Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway [HWY-183] & Valley View Lane)
Auction Name: 2026 February 11 - 12 The Yakob Zentner Collection Hollywood/Entertainment Signature® Auction
Lot Number: 14127
Shortcut to Lot: HA.com/66164*14127
Pre-1945 Actresses, Including Joan Blondell, Clara Bow, Virginia Bruce, Bebe Daniels, Marion Davies, Dolores Del Rio, Frances Farmer, and Kay Francis 8" x 10" Studio Release Photographs (125+). Vintage gelatin silver glossy 8" x 10" studio release photographs of Renee Adoree (1), Tallulah Bankhead in
The Cheat (Paramount, 1931) (1), Joan Blondell with Chester Morris in
Blondie Johnson (4), with Glenda Farrell in
Havana Widows (10+),
The King and the Chorus Girl (5+), by Bert Longworth and Ed Stone, (Warner Bros., 1933-37, with Melvyn Douglas in
The Amazing Mr. Williams (Columbia, 1939) (1), with John Wayne in
Lady for a Night (British Lion, 1942 (5), Clara Bow in
The Fleet's In (presumed lost) (2) and
Dangerous Curves (1929) (1) (Paramount, 1928/1929), Virginia Bruce (10) (4-by Laszlo Willinger), Bebe Daniels in
Dixiana (RKO, 1930) (5+), with Douglas Fairbanks in
Reaching for the Moon (UA, 1930) (1) by John Miehle, in
Cocktail Hour (Columbia, 1933) (1), Marion Davies with Robert Montgomery and Billie Dove in
Blonde of the Follies (MGM, 1932) (4), and Clark Gable in
Cain and Mabel (Warner Bros., 1936) (30+) by Homer Van Pelt, Dolores Del Rio in
Evangeline (UA, 1929) (1),
Bird of Paradise (RKO, 1932) (one by Ernest A. Bachrach) (3), with Al Jolson in
Wonder Bar (Warner Bros., 1934) (3), with Chester Morris in
Devil's Playground (Columbia, 1937) (5), with George Sanders in
Lancer Spy (TCF, 1937) (5+), Florence Desmond by Otto Dyar (2), Frances Farmer with Ray Milland in
Ebb Tide (Paramount, 1937) (10+), Kay Francis in
The House on 56th Street (5) and
My Bill (4) (Warner Bros., 1933/1937), with credit stamp and paper caption on the verso. The
Cain and Mabel set focuses on Davies and Sound Stage 16 on the Warner lot, which William Randolph Hearst had renovated to increase the ceiling height from 45 to 98 feet to accommodate the lavish set pieces. Fine/Very Fine, with cropping lines (1), emulsion lift (1), rippling from caption glue, and corner tip stress.
Comes with a COA from Heritage Auctions.
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