in the 1939 thriller. In Very Fine condition with Fryer's credit stamp to the lower left corner. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Arsenic and Old Lace 1957 Alaska Trip Archive. This huge archive covers Karloff's March 1957 trip to Alaska to star in an Anchorage revival of Arsenic and Old Lace, and includes snapshots, the play's program, stills, letters, Pan American's Guide to Alaska pamphlet, newspaper clippings, picture of cast signed by members on the reverse (but not by Karloff), and a note to the Karloffs from the cast ("If we know what pure kindness and absolute generosity are, it's because we've known the Karloffs"). A huge lot covering an adventure that Karloff called his favorite professional engagement. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Stage Sketch for The Linden Tree. This beautiful painting, 6" x 16" in a 9" x 19" mat, was the set design for The Linden Tree, a play that starred Boris Karloff, was written by J. B. Priestley and opened on Broadway March 2, 1948. Priestley had originally rejected Karloff for the role of an aging academic professor. "Put his name on the marquee and people will think my play is about an axe murderer!" the playwright protested. Karloff cabled Priestley, "I promise you I would not have eaten the baby in the last act," and the author was so amused that he gave his blessing to Karloff's casting. Alas, despite outstanding reviews for Karloff, the play lasted only seven performances. Its failure was one of the deep professional regrets of Karloff's life, and he kept this painting of the set by scenic designer Peter Wolf and displayed it in his home. The reverse still has the mounting clasps. In Very Good condition. How telling that a visitor to Karloff's home would find no evidence of Frankenstein or one of his horror film sensations, but would see this memento of one of the actor's "noble failures." A truly classy curio for Karloff collectors. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Black Cat Sketch by Tomy Sansevero. A 22.5" x 29 " pencil sketch of Karloff as he appeared in the 1934 adaptation of Edgar Allan Poe's short story, signed by artist Tomy Sansevero. In Excellent condition, matted to an overall size of 24" x 36". From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff's Personal Targets Release Dialogue Script. Before his death, Boris Karloff owed movie producer Roger Corman three days worth of work, and decided to finish out his contract by appearing in the thriller Targets, written and directed by an up-and-coming Peter Bogdanovich. In it, Karloff plays an aging horror-film star who, while making a personal appearance at a drive-in theater, confronts a psychotic Vietnam veteran turned mass-murdering sniper. It would be one of his final -- and most memorable -- roles, as the iconic actor died less than a year later. This is Karloff's personal copy of the "Release Dialogue Script," dated July 16, 1968. It is not a shooting script but basically a studio-prepared written record of the film, with all dialogue included and all action described. The script is 115 pages long (no annotations) and includes the opening and final credits. Karloff was immensely proud of this film and with good reason. In Excellent condition with very mild wear. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Boris Karloff Lithograph by Robert Aragon. A 17" x 23" lithograph portrait of Karloff by artist Robert Aragon, #2 in a limited series of 2,000, numbered and signed by the artist in the lower right corner in silver ink. Matted to an overall size of 24" x 30" and in Fine to Very Fine condition with what appears to be a 26" cut of mild depth that extends from the top portion of the matting down the center of the art. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Evelyn Karloff's Cricket Club Membership Book. Boris Karloff used to describe himself as "the happy rabbit" of the Hollywood Cricket Club, played at every opportunity in the 1930's and thereafter followed the game avidly. In 1991, 22 years after the star's death, the Surrey County Cricket Club awarded his widow, Evelyn Karloff, a Life Membership. The benefits included this handsome 2.5" x 4" book, the cover reading "Surrey County Cricket Club Life Member 1991" and the inside containing a sticker with Mrs. Karloff's printed name and address, a list of membership privileges, a calendar of the games and vouchers to attend. Also included is a medallion on a red string, the medallion's reverse reading, "Members must wear this medallion prominently to gain access to the Pavilion and Members' Enclosure." In Excellent condition. From the Boris Karloff Estate Collection. Accompanied by a letter of provenance from Sara Karloff Sparkman.
Henry King - Abbott Enterprises Inc. Office Book, 1930-1940. This 9" x 11.5" leather-bound book with gilt title and marbled endpapers, includes three sections -- By-Laws, Minutes, and Ledger -- and contains 102 Henry King ink signatures! Hollywood director Henry King (1886-1982), whose impressive credits include In Old Chicago (1937), Jesse James (1939), The Song of Bernadette (1943), and 12 O'Clock High (1949), was also president of Abbott Enterprises, Inc. This office book contains typewritten information pertaining to the company's stock. In Fine to very Fine condition with some wear and small chips on the cover. Accompanied by a COA from PSA/DNA.
Ernie Kovacs Signed Letter (1961). A single-page typed letter on E&EK Enterprises letterhead, dated March 22, 1961, and signed by the comedian and television pioneer in black ink. In Fine to Very Fine condition with mailing creases and torn file holes to the top edge. Accompanied by a COA from PSA/DNA.
Ernie Kovacs' Dress Shirt. Italian-made, initials "E.K." embroidered on left breast. In Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Ernie Kovacs' Dress Shirt. With initials "E.K." embroidered on left breast. Very Fine condition. From the Ernie Kovacs/Edie Adams Estate Archive.
Stanley Kramer's OCIC (Office Catholique International du Cinéma) Award for Bless the Beasts & Children (1971). The film about childhood alienation was so affecting it became staple viewing in schools throughout the country. Kramer was awarded the honor at the Berlin International Film Festival in 1971. In Excellent condition. From the Stanley Kramer Estate.
View our 14 minute video: In celebration of Stanley Kramer
View our 14 minute video: In celebration of Stanley Kramer
Elsa Lanchester Signed Bride of Frankenstein Photo. A b&w 8" x 10" still inscribed and signed by Lanchester in black felt tip. Accompanied by James Spence Authentication auction LOA.
L.A. Raiders CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 45 b&w snapshots of various attendees at the event honoring the Raiders' win at Super Bowl XVIII, matted and framed together to an overall size of 58" x 37". Photos include Raiders Al Davis, Art Shell, Marcus Allen, Jim Plunkett, Todd Chistensen, and others, plus veteran roasters Milton Berle, Sid Caesar, Norm Crosby, Rich Little, Slappy White, and others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Assorted Actor Autographs to Emil LaVigne. Set of three pages from an unknown book, bearing inscriptions and signatures from Katharine Hepburn, Jennifer Jones, Jason Robards, and Lauren Bacall, and others. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Vivien Leigh Vintage Movie Stills. Set of one color and 15 b&w 8" x 10" promo stills featuring Leigh in Gone with the Wind (released in 1939), That Hamilton Woman (1941), and Caesar and Cleopatra (1945). In overall Very Fine condition, some with studio stamps and/or caption info on the reverse.
Jerry Lewis Signed Contract. A two-page agreement between Jerry Lewis and York Pictures, dated May 4, 1963, signed by Lewis on the second page in red ballpoint. In Fine condition with some toning, wrinkling, rusted staple, and binder holes to the top edge. Accompanied by James Spence Authentication auction LOA.
Carole Lombard and Julie Bishop Vintage Promo Photos. Pair of b&w 11" x 14" promo photos featuring Carole Lombard and Julie Bishop (with her birth/early acting name "Jacqueline Wells" on the back). In overall Fine condition with studio stamps on the reverse of each.
Carole Lombard Vintage Promo Photos. Set of ten b&w 8" x 10" promo photos featuring the actress in glamorous poses plus stills for No More Orchids (1932) and To Be or Not To Be (1942). In overall Fine condition, some with studio stamps and/or caption info on the reverse.
Bela Lugosi Limited Edition Ape Man Bust. Unpainted 5.5" plaster bust of Lugosi as seen in the 1943 movie, in its original box and in Excellent condition.
David Manners Signed Letter. Single-page letter to David Manners, with his response handwritten in in the lower half and signed in black ink. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Dean Martin's Wedding Menus. Three specially-designed Beverly Hills Hotel menus, measuring 9" x 12.5", on parchment-like paper and with tassels, headed "Wedding Dinner Honoring Mr. and Mrs. Dean Martin" and dated April 25, 1973. This was Dino's third marriage, the bride was Catherine Hawn and the union lasted three years. The Old English lettering lists such culinary offerings as Lobster-Belle-Vue, caviar, pheasant, trout, Beef Wellington and, of course, wedding cake. Each menu has "age spots" and one has a 4" tear - Fair to Good condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Groucho Marx and Others Signed Notecards. Set of five notecards signed by Marx, Fred Astaire, George McCoy, David Janssen, and Warren Oates. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Ilona Massey Autograph with Photo. An autograph album page inscribed and signed by the actress in black ink, matted along with a b&w 8" x 10" headshot of Massey to an overall size of 16" x 20". In Very Fine condition with some white out and wear to the top edge of the page. Accompanied by James Spence Authentication auction LOA.
Dorothy McNulty Photo Portrait by Clarence Bull. Vintage b&w 10" x 13" photo of McNulty with caption info and studio and credit stamps on the reverse. Very Fine condition.
Adolphe Menjou Signed Photo. A b&w 11" x 14" photo of Menjou inscribed and signed by him in black ink. In Fine to Very Fine condition with moderate toning. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Ray Milland, Ginger Rogers, and Others Signed Lady In the Dark Book. A copy of the 1944 movie tie-in edition of the play Lady In the Dark signed on the first free page by stars Ray Milland and Ginger Rogers, as well as actors Natalie Schafer, Anne Francis, and others, in various colors of ink. In Very Fine condition, with Good dustjacket. Accompanied by James Spence Authentication auction LOA.
Liza Minnelli CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 39 color snapshots of various attendees at the 1987 roast honoring the singer-actress, matted and framed together to an overall size of 53.25" x 37". Photos include Loni Anderson, Burt Reynolds, Red Buttons, Milton Berle, Gregory Peck, Jack Klugman, Buddy Ebsen, Janet Leigh, and many others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Night of the Living Dead Cast and Crew Signed Poster. A b&w 11" x 17" anniversary poster, signed by director George Romero, writer John Russo, and actors Judith O'Dea, Russell Streiner, Kyra Schon, and Marilyn Eastman. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Maila Nurmi Signed Plan 9 From Outer Space Poster. A 12.5" x 22.5" poster for the infamous movie's 1998 video release, inscribed "To Dennis/Thanx/Vampira" and signed by the actress in black felt tip. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Maila Nurmi "Vampira" Signed Letter. Single-page handwritten letter on Nurmi's personal "Vampira"-themed stationery, undated, inscribed "Riding the bus to the studio in full drag was the most exciting adventure I had on 'Plan 9'! " and signed "Maila N./Vampira" in blue ink. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Laurence Olivier and Joan Fontaine Autographs with Photo. A pair of 4.5" x 3" signature cuts in blue ink, matted and framed along with a b&w 8" x 10" photo to an overall size of 14" x 20". In Excellent condition. Accompanied by a COA from PSA/DNA.
Jack Palance CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 17 color snapshots of various attendees at the 1993 roast honoring the late actor and Hollywood tough guy, matted and framed together to an overall size of 35" x 37". Photos include Steve Allen, Martin Landau, Sid Caesar, Ed Lauter, and others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Phantom Lady Lobby Card with Ella Raines, Franchot Tone, and Alan Curtis Autographs. What an outstanding set of autographs from Phantom Lady, the classic film noir from 1944. The signatures of Ella Raines in blue ink, Franchot Tone in green ink, and Alan Curtis, also in green ink, grace this superb display, double-matted alongside an original lobby card from the cult fave. Ella's captivating performance hit its peak in the film's infamous, frenzied drum solo scene with Elisha Cook, Jr. (at his most lascivious); her transformation from good to bad (and back again) is one of those celebrated noir set-pieces film historians have been raving over since noir's inception! Professionally framed to an overall size of 20" x 18", the piece is in Excellent condition. Accompanied by a COA from PSA/DNA.
Mary Pickford and Dolores Del Rio Signed Books. Pair of vintage movie editions includes Revenge, inscribed and signed by Del Rio in black ink on a card affixed to the flyleaf; and The Demi-Widow, signed by Pickford on the flyleaf in blue ink. Both in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Sydney Pollack and Others Actor and Director Signed Checks, Set of 15. Set of 15 actor signed checks includes signatures from Sydney Pollack, Francis Ford Coppola, Ross Martin, Cornel Wilde, Blake Edwards, Phil Silvers, and others. In overall Excellent condition with the usual bank cancellation marks. Accompanied by a COA from PSA/DNA.
Harry "Snub" Pollard Signed Contracts (1938). Set of three Screen Actors Guild freelance contracts includes a May 23, 1938, agreement for Rollin' Plains; an August 27, 1938 agreement for Where the Buffalo Roam; and an October 21, 1938, agreement for Little Tenderfoot (released as Song of the Buckaroo in 1938), the first and third of which have been signed by the silent era comedian in blue ink. The scripts are in overall Very Fine condition with mild wear. Accompanied by a COA from PSA/DNA.
Vincent Price Inscribed Book. Copy of Medieval Art by Charles R. Morey, inscribed and signed by Price in black ink on the first free page. From Price's personal library and in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Luise Rainer Vintage Photos by Clarence Bull. A pair of b&w 10" x 13" photos of Rainer, including a still from The Great Ziegfeld (1936), with caption info and credit stamps on the reverse. Both in Very Fine condition.
Claude Rains Invisible Man Autograph Display. An autograph by Rains in black ink, matted along with one color (signed by Gloria Stuart) and two b&w promo stills from the 1933 classic. In Excellent condition, overall size 22" x 20". Accompanied by James Spence Authentication auction LOA.
