Patsy Cline Handwritten and Signed Letter With Set List And Photographs, 1956...
Description
Patsy Cline Handwritten and Signed Letter With Set List And Photographs, 1956 By late 1956 Patsy Cline had recorded a few singles and appeared at the Grand Ol' Opry, but she hadn't yet broken through on the national level and would often sing on the local club circuit near her hometown of Winchester, Virginia. The common practice would be for a local backing band to accompany her. This letter was written to a clubowner in Fredericksburg, Virginia, and lays out the details of just such a performance. It reads: "Dear Sir: Thought I would let you know that the 30th will be fine with me to come to Poplar Tavern. I am free the 30th and will be there at 9:P.M. ready to start. And thanks for asking me to come down. You ask for a list of songs so these following are the ones I will do, and the keys they will be played in." (After listing 23 songs the letter concludes:) "We may not use all of these, but just in case. Thanks again and I'll see you on the 30th. Sincerely, Patsy Cline" The backing band would thus have the set list to rehearse the material in the correct keys.The letter was consigned by the daughter of a musician who often accompanied Cline at the Poplar Tavern. Included with it are two photos, one of Patsy and the band on stage, and another of Patsy and friends relaxing after a performance. Included is the mailing envelope with a second Cline autograph in the return address, postdated November 24, 1956. Just two weeks earlier, on November 8, Cline had recorded "Walkin' After Midnight" with famed producer Owen Bradley. After the song was released on February 11, 1957 she performed it on an episode of Arthur Godfrey's Talent Scouts. Her outstanding performance won the competition and sent the song to #2 Country charts and #16 on the Pop charts, making Cline one of the first Country performers to have a crossover Pop hit.
The letter is in Excellent condition, written on two sheets of 8.5" x 11" stationery and signed by Cline in blue ink. The envelope is in Very Good condition with a few small stains. The vintage photo of Cline with patrons bears a stamp from 1957 on the reverse and an inscription, measuring 7" x 5" with some small creases but overall Very Good condition. The group photo is a later reprint in Excellent condition measuring 8" x 10". Accompanied by an LOA from the daughter of the fiddler who is pictured in the group photo.
More Information:
This handwritten letter (which contains a full performance set
list) dates to a very interesting time in Patsy Cline's career.
Patsy had signed her first recording contract in 1955 with the Four
Stars label, a small subsidiary of Decca. She'd recorded a few
singles and gotten enough notice to make appearances at the Grand
Ol' Opry, but she'd not yet broken through on the national level
and was mostly singing on the weekends on the local club circuit
near her hometown of Winchester, Virginia. The common practice
would be for the singer to arrive without a group, and a local
backing band would accompany her.
The letter presented here is dated November 23, 1956 and was
written by Patsy Cline to a Mr. R.M. Johnson, the owner of a club
in Fredericksburg, Virginia, and lays out the details of just such
a performance. It reads: "Dear Sir: Thought I would let you
know that the 30th will be fine with me to come to Poplar Tavern. I
am free the 30th and will be there at 9:P.M. ready to start. And
thanks for asking me to come down. You ask for a list of songs so
these following are the ones I will do, and the keys they will be
played in." (After listing 23 songs, including her first
single, "A Church, A Courtroom, and Goodbye," the letter
concludes:) "We may not use all of these, but just in case.
Thanks again and I'll see you on the 30th. Sincerely, Patsy
Cline" The backing band would thus have the set list in
advance, and could rehearse the material in the correct keys as
needed.
This incredible letter is was consigned by the daughter of one of
the Fredericksburg musicians who regularly accompanied Cline at the
Poplar Tavern during this period, and a strong friendship was
developed between the singer and the musician's family.
Included with it are two photos taken at the club, one with Patsy
Cline and the band on stage, and another of Patsy and a number of
friends relaxing after a performance. Also included is the
original mailing envelope, with a second Cline autograph in the
return address, and stamped and postdated November 24, 1956, from
Winchester Virginia.
Just two weeks earlier, on November 8, Cline had recorded what
would become her first big hit, "Walkin' After Midnight." The
song would be released on February 11, 1957, and ten days later she
performed it on national television on an episode of Arthur
Godfrey's Talent Scouts. Her outstanding performance
won the evening's competition, and requests for the song began
pouring in to radio stations. "Walkin' After Midnight" reached #2
on the Country charts, and #16 on the Pop charts, making Cline one
of the first country performers to have a crossover Pop hit.
The letter is in Excellent condition, on two sheets of 8.5" x 11"
stationery, written and signed by Cline in bold blue ink.
There are two horizontal folds on each sheet from envelope
insertion. The envelope is in very Very Good condition, fully
intact with some discoloration from age and a few small
stains. The photo of Cline with patrons is an original
vintage black and white print measuring 7" x 5", with some small
creases but overall very Very Good condition. It bears a
stamp from May 1957 on the reverse, and an inscription in blue
marker: "Patsy Cline talking to Pansy Green and D. Jett." The
group photo is a later reprint in Excellent condition, sepia toned
and measuring 8" x 10". Accompanied by an LOA from the
daughter of Willie Withers, the fiddler in the Virginia Ramblers,
and who is pictured in the group photo.
Heritage Auctions provides as much information as possible but strongly encourages in-person inspection. Condition statements are offered as general guidance only, not as complete representations of fact, and do not constitute a warranty or assumption of liability by Heritage. Some condition issues may not be noted but may be visible in the photos, which are considered part of the condition report. Lots estimated at $1,000 or less are not de-framed for inspection, and we may be unable to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and is not liable for damage to frames, glass/acrylic coverings, original boxes, display accessories, or artwork that has shifted in the frame. All lots are sold "AS IS" under our Terms & Conditions of Auction.
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