2006 October Music/Entertainment Memorabilia Signature Auction
| Sale Number: | 634 |
| Location: | |
| Auction Date: | October 6th at 12 PM CT through October 7th |
Session 1
Music Memorabilia
Signed Aerosmith Band Autobiography. A copy of Aerosmith's 1997 autobiography, Walk This Way, signed by band members Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford, and Joey Kramer. In Excellent condition with some mild smearing to Tyler's signature. Accompanied by LOA from PSA/DNA.
Aerosmith Signed "Live Bootleg" Album. Released in 1978 to showcase the band's hugely popular live concerts, and using material from the band's 1977-78 US tour (with the exception of two studio tracks from 1973), this particular copy of Live Bootleg is signed on the front cover by Steven Tyler, Tom Hamilton, and a third, unknown signature. Condition: VG-EX 6 (cover)/ VG-EX 6 (disc 1)/ GD-VG 4 (disc 2). Accompanied by LOA from PSA/DNA.
Air Supply "Lost In Love" Platinum Album Award. Presented to June Colbert to commemorate the sale of one million copies of the 1980 hit album. In Excellent condition, framed to an overall size of 16" x 21".
Air Supply "Greatest Hits" Platinum Album Award. Presented to June Colbert to commemorate the sale of one million copies of the 1983 top ten-charting greatest-hits album. In Excellent condition, framed to an overall size of 17" x 21".
La Vern Baker "La Vern" LP Atlantic 8002 (1957). One of the first female R&B vocalists to find success on the Pop charts in the mid-1950s. Unique album has La Vern doing current selections -- some Rock and Roll -- on Side 1 and singing standards on Side 2. The photocover of La Vern is stunning, as is the condition of both the cover and the record itself. Condition: NM 8/ MT 9.
Frank Ballard with Phillip Reynolds Band "Rhythm-Blues Party" Rare LP Phillips International Mono (1962). If you're into obscure yet cool, esoteric yet hip, inscrutable and strangely desirable -- and aren't we all -- this is for you! Phillips International was a sister label to Sun Records, named after Sun founder Sam Phillips. Best known for being the home label for Bill Justis, Charlie Rich, and Carl Mann in the '50s, there just weren't many LPs released on Phillips International. Sam just wasn't a big fan of the album format! In fact, the Frank Ballard album was the last of only eight albums the label issued! As for Ballard, it was his only record period -- no single and no other album! The Phillip Reynolds Band was regionally known in the South, but never quite cracked the national scene. It's some recording -- but what else would you expect from Sun/ Phillips? There seems to be a number of copies of this album cover floating around, but often without the record! Here's the whole package, and it's in superb condition. And by the way, we have two more of the eight albums ever issued by the label -- look for the Frank Frost and Carl Mann offerings in this same section! Condition: NM 8/ NM 8.
Hank Ballard & The Midnighters "The Midnighters Sing Their Greatest Hits" EP Federal 333 (1954). This swinging EP's cover just credits "The Midnighters." Hank Ballard had become the lead singer of the group formerly known as The Royals in late 1953, but he was not receiving headliner billing when these hits or the group's first EP was released. Included are: "Get It" (originally issued as by "The Royals," and a #6 R&B hit in 1953), "Work With Me Annie" (the group's biggest hit -- seven weeks atop the R&B charts in 1954), "Sexy Ways" (#2 in '54), and "Moonrise." This has the all-green label with the purple cover. Condition: NM 8/ NM 8.
Beach Boys "Endless Summer" CRIA Gold Album Award. Presented to the Beach Boys by the Canadian Recording Industry Association to commemorate the sale of 50,000 copies of the 1974 compilation album. In Excellent condition, framed to an overall size of 20" x 16".
Bee Gees Acetate Group of 3 (1971-77). We've garnered a nice group of your favorite Brother Gibbs (Gibbses? Gibbseses?). Start with a 7" one-sided acetate of the album versions of the 1971 hit "How Do You Mend A Broken Heart" (Audio Devices Stereo) in VG-EX 6. Next, acetates of the early 1977 double-disc "Here At Last...Bee Gees...Live" (Sterling Sound) in EX 7. Thirdly is a 12-inch acetate of the long version of "Staying Alive" (RSO) from 1977. The label on one side is blank, but both sides have the disco classic. Condition: EX 7. From the GRT Collection.
Leonard Bernstein and Franco Zeffirelli Signed Opera Program. A program book for the New Jersey State Opera 1980-81 season, signed by composer Leonard Bernstein and movie director Franco Zeffirelli in black ink. In Excellent condition with mild spine stress. Accompanied by LOA from PSA/DNA.
Chuck Berry "After School Session" LP Chess 1426 (1957). The Rock and Roll Hall of Famer's first LP went largely unnoticed in the day when the 45 single was king, which makes this gem a true collector's dream. Berry wrote all 12 tunes featured here, including the classics "School Day (Ring Ring Goes the Bell)", "Too Much Monkey Business", and "Brown Eyed Handsome Man". We've never seen a nicer copy. Condition: NM 8/ NM 8. From the GRT Collection.
The Big Bopper "Chantilly Lace" LP Mercury 20402 (1959). The Bopper's only album, this copy has the black Mercury label, and it's a tough find in this grade! Condition: NM 8/ NM 8.
Bob-B-Soxx and the Blue Jeans "Zip-A-Dee-Doo-Dah" LP Philles 4002 (1962). A Phil Spector production, this was a breath of fresh air in 1962, with the brilliant, updated version of the title cut. Spector spared no expense, employing musicians like Al De Lory, Glen Campbell, Hal Blaine, Leon Russell, and Billy Strange, among others, to back his young trio, which included Darlene Love. The cover is one of Pop music's all-time greats! The loose plastic shrinkwrap has been opened but still protects nearly all of the near perfect cover. Condition: NM 8/ NM 8.
Sonny Bono Signed Contract. Three-page leasing agreement between Go Records and Vee Jay Records, dated December 5, 1961, signed "Salvador P. Bono" in blue ink on the front page. In Excellent condition with very light wear, fold creases, and binder holes to the top edge. Accompanied by LOA from PSA/DNA.
Sonny Bono Signed Contract. This leasing contract with attached rider, between Go Records and Vee Jay Records for the master recordings of "Duchess of Earl" and "Every Day" by the Pearlettes, is dated March 9, 1962 -- shortly before he met future partner and wife Cher -- and is signed "Salvador Bono" in bold blue ink on the front page. In Excellent condition with almost no discoloration or wear. Accompanied by LOA from PSA/DNA.
Booker T. and the MG's "In The Christmas Spirit" Stax 713 (1966). A limited release makes this by far the rarest and most valuable of the group's albums. This is the original "Fingers and Keyboard" cover that came out in 1966. Included are 12 Christmas cuts. The original shrinkwrap is present but opened. Condition: MT 9/ NM 8. From the GRT Collection.
"Jimmy Bowen" EP Roulette 302 Mono (1957). Before his highly successful career of producing hit records for others, the native Texan had a few chart hits of his own. This is a gorgeous copy of the self-titled EP that includes "I'm Sticking With You", "Warm Up To Me Baby", "Raggedy Anne", and "Ever Since That Night". Condition: GM-MT 10/ GM-MT 10. From the GRT Collection.
David Bowie Ziggy Stardust-Era Photos. An striking set of seven b&w 16" x 20" photos of David Bowie taking during the early '70s, including three variations on the shot that would eventually become the cover for The Rise & Fall of Ziggy Stardust and the Spiders from Mars (1972). The photos are in Excellent condition.
James Brown "Please Please Please" LP King 610 (1958). Here's a superfine copy of the first album release from "The Godfather of Soul," affectionately known as the "Legs" cover. We've been fortunate enough to see a few copies over the years, but we never tire of, well... admiring the design! The title cut and "Try Me" are the highlights, and there's a whopping 16 cuts to get down to. Condition: NM 8 (cover) / Looks EX 7 but plays NM 8 (record).
"The Amazing James Brown and the Famous Flames" LP King 743 (1961). Sensational copy of one of Brown's early albums, before the hits really started rolling in. Condition: NM 8/ MT 9. From the GRT Collection.
James Brown LP Group of 2 (1963-64). Two albums from the Godfather of Soul, including one of an incredible 29 that he released on King in the '60s alone. "Prisoner Of Love" (King 851 Mono, 1963) featured the title cut, at that time Brown's highest-charting hit to date on the Billboard Hot 100. Condition: NM 8 (still in its original shrinkwrap)/ NM 8. Although the second album in this grouping came out a year later, it is much rarer. "Out Of Sight" (Smash 27058 Mono - 1964) was withdrawn shortly after release because of litigation with the King label. Condition: NM 8/ NM 8. From the GRT Collection.
Brute Force "King Of Fuh"/ "Nobody Knows" Rare 45 Apple 8 (UK, 1969). The enigmatic artist's only Apple single is also the label's rarest. His B.T. Puppy album release is that label's rarest album (see next lot). See the pattern? Rare! This copy looks to be about GD 3, but were we surprised when we had a listen -- it plays EX 7.
Brute Force "Extemporaneous" LP B.T. Puppy 1015 (1971). Eccentric, bizarre... genius? Such a fine line, and the artist known as Brute Force walked it! Extremely talented, Stephen Friedland (his real name), wrote hit songs for Del Shannon, the Tokens, the Chiffons, and the Cyrkle, among others. His Apple single "King of Fuh"/ "No One Know What's Going On In My Mind But Me" is considered the rarest on that label, and this album is considered the rarest of albums on the B.T. Puppy label. It was recorded live in 1969 at Olmstead Studios before an audience, which seemed to encourage the artist to, well... extemporaneous brilliance. Condition: VG-EX 6/ NM 8.
Bubble Puppy "A Gathering Of Promises" Promo LP International Artists 10 (1969). The very first of the four singles released by the psychedelic rock group, "Hot Smoke and Sassafras," in 1968-69, charting for 12 weeks on Billboard's Hot 100, peaking at #14. Their only album is a much sought-after rarity, even in its more common commercial green label. But this is a white label promo copy, and it's a very nice copy, especially the disc. Condition: EX 7/ NM 8.
The Cadillacs "Gloria" 45 Josie 765 (1954). The first single for the famed vocal group, best known for "Speedoo" which came out the next year. Flip side is "I Wonder Why." On initial review, the label on the "Gloria" side appears stained, but closer inspection makes us think of a printing/pressing anomaly. The record comes from the collection of Reno DJ, "The Rockin' Reverend" (Rev. Ken Haskins), who had original members Earl "Speedoo" Carroll and Robert Phillips, plus more recent addition "Gary", autograph the record sleeve. Check it out online! Condition: EX 7.
"The Fabulous Cadillacs" LP Jubilee 1045 Blue Label (1957). Highly entertaining, energetic and talented R&B group hit the Pop and R&B charts with the infectious "Speedo" in late 1955 and early 1956, and it's found here on their first album. The cover is still in the original shrink and has a $1.39 price sticker affixed at the left top corner. The cover is close to perfect, except for a small split along the top border. The record label has a tiny tear on Side 1, and both sides show small tears around the spindle hole. Condition: NM 8/ VG-EX 6. From the GRT Collection.
Cash Box Award Prototype Statuette. An early design prototype featuring the basic design for now-defunct Cash Box magazine's series of achievement awards. Founded in 1942 as a weekly publication devoted to the music and coin-operated machine industry, Cash Box folded in 1996 in the wake of a scandal involving allegations of chart fixing and murder. A great piece of Pop music history, the brass statuette stands 12" tall on a 2" x 1" x 3" marble base, and is in Very Fine to Excellent condition with some mild scratches and untrimmed flash around the edges.
Johnny Cash 78 Group of 3 (Sun 1956-57). Get yer Man In Black Sun records while you can! There has been a surge in Cash memorabilia over the past few years, intensifying after his death in 2003. Here's a mini-treasure trove trio of Sun 78s from the early years: "There You Go"/ "Train Of Love" (Sun 258, 1956) in NM 8, "Next In Line"/ "Don't Make Me Go" (Sun 266, 1957) in MT 9, and "Home Of The Blues"/ "Give My Love To Rose" (Sun 279, 1957) in EX 7. From the GRT Collection.
Johnny Cash and the Everly Brothers Autographs. Includes a small notepad leaf signed by Cash in blue ink and a music club card signed on the back by Phil and Don Everly in blue ink, obtained in Seattle in 1957 by then-student Marie Steinaker (nee Perez). Of the Cash signature, Perez recalls: "We got Johnny Cash's signature while we were at the Bon Marche department store in Seattle. We were the only customers in there at the time. There was a local TV personality talking to Johnny Cash. We asked Johnny for his autograph and after he signed, the TV personality came and asked us not to bother him anymore (which we weren't going to anyway). They were both nice enough but Johnny was very tired looking and he looked pretty ragged." The Cash signature is in Excellent condition with some light tanning and a little discoloration on the back. The Everly Brothers signature is in Very Fine condition with a little wear, tanning and soiling. Accompanied by LOA from PSA/DNA.
The Castelles "Marcella" 78 Grand 114 (1954). The releases from this early '50s R&B group are real challenges to find. And it's impossible to find in this condition... but wait - we just did it for you! Condition: MT 9. From the GRT Collection.
Champs "Tequila" EP Challenge 7100 (1958). Even if you'd never heard the title cut, one of Rock's all-time greatest instrumentals ...like if you're a Martian or something, just visiting Earth for the first time... you'd just know the group's first EP was something special. Just dig the cover. Condition: MT 9/ MT 9. From the GRT Collection.
The Champs "Caramba!" EP Challenge 7101 (1958). One of the '50s greatest instrumental bands released two EPs in 1958, their magical "Tequila" year. This is the second, and what a beauty! Cuts include "Caramba", "Midnighter", "Beatnik", and "Just Walking In The Rain". Condition: NM 8/ GM-MT 10 From the GRT Collection.
"The Chantels On Tour" LP Carlton 144 Stereo (1961). Classic early '60s "Girl Group" hit it big as teenagers in 1958 with "Maybe," but enjoyed an even bigger hit with "Look In My Eyes" in 1961 after switching to the Carlton label. The latter is included here as is "Well, I Told You," another hit from 1961, an answer song to Ray Charles' "Hit The Road Jack." Rare copy in this grade -- only a light crease near the bottom right corner keeps the cover from grading at least NM 8. Condition: EX 7/ MT 9.
Harry Chapin Autograph with Photo. A promo flyer signed by the late singer-songwriter in black ink, matted along with a color photo to an overall size of 12" x 18". In Excellent condition with some fading to the top and left edges of the matte. Accompanied by LOA from PSA/DNA.
"The Charms - Vol. 2" EP De Luxe 364 (1955). Highly influential group charted seven Top 15 R&B songs in a two-and-a-half year period from 1954-57, and crossed over to chart on Billboard's Pop Singles six times from 1954-61. Their songs were successfully covered by numerous other artists. Included on this rare EP, their second, are "Ko Ko Mo," "Whadaya Want," "Two Hearts, Two Kisses (Make One Love)," and "What You Know About That." Condition: EX 7/ EX 7.
Cher's Faux Leopard Trimmed Shoes. A pair of black heels with faux snow leopard trim from Cher's personal wardrobe, in Excellent condition.
Cher's Black Lounging Ensemble. This all-black ensemble from Cher's personal wardrobe includes a pair of nylon jogging pants, a Madison Square Garden stage crew t-shirt, Victoria's Secret bra, and thong panties. All are in Excellent condition. Certificates of authenticity included.
Jimmy Clanton "I'm Always Chasing Rainbows" EP Ace 103 (1959). The teen idol's EPs can be difficult to run down, and this may be one of the rarer of his five EPs. Included are the title track, "I'm Beginning To See The Light", "Sleepy Time Gal", and "Linda", all classic standards. Condition: NM 8/ MT 9. From the GRT Collection.
Jimmy Clanton "Just A Dream" Promo EP Ace 60765/ 60766 (1959). White label promo copy from Green Mint Mouthwash came in a colorful paper picture sleeve. Songs included were "Go, Johnny, Go!", "My Love Is Strong", "A Ship On a Stormy Sea", and "Angel Face". Condition: NM 8/ NM 8. From the GRT Collection.
Cleftones "For Sentimental Reasons" LP Gee 700 Mono (1962). Second of two Gee albums by the R&B vocal group, and both are tough ones to find. There's a minor ink stain and a number stamped on the back cover. Condition: EX 7/ NM 8.
Patsy Cline Signed Photo and Mini-Archive. A b&w 8" x 10" promo photo inscribed "To Flora, Musically yours!" and signed by the legendary country singer in black ink, in Fine to Very Fine condition with subtle overall wrinkling and edge wear and a medium crease to the top left corner. Also included is a b&w 8" x 10" rare photo of Cline performing (Very Fine with light wear and some soiling to the top edge) and an In Memoriam card from her 1963 funeral (Excellent with light wear). Accompanied by LOA from PSA/DNA.
"The Clovers" LP Atlantic 1248 Mono (1956). This is the first album from one of the early '50s premier R&B vocal groups. Super-clean copy in near perfect condition. Condition: NM 8/ NM 8. From the GRT Collection.
Eddie Cochran "Mean When I'm Mad" Rare 45 Picture Sleeve Liberty 55070 (1957). You're looking at the only picture sleeve that Liberty produced for The Hall of Fame Rocker, which seems like a low number considering his 17 Liberty singles. And this one's scarce, one of Rock's most coveted picture sleeves. There is some ink on Eddie's collar. Condition: VG-EX 6.
Eddie Cochran "Singing To My Baby" (Part 3) EP Liberty 3061 (1958). The three EPs the legendary rocker left us are all rare and equally valuable. Part Three here includes "One Kiss", "Cradle Baby", "I'm Alone Because I Love You", and "Lovin' Time". There is some writing on the labels and on the back cover, but the disc is sweet! Condition: VG-EX 6/ NM 8.
Nat King Cole Signed Tour Book. An original copy of of the tour book for Cole's Sights and Sounds Tour, signed by him on page 12 in blue ballpoint. In Very Fine to Excellent condition with mild wear. Accompanied by LOA from PSA/DNA.
Movie/TV Memorabilia
Nat King Cole Signed Photo. A b&w 8" x 10" portrait of Cole, inscribed and signed by him in blue ink. Matted to an overall size of 11" x 14" and in Excellent condition. Accompanied by LOA from PSA/DNA.
Music Memorabilia
The Contours "Do You Love Me" LP Gordy 901 (1962). The title cut originally hit #3 on Billboard's Hot 100, and it never really went away, becoming a rallying party anthem for the ages. It even returned to the charts in 1988, hitting #11. And this ranks as one of the best album covers all-time, and one of the most colorful. Condition: EX 7/ NM 8.
Cream Photo Signed by the Band. A b&w 8" x 10" glossy signed by Eric Clapton, Ginger Baker, and Jack Bruce, in Excellent condition. Accompanied by LOA from PSA/DNA.
Crests "Sweetest One"/ "My Juanita" 45 Joyce 103 (1957). First label version, with the oversized "Y". One of the greatest vocal groups of the '50s, led by the distinctive voice of Johnny Maestro, barely charted (#86) with "Sweetest One" in 1957, but the flip is a real nugget that might have inspired Dion and the Belmonts who wouldn't hook up until the following year. The Johnny Maestro autograph on the sleeve was obtained by "The Rockin' Reverend," Rev. Ken Haskins, a Reno DJ for 19 years. Condition: EX 7.
The Crystals 78 Group of 2 De Luxe (1954-55). No, this isn't the famous '60s "Girl Group" - it's one of the other seven distinct groups that released records in the '50s and early '60s before Phil Spector took his crew to the top in 1962. Our offering here is from the first group (as far as we can tell) that recorded as The Crystals, and their 78 releases are the most valuable. One of the two records in this lot is a very rare white label "Dee Jay Special" promo of "Have Faith In Me"/ "My Love" (De Luxe 6037) from 1954. The other is ""My Girl"/ "God Only Knows" (6077). Both discs are in EX 7. From the GRT Collection.
"The Crystals Twist Uptown" Rare Stereo Record Club LP Philles 4000 (1962). This album from one of the classiest of the '60s "girl groups" is a find in any of its variations, but the stereo version of the Capitol Record Club edition is the rarest we know of. There's a three inch seam split at the top of the front cover, but the record is peerless. Condition: EX 7/ MT 9.
Danny and the Juniors "At The Hop" Rare 45 Singular 711 (1957). The white doo-wop group from Philadelphia had one of the biggest hits of the Rock and Roll era with this irresistible song in 1957, which rode atop the charts for seven weeks! Lead singer Danny Rapp was just 16 when the song was released on the ABC-Paramount label in late 1957. The song initially came out earlier in the year on the small Singular label, and these first editions are exceedingly scarce, and display fantastic sound. It's a different version than the later hit recording, with a counting ("1, 2, 3...") intro. Consignor Rockin' Reverend Haskins, a Reno DJ for 19 years, got original members Frank Maffei and Joe Terranova to autograph the record sleeve! Condition: VG-EX 6.
Bobby Day 78 Group of 4 (Class, 1958). Born Robert Byrd, Day had formed the Hollywood Flames in 1950 at the age of 20, enjoying a #11 hit with "Buzz, Buzz, Buzz" in 1957. Later that same year, he had a minor hit with "Little Bitty Pretty One", a song he wrote, but one that Thurston Harris had a bigger hit version of. In 1958, Day had his two biggest hits. "Rockin' Robin" and "Over and Over" were flip sides. "Robin" overshadowed its flip, going to #2, while "Over and Over" peaked at #41. The latter proved its potential later when the Dave Clark Five took it to #1 in 1965. Included in this grouping are three copies of the double-sided hit, all phenomenal NM 8 copies. Two have the typical maroon label, the other a black label. The other record in the lot is a NM 8 copy of the follow-up to "Rockin' Robin", and came out in late 1958: "The Bluebird, The Buzzard & The Oriole", which peaked at #54 on Billboard's Pop chart. From the GRT Collection.
Bobby Day "Rockin' With Robin" LP Class 5002 (1959). Bobby's only album had all three of his great tunes: "Rockin' Robin", "Over and Over", and "Little Bitty Pretty One". There are two stamps on the back - one is a small "C"; the other "INSPECTED BY No. 3 FBS". Condition: EX 7/ NM 8. From the GRT Collection.
Taylor Dayne "Tell It to My Heart" Gold Album Award. Presented to June Colbert to commemorate the sale of 500,000 copies of Dayne's 1988 debut album. In Excellent condition, framed to an overall size of 17" x 21".
"The Original Delaney And Bonnie" Rare Withdrawn LP Apple SAPCOR 7 (1969). Probably the rarest Apple LP, this was originally set for release in May 1969, but withdrawn because of contractual problems. Ultimately it was released on Electra. Condition: NM 8.
Dell-Vikings "Come Go With Me" Rare Version 45 Fee Bee 205 (1956). Here's the first label release of a Rock 'n Roll classic that later charted on Dot for 31 weeks in 1957. This is the rarer version, with "45 RPM" beneath "Fee Bee," and with two sets of thin, horizontal, double parallel lines on the label. B/w " How Can I Find True Love." The sleeve that comes with the record has group member Gus Backus' autograph (obtained by the consignor, a Reno DJ for 19 years). Condition: VG-EX 6.
Dell-Vikings "Come Go With Us" EP Dot 1058 (1957). Immaculate copy of the group's first EP, which includes their two biggest hits, "Come Go With Me" and "Whispering Bells". Condition: GM-MT 10/ GM-MT 10. From the GRT Collection.
Del Vikings "They Sing... They Swing" LP Mercury 20314 (1957). Not quite as rare as the EP we're featuring of the group, it's still a tough find in this condition. This was their second album release, and first of two on Mercury. There is some writing in ink on the back cover. Condition: NM 8/ NM 8.
Bo Diddley 78 Group of 4 (Checker, 1955-59). The great R&B/Rock innovator penned every song on these four discs, and these copies are sharp! Included are ""Diddley Daddy" (Checker 819), "Who Do You Love?" (Checker 842), "Hey! Bo-Diddley" Checker 860), and ""Crackin' Up" (Checker 924). All but the first are in NM 8 condition - "Diddley Daddy" is EX 7. From the GRT Collection.
Bo Diddley LPs Group of Two (1959-63). One of Rock's true originals, Bo Diddley released his second album "Go Bo Diddley" (Checker 1426 Mono) in 1959. Included here is his highest-charting single, the hilarious "Say Man", plus 11 other self-penned rockers. Condition: MT 9/ NM 8. We've also included an album that at first may seem odd, Bo doing surf music. But the idea will grow on you as you give "Surfin' With Bo Diddley" (Checker 2982 Mono, 1963) a listen. This copy's a white label promo. Condition: EX 7/ MT 9. From the GRT Collection.
Ral Donner "Takin' Care Of Business" LP Gone 5012 Mono (1961). It's a mystery why the Elvis sound-alike released only one album during his '60s heyday. With four Billboard Top 40 hits in 1961 alone and another charting single in 1962, it seemed Donner was on the road to stardom. Three of his hits appear here including "Girl Of My Best Friend" (#19), "You Don't Know What You've Got" (#4), and "Please Don't Go" (#39). The album doesn't turn up that often, and this is a nice copy. Condition: EX 7/ EX 7.
Lee Dorsey "Ya Ya" LP Fury 1002 (1962). New Orleans played a huge part on popular music in the '50s and '60s, and Lee Dorsey was one example. The quirky, uniquely New Orleans title cut was his first big hit in 1961, but the album is fairly scarce. Condition: EX 7/ NM 8. From the GRT Collection.
"The Dubs Meet The Shells" LP Josie 4001 (1962). Both R&B vocal groups released several singles in the late '50s, but this was the first album for either. Have we got a copy for you! The original shrinkwrap is intact except for the record opening, but the record appears unplayed. Condition: MT 9/ GM-MT 10. From the GRT Collection.
Duprees "Have You Heard" LP Coed 906 Mono (1963). The second album from the Italian-American doo-wop group is at least as rare as their first. The album includes their charting singles "(It's No) Sin", "Have You Heard", "Gone With The Wind", and "I'd Rather Be Here In Your Arms", among the 12 cuts. You won't find a nicer copy. Condition: NM 8/ GM-MT 10. From the GRT Collection.
Earl Warren Showgrounds Concert Ticket Group of Two (Jim Salzer, 1968). Two scarce tickets from the Earl Warren Showgrounds in Santa Barbara. The first is a ticket from March 16, 1968 for a show with Blue Cheer, the Nitty Gritty Dirt Band, and the Nazz (replaced by Alice Cooper). The second ticket is for an April 6, 1968 show with Electric Flag, Traffic, and Steppenwolf. The tickets were typically torn on entry, keeping the ticket number off the bottom, so finding complete tickets can be a challenge. These large, 4" x 6", tickets are in NM/M condition.
Vintage Edison C-250 Diamond Disc Phonograph. Introduced in December, 1915, at a retail price of $250.00 (hence the model number), the Diamond Disc C-250 was Edison's answer to the Victrola and quite popular with the public, boasting various oak cabinet styles designed to match middle-class decor and featuring gold-plated hardware and record storage drawers. The Diamond Disc phonograph was offered in a variety of models from late 1912 to 1927, and the records were sold until October 1929, when the company closed its doors just days before the stock market crash. This vintage model (year unknown) features two compartments with wooden dividers for storing up to 72 discs, a key that locks the turntable and record compartments, and its original serial number plate (JM-65146) is still affixed within the turntable compartment. Still in working order, it is in overall Very Fine condition with some nicks and scrapes to the cabinet -- mostly to the rear top and bottom edges -- a little tarnishing, and heavy discoloration to the felt turntable pad from age.
Expose "Exposure" Gold Album Award. Presented to June Colbert to commemorate the sale of 500,000 copies of the 1984 album by the defunct girl group. In Excellent condition, framed to an overall size of 17" x 21".
Shelley Fabares "Shelley!" LP Colpix 426 Stereo (1962). Mono was still the norm in 1962, which makes this stereo copy a real find, especially in this grade. Teenage darlin' Shelley looks oh-so-pretty on the front, and the record demonstrates fantastic stereo sound quality. The back cover has some pencil markings and an "INSPECTED BY N.M." stamp. Condition: EX 7/ NM 8.
Charlie Feathers "Too Much Alike" 45 King 5043 (1956). Brilliant Rockabilly artist well-known to that genre's aficionados. His website declares him "The King of Rockabilly," and a listen will lend credence to that enthusiasm! Because his records didn't chart, they're pretty rare and quickly snapped up. Don't miss this nice copy. Condition: EX 7.
Fendermen "Mule Skinner Blues" LP Soma 1240 (1960). This unlikely Pop "group" was really just two college buds with an affinity for a certain brand of guitar. They took the title cut, a classic Jimmie Rodgers composition from 1931, to #5 on Billboard's Hot 100 in 1960, but this album was all but ignored at the time and is now very rare. This is the solid black vinyl pressing. Condition: EX 7/ EX 7.
Fillmore East Concert Program, Group of 7 (Bill Graham Presents, 1968-70) While we often see posters for many of the Bill Graham concert events in both San Francisco and New York, here's something we don't see that often: a collection of Fillmore East program booklets! Included in this group is a program for the famous New Year's Eve Jimi Hendrix/Band of Gypsies show, with photos of Jimi and drummer/singer Buddy Miles. In addition, there are programs for Sam and Dave (12-13-68); Ten Years After (2-28-69); Chuck Berry (10-3-69); Santana (11-7-69); Savoy Brown (2-20-69); and another Ten Years After (2-26-70). The programs average in Very Good condition.
Fillmore Concert Tickets Group of Eight (Bill Graham Presents, 1968-70). A beautiful batch of tickets that feature some of the biggest names to pass through the city by the bay. In this group the tickets feature Big Brother and the Holding Company, the Grateful Dead, Ten Years After, Country Joe and the Fish, Traffic, Donovan, Jethro Tull, and Led Zeppelin. Since the tickets are mini versions of the posters they are excellent for framing.
Five Echoes "So Lonesome"/ "Broke" 78 Sabre 5102 (1954). Another of the relatively anonymous R&B groups that weren't even registering on the R&B charts in the early '50s, but were making great music on small labels. And the "B" side here is a real rocker in its own right. The red vinyl 45 version of this may be out of your range, so go for this black 78 version. Condition: VG-EX 6.
Five Keys EP Group of 2 Capitol EAP-1-828 and 2-828 (1957). The smooth R&B vocal group second Capitol EP came in two parts, and there were two cover versions. The original became known as the infamous "Thumb Cover," and is well-known to collectors. If you missed it, check out the larger image of the Part 2 EP at our website and see what the fuss is about! The Part 1 copy here has the reworked "clean" cover version. Condition: Part 1 is NM 8/ NM 8. Part 2 is VG-EX 6/ VG-EX 6.
Five Keys "Red Sails In The Sunset" 78 Aladdin 3127 (1952). One of the few R&B groups from the early '50s to find later success on the Pop charts after shifting to the Capitol label. Their first releases on Aladdin are much rarer. Condition: NM 8. From the GRT Collection.
Five Thrills "Gloria" 78 Parrot 800 (1954). Highly sought-after single of a terrific doo-wop group's second release. The label is classic itself! The number "654" is written on the label of the flip side, "Wee Wee Baby". Unbelievable condition: MT 9. From the GRT Collection.
Flamingos "Golden Teardrops" 78 Chance 1145 (1953). The legendary doo-wop group's third release came three years before they managed to crack the R&B charts - it would be another three years (1959) before they made the Pop charts. So, these early recordings are rare, and this is the rarest of the 78s on the Chance label. What an unbelievably nice copy! Condition: NM 8.
Flamingos "Plan For Love" 78 Chance 1149 (1953). The legendary doo-wop group first recorded for this Chicago label, and this was their fourth release. We're pretty confident (like maybe 78%) you won't find a finer copy of this record! Condition: NM 8. From the GRT Collection.
Flamingos "I Only Have Eyes For You" 78 End 1046 (1959). By 1959 the phase-out of 78 records had just about been completed. Here's a rare exception. The group's biggest hit was released in both 45 and 78 versions, but the latter is quite rare. Condition: EX 7. From the GRT Collection.
Flamingos LP Group of 2 (1960-62). Two albums of the Flamingos are featured here. "Flamingo Favorites" (End 307 - Mono) was released in 1960, while the double-group compilation "The Flamingos Meet the Moonglows" (Vee-Jay 1052 - Mono) came out in 1962, but featured earlier recorded selections, eight by each group. Both are fantastic copies - "Flamingo Favorites" condition: MT 9/ GM-MT 10; "The Flamingos Meet the Moonglows" condition: MT 9/ Still sealed (with a shrinkwrap tear at upper right of front cover). From the GRT Collection.
Foo Fighters "The Colour and the Shape" Platinum Album Award. Stylish, holograph-style platinum sales award presented to KEGL by the RIAA to commemorate the sale of one million copies of the Foo Fighters' 1997 debut album. The 13" x 19.5" shadowbox display box is in Excellent condition.
The Best of Frankie Ford EP Ace 105 (1959). The title begs the question, "So what's on the EP besides 'Sea Cruise'?" The answer: "Time After Time", "China-Town", and "Roberta". Rare EP and even rarer condition. Condition: MT 9/ MT 9. From the GRT Collection.
Frankie Ford "Let's Take A Sea Cruise" LP Ace 1005 (1959). Ford's first release for the famed Ace label went nowhere in 1958, but the following year "Sea Cruise" made him a household name for generations of Rock. It peaked at a respectable #14 on the Hot 100, but has demonstrated more staying power that hundreds of singles that went even higher. Ford's only Ace album was issued to capitalize on that popularity, but it also includes "Alimony," which charted briefly in 1959. Think the New Orleans cats didn't collaborate? Eleven of the 12 songs here were written or co-written (often with each other) by Ford, Huey Smith, and a very young Mac Rebennack (Dr. John)! Condition: EX 7/ EX 7.
Four Lovers "Joyride" LP RCA 1317 (1956). The young doo-wop group had six singles released on RCA, plus two EPs, to go with their one album. They didn't have much success, despite the presence of one 19-year old Frankie Valli, who six years later, as the lead singer of the Four Seasons, would be ruling the charts. This album is a rare find, and the record is in remarkable condition. The covers have some wear, and there is some writing in ink on the back. You can check it all out on an enlarged picture at our website. Condition: VG-EX 6/ NM 8.
Alan Freed Show Carnegie Music Hall Concert Ticket (Alan Freed, 1960). As we all know Alan Freed is widely regarded as the man that coined the phrase "Rock and Roll." He was also the main man behind the "payola" scandal of 1960, and this was the last of his "Rock and Roll" shows, as barely three weeks after this concert he was charged with being payed to play records and fired from WNBC in New York. This ticket is in Mint condition.
Marvin Gaye Group of 9 Albums (1963-69). Quite a collection from one of Motown's most legendary voices. This incredible group includes seven still sealed albums. All the albums have covers and discs in the MT 9 to GM-MT 10 condition range! Included: On Stage (Mono 1963), Greatest Hits (Stereo 1964), Marvin Gaye & Mary Wells Together (Mono 1964), Hello Broadway (Mono 1965), A Tribute to the Great Nat King Cole (Mono 1965), Marvin Gaye/Tammi Terrell You're All I Need (Stereo 1968), In The Groove (Stereo 1968), I Heard It Through The Grapevine (Stereo 1969), Marvin Gaye And His Girls (Stereo 1969). All are sealed except On Stage (MT 9) and A Tribute to the Great Nat King Cole (GM-MT 10). From the GRT Collection.
Marvin Gaye Acetate Singles Group of 2 (1966). Two outstanding one-sided acetates make up this lot. "Ain't That Peculiar" was a big hit in 1965, but this Capitol label gives a date of July 20, 1966. If it seems strange to mention Capitol Records, the explanation is that acetates would infrequently be made with seemingly dissociated labels (Marvin, of course, recorded on Motown's Tamla label in 1965), but it could happen when the acetate is created at a studio that's used by multiple record companies. This stunning 45 rpm 8" acetate comes in an Audiodiscs sleeve. "Take This Heart of Mine" peaked at #44 in 1966. This plain label shows a date of April 27, 1966, and the 45 rpm 10" acetate comes with a Transco sleeve. Condition of both acetates: NM 8. From the GRT Collection.
Marvin Gaye Signed Check. Personal check for $300 dated October 29, 1979, and signed by the late, great Soul singer in black ink. In Excellent condition with the usual bank cancellation stamps. Accompanied by LOA from PSA/DNA.
George and Ira Gershwin Framed Signatures. Matted tribute (12" x 19") to the brilliant composers features an 8" x 10" photograph of George Gershwin, beneath which is gray paper with letterhead of Ira Gershwin, reading "For Kaye Ballard/With admiration/and/All Good Wishes/Ira Gershwin/Beverly Hills/May 21, 1979." There is some age damage in the gray frame, but the autographs in Excellent condition. From the Kaye Ballard Collection. Accompanied by LOA from PSA/DNA.
Lloyd Glenn "Piano Stylings" LP Score 4006 (1956). Pianist/arranger had five Top Ten R&B hits within 12 months in 1950-51. Condition: EX 7/ VG-EX 6.
Godsmack "Awake" Platinum Album Award. Presented to producer Arma Andon by the RIAA to commemorate the sale of one million copies of Godsmack's 2000 album. The elaborate framed display is in Excellent condition with some mild wear to the lower edges of the frame.
Bill 'Bass' Gordon "Two Loves Have I" 78 Gee 12 (1954). Beautiful record on a label that's one of the favorites among '50s collectors. B/w "Bring My Baby Back". Condition: NM 8. From the GRT Collection.
Grateful Dead "Vintage Dead" Test Pressing LP Sunflower 5001 Stereo (1970). Even the commercial version of this album is rare, so you know what that makes this test pressing! Condition: EX 7. From the GRT Collection.
Jerry Garcia Photo Signed by Artist. A very nice 11" x 14" b&w photo of the late Grateful Dead frontman, signed by legendary Jazz photographer Jeffrey Kliman in black ink at the lower right corner. In Excellent condition, framed to an overall size of 13" x 16".
Jerry Garcia Photo Signed by Artist. Here's another great 11" x 14" b&w photo of the late Grateful Dead frontman, signed by world-famous Jazz photographer Jeffrey Kliman in black ink at the lower right corner. In Excellent condition.
Grateful Dead Backstage Passes Uncut Sheet (Grateful Dead Productions, 1992). Something truly scarce: an uncut sheet of backstage passes for the Dead shows at Madison Square Garden and Boston Garden in the Fall of 1992. Most sheets were cut down at the offices of the Dead before they were shipped to the final location. This rarity is in NM condition.
Grateful Dead Concert Backstage Pass Group of Eight (Grateful Dead Productions, 1992). A really nice set of passes for the Grateful Dead shows at Madison Square Garden and the Boston Garden in 1992. All passes grade NM/M and will make a great addition to any Dead collection.
Grateful Dead Highway Sign. This heavy, vinyl, billboard-size (roughly 14' x 48') banner from the Dead's 2004 summer tour hung on the New Jersey Turnpike to promote their stop at the PNC Center in New Jersey. The banner, from the "Wave That Flag" tour, features Uncle Sam. In Excellent condition with virtually no wear.
Grateful Dead "In the Dark" Platinum Album Award. Presented to June Colbert to commemorate the sale of one million copies of the 1987 album, their 12th studio album and at the time their first in six years. In Excellent condition, framed to an overall size of 17" x 21".
Grateful Dead "Built to Last" Gold Sales Award. Presented to Steven Shmerler to commemorate the RIAA certified sale of more than 500,000 copies of the Dead's 1989 LP. In Excellent condition.
GTR Gold Album Award. Comprised of guitarists Steve Howe from Yes and Steve Hackett from Genesis, vocalist Max Bacon, bassist Phil Spalding, and drummer Jonathon Mover, GTR had a very brief run restricted largely to their self-titled 1986 LP. Presented to June Colbert to commemorate the sale of 500,000 copies of the short-lived supergroup's sole album, this award is in Excellent condition and framed to an overall size of 17" x 21".
Bill Haley and his Comets "Shake Rattle and Roll" 10" LP Decca 5560 (1955). One of our favorite Haley covers and does this 8-track LP rock! Plus, this may be the nicest copy we've offered to date. Condition: EX 7/ VG-EX 6.
Bill Haley and Johnny Montana Signed Contract. A standard Uniform Popular Songwriters Contract, dated May 3, 1957, setting publication terms for the early rock song "(Ya Gotta) Sing for the Ladies" by Bill Haley (of the Comets) and Johnny Montana, signed by them on the back page in blue ink. Also included is a page of sheet music for the song. Both are in Excellent condition with mild overall tanning. Accompanied by LOA from PSA/DNA.
Wilbert Harrison "Kansas City" LP Sphere Sound 7000 Mono (1965). The title cut had hit #1 some six years before this (his first) album was released on a different label. Speaking of different labels, Harrison recordings can be found on at least 30! Condition: EX 7/ NM 8. From the GRT Collection.
"Eddie Holland" LP Motown 604 Mono (1963). One-third of the great Motown songwriting trio of 'Holland-Dozier-Holland' released his only album in 1963, and here's an outstanding copy. The cover still has the shrinkwrap intact except for the record opening, yet the record looks unplayed. Condition: MT 9/ GM-MT 10. From the GRT Collection.
Buddy Holly "The Chirping Crickets" EP Brunswick 71036 (1957). Classic early Crickets' tunes include "That'll Be The Day", "Oh Boy!", "Not Fade Away", and "I'm Looking for Someone to Love". As our last auction proved, Buddy Holly remains near the top of the list of revered '50s Rock icons. Both record and cover are super-nice. The cover has a very small color flake near the middle of the right front border. Condition: NM 8/ NM 8. From the GRT Collection.