Basil Rathbone Promo Still by Clarence Sinclair Bull. Vintage b&w 10" x 13" photo of Rathbone in Romeo and Juliet (1936) with caption info and credit stamps on the reverse. Fine condition.
Basil Rathbone Signed Contract. Double-sided agreement with the Theatre Guild of New York, dated September 22, 1947, engaging Rathbone to perform a radio version of the play The Admirable Crichton, signed by the actor in blue ink. In Very Fine condition with some wear and toning. Accompanied by a COA from PSA/DNA.
Basil Rathbone Signed Contract. A two-page agreement on MGM letterhead, dated April 23, 1943, and signed by Rathbone on the second page in black ink. In Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Basil Rathbone and Carroll Nye Signed The Bishop Murder Case Novel. A copy of the movie tie-in edition of The Bishop Murder Case signed on the first free page by actors Basil Rathbone and Carroll Nye in black ink. In Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Ronald Reagan Autograph. A desk calendar page inscribed "Good luck Anne + Sincere Best Wishes" and signed by Reagan in pencil. Undated. In Very Fine condition with some toning and mild wear. Accompanied by James Spence Authentication auction LOA.
Vanessa Redgrave Autograph with The Loves of Isadora Lobby Card. A 6" x 3.5" signature cut in blue ink, matted and framed along with a lobby card for the 1968 biopic The Loves of Isadora, to an overall size of 20" x 27". In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Resident Evil Prop Knife. Rubber prop combat knife and sheath, one piece, 13", used in the 2002 action movie. Excellent condition.
Burt Reynolds CENSORED Club Lifetime Achievement Award Photo Display. A large display from the walls of the Beverly Hills CENSORED Club, featuring 41 color snapshots of various attendees at the 1993 roast honoring the Smokey and the Bandit star, matted and framed together to an overall size of 35.25" x 26". Photos include then-wife Loni Anderson, Dom DeLuise, Evening Shade co-stars Marilu Henner and Michael Jeter, John Forsythe, Jack Palance, Larry Csonka, Red Buttons, Zsa Zsa Gabor, and others. In Excellent condition. From the Beverly Hills CENSORED Club Celebrity Roast Archive.
Riot Squad Document Archive (1941). A set of documents from the 1941 crime drama that includes nine Screen Actors Guild contracts for assorted principal and supporting players, two dialogue continuity scripts, a master shooting schedule, three copies screenplay (two with handwritten notations), and other items from the production. In overall Fine to Very Fine condition with some wear.
Tex Ritter Arizona Redman Document Archive (1940). A set of documents from production on the 1940 Tex Ritter Western (ultimately released as Arizona Frontier) includes 17 Screen Actors Guild contracts for various supporting players, a dialogue continuity script, a dialogue script for a promotional trailer, and a copy of the screenplay. Also included are contracts for Rainbow Over the Range (1940) signed by Dennis Moore, Dorothy Fay, Post Park, Chuck Morrison, and Stephan Forbes. In overall Fine to Very Fine condition with some wear. Accompanied by a COA from PSA/DNA.
Edgar G. Robinson, Douglas Fairbanks, and Others Signed Little Caesar Novel. Movie tie-in edition signed Robinson, Douglas Fairbanks, Mervyn LeRoy, and Glenda Farrell. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Ginger Rogers Signed Photograph. An attractive b&w 8" x 10" photo of the renowned dancer and Fred Astaire's best-known co-star, inscribed, dated 1991, and signed by Rogers in blue felt tip. In the inscription, Rogers identifies the shot as one taking to promote the 1951 drama Storm Warning, in which she appeared opposite Ronald Reagan and Doris Day. The photo is in Excellent condition, and has been matted and framed to an overall size of 13.25" x 16.25". Accompanied by James Spence Authentication auction LOA.
Roy Rogers and Other Western Autographs. Set of four notecards signed by Rogers, Rex Allen, Johnny Cash, and Jay Silverheels. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Mickey Rooney Photos. A pair of b&w 10" x 13" headshots of Rooney, with caption info and credit stamps on the reverse. Both in Very Fine condition.
Jane Russell Signed MGM Contract. Three-page contract dated April 8, 1953, between MGM and actress Jane Russell approving the release of the soundtrack to Gentlemen Prefer Blondes, signed by her on the last page in blue ink. In Fine to Very Fine condition with file holes to the top edge and some stains to the front page that affect appearance but not the signature. Accompanied by a COA from PSA/DNA.
Rosalind Russell Photo Portrait by George Hurrell. Vintage b&w 10" x 13" photo of Russell with studio and credit stamps on the reverse. Fine condition.
Rosalind Russell Photo Portrait by Clarence Bull. Vintage b&w 10" x 13" photo of Russell with caption info and Bull's credit stamp on the reverse. Very Fine condition.
Jerry Seinfeld Prop American Express Card. A prop American Express credit card possibly used by Seinfeld in one of his commercials for the company, with his name written on the reverse in an unknown hand. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Norma Shearer Vintage Promo Stills. Set of 14 assorted b&w 8" x 10" promo photos featuring the actress, including stills from Romeo and Juliet (1936). In overall Very Fine condition.
Ann Sheridan Signed Letter with Photo (1960). A single-page letter on personal stationery dated October 16, 1960, signed by Sheridan in green ink. In Very Fine condition with two glue residue stains across the letter -- one over the signature -- matted along with a b&w 8" x 10 photo to and overall size of 18" x 24". Accompanied by a COA from PSA/DNA.
Jilly Rizzo's Keepsake Invitations. Invites to a 1970 reception for Admiral Mountbatten and a Governors' dinner (year unknown), both preserved as plaques. In Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Assorted Photos. Includes four copies of a b&w 11" x 14" photo of Sinatra onstage circa the '80s, and three assorted b&w 5" x 7" photos of a young Sinatra, two with pre-printed signatures. Very Fine to Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra and Friends Vintage Photo. A b&w 20" x 14" photo of Sinatra, Don Costa, and Jilly Rizzo in the studio, in Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo & Others Contact Sheets. Eight color contact sheets bearing 87 total images of Jilly Rizzo, Sammy Davis Jr., Ed McMahon, and others playing golf. Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and an LOA from James Spence Authentication.
Jilly Rizzo's Personal Copy of Frank Sinatra A Man Alone, Signed by Author. First edition (December 1969), limited to 500 copies, orange cloth binding with gold cover and spine titles, dust jacket. This extremely rare book was never offered for sale. Four hundred of the 500 copies were personally signed by author Rod McKuen on the limitation page for Frank Sinatra, the remaining 100 were retained by McKuen. The material in the book was written for Sinatra, who recorded much of it for his Warner-Reprise album A Man Alone. This copy, #136, was presented by Sinatra to his closest friend and right-hand man, Jilly Rizzo. In Very Fine condition with minor wear. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Copy of Frank Sinatra A Man Alone, Signed by Author (1969). First edition (December 1969), limited to 500 copies, orange cloth binding with gold cover and spine titles, dust jacket. This extremely rare book was never offered for sale. Four hundred of the 500 copies were personally signed by author Rod McKuen on the limitation page for Frank Sinatra, the remaining 100 were retained by McKuen. The material in the book was written for Sinatra, who recorded much of it for his Warner-Reprise album A Man Alone. This copy, #137, was presented by Sinatra to his closest friend and right-hand man, Jilly Rizzo. In Fine condition with minor wear and small tears and creases to the dustjacket. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo and an LOA from James Spence Authentication.
Frank Sinatra Vintage Reno Concert Poster. A 14" x 23" poster for Sinatra's 1988 shows at Bally's Reno Casino and Resort, in Very Fine to Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra 1989 New Year's Eve Concert Poster. Matted and framed 17" x 28" poster for 1989 New Year's Eve performance at Bally's. Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Related - Rat Pack Images from Jilly Rizzo's Collection. Set of three 4.5" x 7" prints featuring Dean Martin and Sammy Davis Jr. (both matted and framed to 8" x 10") and Frank Sinatra (frame gone, image detached from mat). In Very Fine to Excellent condition except as noted. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Invitation to Nancy Sinatra Performance at Caesar's Palace. From Frank Sinatra to Rizzo, for the August 6, 1970 performance, with RSVP card. Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra 1970s-80s Concert Tour Items. Includes six 12" standees signed by Sinatra, Sammy Davis Jr., and Liza Minnelli in blue ink, and six assorted program books. In overall Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo Personal Copies of Two-Volume 1987 Sinatra Italian Tour Newspaper Archive. In May and June 1987, Sinatra right-hand man Jilly Rizzo enjoyed a month-long tour of Italy with Frank, who thrilled enormous crowds in Palermo, Verona, Rome, Milan, Genoa, Santa Margherita, and Bari, where Signor Rizzo enjoyed visiting the home of his ancestors. The Italian press flooded every major newspaper with details about Ol' Blue Eyes, who had all the articles compiled into two large volumes to present to his crew. This unique two-volume spiral-bound set, Sinatra Italian Tour, was presented to Jilly Rizzo by Frank Sinatra. Contents include every major newspaper article (in Italian) published in Italy during the tour. These rare volumes are from Frank Sinatra's most extensive tour of the home of his ancestors, and was in the possession of Jilly Rizzo from 1987 until his death in 1992, when they became part of his estate archive. In Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra's Caesar's Palace Medallion Commemorating His Inaugural Performance, November 1968. A commemorative medallion measuring 4" in diameter, featuring a profile headshot of Sinatra with laurel leaves in his hair and around the perimeter. The reverse includes the tribute: "IN COMMEMORATION OF THE INAUGURAL PERFORMANCE OF THE NOBLEST ROMAN OF THEM ALL AT CAESAR'S PALACE BE IT KNOWN BY THIS DICTUM THAT YOU ARE ELECTED ONE OF CAESAR'S SPECIAL GUESTS WITH THE REQUEST TO ATTEND THE FRANK SINATRA PREMIERE PERFORMANCE NOVEMBER MCMLXVIII". The medallion, on a 15" chain, is in Very Good condition with some wear and tarnishing. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Invitation to Frank Sinatra's 50th Birthday. With 11" x 14" matted quotation from Sinatra. Both in Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Copy of Sinatra and Friends 1977 Television Script. On April 6, 1977, Frank Sinatra's right-hand man, Jilly Rizzo, accompanied Ol' Blue Eyes to NBC Studios in Burbank to begin taping the television special Sinatra and Friends, co-starring Dean Martin, Tony Bennett, Natalie Cole, Loretta Lynn, Robert Merrill, Leslie Uggams, Alan Calm, and John Denver. The following day, they enjoyed a game at Dodger Stadium, where Frank sang the national anthem before returning to NBC to finish taping the show, which NBC aired on April 21. This unique Sinatra and Friends final draft script, dated April 1, 1977, 61 pages, housed in a blue three-ring binder embossed in gold lettering on the front cover, was used on the set by Rizzo throughout the taping. It has no notations, but contents include the full rehearsal and shooting schedules, the complete line-up of numbers performed by Sinatra and company, and all the lyrics to the songs. This script was in the possession of Jilly Rizzo from 1977 until his death in 1992, when it became part of his estate archive. In Very Fine condition with minor age toning on the paper. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Leather Script Cover and News Clippings. An unused leather script cover for Rizzo's copy of Contract on Cherry Street, with two plaqued newspaper clippings, from Rizzo's personal effects. Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Jilly Rizzo's Personal Copy of Cinderella at the Palace Script. On November 2, 1978, CBS Television broadcast the two-hour special Cinderella at the Palace, which brought together a who's who of top Las Vegas performers who were under contract to Caesars Palace. Aside from Frank Sinatra, other stars included host Gene Kelly, Paul Anka, Sammy Davis, Jr., Jackie Gayle, Merv Griffin, Tom Jones, Ann-Margret, Andy Williams, Jimmie Walker, Don Knotts and Rip Taylor. This unique Cinderella at the Palace First Draft script, dated June 6, 1978, 126 pages, bound with three metal clips and marked "Jilly" in pencil on the cover, was used on the set by Rizzo throughout the taping. Contents include the cast list, full rehearsal and shooting schedules, the complete line-up of numbers performed by Sinatra and company, and all the lyrics to the songs. This script, which includes some pencil annotations, was in the possession of Jilly Rizzo from 1978 until his death in 1992, when it became part of his estate archive. In Fine condition with minor wear, creases, and some separation of the cover at the clips. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Tribute to Joe Louis Documents and Photos. Includes two color 8" x 10" photos, three tickets, four-page running order, and letter to Sinatra regarding the November 1978 tribute to the legendary boxer. Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra Related - Jilly Rizzo Birthday Wishes Signed Display. A 14" x 22" display from Rizzo's 1981 birthday celebration, signed by numerous guests. Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra-Owned Needlepoint Folk Art and 1954 Issue of Prevue Magazine. This hand-drawn needlepoint pattern was a gift to Frank Sinatra from a grateful couple in Deal, New Jersey, who previously had received an autographed photo from Ol' Blue Eyes. Stapled to the pattern is a letter from the presenters; and the January 1954 Prevue magazine, with a Marilyn Monroe cover and a 10-page article on Sinatra titled "The Greatest Comeback in Hollywood History." These items were in the possession of Jilly Rizzo until his death in 1992, when they became part of his estate archive. In Fine to Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Frank Sinatra and Family Photo Portrait. Vintage b&w 16" x 20" photo portrait of Sinatra, wife Nancy Barbato, and daughter Nancy circa 1944. Very Fine condition.
