Directors and Cinematographers Lifetime Archive, Including Mr. Deeds Goes to Town (Columbia,...

Description

Directors and Cinematographers Lifetime Archive, Including Mr. Deeds Goes to Town (Columbia, 1936), Things to Come (London Film, 1936), Whipsaw (MGM, 1936), The Hurricane (UA, 1937), Sullivan's Travels (Paramount, 1941), A Matter of Life and Death (GFD, 1946), Black Narcissus (GFD, 1947), The Naked City (Universal, 1948, UK), The River (UA, 1951), Blade Runner (Warner Bros., 1982, UK), 8" x 10" Key set Photographs (129). Vintage gelatin silver semi-gloss and glossy (eight double-weight) 12" x 8.25", 8" x 10", 7.5" x 9.5", 7" x 9", 6.25" x 8" key set photographs of Irwin Allen in The Sea Around Us (RKO, 1952) (2) by Ernest A. Bachrach, Michael Anderson in The Damn Busters (ABPC, 1955) (1), and Around the World in Eighty Days (UA, 1956, UK) (2), Frank Borzage with Dorothy Lamour in Disputed Passage (Paramount, 1939) ( (1), Clarence Brown (MGM, 1930s) (5), Frank Capra in Mr. Deeds Goes to Town (1) by Irving Lippman and A Hole in the Head (UA, 1959) (2), Jack Cardiff and Geoffrey Unsworth (1) and Michael Powell and Emeric Pressburger (1) in A Matter of Life and Death, Cardiff and Powell in Black Narcissus (2) by Max Rosher, and Powell in "Burmese Silver" (unfilmed, 1937) (1), George Cukor in Zaza (Paramount, 1938) (1), Gone with the Wind (MGM, 1939) (2), with Yves Montand in Let's Make Love (TCF, 1960) (1), Jules Dassin in The Naked City (3) and with Melina Mercouri in Phaedra (UA, 1962) (1), Armand and Michaela Denis in Under the Southern Cross and Among the Headhunters (Rank Film, 1954)/1955) (5) by Arthur Evans, Victor Fleming (MGM, 1930s) (1), John Ford in Mary of Scotland (RKO, 1936) (1) and The Hurricane (2), with John Wayne and Mark Rydell on The Cowboys (1), and Peter Bogdanovich on What's Up Doc (1), D.W. Griffith with Marcus Loew (1) and in London, May 1935 (1), John Guillermin in Never Let Go (Rank Film, 1960) (2) and by Gianni Praturlon (1), Alexander Hall in Midnight Club (3), with Mae West in Goin' to Town, and Yours for the Asking (2) (Paramount, 1933-36), and There's That Woman Again (Columbia, 1938) (1) by M.B. Paul, Henry Hathaway in Spawn of the North (Paramount, 1938) (2), James Wong Howe with Myrna Loy and Spencer Tracy in Whipsaw (1), Fire Over England (London Film, 1937) (1), Troopship (UA, 1937, UK) (1), with Academy Award for The Rose Tattoo (1956) (1), and Hombre (TCF, 1967) (1), Gregory LaCava with Claudette Colbert, Charles Boyer, and Joel McCrea in Private Worlds (Paramount, 1935) (1), Paul Leni in The Last Warning (Universal, 1928) (1), Joseph Losey in The Damned (Columbia, 1962, UK) (4), Ernest Lubitsch in Design for Living (1) Every Night at Eight (2), and Angel (1) (Paramount, 1933-37), Willaim Cameron Menzies in Things to Come (3), Fred Niblo in Dream of Love (MGM, 1928) (1), Jean Renoir in The River (1), Wesley Ruggles in Arizona (Columbia, 1940) (4), Mark Sandrich in Aggie Appleby, Maker of Men (RKO, 1933) (1), Ridley Scott in Blade Runner (1), Robert Siodmak in Time Out of Mind (1) and Criss Cross (1) (Paramount, 1947/1949), Douglas Sirk with Rock Hudson and Jane Wyman in Magnificent Obsession (Universal, 1953) (1), Preston Sturges with Veronica in Sullivan's Travels (5), W.S. Van Dyke (3), Raoul Walsh with Joan Bennett in Big Brown Eyes (Paramount, 1936) (3), William Wyler in Dead End (UA, 1937) (1) and Funny Girl (Columbia, 1967) (1), Franco Zefferelli in Taming of the Shrew (Columbia, 1967, UK) (1) by Paul Ronald, directors for British International (3), Fleischer Studios for Ye Old Songs (Terrytoons, 1932) (5), MGM (3), Paramount Pictures (10), RKO Pictures (2), Universal Studios (2), and First National/Warner Bros. (4), photographers Virgil Apger (1), Clarence Sinclair Bull (1), Robert Coburn by Ned Scott (1), Roman Freilich (1), Wallace Seawell and Paul Hesse (2), with wet stamp and paper caption on the verso. Fine/Very Fine-, with handling, emulsion chip (1), scattered creases, corner stress, and toning to a few. Comes with a COA from Heritage Auctions.

Heritage Auctions provides as much information as possible but strongly encourages in-person inspection. Condition statements are offered as general guidance only, not as complete representations of fact, and do not constitute a warranty or assumption of liability by Heritage. Some condition issues may not be noted but may be visible in the photos, which are considered part of the condition report. Lots estimated at $1,000 or less are not de-framed for inspection, and we may be unable to provide additional details for lots valued under $500. Heritage does not guarantee the condition of frames and is not liable for damage to frames, glass/acrylic coverings, original boxes, display accessories, or artwork that has shifted in the frame. All lots are sold "AS IS" under our Terms & Conditions of Auction.