Buddy Holly "The Sound Of The Crickets" EP Brunswick 71038 (1958). The second (and final) EP from Brunswick had "Maybe Baby," "Tell Me How," "Send Me Some Lovin," and "Rock Me My Baby." Condition: MT 9/ NM 8.
Buddy Holly "Listen To Me" EP Coral 81169 (1958). The first and most sought-after of Holly's Coral EPs, this one has four great solo releases: "Peggy Sue" and its flipside "Every Day," plus "I'm Gonna Love You Too" and its flip "Listen To Me." There is a 4.5" piece of tape along the top, and another similar strip along the bottom. Condition: EX 7/ EX 7.
Buddy Holly "Brown Eyed Handsome Man" EP Coral 81193 (1963). Holly's last EP came out some four years after his tragic death. Included are the title cut, "True Love Ways," "Wishing," and "Bo Diddley." The cover has a seam split at the middle top and bottom, and at the right top corner. Condition: VG-EX 6/ NM 8.
Buddy Holly and "The Chirping Crickets" LP Brunswick 54038 (1957). The first album released by the group, generally regarded as the greatest (and that includes Holly's solo efforts), and the only one released on Brunswick. One of the classic Rock and Roll albums of all-time included "That'll Be The Day", "Maybe Baby", "Oh, Boy!", "Not Fade Away", and others. Condition: EX 7/ EX 7.
"The Buddy Holly Story" Mono LP Coral 57279 (1959). This is the first pressing, the rarer version with the black and red printing combination on the back cover. Released shortly after Holly's tragic death, this is one of Rock's most treasured collections, including early hits with the Crickets and his biggest solo smashes. This is a very nice copy of a must-have album for essential Rockers. Condition: EX 7/ VG-EX 6. From the GRT Collection.
Buddy Holly Signed Autograph Book. A "Memories Class of 1954-55" notepad, signed by Buddy Holly. A high school senior at the time, the future music legend was still signing his last name with its original spelling, "Holley." In Fine condition, missing the front cover and with mild to moderate tanning. Accompanied by LOA from PSA/DNA.
Buddy Holly Senior Yearbook. A copy of the 1955 edition of the Lubbock High School yearbook, The Westerner, featuring Buddy Holly's senior class photo on page 69, and his Vocational Industrial Club photo on page 196. In Very Fine condition with a 2" split near the top of the spine.
Buddy Holly and the Everly Brothers Signed Receipt. A high school class ring receipt, dated October 13, 1957, bearing the signatures of Buddy Holly and Phil and Don Everly in blue ink, obtained by a young high school student named Marie Steinaker (nee Perez). Describing how she obtained the signatures, Perez says: "My friend and I were going to the second performance of a rock and roll show. We were having a sandwich in a small cafe...with a layout that was a U-shaped bar with stools on the other side. We looked over at the stools and there sat the Everly Brothers and another fellow. We got up the courage to ask for the Everly Brothers' autographs, and decided to include the third guy because we didn't want him to feel left out. We got all three signatures and sat back down in out booth and looked and...the third guy was Buddy Holly, who was by far our very favorite. He just looked so ordinary and wasn't all that recognizable yet." At the time, Autumn of 1957, Holly and the Crickets were part of an 80-day tour that included the Everly Brothers and Fats Domino; a few months later Holly and his band would embark on their historic 25-day tour of Britain. The receipt is in Very Fine condition with light wear, mild tanning, and a fold crease -- none of which affects the gorgeous, clear signatures. Accompanied by LOA from PSA/DNA.
Two Buddy Holly Photos. Two snapshots at a September, 1957 unknown engagement, possibly with Coral execs, with handwritten notations on the back. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Snapshots. Set of two snapshots, with handwritten notations on the back, both taken in September, 1957. Each is in Excellent condition. With COA from Maria Elena Holly.
Brooklyn Paramount Theatre Photos by Buddy Holly. Two snapshots of the Brooklyn Paramount Theatre, with handwritten notations on the back. Each is in Excellent condition. With COA from Maria Elena Holly.
Birthday Party Snapshots Taken With Buddy Holly's Camera. Three snapshots, dated August 31, 1957, with handwritten notations on the back. One is labelled "Jerry," the other "Buddy." Each is in Excellent condition. With COA from Maria Elena Holly.
Two Photos Taken With Buddy Holly's Camera. Two snapshots dated September 1957, from an unknown engagement, possibly with Coral execs, with handwritten notations on the back. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Snapshots. Two snapshots, with handwritten notations on the back. The first is a photo of DJ and "father of rock and roll" Alan Freed, his wife, and his secretary; the second is of the marquee of the Brooklyn Paramount Theatre, advertising Freed's "Great Holiday Rock 'n' Roll Show" which the Crickets performed at. Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly Photos from Trip to California. Two snapshots taken from the window of a plane, with his handwritten notations on the back, both dated February 7, 1958. One reads: "Arizona on way to Amarillo from S.A., Calif."; the other: "Phoenix, Ariz. Airport, on way back to Amarillo from S.A., Calif. (Buddy & Crickets)." Each is in Excellent condition. With COA from Maria Elena Holly.
Buddy Holly and the Crickets Snapshots. Two snapshots, with his handwritten notations on the back. Both are dated February 2, 1958, and notes on the first read: "Jerry & Joe B. at Hotel Surfer's Paradise at Koolangatta, Aust."; the second says: "Jerry Lee Lewis, Jay (Bassman) & drummer at Surfer's Paradise barbecue bar. Koolangatta, Aust." Each is in Excellent condition. With COA from Maria Elena Holly.
Guitar Birdhouse Sculpture. This large iron guitar sculpture (designed to double as a birdhouse) was created by artist Steve Teeters, who designed the glasses sculpture for the Buddy Holly Center in Lubbock. This particular piece was presented to Maria Elena Holly around the time the museum opened in 1999. It measures 76.5" in height, 48" at its widest point, and is in great condition. From Maria Elena Holly's personal collection.
"The Hollywood Argyles" LP Lute 101 (1960). Until the mid-'60s, when the Beatles came along, a #1 hit didn't automatically mean a hit album unless your name was Elvis. Case in point: "Alley Oop" was a #1 hit in 1960, but the album didn't chart in the Top 200. Have you ever seen a copy? Condition: .
Hornets "I Can't Believe" 78 States 127 (1953). Some awfully good doo-wop going on in the pre-Rock years of the early 1950s, and here's a great example. Future Drifters lead vocalist Johnny Moore was one of the members. B/w "Lonesome Baby" and super-rare. This copy is fantastic! Condition: MT 9.
Whitney Houston Double-Platinum Album Award. Presented to June Colbert to commemorate the sale of two million copies of the singer's 1985 debut album. In Excellent condition, framed to an overall size of 16" x 21".
Ivory Joe Hunter "I Get That Lonesome Feeling" LP MGM 3488 (1957). The smooth soulster had been enjoying Top Ten success on the R&B charts since 1945, but this, his first album wasn't released until 12 years later. Included are two of his #1 R&B smashes, "I Almost Lost My Mind" and "I Need You So". Condition: NM 8/ NM 8. From the GRT Collection.
Ivory Joe Hunter Mini-Archive. Included are unsigned drafts of a Vee Jay Records contract dated April, 1962; carbons from two AFM contracts, dated June 19 and 20, 1963, with Hunter's signature; two copies of a Vee Jay memorandum regarding Hunter, dated April 3, 1962; letters to and from Vee Jay regarding Hunter dated April 9 and 20, 1962; and a Universal Recording Corporation invoice to Vee Jay for studio work for Hunter, and dated April 30, 1962. The items are in overall Very Fine to Excellent condition with mild to moderate wear. Accompanied by LOA from PSA/DNA.
"Johnny and the Hurricanes" Sealed Stereo LP Warwick 2007 (1959). Saxophonist Johnny Pocisk and his group specialized in rock instrumental versions of old standards, like their biggest hit "Red River Rock", which is included on their first album here. Rare enough in the standard mono version, it's much rarer in this stereo format. After all, this was 1959! Did we mention this is a sealed copy? Condition: Still sealed. From the GRT Collection.
"The Big Sound of Johnny and the Hurricanes" Sealed Mono LP Big Top 1302 (1960). Since you like sealed copies so much, here's another from this instrumental group. After their first releases on the Warwick label in 1959 and 1960, the group moved to Big Top where they charted five more times in 1960 and 1961. Condition: Still sealed. From the GRT Collection.
Joint Show Preview Ticket (Moore Galleries, 1967). For those wondering what this is the Joint Show was the first exhibition of psychedelic art by San Francisco artists, held during the summer of '67. The ticket offered here is for the preview night of the exhibition, held on July 17, 1967. It is a triple-fold ticket that features art by Wes Wilson on the outside and a picture of the artists on the inside. Music at the preview night was provided by Country Joe and the Fish. Due to the size of the gallery this event was held at around 150 of these tickets were printed. In NM/M condition this has to be one of the finest remaining examples and would be a great addition to any quality Rock and Roll collection.
Al Jolson Endorsed Check. An Al Jolson Co. Manager's Account check, dated January 30, 1932, written to Jolson for the amount of $736.66 and endorsed by him on the back in black ink. In Excellent condition with light wear and the usual bank cancellation holes and marks. Accompanied by LOA from PSA/DNA.
George Jones "The Grand Ole Opry's New Star" LP Sparton 101 (Canada - 1958). Here's the Canadian version of the Possum's very first album release on the Starday label. Generally regarded as Country's greatest male artist for the '60s and '70s, some would argue Jones is the greatest Country star ever, making this one of the most sought-after recordings by C&W fans. Condition: VG 5/ VG 5. From the GRT Collection.
Janis Joplin Autograph. An off-white 5.25" x 5.5" album page signed by Joplin in black ink, in Very Fine condition with a small tear to the left edge, a small tape stain, and mild overall tanning -- none of which affects the large, bold signature. Also included is a b&w 8" x 10" photo of Joplin outside the legendary Hotel Chelsea. Joplin's short but stellar career and tragic death at 27 make her signature very prized and much sought after. Accompanied by LOA from PSA/DNA.
Janis Joplin Senior Yearbook. A copy of the 1960 edition of the Thomas Jefferson High School yearbook, The Yellow Jacket, featuring Janis Joplin's senior class photo on page 223. In Very Fine to Excellent condition with very mild cover wear.
Janis Joplin Handwritten Letter to Peter de Blanc. A four-page letter dated September 12, 1965, handwritten in blue ink by Joplin to boyfriend de Blanc. It reads in part: "It's afternoon now & I'm writing because I've been thinking about you all day. I tried to call you this morning but the hospital said that you don't have a phone in your room & I couldn't call you. So, here I am distraught as ever." The letter is signed "Love, J." and is in Excellent condition with a fold crease. Accompanied by LOA from PSA/DNA.
Janis Joplin Signed Unreleased Photos. Two great photos of one of the most powerful voices of the 1960s. These photos were taken by amateur photographer Don Aters who kept the slides for all these years. In the late-'90s, Don made 500 b&w 8" x 10" photos of each of these images and signed 100 of each.
Kenny G "Duotones" Platinum Album Award. Presented to June Colbert to commemorate the sale of one million copies of the 1986 album that made the saxophonist a household name. In Excellent condition, framed to an overall size of 21" x 16".
Kinks "Sleepwalker" Acetate Pye Recording Studios (UK, 1977). Besides cuts from the album, there's a bonus, unreleased selection "Childbride." Condition: EX 7 (disc only).
Set of KISS Limited Edition Dolls. A complete set of Fun 4 All Collectibles' 1998 limited edition 24" dolls of KISS, based on the band's Destroyer period. Each features an authentic costume replica, an electronic base that plays authentic audio samples from the 1976 album, and individual serial number and certificate of authenticity. In overall Excellent condition.
Patti LaBelle and the Bluebelles "Sweethearts Of The Apollo" LP Newtown 631 (1963). The group's first release featured a bargain 16 cuts, including their first two charting hits, "I Sold My Heart to the Junkman" and "Down the Aisle." The cover includes the red sticker "This album contains 'Down the Aisle' the Blue Belles latest hit." The record has some minor label wear on Side 1. Condition: EX 7/ EX 7.
Led Zeppelin 45/Picture Sleeve Group of 14 (US, Australia, Italy, Japan, Spain). Get the Led in... your collection. Here's a great assortment from around the world. From the US: a Jukebox EP from 1973's Houses of the Holy, including "Dancing Days", "D'yer Mak'er", "The Song Remains the Same", and "The Crunge". Condition: VG-EX 6 (cover)/ EX 7. From Australia: a three-song EP Acoustically with "That's The Way", "Going To California", and "Stairway To Heaven" in EX 7/ NM 8. From Italy: "Fool In The Rain"/ "Hot Dog" in EX 7/ MT 9. From Japan: "Whole Lotta Love"/ "Living Loving Maid", 2 copies of "Immigrant Song"/ "Hey Hey What Can I Do", "Black Dog"/ "Misty Mountain Hop", "Rock and Roll"/ "Four Sticks", "Trampled Underfoot"/ "Black Country Woman", "D'yer Mak'er"/ "The Crunge", "Candy Store Rock"/ "Royal Orleans", "Fool In The Rain"/ "Hot Dog", and "Good Times, Bad Times"/ "Communication Breakdown" -- all in MT 9/ MT 9. From Spain: "Rock and Roll"/ "Four Sticks" in EX 7/ NM 8.
Led Zeppelin "Houses Of The Holy" Rare Promo LP Atlantic 7255 Mono (1973). There's little argument that this was the greatest Rock band of the '70s, and many would say ever. But how could an album barely 30 years old be so rare? There simply were not many pressed! By some accounts only 50 or so of this white label promo were produced, so what are your chances you'll find another this nice anytime soon? Condition: EX 7/ NM 8. From the GRT Collection.
Led Zeppelin 1969 Tour Book. a 12" x 12", 28-page book with photos and bios, published shortly after there first tour and the release of their eponymous debut album, with a hard outer cover designed to resemble an album sleeve. The book is in Excellent condition with light soiling to the cover, the hardcover is in Very Fine condition with light wear and a moderate amount of scuffing.
Jerry Lee Lewis "Breathless" Ultra-Rare Sleeve 45 Sun 288 (1958). Legendary performer, song, and label with an ultra-rare sleeve, "a Dick Clark Beech-Nut Spearmint Special." The special edition record was issued with a stamped autograph ("Jerry Lee Lewis"). Condition: EX 7.
"Jerry Lee Lewis" Sun EP Group of 3 (1958-59). This trio of self-titled EPs was distinguished by the number and the color of each cover. Of course the songs were different, too! The first (Sun 108) featured "Don't Be Cruel", "Goodnight Irene", "Put Me Down", and "It All Depends". The second (Sun 109) had "Ubangi Stomp", "Crazy Arms", "Jambalaya", and "Fools Like Me". The third (Sun 110) had "High School Confidential", "Matchbox", "It'll Be Me", and "When the Saints Go Marching In". The respective grades are: MT 9/ NM 8, GM-MT 10/ MT 9, and MT 9/ MT 9. From the GRT Collection.
Jerry Lee Lewis 78 Group of 3 (1958). Three 78 rpm records from the Killer, including "Breathless" (Sun 288) in NM 8, "High School Confidential" (Sun 296) in MT 9, and "Breathless" (London 8137, Africa) in NM 8. From the GRT Collection.
Smiley Lewis "I Hear You Knocking" LP Imperial 9141 (1961). Like his label-mate Fats Domino, Lewis recorded on Imperial and recorded songs written or co-written by Dave Bartholomew. Unlike Fats, Lewis never found crossover success on the Pop charts with his own records. His biggest hit was the title cut which peaked at #2 on the R&B charts in 1955. That same year Gale Storm took the song to #2 on the Pop charts, and Dave Edmunds scored his biggest hit with it in 1971, taking it to #4 on the Hot 100. This was his only album and also included two other R&B hits of Smiley -- "The Bells Are Ringing" (1955) and "One Night" (1956; Elvis had a big hit with it in 1958). Lewis was one of the big R&B influences on the early Rock 'n Roll movement and on later artists. Condition: EX 7/ EX 7.
Robin Luke "Susie Darlin" Picture Sleeve International Records 206 (1958). The teenage wonder's defining hit was first released on Bertram International where it languished until Dot scooped him in 1958 and pushed the song to #6 on the Pop charts. The record on his first label is rare enough, but finding the picture sleeve is one of the great challenges for '50s collectors. And this one is close to perfect. Condition: MT 9. From the GRT Collection.
Frankie Lymon At the London Paladium Promo EP Roulette 304 Mono (1958). White label promo of EP that includes "Goody Goody", "Let's Fall in Love", "My Baby Just Cares For Me", and "Somebody Loves Me". Condition: EX 7/ MT 9. From the GRT Collection.
Madonna "True Blue" RIAA Gold Album Award. Presented to Madonna by the RIAA to commemorate the sale of 500,000 copies of her 1986 album. In Excellent condition, framed to an overall size of 17" x 21".
"Like, Carl Mann" LP Phillips International 1960 (1960). The young Rockabilly artist had a regular radio gig by the age of 10, and a spot on the Junior Opry by 14. His only Top 40 hit was a Rockabilly version of the classic "Mona Lisa" in 1959, when he was still only 17, and newly signed by Sam Phillips. The following year this album was released, his only LP until 1977. This beautiful copy is still in its original shrinkwrap, but has been opened. An outer loose plastic wrap is also present, with a green price sticker of $1.49 affixed. Condition: MT 9/ MT 9. From the GRT Collection.
The Marcels "Blue Moon" LP Colpix 416 (1961). The interracial doo-wop group made an auspicious debut with the title cut in 1961. It held the #1 position on Billboard's Hot 100 for three weeks and remains a fixture on Oldies' playlists. Not quite a one hit wonder, the group had three other charting singles, all updated versions of earlier standards. The cover is still in the original shrinkwrap. Condition: NM 8/ NM 8. From the GRT Collection.
Martha and the Vandellas "Come And Get These Memories" LP Gordy 902 Mono (1963). The Motown "Girl Group" released their first album in 1963, anchored by their first single, the title cut. Super copy of a Motown first. Condition: NM 8/ NM 8. From the GRT Collection.
Marvelettes "Please Mr. Postman" LP Tamla 228 Mono (1961). The title cut was a huge hit, the first #1 Pop single on a Motown label, but the album didn't even chart on Billboard's Top 200! So -- you guessed it! -- the album is fairly scarce, especially in this condition. This is the original white label version. Condition: EX 7/ NM 8.
Marvelettes LP Group of 4 (Tamla 1963-68). Here's a nice grouping of albums from Motown's first great "Girl Group". Included are: "Recorded Live The Marvelettes On Stage" (Tamla 243 Mono, 1963), "The Marvelettes Greatest Hits" (Tamla 253 Green Cover Stereo, 1967), "The Marvelettes" (Tamla 274 Stereo, 1967), and "Sophisticated Soul" (Tamla 286 Stereo, 1968). The condition of the first album listed is NM 8/ GM-MT 10; the others are immaculate still sealed copies! From the GRT Collection.
Tim McGraw "Place in the Sun" Triple Platinum Album Award. An elaborate platinum album award presented to Keith Greer by the RIAA to commemorate the sale of three million copies of McGraw's 1999 LP. The framed display measures 26.5" x 26.5" and is in Excellent condition.
Sarah McLachlan "Fumbling Towards Ecstasy" Platinum CD Award. Presented to June Colbert to commemorate the sale of one million copies of the 1993 album. In Excellent condition, framed to an overall size of 22" x 17".
Sarah McLachlan "Surfacing" Double-Platinum Album Award. Presented to June Colbert to commemorate the sale of two million copies of the 1997 Grammy Award-winning album. In Excellent condition, framed to an overall size of 18" x 18".
"Clyde McPhatter and the Drifters" LP Atlantic 8003 Mono (1956). That both the lead singer here and the group he fronted from 1953 until 1955 have earned Rock and Roll Hall of Fame inductions tells you all you need to know about this recording. Featured are five of the original group's R&B hits, including their two biggest, "Money Honey" and "Honey Love". But there's more: our copy is still sealed in its original plastic shrink! Condition: Still sealed - GM-MT 10/ GM-MT 10. From the GRT Collection.
Clyde McPhatter "Love Ballads" LP Atlantic 8024 Mono (1958). One of the voices of the '50s, the Rock and Roll Hall of Fame singer paved the way for many R&B acts to cross over to Pop and to white audiences. This is his second album, and this copy is incredibly still in its loose plastic shrink. Condition: Still sealed - GM-MT 10/ GM-MT 10. From the GRT Collection.
John Cougar Mellencamp "The Kid Inside" B-Side Tape. Dated April 8, 1976, and recorded at The Hit Factory in New York, this stereo tape features six tracks that were ultimately used as the B-side for the 1977 album The Kid Inside. Mellencamp gave the recording to close friend Dennis Peters as a gift, and Peters later had Mellencamp sign the box in black marker. The tape is in Excellent condition, and the box is in Very Fine condition with light wear and discoloration due to age.
John Cougar Mellencamp "Jack & Diane" Movie Camera. After getting of to a rough start as "Johnny Cougar" in the late '70s, John Cougar Mellencamp rocketed to success in 1982 with the LP American Fool, primarily on the strength of the singes "Hurts So Good" and "Jack & Diane." This GAF XL251 AutoZoom handheld 8mm movie camera was used to shoot footage of Mellencamp and his wife featured in the "Jack & Diane" video, which ultimately helped turn the song into Mellencamp's biggest hit single. Also included is a COA signed by Mellencamp and 15 photos of him performing live and appearing in an Oktoberfest parade in his hometown of Seymour, Indiana, during his "Johnny Cougar" period. The camera is in Very Fine condition with mild to moderate wear to the body and a missing battery compartment cover.
"The Fabulous Mello-Kings" EP Herald 451 (1957). The white doo-woppers charted twice with "Tonite, Tonite", once in 1957 and again in 1961. The group released 11 singles in the late '50s and early '60s, but only one EP, and it's a tough find. Looking sharp, boys! Condition: EX 7/ EX 7. From the GRT Collection. From the GRT Collection.
Amos Milburn "Please, Mr. Johnson" 78 Aladdin 3168 (1952). Milburn tore up the R&B charts in the late '40s and early '50s with songs like this. This one might be a little scarcer than some of his others, since it didn't chart, and the grade here makes it even more special. Condition: EX 7. From the GRT Collection.
Amos Milburn "Rockin The Boogie" 10-inch LP Aladdin 704 (1955). One of the important bridges from R&B in the '40s to the fusion with other music genres in the '50s, Milburn's recordings have become some of the most sought-after by collectors. And this one's near the top of the list! The 10-inch LP featured eight songs, including Milburn's biggest hit, "Chicken-Shack Boogie" which held the #1 position on Billboard's R&B Singles chart for five weeks in 1948. This is the brown cover, black vinyl version, and it's in great shape! Condition: EX 7/ EX 7. From the GRT Collection.
Milli Vanilli "Girl You Know It's True" Platinum Album Award. In one of the biggest scandals in Pop music history, it was publicly revealed in 1990 that Fabrice Morvan and Rob Pilatus -- the two halves of the group Milli Vanilli -- did not actually sing on the group's records and that their voices had been dubbed. Milli Vanilli's Grammy award for Best New Artist was withdrawn four days later (a first), and Arista Records dropped the act from its roster and deleted their album and its masters from their catalog, making "Girl You Know It's True" the largest-selling album to ever be taken out of print. A court ruling later allowed anyone who had bought the album to get a refund, a great deal of lost money since this initially popular album had gone platinum six times. Pilatus committed suicide eight years later, and the sad tale became the subject of the first episode of VH-1's "Behind the Music." Presented to June Colbert when the album went quadruple platinum, this award is in Excellent condition and framed to an overall size of 17" x 21".
The Miracles "Going To A Go-Go" Sealed Jukebox EP Tamla 60267 Stereo (1965). One of two for-jukebox EPs from the classic Motowners. Five selections include the title cut, plus "The Tracks Of My Tears", "Ooo Baby Baby", "My Girl Has Gone", "Choosey Beggar", and "In Case You Need Love". Still sealed and includes miniature covers and jukebox strips. Condition: Still sealed. From the GRT Collection.
"Hi! We're The Miracles" LP Tamla 220 (1961). The classic Motown group's first release was initially released in 1961 with a white Tamla label. The more famous yellow Tamla label came later with a 1962 pressing. This one's the original white label, and our copy's condition is hard to beat! There is a "#5" stamp on the back cover. Condition: NM 8/ NM 8.
"Cookin' With The Miracles" LP Tamla 223 (1961). The Rock and Roll Hall of Fame Group's second album is a real find in this condition. This is the white label original pressing. Condition: VG-EX 6/ NM 8.
Miracles "I'll Try Something New" White Label LP Tamla 230 (1962). Although Smokey and Co. had a huge hit with "Shop Around" the previous year, the group wouldn't really start crankin' out the hits until late 1962, after their third album was released. So, those first three were largely ignored, and now relatively rare. Even rarer is the white label version. In fact, this is the rarest of the group's albums. Condition: VG-EX 6 (small tear at bottom of back cover)/ NM 8.
Ricky Nelson Photos and Mementos. Includes seven b&w 3.5" x 3.5" photos of Nelson performing at the Orpheum Theatre in Seattle in May, 1958, a ticket stub from the event, and a souvenir catalog. The photos are in Excellent condition with very light wear, and the other items are in Very Fine condition with mild wear. Accompanied by LOA from PSA/DNA.
The Notes "Don't Leave Me Now" Promo 45 Capitol 3332 (1956). White label promo of the only Capitol release for this great doo-wop group that relatively few have heard of. The "A" side was co-written by Ivory Joe Hunter, but as nice as that tune is, we like the rockin' "B" side, "Cha Jezebel" even better. As was customary in the day, one side of the record is slow tempo; the flip uptempo. A real nugget in this auction! There is some writing ("10782") on the label (both sides). Condition: EX 7.
Roy Orbison "Ooby Dooby" 78 Sun 242 (1956). Roy Orbison (as the Teen Kings) had earlier recorded the song on the small label Je-Wel before Sam Phillips snagged the budding Rockabilly artist. After re-recording it at Sun, Roy had his first Billboard chart hit. He would have a few more! We've seen growing interest in Orbison's earliest works, especially in high grade. This copy certainly qualifies! Condition: MT 9. From the GRT Collection.
Roy Orbison "Lonely And Blue" LP Monument 4002 Mono (1961). The Hall of Fame singer's first album is his most sought-after and valuable. Included are his earliest Monument hits, "Only The Lonely", "Blue Angel", and "I'm Hurtin". And this copy is breathtaking! Condition: MT 9 (still in shrinkwrap)/ MT 9. From the GRT Collection.
"Roy Orbison At The Rock House" LP Sun 1260 (1962). He was long-gone from the Sun label, already enjoying a string of memorable hits on Monument when this album was issued. The earlier Sun singles and this album flew under the radar of most fans - now it's hard to find this one! Condition: EX 7/ MT 9.
Alan Parsons Project "Ammonia Avenue" Gold Album Award. Presented to June Colbert to commemorate the sale of 500,000 copies of the 1984 concept album based around the Seven Deadly Sins. In Excellent condition, framed to an overall size of 16" x 21".
"The Cool, Cool Penguins" EP Dooto 243 (1959). The cool, cool EP is nearly as valuable, and probably rarer than the LP of the same name. Included are "Sweet Love", "Let Me Make Up Your Mind", "Be My Lovin' Baby", and "That's How Much I Need You". Condition: NM 8/ NM 8. From the GRT Collection.
Carl Perkins "Pink Pedal Pushers" Promo Foldout Columbia 41131 (1958). The foldout that keeps folding out! Columbia gave the former Sun Rockabilly artist the royal treatment, releasing a promo of his first release for his new record company with a quad-foldout cover. B/w "Jive After Five". Try finding another in this condition, if you can find it at all! Condition: NM 8/ NM 8. From the GRT Collection.
Carl Perkins 78 Group of 3 (Sun, 1956-57). Carl Perkins was an early (1987) electee to the Rock and Roll Hall of Fame, largely on the strength of his two-year stint with Sun Records. Here are three examples why: "Boppin' The Blues"/ "All Mama's Children" (Sun 243, 1956) in NM 8, "Matchbox"/ "Your True Love" (Sun 261, 1957) in VG-EX 6, and "Forever Yours"/ "That's Right" (Sun 274, 1957) in an incredible MT 9. Go, cat, go! From the GRT Collection.
Ray Peterson "Tell Laura I Love Her" EP RCA 4367 (1960). Title cut was a monster hit in 1960 for the native Texan. Also included: "Suddenly", "Fever", and "The Wonder Of You", Ray's earliest charting hit from 1959, which Elvis took to the Top Ten some 11 years later. Condition: NM 8/ MT 9. From the GRT Collection.
Pink Floyd "Ummagumma" CRIA Gold Album Award. Presented to Capitol Records/EMI by the Canadian Recording Industry Association to commemorate the sale of 50,000 copies of the 1969 double album. In Excellent condition, framed to an overall size of 16" x 20".
Rare "Pink Floyd - The Wall" Movie Promo Book. The 1982 film version of Pink Floyd's seminal concept album was fraught with difficulties during it's production. The film's original format was to be comprised of footage of the band playing live at Earls Court in London, with animation by political cartoonist and illustrator Gerald Scarfe spread throughout the film. Director Alan Parker (Midnight Express) found the concert footage to be unusable, and Floyd bassist/songwriter/screenwriter Roger Waters -- who had envisioned himself as the star of the show -- wasn't suitable as an actor. Replacing him with Boomtown Rats frontman Bob Geldof, Parker was able to attract the attention of MGM and ultimately complete the film. (Parker and Waters butted heads the whole time, the former calling it "the most expensive student film ever made" and the latter ultimately disowning it.) This spiral bound book of largely unseen design art for the aborted, original concept for the film is one of less than 100 produced as a selling tool to potential investors, and fewer than 60 are believed to still exist. This particular copy was given to Cleveland Cavaliers founder Nick J. Mileti, who passed it along to his teenage son. The book opens with an introduction to the lead character, "Pink," a brief synopsis of the story and a note: "This presentation is a visual aid to understanding both how the film will be made and how it will look when finished. Of the drawings that follow some are stills from animation already completed but the majority are impressions of live action selected from the script. Alongside the drawings are presented the lyrics of the song which carry the story line as the film is largely mute; and short extracts from the script as clarification. This presentation should be read as an adjunct to the script itself." Printed in full color on 16" x 12" card stock and spiral bound,the includes Earls Court concert photos, design sketches by Scarfe -- many for scenes that never made the final cut -- and storyboard samples. A rare and intriguing snapshot of a work (then) in progress, the book is in Excellent condition with very light wear to the corners and edges.
The Police Tour Jacket and Concert Poster. Black nylon jacket (size L) from the Police's 1981-82 Ghost in the Machine Tour, along with a poster for a performance with the Nervebreakers at the Palladium in Dallas. Both are in Excellent condition with very light wear and tanning to the poster.
Cole Porter Autograph. An autograph album page signed by Cole Porter in black ink, dated April 22, 1941. In Excellent condition with very little wear. Accompanied by LOA from PSA/DNA.
The Pretty Things "Get The Picture?" LP Fontana 5280 (UK, 1965). Most who hear them, love 'em, and it's a real mystery why the group didn't make it as big in the US as other British Invasion groups in the mid-sixties. The Pretty Things were huge in the UK and in the rest of Europe. This is a nice copy of their second LP. Condition: EX 7/ EX 7.
Prisonaires "Just Walking In The Rain" 45 Sun 186 (1953). Legendary R&B group's first Sun single isn't often found in this nice of condition. Backing side is "Baby Please". Condition: NM 8.
Prisonaires "Just Walking In The Rain" 78 Sun 186 (1953). The fabulous vocal group never charted with their Sun recordings, but these are highly sought after today. This was their first Sun recording, a song Pop artist Johnnie Ray had a huge hit with in 1956, peaking at #2 and charting for 28 weeks! The Prisonaires' version was backed with "Baby Please". Condition: EX 7. From the GRT Collection.
Queen "A Day At The Races" Mobil Fidelity Sound Lab 12" Mothers (1996). One of Queen's biggest albums is caught on these two 12" metal "Mother" discs. The album shot to #5 on Billboard's Top 200 album chart in 1977, and featured two hits, "Somebody To Love" and "Tie Your Mother Down". Both discs are close to perfect. Condition: MT 9.
Queen "We Are the Champions" Double-Platinum Single Award. Presented to Pete Brown by the RIAA to commemorate the sale of two million copies of the hit single. In Excellent condition, framed to an overall size of 22" x 18".
Queen "Jazz" BPI Gold Album Award. Presented to Paul Prenter by the British Phonographic Industry to commemorate the sale of 300,000 British pounds-worth of the 1978 LP. In Excellent condition, framed to an overall size of 16" x 20".
Johnnie Ray Signed Photo. A b&w 8" x 10" photo inscribed "To Joan, My Love," by the early Pop star, matted along with a Clover Club promo flyer to an overall size of 14" x 25". In Excellent condition, with a little tanning to the flyer from age. Accompanied by LOA from PSA/DNA.
R&B Compilation LP Group of 2 (1956-60). Two rare compilation albums. The first, "Merry Christmas Baby" (Hollywood Records 501 Mono, 1956) has to be one of the earliest Christmas-themed multi-artist compilation albums by R&B vocalists. Romantic Christmas selections are offered by Lowell Fulson, Lloyd Glenn, Charles Brown, Mabel Scott, Johnny Moore's Blazers, and Jimmy Witherspoon. The cover still has the shrinkwrap intact except at the record opening. Condition: NM 8/ NM 8. The second album here is actually a reissue of the earlier, rare recording "Best Of Rhythm and Blues". It's renamed "Whoppers!" (Jubilee 1119 Mono, 1960) and features Billy Ward and the Dominoes, Sonny Till and the Orioles, Jimmy Ricks and the Ravens, and the Four Tunes. Not too shabby, eh? And even better - this copy is still sealed! From the GRT Collection.
R&B Groups "Your Favorite Singing Groups" LP Hull 1002 Mono (1963). What a compilation of '50s/'60s vocal group gems! This is one of the rarest of its kind, and all but three of the tracks can only be found on this record. Featured are the Monotones, the Elegants, the Desires, the Avons, the Beltones, the Pastels, the Sparks, the Legends, the Supremes (not Diana Ross' group), the Miller Sisters, and the Carousels. Condition: VG-EX 6/ NM 8. From the GRT Collection.
"A Christmas Gift For You" LP Philles 4005 Mono (1963). Highly desirable recording of some of Phil Spector's most successful acts, including the Ronettes, the Crystals, Darlene Love, and Bob B. Soxx and the Blue Jeans performing Christmas favorites. The cover is still in its original shrinkwrap, intact except for the record opening. The record appears barely played. Condition: MT 9/ NM 8. From the GRT Collection.
Otis Redding Unused Concert Ticket, Group of Three (1966). The Penn Theater Auditorium in Pittsburgh was the setting for this July 24, 1966 concert, featuring the beloved soul king Otis Redding. Redding's career would be tragically cut short a year-and-a-half later in a plane crash, but here he was at the top of his game. The tickets include one for the Mezzanine (on blue stock), Loge (on pink), and Orchestra (on white). All three are in Excellent condition.
Paul Revere & the Raiders "In The Beginning" Juke Box EP Jerden 7004 (1966). Extreme coolness with this rare EP, issued only for juke box distribution. This was their only release on Jerden, and their only EP on any label. Cuts include "Shake, Rattle, and Roll", "Work With Me, Annie", "So Fine", "Mojo Workout", "Blues Stay Away", and "Irresistible You". Bonuses are three cover miniatures and five Seeburg juke box strips. Condition: MT 9/ NM 8. From the GRT Collection.
Rockabilly LP Group of 2 (1957-66). Here are albums from two iconic Texas Rockabilly artists. Buddy Knox's self-titled album (Roulette 25003, 1957) includes his three biggest hits, "Party Doll", "Hula Love", and "Rock Your Little Baby To Sleep". Condition: EX 7/ MT 9. From the opening rift of "I Fought The Law", it was obvious that Bobby Fuller was heavily influenced by another Texas idol, Buddy Holly. The Bobby Fuller Four's album, also titled "I Fought The Law" was one of only two albums the group released before Fuller's mysterious death that same year at age 22. This copy is superb, the cover still in the original shrinkwrap, the record barely played. Condition: MT 9/ NM 8. From the GRT Collection.
Frank Sinatra Acetate Group of 2 (1951-54). This group includes two 12" acetate singles from over 50 years ago of "Ol Blue Eyes". One is on a Columbia Reference Recording label circa 1951 and features "I Could Write A Book". It's in VG-EX 6. The other is on an Armed Forces Radio Service label and excerpts "All Of Me" from the Capitol 1954 Swing Easy album. Condition: EX 7. From the Sammy Davis Jr. Archive.
Frank Sinatra Acetate Group of 2 (1952-54). From Sammy Davis Jr.'s collection comes these two acetates of vintage Sinatra. The earliest is from 1952 and on a Columbia Reference Recording: "I Hear A Rhapsody". The other, from 1954, on a white Capitol label is "When I Stop Loving You". Both discs are in EX 7. From the Sammy Davis Jr. Archive.
Frank Sinatra Acetate Group of 2 (1953-54). From Sammy Davis Jr.'s private collection, here are two more acetates of his fellow Rat Packer and good buddy, Frank Sinatra. Included are two one-sided 12" acetates of music Sinatra recorded for Capitol. One from 1953 is "Jean Baby" in VG-EX 6; the other from 1954 is "I Could Have Told You" in EX 7. Both are on white Capitol labels. From the Sammy Davis Jr. Archive.
Frank Sinatra Signed Photo. A b&w 8" x 10" photo of Chairman of the Board as a young crooner, inscribed "To Jerry - Sincerely" and signed by Sinatra in black ink. In Excellent condition with mild to moderate overall tanning and mild creasing around the edges. Accompanied by LOA from PSA/DNA.
Frank Sinatra Signed Photo. A very nice vintage b&w 8" x 10" photo of Sinatra as a young performer, inscribed "To Jack -- With best wishes" and signed by the singer in blue ink. In Fine to Very Fine condition with moderate overall tanning, a few tiny spots, and very light wear and creasing to the corners. Accompanied by LOA from PSA/DNA.
Frank Sinatra Autograph with Photo and Sheet Music. Includes a 5.5" x 8.5" sheet of paper inscribed "To Jimmie" and signed by Sinatra in blue ink, a b&w 8" x 10" photo of the singer-actor as a young man, and a copy of the published sheet music for "If You are But a Dream." The items are in overall Excellent condition with a little bit of tanning. Accompanied by LOA from PSA/DNA.
Boxing Program Signed by Rat Pack and Joe DiMaggio. As if this official souvenir program from the November 22, 1965, World's Heavyweight Championship bout between Cassius Clay (aka Muhammad Ali) and Floyd Patterson weren't cool enough, it has the benefit of being signed by attendees Dean Martin, Frank Sinatra, Joey Bishop, and Joe DiMaggio in blue ink on the inside front cover. They most certainly witnessed an intense bout: at the time, Patterson had entered a depression after two straight title losses to Sonny Liston, and ironically he found himself the number one challenger of the man who twice beat Liston; he lost to Ali after a 12th-round TKO. The book is in Very Fine condition with light wear and tanning and some staple rust. Accompanied by LOA from PSA/DNA.
Frank Sinatra Drawing. An abstract drawing by Frank Sinatra, black ink on paper, signed "F. Sinatra, 1991, Monte Carlo," matted and framed to an overall size of 11" x 14". In Excellent condition.
Frank Sinatra Desert Inn Poster. An 11" x 17" heavy cardstock poster advertising a series of performances by Sinatra at the Stars' Desert Inn Crystal Room, circa July 1992. In Excellent condition, with light edge wear and thumbtack holes in the corner. From the Sammy Davis Jr. Archive.
Frank Sinatra with Frank Jr. Desert Inn Poster. An 11" x 17" heavy cardstock poster advertising a series of October performances by Sinatra at the Stars' Desert Inn Crystal Room and concurrent shows featuring Frank Jr. in the Starlight Theatre, circa October 1992. In Excellent condition, with very light edge wear and thumbtack holes in the corner. From the Sammy Davis Jr. Archive.
Frank Sinatra 77th Birthday Desert Inn Poster. An 11" x 17" heavy cardstock poster advertising Sinatra's 77th Birthday Celebration concert series at the Stars' Desert Inn Crystal Room, December 7-12, 1992. In Excellent condition, with very light edge wear and thumbtack holes in the corner. From the Sammy Davis Jr. Archive.
"The Skyliners" LP Calico 3000 (1959). White doo-wop group from Pittsburgh created a lasting legacy with their dreamy hit "Since I Don't Have You," but their album is a rare find. Condition: EX 7/ NM 8.
Grace Slick "White Rabbit in Wonderland" Signed and Remarqued Print on Canvas, 249/300 (undated). This beautiful, printed painting on canvas is truly a one of a kind piece. When Grace came to Dallas, Texas to premiere her artwork, she added a special touch to this piece. She was asked to create more art on the spot or to remarque the painting and she labeled the "Tweedle-Dee" and "Tweedle Dum" characters saying, "These are John Lennon and Paul McCartney," adding their names in gold ink. She also drew on the spot a very cool Yin-Yang symbol. The consignor of this piece asked Ms. Slick about Timothy Leary, who is featured in the painting, "What did he represent?" and she said, "He was a wellspring of intuitive thoughts and ideas." When asked to draw what that meant to her, she smiled and added the very cool fountain like color all around his head. By adding the additional remarques to this, she indeed made it a one of a kind work of art from one of the main voices in the '60s San Francisco sound. It measures approximately 19.5" x 32.5", and is in Excellent condition. This will look incredible on any wall, and give you a cool story to tell those who see it! Accompanied by LOA for PSA/DNA.