Nancy Sinatra, Ursula Andress, and Elizabeth Montgomery Signed Notecards. Set of three. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Norman Mailer, John Cage, Mickey Spillane and Other Celebrity Autographs, Set of 16. Set of 16 autographs includes Norman Mailer, John Cage, Mickey Spillane, Sonny Bono, Ken Kesey, Marcel Marceau, George Bush Sr., Barbara Bush, Maria von Trapp, Alex Haley, Anne Rice, Richard Matheson, Simon Wiesenthal, Frank Borman, Dr. Benjamin Spock, and Joseph Heller. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Glenn Strange Signed Riders of Sundown Contract (1940). A Screen Actors Guild freelance contract dated March 19, 1940, engaging Strange for the role of "Bret Stockton" opposite Tex Ritter in the Western Riders of Sundown (released in 1940 as Cowboys of Sundown), signed by Strange on the back in blue ink. Glenn Strange, of course, later won major horror genre distinction as the Frankenstein Monster in House of Frankenstein (1944), House of Dracula (1945), and Abbott and Costello Meet Frankenstein (1948), and returned to his western roots as Sam the bartender on the TV's long-running Gunsmoke. In Very Fine condition with mild wear.
Glenn Strange Signed The Colorado Trail Contract (1940). A Screen Actors Guild freelance contract dated March 9, 1940, engaging Strange for the role of "Vic Insley" opposite Tex Ritter in the Western The Colorado Trail (released in 1940 as Pals of the Silver Sage), signed by the Monster of Abbott and Costello Meet Frankenstein on the back in blue ink. In Very Fine condition with mild wear. Accompanied by a COA from PSA/DNA.
Margaret Sullavan Promo Still by Clarence Bull. Vintage b&w 10" x 13" photo of Sullavan in The Shop Around the Corner (1940), with caption info and studio and credit stamps on the reverse. Very Fine condition.
Gloria Swanson Portrait. A 16" x 20" portrait of the legendary actress, acrylic on illustration board, in Excellent condition.
Norma Talmadge - Smilin' Through 1922 Publicity and Movie Theatre/Studio Contract. Attractive 6" x 8.5" publicity pamphlet for "A First National Attraction - Norma Talmadge in the Greatest Attraction of Her Career - Smilin' Through." Accompanied by a stamped contract between the Palace Theatre of Antigo, Wisc. and the Fox Film Corporation dated June 15, 1922. Excellent condition.
Elizabeth Taylor Photo Portrait by Clarence Bull. Vintage b&w 10" x 13" photo of a 12-year-old Taylor with caption info and studio and credit stamps on the reverse. Excellent condition.
Elizabeth Taylor and King Charles Photo Portrait by Clarence Bull. Vintage b&w 10" x 13" photo of Taylor and her National Velvet co-star, with caption info and studio and credit stamps on the reverse. Very Fine condition.
Elizabeth Taylor National Velvet Promo Still by Clarence Bull. Vintage b&w 10" x 13" photo of Taylor with caption info and studio and credit stamps on the reverse. Excellent condition.
Spencer Tracy 30 Seconds Over Tokyo Promo Photo by Clarence Bull. Vintage b&w 10" x 13" photo of Tracy as Gen. James Doolittle in the 1944 war movie, with caption info and Bull's credit stamp on the reverse. Very Fine condition.
1915-18 Triangle Motion Picture Company Original Film Treatments and Shooting Scripts by Nina Wilcox Putnam and Others. A total of 17 original story treatments and two shooting scripts from archives of Triangle Motion Picture Company (formed by Thomas H. Ince, D.W. Griffith, and Mack Sennett), including a shooting script by Nina Wilcox Putnam (co-author of the story for the 1932 Karloff classic The Mummy and the 1924 stage version of Dracula). Also included is a story treatment by Harold Vickers for the 1916 silent The Men She Married (starring Montagu Love and Gail Kane), and a shooting script for the unproduced film The Cub, written by William H. Clifford. Includes additional story treatments from noted writers C. Gardner Sullivan, Julien Josephson, Elaine Sterne Carrington, Robert Shirley, James Keene, and Monte M. Katterjohn. In overall Very Good condition with center creasing, moderate age-toning, minor nicks to borders, and rusting from original clips. Each stored in original, labeled filing envelopes from Triangle archives. From the Thomas H. Ince Archives.
1915-18 Triangle Motion Picture Company Original Story Treatments and Shooting Scripts. A total of 16 original story treatments and two shooting scripts (unfilmed) from archives of Triangle Motion Picture Company (formed by Thomas H. Ince, D.W. Griffith, and Mack Sennett), including: The Throwback by Oscar-nominated writer Josephine Lovett, with notes on Ince's ownership (in an unknown hand) on cover: "Property of NYMPC. Purchased by T.H.I. (Thomas H. Ince) Finish will have to be changed." Ince directed films for New York Motion Picture Company (NYMPC) before partnering up with Griffith and Sennett in 1915, making this treatment a fairly early one from his Hollywood years, one that he took with him from NYMPC to Triangle. Other treatments include The Evil Intruder by Monte Katterjohn, God's Deal by Julien Josephsen (with a note to hold for Ince written on cover), The Eternal Fire by Olga Printzlau, among others. Two "shooting scripts" are also included: A Yankee Princess by W.H. Clifford, and Her Price by Lanier Bartlett (with a handwritten note on the censors' editing of the "spicy" story). In overall Very Good condition with center creasing, moderate age-toning, minor nicks to borders, and very minor rusting from original clips. Each stored in original, labeled filing envelopes from Triangle archives. From the Thomas H. Ince Archives.
Lana Turner's Invite to FDR's 1941 Birthday Celebration and Luncheon with the First Lady. An invitation and ticket with detached stub for the reception and dinner that followed the President's birthday celebration on January 30, 1941 at the Willard Hotel, accompanied by an invitation for a luncheon with Eleanor Roosevelt, sent to actress Lana Turner. Both are in Very Fine condition with some toning and wear.
Rudolph Valentino Promo Still. Vintage b&w 8" x 10" photo of Valentino in Monsieur Beaucaire (1924) with studio stamps on the reverse. Very Fine condition.
Rudolph Valentino The Son of the Sheik Promo Photo. Vintage b&w 8" x 10" photo of Valentino and Vilma Banky in the 1926 silent drama, with studio stamps on the reverse. Very Fine condition.
Vampira Autographed Poster. Large color poster of Vampira, inscribed and signed as such by actress Maila Nurmi in black ink. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Josef von Sternberg Signed Contract. An 18-page agreement between the filmmaker and RKO pictures, dated November 12, 1949, engaging his services as a director. In Fine condition. Accompanied by James Spence Authentication auction LOA.
War of the Worlds Cast Autographs Display. Autograph by actor Les Tremayne in black ink, matted along with one color and one b&w (signed by Gene Barry and Ann Robinson) 8" x 10". In Excellent condition, measures 20" x 20". Accompanied by James Spence Authentication auction LOA.
Gene Wilder and Gilda Radner Signed Checks (1974-86). Pair of personal checks includes one dated July 22, 1974, and signed by Gene Wilder in blue ink, and one dated March 3, 1986, and signed by Gilda Radner in black ink (as "Gilda Wilder"). Both are in Excellent condition with the usual bank cancellation marks. Accompanied by a COA from PSA/DNA.
Wizard of Oz Munchkin Signed Photos. Pair of framed b&w 8" x 10" photos, signed by Jerry Maren and Margaret Pellegrini, respectively. Excellent condition.
Woman in the Window Lobby Card Framed with Edward G. Robinson and Joan Bennett Autographs (1944). Autograph cuts from Edward G. Robinson, in blue ink, and Joan Bennett, in black ink, double-matted and framed alongside an original lobby card for Fritz Lang's 1944 classic Woman in the Window. A beautiful display, in Excellent condition, framed with an ultraviolet filtering, museum-quality lens. Accompanied by a COA from PSA/DNA.
Natalie Wood Autographs. Two 6.5" x 10" pages from and unspecified book, both signed by Wood in blue felt tip near illustrations of her. Excellent condition.
Herman Wouk Signed Novel with Scripts. A copy of Aurora Dawn (1947) inscribed and signed on the front flyleaf by Wouk, accompanied by rough draft (July 31, 1948, 221 pages) and master scenes (July 15, 1948, 164 pages, hardbound) versions of the script for Slattery's Hurricane. Book dustjacket is Poor, otherwise items are in Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Darryl Zanuck Signed Photo. A color 8" x 10" photo inscribed and signed by Zanuck in green felt tip. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Horror/Sci-Fi Autographed Items. Includes a German 23.5" x 33" poster for Dawn of the Dead signed by Tom Savini and George Romero in black felt tip; a Tyrannosaurus sketch autographed by Ray Harryhausen; color 8" x 10" Lost in Space photo signed by Jonathan Harris; and a b&w 8" x 10" The Fly promo still signed by Vincent Price and Charles Herbert. In overall Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Vintage Movie Contract Documents. This lots contains extensive contract documentation between the Palace Theatre of Antigo, Wisconsin and various Hollywood studios, dating from 1919 to 1945. The studios include Fox, United Artists, Paramount, RKO and MGM, and the letters and documents include advertisements for such films as Should a Husband Forgive, Monte Cristo, Louisiana Purchase, Thirty Seconds Over Tokyo and Anchors Aweigh. Interesting look at the financial nuts and bolts of film exhibition over the decades. Very Good condition. Accompanied by James Spence Authentication auction LOA.
Vintage Studio/Exhibitor Vintage Contracts. A packet of 49 pieces of vintage correspondence, dating from 1909 to 1939, between the Palace Theatre of Antigo, Wisconsin and various film studios regarding exhibiting movies, and featuring attractive heralds for stars such as Clyde Beatty and Rin-Tin-Tin. Excellent condition.
Vintage Movie Theatre/Studio Contracts. Vintage correspondence and contracts between the Palace Theatre of Antigo, Wisconsin and the Fox Film Corporation, 1915 to 1925, regarding exhibition of films, with publicity illustrations for such stars as Tom Mix. Excellent condition.
Vintage Movie Theatre/Studio Contracts. Vintage correspondence between the Palace Theatre, Antigo, Wisconsin, and Famous Players/Lasky/Paramount Studio, dated 1914 to 1938, regarding exhibition of movies, with publicity illustrations of such stars as Gloria Swanson. Excellent condition.
Vintage Movie Theatre/Studio Vintage Contracts. Vintage correspondence between the Palace Theatre, Antigo, Wisconsin, and the Famous Players-Lasky Corporation/Paramount Pictures/Artcraft Pictures, dated between 1918 and 1922 regarding film exhibition. Excellent condition.
Vintage Movie Theatre/Studio Contracts. Vintage correspondence between the Palace Theatre of Antigo, Wisconsin, and such studios as First National, Metro, United Artists, Pathé, and RKO, regarding exhibition of films; includes a wonderful RKO agreement with illustration of Disney's Pinocchio (and Jiminy Cricket). Excellent condition.
Vintage Movie Theatre/Studio Contracts Vintage correspondence between the Palace Theatre of Antigo, Wisconsin and the Fox Film Corporation, dated 1918 to 1925, regarding exhibition of films, with publicity illustrations for such stars as Pearl White and Theda Bara. Excellent condition.
Vintage Movie Theatre/Studio Contracts. Vintage correspondence between the Fox Film Corporation and the Palace Theatre of Antigo, Wisconsin, dated from 1916 to 1919, with publicity for such attractions as Theda Bara. Excellent condition.
Vintage Move Theatre/Studio Contracts Vintage contracts and correspondence between the Palace Theatre of Antigo, Wisconsin and such long-gone studios as Myron Selznick Productions and First National Pictures, dated 1916-1919. Excellent condition.
Vintage Movie Theatre Contracts. This packet of vintage contracts and correspondence between the Palace Theatre of Antigo, Wisconsin and United Artists Corporation range from 1920 to 1939, feature publicity on such stars as Mary Pickford, and relate to such films as Griffith's Orphans of the Storm, John Ford's Stagecoach and Goldwyn's Wuthering Heights. Vivid insight into exhibitor/studio relations in the movies' golden age, in Excellent condition.
Vintage Movie Theatre/Studio Contracts. Contracts and correspondence between the Palace Theatre, Antigo, Wisconsin and such studios as First National, Fox, Artcraft, Metro and Paramount, dated 1915 to 1922 regarding exhibition of films, with references to such stars as William S. Hart and Alice Brady. Very Good condition.
Vintage Movie Theatre/Studio Contracts. Contracts and correspondence between the Palace Theatre of Antigo, Wisconsin and such studios as MGM, Warner Bros., Fox, and Columbia, dated 1919 to 1933 and concerning film exhibition; includes a splashy illustration for Warners' 42nd Street. Very Good condition.
Vintage Movie Theatre/Studio Contracts. Contracts and correspondence between the Palace Theatre, Antigo, Wisconsin and Pathe Studios, dating 1915 to 1925 with colorful promotional material on Harold Lloyd. Very Good condition.
Movie Theatre/Studio Contracts. Contracts and correspondence between the Palace Theatre, Antigo, Wisconsin and such studios as Metro, Warner Bros. and Goldwyn, dated between 1913 and 1924 and regarding film exhibition; nice promotional illustrations for such films as Scaramouche. Very Good condition.
