Velvet Underground, Andy Warhol and Nico 1966 New York City Concert Poster. ...

Description

WHERE THE HIPPEST OF THE HIP MET IN GREENWICH VILLAGE

Velvet Underground, Andy Warhol and Nico 1966 New York City Concert Poster. An original cardboard window card advertising the most cutting-edge and avant-garde act in town, Andy Warhol with the Velvet Underground and Nico, performing at the Open Stage in New York's Greenwich Village district in April of 1966. Notice how this is the East Coast version of Bill Graham's BG-8 poster at the Fillmore in San Francisco, even down to the words "Exploding Plastic Inevitable." However, this was very much an East Coast phenomenon, happening concurrently with the West Coast's crazy acid tests.

You have to love the simplicity of this boxing-style concert poster, because the affair it was advertising was about as psychedelic and far-out as you could get in 1966. Just like the acid tests, these were multi-media affairs with music, light shows, dancing, movies and "more movies!" Warhol-produced, of course. It was a presentation ahead of its time, but both Warhol and the VU went on to become solid legends in their genres, giving this rare poster terrific gravitas.

This first-ever Heritage offering measures 13 7/8" x 22" and grades to restored Very Good plus condition. From the Archives of Charlie Rothschild. COA from Heritage Auctions.

More Information: Charlie Rothschild is a music manager with a career that spanned decades. In his early career, Charlie booked musical acts at Gerde's Folk City in Greenwich Village, most notably Bob Dylan in September 1961, Dylan's first paid gig in New York City. He went on to work for renowned manager Albert Grossman (Dylan, Peter, Paul & Mary, Janis Joplin). As a manager, touring manager and concert promoter himself, Charlie worked alongside folk and rock 'n' roll greats Bob Dylan, the Velvet Underground, Gordon Lightfoot, Judy Collins, Peter, Paul & Mary, Allen Ginsberg, Ian & Sylvia, The Clancy Brothers, Odetta, The Fugs and Pearls Before Swine, among others. Charlie also ran the storied 1960's New York City music venue Balloon Farm, before going out on his own in 1972.

Condition details: Chameleon Restoration addressed a few edge and corner issues, touching up any printing or color where necessary, mending pinholes, eradicating surface blemishes and greatly reducing any creasing it might have had. The result is a wonderfully satisfying piece with little or no evidence of past damage. There does remain one tiny nick down on the bottom edge, straight down from the "LI" in "Lightworks." There's no material missing, just a nick that turned up the tiniest amount of top paper.


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