"Snow White and the Seven Dwarfs" Rare 78 Set of 3 RCA (1937). This amazing set of three 78s collects music from the Walt Disney animated film classic. The original mailer (included) notes, "Songs From Walt Disney's Snow White and the Seven Dwarfs with the same characters and sound effects as in the film of that title." The six sides include: "With A Smile And A Song" b/w "Dig-A-Dig-Dig" and "Heigh Ho"; "I'm Wishing" and "One Song" b/w "Whistle While You Work"; and "Dwarfs' Yodel Song" b/w "Someday My Prince Will Come". The beautiful discs are still in their original sleeves. Condition: VG 6 (cover has tape on all three sides)/ EX 7 (all discs).
Tin Pan Alley Legends Autograph Collection. This large, black spiral-bound notebook contains 54 vintage books of sheet, each signed by a well-known composer or lyricist from the Tin Pan Alley era, including E.Y. Harburg, Spencer Williams, L. Wolfe Gilbert, Hoagy Carmichael, Rudy Vallee, Jimmy McHugh, Peter DeRose, Harry Ruby, Jack Lawrence, Will Marion Cook, and Ann Ronell. Also included are 70 notecards autographed by various musicians, television personalities and other celebs, including Efrem Zimbalist, Bud Collyer, Jimmy Dorsey, Al Jolson, Walt Disney, Jerome Kern, Fred Astaire, George Gershwin, Cole Porter, Theodore Dreiser, George Burns, Rudy Vallee, Skitch Henderson, and Richard Chamberlain. The songbooks are in overall Fine to Very Fine condition with mild to moderate wear and discoloration. The cards are in overall Fine to Excellent condition, with light wear and mild to heavy tanning. A great set of rare autographs. Accompanied by LOA from PSA/DNA.
Bruce Springsteen "Blinded By The Light" 45 Picture Sleeve Columbia 45805 (1973). By far the Boss' rarest picture sleeve, and this one's a super copy. The record is not included. Condition: NM 8.
Barbra Streisand Acetate Group of 6 (1980-88). People...people-who-love-Babs people...are some of our favoritest people in the world... Seriously, this is one sweet collection of acetates from what many consider the greatest female voice of the 20th century. Start with a two-sided acetate copy of her hugely successful album "Guilty" from 1980 (CBS Records) in MT 9. Next, mix in acetates of her Top Ten album "Till I Loved You" (1988) on two one-sided 12-inch discs - also in MT 9. Finally, we've included three 10-inch, 45 rpm acetate discs of singles: "Two People" and "Till I Loved You" were both on the 1988 album. The third disc is of a shorter version of "Till I Loved You" than was on the album. All three 10-inchers are in EX 7 condition. "Two People" has a small defect at the beginning edge that doesn't affect the playing. From the GRT Collection.
Surfer's Choice LP Group of 3 (1961-63). The early '60s were a fertile time for great rock instrumentals, including the three surf-rock albums here. Start with Dick Dale's "Surfers' Choice" (Deltone 1886, 1962), a mono copy that's still in its original shrinkwrap. The record itself is a surf guitar tour de force. Condition: NM 8/ NM 8. Jorgen Ingmann proved the Danish could rock, with his #2 hit "Apache" in 1961. Our copy of the album (Atco 130, 1961) of the same name is still sealed for your awe and ogling. Next is a copy of the Chantays' "Pipeline" (Downey 1002, 1963), the title cut from which was a big hit in 1963, which prompted this album's release on their original small label, before Dot Records picked them up. This one's rare and getting rarer! Condition: EX 7/ NM 8. Cowabunga, dudes! It's surf-rock city! From the GRT Collection.
Teen Queens "Eddie My Love" LP Crown 5022 Mono (1956). The teen girl doo-wop group hit Gold with their very first release in 1956, the title cut going to #14 on the Pop charts. The single 45 is not common; the album's downright hard to come by. The cover has a 3" seam split along the top and a 7" split along the bottom, but the front photo is slick. Condition: VG 5/ VG-EX 6.
Tennessee Jim "Hold Me Tight" 78 Choice 852 (1957). Ok, we admit it - we have never seen this one before! Early Rock 'n Roll and very rare, "Tennessee Jim" was really Jim McDonald. His backing group: his Hillbilly Playboys! B/w "My Baby, She's Rockin", this was one of just two releases on this obscure label, and this copy is nice. Condition: EX 7.
The Thrillers "The Drunkard"/ "Mattie, Leave Me Alone" 45 Big Town 109 (1953). The Detroit group's single was originally released on the Thriller label, but on 78 only. Within a few months it was re-released on 78 and 45 rpm by Big Town, becoming the first 45 release for the group. The Thrillers also recorded as The Five Jets. The record is close to perfect. Condition: NM 8.
TLC "Baby-Baby-Baby" Gold Single Award. Presented to June Colbert to commemorate the sale of 500,000 copies of the 1992 top-ten single from their debut album. In Excellent condition, framed to an overall size of 20" x 22".
TLC "Ain't 2 Proud 2 Beg" Platinum Album Award. Presented to June Colbert to commemorate the sale of one million copies of the 1992 top-ten single. In Excellent condition, framed to an overall size of 16" x 20".
U2 "Rattle And Hum" 12" Master Discs (4) The group's second biggest album (#1 for six weeks in 1988) sold over five million copies, and spawned four chart hits. That two-disc album is caught on four metal Master discs here. Condition: Side 1 is VG 5; Sides 2, 3, and 4 are NM 8.
U2 "Unchained Melody" Island 10" Master (May 15, 1989). The song appeared on the album "The Best Of 1980-1990/The B-Sides". Condition: VG-EX 6.
U2 "All I Want Is You" Island 10" Master (May 5, 1989). The song originally charted at #83 on Billboard's Hot 100 in 1989 and was included on the album Rattle and Hum. In 1994 its inclusion on the soundtrack of the movie Reality Bites prompted a return to the charts and a higher position of #50. Condition: NM 8.
U2 "Everlasting Love" Island 12" Master (May 16, 1989). This "B"-side didn't appear on an album until The Best of 1980-1990/The B-Sides, which came out some nine years after the original recording! Condition: EX 7.
U2 "The Fly" Island 10" Master (July 31, 1991). A minor hit single in 1991, this was included on the "Achtung Baby" album. The metal Master disc is EX 7.
U2 "Even Better Than the Real Thing" Master Disc Island Records (1992). The metal master of one of the five Billboard hits from the hugely successful album Achtung Baby. Condition: EX 7.
U2 "Where Did It All Go Wrong"/ "Lady With The Spinning Head" Island 12" Master (1992). These two songs never made it onto an album -- both came out as "B"-sides in 1992 to the singles "Even Better Than The Real Thing" and "One" respectively. Condition: NM 8.
U2 "Where Did It All Go Wrong"/ "Lady With The Spinning Head" Island 12" Master (April 27, 1992). Both tunes were "B"-sides of 1992 hits. Of course U2's "B"-sides were better than most groups' hits! Beautiful disc is NM 8.
U2 "Salome" Island 10" Master (April 24, 1992). You had the get the single "Even Better Than The Real Thing" to find this recording (on the B-side). Condition: VG-EX 6.
U2 "Even Better Than The Real Thing" Island 12" Master (1992). Another hit single from the huge album Achtung Baby, it peaked at #32 on Billboard's Hot 100. Condition: NM 8.
U2 "All I Want Is You" 12" Master (May 8, 1989). The song charted twice -- first in 1989, then again in 1994 when it was included in the soundtrack of the movie Reality Bites. Condition: NM 8.
U2 "Who's Gonna Ride Your Wild Horses" Island 10" Master (October 19, 1992). The single peaked at #35 on Billboard's Pop chart, and was on the album Achtung Baby. Condition: NM 8.
U2 "Who's Gonna Ride Your Wild Horses" Island 10" Master (October 19, 1992). This metal master is of the single version, a Top 40 hit in the US. Condition: NM 8.
U2 "Paint It Black" Island 10" Master (October 19, 1992). The song was on the flipside of the single "Who's Gonna Ride Your Wild Horses". The 10" metal Master is NM 8.
U2 "Unforgettable Fire" RIAA Platinum Album Award. Presented to U2 by the RIAA to commemorate the sale of one million copies of the band's 1984 LP. In Excellent condition, framed to an overall size of 17" x 21".
Richie Valens Autograph Display. A sample of Valens' signature in pencil, matted and framed along with a b&w 5" x 8" photo photo of the singer and small plaque, to an overall size of 16" x 14". Valens' bright career and tragic, untimely death make his signature rare and much desired. In Excellent condition. Accompanied by LOA from PSA/DNA.
Velveteers "Tell Me You're Mine" 78 Spitfire 15 (1956). Another classy doo-wop group you may not have heard of. This rare record is the group's only release on the small Los Angeles label, although they had previously released one other record way back in 1949 on another label. Unbelievable copy! Condition: MT 9. From the GRT Collection.
Gene Vincent "Be-Bop-A-Lula" Promo 45 With Insert and Special Sleeve Capitol 3450 (1956). Here's something really special - a white label promo copy of Vincent's defining hit, complete with the "Introducing On Capitol Records Gene Vincent and his Blue Caps" insert, and the promo Capitol sleeve "Capitol Records Introduces". It's ultra-rare, and this may just be the nicest copy of the set in the universe! Condition: EX 7 (sleeve)/ MT 9 (insert)/ NM 8 (disc).
Gene Vincent "The Night Is So Lonely" Rare 45 Picture Sleeve Capitol 4237 (1960). If we haven't wowed you yet with one of our rare picture sleeve offerings, surely this one will grab you! Although Gene was Capitol's answer to RCA's Elvis, and had been recording for the label since 1956, not a single picture sleeve had been issued for his 45 releases until this one in 1960. And the puzzling (clueless?) label didn't issue another in Vincent's lifetime. Since this release didn't even chart in Billboard's Hot 100, not many copies were sold, and not many picture sleeves distributed. It's now one of the rarest from the era. Get it while you can! There is some red ink near the top of the cover, which is easily missed on first review. Condition: EX 7.
Gene Vincent "Bluejean Bop" LP Capitol 764 (UK, 1956). Vincent and his Blue Caps didn't have quite the impact as Elvis, but they were definitely Capitol's prime entry to the new style of music sweeping the world in 1956. This was his first album, and is a UK pressing, although the cover is an American press. There is writing in ink on the back cover - autographs? Condition: EX 7/ EX 7.
"Gene Vincent Rocks! And The Blue Caps Roll" LP Capitol 970 (1958). One listen to this album makes us wonder why Vincent and his Blue Caps weren't bigger stars. Classic, rockin' Rockabilly describes his third Capitol album. This copy has the turquoise Capitol label. The front cover is clean; the back cover has writing in ink (autographs?) and a small store stamp id. Condition: EX 7/ EX 7. Also included is a second pressing of Gene's fourth album "A Gene Vincent Record Date", which also originally came out in 1958. The label on our nice copy is the black with rainbow border version, which became the regular label for the company in 1960. This one also has writing on the back. Condition: NM 8/ EX 7.
Vocaleers "Be True"/ "Oh! Where" 45 Red Robin 3018 (1953). Early '50s R&B group on a very desirable label, and this copy's slick! Condition: NM 8.
"Billy Ward and the Dominoes" Promo LP Decca 8621 (1958). Influential band that featured Clyde McPhatter, then Jackie Wilson, had a string of 12 Top Ten R&B hits from 1951 to 1957, including two that reached #1. This album featured the group's renditions of standards. Our copy is a pink label promo that commands your attention! Condition: NM 8/ MT 9.
White Rabbit Magazine October 1976 Edition. A rare copy of the out-of-print Dallas-based monthly music periodical, featuring articles on Led Zeppelin, ZZ Top, the Point Blank Band, and Institute of Esoteric Enlightenment founder Dr. John F. Miller III. In Very Fine condition with some dog-earing to the lower right corner and overall mild tanning.
Hank Williams Signed Songbook Display A copy of Original Songs of Hank Williams the Drifting Cowboy Book 2 signed by the Country legend in pencil, matted and framed along with a b&w 8" x 10" photo to an overall size of 20.5" x 17". The book is in Very Fine to Excellent condition with light wear and soiling. A rare and desirable item. Accompanied by LOA from PSA/DNA.
Hank Williams Signature Display. Williams' bio page from a Grand Ole Opry souvenir program book, signed by him in blue ink. It is Excellent condition with very light wear, and has been matted and framed along with the program to an overall size of 31" x 25". Accompanied by LOA from PSA/DNA.
"Chuck Willis Wails The Blues" LP Epic 3425 (1958). Willis' first album was released the year he died tragically from a bleeding stomach ulcer at age 30. But he had already made his place in R&B history. One of the few to successfully transition from his original R&B roots to Rock, he showed an astonishing range, from fueling "The Stroll" dance craze with his "C. C. Rider" to his greatest crossover soul ballad "What Am I Living For" to the classic rocker "Hang Up My Rock and Roll Shoes." His hits were on Atlantic, but this album shows that range, and is a revelation. Condition: NM 8/ NM 8.
Jackie Wilson EP Group of 2 (Brunswick 1960). The most emotional, dynamic voice of the late '50s/ early '60s? If not Jackie, then who? And some of his greatest performances are on these EPs from 1960. His first EP titled The Versatile Jackie Wilson (71040) included his hit "Reet Petite", "As Long As I Live", "To Be Loved", and perhaps the greatest version ever of the Irish standard "Danny Boy". The other EP offered here, That's Why (I Love You So), the last of eight EPs the star released in 1960 included the Wilson classic title cut, "Love Is All", "You Better Know It", and "Each Time (I Love You More)". Condition of the first EP: VG-EX 6/ VG-EX 6. Condition of the second EP: EX 7 (with small hole in upper right corner)/ NM 8.
Jackie Wilson Signed Program Book. This vintage program book, titled "An Exciting Evening with the Jackie Wilson Show," is signed by the "Lonely teardrops" singer on the inside front cover in red ink. The signature was obtained at performance in Alexandria, Louisiana, by a young female audience member who was brave enough to hop on stage during Wilson's final number of the evening. She received a kiss as well as the autograph -- making for a very exciting evening, indeed. The program is in Very Fine condition with mild to moderate wear and tanning. Accompanied by LOA from PSA/DNA.
Woodstock Three-Day Festival Ticket. An unused three-day pass to the historical music festival. In Fine to Very Fine condition with some light soiling on the front and moderate soiling on the back.
Woodstock Festival Tickets (2). This pair of unused tickets for the Sunday, August 17, 1969, performances on the last day of the legendary festival. The acts featured that day included Joe Cocker, Country Joe and the Fish, Ten Years After, The Band, Blood, Sweat & Tears, Johnny Winter, Crosby, Stills, Nash & Young, the Paul Butterfield Blues Band, Sha-Na-Na, and an unforgettable performance by Jimi Hendrix. These tickets sold for $8 in 1969 (roughly $95.58 in 2005 with inflation factored in) and are in Near Mint condition.
Max Yasgur Signed Check. A Yasgur Farms Dairy check dated June 30, 1961, and signed by Max Yasgur, whose farm was the site of the original Woodstock Festival in 1969. In Very Fine condition with the usual bank cancellation holes and marks. Accompanied by LOA from PSA/DNA.
Zodiacs "At the Beach" LP Arthur Smith Studios (circa 1965). Our intrepid research team found multiple groups with the moniker "The Zodiacs", but no proof this is one of them! The orange label (which you can see up close at our website) notes, "Recorded on location by Arthur Smith Studios Charlotte, N. C." The songs here run the gamut of Pop/R&B from the early '60s ("Twist and Shout", "Sherry", "Soldier Boy", etc.) to '65 ("In Crowd", "It's Not Unusual"). Yeah, it's rare - probably only sold at their performances. Condition: NM 8/ NM 8.
'50s Music Legends Autographs. Obtained at the Orpheum Theatre in Seattle in 1957 and '58 by a teenager named Marie Steinaker, these scraps of paper bear the signatures of none other than Frankie Avalon, Jackie Wilson, Paul Anka, Jimmy O'Dell, and Clyde McPhatter, plus members of the Royal Teens, the Crescendos, the Monotones, and the Paul Williams Orchestra. Representing a great cross-section of influential performers, the items are in overall Fine to Very Fine condition with some instances of mild to moderate wear. Accompanied by LOA from PSA/DNA.
Original '70s Rock Star Photos. Set of 13 original, unpublished b&w 8" x 10" concert photos of The Who, Creedence Clearwater Revival, and Sly & the Family Stone. In Very Fine condition with some slight curling and light wear.
Classic Jazz Signed Record and Photo Group. Classic Jazz trumpet kings abound in this high-flying group lot. This lot spotlights: "Johnny Best and Dick Cathcart - Dixieland" (Mercury Records PPS 2009) with its cover signed by Johnny Best (and two signed photos of Best and Dick Cathcart); "Bix MCMLIX - Dick Cathcart" (Warner Brothers W 1275) with its cover signed by Cathcart, Paul Smith, and Nick Fatool (and a signed photo of Cathcart); "Max Kaminsky - When Summer Is Gone" (Chiaroscuro CR 176) with its cover signed by Max Kaminsky, George Masso, Bucky Pizzarelli, and John Bunch (and two signed photos of Kaminsky, as well as a signed letter); and "New Orleans Dixieland Jazz" (MK Records 1001) with its cover signed by Kaminsky (and a signed photo of Kaminsky and Dick Wellstood). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Ed Bickert and Dave McKenna Signed Record and Photo Group. Canadian guitarist Ed Bickert is joined by pianist Dave McKenna in this lot. The group includes: "Bye Bye Baby - Ed Bickert" (Concord Jazz CJ-232) with its cover signed by Ed Bickert and Dave McKenna (and a signed photo of McKenna). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Trumpet, clarinet, piano, bass, and drums - this group is a real jazz party in the making! The spotlight is on: "Fine and Dandy" (Stash ST214) with its cover signed by Phil Bodner, Butch Miles, Marty Napoleon (and a signed photo of Bodner); "Doc Cheatham - It's A Good Life" (Parkwood Records 101) with its cover signed by Al Hall, Chuck Folds, and Jackie Williams (and a signed photo of Doc Cheatham and Folds); "Milt Hinton The Judge's Decision" (Exposure 6231910) with its cover signed by Milt Hinton (and two signed photos of Hinton); and "Major Holley Mule!" (Black and Blue 33.074) with its cover signed by Major Holley (and a signed photo of Holley). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Ruby Braff and George Barnes Signed Record and Photo Group. Cornetist Ruby Braff is joined by guitar great George Barnes in this swing-filled lot. The lot features: "The Ruby Braff and George Barnes Quartet" (Chiaroscuro CR 121) with its cover signed by Ruby Braff and George Barnes (and two signed photos of Braff and Barnes). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Ruby Braff Signed Record and Photo Group. Cornetist Ruby Braff is joined by a host of classic jazz sidemen in this group lot. Included are: "Ruby Braff Them There Eyes" (Sonet SNTF 713) with its cover signed by Ruby Braff, Vic Dickenson, Bucky Pizzarelli, and Bill Crow (and a signed photo of Braff); "Ralph Sutton and Ruby Braff Quartet" (Chaz Jazz CJ102) with its cover signed by Braff, Gus Johnson Jr., Jack Lesberg, and Ralph Sutton (and two signed photos of Braff, Sutton, and Gus Johnson Jr.); "Ruby Braff-Scott Hamilton - A Sailboat in the Moonlight" with its cover signed by Braff, Scott Hamilton, and John Bunch (and two signed photos of Braff and Hamilton); "Dick Hyman and Ruby Braff - Manhattan Jazz" with its cover signed by Braff and Dick Hyman (and two signed photos of Braff and Hyman); "Ralph Sutton and Ruby Braff Duet" (Chaz Jazz CJ101) with its cover signed by Braff and Sutton (and two signed photos of Braff, Sutton, Milt Hinton, Kenny Davern, and Flip Phillips, as well as a letter from Braff); "Ruby Braff " (Epic LN3377) with its cover signed by Braff (and a signed photo of Braff); and "Ruby Braff Special" (Vanguard VRS8504) with its cover signed by Braff (and a signed photo of Braff). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Benny Carter Signed Record and Photo Group. One of the great figures in jazz, composer, bandleader, and saxophonist, Benny Carter is the focus of this lot. "The King - Benny Carter" (Pablo Records 2310-768) with its cover signed by Benny Carter (and a signed photo of Carter). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Dick Cary Signed Record and Photo Group. Traditional jazz arranger extraordinaire Dick Cary is showcased in this lot. This group includes: "California Doings - Dick Cary's Septet with Bob Havens, Tommy Newsome, and Ross Tompkins" (Famous Door HL 140 Stereo) with its cover signed by Dick Cary (and a signed photo of Cary). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Eddie Condon Signed Record and Photo Group. "Eddie Condon's mob" lays down their "John Hancocks" in this offering. Included in the lot are: "Live at Eddie Condon's" (Chiaroscuro Records CR167) with its cover signed by Ralph Sutton and Peanuts Hucko (and two signed photos of Sutton and Hucko); "Jammin' at Condon's" (Columbia Special Projects JCL 616) with its cover signed by Hucko (and a signed photo of Cliff Leeman); and "Louis Armstrong and Eddie Condon at Newport" (Columbia CL 931) with its cover signed by Eddie Condon, Hucko, Leeman, Wild Bill Davison, and Jack Lesberg (and a signed photo of Condon, as well as a collection of vintage autographs from Condon, Davison, Georg Brunis, Pee Wee Russell, Joe Sulivan, Dib Norman, Morey Rayman, Gene Schroeder, Joe Bushkin, Muggsy Spanier, Miff Mole, Charlie Queener, and Ernie Caceres). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Ray Baudic Signed Record and Photo Group. Dynamic drummer Ray Baudic is showcased in this lot. Included are: "Bob Crosby's Bob Cats 1937-42" (Swaggie Records S1245) with its cover signed by Ray Baudic and Yank Lawson (and two signed photos of Baudic, as well as a letter signed by Baudic); and "Bob Crosby's Bob Cats 1938-42 Volume 2" (Swaggie Records S1288) with its cover signed by Baudic, Lawson, and Bob Haggart (and two signed photos of Baudic and Haggart, as well as a letter signed by Haggart). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Wild Bill Davison Signed Record and Photo Group. Get wild and wooly with ace trumpeter Wild Bill Davison. This group contains: "Pretty Wild" (Columbia CL 871) with its cover signed by Wild Bill Davison (and a signed photo of Davison); "The Individualism of Wild Bill Davison" (Savoy 2229) with its cover signed by Davison (and a signed photo of Davison); "Wild Bill Davison - Lady of the Evening" with its cover signed by Davison and Jack Lesberg (and a signed photo of Davison); and "Swingin' Dixie - Wild Bill Davison" (Bear Records DLPS 1001) with a photocopied cover signed by Davison, Vic Dickenson, Cliff Leeman, and Dick Wellstood (and a signed photo of Davison). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. There's something for everyone in this classic jazz all-star group lot. This offering showcases: "Sugar - The Saints and Sinners in Europe" (MPS 15174 Stereo) with two signed photos of Vic Dickenson and Red Richards; "Two-Beat Generation - Swingin' Dixie by Ray Baudic and Nappy Lamare" (Capitol T1198) with its cover signed by Ray Baudic and Nappy Lamare (and two signed photos of Baudic and Lamare); "The Swingin' States - the Kai Winding Orchestra" with its cover signed by Kai Winding and Gus Johnson Jr. (and a signed photo of Winding); and "Teddy Wilson - With Billie In Mind" (Chiaroscuro Records CR 111) with its cover signed by Teddy Wilson (and a signed photo of Wilson). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Vic Dickenson and Woody Herman Signed Record and Photo Group. This lot is a bonanza of jazz autographs with Woody Herman, Vic Dickenson, Serge Chaloff, and Zoot Sims in the front line. This offering includes: "Woody Herman's Greatest Hits" (Columbia CS 9291) with a signed photo of Woody Herman; "Sliding' Swing - Vic Dickenson and Urbie Green" (Jazztone J1259) with its cover signed by Vic Dickenson (and two signed photos of Dickenson and Urbie Green); "The Essential Vic Dickenson" with its cover signed by Dickenson (and a signed photo of Dickenson); "Vic Dickenson Septet" ( Vanguard VRS 8520/1) with its cover signed by Dickenson and Ruby Braff (and a signed photo of Dickenson, and a 194 collection of jazz autographs, including Woody Herman, Serge Chaloff, Zoot Sims, Ernie Royal, Mary Ann McCall, Don Lamond, Earl Swope, and Ollie Wilson); and "Vic Dickenson Quartet" (Mahogany 558 105) with its cover signed by Dickenson (with a photo signed by Dickenson). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Herb Ellis and Wingy Manone Signed Record and Photo Group. Guitar legend Herb Ellis and offbeat trumpeter and vocalist, Wingy Manone, are showcased in this lot. This group features: "Herb Ellis and Joe Pass - Seven, Come Eleven" (Concord Jazz CJ-2) with its cover signed by Herb Ellis and Jake Hanna (and a signed photo of Ellis); "Trumpet on the Wing - Wingy Manone" (Decca DL 8473) with its cover signed by Bob Haggart and Cliff Leeman (and a signed photo of Wingy Manone); and "Herb Ellis and Ross Tompkins - A Pair to Draw To" (Contemporary Jazz CJ-17) with its cover signed by Ellis (and a photo signed by Ellis). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Pee Wee Erwin Signed Record and Photo Group. Trumpeter Pee Wee Erwin is the focus of this sensational group lot. Included are: "The Golden Era of Dixieland Jazz" (Design DLP 38) its record cover signed by Pee Wee Erwin, Vic Dickenson, Milt Hinton (and two signed photo of Erwin, as well as a signed letter); "Pee Wee Erwin's Dixieland Eight - Oh Play That Thing" (United Artists UAL-4010) with its cover signed by Erwin, Kenny Davern, Dick Hyman, and Jack Lesberg (and a signed photos of Erwin); "Pee Wee Erwin - Accent on Dixieland" with its cover signed by Erwin (and a signed photo of Erwin); "Pee Wee Erwin at the Grandview Inn" (Cadence Records CLP1011) with its cover signed by Erwin (and a signed photo of Erwin); and "Classic Jazz by Pee Wee - Playing At Home" (Qualtromusic QM 102) with its cover signed by Bucky and John Pizzarelli (with a photo signed by Erwin). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Doc Evans and Bud Freeman Signed Record and Photo Group. Two top horn men, cornetist Doc Evans and saxophonist Bud Freeman, are the focus of this group lot. Included are: "Dixie Encore" (Soma 10" LP MG-101) with its cover signed by Doc Evans (and a signed photo of Evans); "Cornet Artistry" (Audiophile AP-31) with its cover signed by Evans (and a signed photo of Evans); and "The Compleat Bud Freeman" (Monmouth-Evergreen MES/7022) with its cover signed by Bud Freeman and Bob Haggart (and two signed photos of Freeman, as well as a signed letter); and "Bud Freeman Three's No Crowd" (Commodore XFL 14941) with its cover signed by Freeman (and a signed photo of Freeman). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Nick Fatool and Bob Haggart Signed Record and Photo Group. The all-important rhythm section takes the limelight in this lot featuring drummer Nick Fatool and bassist Bob Haggart. Nick Fatool made his reputation as the tasteful, but driving drummer behind the Benny Goodman Sextet in the late thirties and early forties. "Nick Fatool's Jazz Band - Spring of '87" (Jazzology J-158) with its cover signed by Bob Haggart (and a signed photo of Nick Fatool). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Urbie Green Signed Record and Photo Group. Trombonist par excellence, Urbie Green, is spotlighted in this lot. The group includes: "Urbie Green and Twenty-One Trombones" (Project3 PR50145D) with its cover signed by Urbie Green (and a signed photo of Green, Elmer "Mousey" Alexander, and Jack Lesberg); "and "Urbie Green - Bein' Green" (Project3 PR5066 QD) with its cover signed by Green (and a photo signed by Green). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Bobby Hackett Signed Record and Photo Group. Fans of the melodic cornetist Bobby Hackett will surely enjoy this splendid offering. This group lot includes: "Bobby Hackett Live at the Roosevelt Grill" (Chiaroscuro Records CR105) with its cover signed by Bobby Hackett, Vic Dickenson, Jack Lesberg, and Cliff Leeman and a signed photo of Hackett and Dickenson); "The Bobby Hackett Quartet Plus Vic Dickenson" (Project3 PR 5034SD) with its cover autographed by Hackett and Dickenson (and two signed photos of Dickenson and Hackett); "Coast Concert Bobby Hackett" (Capitol T692) with its cover autographed by Hackett and Nappy Lamare (with one signed photo of Hackett, Flip Phillips, and Milt Hinton); and "Strike Up the Band" (Flying Dutchman BDL1-0829) with its cover signed by Hackett, Bucky Pizzarelli, and Zoot Sims (and a signed photo of the young Bobby Hackett and a signed photo of Sims and Pizzarelli). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Jake Hanna Signed Record and Photo Group. Drummer Jake Hanna is the star of this lot. The group showcases: "Scott Hamilton, Jake Hanna, and Dave McKenna - Major League" (Contemporary Jazz CJ-305) with its cover signed by Jake Hanna, Dave McKenna, and Scott Hamilton (and a signed photo of Hanna). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Build an instant classic jazz autograph collection with a winning bid on this bountiful group. This lot features: "Bob Havens and His New Orleans All-Stars" (Southland LP 243) with its cover signed by Bob Havens (and a signed photo of Havens); "Morty Corb - Strictly From Dixie" (Tops L1581) with a signed photo of Morty Corb; "The Johnny Mince Quartet - Summer of '79" with its cover signed by Johnny Mince, Cliff Leeman, Lou Stein, and Bob Haggart (and three signed photos of Mince, Leeman, and Haggart, as well as a letter from Mince); and "Dick Sudhalter and Connie Jones - Get Out and Get Under the Moon" (Stomp Off Records S.OS 1207) with its cover signed by Connie Jones (and a signed photo of Jones). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Jess Stacy and Ralph Sutton Signed Record and Photo Group. Two jazz piano maestros share the spotlight in this lot. Included are: "Clancy Hayes: Swinging Minstrel" (Good Time Jazz S 10050) with its cover signed by Jess Stacy and Ralph Sutton (and two signed photos of Stacy and Sutton). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Pianos and horns are the focus of these syncopated showpieces - jump on them with a bid! This group includes: "I Remember Bessie - Art Hodes Plays Bessie Smith and Ma Rainey" (Euphonic ESR-1213) with its cover signed by Art Hodes (and a signed photo of Hodes); "New York Dixieland" (RCA LPM 1212) with its cover signed by Billy Butterfield, Milt Hinton, Don Lamond (and a signed photo of Butterfield); "John Bunch Plays Kurt Weill" (Chiaroscuro Records CR 144) with a signed photo of John Bunch; and "Georg Brunis King of the Tailgate Trombone" (Commodore FL 30,015) with two signed photos of Georg Brunis. Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Clarinetists Bob Wilber and Kenny Davern are joined by pianist Dick Hyman in this collector's showpiece. The lot includes: "Dick Hyman - From the Age of Swing" (Reference Recordings RR-59) with its cover signed by Dick Hyman, Butch Miles, Bucky Pizzarelli, Joe Wilder, Milt Hinton, and Joe Temperly (and a signed photo of Hyman); "Soprano Summitt - Bob Wilber and Kenny Davern" (World Jazz Records Stereo WJLP -S-5) with its cover and album signed by Bob Wilber, Kenny Davern, George Duvivier, Bobby Rosengarden Dick Hyman, Milt Hinton, and Bucky Pizzarelli (and two signed photos of Wilber and Davern); and "Bob Wilber and Kenny Davern - Soprano Summit" (Concord Jazz CJ-29) with its cover signed by Wilber, Davern, and Jake Hanna (with two photos signed by Wilber and Davern). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Yank Lawson and Benny Goodman Signed Record and Photo Group. Let the superlatives fly -- the stars of the "World's Greatest Jazzband" and the "King Of Swing" team up for a "Who's Who" of classic jazz tunes and autographs. This lot showcases: "Jazz In the Troc." (Elitch Gardens Trocadero, Denver, Colorado 1966) with its cover signed by Yank Lawson, Ralph Sutton, Peanuts Hucko, Bud Freeman, Clancy Hayes, Cutty Cutshall, Bob Haggart, Lou McGarity, and others (and two signed photos and a letter from Lawson); and "Benny Goodman The Famous 1938 Carenegie Hall Jazz Concert" (Columbia Set SL160) with its cover signed by Benny Goodman (and a signed photo of Goodman). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Dave McKenna Signed Record and Photo Group. Pianist Dave McKenna takes center stage in this lot. Included are: "Dave McKenna Solo Piano" (Chiaroscuro Records CR119) with its cover signed by Dave McKenna (and a signed photo of McKenna); "Joe Venuti and Dave McKenna Alone At the Palace" (Chiaroscuro Records CR160) with its cover signed by McKenna (and two signed photos McKenna and Bob Wilbur and Joe Venuti); "Dave McKenna Quartet Featuring Zoot Sims" (Chiaroscuro Records CR136) with its cover signed by McKenna (and two signed photos of McKenna and Sims); and "Dick Johnson and the Dave McKenna Rhythm Section Spider's Blues" (Contemporary Jazz CJ-135) with its cover signed by McKenna and Dick Johnson (and two signed photos of McKenna and Johnson). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Pianos and horns - this lot will make a sensational addition to any jazz aficionado's collection. This group lot includes: "On Stage - Jimmy McPartland and His All-Stars" (Jazzology J-16) with its cover signed by Derek Smith (and a signed photo of McPartland); "Derek Smith Trio - Love For Sale" (Progressive Records 7002) with its cover signed by Derek Smith (and a signed photo of Smith); "Scott Robinson - Multiple Instruments" (MultiJazz Records 101) with its cover signed by Scott Robinson (and a signed photo of Robinson); and "Piano Artistry by Knocky Parker" (Audiophile AP-28) with its cover signed by Knocky Parker (and a signed photo of Parker). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Swinging sax playing and soulful singing are the hallmarks of this lot which features Eddie Miller and Maxine Sullivan. "It's Miller Time - Eddie Miller's New Yorkers" (Famous Door HL131) with its cover signed by Eddie Miller and George Masso (and two signed photos of Miller and George Masso, as well as a signed letter by Miller); "Solo Mood Hi-Fi from Hollywood - Paul Weston" (Columbia Records CL 879) with its cover signed by Eddie Miller and Paul Smith (and two signed photos of Miller and Smith); "Maxine Sullivan/Bob Wilber - Close As Pages in a Book" (Monmouth Evergreen MES 6919) with its cover signed by Maxine Sullivan, Bob Weber, and George Duvivier (and a signed photos of Sullivan); and "Together Maxine Sullivan Sings the Music of Jule Styne" (Atlantic 81783-1) with its cover signed by Sullivan (and a signed photo of Sullivan, as well as a letter signed by George Masso). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. "It don't mean a thing if it ain't got that swing - and these cats can swing!" Add their autographs to your collection. This lot features: "The Most - Abe That Is" (Annunciata Records AR 1051) with its cover signed by Abe Most and Ray Sherman (and a signed photo of Most); "Turk Murphy and his Jazz Band at the Roundtable" (Roulette SR 25076) with its cover signed by Turk Murphy and Pete Clute (and two signed photos of Murphy and Clute); "Dick Meldonian and the Jersey Swingers - Some of These Days" (MultiJazz Records 101) with its cover signed by Dick Meldonian and Derek Smith (and a signed photo of Meldonian); and "Joe Muryani and Friends - Big Joe's Jazz" (Mud Puppy MP-SLP-1220) with its cover signed by Joe Muryani, Bobby Pratt, and Eddie Locke (and a signed photo of Muryani). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Red Norvo and Tal Farlow Signed Record and Photo Group. Vibe man Red Norvo and jazz guitar great, Tal Farlow, join forces in this lot. This group features: "The Red Norvo Trio with Tal Farlow and Charles Mingus - The Savoy Sessions" (Savoy SJL 2212) with its cover signed by Red Norvo and Tal Farlow (and two signed photos, and a 1975 letter signed by Norvo). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Flip Phillips Signed Record and Photo Group. Tenor saxophone titan Flip Phillips takes the spotlight in this offering. Included are: "Flip Phillips - Flip in Florida" (Onyx Records ORI 214) with its cover signed by Flip Phillips (and a signed photo of Phillips as well as a signed letter); and "John and Joe- Kenny Daven and Flip Phillips" (Chiaroscuro CR199) with its cover signed by Phillips, Kenny Davern, George Duvivier, Dave McKenna, and Bobby Rosengarden (and a signed photo of Phillips and Davern). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Bucky Pizzarelli Signed Record and Photo Group. Guitar greats are the hallmarks of this lot. The group includes: "Bucky Pizzarelli Quintet Playing Beiderbecke" (Monmouth Evergreen MES 7066) with its cover signed by Bucky Pizzarelli (and a signed photo of Pizzarelli); "Guitars Pure and Honest - George Barnes and Bucky Pizzarelli" (A&R Records Stereo ARL 7100/007) with its cover signed by Pizzarelli (and a signed photo of Pizzarelli); and "Bucky & Bud - Bucky Pizzarelli with Bud Freeman" (Flying Dutchman BDL1-1378 Stereo) with its cover signed by Pizzarelli and Bud Freeman (and a signed photo of Pizzarelli and Freeman). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Zoot Sims and Bucky Pizzarelli headline this group lot. Included in the lot are: "George Masso - Pieces of Eight" (Dreamstreet Records DR 108) with its cover signed by George Masso, Bobby Rosengarden, Derek Smith, and Bucky Pizzarelli (and two signed photos of Masso and Pizzarelli); "The Jack Lesberg Sextet - Hollywood Swing" (Famous Door HL 120) with its cover signed by Jack Lesberg and Eddie Miller (and a signed photo of Lesberg); "If I'm Lucky - Zoot Sims Meets Jimmy Rowles" (Pablo Stereo 2310 803) with a signed photo of Zoot Sims; and "Alan Vache - High Speed Swing" (Audiophile AP-192) with its cover signed by Allan Vache, John Sheridan, and Howard Elkins (and a signed photo of Vache). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Sing out with your bid on this group lot, which showcases the lady songbirds and a few horn players as well. The lot includes: "Carrie Smith: Do Your Duty" (Classic Jazz 139) with its cover signed by Carrie Smith (and a signed photo of Smith); "Polly Podewell - All of Me" (Audiophile AP-136) with its cover signed by Polly Podewell (and a signed photo of Podewell); "Betty O'Hara and Johnny Varro - Horns A 'Plenty" (Magna Graphic Jazz) with its cover signed by Betty O'Hara, Johnny Varro, and Gene Estes (and two signed photos of O'Hara); and "Jack Sheldon Quintet - Hollywood Heroes" (Concord Jazz CJ-339) with its cover signed by Jack Sheldon (and a signed photo of Sheldon and Flip Phillips). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Jess Stacy Signed Record and Photo Group. Easy-swinging pianist Jess Stacy is the centerpiece of this group lot. Featured in this offering are: "Stacy Still Swings" (Chiaroscuro Records CR133) with its cover signed by Jess Stacy (and a signed photo of Stacy and a signed letter from Stacy); and "Stacy's Still Swinging" (Chiaroscuro Records CR177) with its cover signed by Stacy (and two signed photos of Stacy). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Here's a host of classic jazz performances and autographs - be sure to lay down a bid on these gems. "Lou Stein with Ray McKinley - Stompin' 'Em Down" (Chiarascuro CR 173) with its cover signed by Lou Stein and Ray McKinley (and two signed photos of Stein and McKinley); "Pete Fountain's Jazz Reunion" (Juku Records JMK12S-190) with its cover signed by Pete Fountain (and a signed photo of Fountain); "Bud Freeman" with its cover signed by Bud Freeman and Ruby Braff (and a signed photo of Freeman); and "Dick Wellstood - Live At Hanratty's" (Chazz Jazz CJ108) with its cover signed by Dick Wellstood (and a signed photo of Wellstood). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Ralph Sutton and Kenny Davern Signed Record and Photo Group. Classic jazz pianist Ralph Sutton and Kenny Davern, one of the premier jazz clarinetists of his generation, take the limelight in this group lot. Included in this lot are: "Ralph Sutton and Kenny Davern Trio Vol. 2" (Chaz Jazz CJ106) with its cover signed by Ralph Sutton, Kenny Davern, and Gus Johnson Jr. (and a signed photo of Sutton and Davern); "Blowin' Bubbles" (Chaz Jazz CJ 114) with its cover signed by Sutton (and two signed photos of Sutton and Vic Dickenson); and "Ralph Sutton and the Jazzband" (Chaz Jazz CJ114) with its cover autographed by Sutton, Davern, Ruby Braff, Bud Freeman, George Masso, Gus Johnson Jr., and Milt Hinton (with two signed photos of Sutton, Braff, and Davern). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Buddy Tate Signed Record and Photo Group. Saxophonist Buddy Tate learned his craft playing with territory bands around the American Southwest in the early thirties and later starred with Count Basie's band. This terrific lot includes "Jive at Five" (Mahogany 558 103) with its cover signed by Buddy Tate and George Duvivier (and a signed photo of Tate); and "The Great Buddy Tate" (Concord Jazz CJ-163) with its cover signed by Tate and Milt Hinton (and a signed photo of Tate). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Ross Tompkins was the swinging house pianist at the Half Note in the West Village before he went to California with ''The Tonight Show'' band. This lot includes: "Symphony - The Ross Tompkins Trio & Quartet" (Famous Door HL 146) with its cover signed by Ross Tompkins (and a signed photo of Tompkins); and "Jazz and the Beat - Cliff Leeman" (Fat Cat Jazz Records FCJ 192) with its cover signed by Cliff Leeman (and two signed photos of Leeman). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Dick Wellstood Signed Record and Photo Group. Pianist Dick Wellstood is joined by clarinetist Kenny Davern for a swinging set in this lot. Included are: "Dick Wellstood and His Orchestra Featuring Kenny Davern" (test pressing #4941of Chiaroscuro Records 230) with its label signed by Kenny Davern (and a signed photo of Davern); and "Dick Wellstood and His Famous Orchestra Featuring Kenny Davern" (Chiaroscuro Records CR 129) with its cover signed by Davern and Dick Wellstood (and a signed photo of Davern, Wellstood, and Ed Hubble). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Bob Wilber Signed Record and Photo Group. Fans of the first-rate reed-man, Bob Wilber, will groove to this lot, which showcases the clarinetist and his swinging sidemen. This group features: "Bob Wilber and the Scott Hamilton Quartet" (Chiaroscuro Records CR171), with its record cover autographed by Cliff Leeman, Bob Wilbur, Kenny Davern, Milt Hinton, Pee Wee Erwin, Marty Napoleon, Warren Vache, and Ed Hubble (and two signed photos of Bob Wilber and Scott Hamilton); and "Bob Wilber New Clarinet in Town" (Classic Jazz CJ8), cover autographed by Bob Wilber and Dave McKenna (with an autographed photo of Wilber). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Classic Jazz Signed Record and Photo Group. Here's a plethora of jazz giants' autographs. The group includes: "Jazz From Peter Gunn - Joe Wilder Quartet" (Columbia Records CL 1319) with its cover signed by Milt Hinton and Joe Wilder (and four signed photos of Wilder, Milt Hinton, and Hank Jones); "The World's Greatest Jazzband - Vol. 2 Carnegie Hall" (World Jazz Records Stereo WJLP -S-4) with its cover and album sleeve signed by Bob Haggart, Yank Lawson, Bud Freeman, Ralph Sutton, Bob Wilber, Vic Dickenson, Ed Hubble, Gus Johnson Jr., Bobby Hackett, and Maxine Sullivan (and a signed photo of Sutton, Haggart, Wilber, Lawson, Johnson Jr., and Bennie Morton); and "Century Plaza - World's Greatest Jazzband" (World Jazz Records WJLP-5-1) with its cover signed by Lawson, Haggart, Freeman, Johnson Jr., Hubble, Wilber, and Sutton (with a photo signed by Wilber, Freeman, and Haggart). Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Trummy Young Signed Record and Photo Group. Trombonist Trummy Young is showcased in this offering. The lot features: "Yours Truly - Trummy Young and Friends" (Flair Records FRS 7477) with its cover signed by Trummy Young, Pee Wee Erwin, Milt Hinton, and Dick Hyman (and two signed photos of Young, as well as a signed letter). Condition: Accompanied by LOA from PSA/DNA. From the Al White Jazz autograph archive.