Movie Theatre/Studio Contracts. Correspondence and contracts between the Palace Theatre, Antigo, Wisconsin and Vitagraph Studios and Columbia Studios, dating 1915 to 1935, with nice promotional illustrations of Harold Lloyd and Buck Jones. Very Good condition.
Vintage Movie Theatre/Studio Contracts. Correspondence and contracts between the Palace Theatre, Antigo, Wisconsin and Goldwyn Studios, dating from 1918 to 1924, regarding exhibition of films, with references to such stars as Will Rogers ad Pauline Frederick. Very Good condition.
Vintage Movie Theatre/Studio Contracts. Contracts and correspondence between the Palace Theatre, Antigo, Wisconsin and such studios as Famous Players/Lasky, Columbia and Universal, dated 1919 to 1944, with colorful publicity for such films as Ramona, Mr. Deeds Goes to Town, Lost Horizon, Mr. Smith Goes to Washington and Flesh and Fantasy. Very Good condition.
Vintage Movie Theatre/Studio Contracts. Correspondence between the Palace Theatre of Antigo, Wisconsin and various Hollywood Studios, dating 1915 to 1941, the letters featuring colorful promotion for such films as The Iron Horse, Don Juan, Mr. Smith Goes to Washington, Arizona, Gulliver's Travels, Mrs. Bug Goes to Town, and the Universal serial Riders of Death Valley. Excellent condition.
Vintage Disney Studio/Theatre Correspondence Disney stationery festoons this lot of correspondence between the RKO Studios Exchange in Milwaukee and the Palace Theatre in Antigo, Wisconsin with illustrations for Snow White and the Seven Dwarfs (1/5/38), Mickey Mouse and Donald Duck (2/18/38) and Pinocchio (5/3/1930). Rare and original Disney promotional material. Excellent condition.
Vintage Movie Theatre/Studio Contracts. Correspondence between the Palace Theatre of Antigo, Wisconsin and the Universal Film Exchange, between the years of 1917 and 1935, regarding exhibition of films, with publicity illustrations for such stars as Elmo Lincoln and Priscilla Dean. Excellent condition.
Vintage Movie Theatre/Studio Contracts. Correspondence between the Palace Theatre of Antigo, Wisconsin and various studios -- Famous Players-Lasky, Fox, Select, World, Eclectic, and Mid-West Hearts of the World - dated between 1914 and 1920, regarding film bookings. References to such luminaries as D.W. Griffith and Olive Thomas. Excellent condition.
Vintage Movie Theatre/Studio Contracts. Contracts and correspondence between the Palace Theatre of Antigo, Wisconsin and various studios -- Universal, Kleine-Edison-Selig-Essany, Mid-West Hearts of the World, Selznick and Dragon Feature Film Co. -- regarding exhibition of films. Years range from 1912 to 1919, and included is a "sharing contract" for "D.W. Griffith's Gigantic Masterpiece Birth of a Nation." Excellent condition.
Vintage Movie Theatre/Studio Correspondence. Correspondence between the Palace Theatre of Antigo, Wisconsin and such studios as Metro and Fox, dated 1915 to 1937, regarding exhibition of films; colorful publicity for such movies as To Hell with the Kaiser and The Red Lantern. Very Good condition.
Vintage The Wizard of Oz Promotional Correspondence. Three copies of a splendidly colorful MGM stationery page, promoting The Wizard of Oz, with photos of all five stars and wonderful cartoon sketches, sent by the studio's New York City office to the Palace Theatre in Antigo, Wisconsin. The letters are dated July 28 and September 20 and 22, the first mentioning The Wizard of Oz in the text. Rare, unusual and original Oz material. Excellent condition.
Assorted Vintage Horror Movie Promo Stills. Set of eight b&w 8" x 10" photos for Black Cat, Dracula's Daughter, Bride of Frankenstein, Daughters of Darkness, and The Mummy. In Very Fine condition.
Assorted Starlets Vintage Promo Photos. Set of 25 b&w 8" x 10" promo stills featuring Greta Garbo, Joan Fontaine, Catherine Deneuve, and Joan Bennett. In overall Very Fine condition, some with caption info on the reverse.
Hedy Lamarr, Carole Landis, and Jennifer Jones Vintage Promo Photos. Set of five color and 35 b&w 8" x 10" promo stills featuring Lamarr, Landis, and Jones. In overall Very Fine condition, some with caption info on the reverse.
Assorted Vintage Leading Lady Promo Stills. Set of 20 b&w 8" x 10" promo stills featuring Joan Crawford, Claudette Colbert, Gloria Swanson, and Barbara Stanwyck, plus a set of vintage sheet music for "Give Me Liberty or Give Me Love" from Colbert's 1933 film Torch Singer. In overall Very Fine condition, some with caption info on the reverse of most.
Assorted Vintage Star Photos. Set of 45 photos featuring Jeanne Moreau, Carol O'Connor, Bette Davis, Ray Milland, Joe E. Brown, Yvonne Mimieux, Rex Harrison, Elizabeth Taylor, Elizabeth Montgomery, and many others, ranging in size from 4" x 5" to 8" x 10". In overall Very Fine condition.
Assorted Golden Actresses Vintage Promo Photos. Set of 27 b&w 8" x 10" promo stills featuring Jean Simmons, Lana Turner, Merle Oberon, Ann Sheridan, and others. In overall Very Fine condition, some with caption info on the reverse.
Lillian Gish, Gloria Swanson, and David Niven Signed Novels. Set of three vintage movie editions includes Way Down East, inscribed and signed by Lillian Gish in blue ink on a card affixed to the flyleaf; Madame Sans-Gene, inscribed and signed by Gloria Swanson on the flyleaf in black ink; and Bonnie Prince Charlie, inscribed and signed on the flyleaf in blue and black by Margaret Leighton and David Niven. All are in Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Sci-Fi Legends Autographed Page. A 16" x 12" page inscribed by Forrest J. Ackerman, David Prowse, Angus Scrimm, Gloria Stuart, Ray Harryhausen, Julius Schwartz, Frank Kelly Freas, and others. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Artists Signed Forrest J. Ackerman's World of Science Fiction Book. Signed to Ackerman by numerous writers, actors, etc. on his 81st birthday. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Horror Legends Photos and Memorabilia. Includes two b&w photos of Boris Karloff: one 8" x 10" from his personal collection and accompanied by an LOA; and one 11" x 14" of Karloff with Basil Rathbone, Vincent Price, and Peter Lorre in The Comedy of Terrors (1964), signed and annotated by Price, with and LOA from Victoria Price; plus a copy of the picture disc single for "Bela Lugosi's Dead" by Bauhaus. In overall Very Fine condition.
Assorted Actor Autographs to Emile LaVigne. Set of four pages from an unknown book, bearing inscriptions and signatures from Max von Sydow, Ernest Borgnine, Roddy McDowall, Telly Savalas, Sally Kellerman, Roy Scheider, and others. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Actor Signatures to Emile LaVigne. Four book pages signed to LaVigne by George Segal, Jason Robards, Richard Benjamin, Paula Prentiss, James Coco, Cameron Mitchell, Art Carney, Cloris Leachman, Anne Bancroft, and several others. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Actor Signatures to Emile LaVigne. Set of six book pages with inscriptions and signatures to LaVigne from Maximilian Schell, Richard Widmark, Fredric March, David Niven, Gregory Peck, and Jack Lemmon. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Actor Signatures to Emile LaVigne. Set of five book pages with inscriptions and signatures to LaVigne from Fredric March, Charlton Heston, Gregory Peck, Ray Milland, Yul Brynner, and David Niven. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Actor Autographs to Emile LaVigne. Set of five book pages with inscriptions and signatures to LaVigne from Henry and Jane Fonda, David Niven, William Holden, Eva Marie Saint, and Jack Lemmon. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Music Memorabilia
American Folk and Blues Festival Program Books 1965-67. Set of program books from the 1965, '66, and '67 festivals, featuring articles, lyrics, and photos of such performers as Buddy Guy, John Lee Hooker, Big Mama Thornton, Roosevelt Sykes, Otis Rush, Son House, and others. In overall Fine to Very Fine condition.
Paul Anka Signed Album. Copy of Paul Anka's Swings for Lovers (1960), inscribed and signed on the back cover in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Anita Baker Rapture RIAA Double-Platinum Sales Award. Commemorating the sale of more than two million copies of Baker's 1986 breakthrough LP. Features a pair of mounted silver discs along with the RIAA-issued dedication plaque. Framed to an overall size of 29" x 19" and in Excellent condition.
Anita Baker Rapture RIAA Platinum Album Award. Commemorating the sale of more than one million copies of Baker's 1986 breakthrough LP. Features a mounted silver disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
Bela Bartok Signed Contract. One page, dated February 17, 1942 on Columbia Records letterhead, signed by Bartok in black ink. During this period the famed Hungarian composer/pianist, still considered one of the 20th century's greatest, was stricken by a debilitating illness, unable to use his hands much of this time. Three years after this contract was signed, he died from leukemia. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Count Basie Signed Letter. One page typed letter, dated December 20, 1940, signed by Basie in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Beach Boys and Others Assorted Cover Proofs. Very Fine condition. Beach Boys and Others Assorted Cover Proofs. Very Fine condition.
Beach Boys Smile Limited Edition 1978 Cover Art . Unused cover art for the Beach Boys' aborted 1978 attempt to release the long-delayed 1966 album. Matted and framed to 19.5" x 20.5" and in Excellent condition.
Beatles Stereo LP Group of 2 Beatles '65 & Second Album (Capitol 1964-65). Peerless copies of two of the Beatles' classic early US releases, both in NM 8/ NM 8 condition: The Beatles' Second Album (ST 2080, 1964) and Beatles '65 (ST 2228, 1965). The former has a "6" distribution number on back cover, and "Subsidiary of Capitol Industries" on the record label. The copy of Beatles '65 has no distribution number on the back, marking it as one of the earliest US pressings, from either the Scranton, PA or Los Angeles plants. Its label says, "Mfd by Capitol Records" on the label.
Beatles/Little Richard Liverpool Concert Tickets Oct. 28 1962. Two ticket stubs from the Beatles October 28, 1962, performance at the Empire Theatre -- their first appearance at the top theater in Liverpool and their first pop package show. Headlining the show was none other than Little Richard. The stubs are in Very Good condition with moderate wear, creasing, and staining.
Beatles York Concert Ticket Stub March 13 1963. A used ticket to their March 13, 1963, performance at the Rialto Theatre in York, opening for Chris Montez and Tommy Roe. John Lennon was voiceless at the time due to a cold and did not play. In Very Fine condition with some wrinkling and mild wear to the edges and corners.
Beatles London Concert Ticket Stub - March 29, 1963. A used ticket to their March 29, 1963, performance at the Odeon Theatre in Lewisham, London, in support of Chris Montez and Tommy Roe. In Very Fine condition with a fold crease and some wear to the back side.
Beatles Liverpool Concert Stub March 24 1963. A used ticket to their March 24, 1963, performance at the Empire Theatre in Liverpool, in support of Chris Montez and Tommy Roe. In Excellent condition.
Beatles/Rolling Stones Royal Albert Hall Concert Ticket, September 15 1963. A ticket stub from the "Great Pop Prom" concert at Royal Albert Hall, September 15, 1963 -- the first time the Beatles and the Rolling Stones played on the same bill, what surely must have been one heck of a show. Both bands had settled into their respective classic line-ups and were making a name for themselves (although the Beatles were closer to what would be their big breakthrough). Both destined to become major players in the British Invasion, their respective sounds would soon diverge into considerably different realms -- one experimental and introspective, the other more visceral and dark. (As Tom Wolfe put it in 1965: "The Beatles want to hold your hand, but The Stones want to burn your town.") The ticket is in great condition, with a minor amount of discoloration, a little edge wear, and the words "Stones/Beatles" written near the bottom edge in black ballpoint.
Beatles Revolver Mono LP (UK - EMI 7009, 1966). Classic album featuring one of Rock's all-time best covers by artist Klaus Voorman. Condition: EX 7/EX 7.
Beatles Sgt. Pepper's Lonely Hearts Club Band Mono LP (UK - Parlophone 7027, 1967). Original UK pressing from 1967 in Mono. Condition: EX 7/NM 8.
Beatles Sgt. Pepper and Others Unused Album Slicks. Beatles Sgt. Pepper and Others Unused Album Slicks. Excellent condition.
Beatles Yellow Submarine Wind-Up Toy (Corgi, 1968). Die-cast toy by Corgi, 1968. Fine to Very Fine condition.
Beatles Car Mascot Bobbin' Head Figures (Car Mascots, Inc., 1964). A complete set of figurines of the likeness of all four members of the Beatles. The figurines measure 8" tall and are made of hand-painted plaster. The Paul doll has some minor damage around the neck. Ringo's neck has been repaired with a minor crack in the back of head, and he's missing a drum stick. There's some paint flaking on all dolls, but overall the dolls are in Fine to Very Fine condition.
Beatles Related - John Lennon and Yoko Ono LP Group of 6 (Apple 1968-80s). Group includes John and Yoko albums Two Virgins (US -- Apple 5001) in VG-EX 6 (stains and 3" seam split)/NM 6; two copies of Unfinished Music No. 2: Life With the Lions (US -- 3357) in VG-EX 6 (small hole)/EX 7, plus a Japanese copy w/Obi in NM 8/MT 9; and Wedding Album (Japan on Odeon 80702, 1980s) in EX 7/MT 9 (all four discs). Also included: two Yoko solo albums, Fly (US -- 3380, two discs) in VG-EX 6 (cut corner)/NM 8 and VG-EX 6, and Approximately Infinite Universe (3399, two discs) in VG-EX 6/NM 8 (both).
