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Description

BG-89 Duane & Gregg Allman, Eric Burdon 1967 Fillmore Poster Graded 9.9 Mint. First-and-only-printing San Francisco concert poster for Eric Burdon & the Animals, Mother Earth and the Hour Glass with Duane and Gregg Allman playing at the Fillmore Auditorium on Thursday thru Saturday nights, October 19-21, 1967. Known as BG-89 in the Bill Graham numbered series and designed by Bonnie MacLean, this poster was graded a stupendous 9.9 Mint by CGC (the Certified Guaranty Company), the highest grade yet Heritage has ever offered on this poster. Measures 14" x 21". From the Tim Backstrom Grateful Dead Collection. COA from Heritage Auctions.

More Information: Any Hourglass ephemera is highly coveted by fans of the Allman Brothers Band, because guitar god Duane Allman and his teenage brother, blues-rock keyboardist Gregg Allman, were paying their dues in this early band. In a case of terrific timing, October 1967 was the very month that Liberty Records released both the Hourglass' debut album and single. The LP, just called Hour Glass, was almost all covers, penned by songwriters such as Jackson Browne, Carole King, Curtis Mayfield and Del Shannon. The single, "Nothing but Tears," failed to draw any attention at all. Everything would change forever two years later when Duane & Gregg signed to Capricorn Records and decided to just name their band after themselves.

As for Eric Burdon & the Animals, very appropriately, their latest hit single had been "San Franciscan Nights," hitting the Top 10 that summer (the Summer of Love). Next up? "Monterey," all about the famous pop festival that summer, to be released in a few weeks.

Mother Earth was a San Francisco band by way of Madison, Wisconsin, fronted by singer/songwriter Tracy Nelson. They shared the Avalon and Fillmore stages with the likes of the Grateful Dead, Jefferson Airplane, Janis Joplin and Jimi Hendrix throughout the late 60's. From 1968-1973, Mother Earth released four albums on Mercury Records, two on Reprise and one on Columbia. Three of them made it onto Billboard's album chart, but not very high.


Heritage Auctions provides detailed information when available but strongly encourages in-person inspection. Condition statements and photographs are offered as general guidance only, not as complete representations of facts, and do not constitute a warranty or assumption of liability by Heritage. Framed artworks are not examined outside their frames, and additional details from Heritage may be unavailable; therefore, the condition of unexamined works is not guaranteed. Heritage is not responsible for damage to frames, glazing, original boxes, display materials, or for works that have shifted within the frame. All lots are sold "AS IS" in accordance with our Terms & Conditions of Auction.

Auction Info

Proxy Bidding Ends 
April
10th Friday 2:20 pm CT
Auction Dates
April
10th Friday
Proxy Bidding Time Remaining 
27 Days 23h 37m 10s
Bids + Registered Phone Bidders: 6
Lot Tracking Activity: 18
Page Views: 101

Buyer's Premium per Lot:
25% of the successful bid (minimum $49) per lot.

This lot is in: 2 - Signature® Floor Session - Concert Posters (Live Floor, Live Phone, Mail, Fax, Internet, and Heritage Live):
(Lots 26097-26287) - 2:30 PM Central Time, Friday, April 10, 2026.
[Proxy bidding ends ten minutes prior to the session start time. Live Proxy bidding on Heritage Live now starts within 2 hours of when the auction opens for proxy bidding and continues through the live session.]

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Additional Location Info:
Heritage Auctions - Dallas
2801 W. Airport Freeway
Dallas, TX 75261

Current Bid:
$50
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