Louis Armstrong Autograph and Rare "Satchmo" Record Set. Includes a notepad leaf inscribed "Best wishes" and signed by Armstrong in black ink, along with a scarce copy of the very collectable, limited edition four-record box set titled Satchmo...A Musical Autobiography of Louis Armstrong (Decca DXM-155), featuring 48 tracks recorded in the late 1940s and early '50s, most of them revisiting Armstrong classics from the '20s and '30s, and including Satchmo's autobiographical narration. The elaborate oversize box/book includes beautiful color and b&w photos, and each record is housed in a specially-printed plastic sleeve and are in M- condition. The autograph is in Excellent condition and the box is in VG++ condition with some corner bumping and a split along the length of the front cover hinge. Accompanied by LOA from PSA/DNA.
Sidney Bechet Watercolor Portrait. An original watercolor portrait of Sidney Bechet by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 20" x 24".
Bix Beiderbeck Watercolor Portrait. An original watercolor portrait of Bix Beiderbeck by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 20" x 25".
Eubie Blake Signed Photo. A b&w 8" x 10" photo signed by the compoer-pianist in black ink. In Excellent condition, matted and framed to an overall size of 12" x 15". Accompanied by LOA from PSA/DNA.
Cab Calloway Watercolor Portrait. An original watercolor portrait of Cab Calloway by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 20.5" x 25".
Eddie "Lockjaw" Davis Signed Contract. A one-page, double-sided American Federation of Musicians contract, dated October 7, 1981, employing Jazz greats Eddie "Lockjaw" Davis, Sonny Stitt, and Harry Edison to appear at Bubba's in Fort Lauderdale for nine evenings from November 2-12, 1981, for a total of $1,900. Signed by David on the front in black ink. In Excellent condition with slight tanning and edge wear and staple holes to the top left corner. Accompanied by LOA from PSA/DNA.
Royal Chicken Roost Photo Holder Signed by Miles Davis and Others. This 11" x 9.5" holder for a souvenir photo from the Royal Chicken Roost restaurant ("New York's Grooviest Nest!") is signed on the inside cover by jazz legend Miles Davis, bassist Curly Russell, sax player Allen Eager, trombonist Kai Winding, and vocalist Kenny "Pancho" Hagood. In Very Good condition, with moderate toning, some water damage to the front cover, and an appreciable amount of wear. The autographs are largely unaffected by the wear and tear, and the Davis autograph is a particularly nice one with a trumpet-playing stick figure doodle added by Davis. Accompanied by LOA from PSA/DNA.
1981 New Orleans Jazz Festival Limited Edition Poster #12,365 of 12,500. Handsomely matted and framed to an overall size of 26" x 40", and in Excellent condition.
1982 New Orleans Jazz Festival Limited Edition Poster #4341 of 12.500. An attractive poster, matted and framed to an overall size of 30" x 40", and in Excellent condition.
1983 New Orleans Jazz Festival Limited Edition Poster #11,504 of 12,500. A great poster, matted and framed to an overall size of 30" x 39" and in Excellent condition.
1985 New Orleans Jazz Festival Limited Edition Poster #2193 of 12,500. Beautiful poster for the event, matted and framed to an overall size of 20" x 40", and in Excellent condition.
1988 New Orleans Jazz Festival Limited Edition Poster #5071 of 12,500. Small poster, matted and framed to an overall size of 21" x 33" and in Excellent condition.
1989 New Orleans Jazz Festival 20th Anniversary Limited Edition Poster. Who else but Fats Domino as the star on a limited-edition poster (#1,096 of 2,500) celebrating the festival's 20th anniversary? This one is signed by artist Richard Thomas, and matted and framed to an overall size of 28" x 37". In Excellent condition.
Ella Fitzgerald Signed Photo. A b&w 8" x 10" promo photo, inscribed to actress Kaye Ballard and signed by Fitzgerald in blue ink. In Excellent condition with light tanning around the edges. Accompanied by LOA from PSA/DNA.
Handwritten Gil Fuller Sheet Music. Perhaps Fuller's most famous recording was with James Moody on the album James Moody and Monterrey Jazz Orchestra. This historic album featured the great saxophonist, who performed beside Dizzy Gillespie for most of his great career. One of the most impressive cuts on the album was "Blues for a Debutante," a compelling and swinging composition that allowed Moody to show his musical prowess. Among the items in this archive is the complete, original score for "Debutante," handwritten by Fuller. For the Jazz collector, this is a true treasure long thought lost. In Very Fine condition with mild wear and tanning.
Stan Getz Watercolor Portrait. An original watercolor portrait of Stan Getz by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 24" x 30".
Dizzy Gillespie Watercolor Portrait. An original watercolor portrait of Dizzie Gillespie by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 21" x 23.5".
Billie Holiday Watercolor Portrait. An original watercolor portrait of Billie Holiday by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 20.5" x 27".
Illinois Jacquet Watercolor Portrait. An original watercolor portrait of Illinois Jacquet by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 24" x 29.5".
Jazz Greats Signed Contracts. Includes Ahmad Jamal (dated July 17, 1985, signed in blue ink); Gary Burton (contract dated September 30, 1982, with petty cash receipt dated October 2, 1982 and signed in black ink); and Larry Coryell (dated September 7, 1982, in blue ink, with rider signed in black). In overall Excellent condition with very light wear. Accompanied by LOA from PSA/DNA.
Louis Jordan Signed Photo. A b&w 8" x 10" photo of the Swing bandleader, signed and dated July 23, 1948, by him in blue ink. In Excellent condition with very light tanning. Accompanied by LOA from PSA/DNA.
New York Jazz Festival Handbill (Teddy Powell Productions, 1968). The Third Annual New York Jazz Festival, held on Randall's Island, showcased two nights of great music, including performances by Ray Charles, Miles Davis Quintet, Dizzy Gillespie, Eddie Harris, Hugh Masekela, Jimmy Witherspoon, Mongo Santamaria, comedians Slappy White and Dick Gregory, and more. This swingin' handbill is printed in green and black on a 6" x 9" two-sided handbill, which is in Excellent condition. Can you dig it? We knew you could!
New York Jazz Festival Handbill (Teddy Powell/TIP Productions, 1969). The Fourth Annual New York Jazz Festival kept right on groovin', at the Downing Stadium on Randall's Island. This time around, the line up expanded to four days, and included performances by Aretha Franklin, Booker T. and the M.G.'s, Art Blakey and the Jazz Messengers, Duke Ellington, Cannonball Adderly, B.B. King, Dione Warwick, Count Basie, Woody Herman, Redd Foxx, Les McCann, Sarah Vaughn, Lou Rawls, Moms Mabley, Chico Hamilton, and many more. What a great show! This 8.5" x 11" flyer is printed one-sided in red on yellow stock, and is in Excellent condition.
New York Jazz Festival Handbill (T/P Productions, 1967). Randall's Island was the setting for this eclectic mix of Jazz, Soul, R&B, and even comedy acts, including Ray Charles, Aretha Franklin, Low Rawls, Billy Taylor Trio, Horace Silver, Flip Wilson, Les McCann, Nipsey Russell, the Staple Singers, and more. They're all here on this cool handbill, printed in orange and black on a 6" x 9" double-sided flyer. Pictures of each artist are included, making this a great little display item. It's in Excellent condition.
Charlie Parker Watercolor Portrait. An original watercolor portrait of Charlie Parker by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 24" x 29".
"Charlie Parker With Strings" 10" LP Mercury MG-C-501-A (1949). Legendary session recorded in 1949 was manned by a Who's Who group of musicians, including Parker, Buddy Rich, Ray Brown, and Mitchell Miller, "one of the greatest oboists in the world". Yes, Mitch Miller, of later "Sing Along With Mitch" fame! This Mercury release on the mini-album (six songs) format probably came out in the early 1950s. Gorgeous cover has stylized drawings of Parker and Miller. Condition: EX 7/ NM 8.
Great Sax Players Signed Contracts. Set of three signed contracts includes Ferrell "Pharaoh" Sanders (dated November 1, 1982, in black ink); Wayne Shorter (November 11, 1985, black ink); and Oliver Lake (January 2, 1985, twice in black ink). In overall Excellent condition with mild wear. Accompanied by LOA from PSA/DNA.
Lester Young Watercolor Portrait. An original watercolor portrait of Lester Young by David Stone Martin, 1991. In Excellent condition, framed to an overall size of 22" x 26".
Great Band Leaders and Musicians Vintage Signed Photos. This set of eight b&w 8" x 10" photos includes autographs from Sammy Kaye, Glen Gray, Vaughn Monroe, Tommy Dorsey, Teddy Walters, Bill Bailey, Ina Ray Hutton, and Johnny Morris. They are in overall Very Fine condition with mild to moderate overall tanning and very light wear. Accompanied by LOA from PSA/DNA.
Frank Frost "Hey Boss Man!" LP Phillips International 1975 Mono (1961). One of the legends of Blues harp actually played guitar for another harp legend, Sonny Boy Williamson, in the 1950s. Shortly thereafter he was signed by Sam Phillips to his Sun sister-label Phillips International, where he released this album in 1961. It's now a classic Blues rarity, and very difficult to find in this condition. There are some small sticker stains on the back cover, and the record has a very minor warp effect at the beginning of each side. Condition: EX 7/ EX 7. From the GRT Collection.
John Lee Hooker Telegrams. Set of ten Western Union telegrams from John Lee Hooker to Vee Jay Records, almost all of them asking for money, dating from December 19, 1956, to September 18, 1963. In overall Fine to Very Fine condition with mild wear and moderate to heavy tanning.
John Lee Hooker Money Order Receipts. Group of 19 Western Union money transfer receipts, dated between February 16, 1956, and August 30, 1963, for various amounts to John Lee Hooker from Vee Jay Records. In overall Fine to Very Fine condition with mild wear and moderate to heavy tanning.
John Lee Hooker Signed Contract. Single-page, double-sided American Federation of Musicians contract, dated March 1, 1957, signed by Hooker in blue ink. In Excellent condition with light wear and the usual binder holes to the top edge. Accompanied by LOA from PSA/DNA.
John Lee Hooker Handwritten Letter and Signed Receipt. Included is a handwritten letter in pencil on a sheet of notepad paper, dated September 10, 1958, and signed by Hooker; and a cashier's voucher, dated November 29, 1962, signed by him in red ink. The letter is in Very Fine condition with moderate wear to the top edge and heavy tanning, and the voucher is in Excellent condition with mild tanning. Accompanied by LOA from PSA/DNA.
John Lee Hooker Documents. Included are carbons from American Federation of Music contracts dated from February 26 to May 29, 1963, and featuring Hooker's signature; Vee-Jay Records statements of royalties for Hooker for 1958 and '59; Universal Recording Corp tape identification data sheets from 1961 and 1963; and a Vee Jay production report dated November 29, 1962. Items are in overall Very Fine condition with mild to moderate wear.
Eight John Lee Hooker Telegrams. Set of eight Western Union telegrams from John Lee Hooker to Vee Jay Records, most of them asking for money, dating from September 25, 1962, to January 12, 1965. In overall Fine to Very Fine condition with mild wear and moderate to heavy tanning.
Robert Johnson "32-20 Blues" Vocalion 03445 (1937). In recent auctions our Robert Johnson offerings have generated a lot of interest from collectors, and we've been fortunate enough to have copies of different releases among the 12 records released on Vocalion in 1937 and 1938. This is the first time we've offered "32-20 Blues", Johnson's second release and probably his second most rare. There are not that many copies out there period, and certainly just a mere few nicer than this copy. Condition: VG-EX 6.
Robert Johnson "If I Had Possession Over Judgment Day" 78 Test Pressing Vocalion 2633-1 (c. 1960). Not an actual, vintage pressing from the 1930s - in fact, this is one that wasn't even released back "in the day" (1937-38) when Johnson's classic records came out on the Vocalion. This is a one-sided 10-inch test pressing from circa 1960, when Columbia was considering reissuing some of its classic Blues and Country records (and, in this case, recordings that had not come out on vinyl) from decades earlier, so they produced this and other test pressings. The practice was soon abandoned, meaning these test pressings are pretty scarce. See additional comments at the top of this page for more details. The matrix on this pressing is "2633". Since the 1937 Vocalion-released record "Preachin' Blues" has a "2632" matrix, and was recorded in San Antonio on November 27, 1936, we'll make a wild guess that "Judgment Day" was recorded at the same time. Condition: VG-EX 6. From the GRT Collection.
B. B. King "Miss Martha King" 78 Bullet 309 (1949). Rare first release of one of the all-time Blues greats. 1949 to 2006, 57 years and still going strong! The rare record is in incredible condition, and is matched with its original rare Bullet sleeve. Condition: NM 8. From the GRT Collection.
Huddie "Leadbelly" Ledbetter Mini-Archive. A musician who highly influenced American roots music, Huddie "Leadbelly" Ledbetter was a larger-than-life folk singer experienced in the oral tradition of music who helped shape Blues, Country, and other genres. Included is a rare note written by "Leadbelly" on promotional letterhead. This mini-archive, dating from November 6, 1941 to March 26, 1953, features correspondence between Alan Lomax and various entities -- MacMillan Books, the BBC, and others -- regarding the reprinting of Leadbelly's music in a book titled "Negro Folk Songs as Sung by Leadbelly," among other details. Most are typewritten and in Good condition, with varying degrees of tanning and the occasional crease, paperclip indentation, and/or tear. Accompanied by LOA from PSA/DNA.
Lightnin' Slim "Rooster Blues" LP Excello 8000 (1960). This is the bluesman's first album release, and the first time we've seen a copy. This one might spoil us for the next one! Love the Excello label! Condition: VG-EX 6/ EX 7.
Ma Rainey "Lost Wandering Blues"/ "Dream Blues" Rare 78 Paramount 12098 (1924). The legendary blueswoman was nearly 40 years old when she recorded these songs, but had just signed her first recording contract the year before. Making up for lost time, Rainey recorded over 100 songs from 1923-1929! This is the first opportunity we have had to offer a Ma Rainey record -- who knows when we'll have another! The record is a bit rough, but does play all the way through on both sides. And the label, with her picture on it, is actually pretty nice. Check out a larger picture at our website! Condition: GD 3.
Jimmy Reed Mini-Archive. Included is mortgage dated July 27, 1961, and signed by Reed in black ink (Excellent condition with light wear and fold creases); five receipts dating from July 7, 1952 to July 6, 1954, each signed by Reed in black ink (Fine with mild wear and moderate tanning and fading); a Form 1040 Income Tax Return, dated May 12, 1959, prepared for Jimmy and Mary Reed (Very Fine with mild wear); and three Gale Agency letters regarding Reed, dated from September 9 to October 29, 1957 (Excellent with mild wear and light fold creases). Accompanied by LOA from PSA/DNA.
Jimmy Reed Mini-Archive. Includes a handwritten letter from Reed's wife in blue ink on notebook paper, dated March 25, 1956; a sheet of notebook paper with handwritten lyrics in pencil; an American Federation of Musicians contract dated July 18, 1955, signed by Reed in blue ink; a mimeographed copy of a police statement given by Reed regarding the theft of his 1957 Mercury Turnpike sedan, dated April 23, 1958; and a breach of contract complaint filed against Reed by Palms of Hallendale, Inc. dated October 17, 1957. The items are in overall Very Fine condition with mild to moderate wear. Accompanied by LOA from PSA/DNA.
Jimmy Reed Signed Documents. Set of documents includes an American Federation of Musicians contract dated January 18, 1955, signed by Reed in black ink; an AFM contract dated October 1, 1956, signed by him in blue ink; and carbons for AFM contracts dated April 11, 1962, and July 10 and October 14, 1963, each with Reed's signature; plus a Universal Recording Corp. studio log sheet with notes on four Reed tracks; and a bank receipt book belonging to Reed. Items are in overall very Fine condition with mild wear. Accompanied by LOA from PSA/DNA.
Blues Greats Autograph Lot. Includes a b&w 9.5" x 11.5" photo signed by Taj Mahal in black Sharpie; a contract dated April 18, 1985, and signed twice by Robert Cray in black ink; and a contract dated April 24, 1985, and signed twice by Albert Collins in black ink. In overall Excellent condition with light wear. Accompanied by LOA from PSA/DNA.
Modern Blues Performers Signature Lot. Includes a William Morris Agency contract dated May 16, 1985, with petty cash receipt signed by Linda Hopkins in blue ink (Very Fine to Excellent condition); a Variety Artists International contract dated April 22, 1982, and signed twice by Koko Taylor in black ink (Very Fine to Excellent); and a poster for the 22nd Annual Juneteenth Blues Festival in Houston signed by R.L. Burnside, Joe "Guitar" Hughes, Mark May, Jimmy "T-99" Nelson, and others (Excellent).
The Amsterdam Rock Circus Concert Poster (1972). A very cool poster from a unique event. This was a one day show that lasted all day long. For those hearty enough to hang in there they got to see Pink Floyd, New Riders of the Purple Sage, Donovan, Buddy Miles, and lots more! Measuring 19.25" x 29.25" this poster grades Very Good due to moisture damage.
Louis Armstrong Jantzen Beach Park Concert Poster (1946). The great "Satchmo" is blowing his horn in the middle of this Portland, Oregon poster. This poster grades Good due to corner loss, paper loss, holes, and water damage. Still, this is a unique piece that most Jazz collectors don't have. Overall size of this poster is 20.75" x 27".
The Association Fillmore Concert Poster BG-18 (Bill Graham Presents, 1966). A popular poster from the early part of the Bill Graham run. Also on stage for this great show were Quicksilver Messenger Service, The Grass Roots, and Sopwith Camel. In Near Mint+ condition; this poster measures 14" x 20".
Joan Baez Berkeley Concert Poster (Manuel Greenhill, 1967). A superb folk singer as well as a close personal friend of Bob Dylan, Joan Baez is seen strumming a chord on this red-and-black-on-goldenrod poster, promoting an added show to her Berkeley appearances. The poster measures 13" x 21.5", and is in Good condition, with staple hole damage on all four corners.
Chuck Berry/Grateful Dead Fillmore Concert Poster BG-55 (Bill Graham Presents, 1967). The rockin' '50s meets the stone groove of the late '60s with this generation-spanning concert, featuring Mr. Johnny B. Goode himself, Chuck Berry, plus the trippy sounds of Jerry Garcia's Grateful Dead -- what a show! Artist Wes Wilson provided the Art Nouveau inspired "nude with snake" design. This is a first printing; there's a few staple holes and corner creases, but it remains an attractive Very Good condition poster.
Big Brother and the Holding Company Avalon Ballroom Concert Poster FD-30 (Family Dog Presents, 1966). A seldom seen first printing from the early days of the Family Dog. This show was actually the first "birthday" for the "Dog". This poster features a striking photo of actress Gloria Swanson that has been artistically modified by Stanley Mouse. This 14.25" x 20" poster grades VG due to tape marks at the corners, but is still quite collectible.
Big Brother And The Holding Company California Hall Concert Posters Group of Two (Ramlala, 1967). Here's a fun pair of posters that feature concerts by Janis Joplin. The first poster is for a show May 12 and 13 that also featured Country Joe and the Fish, and the Candy Store. It measures 14" x 20" and is in Near Mint condition. The second poster is from a show on June 2 and 3 that featured Country Joe and the Fish and Quicksilver Messenger Service. Its size is 14" x 19.5" and the condition is Very Good+ due to tackholes in the corners.
Big Brother and the Holding Company "Tribal Stomp/James Gurley" Avalon Concert Poster FD-48 (Family Dog, 1967). Big Brother guitarist James Gurley poses in all his Tribal Stomp regalia for this Mouse Studios-designed poster. Quicksilver Messenger Service provided the opening act. This is a first printing poster (on glossy stock), measuring 20" x 14", and in Near Mint condition.
Big Brother And The Holding Company Avalon Ballroom Concert Poster FD-52 (Family Dog Presents, 1967). The art of Michelangelo gets a touch up by poster artist Rick Griffin on this cool '60s poster. Also at the Avalon for these shows were Charles Lloyd and the Sir Douglas Quintet. This scarce first printing is in Near Mint+, with an overall size of 14.5" x 20".
Big Brother and the Holding Company "Heart and Torch" Fillmore West Concert Poster BG-136, Signed by Rick Griffin (Bill Graham Presents, 1968). Some three months before Janis Joplin left Big Brother and the Holding Company, she fronted the band for this set of September 1968 shows. Also appearing were Santana and Chicago Transit Authority (soon to be known simply as Chicago). Artist Rick Griffin's beautiful illustration of a large heart with a hand holding a flaming torch is surrounded with his classic psychedelic lettering. This poster features a deep turquoise background, and measures 14" x 22". Griffin signed his name in silver ink, in the lower right corner. The poster is in Near Mint condition.
Big Brother And The Holding Company Straight Theatre Handbill (Straight Theatre, 1968). A neat collage-style handbill from the Straight Theatre, which was in the heart of the Haight-Ashbury. Besides Big Brother, the other bands included the South Side Sound System, Freedom Highway, Colours, and the Phoenix. In Near Mint condition; this handbill measures 8.5" x 11".
Big Brother and the Holding Company "Denver Opening" Concert Double-Size Poster FD-D1 (Family Dog, 1967). "Behold, the Burning Bush!" So says the Zig Zag Man, one of many odd characters that appear in this classic Rick Griffin design (others include the Lipton Tea Man, Mr. Peanut, the Players "Salty Dog" Sailor, Elsie the Cow, and many more). This poster, made to advertise the first in a series of Denver shows from the Family Dog collective, is the extra large version. Blue Cheer were the openers for this show, which starred Janis Joplin and the Big Brother boys. The poster measures approximately 27.75" x 19.75", and is in Very Good+ condition. And remember, "Everybody is Good at Heart"!
Michael Bloomfield Aragon Concert Poster (Sea Dog, 1973) Former Paul Butterfield Blues Band guitarist Michael Bloomfield returned to Chicago for this "mind blowing" show, featuring Siegel Schwall and Little Feat, at the historic Aragon Ballroom. Underground cartoonist Michael Krueger provides the goofy-but-colorful graphics. A fun poster! It measures 11" x 13.5", and is in Near Mint condition.
Blues and Jazz Concert Handbills Group of Two. Two unique handbills make up this group: The first is for the "King of the Jukeboxes" Louis Jordan at Ruthie's Inn, July 27-28, 1962, Berkeley, California. The second is for Muddy Waters, on his "Electric Mud" tour, at the Retinal Circus August 6-10, 1968 in Vancouver B.C. While the Louis Jordan handbill measures 8.5" x 11" and is in NM condition, the Muddy Waters handbill is a 7" circle and is in NM/MT condition.
David Bowie "Gigolo" Movie Italian Two-Folio Poster (Gaumont, 1980). A debonair David Bowie portrait is displayed on this huge Italian poster for the film "Gigolo," which also featured appearances by Kim Novak, David Hemmings, and Marlene Dietrich. The poster measures approximately 39" x 55", is on thin stock, and is folded. Overall condition: Fine.
Buffalo Springfield "Kelly" Fillmore Concert Poster BG-98 (Bill Graham Presents, 1967). Buffalo Springfield was a true "supergroup", featuring such talented players as Neil Young, Steve Stills, and Richie Furray. Although known for only a couple of minor hits during their time ("For What It's Worth", "Bluebird"), their music is much admired today. Opening the show were the groups Hour Glass (featuring Duane Allman) and the Collectors. This poster, despite earlier beliefs, was only printed once; the three variations known were all done during the original press run. This is the version with "Kelly" scratched in the printing plate, appearing in the lower right area of the "boiler room" photo; it's a misspelling of artist Alton Kelley's name. The poster measures 11" x 21", and is in Near Mint condition. As an added bonus, this lot also includes a set of three tickets from the show, all of which are in Excellent condition.
The Byrds Winterland/Fillmore Concert Poster BG-57 (Bill Graham Presents, 1967). This poster screams (by way of Wes Wilson's psychedelic lettering) "Byrds Byrds Byrds" -- but in 1967, there were in fact four Byrds: Jim (soon to be known as Roger) McGuinn, Chris Hillman, Michael Clarke, and David Crosby. This poster must mark the only time a peacock is the least colorful item to be seen! This first printing poster measures 13.75" x 22.25" and is in Near Mint condition.
The Byrds/Loading Zone Fillmore Concert Poster BG-82 (Bill Graham Presents, 1967). This poster is marked "The Opening of the Fall Weekend Series", and features autumn colors and falling leaves to surround the inset photo of the Byrds. This colorful design was created by Jim Blashfield. The poster measures 14" x 21" and is in Near Mint condition.
The Byrds/Velvet Underground Boston Tea Party Concert Poster (1969). Here's one we bet you haven't seen before! It's an extremely rare mini-poster advertising a week's worth of shows at the fabled Boston Tea Party, featuring the Byrds and the English horn-driven band Colosseum for the first half of the week, followed by performances by the Velvet Underground, the Serfs, and Country Funk for the second half. Just about any Velvet Underground poster is scarce; this one is nearly impossible to find! This copy is a long ways from perfect; it was folded and creased, and has tape stains and remnants, plus a few tack holes, but hey -- an Excellent copy of this one would likely set you back in the neighborhood of $4,000-5,000! The poster measures 11" x 17.5", and is in Fair condition.
Cactus/Brownsville Station "Time To Boogie" Aragon Concert (Sea Dog, 1973) Three bucks would have gotten you in the door at the old Aragon Ballroom in Chicago for this dynamic, rockin' review featuring Cactus and Brownsville Station, back in April, 1973. Didn't make it to the show? Not to worry, cause we've got a Near Mint condition copy of this wild poster for you, featuring hipster graphics by Underground cartoonist Michael Krueger! It's short but sweet -- 10.5" x 11.75, and will look swell on your wall, so boogie on with a bid!
Johnny Cash Roadshow Concert Poster (1963). The late Johnny Cash is showcased in this terrific poster, featuring great early photos of him and his review, including June Carter (billed here as "Top Comedianne"), George Jones, Grandpa Jones, and more. The graphics are outstanding on this rare roadshow poster, imprinted at the top with venue information (in this case, for the KRNT Theater, in Des Moines, Iowa). The poster measures 14" x 22", and is in Very Good+ condition.
Johnny Cash/Dan Hicks and his Hot Licks Carousel Ballroom Concert Poster (1968) A pioneer decked out in fringed leather takes a smoke break on this unusual, small sized poster. Opening act Dan Hicks had just left the seminal San Francisco band the Charlatans, and Johnny Cash was riding high in '68, wedding June Carter that spring, and recording his most famous album, "Johnny Cash at Folsom Prison" later that year. The poster measures 8.5" x 14.25"; outside of a slight crease along the lower quarter of the poster, it is in Near Mint condition.
The Charlatans Medicine Show Concert Poster (Berkeley Bonaparte, 1967). From the pen of poster artist Rick Griffin comes this beautiful poster. It was used to advertise two shows at the Irwin Street Warehouse in San Rafael. Also on the bill was Rick's own band, the Jook Savages. In Near Mint condition; this poster measures 20" x 14".
Ray Charles Spokane Opera House Concert Poster (Expo '74, 1974). Brother Ray holds his head high on this marvelous concert poster for a show in 1974. Mr. Charles certainly looks resplendent in his tux and shades! The poster measures 14" x 22" and is in Near Mint condition.
Delaney and Bonnie and Friends, featuring Eric Clapton Fillmore West Concert Poster BG-218 (Bill Graham Presents, 1970) After years of fronting his own bands Cream and Blind Faith, Eric Clapton happily took a back seat to the husband-and-wife team of Delaney and Bonnie Bramlett's bluesy brand of roadshow Rock. In time, he would steal a few Friends (Bobby Whitlock, Carl Radle, and Jim Gordon) to form his next supergroup, Derek and the Dominos. Also appearing on this show was the New York Rock and Roll Ensemble. This surrealistic photo-montage poster was designed by David Singer, and measures approximately 14" x 21.75. It's in Near Mint condition.
The Clash French Tour Concert Poster (CBS/Sony, 1977). In Punk Rock circles, they were known as "The Only Band That Mattered." Fronted by guitarist/singers Joe Strummer and Mick Jones, the Clash were the real deal: punks with a political consciousness, not just attitude. This huge poster comes from their first full year together, and features the distinctive "shattered" lettering style first used on their debut single's picture sleeve (for "White Riot"). It measures approximately 43.25" x 28.5", and is in Very Good condition.
Come Together Movie Posters, Group of Three (Allied Artists, 1971). This unusual R-rated film, starring Tony Anthony, Luciana Paluzzi, and Rosemary Dexter, is prized by collectors for its soundtrack recording on Apple Records. This group includes the half-sheet (28" x 22", Very Good), one-sheet (27" x 41", Very Good-), and insert (14" x 36", Fine).
Lee Conklin Concert Posters, Group of Two (Bill Graham Presents, 1968). Two Bill Graham posters featuring the artwork of Lee Conklin make up this lot. Conklin began designing posters in 1968, after leaving the army; his best-known poster image was later adapted as the cover for Santana's first album. Lee is alive and well in Northern California, still producing poster images. Included in this lot are a copy of BG-122, featuring Buffalo Springfield, Chambers Brothers, and Richie Havens at the Fillmore and Winterland (Near Mint condition); and BG-135, featuring Chuck Berry, Steve Miller Band, and Kensington Market, at the Fillmore West (Very Good, tack holes).
Country Joe and the Fish New Year's Eve Concert Poster FD-41 (Family Dog Presents, 1966). A very cool poster from the last concert the Family Dog produced in 1966. Besides Country Joe the line - up was a San Francisco blowout, including Moby Grape and Lee Michaels. This first printing poster grades VG+ due to minor tackholes in the corners. Its overall size is 13" x 19".
Paul Butterfield Blues Band/Cream Fillmore Concert Poster (BG-79). The Blues got a rockin' workout for this show! From Chicago came the Paul Butterfield Blues Band, with guitar wizard Michael Bloomfield; and from England came Cream, that well-known powerhouse trio starring a certain Mr. Eric Clapton on six-string. Dazzling us with her graphics is Ms. Bonnie MacLean, also known at the time as Bill Graham's better half. This poster measures 14" x 21 16", and is in Very Good+ condition.
Albert King/Creedence Clearwater Revival "Bulls Eye" Fillmore West Concert Poster #BG137 (Bill Graham, 1968) From the mighty pen of Rick Griffin comes this powerful piece. This poster was printed only once, making it tougher to find than some of the posters around it. The groups featured were Creedence Clearwater Revival, Albert King, and Black Pearl. Because this poster is part of the Bill Graham numbered series it bears the designation BG-137. In NM condition, this poster measures 14" x 22".
Creedence Clearwater Revival Fillmore West Concert Poster BG-174 (Bill Graham Presents, 1969). The central image of this poster is the Titanic sinking, though we doubt anyone at the show had a "sinking" feeling! Also on the stage that night were the Northern California State Youth Choir and Bangor Flying Circus. This NM- poster has some small creases along the bottom. Its overall size is 14" x 21".
Crosby, Stills, Nash & Young Winterland Concert Poster BG-194 (Bill Graham Presents, 1969). Art by underground comics legend Greg Irons graces this groovy poster. For these shows CSNY were joined by Blues Image and John Sebastian. This poster grades VG+ due to minor tackholes. Overall size of this poster is 14" x 21.25".
Crosby, Stills, Nash & Young Winterland Concert Poster BG-200 (Bill Graham Presents, 1969). A beautiful poster, and a milestone for Bill Graham with his 200th concert. Joining CSN&Y at these shows were Cold Blood, Joy of Cooking, and Lamb. The poster is in Near Mint condition, with an overall size of 14" x 21.5".
Detroit Handbill Production Art Group of Seven (1980-82). No matter what type of music you like this group of art by Gary Grimshaw will have something for you in it. We start with the production art for the December 31, 1980 show with Stiv Bators and Brian James. There is also art going up through 1982 that features Gun Club, Killing Joke, Translator, Chameleon, Split Enz, Joan Jett, and more. Don't miss the chance to add these unique pieces to your collection.
Bo Diddley "Five Men in a Boat" Avalon Concert Poster FD-20 (Family Dog, 1966). This rare poster was only printed once, for a run of 1,000. The shows were held at both the Avalon Ballroom and the Longshoreman's Hall, in August 1966. Opening acts were Sons of Adam and Little Walter. Artists Stanley Mouse and Alton Kelly used a "split fountain" printing technique, giving the image a rainbow effect as the colors shifted from green to blue to red to yellow. A very attractive poster, it measures 12.25" x 19.75" and is in Near Mint- condition.
The Doors "Pay Attention" Denver Concert Poster FDDO-18, Signed by Rick Griffin (Family Dog, 1967). Jim Morrison is one of the greatest rock icons of the 1960s, and his band, the Doors, was at the top of their game when this New Year's Eve concert was held at the Denver Dog. Opening for the Doors was the Allman Joys, soon to change their name to the Allman Brothers Band. The green-skinned alien in the spaceship doorway beckoning you to "pay attention" with a large white tablet is a classic Rick Griffin image. Griffin signed the poster in black ink in the lower right corner area -- look closely, as it's a little tough to see against the deep purple background. This is the "black logo on red" version, generally considered the first of two pre-concert printings. It measures 12.5" x 21", and is in Near Mint condition.
The Doors "Butterfly Lady" Avalon Concert Poster FD-61 (Family Dog, 1967). Take a walk through the "doors of perception" with this wild psychedelic poster, designed by Victor Moscoso. Opening the show for Jim Morrison and the Doors was the Sparrow, later known as Steppenwolf. This poster does have at least three printing variations known to exist. In Eric King's revised Collector's Guide to Psychedelic Rock Concert Posters book, this version ranks as a second printing, while earlier versions and other sources list it as a first. What is agreed on is a small error that appears on versions 1 and 2, but not 3: a small dot to the immediate left of Moscoso's printed signature, which this copy has. This poster measures 14" x 20", and is in Near Mint condition.
Country Joe and the Fish/Sparrow/Doors "Break On Through" Avalon Concert Poster FD-50 (Family Dog, 1967). Victor Moscoso created a striking, neon color-drenched image for this classic poster. This copy is from the first printing, and, outside of the usual tack holes, is a pretty well-preserved copy. It measures 14" x 19.75", and is in Very Good condition. "Tried to run, tried to hide...Break on through to the Other Side!"
The Doors Avalon Ballroom Concert Poster FD-57 (Family Dog Presents, 1967). This is one of the most popular posters by artist Victor Moscoso as it combines his colorful, swirling, psychedelia with a picture of a topless 19th-century model. Joining Jim Morrison and his bandmates that night were the Miller Blues Band and Haji Baba. This poster grades NM- due to a physical defect in part of the paper the poster was printed on and a stain that measures less than an eighth of an inch on the left edge. Overall size of this poster is 14" x 20".
The Doors Matrix Concert Poster NR-10 (Neon Rose, 1967). This is the "orange border" second printing, with beautiful graphics by Zap Comix artist, Victor Moscoso. The poster measures 14" x 20.5", and is in Near Mint condition.
The Doors Fresno Fairgrounds Handbill (James C. Pagni Co.,1968) A beautiful, psychedelic handbill for "Happening #3" at the fairgrounds in Fresno, California. Also on the bill were The Shag. Condition of this handbill is NM/MT and it measures 5.5" x 8.5".
The Doors Cow Palace Concert Poster BG-186 (Bill Graham Presents, 1969). A shirtless Jim Morrison, and profiles of his bandmates, peer out from this classic poster by Randy Tuten. For its time, the Cow Palace was the largest venue for rock concerts in Northern California. Holding more than 10,000 fans, it played host to the Beatles, Beach Boys, and the Mamas and the Papas. As part of the Bill Graham numbered series, this first printing poster bears the designation BG-186, although it is incorrectly numbered BG-187 on the poster. Also on stage with The Doors were Lonnie Mack and the Elvin Bishop Group. This poster grades NM- due to two small dings on the corners. Overall size of this poster is 14" x 21.5".
Everly Brothers "Summer Swing-Ding Spectacular" Concert Poster (1966). No one could harmonize quite like Don and Phil Everly. The brothers had been singing together since their childhood appearances on their parent's radio show, and by 1966 they had fine-tuned their harmonizing to a fine art. Like this Colorado Springs concert poster says -- "THE EVERLY BROTHERS... Fantastic!" The poster measures 10.5" x 17", and is in Very Good+ condition.
Fantasy Faire and Magic Music Festival Poster (1967). Devonshire Meadows in Northridge, California was the setting for a Rock festival featuring Jefferson Airplane, the Doors, Grassroots, Iron Butterfly, Country Joe and the Fish, and more, back in July 1967. What a summer that must have been! The poster's Aubrey Beardsley-inspired graphics were designed by Penny Harvard. The poster measures 14.5" x 20.5", and is in Near Mint condition.
Ella Fitzgerald Minneapolis Armory Concert Handbill and Program (Ernest Anderson Presents, 1948). Some tough to find pieces from a series of shows titled "We Call It Jazz." Offered here is a handbill for the Ella Fitzgerald/Illinois Jacquet show on February 1, 1948, and a program from the concert on January 18, 1948, that featured a large ad for the upcoming Ella concert. Both the handbill and program grade NM.
The Flamin Groovies Ark Concert Poster (1968). The Groovies were San Francisco's original "British" rock group. Formed just days after the Beatles played the Cow Palace in 1965, all members of the band sported mod haircuts, Rickenbacker guitars, and suits. This scarce poster features art by the band's guitarist, Cyril Jordan. Opening the shows were the Phoenix. In NM condition; this poster measures 17.5" x 23".
Fleetwood Mac Munich Concert Poster (1970). This large, unusual poster comes from the last days of founder Peter Green's tenure as lead guitarist for the band. While in Germany on this tour, Green supposedly got in with a a group of fans who gave him some very powerful mind-expanding drugs, which caused him to doubt everything about the band. He began to urge the group members -- John McVie, Mick Fleetwood, Jeremy Spencer, and Danny Kirwin -- to give up all their gig income to charity, and wrote his last Mac song, "Green Manalishi" as a testament to the evils of money. By May, Green would be gone, and Christine McVie would join a few months later. This poster features a wild "rag doll" of drummer Fleetwood designed by Gunther Kieser, for a January 18th show. It measures 33.25" x 47" and is in Near Mint- condition.
FREE Fillmore West Concert Poster Uncut Double BG-266/267 (Bill Graham Presents, 1971). Unique would be one way to describe this item. The posters for these two concerts were drawn to form one whole image. Consequently the printer let some out that hadn't been cut in half. The groups represented here include Bloodrock, Spencer Davis, Taj Mahal, and Fox. This poster grades NM, but has some light handling marks. Measuring 21" x 28", this cosmic-looking poster would make a fun addition to any poster collection.