Beatles Related - Paul McCartney and Wings Fanzine Club Sandwich and Wings Poster. 28 copies of the early Paul McCartney and Wings Fanzine with a rare fanclub poster. Very Fine to Excellent condition. From the Steve Howard Collection.
Beatles Related - Paul McCartney/Wings and Others Cover Proofs. Paul McCartney/Wings and Others Cover Proofs. Very Fine condition.
Beatles Related - Paul McCartney/Wings Assorted Memorabilia. Includes Abbey Road/EMI Studios sweatshirt, Wings 1979 UK Tour hat and scarf, and Concerts for the People of Kampuchea LP. Excellent condition.
Beatles Related - George Harrison and Ringo Starr Autographs. A color 8" x 10" signed by Starr, and a notecard signed by Harrison and accompanied by a color snapshot of him. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Jeff Beck Signed Art Print. "Beck's Guitar Shop", framed to 37.5" x 24.25". Inscribed and signed by Beck, from a limited edition of 700. Excellent condition.
The Black Crowes Signed The Southern Harmony and Musical Companion RIAA Platinum CD Sales Award. An RIAA platinum award signed by each member, framed to 23" x 19". Excellent condition.
Boyz II Men Blockbuster Awards with Signed Backstage Pass. A pair of Blockbuster Entertainment Awards (Favorite Group -- Rhythm and Blues and Favorite CD -- II) from 1995, plus a backstage VIP pass from the group's 2006 "The Remedy" Tour, signed by the bandmembers. Excellent condition. Accompanied by James Spence Authentication auction LOA.
Bread's David Gates Goodbye Girl BPI Platinum Album Award. After Bread disbanded in 1973, leader David Gates recorded solo, continuing to use his former bandmate Larry Knechtel on recording sessions. This British award commemorated the sale of more than 150,000 British pounds worth of David Gates' 1977 LP, which featured the title track from the film of the same name. Framed to an overall size of 16.25" x 20.25" and in Excellent condition. From the Larry Knechtel Collection.
Roy Buchanan Signed LP (Atlantic 19138, 1977). Guitar hero-autographed copy of Loading Zone. Album is EX 7/ NM 8. Accompanied by James Spence Authentication auction LOA.
Cab Calloway Signed Letter. One page, dated September 19, 1945 on personal stationery bearing Calloway's distinctive logo, signed by the famed bandleader in black ink. Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Pablo Casals Signed Contract. Five pages, dated April 1, 1957 on Columbia Records letterhead, initialed throughout and signed by Casals in black ink. In a very odd twist of fate, this performance and recording never happened. Casals had recently relocated to Puerto Rico, where he founded the festival which bears his name, but fell ill and suffered a heart attack during the rehearsals. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Nat King Cole and Others Signed 1956 Tour Book. A tour book for Cole's 1956 2nd Australian Tour, signed by him on the front cover in blue ink and by his backing band in purple. Fine condition. Accompanied by James Spence Authentication auction LOA.
Natalie Cole Unforgettable With Love RIAA Platinum Sales Award. Commemorating the sale of more than one million copies of Cole's 1991 tribute LP. Features a mounted silver disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 25" and in Excellent condition.
Albert Collins Signed Tour Itineraries and Photo - !992-93 World Tour. Set of five itinerary books from Collins' 1992-93 world tour, with annotations, a b&w 8" x 10" photo inscribed and signed by him in black ink, and a handbill and poster. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Phil Collins ...But Seriously RIAA Platinum Album Award. Commemorating the sale of more than one million copies of Collins' 1989 hit LP. Features a mounted silver disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
Cowsills Band-Signed Photo. Color 11" x 17" photo signed by the band in in blue felt tip. Excellent condition.
Robert Cray Don't Be Afraid of the Dark RIAA Gold Album Award. Commemorating the sale of more than 500,000 copies of Cray's 1988 LP. Features a mounted gold disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
David Crosby "Oh Yes I Can" Signed Sheet Music and Graham Nash's "In the 80's" Record with Nash Signature. David Crosby signed his color cover portrait on this 9" x 12" Oh Yes I Can music book, which contains sheet music "Oh Yes I Can" and ten other songs. Also included is a "Not for Sale" Capitol Records 33 1/3 rpm release of Graham Nash's "In the 80's," the record noted on its label as "from the forthcoming LP 'Earth and Sky.'" The record comes in its original sleeve, which is signed by Nash. Both items are in Excellent condition. Accompanied by a COA from PSA/DNA.
Bobby Darin Photo Portrait. Vintage b&w 16" x 20" photo portrait inscribed and signed by the photographer in black ink. Very Fine to Excellent condition.
Roger Dean Signed Limited Edition Print. "Blue Desert", #60 in limited edition of 125, signed by Dean in Silver ink. 16" x 11", matted and framed to 22.25" x 18". Excellent condition.
Chris De Burgh Into the Light RIAA Gold Album Award. Commemorating the sale of more than 500,000 copies of the "Lady in Red" singer's 1986 LP. Features a mounted gold disc along with the RIAA-issued dedication plaque. Framed to an overall size of 16" x 20" and in Excellent condition.
Duke Ellington Autographed Photo. A b&w 8" x 10" photo signed by Ellington in blue felt tip, accompanied by a small card also signed by him in blue. Both in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Duke Ellington 1972 Signed Contract. Three pages, dated October 1, 1972 on CBS letterhead, signed by Ellington in blue ink. In the agreement, Ellington requests the "licensing back of his 1956 recording "The Queen's Suite", which was written as a thank-you to Queen Elizabeth. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Ella Fitzgerald Autograph. A 3" x 5" notecard signed by Fitzgerald in blue felt tip, accompanied by a b&w 8" x 10" of her. Both in Excellent condition.
John Fogerty Promo Tour Jacket, Hats and Teddy Bear. Varsity-style Premonition Tour jacket, promo hats, and "Put Me In Coach" teddy bear. Excellent condition.
Alan Freed Vintage Set Of Four Program Books (1955-59). Set of four program books includes Alan Freed Presents the Big Beat (1959, covers split and detached), and Alan Freed's Easter Jubilee for 1955, '56, and '59. In overall Fine condition.
Alan Freed Vintage Set Of Four Program Books (1955-57). The famous Cleveland DJ who gave us the term "Rock and Roll" was also responsible for some pretty heady concerts in the early days of the new pop music form. Just check out this collection of four concert program books, including Alan Freed's Holiday Jubilee 1955 (heavy fold creases - in about Fair-Good condition); Christmas Jubilee 1956 (Very Good) and '57 (Fine-Very Fine); and Rock N Roll Second Anniversary 1957 (Fair condition, with two pictures cut out, one on front cover and one from back, replaced by photostats, otherwise complete. Featured performers include Fats Domino, Everly Brothers, Jerry Lee Lewis, Buddy Holly and the Crickets, Paul Anka, Frankie Lymon and the Teenagers, Thurston Harris, Shirley and Lee, the Dells, Jesse Belvin, and many more.
Gerry and the Pacemakers Signed Photo. A vintage color 8.25" x 9.5" magazine photo signed by Gerry Marsden, Freddie Marsden, Les Maguire, and Les Chadwick in blue ballpoint. In Very Fine condition with very mild handling wear. Accompanied by a COA from PSA/DNA.
Benny Goodman 1951 Signed Agreement. One page, dated March 28, 1951 on Columbia Records letterhead, signed by Goodman in blue ink. In one of the earliest collaborations between the worlds of Jazz and classical music, Benny Goodman commissioned Aaron Copland to create a concerto for clarinet. This contract bears document to that unique collaboration, "Concerto For Clarinet and Orchestra". Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Hawkshaw Hawkins Signed Photo. A b&w 8" x 10" photo of Hawkins, inscribed and signed in blue ink. Very Good to Fine condition. Accompanied by James Spence Authentication auction LOA.
Don Henley The End of the Innocence RIAA Platinum Album Award. Commemorating the sale of more than one million copies of Henley's 1989 solo LP. Features a mounted silver disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
The Hollies Band-Signed Sheet Music. Book of sheet music for the 1974 Hollies single "Don't Let Me Down", signed on the cover by Graham Nash, Allan Clarke, Bobby Elliott, Tony Hicks, and Terry Sylvester in black ink. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Vintage Jazz Set Of Five Program Books. Set of five program books includes Rhythm and Blues Jazz Scrapbook (1963), Jazz Runs at Laurel (1968), and Jimmy Evans' Cavalcade of Jazz (unknown date), plus Erroll Garner and Wild Man Steve tour books (dates unknown). In overall Very Fine condition.
Elton John Reg Strikes Back RIAA Gold Album Sales Award. Commemorating the sale of more than 500,000 copies of John's 1988 self-proclaimed comeback LP. Features a mounted gold disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
Elton John The One RIAA Platinum Sales Award. Commemorating the sale of more than one million copies of the compact disc release of John's 1992 release. Framed to an overall size of 13" x 17" and in Excellent condition.
KISS KISStory Signed 428 Page Limited Edition Book. A copy of the 428-page band biography KISStory, a lavish, definitive history of the band, numbered 16,460 of a limited edition, and signed by Gene Simmons, Paul Stanley, and two substitute band members. This hardbound volume and accompanying slipcase are in Excellent condition with minimal shelf wear. Accompanied by James Spence Authentication auction LOA.
Led Zeppelin Commemorative Items. Twentieth anniversary 45 release of "Stairway", copy of Led Zeppelin Remasters CD set, and other items. Excellent condition.
Led Zeppelin 30" x 25" Inflatable Promotional Blimp. Approximately 30" x 25" inflatable promo blimp by Atlantic Records. Excellent condition.
Led Zeppelin 30" x 25" Inflatable Promo Blimp. Approximately 30" x 25" inflatable promo blimp by Atlantic Records. Excellent condition.
Led Zeppelin and The Who Royal Pop Proms Albert Hall Tour Book (1969). The Pop Proms Festival also included Chuck Berry, Family, Fleetwood Mac and many more, for a week-long series of shows. The 8.5" x 12" 36-page book features then usual write-ups and photos of each act, plus ads, including a two-page "entire staff of Island Records" photo, which appears to include Nick Drake among its ranks. This rare book is in VG condition, with some light cover scuffs, creases, and stains.
Liberace and Others Signed "Platter Puss". Vintage American Bandstand "Platter Puss" autograph mascot, signed by Liberace and others. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Liberace Inscribed And Signed Album. A copy of The Magic Pianos of Liberace (1960), inscribed and signed on the back cover in black ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Musical Instruments
Martin Small-Body Mahogany Finish Acoustic Guitar (1926) Condition: Very Good.
A stunning, small-sized Martin, perfect for traveling. Amazingly light, but with a great soft V-shaped neck and beautiful tone. There is some light surface wear, with minor scratches along the top; however, for a guitar this old, it is amazing well preserved. Serial number 28622; comes with a thin case. From the Russ Cochran Guitar Archive.
A stunning, small-sized Martin, perfect for traveling. Amazingly light, but with a great soft V-shaped neck and beautiful tone. There is some light surface wear, with minor scratches along the top; however, for a guitar this old, it is amazing well preserved. Serial number 28622; comes with a thin case. From the Russ Cochran Guitar Archive.
Music Memorabilia
Darius Milhaud Signed Contract. One page, dated January 16, 1946, on Columbia Records letterhead, signed by Milhaud in black ink. A prolific composer, many of Milhaud's pieces were Jazz-influenced, and many listeners consider him to be a father of the avant-garde movement. His students included Dave Brubeck, Phillip Glass, Burt Bacharach, Steve Reich, and Karlheinz Stockhausen. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Misfits Band-Signed Guitar. This white Laurel electric guitar has been signed on the black pickguard by current Misfits members Jerry Only (who added a skull drawing above his autograph), Dez Cardena, and Robo in silver felt tip. In Excellent condition. Accompanied by a COA from Roger Epperson.
Murray the K Vintage Set Of Five Program Books. Set of six program books for events hosted by the legendary disc jockey includes Murray the K's Show of Shows 1963, Murray the K's Easter Parade of Stars 1960, Murray the K's Parade of Stars (date unknown), and Murray the K's Big Holiday Show 1962, 1963, and 1965. In overall Fine condition.
Graham Nash Signed Earth & Sky Album with Backstage Pass. Accompanied by a COA from PSA/DNA.
Bill Nettles Lyrics with Handwritten Agreement to Jimmie Davis. Typewritten lyrics for "Why Do You Say We're Through" featuring sales agreement between Bill Nettles and Jimmie Davis, handwritten, Dated December 13, 1937, and signed by Nettles in black ink. Accompanied by original envelope, both in Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Nickelback Signed Guitar. An S101 Standard electric guitar signed on the body by the members of Nickelback in silver paint marker. In Very Fine condition with a small area of discoloration on the pickguard. Accompanied by James Spence Authentication auction LOA.
Edward "Kid" Ory Signed Contract. Three pages, dated February 16, 1946 on Columbia Records letterhead, signed by Ory in black ink. One of the most famous early Jazz innovators along with compatriots Louis Armstrong and Jelly Roll Morton, this contract is from his comeback sessions for Columbia in 1946, which he recorded with his Kid Ory's Creole Orchestra. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Carl Perkins' Signed Record (Topline Records 107, 1984). Rockabilly pioneer-autographed Boppin' The Blues LP in NM 8/ MT 9. Accompanied by James Spence Authentication auction LOA.
Peter and Gordon Autographed Photo. A color 5" x 12" photo of the British-invasion era duo, signed by Peter Asher and Gordon Waller in blue ink. Matted and framed along with a "World Without Love" (their first hit single) songbook to an overall size of 23.5" x 19". In Excellent condition. Accompanied by a COA from PSA/DNA.
Cole Porter Autograph. A 6" x 4" autograph album page signed by Porter in blue ink. In Excellent condition. Accompanied by James Spence Authentication auction LOA.
Elvis Presley EP Group of 5 (RCA, 1956). Group includes the EPs Heartbreak Hotel (EPA-821) in EX 7/ EX 7; Elvis Presley (EPA-830) in EX 7 (1½" split along bottom)/ VG 5; Any Way You Want Me (EPA-965) in EX 7/ EX 7; Elvis Volume 1 (EPA-992) in EX 7 (3/4 in split along bottom)/ EX 7; and Strictly Elvis (EPA-994) in VG-EX 6/ VG-EX 6. All have dog-on-top labels, and all have black title strips along top of cover, except Heartbreak Hotel with a white title strip.
Elvis Presley Elvis For Everyone Sealed Stereo LP (RCA LSP-3450, 1965). Sealed copy of Elvis' 1965 album release. Condition: Still Sealed.
Elvis Presley Vintage 11" x 14" Stage Photos. A pair of color 11" x 14" photos featuring Elvis on stage with a young fan circa mid-1970s. Very Fine condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Elvis Sold At Concert Tour Poster In Silver Frame (1974). Size approximately 26" x 39". Excellent condition.
Elvis Presley Original Hat (Magnet/Elvis Presley Enterprises, 1956). Beach-style black hat, with wide white band listing some of the King's biggest hits amid related graphics. It's in excellent condition, with the manufacturer's tag still attached, one side of which is a copy of an autographed photo of Elvis.
RCA 45 RPM 14 Disc Set Introductory Album (RCA, 1949). RCA was pushing their new 45 rpm format in 1949, and what better way than to offer a selection of their most popular artists. Hence, this boxed, 14-disc set of 45 rpm singles that featured Eddy Arnold (green vinyl); Boston Pops Orchestra (red vinyl); Perry Como (blue vinyl); Arthur "Big Boy" Crudup (red/orange vinyl); Tommy Dorsey & Tex Beneke (black vinyl); Benny Goodman (two, blue vinyl); Allan Jones (red vinyl); Sammy Kaye & Don Cornell (black vinyl); Wayne King & Freddy Martin & Vaughn Monroe (black vinyl); Tony Martin (black vinyl); Glenn Miller (black vinyl); Sons Of The Pioneers (green vinyl); Three Suns (black vinyl); and Arturo Toscanini (red vinyl). And the set comes with a 45-page catalog of RCA's available recordings. The handsome box for the set and all the discs are in EX 7 condition.
Jim Reeves 8" x 10" Signed Photo. A b&w 8" x 10" photo signed by Reeves in blue ink. Very Fine to Excellent condition. Accompanied by James Spence Authentication auction LOA.
Jilly Rizzo's Invitation to First Reagan/Bush Inauguration (1984). Rizzo's invite to the January 20, 1984, inauguration ceremony of Ronald Reagan and George Bush, accompanied by a paperweight with Senate seal from Hubert Humphrey. Excellent condition. From the Jilly Rizzo Estate Archive. Accompanied by a letter of provenance from William Rizzo.
Linda Ronstadt Cry Like a Rainstorm - Howl Like a Wind RIAA Platinum Album Award. Commemorating the sale of more than one million copies of Ronstadt's 1989 collaboration with Aaron Neville. Features a mounted silver disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
Arthur Rubinstein Signed Photo. Vintage b&w 8" x 10" photo inscribed and signed by Rubinstein in blue ink. Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Show of Stars Set Of Five Vintage Program Books. Set of five program books includes Show of Stars (1954, 1959, and 1963), The Show of Stars Spectacular (1963), and Jimmy Evans' Cavalcade of Jazz (date unknown). In overall Fine condition.
Phil Spector Signed Check. A check from Phil Spector Productions for $1,425, dated September 11, 1968, signed by the controversial, infamous music producer in what appears to be green highlighter. In Very Fine condition with a fold crease and the usual bank cancellation marks, matted and framed along with a b&w 6" x 9" photo of Spector, to an overall size of 16" x 16". Accompanied by a COA from PSA/DNA.
Phil Spector Productions Business Card - Sonny Bono. The famed record producer, Phil Spector, associated with the "Wall of Sound" and classic "girl groups" of the early 1960s, employed the up-and-coming songwriter, Sonny Bono before Sonny became a star in his own right (with a little help from wife Cher), and here's the vintage business card to prove it! In Very Fine condition with mild toning and wear.
Bruce Springsteen Memorabilia Lot. Includes "Darkness on the Edge of Town" vintage picture disc, promo postcard, and "The Wild, the Innocent, and the E Street Shuffle" promo item. Excellent condition.
Castiles Featuring Bruce Springsteen Lot Of 2 Unused Concert Tickets (c. 1966). The Castiles (named after a brand of shampoo) was Bruce Springsteen's first serious band. These tickets came from one of the many low-key gigs the band played from 1965-68. The tickets measure 2.5" x 5.5", and are in Excellent condition. Included is a photocopy of the band's flyer.
Leopold Stokowski Signed Letter. Single-page letter, dated June 29, 1945, signed by Stokowski in black ink. Fine condition. Accompanied by James Spence Authentication auction LOA.
Leopold Stokowski Signed Contract. One page, dated May 28, 1941 on Columbia Records letterhead, signed by Stokowski in blue ink. This contract was signed one year after Stokowski had broadened his fan base, and that of classical music, by appearing in Walt Disney's Fantasia. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Sly Stone Signed Guitar. A white Laurel electric guitar signed on the pickguard in blue felt tip by the Sly and the Family Stone frontman. The guitar is in Excellent condition. Accompanied by a COA from Roger Epperson.
Tina Turner Signed Contract (1977). Single-page agreement between Turner and International Creative Management, dated August 2, 1977, and signed by Turner using her real name, Martha Nell Turner, in black ink. In Very Fine to Excellent condition with staple holes to top left corner. Accompanied by a COA from PSA/DNA.
UB40 Labour of Love RIAA Gold Album Award. Commemorating the sale of more than 500,000 copies of the band's chart-topping 1983 LP. Features a mounted gold disc along with the RIAA-issued dedication plaque. Framed to an overall size of 17" x 21" and in Excellent condition.
Heitor Villa-Lobos Signed Contract. One page, dated October 25, 1945 on Columbia Records letterhead, signed by Villa-Lobos in black ink. Villa-Lobos was one of the most revered and famous Brazilian composers of the 20th century; it was during the period when this contract was signed that he recorded the first section of his revered composition "Bachianas Brasileiras No. 5" with Bidu Sayão and a group of cellists. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Fats Waller Signed "I Owe You". An "I Owe You" slip for $50, dated April 16, 1936, signed by the Jazz pianist in green ink. Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Traveling Wilburys Promo Cardboard Display And Genuine Wilbury Jam. Includes a cardboard display and small jar of "Genuine Wil-Berry Jam". In Excellent condition.
Music Greats Assorted Autographs Including Pat Boone, Paul Anka and Many Others. Includes several dozen autographs from famous musicians, including the Pat Boone, Rosemary Clooney, the Andrews Sisters, Rudy Vallee, Mitzi Gaynor, Paul Anka, Dinah Shore, Eddie Fisher, and many others. Very Fine to Excellent condition.
Set of Four Signed Rock Biographies. Signed copies of A Pirate Looks at Fifty by Jimmy Buffett, Long Time Gone by David Crosby, Alice Cooper, Golf Monster, and John Cougar's Illustrated Salute to Music Biz Trendsetters. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Set of Four Signed Rock Books. Signed copies of Openers II: The Lyrics of Roky Erickson, Horse's Neck by Pete Townshend, For What It's Worth: The Story of Buffalo Springfield, and No More Mr. Nice Guy: The Inside Story of the Alice Cooper Group. In overall Excellent condition. Accompanied by James Spence Authentication auction LOA.
Assorted Vintage Singing Stars Photos. Set of 21 b&w 8" x 10" promo photos featuring Lily Pons, Marsha Hunt, Bidu Sayao, Grace Moore, and others. In overall Very Fine condition, some with caption info on the reverse.
Assorted Vintage Autographed Photos Including Everly Brothers, Tony Bennett And Many Others. Set of 24 vintage photos, 3.5" x 5.5" to 8" x 10", that includes the McGuire Sisters, Everly Brothers, Mickey Rooney, Mills Brothers, Tony Bennett, Frankie Avalon, and others. Overall Fine to Very Fine condition. Accompanied by James Spence Authentication auction LOA.
Assorted Vintage Music Photos including Sammy Davis, Earth Kitt and Many Others. Set of 25 vintage photos, 5" x 7" to 8" x 10", that includes Mickey Rooney, the Everly Brothers, Tony Bennett, Johnny Mathis, Sammy Davis Jr., Eartha Kitt, and others. Overall Very Fine condition.
Greg Allman San Francisco Autograph Concert Poster (Family Dog, 1995). 14.75" x 20.25". Iron Butterfly is the opening band at the grand opening of the Family Dog. Size 14.75" x 20.25". Poster in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Amen Corner King Mojo Club Concert Poster (1967). 19.75" x 30". This poster is desirable as much for the location as for the headliners, the Amen Corner (a British band fronted by Andy Fairweather-Low). The King Mojo Club, in Sheffield, England, attracted acts like the Beatles, and was known for "all-nighters", concerts that began at midnight. The Stevie Wonder appearance mentioned as a coming attraction turned out to be the club's final show. The poster measures approximately 19.75" x 30", and is in VG condition, with some paper wrinkling.
Anonymous Artists of America Great Highway Concert Poster FD-691916 (Family Dog, 1969). 17.5" x 22.5". Later Family Dog poster, printed only one time. The Anonymous Artists of America were Acid Test graduates who formed a commune, as well as a Rock band. The black on white poster measures approximately 17.5" x 22.5", and is in VG condition with some dark spotting along the left side and upper right edge. From the Velvet Underground Boutique Collection.
Anonymous Artists Of America Great Highway Concert Poster (Family Dog, c. 1960). 17.5" x 23". Poster measures approximately 17.5" x 23". In VG condition, with small stains. From the Velvet Underground Boutique Collection.
Joan Baez Sanity Hearing Longshoreman's Hall Concert Poster (c. 1969). A San Francisco war resistance benefit concert, from the Vietnam era, in stark black and white. Interesting "ink blot/mushroom cloud" design. Poster measures approximately 17.5" x 22.5". In VG+ condition, with light edge wear.
Ringo Starr And His All-Star band Holmdel New Jersey Concert poster(1989). 12" x 25.25. Size approximately 12" x 25.25". In Very Good condition.
Jeff Beck Group Frankfort Germany Concert Poster (1972). 23.5" x 33". Guitar god Jeff Beck was fronting his second namesake band, featuring vocalist Bob Tench and drum powerhouse Cozy Powell, for this German concert appearance. The poster measures approximately 23.5" x 33", and is in Excellent condition.
Big Brother and the Holding Company Carousel Ballroom Concert Poster (1968). 13" x 22.5". Bob Seidemann designed this handmade-looking poster for a great show featuring Janis Joplin and her band, Big Brother, plus the original Fleetwood Mac, starring guitarist Peter Green, and Dr. John. The poster measures approximately 13" x 22.5", and is in Very Good condition, with tanning, tack holes, and a tape stain in the lower right corner. From the Velvet Underground Boutique Collection.
Big Brother/Fleetwood Mac Carousel Ballroom Poster (1968). 13" x 22.5". Size 13" x 22.5". In near mint condition.
Blues Project/Youngbloods/Quicksilver Messenger Service Avalon Concert Handbill (1968). Handbill is printed on pink construction paper, with messages on both sides: a Wednesday night concert with Blues Project, the Youngbloods, Siegel Schwall, and Sons of Champlin; and a Thursday night show with Quicksilver, the Charlatans, and Congress of Wonders. Has "99" written very small in ink on the Wednesday side, in the lower left corner, and "#13" penciled in the upper right corner of the Thursday side; otherwise, it's in VG+ condition. From the Velvet Underground Boutique Collection.
Roy Buchanan Autograph Loading Zone Concert Poster (Antone's, c. 1970). 11" x 17". The guitar master is featured in a black and white photo from his Loading Zone album. Approximate size 11" x 17" on cardboard, signed in ink. VG+ condition, with tack holes. Accompanied by James Spence Authentication auction LOA.
Byrds/Buffalo Springfield Lot of 5 Postcards and Handbills (Bill Graham/Family Dog, 1967-68). Byrds BG-96, Postcard (1967)/BG-57, Postcard (1967)/FD-144, Postcard (1968). Buffalo Springfield BG-61, Postcard (1967) BG-122/Handbill (1968). All in NM- condition. From the Velvet Underground Boutique Collection.
California Hall Concert Handbills Lot of 4 (1967). Charles Lloyd Quartet April 23,1967; Blue Cheer July 7-8, 1967; Steve Miller Blues Band July 14-15, 1967; and Youngbloods July 21-22, 1967. All in VF condition. From the Velvet Underground Boutique Collection.