The Fugs Santa Monica Civic Auditorium Concert Poster (1967). One of the most unusual "rock" acts of the mid 1960s, the Fugs composed of Beat poets Ed Saunders (owner of New York's Peace Eye Bookstore) and Tuli Kupferberg, plus drummer Ken Weaver. They took their name from a peculiar word used as a substitute for a popular four-letter euphemism found in Norman Mailer's novel, The Quick and the Dead. This poster, featuring their "patriotic" red, white, and blue logo, comes from a brief period in early 1967 when the band was signed to Atlantic Records (who would eventually reject the completed album the band delivered to them). Opening the show was another well-known poet from the Beat Generation, Allen Ginsberg. The poster measures 14.75" x 22", and is in Near Mint condition.
A.R.T. Jerry Garcia Concert Poster, Signed by the Artists, #146/200 (Artists Rights Today, 1989). This beautiful and colorful benefit poster was designed by five of the best-known San Francisco poster artists: Stanley Mouse, Rick Griffin, Wes Wilson, Alton Kelly, and Victor Moscoso. It's a real eye popper! The concert line-up included Jerry Garcia, the Dinosaurs featuring Barry Melton and John Cipollina, Pete Sears with Nick Gravenites, and others. The event also included an art show by the afore-mentioned artists, who each signed the poster in pencil, in the lower border area. The poster measures 20" x 26", and is in Near Mint condition.
"Get Yourself a College Girl" Movie Poster (Four Leaf, 1966). This breezy musical comedy featured a great line-up of Rock and Jazz acts, including the Dave Clark Five, the Animals, Stan Getz and Astrud Gilberto, the Jimmy Smith Trio, and the Standells. The movie's youthful stars included Mary Ann Mobley, Chad Everett, and Nancy Sinatra. This poster, on heavier card stock than a traditional "one-sheet" style poster, measures 29" x 40", and is in Fine condition.
Allen Ginsberg and Timothy Leary "Gathering of the Tribes" Human Be-In Poster (1967). Expand your consciousness (and your poster collection) with this trippy event poster featuring speakers like Jerry Rubin, Michael McClure, Dick Gregory, Richard Alpert, and more, set in San Francisco's Golden Gate Park Polo Field. Thirty thousand people attended this January, 1967 event, which included unbilled performances by Grateful Dead and Jefferson Airplane, and resulted in Allen Ginsberg being declared the "Elder Statesman" of the hippie generation. This poster's "third eye" graphics were designed by Stanley Mouse, who added his distinctive "running rodent" signature in pencil to the lower border. The poster measures 14.25" x 20", and is in Near Mint condition. The "Summer of Love" got its early start right here on this cool Saturday event!
Godsmack Signed Warfield Concert Poster BGP-223 (Bill Graham Presents, 1999). Godsmack are one of the current kings of Heavy Metal, playing 10,000 seat arenas around the country. In 1999, they were a hard working band playing small clubs. In San Francisco, when bands play for Bill Graham Presents, they sign a couple of the posters for that show to be raffled off at the concert that night. Complete with the envelope from BGP comes this awesome Godsmack signed poster. Measuring 13" x 19", this poster is in NM/MT condition.
Bill Graham Presents Concert Handbill Group of Two (BGP, 1966). Although they look similar to the postcards, these are the much tougher to find handbill versions of these images. Both feature great art and lettering by Wes Wilson, and the line-ups are incredible. Captain Beefheart, Chocolate Watchband, Jefferson Airplane, the Grateful Dead, and Quicksilver Messenger Service are just some of the groups represented here. If you're putting a set together, these handbills are numbered BG-34 and BG-37 respectively. In NM/MT condition -- you won't want to miss out on these beauties!
Bill Graham Presents Concert Handbill Group of Two (BGP, 1966). Two tough to find handbills from the early days of Bill Graham's show promotion. These feature appearances from Jefferson Airplane and Them, featuring Van Morrison. As part of the Bill Graham numbered series they are designated BG-5 and BG-20 respectively. Both of these thin paper handbills grade Near Mint- due to some minor handling wear.
Bill Graham Fillmore West Concert Poster, Group of 2 (Bill Graham Presents, 1969-70) Blues and Rock meet on these two posters, from the legendary series of Bill Graham concerts held at the Fillmore West, make up this lot. First, BG-156, with Creedence Clearwater Revival, Fleetwood Mac (back in their original Blues Rock incarnation, as led by guitarist Peter Green), and Albert Collins. The poster has a design by Lee Conklin, measures 14" x 21", and is in Very Good condition. Also included is BG-253, with Bo Diddley, Lightning Hopkins, and the New York Rock Ensemble, which also mentions future shows by Pink Floyd and Small Faces with Rod Stewart. This poster measures 13 15/16" x 20 15/16". It's designed by David Singer, and is in Near Mint condition.
Grassroots/Quicksilver Messenger Service Fillmore Concert Poster BG-0 (Bill Graham Presents, 1966). One of the earliest Bill Graham posters, this one was actually printed in between BG-3 and BG-4. Artist Bonnie MacLean produced the graphics. This is the original printing version known as OP-1 in Eric King's Collector's Guide to Psychedelic Rock Concert Posters and Handbills 1965-73; it features the "zig-zag" design above the "m" in the word "Auditorium", towards the bottom of the poster. It measures 12.5: x 18.5", and is in Very Good+ condition.
Grateful Dead "Zenefit" Concert Poster (1966). Here is a hard-to-find poster starring the Grateful Dead, Big Brother and the Holding Company, and Quicksilver Messenger Service, for a show benefitting the Zen Mountain Center. Tape has been applied to all four corners, leaving a small bit of damage to each area; otherwise, this piece is very attractive, and in Very Good condition.
Grateful Dead "Greatful Dead" Avalon Concert Poster FD-22 (Family Dog, 1966). It was early on in the Dead's long strange trip when this rare poster was printed -- note the unusual spelling of the band's name! Joining Jerry Garcia and company was Sopwith Camel. Designers Alton Kelly and Stanley Mouse added a distinctive touch by including a nice pen and ink portrait of the Frankenstein Monster among the graphics. Mouse has signed the poster in ink, to the right of our old pal Frankie. This is the variant first printing measuring 14.25" x 20"; other than some light corner creases, it remains in Near Mint condition.
Grateful Dead "Satyr" Avalon Concert Poster FD-40, Signed by the Artist (Family Dog, 1966). This wild poster features what appears to be Santa Claus with horns! It's really a mellow-looking satyr, which Webster defines as a "lascivious woodland deity, represented as part human and part goat." At any rate, it's an eye-catching piece by one of the era's top poster designers, Victor Moscoso, also well-known as one of the Zap Comix artists. Moscoso has added his signature in black pen, in the lower border area. The poster measures 14.25" x 20", and is in Very Good+ condition.
Grateful Dead/Lighting Hopkins Fillmore Concert Poster BG-32 (Bill Graham Presents, 1966). A clean-shaven Jerry Garcia is front and center on this poster, courtesy of a Herb Greene photo. The trippy lettering and design motifs were created by Wes Wilson. While only a black and white poster, this is a very popular item among Deadheads and poster collectors. It's an original printing, and measures 14" x 22.5", in Very Good condition.
Grateful Dead "Skeleton and Roses" Avalon Concert Poster FD-26 (Family Dog, 1966). Here's one of the best-known, and most highly sought-after Grateful Dead posters, featuring a stunning Stanley Mouse design. Oxford Circle is listed as the opening act. This is a second printing; it shows some light tanning and has numerous tack and staple holes in the border area, plus a very small loss of color within the "6" of the date on the left. Overall condition: Good+.
Grateful Dead Fillmore Concert Poster BG-41 (Bill Graham Presents, 1966). The influence of the Art Nouveau posters of France in the late 1880s can be seen in this Wes Wilson-designed image, promoting a December 1966 series of shows featuring the Grateful Dead, Big Mama Thornton, and Tim Rose. This first-printing poster measures 14" x 22"; there is some paper tanning and tack hole damage, otherwise, it remains in Very Good condition.
Grateful Dead "Girl With Long Hair" Avalon Concert Poster FD-45 (Family Dog, 1967). A beautiful Stanley Mouse art nouveau-inspired design graces this groovy poster. Opening for the Dead was another San Francisco favorite, Quicksilver Messenger Service. This 13 7/8" x 20 1/8" first-printing poster is in Near Mint condition.
Grateful Dead "Three Indian Dudes" Avalon Concert Poster FD-54, Signed by Rick Griffin (Family Dog, 1967). A sharp second print copy of this poster has been nicely enhanced by the addition of the late artist Rick Griffin's unmistakable signature. The poster measures 14" x 20", and is in Near Mint condition.
Grateful Dead Straight Theater Concert Poster (Straight Theater Enterprises, 1967). This "dance" poster featuring San Francisco heavyweights Grateful Dead, Sons of Champlin, "and other groovies" has the words "class" added in marker. Dance class, maybe? We would love to see a dance instructor using the free-form freakouts of the Dead! An unusual and seldom seen poster, featuring graphics by C. Braga. "Save for Winfield Smith" has also been added along the bottom border in pencil; otherwise, this attractive poster is in Very Good condition, with a few tack holes.
Grateful Dead "The Golden Road to Unlimited Devotion" Fan Club Poster (1967). A beardless Jerry Garcia peers out at you, surrounded by the other youthful-looking members of the Dead, in this special poster promoting their own fan club. Get personal answers to fan letters! Discounts on Pig-Pen t-shirts! Stanley Mouse and Alton Kelly provided the art for this unusual first-printing poster, which measures 14" x 19.75", and is in Near Mint condition.
Grateful Dead Fillmore West Concert Poster BG-51 (Bill Graham Presents, 1967). This is a very tough-to-find first printing of a poster that has been highly-sought over the years by collectors. It grades VG- due to several small tears and a crease along the bottom. Joining the Dead were Otis Rush and Canned Heat. Overall size of this poster is 13.5" x 22".
Grateful Dead Fillmore Auditorium Concert Handbill (Bill Graham Presents, 1967). This is a scarce handbill advertising an event for which there was no poster. It was called "Abe Lincoln's Birthday Party" and it was a benefit for the Council for Civic Unity. Also playing that night were Moby Grape, Sly and the Family Stone, the New Salvation Army Banned, and Notes from the Underground. In Near Mint condition. this handbill will delight one lucky Deadhead. Overall size of this piece is 8.75" x 11.25".
Grateful Dead/Vanilla Fudge Uncut Double Concert Poster BG-152/153 (Bill Graham Presents, 1968) Ring out the (very) old year of 1968 with these two Lee Conklin-designed posters, part of an uncut double sheet (many of the Bill Graham posters were printed in this manner) for shows on 12-31-68. BG-153 (on the left side) features Vanilla Fudge, Richie Havens, the Youngbloods, and Cold Blood at the Fillmore West; BG-152 features the Grateful Dead and Quicksilver Messenger Service at the Winterland. The combined posters measure 28 5/16" x 21"; in Very Good- condition, with numerous small creases and wear.
Grateful Dead Lion Fillmore West Concert Poster #BG134 (Bill Graham, 1968) What incredible line-ups for the two shows this poster promotes! The first show featured Steppenwolf, The Staple Singers, and Santana. The second show featured the Grateful Dead, Preservation Hall Jazz Band, and the Sons of Champlin. Due to a small crease in the paper, from the time it was printed, this poster grades VG+ with no tack holes or tears. Because it is part of the Bill Graham numbered series it bears the designation BG-134. With great art by Lee Conklin, this 14" x 21" poster will light up one lucky bidder's day.
Grateful Dead "Trip and Ski" Kings Beach Bowl Concert Poster (1968). Go tripping down the sound of a mountain to the music of Grateful Dead and Morning Glory with this cool orange and blue concert poster. The poster measures 14" x 22", and is in Near Mint condition. With the high price of concert seats these days, what a change to see "$3.50 at the door" on this vintage item! Those were really the days! Relive those carefree times with this attractive, Bob Fried-designed poster!
Grateful Dead Fillmore West Concert Poster BG-133 (Bill Graham Presents, 1968). This attractive image, called "Bloom," was drawn by poster/comix legend Rick Griffin. The only thing more legendary than the artist is the groups that this poster presents. Shows by the Who, Creedence Clearwater Revival, Quicksilver Messenger Service, and of course, the Grateful Dead, are all featured. Due to some minor dings and small creases, this poster grades VG+. Its overall size is 22" x 28.5".
Grateful Dead Avalon Ballroom Concert Poster FD-141 (Family Dog Presents, 1968). Simply a beautiful Grateful Dead poster, it grades solidly at NM+. This poster was also only printed once, making it desirable to all "Deadheads". Also on the bill were Lee Michaels, Linn County, and Mance Lipscomb. Overall size of the poster is 14" x 20".
Grateful Dead Fillmore West Concert Poster BG-144 (Bill Graham Presents, 1968). A very trippy poster from the pen of Lee Conklin here. Besides the Dead the stage was also alive with the sounds of Quicksilver Messenger Service and Linn County. Overall size of this NM first printing is 14" x 21.25".
Grateful Dead Fillmore West Concert Poster (Bill Graham Presents, 1968-78). This poster, featuring a colorful image of a "skinless" man running across the cap of a giant mushroom, is one of the most popular Dead items. This is actually the "cleaned up" second printing, done as a limited release in 1978, ten years after the event. Appearing with the band was modern blues singer Taj Mahal and Big Foot. The poster measures approximately 14" x 22", and is in Near Mint condition.
Grateful Dead Fillmore West Concert Poster BG-205 (Bill Graham Presents, 1969) Here's a surreal-image poster for the Dead by artist David Singer. Joining the Grateful Dead onstage were Flock and Humble Pie. Due to tackholes, this poster grades NM-. Overall size of this piece is 14" x 22".
Grateful Dead Shea's Performing Arts Center Concert Poster (1979). "An extraordinary event" is how this poster bills a Dead show at New York's Buffalo State College, and we believe they were probably right! It's a striking two-color design, featuring a stylized tusked skull and pyramids, set against a checkerboard background. The poster measures 17" x 22", and is in Very Good condition.
Grateful Dead/Miles Davis Quintet Fillmore West Concert Poster BG-227 (Bill Graham Presents, 1970). A trippy x-ray image of a Chambered Nautilus against a starry sky tells you you're in for a cosmic ride with this show! David Singer provided the graphics; Stone The Crows provided the opening act for these two musical heavyweights. This first-printing poster measures 14" x 21", and is in Very Good condition.
Grateful Dead Euphoria Concert Poster (1970). This rarely seen poster here is from the San Rafael club Euphoria. Over the years the club was also called the Bermuda Palms and Pepperland. When a second date was added to the show, after the posters were printed, the dates were written in ink on the poster. This poster grades VG+ due to a crease that was put in during the printing process. Also on the line-up were New Riders of the Purple Sage and Rubberduck Company. Overall size of this poster is 13.5" x 18".
Grateful Dead Carousel Ballroom Benefit Concert Poster (1970). A rare poster for the "Peoples Air Waves" show at the Carousel Ballroom in San Francisco. Due to the show being scheduled on short notice, and the fact that it was a benefit, only about 200 of these posters were printed. Joining the Dead that night were Shades of Joy and several other local groups. In NM- condition, with an overall measurement of 13" x 17".
Grateful Dead Fillmore West Concert Poster BG-237 (Bill Graham Presents, 1970). A beautiful copy of this San Francisco poster, featuring art by David Singer. The New Riders of the Purple Sage and Southern Comfort were also on stage that night. In NM condition, this poster measures 14" x 21".
Grateful Dead Hill Auditorium Concert Poster (UAC/Daystar Presents, 1971). From the groovy pen of artist Gary Grimshaw comes this awesome poster. This was near the end of a half-year tour with New Riders Of The Purple Sage. This poster grades NM and measures 16.75" x 22".
Grateful Dead Frankfurt Germany Concert Poster (Lippmann & Rau, 1972). The noted artist Gunther Kieser built a "Deadhead," literally, for this poster from Frankfurt. This is an incredibly rare poster; it grades NM- and has been backed on linen. Overall size of this poster is 23.5" x 33".
Grateful Dead Radio City Music Hall Concert Poster (G.D.P., 1980). This is the scarcer version of the Dead's 1980 tour posters. A more common one is for their San Francisco shows a week earlier. For a whole week, the Grateful Dead and their fans took over the most famous theater in the world, Radio City Music Hall. This poster grades NM and measures 27.5" x 21.25".
Grateful Dead Manor Downs Concert Mini Poster (Furlong Productions, 1982). Manor Downs is a racetrack in Austin, Texas. Instead of watching the ponies run, this event featured a Grateful Dead show to enjoy, and the wild Michael Priest-drawn Jockey Skull and Horse Skeleton graphics celebrates the occasion and location nicely. The poster measures 8.5" x 14", is printed in black on pastel pink stock, and is in Near Mint condition.
HALO Benefit Winterland Concert Poster, Signed by Three Artists (HALO, 1966). This Haight-Ashbury Legal Organization get-together featured performances by Jefferson Airplane (back in their pre-Grace Slick days), Big Brother and the Holding Company (before Janis Joplin), Quicksilver Messenger Service, the Charlatans, and the Grateful Dead. This classic memento was signed by three of the top 1960s poster artists: Alton Kelly, Rick Griffin, and Stanley Mouse. The poster measures 14" x 18.25", and is in Very Good+ condition.
Jefferson Airplane/Big Brother and the Holding Company/Grateful Dead "Halo" Winterland Benefit Concert Poster (Haight Ashbury Legal Organization, 1966). Here's a very early all-star line-up featuring the biggest names in San Francisco Rock -- in addition to the above mentioned acts, the show included Quicksilver Messenger Service and the Charlatans. The fancy lettering on the poster comes courtesy of Rick Griffin, who would go on to create many a memorable poster (not to mention quite a few Zap Comix stories). The poster (which was never reprinted) measures 14" x 18.25", and is in beautiful NM condition.
4:20 Hemp Festival Signed Poster (Cannabis Action Network, 1999). This unique, limited poster is from what used to be a regular event in San Francisco. The 4:20 Hemp Festivals were held from 1996 to 2000 at various halls in the city. Offered here is a pair of posters from the 1999 event, one of which has been signed by Vince Welnick. Vince was the last keyboard player for the Grateful Dead. This show would also prove to be one of the last public appearances for Vince as health problems ended his performing career, and his life, in 2005. Both posters are in NM/MT condition and measure 12" x 18".
Woody Herman Joyland Concert Poster (1956). Sax great Woody Herman and his Herd (listed here simply as "...his Greatest Band") piled into the happily named Joyland to lay down some jivin' tunes, as advertised by this cool green and black poster. Herman is listed as a Capitol recording artist, leading us to believe this poster to be from 1956. The poster measures 14.25" x 22" and is in Good condition.
The Invisible Circus Glide Memorial Church Concert Poster (The Diggers, 1967). This free flowing event was put together by The Diggers to be their own version of the "Acid Test." This 72-hour event had light shows, discussion panels, music, a printing press, and much more. This poster, from early 1967, is seldom seen in such nice condition. This 14" x 20" poster is NM- due to some minor corner wear.
Iron Butterfly Fillmore West Concert Poster BG-141, Signed by the Artists (Bill Graham, 1967). Those Zap Comix guys, Rick Griffin and Victor Moscoso, really outdid themselves on this incredible concert poster featuring Iron Butterfly, Sir Douglas Quintet Plus 2, and Sea Train. A robotic Hopi Indian mask (dubbed the "Trash Burner" for its glowing red eye and mouth holes) is sounded by dancing Yin-Yang symbols, all washed in brilliant colors, framed in greenish black -- it's one of the most recognizable psychedelic images of the era. Moscoso and the late Griffin each signed the poster, right above the other's printed signatures, making this a must-have item for anyone who loves the music, posters, and Underground Comix of the late 1960s. Only one printing of the poster was made. It measures 14.25" x 21", and is in Near Mint condition.
Jefferson Airplane Fillmore Auditorium Concert Poster BG-5 (Bill Graham Presents, 1966). This tough to find first printing comes from the beginning of the Bill Graham run. San Francisco legends Jefferson Airplane were joined onstage by the Jaywalkers. This poster is in VG+ condition due to a crease that runs through the name Fillmore Auditorium. Overall size of this poster is 14" x 20".
Jefferson Airplane "Busted" Fillmore Concert Poster (S.F. Mime Troupe, 1967). Buster Keaton's classic silver screen image appears on this Stanley Mouse-designed benefit poster, featuring Jefferson Airplane, Grateful Dead, Quicksilver Messenger Service, Moby Grape, and the Loading Zone -- what a line-up! Leave it to Mouse to create a stunning psychedelic image in black and white! The poster measures 22.5" x 17". In Very Good+ condition; there is minor wear along the wide outside borders, but the image area remains clean and problem free.
Jefferson Airplane Fillmore Concert Poster BG-63 (Bill Graham Presents, 1967). A saintly-looking photo of Airplane guitarist Jorma Kaukonen gazing out at you is the main element of the early Bonnie MacLean (Mrs. Bill Graham) design. Although Bonnie had dabbled in poster design before (on BG-0), this was the start of a series she created following Wes Wilson's decision to stop doing posters. We think she did a fine job! The concert featured the Paupers as openers; the poster measures 13.25" x 23", and is in Very Good+ condition.
Jefferson Airplane/Grateful Dead Hollywood Bowl Concert Poster BG-81 (Bill Graham Presents, 1967). Grace and the boys appear to be peering out of a Victorian-style house window (like the kind you might see along San Francisco streets) on this colorful Jim Blashfield design, with a photo by Herb Greene. Bill Graham moved this show from his usual Fillmore/Winterland sites to the much larger Hollywood Bowl in Los Angeles, a sure sign that Rock music had finally arrived for the masses! This poster, which was never reprinted, measures 14" x 20.5", and is in Near Mint condition.
Jefferson Airplane/B. B. King/Who Tanglewood Handbill (Bill Graham Presents, 1968) Here's a colorful handbill for a traveling "Fillmore" show, presented at the Tanglewood in Lenox, Massachusetts, home of the Boston Symphony Orchestra. Grace Slick and the Jefferson Airplane headline, with opening act B. B. King and "special guest stars" the Who -- sounds like a great show! This scarce handbill measures 7 7/9" x 10 7/8", and is in Near Mint condition.
Jefferson Airplane Fillmore West Concert Poster BG-142 (Bill Graham Presents, 1968). Artist Lee Conklin really went all out on this elaborate poster design, which features wild, humanized versions of a plane and two motorcycles. This Jefferson Airplane show was announced as "recording live." A.B. Skhy was the opening act. The poster measures 14" x 21.25", and is in Near Mint condition.
Jefferson Airplane Shrine Auditorium Signed Concert Poster (Pinnacle, 1968). One of the toughest posters from the Shrine in Los Angeles is the first printing of this poster. This is the second printing, but still highly collectible, and here's a bonus: it's been signed by artist John Van Hammersveld, and is in Near Mint condition. Measures 19.5" x 27.25".
Jefferson Airplane San Diego Concert Poster (KPRI/Hedgecock Piering, 1969). This radio-sponsored concert boasts appearances by Ten Years After and Sons of Champlin, in addition to Grace Slick and the Jefferson Airplane. The poster features a cool 19th century-era photo of a curly-haired young miss. The poster measures 17.5" x 22", and is in Good+ condition.
Jefferson Airplane "A Benefit For The Grateful Dead" Concert Poster BG-222 (Bill Graham Presents, 1970). This is a poster that we are proud to be able to offer, the rare BG - 222. Throughout their career, the Grateful Dead frequently performed at benefits for a wide variety of causes. When the Dead got busted in New Orleans on drug possession charges, many San Francisco acts felt compelled to play a benefit for them. This is the poster from that special event. Also of note for collectors is the fact that this is the only poster in his series that does not read "Bill Graham Presents" at the top; instead, it reads "A Benefit For The Grateful Dead." Also performing at the benefit were Quicksilver Messenger Service, Santana, It's A Beautiful Day, and Dan Hicks and his Hot Licks. This poster grades Near Mint due to just a couple of small creases in the lower right. Due to the rarity of the item, this would still be a centerpiece in any rock poster collection! Overall size of this poster is 13.75" x 20.75".
Jethro Tull Fillmore West Concert Poster BG-203 (Bill Graham Presents, 1969. Colorful art by Randy Tuten graces this groovy poster. Along with Jethro Tull, people were treated to sets from the MC5 and Sanpaku. This poster grades NM- due to some light handling wear. Overall size of the poster is 14" x 21".
Jethro Tull Fillmore West Concert Poster BG-226 (Bill Graham Presents, 1970). Here's a poster that most collectors don't have! This show was cancelled shortly after this poster was printed. As a result very few were distributed to the public. In Near Mint condition, measuring 14" x 21.75".
Freddie King Aragon Concert Poster (Seadog, 1973) Texas Blues master Freddy King rocked the house for this Chicago show, which also featured If, Azteca, and Cloudburst. This very colorful poster design by Michael Krueger seems to have been inspired by the "Yellow Submarine" animated film. The poster measures 11" x 13 5/8", and is in Near Mint condition.
Knebworth Fair Concert Poster and Program (Frederick Bannister/Five One Productions, 1976). A rare and famous poster here, with the program included. The groups performing at the show included the Rolling Stones, Lynyrd Skynyrd, Hot Tuna, 10cc, and more. The poster is in NM- condition while the program grades FN. This unusual round poster measures 24.5" in diameter.
Led Zeppelin "Avocado" Fillmore/Winterland Concert Poster BG-170 (Bill Graham Presents, 1969) This tasty poster hails from the mighty Zep's second tour of California, and features one of artist Randy Tuten's "kitchen" designs, posters intended to look good hanging on a kitchen wall. This popular image has been used on t-shirts, magnets, and more through the years. Opening the show was another English import, Julie Driscoll and Brian Auger. This is a first-printing poster, measuring 13 7/8" x 20 3/8", and is in Near Mint condition.
Led Zeppelin Winterland Concert Poster BG-199 (Bill Graham Presents, 1969). A stunning copy of this hard to find poster of those mighty British rock gods, Led Zeppelin. This was Zep's second tour of the states, and their first playing large halls and arenas. In Near Mint condition, with an overall size of 13.75" x 21.5".
Led Zeppelin Bravo/Atlantic Records Promo Poster (Atlantic, 1970). This poster puts pictures of the British Rock gods over the shape of a rising Zeppelin. This is a European tour poster, with a blank area left fot venue information. This poster is linen backed and grades NM. Overall size of this piece is 24" x 33".
Lightnin' Hopkins Berkeley Concert Poster (1966). He's billed here as "King of the Blues", and this Texas-born master of the blues could electrify audiences with his trance-like performances. Here's a simple but eloquent poster for two April 1966 shows at the legendary Jabberwock Club in Berkeley, California. Joining Hopkins was Dan Paik, of the Cleanliness and Godliness Skiffle Band fame. The poster measures 15" x 23" and is in Very Good condition.
Love/Big Brother and the Holding Company "Odd One - Snake Lady" Avalon Concert Poster FD-17A (Family Dog, 1966). This rare item comes from a scheduled show that was abruptly cancelled; it was replaced by a show featuring the Airplane and the Great Society (which featured future Airplane singer Grace Slick). Most copies of this single-printing poster were destroyed, with only a handful saved by artist Stanley Mouse. The poster measures 14" x 20"; outside of a light stain in the lower right corner, it's clean and sharp. Overall condition is Very Good.
Steve Miller Band Avalon Ballroom Concert Poster (Soundproof Productions, 1969). A very tough to find poster from San Francisco's Avalon Ballroom. Joining the Steve Miller Band at this show were the Allman Joys and Linn County. Due to a small ding on the lower right this poster grades NM-, and measures 13" x 18.5".
Movie/TV Memorabilia
Moody Blues Salt Lake City Concert Poster (Stan Schubach, 1970). An April 1st "Masquerade or Come As You Are" concert at the Terrace Ballroom was the event advertised by this wild Robb Brown-designed poster. Of special note is the use of Mickey Mouse as part of the "A THC Production" logo featured prominently in the design. Opening the show was Cold Blood. The poster measures 18.5" x 23.75", and is in Near Mint condition.
Music Memorabilia
Stanley Mouse Pussy Galore Illustration (1965). This piece of art comes from before Mouse was one of the kings of poster art. At this time Mouse had been working with Ed Roth, and others, on "Weird-Ohs" and "Odd-Rods." This large piece is in Very Good condition with no creases or major stains, there are tape marks at the corners, and has been signed "Mouse 1965." It measures 14.5" x 20".
Grand Ole Opry Roadshow Poster, Group of 3 (1967-69) Porter Wagoner, Bill Anderson, Connie Smith, Merle Haggard, Hank Snow, Kittly Wells, and Tex Ritter are among the dozens of Grand Ole Opry stars appearing on these three Iowa show posters. All three measure approximately 14" x 22", and average in Very Good condition. One poster features photos (of Haggard, Snow, and Grampa Jones), while the other two are type only.
Pink Floyd Avalon Ballroom Concert Poster FD-131 (Family Dog Presents, 1968). This was the second US tour for Pink Floyd, and their first full tour of the country. The first tour was cut short due to visa problems. Overall size of this NM poster is 14" x 21.5".
Pink Floyd San Diego Concert Poster (Direct Productions, 1971) A bizarre Randy Tuten design, featuring "War of the Worlds" flying saucers, graces this cool Pink Floyd poster from October 17, 1971. Opening the show was Finnegan. The poster measures 14.5" x 21" and is in Near Mint condition.
Pink Floyd Japanese Handbill (1972) The Floyd invade Japan for a series of shows in March, 1972, advertised by this unusual 10 3/64" x 14 1/8" handbill. The reverse, printed in black and white, advertises a Rolling Stones gig. That's two supergroups on one handbill, and one that doesn't show up often around our parts! In Very Good condition, folded (as originally issued).
Pink Floyd Soldier Field Concert Poster (Danny Kresky Enterprises, 1977). Here's a seldom-seen poster from the beginning of Pink Floyd's "Animals" tour. In VG+ condition, with tackholes at the corners and a few minor creases. Overall size of the poster is 18.75" x 24".
Quicksilver Messenger Service "Rooster on a Unicycle" Avalon Concert Poster FD-32 (Family Dog, 1966). This is Victor Moscoso's first psychedelic rock poster, done for a October 1966 Family Dog show which featured Blackburn and Snow, plus Sons of Champlin, in addition to the headliners, Quicksilver Messenger Service. It's known that there were two small printings of this poster, but there is no known way to distinguish between the two. This copy measures 14" x 20", and is in Very Good- condition due to a slight moisture stain along the bottom, and tack holes in each corner.
Quicksilver Messenger Service "Swirl Dance" Avalon Concert Poster FD-42 (Family Dog, 1966). Here's another very early poster designed by artist Victor Moscoso, who would quickly become one of the top designers in the field, as well as one of the artists featured in Zap Comix. Opening the show was the Miller Blues Band, featuring Steve Miller and Boz Scaggs, and the Other Half, featuring Randy Holden (later of Blue Cheer). This poster measures 13" x 19", and is in Good+ condition, with wear along the sides and corners.
Quicksilver Messenger Service Concert Poster, Group of 2 (1967) Two very colorful posters featuring the San Francisco band Quicksilver Messenger Service are featured in this exceptional lot. First, a copy of the Family Dog poster FD-96 "Dance Dance" from December 15-17, 1967, featuring the Charlatans as the opening act. It measures 11.25" x 20.5". Next, we have a copy of the "Dr. Sunday's Medicine Show" poster, advertising a benefit for the Haight Ashbury Medical Clinic, and featuring Big Brother and the Holding Company, Mother Earth, Ace of Cups, as well as the Quicksilver boys, for an October 8th show at San Jose's Family Park. It measures 14 1/8" x 21". Both posters are in Near Mint condition.
Quicksilver Messenger Service "Sunday Funnies" Avalon Concert Poster FD-89, Signed by Rick Griffin (Family Dog, 1967). Before his stint as one of the celebrated Zap Comix artists, Rick Griffin created this mind-blowing poster utilizing comic-strip style graphics. Just don't try to read it like a conventional strip! Appearing in the ninth panel is Griffin's classic character from his days illustrating surfing mags, Murph the Surf. Griffin signed the poster in the lower right corner. Other acts on the bill included Sons of Champlin and Taj Mahal. This first-printing poster measures 14" x 21", and is in Near Mint condition.
Quicksilver Messenger Service "Hee Haw" Denver Concert Poster FD-D2 (Family Dog, 1967). The Western-style graphics (by Michael Ferguson and George Hunter) suit the bands listed on this poster well -- Quicksilver used a Western-style illustration (partially recreated here) for their second album, Happy Trails, and opening act the Charlatans were known for their "Wild West" stage outfits. The poster measures 15" x 23", and is in Near Mint condition.
Quicksilver Messenger Service FLUXFEST Concert Poster (Fluxus International Presents, 1967). Much like Timothy Leary's "Acid Tests" from 1966 Fluxfest was a journey, with music, into inner space. The show featured films, dancers, the San Francisco Mime Troupe, and music from the Flux Orchestra, the Wild Flower, and Quicksilver Messenger Service. In NM condition; this scarce poster measures 13.5" x 18".
Otis Redding Fillmore Concert Poster BG-43 (Bill Graham, 1966). Who out there doesn't like Otis Redding? If you're one that doesn't, move on to the next lot while we Soul fans drool a while! Wes Wilson's graphics are loaded with psychedelic lettering, advertising Redding's opening acts: Grateful Dead on Tuesday, Johnny Talbot and De Thangs on Wednesday, and Country Joe and the Fish on Thursday. This version of the poster features the Bill Graham and Wilson credits printed in white, rather than the scarcer pink version (both are considered first printings), but we don't care -- it's great! It measures 14" x 22.5", and is in Near Mint condition.
Willyum Rowe-designed Concert Posters, Tickets, and Double Postcard Set BG-283/284 (Bill Graham Presents, 1971). Illustrator and photographer Willyum Rowe produced the graphics for two stunning Bill Graham Fillmore West posters: BG-283, featuring Albert King, Mott the Hoople, and Freddie King; and BG-284, starring Cactus, Flamin' Groovies, and Redeye. Here are copies of those brightly colored, pop-art treats, along with a set of three tickets to the Albert King shows, plus the double postcard mailed out for both events. The Cactus poster has been matted to an overall size of 16 1/4" x 24 3/8", and is in Near Mint condition. The Albert King poster measures 14" x 21 1/4", and is in Very Good- condition. The tickets and postcard are all in Excellent condition.
Otis Rush Matrix Concert Poster NR-8 (Matrix, 1967). This is poster number eight in artist Victor Moscoso's famed "Neon Rose" series, which are noted for their extreme use of color. This scarce poster was printed only once, and are rarely seen in this nice, Near Mint condition. Overall size of this poster is 14" x 20".
San Francisco Concert Poster Group of Three (1967). A super sampler of concert posters from West Coast promoters are our offering for this lot. We start with a Family Dog concert poster, FD-D-15, featuring Soul Survivors and the Box Tops. It measures 14" x 20" and is in Near Mint condition. Next, we have FD-146 featuring Love and Lee Michaels. In Near Mint, measuring 14" x 20". Finally, we have a poster from the SF SNACK benefit concert. This line-up featured the Doobie Brothers, Jefferson Starship, Jerry Garcia and Friends, Santana, Neil Young, and lots more. In VG+ condition; this poster measures 11.75" x 21".
San Francisco Concert Handbill Group of Five. An impressive sampling of both venues and groups in these handbills from the San Francisco Bay Area. From 1969 is a non-Bill Graham Fillmore Auditorium handbill that features the Ballads and Tina & the Dolls, condition NM/MT. From 1972 is a Carousel Ballroom handbill that features Stoneground, War, and Dr. John, in NM/MT. From the Matrix comes a 1967 handbill that features Congress of Wonders, in NM/MT. There are also two handbills from Bay Area promoter Bill Quarry: The first is from Bill's first big show, New Years Eve 1965, where he started an 18-month run in San Leandro's Rollarena. The handbill is 8.75" x 11" and grades VG due to moisture wrinkling. The second is an 8.5" x 11" handbill for the Everly Brothers at Bill Quarry's Rollarena. Overall condition is VG+ due to handling marks.
San Francisco International Pop Festival Poster (Top Star Productions, 1968). Only $10 to see all these bands in two days? No matter what the dollar bought back then this was quite a bargain! The line-up included Procol Harum, Iron Butterfly, Eric Burdon and the Animals, Deep Purple, the Grass Roots, Canned Heat, Creedence Clearwater Revival, and many more. This poster is in NM condition and measures 19" x 25".
Steppenwolf/Santana/Grateful Dead Fillmore West Concert Poster BG-134 (Bill Graham Presents, 1968). This incredible poster is most likely the best known of all artist Lee Conklin's many Fillmore efforts. The "Lion's Head" design (which is really made up of human faces and other body parts) was adapted as the front cover for Santana's debut album, and this poster remains very popular with collectors -- even nice examples of the second printing, which this copy is, go fast. Other acts mentioned on this poster are the Staple Singers, Preservation Hall Jazz Band, and the Sons of Champlin. The poster measures 14" x 11", and is in Near Mint condition.
Santana Soundproof Productions Avalon Concert Poster (1969) One of the toughest-to-get posters from the Soundproof Productions shows at the Avalon Ballroom. Fewer than 500 were printed of this poster by Underground Comix publisher Rip Off Press. Other than slight print lines this poster grades NM. Joining Santana at this show were the Sons of Champlin. This poster measures 14" x 17".
Santana Rockarama Concert Poster (Soundproof Productions, 1969). An incredible poster for a five day event at San Francisco's Avalon Ballroom by Soundproof Productions. The Avalon Ballroom is best know as the home to Family Dog Presents; however, when they moved to Playland At The Beach in 1969, Soundproof took over putting on concerts at this venue. Over the course of the week people enjoyed sets from Santana, It's A Beautiful Day, Ace of Cups, Linn County, Clover, the Youngbloods, Alice Cooper, and nearly 20 other bands. The art to this poster is provided by Underground comics legend Gilbert Shelton. In NM- condition; this scarce poster measures 14" x 17".
Seattle Pop Festival Poster (Boyd Grafmyre Productions, 1969). In addition to Woodstock, the summer of 1969 included this three-day rock concert and festival, held at the Gold Creek Park in Woodinville, Washington. Over 50,000 people attended, enjoying a line-up that included Led Zeppelin, Santana, the Byrds, Spirit, the late Tim Buckley, Chuck Berry, Flying Burrito Brothers, Eric Burdon, Ike and Tina Turner, the Guess Who, and lots more. This promotional poster is short on flashy graphics, but the line-up more than makes up for it! The poster measures 10" x 24.25", and is in Very Good condition.
Ronnie Spector Traxx Handbill Production Art (Traxx, 1982). Ronnie Spector has had one of the most enduring careers of all female performers. From classic "Girl Group" frontwoman to a solo career that has spanned decades, Ronnie has earned critical acclaim from fans, press, and peers alike. This is the original production art by Gary Grimshaw for a newspaper ad and handbill promoting a 1982 show in the Motor City. Overall size of this piece is 5.5" x 9".
Bruce Springsteen Bottom Line Concert Poster (Columbia Records, 1975). The phrase "The Boss is Back" began right here. After the merely moderate success of his first two albums, Bruce Springsteen really made things right, beginning with this historic set of shows at New York's Bottom Line club. According to those who were there (or heard it via radio broadcasts), the magic happened, and a revitalized Springsteen wowed the crowd with selections from his yet-to-be-released third LP, "Born To Run." Here's a great poster for that special engagement, featuring the Boss with his back turned, and his Fender Telecaster slung low over his shoulders, ready to hit the road running. The poster measures 28.75" x 42.25", and is in Very Good condition.
Screaming Lord Sutch Torquay Concert Poster (1962). David Edward "Screaming Lord" Sutch is a very English oddity in the entertainment business. He has been referred to as a musician, a politician, and a maverick. Taking his inspiration from American R&B performer Screamin' Jay Hawkins, Sutch began his career in 1962, releasing singles produced by legendary UK producer Joe Meek and others. HIs biggest early hit was "Jack the Ripper", and he was known for appearing onstage dressed as the notorious killer, thus predating Alice Cooper's "shock rock" style by a number of years. Sutch's 1970 album, "Lord Sutch and his Heavy Friends" was cited in a 1998 BBC poll as the "Worst Album of All Time," despite an all-star backup band featuring Jimmy Page, Jeff Beck, John Bonham, Noel Redding, and Nicky Hopkins. Sutch also dabbled in politics, attempting several unsuccessful runs for a seat in Parliament, before his suicide in 1999. This rare hand-made poster comes from a very early gig. It measures 20" x 19.75", and is in Good+ condition. Cheers to Lord Sutch -- jolly good show, mate!
Texas International Pop Festival Poster (1969). Woodstock Summer produced several notable outdoor Rock festivals, including this star-heavy event, held near Dallas 0n August 31 and September 1, 1969. The line-up included Led Zeppelin, Crosby Stills Nash & Young, Janis Joplin, Canned Heat, Ten Years After, and some less-common acts like Nazz, Rotary Connection, and Incredible String Band. This is the earlier of two posters produced for this event; a second poster listed more acts and had a different layout. This colorful poster was folded, but has been professionally framed with special acid-free backing and UV glass, and looks beautiful. Overall, it grades Very Good, and measures (with the frame) 26.5" x 20".