Captain Beefheart and His Magic Band Avalon Ballroom Concert Poster, FD-23 (Family Dog, 1966). 14.25" x 19.75". King of "Dada" Rock, Captain Beefheart was riding high on his first hit single, "Diddy Wah Diddy" at the time of this early Family Dog concert. Opening the show was the Charlatans, the first local "supergroup" of the new hippie scene. This original poster measures approximately 14.25" x 19.75", and is in VG condition, with tack holes in each corner. From the Velvet Underground Boutique Collection.
Captain Beefheart and his Magic Band/Charlatans Avalon Ballroom Concert Handbill FD-23 (Family Dog, 1966). 8.5" x 11". Solid blue background version of this original handbill, measuring approximately 8.5" x 11". In VG+ condition, with neat tack holes. From the Velvet Underground Boutique Collection.
Carousel Ballroom Concert Handbill Group (1968). Cool 'n' colorful collection of handbills from the old Carousel Ballroom, including Big Brother and the Holding Company/Fleetwood Mac/Dr. John the Night Tripper (Double Double Mojo, June 20-23), Booker T. and the MGs/It's a Beautiful Day/Tim Buckley (Heart in Hands, June 14-16), Jefferson Airplane/Grateful Dead/Fleetwood Mac (Medals, June 7-9), John Lee Hooker/Loading Zone/Mother Earth (Flying Dragon, April 4-6), and the Thursday Night Jam (Pig Jar, undated). In addition, there's a Big Brother and the Holding Company/Big Mama Thornton California Hall card dated April 28-29. All items are in NM- or better condition. From the Velvet Underground Boutique Collection.
Johnny Cash Dusseldorf Germany Concert Poster (1975). 23.5" x 33.25". The Man in Black brings his all-star family show, featuring June Carter, Roseanne Cash, and the Tennessee Three, to Germany. The poster measures approximately 23.5" x 33.25", and is in Excellent condition.
Chambers Brothers/Guess Who Winterland Concert Poster (1970) 14" x 21". Unusual Randy Tuten-designed full-color poster for a big Winterland gig, which also featured Gypsy and Mason Proffit. This original-printing poster measures approximately 14" x 21", and is in VG+ condition, with light scratches and fingerprint marks at the top of the poster. From the Velvet Underground Boutique Collection.
Charlatans/Mystery Trend California Hall Concert Poster (1967) 14" x 20". Nice b&w poster for one of the original San Francisco psychedelic bands. Measures approximately 14" x 20". VG condition, with tack holes, edge wear, and mild discoloration.
Derek & The Dominos Featuring Eric Clapton McFarlin Auditorium Handbill (Concerts West, 1970). 8.5" x 11". This 1970 show at Southern Methodist University's McFarlin Auditorium shows up from time to time as a bootleg recording. This fresh-looking handbill measures 8.5" x 11", and is in Excellent condition.
Alice Cooper Portland Memorial Coliseum Concert Poster (1973). 14" x 22". The 'Billion Dollar Babies' tour started out as a project called 'Alice At The Palace'. It was going to be a Broadway type production, choreographed by 'Follies' star Michael Bennet, at the Palace Theatre but the Palace pulled out. They changed the venue to a 1,700 seater Broadway Theatre for five day in mid-February 1972 but that was canceled too. In the end the 'Billion Dollar Babies' US tour began instead. Poster measures approximately 14" x 22", in NM condition.
Cosmic Car Show Benefit Poster (Mouse, 1967). 17.5" x 20". First printing poster measures approximately 17.5" x 20". In VG condition, with minor wrinkling along poster edges.
James Cotton Blues Band/It's a Beautiful Day Kaleidoscope Concert Poster (1968). 14.25" x 20.25". While the distinctive round posters of the early Kaleidoscope shows proved too costly to continue, the San Andreas Fault art for this b&w poster still retains a certain element of circular design, making for an eye-catching item. The poster measures approximately 14.25" x 20.25", and is in VG condition with tack holes, slight damage along the top edge, and some light paper tanning. From the Velvet Underground Boutique Collection.
Delaney & Bonnie America Needs Indians Posters. 17.5" x 23.5". Excellent condition.
Bo Diddley/Quicksilver Messenger Service Voice of Music Avalon Ballroom Concert Handbill, FD-18 (Family Dog, 1966). 8.5" x 11". Red variant version original handbill. VF condition, with very light handling marks, measuring approximately 8.5" x 11".
Donovan Cow Palace Concert Poster BG-86 (Bill Graham, 1967). 14" x 21". Subtle autumn colors dominate this attractive, Bonnie MacLean-designed poster, featuring the English singer-songwriter. First printing example, with uncorrected yellow color areas in the "One" and "Sept." lettering. Measuring approximately 14" x 21", in VG condition, with tack holes, a slight crease along the left side, and a tiny tear along the top edge. From the Harlan Ellison Collection.
Doors Pay Attention FD-18 and Quicksilver Messenger Service The Morning Paper FD-89 Concert Poster Group (Family Dog, 1967). 12.5" x 20.5" and 14" x 20.5".
The Doors Pay Attention, also known as The Space Man, an incredible Rick Griffin-designed poster that's a favorite with collectors. First pressing B with the black triangle with a deep purple background. The poster measures approximately 12.50" x 21.25", and is in NM condition. Quicksilver Messenger Service The Morning Paper poster by Rick Griffin. Poster is in NM condition and measures approximately 14" x 20.5".
The Doors Pay Attention, also known as The Space Man, an incredible Rick Griffin-designed poster that's a favorite with collectors. First pressing B with the black triangle with a deep purple background. The poster measures approximately 12.50" x 21.25", and is in NM condition. Quicksilver Messenger Service The Morning Paper poster by Rick Griffin. Poster is in NM condition and measures approximately 14" x 20.5".
Dream Theater Live Scenes From New York Album First Version Promo Poster 12" x 24" (Elektra, 2001). This poster features a graphic image of the NYC skyline, including the World Trade Center Twin Towers, engulfed in flames. The 3 CD set was released on September 11, 2001, the day of the infamous attack on the Towers, and was quickly recalled and reissued with altered art. This promo poster retains the original image. It measures approximately 12" x 24", and is in Excellent condition.
Electric Flag Carousel Ballroom Concert Poster (1968) 14" x 19.75". One of three published posters by Underground cartoonist Rick Shubb; this original printing poster measures approximately 14" x 19.75". In VG condition, with tack holes and a few tiny stains.
"Mama" Cass Elliot Lot of 2 Concert Posters (London Palladium, 1974). This was Mama Cass last performance. She was found dead in a hotel in London on the 29th the last day of her performance at the Palladium. Size small poster 12.50"x 20" . Large poster size is 20" x 30".Both posters are Excellent condition.
John Fahey/Robbie Basho Jabberwock Concert Handbill (1966). 7.5" x 10". Original printing handbill, measuring approximately 7.5" x 10". In VG+ condition, with neat staple holes.
Family Dog Concert Poster, Group of 2 (1966) 13.75" x 20" to 14" x 20". Two posters make up this lot: FD-28 "Zebra Man" (13th Floor Elevators, Quicksilver Messenger Service; 14" x 20", VG+ with tack holes), and FD-39 "Redskin" (Youngbloods, Sparrow, and Sons of Champlin, 13.75" x 20", VG+ with tack holes). From the Harlan Ellison Collection.
Family Dog Concert Poster Lot of 3 FD 60, 72 and W-3. 14" x 20" to 27" x 11". Big Brother & the Holding Company/Sir Douglas Quintet "Motherload" Avalon Ballroom 1967 concert poster #FD 60 (second printing) measures 14" x 20". Big Brother & the Holding Company with Mount Rushmore, Canned Heat and Mother Earth "Family Portrait" Avalon Ballroom Concert Poster #FD 72 (second printing) measures 14" x 20". Moby Grape with It's a Beautiful Day, The Other Half, Tim Hardin and Jerry Abrams Head Lights Winterland Concert Poster #FD690124 (only printing) measures 27" x 11" (all measurements approximate). All are in Excellent condition.
Grateful Dead The Golden Road to Unlimited Devotion Fan Club Poster Group (1967). 13" x 19" to 14" x 19.75". A beardless Jerry Garcia peers out at you, surrounded by the other youthful-looking members of the Dead, in this special poster promoting their own fan club. Stanley Mouse and Alton Kelly provided the art for this first-printing poster which measures 14" x 19.75", and second printing, which measures 13" x 19", both in NM condition.
Grateful Dead Avalon Concert Poster FD-141 (Family Dog, 1968). 14.5" x 20.75". Wes Wilson and Robert Knight designed this poster, which also featured Linn County Mance Lipscome, and Lee Michaels. It's a first printing poster measuring approximately 14.5" x 20.75". In Very Good+ condition, with light staining and small creases. From the Velvet Underground Boutique Collection.
Grateful Dead Great Highway San Francisco Handbill (1970). Feb.27, 1970, size 8.5" x 12.5". Very Good condition.
Grateful Dead Book Of The Dead and Tour Flyer (1972-73). A 32-page British tour book from 1972, featuring an all-black front and back cover is accompanied by a March/April 1973 Deadhead flyer. Both items are in VG condition.
Rick Griffin Indian Original Head Shop Poster (1967). 14" x 19.25" Size approximately 14" x 19.25". In Excellent condition.
Rick Griffin A Puff Of Kief, Lot Of 2 Posters (1967). 14" x 20". Posters measure approximately 14" x 20"; one poster is a misprint, while the other as intended. The misprint is in VG+; the regular edition is in Excellent condition.
Rick Griffin Jook Savage Art Show Poster For The Psychedelic Shop (1967). 14" x 19". This second printing measures approximately 14" x 19". Near Mint condition.
Rick Griffin In God We Trust Poster (Berkeley Bonaparte, 1967). 14" x 20". Cool fantasy dollar design first-printing poster, created by Rick Griffin. Measures approximately 14" x 20". In Excellent condition.
Grin Autographed Concert Poster (G.W.U. Student Gov. Assoc., 1972). Accompanied by James Spence Authentication auction LOA.
Don Henley Signed Poster. "The End of the Innocence" promo poster, framed to 25" x 37", inscribed and signed by Henley in gold felt tip. Excellent condition.
Herman's Hermits Concert Poster (Locarno, 1970). 27" x 37". Poster is matted size 27" x 37". In Very Good condition.
Hindustani Jazz Sextet/Grateful Dead/Big Brother and the Holding Company Fillmore Concert Handbill 6.25" x 14" (S.F. Calliope Co., 1966). Wild bill, featuring a sitar-driven Jazz band (featuring trumpeter Don Ellis) as headliner, with the Dead and Big Brother opening! 6.25" x 14", in Good condition with corner loss, taped tears, and tape residue stains.
Human Be-In Pow-Wow Event Poster 14" x 20" (1967) Second printing for the Gathering of the Tribes event poster. Among the attendees: Timothy Leery, Richard Alpert, Dick Gregory, Allen Ginsberg, Michael McClure, and bands like Grateful Dead and Jefferson Airplane. Poster measures approximately 14" x 20"; in VG condition with paper tanning, creases, and small stains. From the Velvet Underground Boutique Collection.
The Incredible String Band Fillmore West Concert Poster 13.75" x 21" (Bill Graham, 1969). For one night only the Incredible String Band played Fillmore West on September 10th. Poster measures approximately 13.75" x 21", in NM- condition.
It's A Beautiful Day/ Indian Pudding and Pipe San Francisco Sound Ballroom Seattle New Years Concert Poster (1969) Size of poster 13" x 21.5" (frame 18" x 27"). In Good condition with .5" trimmed off bottom of poster.
Jefferson Airplane/Moby Grape Fillmore Concert Poster BG-39 (Bill Graham, 1966) 13.5" x 22.25". Second printing, featuring the "Color Wheel" printing technique. Poster measures approximately 13.5" x 22.25". In VF condition, with one small stain along the top, near the figure's heads. From the Harlan Ellison Collection.
Jefferson Airplane Fly Matrix Concert Poster (1967) 13" x 19.5". Excellent example of the Rick Griffin-designed double image poster, printed on metallic silver paper. Measures approximately 13" x 19.5", in NM condition.
Jefferson Airplane/Grateful Dead/Big Brother and the Holding Company Hollywood Bowl Concert Poster BG-81 (Bill Graham, 1967)14" x 20.5". Bill Graham brought the "San Francisco Scene" to Los Angeles with this fantastic road show. A young and beautiful Grace Slick peers out of the "house" on this Jim Blashfield/Herb Greene design. The poster was only printed one time. It measures approximately 14" x 20.5", and is in NM condition.
Jefferson Airplane/Big Brother and the Holding Company New Year's Eve Winterland Concert Poster BG-100 (Bill Graham, 1967). Grace Slick and Janis Joplin (and their respective bands) appeared together for this momentous concert, which also featured Bay Area faves Quicksilver Messenger Service. Bonnie MacLean's colorful peace sign design remains a favorite with sixties-era collectors. This poster was only printed once. It measures approximately 14" x 21", and is in NM condition.
Janis Joplin Original Black And White Poster 23" x 34.5 (1967). Measures 23" x 34.5" in Near Mint condition.
Kaleidoscope/Son Of Champlain Avalon Ballroom Poster (1969) Size 16" x 23" Poster is in Good condition
Stan Kenton and his Orchestra Signed Concert Poster (c. 1960s). The Jazz great, in a generic tour poster. Signed and inscribed in blue ink, with some very light water damage to the signature. Poster measures approximately 14" x 22", in VG condition with light wear along the edges and minor scuffs.
Jim Kweskin & Others Postcard Lot of 6 (Bill Graham/Family Dog 1967-68). Jim Kweskin BG-66 (1967), FD-13 (1967), and FD-98 (1967). Nitty Gritty Dirt Band BG-95/96 (uncut, 1967). Youngbloods FD-81(1967), and FD-135 (1968). All in VF condition.
Live Aid Wembley/JFK Stadium Concert Poster (1985) 23.75" x 34.5". The concert so big, one continent couldn't hold it! The poster measures approximately 23.75" x 34.5", and is in VG+ condition, with minor edge and creasing wear.
Charles Lloyd Quartet Concert Posters, Group of 2 (1967-68) 12.5" x 18 & 14" x 20. The Charles Lloyd Quartet consisted of pianist Keith Jarrett, bassist Cecil McBee (later Ron McClure), and drummer Jack DeJohnette, who, along with saxophonist Lloyd, became the first Jazz band to play the Fillmore. Their far-out brand of Fusion Jazz was popular with the San Francisco Rock crowd; these two posters feature the Quartet as headliners for both the Avalon Ballroom (Family Dog FD-74 Tripping or Taj Mahal poster) and the original Fillmore Auditorium (Grass Roots Productions show). The Avalon poster measures approximately 14" x 20"; the Grass Roots poster is approximately 12.5" x 18", and both are first printings in VG+ condition. From the Velvet Underground Boutique Collection.
John Mayall and the Blues Breakers Fillmore Concert Poster BD-106 (Bill Graham, 1968)14" x 21.5". Only printing. Arlo Guthrie and Loading Zone are also listed. The poster measures approximately 14" x 21.5", and is in Excellent condition.
Les McCann Live Recording Session Handbill (Esquire Theatre, c. 1960). Attractive handbill advertising a recording session, featuring Les McCann, Ltd.; Joe Pass Quartet, and Monty Alexander. Excellent condition. From the Harlan Ellison Collection.
Moby Grape/Chambers Brothers Fillmore/Winterland Concert Poster BG-56 (Bill Graham, 1967) 13.75" x 21". Original printing, with split-fountain print technique. Designed by Wes Wilson. Poster measures approximately 13.75" x 21". In VG condition, with tack holes and edge wear.
Monterey Jazz Festival Tenth Anniversary Event Poster (1967) 17" x 22". Poster measures approximately 17" x 22". In Good condition, with a 2" x 2" area cut out along the bottom edge, plus a 1.5" tear along the left side.
Van Morrison Avalon Ballroom Concert Poster (Sound Proof, 1969) 11" x 21.75". A great Rick Griffin design, complete with otherworldly lettering which is completely indecipherable, is the highlight of this unusual poster. It measures approximately 21.75" x 11", and is in VG condition, with tack holes and edge wear. From the Velvet Underground Boutique Collection.
Mothers of Invention/Tim Buckley Fillmore/Winterland Concert Poster BG-67 (Bill Graham, 1967) 12.75" x 22". First printing copy of this attractive and popular poster, featuring a Stanley Mouse design. Sharing the bill was the Chambers Brothers. The poster measures approximately 12.75" x 22". The poster is in VG+ condition, with a creased upper left corner. From the Velvet Underground Boutique Collection.
New Riders of the Purple Sage Great Highway Concert Handbill FD-700417 (Family Dog, 1970) 8.5" x 11". Original printing, measuring approximately 8.5" x 11". In VG+ condition, with a small edge cut along the right side.
Odetta Generic Concert Poster (c. 1960s) 13.75" x 18". Odetta was a huge influence on the early work of Bob Dylan and Janis Joplin. This poster measures approximately 13.75" x 18", and is in Very Good condition, with light creases and scuffing, corner staple holes, and edge wear. From the Harlan Ellison Collection.
Pete Seeger Carnegie Hall In A Benefit Miners Signed Concert Poster (1972) 14.5" x 18". Very cool message from Pete, " Dear Michael Sr - thanks for the letter. Here's all I have left just now. And for Michael Jr. - just keep on keeping on ! (signed) Pete Seeger" with some banjo art after his name. Size 18" x 14.25" Very Good condition.
The poster had been folded in half and half again.
The poster had been folded in half and half again.
Pow-Wow A Gathering of the Tribes Human Be-In Event Poster (1967)14" x 20". Second printing, in blue and red. Approximate size 14" x 20", in Excellent condition.
Elvis Presley Portrait 22" x 28" Poster. Circa 1970s, framed to 22" x 28", Excellent condition.
Psychedelic Concert Poster Group (1960s). Four trippy vintage sixties posters: "Medicine Show" Jook Savages/Charlatans, Irwin Street Warehouse 1967 poster, designed by Rick Griffin (approximately 19.75" x 14"); Big Brother and the Holding Company/New Breed, Stockton Civic Auditorium, designed by Stanley Mouse (approximately 14" x 20"); Jim Kweskin Jug Band "Woman with Green Hair" Avalon Family Dog FD-29(3) third printing, Mouse and Kelley design (VG+ with corner crease; approximately 14" x 20"); and one non-concert poster, "Turtle" by Moon, 1967 (approximately 14" x 20"). All are in Excellent condition unless specified.
Psychedelic Poster Group (1960s). 13.25" x 19.75" to 14" x 20". Three wild San Francisco-style posters: "Acid Man", approximately 14" x 20"; "The Oracle", design by Rick Griffin, approximate size 13.25" x 19.75"; and "Lucifer Rising" (1967 Kenneth Anger film poster), approximate size 14.5" x 19.75". All are in Excellent condition, and believed to be first printings.
Quicksilver Messenger Service/Great Society Indian Avalon Ballroom Concert Poster FD-25 (Family Dog, 1966) 13.75" x 20". Original printing, measuring approximately 13.75" x 20". In VG+ condition, with tack holes.
Quicksilver Messenger Service/Big Brother and the Holding Company Avalon Ballroom Concert FD-36 (Family Dog, 1966) 15" x 20". The "Quicksilver" poster, designed by Victor Moscoso, with opening act Country Joe and the Fish. This is the version with the ticket outlet strip printed in brick red. Measures approximately 15" x 20". In VG condition, with tack holes and edge wear.
Quicksilver Messenger Service Concert Handbill Group of 2 (1966). Two handbills: FD-35 "Balloon" Avalon Ballroom with Country Joe and the Fish, measuring approximately 8.5" x 11", in VG condition, with two fold lines; and "Turn On Your Love Light" Fillmore concert with Jefferson Airplane, Country Joe, and Loading Zone, measuring approximately 6.75" x 10.75", in NM- condition.
Quicksilver Messenger Service/Big Brother and the Holding Company The Xmas Show Winterland Concert Poster (Seide, Neiman, Weinstock and McKendrick, 1966) 12.75" x 20". First printing poster, measuring approximately 12.75" x 20". In VG condition, with tack holes.
Quicksilver Messenger Service Concert Poster Group of 2 (1967-68) 14" x 21" each. Includes 10/5-7/67 Fillmore BG-87 with Grass Roots and Mad River, measuring approximately 14" x 21", VG with tack holes and corner creasing; and Stanford Summer Rock concert, 7/28/68, with Chambers Brothers, Creedence Clearwater Revival, and Sons of Champlin, measuring approximately 14" x 21", in VG+ condition with neat staple and tack holes. Both are first printings on uncoated stock.
Quicksilver Messenger Service Morning Papa Avalon Concert Poster FD-1989 (Family Dog, 1966) 14.5" x 20". A Rick Griffin "Sunday Comic Section" design makes this first printing poster exceptional. Measures approximately 14.25" x 20". In VG+ condition, with minor tape staining along the lower right corner, and a few tack holes. From the Velvet Underground Boutique Collection.
Carlos Santana Signed And Framed Fillmore Poster. Vintage 24.25" x 24.25" poster, framed, autographed by Santana. Excellent condition.
Sons of Champlin/Cold Blood Gater Benefit Nourse Auditorium Concert Poster (1969) 15" x 20". This red on goldenrod paper poster is one we don't see too often. It measures approximately 15" x 20", and is in NM- condition. From the Velvet Underground Boutique Collection.
Sons of Champlin Gater Benefit Concert Poster (1969) 15" x 20". Nourse Auditorium, San Francisco concert, also featuring Cold Blood and other acts. First printing, measuring approximately 15" x 20". In VG+ condition, with neat tack holes. From the Velvet Underground Boutique Collection.
Super Ball Winterland Concert Poster (San Andreas Fault, 1968) 14" x 20.25". Overprint version of this well-known poster, produced for Underground Radio station KMPX's "First Birthday Benefit". The original $5 price has a sticker with $3 overprinted on it. Size is 14" x 20.25", and condition is NM-.
Super Ball KMPX First Birthday Benefit Poster (1968) 14" x 20.25". Get ready for a little "bump 'n' grind" with this wild poster, advertising a birthday bash for San Francisco's KMPX-FM station. KMPX was the first stereo Rock station, and the originator of "Underground" radio in the late 1960s. This copy is a first printing;with a "3" written over the original $5 price, but this one is unmarked. It measures approximately 14" x 20.25", and is in VG condition with staple and tack holes. From the Collection of the Velvet Underground Boutique.
Them/The Outsiders U.S.Tour Poster(1969). Size: 23" 29". Poster is in good condition with some minor tears.
Them (Van Morrison) Fillmore Auditorium Concert Poster BG-20 (Bill Graham, 1966) 14" x 20". Advertised as one of the last tour appearances with Van Morrison on the 1966 U.S. tour. Designed by artist Wes Wilson. Poster measures approximately 14" x 20", and is in VG- condition, with neat tack holes and two small pieces missing at top corners. From the Velvet Underground Boutique Collection.
13th Floor Elevators Zebra Man Avalon Ballroom Concert Poster, FD-28 (Family Dog, 1966) 14.25" x 20". The so-called Zebra Man in this Kelley/Mouse-designed poster was originally printed as a b&w cover to Life magazine in 1954. It makes for very vibrant image on this first-print poster, which measures approximately 14.25" x 20". In VG+ condition, with tack holes in margin areas, and damage to one corner. From the Velvet Underground Boutique Collection.
13th Floor Elevators/Moby Grape Pyramid Eye Avalon Ballroom Concert Poster FD-34 (Family Dog, 1966) 14.25" x 20". Original printing, with the Bindweed Press credit in the lower right corner. Poster measures approximately 14.25" x 20", and is in VG condition, with tack holes and edge wear. A tear on the right side border goes slightly into the design. From the Velvet Underground Boutique Collection.
13th Floor Elevators Tree House Avalon Ballroom Concert Poster FD-24 (Family Dog, 1966) 14" x 20". First printing example, measuring approximately 14" x 20". In Good condition, with corner paper loss, tack holes, creases and stains.
Traffic/Quicksilver Messenger Service Shrine Auditorium Concert Poster (Pinnacle, 1868) 18.75" x 25". Beautiful John Van Hamersveld designed first-printing poster, measuring approximately 18.75" x 25". In Excellent condition, mounted to foamcore board.
Twisting at the Beach Hermosa Biltmore Hotel Concert Poster (Swiller-Conahan, 1963) 14" x 20". Get set to twist the night away with this fun poster, spotlighting headliners Troy Walker and the Challengers. Printed on gold card stock, measuring approximately 14" x 20", in VG- condition with staple holes and a tear with some paper loss along the top edge. From the Harlan Ellison Collection.
Who/James Cotton Blues Band Santa Monica Civic Auditorium Concert Handbill (1968) 5.5" x 8.5". Rarely seen 5.5" x 8.5" handbill, printed in black on pastel yellow paper. In Excellent condition.
Wilderness Conference Poster (Sierra Club, 1967) 13.75 x 20. Stanley Mouse-designed poster, for the tenth biennial Wilderness Conference at the San Francisco Hilton. First printing poster, measuring approximately 13.75" x 20". In VG+ condition, with neat tack holes. From the Velvet Underground Boutique Collection.
The Wildflower Matrix Concert Poster NR-9 (Neon Rose, 1967). Cool psychedelic poster for "the world's greatest 'lost' band", the Wildflower, designed and printed by Victor Moscoso. First printing, with green border. Approximate size 14" x 20"; in Excellent condition.
Woodstock Limited Edition Autograph Concert Poster. Signed by Grace Slick, Country Joe, Wavy Gravy and more. Numbered 173 of 10,000. Size in frame 22" x 32.25" Poster is in Excellent condition. Accompanied by James Spence Authentication auction LOA.
Youngbloods Postcards/Handbill Lot of 3 (California Hall/Family Dog, 1960s). California Hall handbill, (1967); FD-91-1, postcard (1967); and FD-120, postcard (1968). All in NM- condition.
ZZ Top's First Annual Texas Size Rompin' Stompin' Barndance and Bar B.Q. Austin Concert Handbill, Group of 2 (1974). Billed as "Their ONLY Texas Appearance This Year," this Labor Day Austin show happened in front of a crowd numbering in the tens of thousands. Also appearing that day were Santana, Joe Cocker, and Bad Company. The handbills measure approximately 7.25" x 14.5". One has a 1.5" x .75" wear spot on the band image, over Frank's drum, while the other has a light fold line midway through. Together, they average VG condition.
Copyright © 1999-2026 Heritage Capital Corporation
Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842
Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842