Traffic Hofheinz Pavillion Concert Handbill (Sonic & Ames Productions, 1971). Another tough to find handbill. While it is the same color and image as the poster, it was printed on a much thinner stock. As a result, very few of these handbills survived. Also on the bill were Mountain and Mott the Hoople, on their first US tour. In VG+ condition due to tape stains, this handbill measures 9" x 11.25".
Tribute To Chet Helms Signed Lithograph #95/350 (1994). Though not a household name to everyone, Chester Leo "Chet" Helms was probably one of the most important men in the history of Rock and Roll. Born in California, he was raised in Texas where he met a young Janis Joplin, whom he would later introduce to a band he was managing -- Big Brother and the Holding Company. Chet helped a young promoter named Bill Graham get his first dance hall permits. He was also the driving force behind the "Summer of Love" free concerts in Golden Gate Park. Since the 1970s, Chet had been battling hepatitis and in 1994, he needed major surgery. The SF bands stepped up, played for free, and helped Chet pay his bills. This numbered litho was also a fundraiser for that event. The line-up included Steve Miller, Big Brother, Gregg Allman, Lee Michaels, Country Joe, Ken Kesey, and too many more to mention! Signed by artist Alton Kelly, this Mint litho will look great on your wall. Overall size is 20" x 30".
Hot Tuna "Live Tuna" Promotional Poster, Signed by the Artist and Jorma Kaukonen (1977). Guitarist Jorma Kaukonen and bassist Jack Cassidy left their original band, Jefferson Airplane, in the early '70s in order to play their own style of Blues and Rock, and have been at it ever since. Here's a very colorful poster that combines two images by cartoonist Ken Pisani, created for an album recorded live at New York's Paladium. The poster has been signed twice, once by Jorma (who signed only by his first name), and again by the artist (as "Kenny" Pisani). The poster measures 17.5" x 29", and is in Near Mint condition.
Randy Tuten-designed Fillmore West Concert Poster, Group of 2 (Bill Graham Presents, 1969) Longtime poster artist Randy Tuten supplied the graphics for two Bill Graham posters. First, BG-158, featuring Chuck Berry and Mike Bloomfield, plus Tuten's steaming hot image of a hamburger. The poster measures 14" x 21 1/16"; other than a slight printing error (smearing a bit of the magenta ink along the left side of the poster), it's in Near Mint condition. Next, a copy of BG-177, starring the Byrds, Pacific Gas & Electric, and Joe Cocker and the Grease Band. It measures 14" x 21.25", and is in Near Mint condition. Two great-looking posters.
Bobby and the Midnites/Stevie Ray Vaughan and Double Trouble Manor Downs Concert Mini Poster (1982). This sharp-looking mini-poster, produced by the photocopy method, highlights an early Stevie Ray Vaughan Austin, Texas performance. The headlining band starred Bob Weir of Grateful Dead fame, along with Billy Cobham and other noted players. The poster is black on goldenrod stock, and measures 8.5" x 14". In Near Mint condition.
Velvet Underground Trauma Handbill (1967). They were still being billed as "Andy Warhol's" Velvet Underground on this incredibly cool handbill, which is just dripping with psychedelic lettering and trippy flowers. It's printed in odd shades of purple and rust on textured goldenrod stock, and also includes plugs for shows by Boston's Beacon Street Union and San Francisco's Wildflowers, all appearing at the Trauma Room in Philadelphia. All vintage Velvet Underground paper is hard to find, and this tough little jewel will be a highlight of someone's collection. It measures 6.25" x 8" and is in Very Good+ condition. It's a beauty -- like Venus in Furs!
Velvet Underground Avalon Ballroom Concert Poster FD-142 (Family Dog Presents, 1968). Proof that San Francisco shows had crazy line-ups. Famed "junkie rockers" the Velvet Underground were joined onstage by "bluesman" Charley Musselwhite and "psychedelic rockers" Initial Shock. Near the end of the Family Dog's run at the Avalon, this poster is pretty tough to come by. Measuring 14" x 20" this poster grades NM- due to a quarter-inch tear in the top.
Kitty Wells Veterans Memorial Coliseum Concert Poster (Smokey Smith Presents, 1959). A beautiful copy of this "Grand Ole Opry" tour poster. Besides Ms. Wells, the show also featured David Houston, Johnny Wright, Bill Phillips, and Ruby Wright [sic]. In NM/MT condition; this poster measures 14" x 21.75".
The Who Fillmore Concert Poster BG-68 (Bill Graham Presents, 1967). A wild purple on orange image of swirling heads and spheres frames artist Bonnie McLean's psychedelic lettering on this great Who poster. Opening the show was Oakland-based Rock/R&B combo Loading Zone. This poster measures 14" x 22", and is in Good condition, with tape in all three corners.
The Who Fillmore/Winterland Concert Poster BG-108 (Bill Graham Presents, 1968). Lee Conklin's surrealistic image of humanoid "butterflies" (with ears in place of wings) makes for one of the more memorable posters from this series. Opening the show was jazz legend Cannonball Adderly and New York band the Vagrants, featuring guitarist Leslie West. The Vagrants were known as the first band to destroy their instruments at the end of their show, a gimmick soon picked up by the Who -- maybe at this show! This is a second printing poster, measuring 14" x 21", and in Very Good+ condition.
The Who Top Rank Suite Concert Poster (1971) This down 'n' dirty black on white poster was prepared in a hurry, for a small venue show that had no advance warning. It was actually rushed through the day before the event, which explains the rough, "on-the-fly" appearance. As a result, these Who posters are a tough find. It measures 20" x 30.5", and is in Very Good+ condition.
The Who "Wolf Man" Munich Concert Poster (1972). This rather hairy design (by artist Gunther Kieser) was used for several dates on the Who's 1972 tour of Germany. This particular poster is for the September 20 show at the Deutches Museum Kongresshalle, and this large size (23.25" x 33) version is considered very rare. The poster is in Near Mint- condition, ready to put up on your wall to scare away unwanted guests.
Woodstock Festival Original Poster (Woodstock Music & Art Fair, 1969). All together now -- "...By the Time I Got to Woodstock..." That little ol' three days of peace and music event set a vibe that can still be felt, some 35+ years later! The line-up of talent was, of course, phenomenal: Janis. Jimi. Sly. Crosby, Stills, Nash and (for the first time) Young. The Dead. The Who. The Band. And on and on. This poster is the rare large-format pre-concert first printing from the original promotion for the show, not a later, after-the-fact edition. It measures 24" x 36.5", and is in Very Good+ condition. This is the Arnold Skolnick-designed poster from the event that shaped a generation, and while other music festivals may come and go, there will never be another quite like it.
Yardbirds/Country Joe and the Fish "One Sunday Afternoon" Fillmore Concert Poster BG-33 (Bill Graham Presents, 1966). The history of the Yardbirds is a story of three fabulously talented guitarists: Eric Clapton (who left the band after their first hit single, "Heart Full of Soul"), Jeff Beck, and Jimmy Page. For a brief period, both Beck and Page were in the band at the same time, but a rivalry developed between the two, and by late October, Beck was gone. This first-printing poster comes from the end of that final Beck/Page tour, and features a classic photo of the five-piece band. It measures 14" x 20", and is in Very Good- condition.
The Yardbirds Lima, Ohio Concert Poster (1966). The "dream" line-up of this famous band is pictured here, featuring both Jeff Beck and Jimmy Page, the same line-up that appeared in the cult classic film Blow-Up. In a very short time, Beck would split to form his own band (with Rod Stewart and Ron Wood), while Page would helm the 'Birds through one final album before assembling his next outfit, Led Zeppelin. Small club date posters like this are always tough to come by. It measures 11" x 17", and is in Very Good condition, with a few small stains being the only distraction.
Youngbloods Avalon Concert Poster, Signed by Rick Griffin (Sound Proof, 1969). Zap Comix fans, take note! Here's a classic "Flying Eyeball" image by that Zap man himself, the late Rick Griffin. Snakes, skulls, a Hopi mask -- all the great Griffin graphic elements are in place, including a specially added signature in gold ink. The concert lineup also included Lee Michaels and Screamin' Jay Hawkins. The poster measures 21.75" x 14", and is in Very Good+ condition.
Neil Young Köln - Tanzbrunnen Concert Poster (Marek Lieberberg, 1993). Neil Young was enjoying a bit of a resurgence in popularity back in 1993. Not that his most loyal fans were anything but that; however, with the release of Harvest Moon in October 1992, oldtime fans who strayed found themselves back in the Young camp, turned on by Neil's return to the style of music he made famous back in 1972, on his classic Harvest album. This large poster, from a German concert date, uses the silhouette image of the singer also seen on Harvest Moon, and lists Booker T. and the M.G.'s as the opening act. The poster measures 23.5" x 33", and is in Near Mint- condition.
Session 2
Beatles "Please Please Me"/ "From Me To You" Rare Promo Picture Sleeve Vee-Jay 581 (1964). This rare promo sleeve boldly pronounced "THE RECORD THAT STARTED BEATLEMANIA". There is tape on all three sides, and the record is not included -- still, this is a much sought-after bit of Beatledom that you really should have. Really! Condition: VG 4.
Beatles "I'll Get You" One-Sided Promo 45 Swan 4152 (1964). Rare promo copy has black print on a white label, with the message "Don't Drop Out". Condition: NM 8. From the GRT Collection.
Beatles "Cry For A Shadow"/ "Why" Promo 45 MGM 13227 (1964). Recorded in 1962 and largely ignored at the time in the US, MGM rushed the re-release in 1964 as Beatlemania was breaking. Shown as by "The Beatles With Tony Sheridan". Condition: MT 9.
Beatles "Can't Buy Me Love"/"You Can't Do That" 45 and Picture Sleeve Capitol 5150 (1964). The second Capitol Beatles picture sleeve is the rarest. The A-side was one of their #1 singles in 1964. Condition: VG 5/ VG-EX 6.
Beatles Picture Sleeve Group of 3 (Capitol, 1965). Very nice picture sleeves and discs from 1965: "Eight Days A Week"/ "I Don't Want To Spoil The Party" (Capitol 5371) in NM 8/ NM 8; "Yesterday"/ "Act Naturally" (5498) in NM 8/ EX 7; and "We Can Work It Out"/ "Day Tripper" (5555) in EX 7/ NM 8.
Beatles Picture Sleeves Group of 2 (Capitol, 1965-67). Two very nice picture sleeves and discs: "Ticket To Ride"/ "Yes It Is" (Capitol 5407, 1965) in NM 8/ EX 7, and "Hello Goodbye"/ "I Am The Walrus" (Capitol 2056, 1967) in NM 8/ NM 8.
Beatles 45 Picture Sleeve Group of 3 (Capitol, 1965-66). More of the good stuff -- here are three Near Mint picture sleeves and records from 1965-66: "Help!"/ "I'm Down" (Capitol 5476, 1965); "Nowhere Man"/ "What Goes On" (5587, 1966); and "Paperback Writer"/ "Rain" (5651, 1966), all in NM 8/ NM 8.
Beatles 45 Picture Sleeve Group of 3 (1967-70). Three superfine picture sleeves and records, including "Strawberry Fields Forever"/ "Penny Lane" (Capitol 5810, 1967) in NM 8/ NM 8; "The Ballad of John and Yoko"/ "Old Brown Shoe" (Apple 2531, 1969) in EX 7/ EX 7; and "The Long and Winding Road"/ "For You Blue" (Apple 2832, 1970) in NM 8/ EX 7.
Beatles "All You Need Is Love" Promo 45 Capitol 5964 (1967). Just four promo Beatles singles were released by Capitol, including this #1 hit b/w "Baby You're A Rich Man". The label has a sticker stain and a sticker on the "A" side. The vinyl itself is in MT 9.
Beatles "Hello Goodbye" Promo 45 Capitol 2056 (1967). Capitol only released four Beatles promo 45s, and they were the last four singles released by the label (Apple was on its way...). These promos are rarely found in high grade, because they invariably got heavy radio play. The "A" side held the #1 position on Billboard's Hot 100 for three weeks. B/w "I Am The Walrus". Condition: VG-EX 6.
Beatles "Lady Madonna" Promo 45 Capitol 2138 (1968). Rare promo record in really rare condition. Condition: NM 8.
Beatles Fan Club Christmas Flexi With Picture Sleeve (1963). This flexi contains a special message from the Beatles to their fans at Christmas, and was the first in a series that continued through 1969. This one came with a gatefold sleeve with fan club information printed on the inside. Condition: NM 8/ NM 8.
Beatles Fan Club Xmas Record Set (1964). The second in a series that continued until 1969 included a 45 flexi-disc, two-sided photo, and cardboard picture sleeve. Condition: VG-EX 6/ VG-EX 6.
Beatles Fan Club Christmas Record (1965). Flexi-disc, cardboard picture sleeve, and insert from the group's series of Christmas messages on flexi-disc. From 1965, this is the third in the series. Condition: EX 7/ VG-EX 6.
Beatles Fan Club Xmas Record (1966). The fourth in the series that began in 1963 and ended in 1969, this is a flexi-disc and picture sleeve, "Pantomime - Everywhere It's Christmas". And this copy's really nice. Condition: NM 8/ NM 8.
Beatles Complete Set of Xmas Fan Club Flexi-Discs (UK, 1963-69). There are seven discs in this UK set, and it's tough to find 'em all. The earliest one from '63 came with a gatefold cover. There is some yellowing of the gatefold cover, but what a fab piece! It's in VG 5/ EX 7 condition. The other six flexi-discs came with picture sleeves and with Fan Club inserts, except for 1968 (no insert). All covers 1964-69 are in NM 8, except 1964 in EX 7. The discs are all in NM 8, except 1968 in EX 7.
"The Beatles Singles Collection" Sealed Box Set Parlophone 0001 (UK, 1982). Box contains all the UK 45 releases with picture sleeves. That makes the collection unique because of all the original releases, only "Strawberry Fields" and "Let It Be" came with picture sleeves. This box set was imported from the UK for Capitol Records - EMI of Canada Limited. Condition: Still sealed.
Beatles Picture Disc Group Of 22 Parlophone (UK, 1982-90) Beatles complete picture disc set. Each disc was released 20 years after the original record in commemoration. Condition: MT 10 (all).
Beatles "Ob-La-Di, Ob-La-Da"/ "Julia" Uncut Clear Vinyl 45 Capitol 18900 (1987). An uncut 1987 clear vinyl "For Jukebox Only!" 45 pressing. Condition: NM 8.
Beatles and Others Italy-Only 45 Four Pack Apple (1968). Rare package that featured four early Apple recordings and came in a special fold-out package. Included was a white label interview with the Beatles, plus three records from new artists: the Iveys (later known as Badfinger) with "Maybe Tomorrow"/ "And Her Daddy's A Millionaire"; Jackie Lomax's "Sour Milk Sea"/ "The Eagle Laughs At You"; and Mary Hopkin with "Those Were The Days/ "Turn Turn Turn". Condition: VG 5 (sleeve)/ VG-EX 6 (records).
John Lennon "Happy Xmas (War Is Over)" Promo Group of 2 (1975/1982). Two 12" promos include a white vinyl copy (Capitol SPRO-9894) that was sold through Radio XL-102 and on WTVR (CBS) TV in Richmond to raise money for the Central Virginia Food Bank. Our copy is #1611 of a limited 2000 produced. The version is from Lennon's 1975 Shaved Fish album. Condition: EX 7/ MT 9. The other promo copy produced for radio play was from The John Lennon Collection on Geffen Records and was backed with "Beautiful Boy (Darling Boy)" (Geffen PRO-A-1079). Condition: EX 7/ EX 7.
George Martin "Ringo's Theme" Promo 45 Picture Sleeve and Record United Artists 745 (1964). The Beatle's longtime arranger/producer released these instrumental sides from the soundtrack of the boys' first movie, A Hard Day's Night. This is a white label promo copy. B/w "And I Love Her". Condition: EX 7/ EX 7.
Beatles "Souvenir Of Their Visit To America" EP Vee-Jay 903 (1964). This is a nice copy of the group's first US EP which included "Misery", "Taste Of Honey", "Ask Me Why", and "Anna". Condition: NM 8/ MT 9. From the GRT Collection.
"Four By The Beatles" EP Capitol 2121 (1964). The Beatles' first Capitol EP included "Roll Over Beethoven", "This Boy", "All My Loving", and "Please Mr. Postman". Condition: EX 7/ EX 7.
Beatles "4-By The Beatles" EP Capitol 5365 (1965). The Fab Four's second commercial EP for Capitol featured songs from their "Beatles '65" album: "Honey Don't", "I'm A Loser", "Mr. Moonlight", and "Everybody's Trying To Be My Baby". The sleeve of this copy is particularly nice. MT 9/ EX 7.
The Beatles EPs Collection" Box Set Parlophone 14 (1981) Complete set of all UK EPs and the double Magical Mystery Tour EP with book. Plus a stereo EP that was only issued in this box set, which included "Inner Light", "Baby You're A Rich Man", "She's A Woman", and "This Boy". Condition: EX 7 (box)/ MT 10 (records.
"Introducing The Beatles" Rare Stereo First Version LP Vee Jay 1062 (1964). One of the rarer versions of this album has the original song lineup with "Love Me Do" and "P.S. I Love You". "Stereophonic" is emblazened across the top of the front cover, and it has the ad back cover. This has the black label with the oval Vee Jay logo. Fantastic disc, except a scratch on the first two tracks on Side 2; otherwise, would grade NM 8. Condition: EX 7 (cover)/ VG-EX 6 (record). From the GRT Collection.
"Introducing The Beatles" "Stereo LP Vee Jay 1062 (1964). So many versions of this great album! You must have them all! This version has "Please Please Me" and a gold STEREO sticker on the cover. It has the black label with silver letters and Vee-Jay logo. Condition: EX 7/ VG-EX 6. From the GRT Collection.
"Introducing The Beatles" Rare Ad Back Cover LP Vee Jay 1062 Mono (1964). We never tire of listening to the younger, more raw sound of these pre-Capitol gems. "Sturino" written in top left corner of back cover and some wear on all four corners of cover. Black rainbow label with Vee-Jay in circle. Small tape tear on black part of label and colored in with a black felt pin. Condition: VG-EX 6/ VG-EX 6. From the GRT Collection.
"Introducing The Beatles" Promo LP Vee-Jay 1062 Mono (1964). This copy of the album that, along with Capitol's first Beatle release "Meet The Beatles" set the Rock world on its ear in 1964, is the variant that has "Please Please Me" and "Ask Me Why." No big deal there - but what is a big deal is that this is a promo copy with "D.J. COPY NOT FOR SALE" stamped on the back cover. We've never seen another like it! The record is a near perfect copy. Condition: EX 7/ MT 9.
"Introducing The Beatles" Stereo LP Vee-Jay 1062 (1964). "Please Please Me" version with white stereophonic sticker on front cover. Back cover has "4" printed in top right corner. Black rainbow label with white Vee-Jay brackets. Condition: EX 7/ EX 7. From the GRT Collection.
"Introducing the Beatles" Stereo Title Back LP Vee-Jay 1062 (1964). The selections had been recorded as early as two years prior, and Vee-Jay had already lost out to Capitol for the rights to record new music. Not as big as Capitol's newly-recorded "Meet The Beatles", which really propelled Beatlemania in the US, "Introducing" debuted one week after "Meet the Beatles" and had to be content with peaking at #2, holding that position for nine weeks and charting for 49 weeks in all. "Stereophonic" is shown at the top of the front cover; the Vee-Jay label is black with a color band, "VJ" in brackets. "Please Please Me" and "Ask Me Why" are included; and it's the "title back" version. There is writing in ink and some minor staining present on the back cover, but the disc is close to perfect. Condition: VG-EX 6/ NM 8. From the GRT Collection.
"The Beatles & Frank Ifield On Stage" Portrait Cover Mono LP Vee-Jay 1085 (1964). Just four Beatles songs on this 12-song album, and two had already appeared on "Introducing the Beatles", but the album, which was originally issued with another cover, is one of the most sought-after by avid Beatles aficionados. Not as rare as the stereo version; still, only serious bidders need apply! Other than a split seam at bottom center, the cover is nice. The record is is great shape. Condition: VG-EX 6 / EX 7.
"The Beatles And Frank Ifield" Old Man Cover Mono LP Vee-Jay 1085 (1964). The strange combination was just another way Vee-Jay dreamed up to salvage something from their too-short relationship with the Mopheads. Condition: EX 7/ VG-EX 6. From the GRT Collection.
"Songs, Pictures And Stories Of The Fabulous Beatles" LP Vee Jay 1092 (1964). This was essentially "Introducing The Beatles" with gatefold cover, additional photos, and bio info. Solid black label with VJ logo, sans oval and sans brackets. Condition: EX 7/ MT 9.
"The Beatles With Tony Sheridan and Guests" Mono LP MGM E 4215 (1964). In 1964 after Capitol signed the Beatles, they became overnight successes in the US - sort of. "Overnight" in the sense that the first US Capitol album release "Meet The Beatles" swept the country, quickly rising to the top of the charts. But that came after other, earlier US releases on Decca and Vee-Jay had languished. When Beatlemania began in earnest, MGM packaged the Decca recordings and enjoyed some success with these earlier recorded songs. Condition: EX 7/ NM 8.
"Meet The Beatles" Sealed LP Capitol 2047 Stereo (1964). The Beatles first record on Capitol Records still sealed. This 1964 hit stayed on the charts for 71 weeks. Condition: Still sealed.
Beatles "Balanced For Broadcast" Promo LP Capitol 2537 (1964). Whenever we see "Beatles" and "1964" together we get excited. It's the first promo of the Beatles on Capitol Records! Well, not exactly all Beatles. This Capitol sampler was issued in February 1964 and sent to radio stations to promote various Capitol stars' latest releases. The backliner explains that the selections had been "arranged in a sequence which will enable you to present an entire side at a time." On the sampler were Peggy Lee, Nat King Cole, Freddie Martin, Frank Sinatra, Wayne Newton, and others... including, buried on Side 2, just before a cut from the comedy team of Len Weinrib and Joyce Jameson, a new group named the Beatles, who had a new Capitol album, Meet The Beatles. Excerpted from that album on this collection were "This Boy" and "It Won't Be Long". You want more? There's a cut from Rockabilly queen Wanda Jackson here as well. Condition: EX 7/ MT 9.
Beatles "A Hard Day's Night" LP United Artists 3366 (1964). First pressing of the original motion picture soundtrack of "A Hard Days Night" in high fidelity, with "I Cry Instead" on the label. Condition: NM 8/ MT 9.
Beatles "A Hard Day's Night" Soundtrack LP United Artists 3366 Mono (US, 1964). From a chart success perspective, this was the Beatles' second-biggest album of all, surpassed only by "Sgt. Peppers". This mono, black label version lists the song "I'll Cry Instead" as "I Cry Instead" on the back cover. Condition: EX 7/ NM 8. From the GRT Collection.
Beatles and Tony Sheridan "This Is Where It Started" LP Metro 583 Stereo (1964). Included here are four songs from the tandem of the Beatles and Tony Sheridan: "My Bonnie", "Cry For A Shadow", "The Saints", and "Why", plus two solo songs from Sheridan and four by the Titans. The original mono cover has been 'revised' by a "STEREO" sticker in the top right corner. Still has the shrink wrap. Condition: NM 8/ MT 9.
"Beatles '65" Mono LP Capitol 2228 (1965). The Beatles' fourth US album on Capitol isn't usually mentioned in the same sentence as their greatest all-time, probably because it was cobbled from songs on other British releases and not really an album 'concept' (the other early US releases suffer from the same argument), but as a collection of great tunes, it still ranks as a great album. And our copy is one sensational copy. Short of a sealed copy, you'll be hard-pressed to find one in nicer condition. Condition: NM 8/ NM 8. From the GRT Collection.
Beatles "Yesterday And Today" Second State Butcher Cover Capitol T2553 (1966). So you have a GM-MT 10 T-2553 record with no "Butcher Cover" to put it in? Here's your solution: a Second State cover of the Beatles' infamous, original release. There is some creasing at the bottom right corner, a 1" split along the bottom right corner, and some staining on the back. Condition: VG-EX 6.
Beatles "Yesterday and Today" 3rd State Stereo Butcher Cover Capitol 2553 (1966). Oh, those jokesters! Doll parts and raw meat! Not so funny, opined a large percentage of the relatively few who saw it before Capitol higher-ups decided the cover was an ill-conceived idea. So, Capitol hurriedly selected an alternate cover (the "Trunk" cover), and withdrew the Butcher Cover, in some cases slapping the new cover right on top of it. That's what happened here, but the outer cover has been cleverly removed to reveal the dastardly Butcher Cover once again for we aficionados who appreciate a twisted concept when we see one! The Stereo versions is much rarer than the rare-in-its-own-right Mono version. There is some minor wear on the cover: at bottom right around Ringo, on John's left knee, on the doll head in Paul's lap, and along the spine. Condition: VG 5/ VG-EX 6.
Beatles First State Stereo Butcher Cover Prototype Art Proof. A one-of-a-kind art proof produced by the Capitol Records art department, this is the rarest of all forms of the infamous "butcher cover." It features a stereo first state art slick pressed on a blank album cover, with no slick on the back side. The cover edges and back display a little yellowing and some very minor wear along the top edge, but is in otherwise Excellent condition. An extremely rare item.
"The Amazing Beatles & Other Great English Group Sounds" Sealed LP Clarion 601 Mono (1966). The only Beatles song is "Ain't She Sweet", but on three other selections they collaborate with Tony Sheridan. The other six songs are by the "Swallows", five of which were Beatles compositions. The album is still sealed, but has a 4" x 2" piece of plastic missing along the top left corner of the back cover, plus a 1 3/4" plastic split in the bottom right corner, where a very small 0.5" x 1" piece of shrink is also missing. Condition: Still sealed.
Beatles "Beatle-Views" LP Beatle Views 1966 (1966). This 1966 tour interview album is the hardest to find of all the Beatles interview LPs. There's brown tape along all borders of the cover, excepting the record opening side. Condition: VG-EX 6/ VG-EX 6. From the GRT Collection.
Beatles "Sgt. Peppers Lonely Hearts Club Band" Red Vinyl LP Odeon 8163 (Japan 1967). This first pressing red vinyl LP with the hard-to-find OBI. Condition: MT 9/ MT 9.
Beatles "Sgt. Peppers Lonely Hearts Club Band" Mono LP Parlophone 7027 (UK, 1967). This UK copy of the Beatles most famous album has a crease on the back cover, but the disc is as fine a copy as you're likely to find, short of lucking upon a sealed copy. Condition: EX 7/ NM 8.
Beatles "Sgt. Peppers Lonely Hearts Club Band" Sealed Color Vinyl LP Capitol 11840 (Canada, 1977). Still sealed limited edition marble vinyl was released only in Canada. Condition: Still sealed.
The Beatles Sgt. Pepper's Lonely Hearts Club Band Album Cover Production Material (Capitol, 1970s). Arguably their most important album, the Beatles' "Sgt. Peppers" disc remains a favorite for many fans today. This unusual lot includes a full set of four-color film negatives used by Capitol Records to print the front, back, and inside covers, as well as the special cut-out insert included with the album. These come from a later, 1970s-era pressing of the album, and were probably rejected due to the fact that some lines of type were accidentally partially blocked out on the back cover. However, the interior and front cover separations match the printed album perfectly. Also included are a color slick of the interior cover, showing the four Beatles in their Pepper outfits against a bright yellow background, plus a proof print of this image pulled from the four negatives, which has been matted to an overall size of 29.5" x 17". Also included is a proof of the Cut-Out insert. There are 16 pieces of film, plus the three interior prints, all of which are in Very Good+ to Excellent condition.
Beatles "Magical Mystery Tour" Sealed Mono LP Capitol MAL 2835 (1967). The last of the U.S. released Beatles albums to be offered in mono as well as stereo, Magical Mystery Tour had a tough act to follow -- Sgt. Peppers -- and was released just a few months afterwards. But it was a big success, the Beatles' 11th #1 album. The mono version is much rarer, and this sealed copy will send you straight to Strawberry Fields! Condition: Sealed. From the GRT Collection.
Beatles "Magical Mystery Tour" Sealed LP Capitol 2835 Stereo (1967). Released in November 1967. Album is beautifully sealed with no splits. Condition: Still Sealed.
"The Beatles" ("The White Album") LP with Rare Sticker Apple 101 (1968). We have seen this song list sticker before, but we can count on one finger the number of time that happened! The cover has some staining and discoloration, but the two-disc set still has its bonus photos and poster. And the number is 05366460. Condition: VG 5/ EX 7.
Beatles "Yellow Submarine" Sealed LP Apple153 (1969). Half Beatles, half George Martin film tracks, all good fun, and this copy's still sealed! Condition: Still sealed. From the GRT Collection.
Beatles "Hey Jude" Sealed LP Apple 385 (1970). Released soon after the immensely successful "Abbey Road", and containing various singles and album cuts that had not previously appeared on a Capitol or Apple album, one might wonder, "Why?" But, it was the Beatles, after all, and while not one of their biggest, it still managed to hold down the #2 spot on Billboard's Top 200 for four weeks and sell three million copies! The sealed copy has a small tear in the shrinkwrap on the front, but the shrink is otherwise snug. Condition: Still sealed. From the GRT Collection.
Beatles "Hey Jude" Sealed LP Apple 385 (1970). This was the fourth release on Apple Records for the Beatles. Condition: Still sealed.
Beatles "From Then To You" LP Apple 2153 (UK, 1970). The Beatles Christmas Record, 1970. Fan Club issue of the seven Christmas messages from 1963 to 1969, plus the last Christmas message from 1970. Recorded in Mono and was only availible for purchase through the UK fan club. Condition: VG-EX 6 (cover)/ NM 8 (record, except label EX 7).
Beatles "The World's Best" LP SR International 4159 (Germany, 1970). German club issue with orange label. "The World's Best" song selection and cover were only on this release. Cover image was taken from the "Strawberry Fields Forever" video. Condition: VG-EX 6/ NM 8.
Beatles "Golden Hits Vol. 1" Victory 173 (Korea, circa 1970). This was only released in Korea and contains hits from 1964 - 1970, a total of 21 hit tracks. Rarely seen record! Condition: VG-EX 6.
Beatles "A Collection Of Oldies" Test Pressing LP EMI 7016 (circa 1970) Limited test pressing of The Beatles first UK greatest hits release, which included some songs that were only released as singles. Condition: MT 9.
Beatles "Rock 'N' Roll Music" Sealed LP Capitol 11537 (1976). Still sealed two disc set of compilation from 1976. Condition: Still sealed.
"The Beatles At The Hollywood Bowl" Test Pressing LP Capitol 11638 (1977). The music was recorded live in the magic year of 1964; the album was 13 years in the making! The test pressing was sent as a promo to Deejays and reviewers on a very limited basis. It came with a press kit that included an 8" x 10" photo, discography, and bio information. Condition: VG-EX 6/ NM 8. From the GRT Collection.
Beatles "Love Songs" Sealed Gold Vinyl LP Capitol 11844 (Canada, 1977). This 2 disc set is a limited edition gold vinyl, only released in Canada. Has a booklet and embossed leather-like cover. Condition: Still sealed.
"The Beatles" (aka"The White Album") Sealed White Vinyl LP Capitol 11841 (1978). Still sealed limited edition white vinyl two-disc album, released in 1978. Condition: Still sealed.
"The Beatles" ("White Album") Rare Colored Vinyl Test Pressing Capitol 11841 (1978). Gorgeous splash vinyl designs - each of the two discs is different - of the Beatles' huge hit album originally released in 1968. Check our website for larger up-close images. Comes complete with photos and poster. Condition: EX 7 (cover)/ NM 8 (sides 1&2), EX 7 (sides 3&4).
Beatles "Help!" Shell Cover Parlophone 4257 Stereo (Holland, 1979). You just thought your Beatles collection was complete! In 1979 Shell Oil in Holland was about to kick off a campaign called "Shell Helps" which called for booklets on car care and travel tips to be distributed to its customers. To launch the campaign, Shell scheduled a company-wide meeting for its Dutch distributors and store managers. The lucky employees were given a copy of this album, a "Shellified" version of "Help!" Only about 2000 copies were produced, and we have seen only a few over the years. We don't mean to put any pressure on ya, but...(nudge, nudge)... it's a rare opportunity to grab one of those copies in our auction. Condition: VG-EX 6/ MT-9.
"The Beatles" (The White Album) Sealed Original Masters LP Mobile Fidelity Sound Lab (1982). Half-speed mastered release of the two-disc album that ranks as one of the group's most successful and controversial albums. Condition: Still sealed. From the GRT Collection.
Beatles Red Vinyl LP Group of 4 (Japan, 1980s). Mint copies of the Japanese reissue series from the '80s. Included are "Please Please Me", "With The Beatles", "A Hard Day's Night", and "Beatles For Sale", all in glorious mono. Condition: GM-MT 10/ GM-MT 10.
Beatles Red Vinyl LP Group of 3 (Japan, 1980s). Mint copies are good, right? Here's much good in the form of three Mint copies of red vinyl reissues from Japan, including "Help!", "Rubber Soul", and "Revolver". Pressed on virgin vinyl and in mono. Condition: GM-MT 10/ GM-MT 10.
Beatles Red Vinyl LP Group of 3 (Japan, 1980s). More Mint copies from the Japanese red vinyl reissue set from the 1980s. These three are the hardest of the set to find, so they demand your focused perusal! "Sgt. Peppers Lonely Hearts Club Band", "The Beatles" (aka "The White Album"), and "Yellow Submarine" right here in irresistible mono. Condition: GM-MT 10/ GM-MT 10.
John Lennon "Roots" Adam VIII 8018 (1975). The release concept appealed to John Lennon because of his late night viewing of the Adam VIII greatest hits ads on TV. But not getting approval from Apple Records resulted in the stopping of sales of the Adam VIII pressing, and Apple demanded that all existing unsold copies to be destroyed. "Great Rock and Roll Hits" appears on the spine, and the record comes with the original promo insert. Condition: EX 7/ MT 9.
Beatles "Chains" Acetate Screen Gems-Columbia (1962). Screen Gems-Columbia had the publishing rights to "Chains", first recorded by the Cookies in 1962. This 10" one-sided 45 rpm acetate bears a "Screen Gems-Columbia Music Inc." label. Condition: EX 7.
Beatles Test Pressing "Live At The Star Club" LP Lingasong Records (1977). Here are 27 songs by the Beatles caught live in 1962 at Hamburg's Star Club. These two disc test pressings were made in 1977. Check out the discs online for the song lineup! Condition: EX 7 (both discs). From the GRT Collection.
John Lennon "Power To The People"/ "Open Your Box" Acetate Apple (1971). This is a rare first pressing acetate of John Lennon's "Power To The People" clocking at 3:15. Side 2 is Yoko Ono's "Open Your Box", which times out at 3:35. These two sides corresponded to the UK release, but in the US, the B-side to "Power" was "Touch Me".Condition: VG-EX 6.
Paul McCartney "Take It Away" 7-inch Acetate PRT Studios. This 45 rpm one-sided acetate has an alternate take of McCartney's 1982 hit from the "Tug of War" album. This one sounds like it would have been home on the earlier "Wings At The Speed Of Sound" album. Try it! You'll like it! Condition: EX 7. From the GRT Collection.
Piece of Stage from Early Beatles Venue. This 2" x 1" piece of particle board was removed from the large canopy housed the lighting gear over the stage of the Grosvenor Ballroom, a rowdy Merseyside venue known for its dance-floor rumbles. The Beatles played several gigs their in 1960-61, when they were known as the Silver Beetles and comprised of John, Paul, George, Stuart Sutcliffe, and Tommy Moore (and later with Pete Best replacing Moore as drummer). This fragment of the stage was removed in March, 2001, at the start of a planned renovation of the ballroom, and is one of only four pieces known to exist. It is in Excellent condition (for a piece of rubble) and has been matted and framed along with a printed essay on the history of the Grosvenor and three color 5" x 7" photos of the venue, to an overall size of 22" x 22". Accompanied by LOA from PSA/DNA.
Beatles/Joe Brown Show Ticket. This comp ticket is from the July 27, 1962, performance of the "Joe Brown Show," featuring Joe Brown and his Bruvvers, with the Beatles receiving second billing as one of the opening acts. The performance was the first of two consecutive shows promoted by Brian Epstein; at the time Brown held the #3 spot on the charts with the single "A Picture of You," a song the Beatles had also added to their own setlist. The ticket is in Very Fine condition with very minor were to the edges, a few minor spots of discoloration on the front, and nickel-sized adhesive pulls on the back.
Rory Storm's Birthday Night Ticket. Mostly remembered these days as Ringo Starr's bandmates before he joined the Beatles, Rory Storm and the Hurricanes were an extremely popular Merseyside group in the early '60s who played an influential part in getting the Liverpool scene going, and were in fact more popular than the Beatles themselves for a short while. Here is a ticket for Rory Storm's Birthday Night concert at the Tower Ballroom on September 21, 1962, a show that featured performances by the Beatles, Billy Kramer with the Coasters, the Big Three, and Buddy Dean and the Teachers. The ticket is in Very Good condition with moderate tanning, noticeable edge wear, and a few creases.
Beatles/Little Richard Concert Tickets. Two ticket stubs from the Beatles October 28, 1962, performance at the Empire Theatre -- their first appearance at the top theater in Liverpool and their first pop package show. Headlining the show was none other than Little Richard. The stubs are in Very Good condition with moderate wear, creasing, and staining.
Beatles Trinkets and Buttons. This set of Beatles knick-knacks and memorabilia includes rare buttons, trading cards, gumball machine figurines, bubblegum card wrappers, and an unused pass for preview screening of A Hard Day's Night. The items have been mounted and framed to an overall size of 20" x 14" and are in Very Fine to Excellent condition.
The Beatles Odeon Theatre Handbill (1963) Britain's Fabulous Disc Stars! So says this rare handbill advertising shows at the Odeon Theatre in Llandudno, the lovely resort town in North Wales. The Fabs are pictured with cropped head shots, featuring their still-growing Mop Tops. Ringo gets the first and slightly largest picture -- cheeky lad! Appearing with the Beatles was another Liverpool fave, Billy J. Kramer and the Dakotas, plus Tommy Quickly. The handbill measures 5.75" x 10.25", and is in Good+ condition.
Helen Shapiro/Beatles Ticket. A used ticket for a February 2, 1963, performance at the Gaumont Cinema, the opening night of the Beatles' first national tour, at the bottom of a six-act bill headlined by 16-year-old singer Helen Shapiro, who had been voted Best British Female Singer in 1961 and '62. The band's repertoire that night included "Keep Your Hands Off My Baby," "A Taste of Honey," and "Please Please Me." The ticket is in Excellent condition.
Beatles Ticket Signed by Paul and George. A ticket from the band's February 21, 1963, performance at the Majestic Ballroom, inscribed "To Hazel, love from George Harrison" and "Paul McCartney XXX" on the back in blue ink. Chicago radio station WLS placed "Please Please Me" on heavy rotation and paved the way for their American success. Items autographed by the band after this period are difficult enough to find, and this fine sample is in Excellent condition with only slight overall wear and staining to the top and bottom edges on the back, partially affecting Harrison's inscription but neither of the signatures. With COA from PSA/DNA. Accompanied by LOA from PSA/DNA.
Beatles York Concert Ticket Stub. A used ticket to their March 13, 1963, performance at the Rialto Theatre in York, opening for Chris Montez and Tommy Roe. John Lennon was voiceless at the time due to a cold and did not play. In Very Fine condition with some wrinkling and mild wear to the edges and corners.
Beatles York Concert Stub. A used ticket to their March 13, 1963, performance at the Rialto Theatre in York, in support of Chris Montez and Tommy Roe. In Excellent condition with just a little wear and faint discoloration to the edges.
Beatles Liverpool Concert Stub. A used ticket to their March 24, 1963, performance at the Empire Theatre in Liverpool, in support of Chris Montez and Tommy Roe. In Excellent condition.
Beatles, Helen Shapiro, and Tommy Roe Signatures Set. This great set of signatures includes an autograph book page signed John, Paul, George, and Ringo, each very nicely in blue ballpoint, with Paul adding "Beatles" above his signature. The page was signed on March 28, 1963, when the Fab Four played at the ABC Cinema in Exeter, Devonshire, England, while on tour with Chris Montez and Tommy Roe. The page is matted along with two others, one signed by Roe and the other signed by singer Helen Shapiro, (for whom the band served as opening act in what was their first national tour), along with a handbill touting "1962: The Beatles Year of Achievement." The items are in Excellent condition and framed to an overall size of 16" x 15". This lot comes with a LOA from Frank Caiazzo. Accompanied by LOA from PSA/DNA.
Beatles London Concert. A used ticket to their March 29, 1963, performance at the Odeon Theatre in Lewisham, London, in support of Chris Montez and Tommy Roe. In Very Fine condition with a fold crease and some wear to the back side.
Roy Orbison/Beatles Concert Ticket. A used ticket for a June 5, 1963, performance at the Odeon Theatre in Leeds. At the time, Orbison was headlining a European tour with The Beatles, and became lifelong friends with the band, in particular with John Lennon and with George Harrison, with whom he would later record as part of the Traveling Wilburys. During the tour, Orbison encouraged The Beatles to come to the United States, and when they finally decided to do so, they asked Orbison to manage their first tour but his own schedule forced him to turn down the offer. Unlike many American artists, Orbison's style and substance, including one of Rock's greatest voices, allowed him to weather the impending musical storm known as the British Invasion. In Very Good condition with some edge wear and mild staining.
Beatles/Roy Orbison Concert Stub. A used ticket from the June 9, 1963, performance at King George's Hall, the last date in the Orbison-Beatles tour package. In Excellent condition with a very small nick in the upper left edge and very mild corner wear.
Beatles Ticket Stub with Autographs. From a June 22, 1963, performance, with a second piece signed by Paul McCartney, George Harrison, and Ringo Starr in blue ink. The item dates from the period when Beatlemania was gaining momentum; the band would stop doing live concerts in 1966, working together as a group primarily for recording sessions until August, 1969 -- making group-signed items such as this hard to find. In Very Fine condition with mild overall wear. With COA from PSA/DNA. Accompanied by LOA from PSA/DNA.
Beatles Queens Hall Concert Handbill. A very difficult to find handbill for a June 28, 1963, concert at the Queens Hall in Leeds, a show packed by some 3,200 fans. In Very Good condition with some tape stains.
Beatles Winter Gardens Concert Ticket Stub. A used ticket to their July 13, 1963, performance at Winter Gardens in Kent, the last show in a six-night series, in Fine condition with some mild wear and creasing as well as staining to the top and bottom edges. Also included is a handbill for their performance the at the ABC Theatre in Blackpool on the following night, in Fine condition some minor creasing and wrinkling.
Beatles Odeon Theatre Concert Ticket. Ticket for an August 12, 1963, second performance show at the Odeon Theatre in Llandudno, Caernarvonshire, England. In Very Good condition with moderate overall wrinkling and tape pulls on the back.
Beatles Llandudno Concert Stub. A used ticket to the band's August 14, 1963, second evening performance at the Odeon Theatre in Llandudno, Caernarvonshire. The show was part of a six-night, 12-show stint at the venue. In Excellent condition.
Beatles/Dakotas Bournemouth Concert Stub. A used ticket from the Boys' August 23, 1963, performance at the Gaumont Theatre in Bournemouth. In Very Good to Fine condition with light wear and little staining, and moderate wrinkling on the back.
Beatles Preston Concert Ticket. A ticket for their September 13, 1963, performance at the Public Hall in Preston. After this show, Paul McCartney drove 25 miles to the Imperial Ballroom in Nelson to appear on a panel judging the "Imperial Miss 1963" contest. In Excellent condition with minimal wear.
Beatles/Rolling Stones Royal Albert Hall Concert Ticket, 1963. A ticket stub from the "Great Pop Prom" concert at Royal Albert Hall, September 15, 1963 -- the first time the Beatles and the Rolling Stones played on the same bill, what surely must have been one heck of a show. Both bands had settled into their respective classic lineups and were making a name for themselves (although the Beatles were closer to what would be their big breakthrough). Both destined to become major players in the British Invasion, their respective sounds would soon diverge into considerably different realms -- one experimental and introspective, the other more visceral and dark. (As Tom Wolfe put it in 1965: "The Beatles want to hold your hand, but The Stones want to burn your town.") The ticket is in great condition, with a minor amount of discoloration, a little edge wear, and the words "Stones/Beatles" written near the bottom edge in black ballpoint.
Beatles Portsmouth Concert Ticket. From their November 12, 1963, performance at the Guildhall in Portsmouth -- a show that was postponed until December 3 when Paul McCartney came down with a case of gastric flu. The ticket is in Very Fine condition with mild wear and bisecting horizontal and vertical fold creases.
Beatles Juke Box Jury Concert Ticket. A used ticket with detached stub for the Beatles December 7, 1963, appearance by the band on the television show Juke Box Jury, followed by a live performance. Arranged for 2,500 members of the group's Northern Area Fan Club, both shows were broadcast on the same day, one that evening in a special prime-time slot, leaving non-converts to bemoan that BBC actually stood for "Beatles Broadcasting Corporation." Unfortunately for the Beeb, technical difficulties and scant rehearsal time all but ruined both broadcasts. This ticket to the now historic event is in Excellent condition with only a few very minor spots of wear.
Beatles Scarborough Concert Ticket Stub. From their December 11, 1963, performance at the Futurist Theatre in Scarborough. In Very Fine condition with very small creases to the corners and a small tear with hole at the top edge.
Beatles Fan Club Concert Ticket and Vouchers. Includes two official Beatles Southern Area Fan Club notices regarding the December 14, 1963, concert at the Wimbledon Palais Ballroom and an admission voucher for the show, all in Excellent condition, plus a ticket to the show in Good condition with a fair amount of wear. After the show, the Beatles lined up behind the bar and shook hands with the 3,000 fans who filed past.
Vintage Beatles "Flip Your Wig" Board Game. A complete vintage "The Beatles - Flip Your Wig" board game from 1964, complete and in Fine to Very Fine condition with moderate wear to the box and some of the cards.
Rare Photos of Beatles in Dallas with Camera. This set of 23 unpublished b&w 8" x 10" photos was taken by then-16-year-old fan Michael Day during the Beatles' September 18, 1964, visit to Dallas. Day's grandfather worked as a technician for the Associated News, and took his grandson with him to both the press conference and concert at the Dallas Memorial Auditorium. Day was able to speak briefly with Ringo Starr during the conference, and says of the concert: "The noise level from the crowd was so loud that I could feel the floor shaking. There were all different age groups waving their hands and shouting. The excitement was so intense; people were jumping up and down as the Beatles sang." The set includes 16 shots from the band's press conference earlier in the day and seven from their performance that night (including a great photo of screaming Beatlemaniacs in the audience). A large number of Dallas police officers can be seen around the stage, which comes as no surprise since it had been less than a year since the assassination of President Kennedy. Each is in Excellent condition with a very small amount of yellowing along the edges. Also included with the photos are the original negatives, the copyright for these never-before-seen images, the Ricohflex camera Day used to shoot them more than 40 years ago (in Very Fine condition), and a letter of authenticity from Day.
George Harrison Plush Mascot Doll. A 30" George Harrison "Official Mascot Doll" with cardboard guitar, released by Remco in 1964. In Very Fine to Excellent condition with the guitar neck bent in two places and light overall wear.
The Beatles "A Hard Day's Night" Movie One-Sheet Poster (United Artists, 1964). The Beatles' joyful first feature-length movie did much to help melt the hearts of those hold-outs who didn't understand their charms. The lads appear at ease throughout the entire film, and their legendary wit (particularly that of John Lennon) is well showcased, not to mention a handful of their best songs to date. This is an original 27" x 41" poster for the film; while it is folded, it remains in Excellent condition. Be the high bidder on this, and you know you'll feel alright!
The Cavern Membership Booklet, Group of 2 (1964) Beatlemania's "ground zero" was a dark, dank, basement club in Liverpool known as the Cavern, and it was here that the Fab Four began to really make a big splash, after honing their skills in the seedy nightspots of Hamburg. All the "Merseybeat" bands played the Cavern: Gerry and the Pacemakers, the Undertones, the Fourmost, and more; and it was here that a curious Brian Epstein first looked into the band he would manage and direct into world-wide stardom. These two tiny green-covered booklets, one numbered M 10794, the other M 10875, remain in a well-preserved state. The first has a small red ink spot at the edge of the cover, and is signed on the inside by original DJ Bob Wooler and Chris Huston of the Undertakers, while the second has no markings. Both booklets have rust around the staples that has migrated into the interior, and have some light wear along the outer spine area. Average condition is Very Good.
Beatles Brand Nylon Stockings and Ice Cream Packaging (circa 1964) When the Beatles finally hit it big in the United States, everyone wanted to get in on this "next big thing". The Beatles wound up appearing on packaging for every kind of product imaginable. Here are two examples of that packaging -- an unused set of Beatles Nylon Stockings, made by Vroom & Dreesmann, and licensed by NEMS, with photos and printed signatures of John, Paul, George, and Ringo; and a Beatle Krunch Coated Ice Cream Bar package form Hood (not licensed), with line-art drawings of the lads. The nylon package in in Near Mint, and the ice cream package in in Very Good-, trimmed, with the illustration complete and coupon for "Lucky Beatle Coin" intact.
"Meet The Beatles" Record Club Promo Brochure (Capitol, 1964) Here's one of the rarest Beatle items offered in this sale, and something we have never seen until now -- a four-page mini-brochure made for the record club members and dealer promotion, urging them to order copies of the American LP debut from England's hot new hitmakers."You've read about them in Time, Newsweek, the New York Times... You see them on the Ed Sullivan and Jack Paar shows and on the Walter Cronkite and Huntley-Brinkley news broadcasts, now you can... Meet the Beatles!" Printed in light blue and black, this 5" x 8" booklet opens up to reveal mis-identified photos of the lads, with John and George's photos switched -- we suppose all long-haired young men looked alike to Capitol's art staff! Incredible! Even more astounding is the back page, which is completely devoted to an ad for the then-current Al Martino album, "Painted, Tainted Rose", Capitol's way to hedge their bets in case the Fab Four turned out to be a flop! Other than a very minor, quarter-inch separation of the pages along the bottom seam (which actually appears to be slightly mis-cut, rather than from wear and tear), the brochure is in Near Mint- condition.
Beatles Wembley Arena Concert Ticket, 1964. Ten thousand fans attended the Beatles' April 26, 1964 show at the Wembley Sports Arena, at which they received the 1964, Poll Winners Award from New Musical Express music magazine. (The award was presented to them by future James Bond actor Roger Moore, who at the time was starring in the popular TV series The Saint.) This used ticket to the show is in Excellent condition, with small tape stains to the top and bottom edges and just a little bit of wear and tanning.
Beatles Melbourne Concert Ticket Stub. A used ticket from their June 17, 1964, performance at the Festival Hall in Melbourne, Australia. The show was the last in a three-day stint and was taped and later broadcast by Australian Channel 9. Ringo had re-joined the band at this point after being sidelined by illness and temporarily replaced by Jimmy Nicol. The stub is in Very Good condition with moderate wear.
Beatles Town Hall Reception Ticket and Invitation, 1964. Here are a ticket and invitation to the July 10, 1964, reception that welcomed the Beatles back to Liverpool after their Australian Tour. The reception was held at the local town hall in their honor in the early evening, and followed by the local premiere screening of A Hard Day's Night, which helped further cement the band's overwhelming popularity. Both items are in Excellent condition.
Beatles London Palladium Concert Ticket. Used ticket to the Beatles' July 23, 1964 "The Night of a Hundred Stars" midnight revue, an aid performance that benefited the Combined Theatrical Charities Appeals Council. The show featured a number of illustrious celebrities -- including Sir Laurence Olivier and Judy Garland -- and featured a "flying ballet" sketch by the Beatles that involved their being hoisted above the stage, as well as a short musical set later in the evening. The ticket is in Excellent condition, with one small tape pull on the back.
Beatles Swedish Concert Ticket. A used ticket to their July 29, 1964, performance at the Johanneshovs Isstadion in Stockholm. The show was one of four over two nights in the 8,500-seat hockey arena. In Very Fine condition with very slight tearing along the left edge and a vertical bisecting fold crease.
Beatles Atlanta Stadium Concert Ticket. Many of the venues the Beatles played at during the summer of '65 had sub-par sound systems that continually frustrated them and fouled many recordings. That wasn't the case with this (then) new stadium in Atlanta, which featured a set-up that the band raved about for days afterwards. They played for 30,000 fans at this August 18, 1965 performance, and this unused ticket to the show is in Excellent condition.
Beatles Atlantic City Concert Ticket. A used ticket stub from the band's August 30, 1964, performance at the Atlantic City Convention Hall. It was in August, 1964, that the Beatles embarked on their first U. S. tour, a trek that included 32 shows at 26 concerts in 24 cities over the course of 34 days. The ticket is in Fine condition with some water damage to the left and bottom edges and minor wear and creasing, and is enclosed in a protective plastic case.
Beatles Indiana State Fair Concert Ticket. An unused ticket to the 5 p.m. performance on September 3, 1964, one of two that day. In Excellent condition with light wear.
Beatles Kansas City "Extra Show" Concert Ticket. The Beatles had originally planned on resting a bit on September 17, 1964, but wealthy promoter Charles O. Finley approached manager Brian Epstein with a whopping $150,000 offer to add a Kansas City stop to their tour. The Beatles launched into "Kansas City", then segued to Little Richard's "Hey-Hey-Hey-Hey", resulting in such an uproarious reception that the concert was threatened with cancellation if the audience didn't calm down! This unused ticket to the memorable show is in Excellent condition with some very light wear.
Beatles New York paramount Concert Stub. Titled "An Evening with the Beatles," this September 20, 1964 charity concert drew more than 3,600 people. This stub is in Excellent condition with light wear along the right edge.
Beatles King's Hall Concert Ticket Stub. From their November 2, 1964, performance at the King's Hall Balmoral in Belfast, Ireland. The date was originally scheduled as a day of rest for the band, but promoter Arthur Howes squeezed in a late booking for an early evening performance. In Excellent condition with two sets of small staple holes to the left side.
Beatles Metal Lunchbox with Thermos. Produced by Aladdin Industries in 1965, this was the first metal box to use pop music performers. It also featured their embossed 3-D portraits and signatures. There are some minor dents and scratches, and the paint has worn away from the outer edges, but otherwise it's in great condition and a fine specimen of Beatlemania.
Star Club News Magazine, signed by Tony Sheridan (1965) This is a fan magazine, published mainly in German (but including several pages of Liverpool news printed in English), which originates from one of the Hamburg clubs where the Beatles got their early start. Featured on the cover is none other than singer Tony Sheridan, who recruited the Beatles to back him on his now famous "My Bonnie" single. Tony has signed the cover in black marker. Inside, there are pictures of many of the Merseybeat bands and acts, including the Takers (formerly known as the Undertakers), and Cilla Black. In Very Good condition.
"Another Beatles Christmas Show" Ticket Stub. From the January 11, 1965, performance of the Holiday concert series at the Odeon Hammersmith. In Excellent condition with minimal wear.
"Another Beatles Christmas Show" Ticket Stub. From the January 11, 1965, performance of the Holiday concert series at the Odeon Hammersmith. In Excellent condition with minimal wear.
"Another Beatles Christmas Show" Ticket. Used ticket from January 13, 1965, one of the final performances of the "Another Beatles Christmas Show" at the Odeon Hammersmith. In almost Excellent condition with a bisecting fold crease, a few other smaller creases, and mild wear and discoloration.
Beatles "Ed Sullivan Show" Ticket. On August 14, 1965, the Beatles return to the scene of their historic American TV debut on the Ed Sullivan Show and performed "I Feel Fine," "I'm Down," "Ticket to Ride," "Act Naturally," "Yesterday" (sung by Paul to accompanied by a string quartet from Sullivan's orchestra), and "Help!". This ticket from the taping is in Excellent condition with very light wear.
Beatles Maple Leaf Gardens 1965 Concert Stub. Ticket stub from the 8:30 p.m. performance on August 17, 1965, one of two 27-minute shows that day in Toronto. In Excellent condition with light wear to the bottom edge.
Beatles Atlanta Stadium Performance Ticket Stub. Used ticket stub from the group's August 18, 1965, performance at Atlanta Stadium. The show at the brand-new baseball stadium was attended by 33,000 fans -- a decent number that seemed dwarfed by the record attendance at their Shea Stadium gig three days earlier. In Excellent condition with a vertical fold crease and some discoloration to the back edges.
Beatles Sam Houston Coliseum Concert Ticket. Beatlemania was running high during these two shows in Houston on August 19, 1965, and the hot weather didn't help much. This unused ticket for the 8 p.m. performance is in Excellent condition.
Beatles White Sox Park Concert Ticket. After two chaotic sets in Houston the day before, the Beatles flew to Chicago for this August 20, 1965 performance, only to be denied permission to land at O'Hare International Airport due to the feared disruption their presence would cause. (Their stay at the O'Hare Sahara Hotel was disrupted by countless fans who kept the entire clientele awake through the night.) Their shows at White Sox Park were more successful, though, and this ticket to the 8 p.m. performance is in Excellent condition with minimal wear.
Beatles Memorial Coliseum Concert Ticket. Carl Wilson and Mike Love of the Beach Boys and Beat poet Allen Ginsberg were present at this August 22, 1965 show in Portland, Oregon. The concert almost didn't happen, as one of the engines on the Lockheed Electra they were traveling in caught fire shortly before landing, making for a very dramatic entrance indeed. This ticket for the show is in Excellent condition.
Beatles Balboa Stadium Concert Ticket. The Fab Four had a decidedly anti-climatic meeting with Elvis Presley on the night before this August 28, 1965 show in San Diego. (A poor-quality tape of the evening's jam session has long been rumored to exist.) This ticket to the San Diego performance is in Excellent condition.
Beatles Hollywood Bowl Concert Ticket. From their August 29, 1965 performance, the first of two at the venue, attended by 18,000 screaming fans -- one of whom gave birth to a baby boy in the parking lot. This ticket to the show is in Excellent condition.
Beatles Newcastle Concert Ticket Stub. A used ticket from their December 4, 1965, performance at the Newcastle-upon-Tyne City Hall, one of the handful of shows in what would be their last British Tour. In Very Good condition with minor wear to the edges, a bisecting vertical fold crease, and mild to moderate discoloration on the back.
Beatles Birmingham Concert Ticket. A used ticket with separate, matching stub from the Boys' December 9, 1965, performance at the Odeon Theatre in Birmingham -- one of the last few nights of what would turn out to be their final British concert tour. In Excellent condition with a bisecting vertical fold crease and very faint discoloration on the main piece.
Go Go Mania Window Card (American International, 1965). This quickie Rock performance film was titled "Pop Gear" for its original British release, and featured UK disc jockey Jimmy Saville (with the long blond hair) introducing soundstage performances by the Animals, Herman's Hermits, The Nashville Teens, Peter and Gordon, Spencer Davis Group and others, highlighted with a filmed clip of the Beatles. This movie Window Card poster features split-fountain color printing, along with stock photos of young people rocking out and jamming. The poster is beginning to tan along the edges, and has some minor corner damage, leaving it in Very Good- condition.
Beatles German Concert Ticket. A ticket from the Beatles' June 25, 1966, concert at the Grugahalle in Essen, the second of three performances in then-West Germany -- making it the second-to-last show they would play there. In Excellent condition with a very small water stain to the lower left corner and minor wear to the edges and blunted corners.
Beatles Unused D.C. Stadium Concert Ticket. More than 32,000 fans attended this August 15, 1966 show, as did a handful of Ku Klux Klan members who picketed the concert. (Everybody's a critic.) This unused ticket to the event is in Excellent condition with mild overall tanning.
Beatles JFK Stadium Concert Ticket Stub, 1966. Twenty-one thousand people attended this August 16, 1966 performance in Philadelphia, roughly one-third of the venue's capacity. To make matters more frustrating for the band, the show was threatened by a thunderstorm throughout the night. (Fortunately, the rain held off until just a few minutes after the show ended.) This ticket stub is in Excellent condition with very light edge wear.
Beatles Maple Leaf Gardens Concert Ticket. The band played two shows at this venue on August 17, 1965, and John Lennon generated (more) controversy when he sympathized with American draft dodgers during the pre-show press conference. In Excellent condition with some mild discoloration.
Beatles Suffolk Downs Concert Ticket and Handbill. An unused white Grandstand Terrace ticket to the band's August 18, 1966, concert at one of the most unlikely venues of all (mid-center green on a horse-racing course), plus a small handbill advertising the concert, both in Excellent condition.
Beatles Mid-South Coliseum Concert Ticket. The Beatles' appearance in the Deep South aroused a lot of tension (proclaiming themselves "more popular than Jesus" hadn't helped), and the band's arrival in Memphis was met by outraged city officials, religious protesters, and a handful of perturbed Ku Klux Klansmen. Nevertheless, their August 19, 1966, performances were played to almost-full capacity crowds. This ticket from the 8:30 p.m. show is in Excellent condition.
Beatles Shea Stadium Concert Ticket. An unsued ticket for their August 23, 1966, show in New York, one of their last before retiring from live performances to focus exclusively on recording. In Excellent condition.
Ticket Stub to the Beatles' Final Concert, 1966. By mid-1966, the Beatles had gotten their fill of touring, weary of the thousands of screaming fans who drowned out most of their voices and instruments, and still chafed by their recent worldwide tour in which the band's entourage was physically attacked in the Philippines after a perceived snub. A casual remark by John Lennon about the Beatles being bigger than Jesus Christ didn't help either, causing an uproar in the Bible Belt. Here is a used ticket to the band's August 29, 1966, concert at Candlestick Park in San Francisco, a show that would ultimately prove to be their final concert performance. The ticket stub is in great condition, with a couple of light stains, very minor wear to the edges and corners, and light wear to the back side. A nice piece of Pop history.
Beatles "Magical Mystery Tour & Other Splendid Hits" Reel to Reel (Australia, circa 1967). This double-sided stereo tape has 11 tracks. It's an Apple recording released in Australia exclusively, and is quite rare.
John Lennon and Paul McCartney Autographs. Large, bold signatures from John and Paul on the back of a Beatles promo card in blue ink, obtained by a fan during a show at the Floral Hall Ballroom circa 1962-63. The signatures are in Excellent condition and have been matted and framed along with a 5" x 7" color print of Paul Saltzman's photo of the duo during the band's trip to India and a plate reading "The 20th Century's Most Famous Composers," to an overall size of 13" x 23". Accompanied by LOA from PSA/DNA.
John Lennon Signed White Album Cover. Most often referred to as The White Album and released at the height of the Beatle's popularity, their 1968 self-titled LP still stands as one of the major accomplishments in popular music and ranked #10 on Rolling Stone's list of the 500 greatest albums of all time. This particular copy of the album cover was signed on the back quite nicely by John Lennon in red ballpoint. The signature was obtained in May 1975, when Lennon appeared as a celebrity guest host for the Helping Hands Marathon at WFIL Television studios in Philadelphia. Also included is a picture of Lennon signing the album cover, and a letter of authenticity. In Very Fine condition with some mild to moderate discoloration and soiling. Accompanied by LOA from PSA/DNA.
Beatles Yellow Submarine One-Sheet Poster, Signed by Heinz Edelmann, 223/500 (1999). What a wonderful item! The 1968 animated movie Yellow Submarine broke many barriers and expanded the way cartoons were produced. The Beatles of course were again at the forefront of this cinematic magic. This colorful promo from the classic film is fully authorized by Apple Corp. A limited edition of only 500 pieces to commemorate Yellow Submarine. This piece is a low #223 and is hand signed by Heinz Edelmann, the famed artist that designed and created the Yellow Submarine characters. This rare art piece has a print size of 25.75" by 39" and a certificate of authenticity is included. In Excellent condition, framed and ready for display.
The Beatles Apple Films Unused Payroll Check and Yellow Submarine Buttons, Group of 4 (Apple, circa 1969) This large-size payroll check is one of the most colorful Apple items ever, with wild, cartoon-like graphics on a "film-strip" frame of five panels, including the detachable stub. This 10" x 4" National Westminister Bank check, marked #000079, has been matted along with a set of four 2.25" diameter pinback buttons, depicting the four Beatles as they appeared in the animated film, "Yellow Submarine". The mat measures 13.75" x 9.75", and all items are in Excellent condition.
Collection of Beatles Buttons. Set of 55 Beatles buttons, mostly from the 1970s, mounted and framed to an overall size of 20" x 14" and in Overall Excellent condition.
John Lennon "Yoko" Erotic Litho, 139/300 (1970). John's sketches of his wife Yoko Ono represent a side of the beloved artist and singer that few fans know. The highly personal nature of this series means most are rarely displayed. That's a real shame, as these fine line prints are highly stylized, much in the way Picasso's later drawings had pared down everything but the essential lines. Nothing that isn't needed has been added, leaving a very simple, yet direct, portrait of the artist's subject. Lennon has boldly signed the print in pencil. This beautiful fine art litho, generally considered the most popular of the entire series, measures approximately 30" x 22.75", and is framed to an overall size of 33.25" x 26.5". In Excellent condition.
Paul McCartney "Ram" Radio Promos Ram 6210 Stereo (1971). This 12-inch record contained 15 promo spots to be used as intros to tracks played by radio stations from McCartney's second album. Comes with a printed "Dear DJ" letter from Paul and Linda McCartney. Condition: NM 8.
Original Apple Book from Personal Collection of Maureen Starkey. An original copy of The Beatles From Apple Photos and Biographies (1971), a complete history of the band and their catalog published by their label, staple-bound and 72 pages in length. This very rare book is from the private collection of Maureen Starkey, ex-wife of Ringo Starr.
John Lennon and Yoko Ono "War Is Over" Promo Poster (Apple, 1972). John and Yoko's 1972 single, "Happy Xmas (War Is Over)" climbed to the number two spot on the charts. A media campaign accompanied the single in New York, with posters and billboards that were seen all over the city. This is one of the original posters from that campaign, presented in a stark, black type on white background format. It comes our way from a long-time collector who has had this in his possesion since the early '70s. The poster measures 20" x 30", and is in Excellent condition.
The Concert For Bangladesh Movie Insert Poster (20th Century Fox, 1972). George Harrison's epic concert event benefitting the people of war-torn Bangladesh made for one heckuva movie! Appearing with Harrison was an all-star line-up: Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Ravi Shankar, Badfinger, and more. This insert poster measures 14" x 36" and has been folded, with a crease visible through the center; a trademark symbol and the rating box has been marked through in black. Very Good condition
The Concert For Bangladesh Movie Half Sheet Poster (20th Century Fox, 1972). One of the greatest concert films of the last 40 years, the Concert for Bangladesh reunited Beatles George Harrison and Ringo Starr, alongside Eric Clapton, Leon Russell, Bob Dylan, and many more, all for a humanitarian cause. This half-sheet poster measures 27.25" x 22", and is in Very Good condition with minor soiling and staple holes in all four corners.
Paul McCartney Signed Photo. A b&w 6.5" x 8.5" photo of a young McCartney, inscribed "To Dianne Love Paul McCartney XXXX," with "Hello Dianne!!!" added in a word balloon, and signed by the Beatle in black ink. In Fine condition with a heavy horizontal fold crease and moderate wear and soiling around the edges. Accompanied by LOA from PSA/DNA.
The Beatles Tenth Anniversary Poster (1974). Exquisite pen-and-ink drawings of the Fabs as they looked through the years are featured on this seldom-seen 23" x 35" poster. The art is by Keith McConnell. The poster has been folded, and is in Very Good condition.
John Lennon "Rock 'N' Roll" Limited Edition Fine Art Litho Print, 150/2500 (Lenono Music). A classic Hamburg-era photo of John, standing in a doorway in his leather jacket, made up the cover to Lennon's album of favorite Rock 'n' Roll songs. This beautifully produced, authorized litho captures that image, complete with a facsimile signature, in a ready-to-frame print. The image area measures 17" x 17"; and the entire piece is 24.5" x 28.5". In Excellent condition.
Paul and Linda McCartney Signed "Linda's Pictures." A copy of Linda McCartney's 1976 hardbound collection of her photography, inscribed signed by her and Paul on the title page (with a doodle by Paul). The book is in Very Fine condition with mild wear tot he cover and is missing pages 45, 46, and 55-60. Accompanied by LOA from PSA/DNA.
Beatles Rug. Small, 27" x 17" throw rug, circa 1978, featuring the likenesses of John, Paul, George, and Ringo. In Excellent condition with light wear.
George Harrison "Gone Troppo" Store Display Poster (Dark Horse, 1982) The "Quiet Beatle" shines on a large in-store display for his 1982 solo release, Gone Troppo. This colorful poster is on heavy cardboard measuring 23" x 35", and is in Very Good+ condition.
Beatles "Sgt. Pepper" Plush Dolls, Set of Four. Released by Applause in 1987 to celebrate the 20th anniversary of the Beatles' classic Sgt. Pepper's Lonely Hearts Club Band LP, these four 22" plush dolls feature John, Paul, George, and Ringo in their respective costumes from the album's cover. Each is still sealed in the original plastic and is in Excellent condition. Display stands included.
The Beatles Candlestick Park Concert Reissue Poster Signed by Ronnie Spector, 70/200 (Art Rock, 1992). The Beatles performed their last US show at San Francisco's Candlestick Park on August 29, 1966. Opening for the Fabs was Ronnie Spector and the Ronettes, plus the Cyrkle and the Remains. In 1992, Art Rock produced a limited number of high-quality reprints of the original poster for that event, which were signed by Ronnie Spector. This is a beautiful copy of that signed poster, which measures 23.75" x 32.5", and is in Excellent condition.
Linda McCartney "Sun Prints and Platinums" Book. Out of print, twelve-page, spiral bound book from Linda McCartney's 1994 "Sun Prints and Platinums" exhibit at the Gallery for Fine Photography in New Orleans. Contains 36 photographs. In Excellent condition.
Ringo Starr Signed Commemorative Plate Artist Proof. A 10" commemorative plate by Gartlan USA, one of 250 artists proofs, signed by Ringo in silver Sharpie. (A limited edition of 1,000 plates was sold to the public in 1996.) In Excellent condition. Accompanied by LOA from PSA/DNA.
Ringo Starr and His All Starr Band Signed Tour Poster (Roccabella, 1997). From the Ringed One's fourth All Starr line-up comes this cool tour poster, signed by Ringo and horn player Mark Rivera. Other featured players included Jack Bruce, Peter Frampton, Bad Company's Simon Kirke, and Gary Brooker of Procol Harum fame. The poster measures 18" x 24", and is in Very Good+ condition.
The Beatles "White Album" 30th Anniversary Reissue Poster and Advance Copy CD (Capitol/Apple, 1998) The classic double disc was spiffied up for a deluxe CD reissue, with packaging that resembled the original vinyl LP, including miniature copies of the pictures and poster. This group lot includes the in-store promo poster, measuring 20" x 30", and a special pre-release copy of the 2-CD set, in an unfolded "wallet"-style jacket. Of special interest is the discs themselves; rather than on the Capitol or Apple labels, these are special "Abbey Road" imprint CDs! All items are in Excellent condition.
Beatles/MGM Promo Inflatable Guitar. Thirty six-inch inflatable guitar in psychedelic colors, used to promote the release of Yellow Submarine, The Compleat Beatles, Hair, The Last Waltz, Alice's Restaurant, and 200 Motels by MGM/UA Home Video. In Excellent condition.
Beatles "Piggies" Limited Edition Print Signed by George Harrison and Keith West, 196/600 (undated). This museum-quality art print was designed after the classic song "Piggies," written by George Harrison and featured on the Beatles White Album. The piece measures approximately 26" by 33", and has been professionally matted and framed. Only 850 were produced; this is a low #198, and is hand-signed by George Harrison and illustrator Keith West. The glass used in the framing process is Tru-Guard conservative glass with UV light blocking protection. Truly a wonderful item and a classic museum investment piece that will make a nice addition to your collection. In Excellent condition.
Beatles "Long and Winding Road" Gold Disc Award. Crafted for an unknown recipient by the Beatles, this beautiful item features a 10"-square display box that opens to reveal a gold disc for the the single "The Long and Winding Road" on one side and a small plaque reading "Thanks for all your fine work and dedication/The Beatles" on the other. The single was the band's last #1 hit in the U.S., despite its turbulent recording history. A rare item, in Excellent condition.
John Lennon "Double Fantasy" CRIA Gold Album Award. Presented to then-newly formed Geffen Records by the Canadian Recording Industry Association to commemorate the sale of 50,000 copies of Lennon's 1980 comeback album released just three weeks before his death. In Excellent condition, framed to an overall size of 16" x 20".
George Harrison's Beatles Suit Coat, Circa 1963. Between late-1962 and roughly the release of Sgt. Pepper's Lonely Hearts Club Band, D.A. "Dougie" Millings and his son Gordon made numerous suits for the Beatles for stage, screen, photo, and personal use. One such item was this jacket, part of a series of "Chesterfield" suits that were made in various colors for the band following the famous "collarless" design worn up to that point. In the process, they changed men's fashion and the physical appearance of Rock and Roll as we know it. This particular light grey mohair and worsted wool jacket with black velvet top collar and orange diamond acetate lining was custom tailored for George Harrison in 1963. Gordon Millings notes: "This design they wore not only at stage appearances and the 'Royal Command Performance,' but had made for their own street wear." He adds: "The black velvet trim on the pockets and the narrow collar are very significant of that year, and the four-button front fastening was very popular. It is also very unique in the fact of the sleeve detail - a black velvet strap sewn into the bottom of the front with a pearl button applied." The jacket is in Excellent condition with virtually no wear, is signed by Gordon Millings on the lining of the inside pocket, and has outer pockets that are sewn shut - indicating that it was primarily stage worn as opposed to personal use. Included with it are two handwritten letters of authenticity providing a detailed history of the garment by Gordon, three color snapshots of him inspecting the coat and signing the inside pocket, and the paper patterns used to make the garment. A fabulous item.
Stuart Sutcliffe Water Color Presentation. A 5" x 7" watercolor portrait of a female nude figure study drawn by founding Beatle Sutcliffe. The artwork is matted and framed along with a 6" x 8" blue sepia-toned photo of Sutcliffe with George Harrison and John Lennon from their Silver Beatles days, to an overall size of 21" x 16". In Excellent condition.
Stuart Sutcliffe Sketch. Regularly referred to as "The Fifth Beatle" often credited with naming the band, Stuart Sutcliffe was a gifted painter and more interested in art than music. He left the band in late 1961 to study art at the Hamburg State Art College; sadly, he died a few months later of a cerebral hemorrhage at the age of 21. Featured here is an 8" x 10" sheet of drawing paper adorned with a series of abstract ink sketches drawn on both sides by Sutcliffe. Wonderful, rare samples of work by a talent cut short. Accompanied by LOA from PSA/DNA.
Stuart Sutcliffe Sketch. A 4.5" x 7" ink sketch of a female nude figure study drawn by the so-called "Fifth Beatle," whose budding art career was cut short by his untimely death. In Excellent condition, and a rare sample of artwork by an unrealized talent. Accompanied by LOA from PSA/DNA.
Klaus Voormann "Hamburg 60-61-62" Signed and Numbered Litho Print, 122/500. One of the earliest Beatles fans, Klaus Voormann discovered the band during their Hamburg days, back when Stu Suttcliffe and Pete Best were still members. It was Klaus' floppy, banged hairstyle that was adopted by the band, a look that helped define a generation. He's been a bass player for John Lennon and George Harrison, acted in major motion pictures, and written several books, but most know Voormann as an artist. It was his pen-an-ink illustration that graced the cover to Revolver, a landmark Beatles album. This beautiful black and white print explores those early days of the band in Hamburg, as seen through an insider's eyes. John, Paul, George, Pete, and Stu are all pictured on this 16.5" x 16.5" print, signed and numbered in silver ink by Voormann. In Excellent condition.
Bob Dylan "Blowin' In The Wind" Rare Promo "Rebel With A Cause" Sleeve Columbia 75606 (1963). One of the two rarest Dylan picture sleeves is this artifact from 1963. It was a promotional-issue only, and didn't feature a picture at all, just some promo words from Columbia's National Promotion Manager, Bob Thompson. The back was blank. To promote the album The Freewheelin' Bob Dylan, the sleeve enclosed a disc of "Blowin' In The Wind" and "Don't Think Twice". Oh, and if you want to know what the other rare Dylan picture sleeve is, just go to the next lot! There is some whiteout on the front of this copy. Condition: EX 7.
Bob Dylan "Subterranean Homesick Blues" Rare Picture Sleeve Columbia 43242 (1965). Generally considered the rarest of Dylan's picture sleeves, this is one that turns up in a "Blue Moon", and we're not talking about the Marcels' album offered elsewhere in the catalog! You'll have to find your own copy of the record because we're only offering the picture sleeve here. Fortunately the disc isn't so rare! Condition: EX 7.
"Bob Dylan" Sealed LP Columbia CL-1779 Mono. Here's a perfectly preserved mono copy of Dylan's 1962 self-titled debut album; in fact, the disc is still sealed in the inner plastic sleeve! Dylan's first album - like the debut albums of the Beatles and the Rolling Stones - changed the direction of popular music. The cover is in Mint condition, still in the original shrink wrap, price tag affixed, but has been opened on one side to expose the sealed-in-plastic record. This earliest version incorrectly lists the first cut as "She's No Good." The front cover correctly lists the title as "You're No Good." Condition: MT 9 (cover)/ GM MT 10 - still sealed (record).
"The Freewheelin' Bob Dylan" Rare LP with Four Deleted Tracks Columbia 1986 Mono (1963). This extremely rare album variation is cited by the Goldmine Album Guide at the top of its "100 Most Valuable U. S. Albums" chart. After Freewheelin' was recorded in 1963, there were four tracks that did not make the final release -- "Talkin' John Birch Society Blues," "Let Me Die in My Footsteps," "Rocks and Gravel," and "Gamblin' Willies Dead Man's Hand." The reasons for this depend on whom you ask; some say CBS pressured Dylan to remove "Talkin' John Birch" because they feared some would find it offensive; others say Dylan simply chose to reshuffle the track list for artistic reasons (a number of tracks recorded with a full backing band had already been scrapped to maintain Dylan's presence as an acoustic folk performer). Either way, just before the first version of the album was to be shipped, the decision was made to replace four of the songs. Somehow a number of the original discs got out, although the covers and the record labels showed the revised songlist. Naturally, these have become much sought-after collectors' items. In our October 2005 auction, this same copy sold for just over $20,000, and is available at this time because of the untimely death of the winning bidder. It is thought that only a few other mono copies exist, and the only two known stereo copies of this version are now valued at upwards of $75,000. Oh, and the songs listed on the cover and on the labels of this copy that supplanted the originals listed above, and which were included on the common commercial-release version are "Girl From The North Country", "Masters Of War", "Bob Dylan's Dream", and "Talking World War III Blues". The cover on this copy is in MT 9 condition and still in the original shrink wrap. The record itself is in EX 7 condition with some minor noise on "Blowin' in the Wind." This is one of the prize offerings in the auction. Condition: MT 9/ EX 7.
Bob Dylan "Blonde On Blonde" Promo LP Columbia C2L 41 Mono (1966). This white label promo has the "female photos" inner gatefold that was pulled for later pressings. The two-record album is one of Dylan's most famous, and included such classics as "Rainy Day Women #12 & 35", "I Want You", and "Just Like A Woman". This is a rare one! Condition: EX 7/ EX 7.
Bob Dylan "Bob Dylan Vol. 4" LP CBS 641 (Japan, 1966). This was the fourth of a limited Japanese series of Dylan releases. It has the same song lineup as Dylan's 1964 US release "The Times They Are A-Changin". Check out that cover! Condition: EX 7/ MT 9.
Bob Dylan and Pete Seeger "No More War" Rare LP CBS YS-608-C (Japan, 1966). This rarity was issued only in Japan and through a German book club in 1966. Outside, a stunning cover -- inside half Dylan, half Pete Seeger. Condition: NM 8/ NM 8.
Bob Dylan "Blood On The Tracks" Rare Promo Error LP Stereo Columbia 33235 (1975). This rare promo error has the Buckinghams on Side 1! How did this happen? Conjecture is that Columbia mispressed the Dylan album when technicians mixed up the master matrix numbers at the pressing plant! The actual matrix of Side 1 here is P AL-33335-1B (Buckinghams), of Side 2: P BL-332350-2AB, the correct Dylan matrix. The best estimate is that only about 200 copies were mispressed before the error was noticed. Got yours yet? Condition: EX 7/ MT 9.
Bob Dylan "Dylan" LP Acetate Columbia 32747 (1973). Nice acetate copy of Dylan's second album of 1973. Condition: EX 7.
Bob Dylan Sophomore Yearbook. A copy of the 1957 edition of the Hibbing High School yearbook, Hematite, featuring Bob Dylan's sophomore class photo (as Robert Zimmerman) on page 69 and in a Latin Club photo on page 101. In Very Fine to Excellent condition with moderate discoloration to the white cover.
Bob Dylan Junior Yearbook. A copy of the 1958 edition of the Hibbing High School yearbook, Hematite, featuring Bob Dylan's junior class photo (as Robert Zimmerman) on page 47. In Very Fine to Excellent condition with mild surface wear.
Bob Dylan 1959 Yearbook. A copy of the 1959 edition of the Hibbing High School yearbook, Hematite, featuring Bob Dylan's senior class photo (as Robert Zimmerman) on page 76. In Very Fine to Excellent condition with mild wear to the spine.
Bob Dylan - Early Reel to Reel Tape with Original Songs and Other Memorabilia (1957-59) Think you've heard every Bob Dylan song? You might want to think again after this.
In 1958, a young Bob Zimmerman befriended another aspiring musician and songwriter in his hometown of Hibbing, Minnesota, named Richard Kangas. Although there was a difference of several years in age, the two hit it off, cruising around town in Dick Kangas' 1953 Ford, picking up girls, and, most importantly, playing guitar together. In May, 1959, the pair gathered in front of Kangas' reel-to-reel tape deck, and recorded four original songs together. Bob played and sang "I Got Trouble" and "I Got A New Girl", and backed up Kangas on his song, "I Wish I Knew". Those two Dylan songs, among the earliest Dylan originals known, were used in the Martin Scorsese documentary, "No Direction Home:, in 2005. The songs are rough, but one song, which was not used in the film, really hints at what was to come. It's called "The Frog Song", and features Dylan singing in a low, guttural voice, like one of his heroes, Clarence "Frogman" Henry (who used that "croaking" vocal style on the 1956 novelty hit, "Ain't Got No Home"). This is where Bob first uses the idea of singing in a different voice, and it lead to the Woody Guthrie-influenced style made so famous on scores of Dylan classics. It all started here, and this is the only place you'll ever hear it!
Also included in this special lot is Ric (as he now prefers to be known) Kangas' copy of the 1957 "Hematite" Hibbing High School yearbook, when Kangas was a senior and Dylan a Sophomore (with two photos), plus a scrapbook with notes about Dylan, vintage photos of Kangas (including one on the motorcycle Bob used to like to sit on and pretend he was Marlon Brando in The Wild One, tickets and passes for the premiere of No Direction Home, and otheritems from Mr. Kangas' collection.
In addition, we are including the cassette tape Mr. Kangas made of the four songs featuring Dylan, plus a CD of the entire tape, which includes a number of other songs recorded without Dylan, and a videotaped interview with Ric Kangas (who has led a very interesting life since his Hibbing days, as a Hollywood stuntman, photographer, sketch artist, and Elvis impersonator, among other things).
This treasure trove of early Dylan material is as unique as it is significant -- quite a combination, and all the more reason to get your bid in!
In 1958, a young Bob Zimmerman befriended another aspiring musician and songwriter in his hometown of Hibbing, Minnesota, named Richard Kangas. Although there was a difference of several years in age, the two hit it off, cruising around town in Dick Kangas' 1953 Ford, picking up girls, and, most importantly, playing guitar together. In May, 1959, the pair gathered in front of Kangas' reel-to-reel tape deck, and recorded four original songs together. Bob played and sang "I Got Trouble" and "I Got A New Girl", and backed up Kangas on his song, "I Wish I Knew". Those two Dylan songs, among the earliest Dylan originals known, were used in the Martin Scorsese documentary, "No Direction Home:, in 2005. The songs are rough, but one song, which was not used in the film, really hints at what was to come. It's called "The Frog Song", and features Dylan singing in a low, guttural voice, like one of his heroes, Clarence "Frogman" Henry (who used that "croaking" vocal style on the 1956 novelty hit, "Ain't Got No Home"). This is where Bob first uses the idea of singing in a different voice, and it lead to the Woody Guthrie-influenced style made so famous on scores of Dylan classics. It all started here, and this is the only place you'll ever hear it!
Also included in this special lot is Ric (as he now prefers to be known) Kangas' copy of the 1957 "Hematite" Hibbing High School yearbook, when Kangas was a senior and Dylan a Sophomore (with two photos), plus a scrapbook with notes about Dylan, vintage photos of Kangas (including one on the motorcycle Bob used to like to sit on and pretend he was Marlon Brando in The Wild One, tickets and passes for the premiere of No Direction Home, and otheritems from Mr. Kangas' collection.
In addition, we are including the cassette tape Mr. Kangas made of the four songs featuring Dylan, plus a CD of the entire tape, which includes a number of other songs recorded without Dylan, and a videotaped interview with Ric Kangas (who has led a very interesting life since his Hibbing days, as a Hollywood stuntman, photographer, sketch artist, and Elvis impersonator, among other things).
This treasure trove of early Dylan material is as unique as it is significant -- quite a combination, and all the more reason to get your bid in!
Handbill for Bob Dylan's "First New York Concert." Bob Dylan quit college at the end of his freshman year at the University of Minnesota in 1960, but stayed in Minneapolis and worked the folk circuit there, occasionally making jaunts to Denver and Chicago. In January 1961, en route to Minneapolis from Chicago, he changed course and went to New York City to perform, as well as to visit his ailing musical idol, Woody Guthrie. Playing mostly in coffeehouses for little pay, he gained some public recognition after a review by New York Times music critic Robert Shelton; that, combined with word-of-mouth around Greenwich Village led to contract with Columbia Records in October 1961. This handbill was printed to promote what was then touted as Dylan's "First New York Concert" on November 4, 1961, at the Carnegie Chapter Hall. In Excellent condition, with very minor wear and faint tanning around the edges.
Bob Dylan Newport Folk Festival Handbill (1963). The artist most famously (and infamously) associated with the Newport Folk Festival, Bob Dylan appeared without incident in 1963 and 1964, accompanied by his then-girlfriend Joan Baez (who in turn had been one of the big discoveries at the first Newport Folk Festival in 1959) and generated a firestorm of controversy at the fest in 1965. This handbill is from the '63 festival, at which Dylan performed on the opening day. A watershed year for Dylan, '63 saw him become increasingly prominent in the civil rights movement, grow disenchanted with the folk-protest movement, and release the seminal LP The Freewheelin' Bob Dylan. The handbill is in Very Fine condition with four very small holes, a couple of small tears, a fold crease, light wrinkling, and a small piece missing from the upper left corner. A great piece of music history.
Bob Dylan Tufts University Concert Handbill (1964). By the time The Times They Are A-Changin' was released in early 1964, Bob Dylan's songwriting had developed far beyond that of his New York peers. Heavily inspired by poets like Arthur Rimbaud and John Keats, it had developed a more literate and evocative quality. Dylan had also begun to expand his musical boundaries, adding more Blues and R&B influences to his songs. This handbill for Dylan's March 7, 1964, concert at Tufts University, given during that early transitional period, features four photos of the musician. In Very Fine condition with two small punch holes in the center, a fold crease, and mild staining to the bottom and left edges.
Bob Dylan Newport Folk Festival Program (1965). Bob Dylan gave memorable, groundbreaking folk music performances at Newport in 1963 and 1964, but his appearance at the 1965 festival is remembered for other reasons. There are two wildly divergent accounts of the crowd's response when Dylan debuted an electric se. One version of the legend says the boos were from the outraged folk fans Dylan alienated with his electric guitar; the other has it that audience members were upset by poor sound quality and a surprisingly short set.
The settled fact is that Dylan, met with a mix of cheering and booing, left the stage after only three songs ("Maggie's Farm," "Like a Rolling Stone," and "It Takes a Lot to Laugh, It Takes a Train to Cry"). Despite the crowd's disfavor, he later re-emerged and sang two much better received solo acoustic numbers, "Mr. Tambourine Man" and, appropriately, "It's All Over Now, Baby Blue."
Footage of Dylan's performance at the festival surfaced in 2005 in Martin Scorsese's documentary No Direction Home. The footage begins with emcee Peter Yarrow's introduction of Dylan, and the sound of loud booing and sporadic cheering begins just a few bars into "Maggie's Farm" and continues throughout the next song, "Like a Rolling Stone." Ultimately, Dylan stuck to his electric guns and took his music into new, unfamiliar territory, and did not return to Newport until 2002.
This program from the infamous '65 festival is in Fine to Very Fine condition with light wear, moderate soiling and tanning to the covers, and a few instances of handwriting throughout, but also with very clean, crisp pages. (A surreal page-and-a-half short story by Dylan titled "Of the Top of My Head" begins on page 17.) A great, rare item from a pivotal moment in American Pop music history.
The settled fact is that Dylan, met with a mix of cheering and booing, left the stage after only three songs ("Maggie's Farm," "Like a Rolling Stone," and "It Takes a Lot to Laugh, It Takes a Train to Cry"). Despite the crowd's disfavor, he later re-emerged and sang two much better received solo acoustic numbers, "Mr. Tambourine Man" and, appropriately, "It's All Over Now, Baby Blue."
Footage of Dylan's performance at the festival surfaced in 2005 in Martin Scorsese's documentary No Direction Home. The footage begins with emcee Peter Yarrow's introduction of Dylan, and the sound of loud booing and sporadic cheering begins just a few bars into "Maggie's Farm" and continues throughout the next song, "Like a Rolling Stone." Ultimately, Dylan stuck to his electric guns and took his music into new, unfamiliar territory, and did not return to Newport until 2002.
This program from the infamous '65 festival is in Fine to Very Fine condition with light wear, moderate soiling and tanning to the covers, and a few instances of handwriting throughout, but also with very clean, crisp pages. (A surreal page-and-a-half short story by Dylan titled "Of the Top of My Head" begins on page 17.) A great, rare item from a pivotal moment in American Pop music history.
Bob Dylan Unused Syria Mosque Concert Ticket, Set of Eight (1966). A beautiful set of eight concert tickets for America's Folk/Rock poet laureate make up this amazing lot. Some three months before his historic electric set for the "Royal Albert Hall" concert, this show would have found Dylan at the height of his powers, stretching the boundaries of what came before. Oh, for a time machine to use with these tickets! Each ticket is for a different section and is on colored stock: First Balcony, section D (goldenrod); First Balcony, section B (green); Second Balcony (lilac); Second Balcony Box (red); Box (beige); Parquet Circle (light blue), Orchestra (pink), and Orchestra Pit (brown). All are in Excellent condition.
Jimi Hendrix Army Photo and Book. After getting into trouble with the law over a stolen car, Hendrix traded a two-year jail sentence for a stint in the U.S. Army, enlisting on May 31, 1961. After boot camp in Fort Ord, California, he was assigned to the 101st Airborne Division and stationed in Fort Campbell, Kentucky as a trainee paratrooper. (Other paratrooper divisions would later claim that he was part of their unit.) His letters home indicated that Hendrix was adjusting to Army life and was very excited to be a part of the respected 101st Airborne. His military records, however, suggest that Hendrix was a less-than-stellar soldier, repeatedly caught sleeping while on duty and missing at bed-check.Tellingly, one superior said that "his mind apparently cannot function while performing duties and thinking about his guitar." On May 31, 1962, after one full year of service, Hendrix was recommended for discharge for behavior problems, and finally had time to pursue his music career. Hendrix would later state that the sound of air whistling through the parachute shrouds was one of the sources of his "spacy" guitar sound. Featured here is a Fort Ord Training Center boot camp graduation book featuring a photo of Hendrix and an 8" x 10" platoon photo that features the legendary guitarist in the back row, third from the left. Both are in Excellent condition with some minor wear to the book's spine.
Jimi Hendrix Closet Hanger (Saunders Enterprises, circa 1968). Keep Jimi hanging around forever with this incredible collectible! It's a cardboard hanger, designed to keep shirts or jackets on, so dig out your best purple velvet top and put this item to good use! It measures approximately 14.5" x 17", and is in Very Good condition, save for a rather bad bend on the hanger portion above Jimi's hair. Of special note is the spelling of Hendrix's first name along the bottom: "Jimmi."
Jimi Hendrix Autograph. An exceptional autograph from the most influential guitarist in Rock history, written in blue ink on a pink album page, and matted and framed with a with a clipped dust jacket from a Hendrix biography to an overall size of 13" x 18". A difficult signature to come by, Hendrix handwriting samples become more scarce with each passing year. This one is in Excellent condition. Accompanied by LOA from PSA/DNA.
Jimi Hendrix Vintage Photos. Two b&w 11" x 14" photos of Hendrix performing. Graded Fine and Very Fine by CGC. From the Ken Regan Archive.
Jimi Hendrix Vintage Photo. A b&w 11" x 14" photo of Hendrix performing. Graded Very Fine by CGC. From the Ken Regan Archive.
Jimi Hendrix Vintage Photos. Two b&w 8" x 10" photos of Hendrix performing. Both are graded Very Fine by CGC. From the Ken Regan Archive.
Jimi Hendrix Experience Spokane Coliseum Concert Poster (1968). With the release of the classic double-record album Electric Ladyland, Jimi Hendrix and his British backing band, the Experience, were riding high. Such heights were not to last, as tensions between Jimi and bassist Noel Redding mounted, and by the next year, Redding would leave to form his own band, Fat Mattress. This Northwest concert found the trio intact, and must have been a real treat for any fan lucky enough to have been there. Opening the show were two British psych bands, Eire Apparent (whose only album was produced by Jimi), and Soft Machine, plus the heavy New York combo Vanilla Fudge. The poster measures approximately 23" x 17", and has been professionally matted and framed in a special acid-free backing, with UV plexiglass, for an overall size of 29" x 23.25". In Excellent condition.
Jimi Hendrix Experience Winterland/Fillmore Concert Poster BG-105 (Bill Graham Presents, 1968) A classic Rick Griffin "Flying Eyeball" bursts out of a flaming ring on this iconic poster for the great Jimi Hendrix. Opening for Jimi was British Bluesmaster John Mayall and American Blues guitar whiz Albert King. What a show this must have been! This is a second printing. Some minor corner damage knocks this down to Very Good+ status, but trust us -- it's a killer poster you'll be proud to own!
Jimi Hendrix Newport 69 Festival Poster (1969). A multi-colored illustration of Jimi Hendrix dominates this cool festival poster, which also lists the Byrds, Creedence Clearwater, Eric Burdon, Ike and Tina Turner, Jethro Tull, Joe Cocker, Marvin Gaye, Spirit, Steppenwolf, and many more performers for a three-day extravaganza. We won't tell you that the next best thing to having been there would be to own this fabulous poster, but don't be surprised if you feel the spirit move you a little when you're in its presence! The poster measures 24" x 36", and is in Excellent condition.
Jimi Hendrix Open Air Love + Peace Insel Fehmarn Germany Poster (1970). This insert-style poster, for an music festival in Germany, September 4-6, represents the last known concert appearance from one of the greatest guitarists ever -- Jimi Hendrix. Jimi was wrapping up this German tour in September; cancelling a show scheduled on the 14th due to bassist Billy Cox suffering a nervous breakdown. Jimi was found dead of an apparent drug overdose four days later. This festival boasted an all-star line-up of talent, including Canned Heat, Ten Years After, Taste (featuring the late Rory Gallagher), Rod Stewart and Faces, Sly and the Family Stone, and many others. This is a one-color version of this rare poster, printed in brown ink. There is a small amount of edge damage that extends down the first seven inches along the left side, breaking the color about 1/8" in, along with an inch and a quarter tear; this area has been repaired by the addition of paper tape on the reverse side. Overall condition: Very Good.
Jimi Hendrix Open Air Love + Peace Insel Fehmarn Germany Poster (1970). This insert-style poster, for an music festival in Germany, September 4-6, 1970, represents the last known concert appearance from one of the greatest guitarists ever -- Jimi Hendrix. Jimi was wrapping up a German tour that September, and had cancelled a show on the 14th when bassist Billy Cox suffered a nervous breakdown. Jimi was found dead of an apparent drug overdose September 18. The concert boasted an all-star line-up of talent, including Canned Heat, Ten Years After, Taste (featuring the late Rory Gallagher), Rod Stewart and Faces, Sly and the Family Stone, and many others. This poster is the "pink and blue" version, and is considered scarce. It has one tiny pinhole (near the right edge, nine inches from the top) and some very minor wrinkling near the very top from NM. A colorful classic, from a very historic concert. VG++.
Jimi Hendrix "Electric Ladyland" RIAA Platinum Album Award. Presented to Warner Bros. Records by the RIAA in 1986 to commemorate the sale of one million copies of Hendrix seminal 1968 album. In Excellent condition, framed to an overall size of 17" x 21".
Rolling Stones 45 and Picture Sleeve Group of 2 (London 1964). Early, early Stones picture sleeves and discs, including "Tell Me"/ "I Just Wanna Make Love To You" (9682) and the classic rockin' "It's All Over Now"/ "Good Times Bad TImes" (9687). The "Tell Me" cover is a rare NM 8; the "It's All Over Now" cover grades a VG-EX 6, with some ring wear and stamps of "$75¢" and "R" on the front. Both discs grade EX 7.
Rolling Stones 45 and Picture Sleeve Group of 2 (London 1964-65). Double your pleasure with two highly collectible selections from the Stones' early years. Here are both discs and picture sleeves for "Time Is On My Side"/ "Congratulations" (9708) and "The Last Time"/ "Play With Fire" (9741). The cover for the former is NM 8, and for the latter VG-EX 6 (small tear on cover and a sticker stain). Each of the two discs is an exemplary NM 8.
Rolling Stones "Heart Of Stone" 45 w/Picture Sleeve London 9725 (1965). Here's what is generally considered to be the third rarest Stones picture sleeve from their fifth US charting single. There's some tape along the bottom. Condition: EX 7/VG-EX 6.
Rolling Stones "Satisfaction" Picture Sleeve 45 London 9766 (1965). If you were lucky, your copy of the Stones' biggest hit came with a picture sleeve, because that picture sleeve is now one of the most sought-after of the Rock era. Here's a nice specimen, and a nice copy of the record as well. Condition: EX 7/EX 7.
Rolling Stones Records, Songbook, and Sheet Music Group (1964-68). This varied offering features four records with picture sleeves, two songbooks, and two sheet music pieces. The pictures sleeves/records are all in EX 7/ EX 7: "Get Off My Cloud" (London 9792, 1965), "Let's Spend The Night Together" (London 904, 196), and "Jumpin' Jack Flash" (London 908, 1968). The two songbooks appear to be from 1965: "The Rolling Stones Song Album" (UK) and "The Rolling Stones Souvenir Song Book", and both are in Very Good condition with some moderate wear. The sheet music (and condition) is for "Satisfaction" (VG-FN), "Get Off Of My Cloud" (Fine), and "19th Nervous Breakdown" (FN+).
Rolling Stones Picture Sleeve w/Records Group of 5 (1966-67). Pictures sleeves with records from, some would argue, the Stones' best years. The London label classics include "19th Nervous Breakdown"/ "Sad Day" (9823 in EX 7/EX 7), "Paint It Black"/ "Stupid Girl" (901 in NM 8/ NM 8), "Mother's Little Helper"/ "Lady Jane" (902 in EX 7/VG-EX 6), "Have You Seen Your Mother, Baby..."/ "Who's Driving My Plane" (903 in NM 8/NM 8), and "She's A Rainbow"/ "2,000 Light Years From Home" (906 in NM 8/NM 8). Instant Stones picture sleeve collection!
Rolling Stones "Street Fighting Man" Rare Picture Sleeve Decca 22825 (Denmark 1968). The US version of this sleeve is mega-rare, the rarest of all Stones' picture sleeves, and the Danish edition ain't so common either! This version has some color - the US version was a much more subdued black and white. Condition: VG-EX 6/EX 7.
Classic-era Rolling Stones Autographs with Photos and Tour Books. Highlighting this lot is a notepad leaf featuring the autographs of the "classic" Stones line-up: Mick Jagger, Keith Richards, Brian Jones, Bill Wyman, and Charlie Watts (in Excellent condition with very light tanning, some fold creases, and tape residue on the edges and corners, none of which affects the signatures). Also included is a ticket stub from their June 25, 1966 concert at the Civic Arena in Pittsburgh (Very Fine with light wear and tape stains on the corners), ten vintage 3.5" x 3.5" color snapshots from the concert, with larger reproduction prints included (Excellent with some instances of tape residue and tanning), and copies of the band's 1965 and '66 tour books (Excellent with very light wear to the corners and covers). A great selection of vintage Stones memorabilia, made exceptional by the presence of a rare Jones autograph. Accompanied by LOA from PSA/DNA.
Rolling Stones Vintage Alamo Photo. A b&w 11" x 14" photo of the Stones posing outside the Alamo. Graded Fine by CGC. From the Ken Regan Archive.
Mick Jagger, Ron Wood, and Bill Wyman Vintage Photos. Two b&w 11" x 14" photos, one a close-up of Jagger and Wood performing together, the other a close-up of Wyman. Both are graded Very Fine by CGC. From the Ken Regan Archive.
Mick Jagger Vintage Photo. A b&w 11" x 14" photo of Jagger strutting his stuff onstage. Graded Very Fine by CGC. From the Ken Regan Archive.
Keith Richards Vintage Photo. A b&w 11" x 14" photo of a young Richards playing guitar. Graded Very Fine by CGC. From the Ken Regan Archive.
Keith Richards and Pete Townshend Guitar Picks Group of Two. Offered here are picks from two pretty fair Rock guitarists -- perhaps you've heard of them? The Richards pick is in Excellent condition -- displaying "Talk Is Cheap" on one side and "Touring Ape" on the reverse. The Townshend pick says "Pete Townshend and Friends" on one side and "Woodstock '98" on the reverse. Very cool, and they could be yours.
Rolling Stones "It's Only Rock 'N Roll" Gold Sales Award. The plaque on this white matte-style award reads: "Presented to Andy Johns, to commemorate the sale of more than one million dollars worth of the Rolling Stone Records long-playing album 'It's Only Rock 'N Roll.' " Andy Johns was the engineer on the album, and also engineered another Stones' classic, Exile On Main Street. Certified gold by the RIAA on October 31, 1971, the album's title track became an instant radio classic. The award is in Very Good condition with only a few minor dings to the frame.
Rolling Stones Carnegie Hall Concert Mini Handbill (Jaymur Productions, 1964). For their New York debut concert on June 20, 1964, a special Rolling Stones card was produced. It features a black and white photo of the band, posing in front of a Greenwich/Tower Bridge street sign on the obverse, while the back promotes the show, hosted by "Fifth Beatle" Murray the K. This extremely rare card measures 2.25" x 3.25", and is in Excellent condition.
Rolling Stones Cow Palace Concert Handbill (KFRC, 1966). The Stones kept on rolling through this mid-1966 American tour, stopping off at San Francisco's legendary Cow Palace for a show on July 26, 1966. This small handbill was a radio station handout, and features a b&w polarized image of the group (with the late Brian Jones to the far left). It measures 4" x 8.75", and is in Excellent condition. This one doesn't turn up too often!
Rolling Stones Manning Bowl Concert Handbill (Hubbub Productions, 1966). The Rolling Stones traveled across America through the summer of 1966, stopping for their only New England show at the Manning Bowl, in Lynn, Massachusetts. This yellow handbill announced the show, with fuzzy cameo shots of the band on the front, and a handy map on the back. This 9.5" x 8.25" handbill is in Excellent shape, and will more than likely stay that way forever -- it's been neatly laminated. Still, this is a tough item to find, so a little added plastic shouldn't keep you from bidding on this cool Stones item!
Ladies and Gentleman, The Rolling Stones Movie Small Paper Banner (Seaboard American, 1973). This concert film, taken from two nights in Texas, 1972, is considered by many fans to showcase the band at their early '70s best. Guitarist Mick Taylor is said to have stolen the show with his stellar slide work, and long-time contributor (and former member) Ian Stewart was featured on piano. This 39" x 14" mini-banner features terrific chrome-style art, and is loaded with crazy detail. The poster is in Near Mint- condition.
Rolling Stones Frankfurt Concert Poster (1973). Take a second or two to gaze at this incredible image...all done? Okay! This is a poster from the Stones' German tour of 1973 with Billy Preston, featuring one of the wildest images yet for this rowdy and randy band. It was designed by John Pasche, from a photo by David Thorper. (Sorry, we can't tell you the name or address of the model!) The poster measures 23.5" x 33" and is in Near Mint- condition.
Elvis Presley "That's All Right" 45 Sun 209 (1954). A huge piece of Rock and Roll history - it's Elvis' first commercial recording, b/w the Hillbilly Cat's take on Bill Monroe's Bluegrass classic "Blue Moon of Kentucky". The "push marks" are present. The interesting picture sleeve we've enclosed is fake, at least in the sense it was produced two decades after this original Sun record made history in 1954. Condition: VG 5.
Elvis Presley "That's All Right" 45 Sun 209 (1954). It's always a thrill seeing Elvis' first Sun recording -- certainly one of the great events in Rock 'n Roll history. B/w "Blue Moon Of Kentucky," the classic Bill Monroe tune -- the combo saying a lot about Elvis' influences. One side Bluegrass, the other Arthur Crudup-penned R&B. The "push marks" are present. Condition: VG-EX 6.
Elvis Presley "Good Rockin Tonight" 45 Sun 210 (1954). Elvis' second Sun single was a cover of R&B great Roy Brown's 1948 hit. Elvis would reprise the formula (covering R&B hits) often over the next 10 years -- all but single-handedly melding the genre into Rock and Roll. The "push marks" are present. Included with this original Sun record from 1954 is a copy of a sleeve produced for the record in the 1970s. Condition: VG 5.
Elvis Presley "Milkcow Blues Boogie" 45 Sun 215 (1955). Considered the rarest of Elvis' five Sun singles, "Milkcow" was the third released, b/w "You're A Heartbreaker". Three push marks are present. We've included a copy of the unauthorized picture sleeve produced in the late '70s, but the record is the real deal, man! Condition: EX 7.
Elvis Presley "Baby Let's Play House" 45 Sun 217 (1955). This was Elvis' third Sun single, b/w "I'm Left, You're Right, She's Gone". The "push marks" are present. Don't freak when we tell you we're enclosing a picture sleeve - of course Sun didn't produce them originally, but some latter day enterprising in the '70s resulted in unauthorized sleeves for all five Elvis Sun releases. The record is guaranteed '50s gold! Condition: NM 8.
Elvis Presley "Mystery Train" Sun 223 (1955). Elvis' swan song with Sun was arguably the best when both sides are considered. B/w "I Forgot To Remember To Forget", which became the King's first #1 hit (on the Country charts), this was truly two-sided magic. For your enjoyment we've enclosed an unauthorized picture sleeve from the '70s, but the record is straight from 1955 and Rock history. Condition: VG-EX 6.
Elvis Presley "This Is His Life" Rare Comic Panels Picture Sleeve RCA (1956). That it was once reported to have enclosed the single "Mystery Train" is apropos, because it's currently a mystery exactly how this sleeve was used! Noted Elvis authority Jerry Osborne mentions in the 2006 edition of Rockin' Records that he had for years believed the sleeve was associated with "I Want You, I Need You, I Love You". More recently, it's become a little more cloudy, with reports that other records had come in the sleeve. RCA used similar "Life" promo sleeves for other artists, and since "Mystery Train" was Elvis' first RCA release, it makes sense that the sleeve would have accompanied that record. Osborne suggests that other Elvis releases in 1956 might have also come in the sleeve. One thing is for sure - this is a rare item that our experts have heard of, but not previously seen before. There is a small amount of whiteout on the front (the back is blank), but this is still a fine specimen of a real scarcity! Condition: EX 7.
Elvis Presley "Don't Be Cruel"/ "Hound Dog" Picture Sleeve Group of 2 RCA 6604 (1956). Equal billing of Elvis' dueling #1s here - one sleeve has "Hound Dog" on top, with "Don't Be Cruel" underneath, while the other, rarer version has "Don't Be Cruel" on top. No records are included in this lot - just the picture sleeves. That's plenty, man! Condition: MT 9 ("Hound Dog" on top) and EX 7 ("Don't Be Cruel" on top). From the GRT Collection.
Elvis Presley Picture Sleeve Group of 7 (1957-59). Classic RCA Elvis picture sleeves from the '50s, including "Teddy Bear"/ "Loving You" (7000), "Don't"/ "I Beg Of You" (7150), "Wear My Ring Around Your Neck"/ "Doncha' Think It's Time" (7240), "Hard Headed Woman"/ "Don't Ask Me Why" (7280), "One Night"/ "I Got Stung" (7410), "A Fool Such As I"/ "I Need Your Love Tonight" (7506), and "A Big Hunk O'Love"/ "My Wish Came True" (7600). These are the picture sleeves only - no records. All are NM 8 beauties, except 7600 in MT 9. From the GRT Collection.
Elvis Presley Picture Sleeve w/Record Group of 8 RCA (1958-77). Twenty years of Elvis in one super-duper picture sleeve set. Included: "Wear My Ring Around Your Neck" (7240) in EX 7/ NM 8, "Stuck On You" (7740) in EX 7/ MT 9, "It's Now Or Never" (7777) in VG-EX 6/ VG 5, "Such A Night" (8400) in NM 8/ NM 8, "Do The Clam" (8500) in VG-EX 6/ NM 8, "Easy Question" (8585) in NM 8/ MT 9, "Way Down" (10998 white label promo) in NM 8/ NM 8, and "My Way" (11165) in NM 8/ NM 8. From the GRT Collection.
Elvis Presley 45 Picture Sleeve Group of 9 (1959-63). High-grade copies of RCA picture sleeves includes "A Big Hunk O'Love"/ "My Wish Came True" (7600), "Stuck On You"/ "Fame and Fortune" (7740), "It's Now Or Never"/ "A Mess of Blues" (7777), two copies of "Are You Lonesome Tonight?"/ "I Gotta Know" (7810), "Surrender"/ "Lonely Man" (7850), "Can't Help Falling in Love"/ "Rock-A-Hula Baby" (7968), "Good Luck Charm"/ "Anything That's Part of You" (7992), and "Devil In Disguise"/ "Please Don't Drag That String Around" (8188). These are sleeves only - no records. All are in NM 8 except 7777, one copy of 7810, and 8188 in MT 9. From the GRT Collection.
Elvis Presley "Surrender" 33 Compact Single RCA 37-7850 (1961). Rare compact single, b/w "Lonely Man". Very hard to find this sleeve without ring wear, and you can see the minor to moderate wear on this one. The disc is in like-new condition: Condition: VG-EX 6/ MT 9.
Elvis Presley "Love Me Tender" White Label DJ Copy EP RCA DJ-7 (1956). Here's a rarity! This promo EP featured a side of Elvis ("Love Me Tender" and "Anyway You Want Me"), and a side by Jean Chapel, a former Sun-mate of Elvis, who also wound up at RCA. Both her tunes are Mae Axton compositions, "Welcome to the Club" and "I Won't Be Rockin' Tonight," but despite her pedigree connections, her success fell somewhat short of Elvis'! Condition: NM 8. From the GRT Collection. From the GRT Collection.
Elvis Presley "A Touch Of Gold" Volume 1 EP RCA 5088 Mono (1959). Sensational maroon label copy includes the quad hits "Hard Headed Woman", "Good Rockin' Tonight", "Don't", and "I Beg Of You". This version of the EP has "A Touch Of Gold" on four lines on the front cover. Still in the original shrink wrap with 99¢ sticker affixed. Condition: NM 8/ MT 9. From the GRT Collection.
Elvis Presley "Good Rockin' Tonight" 78 Sun 210 (1954). Elvis' second Sun release demonstrated again his influences were heavily R&B. Singer/pianist Roy Brown took "Good Rocking Tonight" to #11 on the R&B charts way back in 1948. The flipside here is "I Don't Care If The Sun Don't Shine". This stunning copy grades NM 8. From the GRT Collection.
Elvis Presley "Baby, Let's Play House" 78 Sun 217 (1955). Elvis' fourth Sun release was backed with "I'm Left, You're Right, She's Gone", and is just about as rare as his first two records on the famed label. This copy's awfully nice, but perhaps not so high-grade that you'll have to indenture yourself to get it! Condition: EX 7. From the GRT Collection.
Elvis Presley "Baby Let's Play House" 78 Sun 217 (1955). The fourth of Elvis' five Sun releases isn't often found this nice in 78 form. B/w "I'm Left, You're Right, She's Gone". Condition: VG-EX 6.
Elvis Presley Sun 78s Complete Set (1954-55). These are the records that paved the way for Elvis' ascension to the title "King of Rock 'n Roll", his first five releases on Sun Records. One-stop shopping allows your procuring the complete collection of five classic recordings in one fell swoop. They're all here! In chronological order: 1) "That's All Right"/ "Blue Moon of Kentucky" (Sun 209) in EX 7; 2) "Good Rockin' Tonight"/ "I Don't Care If the Sun Don't Shine" (Sun 210) in VG 5; "Milkcow Blues Boogie"/ "You're A Heartbreaker" (Sun 215) in VG-EX 6; 4) "Baby Let's Play House"/ "I'm Left, You're Right, She's Gone" (Sun 217) in VG-EX 6; and 5) "Mystery Train"/ "I Forgot to Remember to Forget" (Sun 223) in VG 5.
Elvis Presley RCA 78 Group of 4 (1956-57). Elvis' earliest RCA singles were issued on both 45 and 78 formats until 1958. Featured here are three 78s released in 1956 and one in 1957. In chronological order: "Baby Let's Play House" b/w "I'm Left, You're Right, She's Gone" (reissue of Elvis' original Sun record - Condition: VG-EX 6); "Heartbreak Hotel" b/w "I Was The One" (VG 5); "I Want You, I Need You, I Love You" b/w "My Baby Left Me" (VG 5); and "Jailhouse Rock" b/w "Treat Me Right" (GD 3).
Elvis Presley and Others 10-inch Promo Sampler RCA 6 (1956). Anything inclusive of "Elvis" and "1956" piques our interest, and this one's a real find. It's a 33 1/3 promo sampler from RCA for radio distribution that features a real potpourri of the label's artists. Of course the real attraction here is "I Was The One" from Elvis (the flipside of "Heartbreak Hotel"), but offerings from Eddy Arnold, Perry Como, Billy Eckstine, Chet Atkins, Jaye P. Morgan, the Ames Brothers, Julius LaRosa, and...are you ready?...the Singing Dogs are included! Condition: NM 8. From the GRT Collection.
Elvis Presley "Janis And Elvis" 10-inch RCA 31077 (South Africa - 1956). What? Someone named Janis getting billing over Elvis? She was Janis Martin, an artist RCA promoted for two years (1956-58) as "The Female Elvis Presley". She charted just one single in that period, "Will You, Willyum" peaking at #35. This bit of esoterica was pressed in South Africa and featured alternating Elvis/Janis cuts, four on each side of the 33 1/3 RPM 10-incher. The Elvis cuts were "Baby Let's Play House", "You're A Heartbreaker", "I'm Left, You're Right, She's Gone", and "Milkcow Blues Boogie". Janis' contributions were "Ooby-Dooby", "Let's Elope Baby", "One More Year To Go", and "Barefoot Baby". Don't look for the US release of this - this wasn't one! Condition: VG-EX 6/ VG-EX 6. From the GRT Collection.
"Elvis' Christmas Album" LP with Gold Foil Sticker RCA 1035 Mono (1957). This gorgeous presentation in particularly prized by collectors, with its colorful, red gatefold cover, and -- in its first pressing -- with a gold gift-giving sticker listing the songs included. There is some minor wear along the spine of the cover, but it's still a gem, and the disc is really nice! Condition: EX 7/ NM 8.
Elvis Presley Sealed LP Group of 2 (1965). Two 1965 releases from The King, including "Elvis For Everyone" (RCA LSP-3450) and "Harum Scarum" (RCA LSP-3468). Both albums are immaculate -- still sealed copies! From the GRT Collection.
Elvis Presley "Spinout" and "Speedway" LPs RCA (1966-68). Gorgeous copies complete with cover stickers and color photos. "Spinout" (RCA 3702, 1966) is a mono copy; "Speedway" (RCA 3989, 1968) is in stereo and includes a song by Nancy Sinatra, "Your Groovy Self." Condition: "Spinout" is still sealed; "Speedway" is MT 9/ NM 8.
Elvis Presley "Clambake" LP RCA 3893 Mono (1967). Scintillating copy of the soundtrack recording complete with color photo, and still in the original shrinkwrap. Condition: MT 9/ MT 9.
Elvis' Gold Records Volume 4 LP RCA 3921 Mono (1968). Elvis' fourth volume of Gold Records a Gold Record itself, peaking at #33 on Billboard's Top 200 in 1968. But this mono version is quite rare. This is a pretty copy, but does have some minor wear near the top of both front and back covers. See for yourself at our website, where you can view an enlarged image. Condition: EX 7/ EX 7. From the GRT Collection.
Elvis Presley "You'll Never Walk Alone" LP RCA Camden CDS 1088 Stereo (UK 1971). The US version was Elvis' first album release on RCA's new budget label Camden, and featured religious standards such as the title song, "Peace In The Valley", "I Believe", "It Is No Secret", and six others. The US release featured stereo versions of some of the songs, but it was always thought that there wasn't a stereo UK version. In fact, RCA's official records indicate that while a UK stereo version was planned at one time, it was supposedly cancelled. Then this copy turned up in a collection in Germany! How many other copies are out there is conjecture, so don't miss this opportunity! Condition: EX 7/ NM 8. From the GRT Collection.
Elvis Presley "Moody Blue" Gold Vinyl LP RCA AFL 1-2428 Stereo (1977). Released the year Elvis died, any color version other than the black and the blue ones was produced in very limited numbers, and intended for RCA in-house use only. But this one could go to your house! Condition: NM 8/ NM 8. From the GRT Collection.
Elvis Presley Acetate Group of 2 (1960-63). Nice acetate grouping from Elvis includes two 10-inch acetates. The earliest is a one-sided disc (RCA Reference Recording, 1960) that plays at 33 1/3 rpm, of "Stuck On You", Elvis' first recorded song upon his release from the Army in 1960. It was a smash hit, holding onto the #1 position for four weeks. Condition: VG-EX 6. The other disc is two-sided, with different takes (Take 4 and Take 6 is listed on the Radio Recorders label) of "Today Tomorrow & Forever", which only appeared on the "C'mon Everybody" LP from 1963. Condition: Looks VG 5/ Plays GD 3. From the GRT Collection.
Elvis Presley "Home Is Where The Heart Is" 78 rpm 10" Acetate (Radio Recorders, 1961). This relatively obscure tune could be found on the EP "Kid Galahad" (1962-basically the soundtrack from the movie of the same name) and on the album "I Got Lucky" (1971), which collected tunes from Elvis' movies that hadn't previously been on an LP. Very rare. Condition: VG 5. From the GRT Collection.
Elvis Vintage Backstage Photo. A very nice, rare b&w photo of Presley posing with his guitar backstage at the Overton Park Shell in Memphis on August 5, 1955. In Excellent condition, framed to an overall size of 17" x 21".
Elvis Assorted Vintage Snapshots. Set of 11 rare vintage b&w snapshots of Elvis dating from 1956 to 1964, plus a color snapshot of his father, Vernon Presley. In overall Excellent condition with slight curling to most.
Elvis Vintage Performance Photo. A great, rare b&w photo of Presley performing at the North Hall Auditorium in Memphis in January, 1956. In Excellent condition, framed to an overall size of 17" x 21".
Elvis Onstage Vintage Photo. A nice, rare b&w photo of Presley and his band performing at the North Hall Auditorium in Memphis in May, 1956. In Excellent condition, framed to an overall size of 21" x 17".
Signed Photo of Elvis Presley. A great b&w 8" x 10" photo of a young Elvis, inscribed "Lovingly" and signed by Presley in blue ink. In Excellent condition with mild overall tanning. Accompanied by LOA from PSA/DNA.
Elvis "Merry Christmas" Autograph. A very special form season's greetings, this autograph album page is signed "Merry Christmas/Elvis Presley" in blue ink, dated December 23, 1956. Such a special inscription by Elvis is exceedingly rare. In Very Fine to Excellent condition, with some discoloration around the edges that does not affect the signature. A letter of authenticity is included. Accompanied by LOA from PSA/DNA.
Bracelet with Elvis Presley Dog Tag Charm. Stainless steel bracelet with small dog tag charm featuring a tiny sketch of Elvis, reproduction of his signature, blood type, and U.S. Army serial number. In Excellent condition and still mounted on the original cardstock backing.
Elvis Presley Dog Tag Bracelet. Stainless steel bracelet with large dog tag charm featuring an image of Elvis, reproduction of his signature, blood type, and U.S. Army serial number. In Excellent condition and still mounted on the original cardstock backing.
Elvis Presley Dog Tag Necklace. Stainless steel necklace chain with dog tag featuring a tiny sketch of Elvis, reproduction of his signature, blood type, and U.S. Army serial number (type O and 53310761, in case you're wondering). In Very Fine condition with a little tarnishing and still mounted on the original cardstock backing, which shows very minor wear and tanning.
Elvis Presley "Bubbles" Trading Card Set of 64 (Topps, 1956) This set of 64 bubble gum trading cards presents the King as we all would like to remember him -- young, lean, and oh so cool! Each card has a full color photo of Elvis on the front; the backs of cards 1-46 feature an "Ask Elvis" series of question answers (for topics like "Do you smoke?" and "Are you a good guitar player?"). The second batch of cards, numbered 47-64, feature scenes from Elvis' first movie, "Love Me Tender", and show him with co-star Debra Paget and others, with a descriptive paragraph for each scene on the back. All 64 cards are housed in plastic sleave pages within a folder. The cards average in Near Mint condition, and really look fresh and sharp. Go, Go, Go, Elvis!
Bill Black and Scotty Moore Autographs Plus More. Includes a music store membership card autographed on the back by Bill Black and Scotty Moore, plus an Elvis Presley Fan Club card, ticket stub for an unknown Seattle performance, and and vintage record survey. The signatures were obtained by a then-high school student named Marie Steinaker, who obtained the signatures in person in the parking garage of the Olympic Hotel in Seattle following a concert in 1957. The items are in overall Fine condition, with moderate wear and some light soiling. Accompanied by LOA from PSA/DNA.
Set of Elvis Presley Christmas Cards. Four personalized, unsigned Christmas cards printed for Elvis, in Excellent condition with mild wear.
Elvis Presley "G.I. Blues" Sealed Super 8 Film Excerpt (Ken Films, 1960). For the Elvis true-fan -- and there are lots of us -- check out the next two lots. They're from two of Elvis' most popular movies and best soundtracks. The film excerpt runs about 16 minutes and comes here in a brilliantly-preserved, colorful and still sealed box. And Juliet Prowse is on the front! Condition: Still sealed. From the GRT Collection.
Elvis Presley "Blue Hawaii" Sealed Super 8 Film Excerpt (Ken Films 1963). This rare Super 8 pack of approximately 16 minutes is still sealed and appears to have just come off the shelf except for a small defect on the back of the box/cover. Gorgeous! From the GRT Collection.
Elvis Presley "Special Christmas Program" Reel to Reel (1967). This "Special Christmas Program" (RCA EPC-1, 1967) was a program for radio only distribution, which clocks in at just under 30 minutes. Comes with a complete script for the program in its original box (EX 7). Ultra-rare! Check out the images on our website! From the GRT Collection.
Elvis Presley TV Special Adhesive Poster. On April 8, 1960 -- about a month after his discharge from the Army -- the album Elvis is Back! had been released to mixed reviews by critics and fans, and the subsequent social upheaval of the 1960s, the British Invasion spearheaded by the Beatles, and a career shift towards movies caused Presley's star to fade for a time -- until a triumphant televised performance later dubbed the " '68 Comeback Special" aired on NBC on December 3, 1968 and paved the way for the King's return to the charts. This unused 24" x 36" adhesive poster for the special is in Fine to Very Fine condition and still on its original backing, with light wear and wrinkling and no discoloration.
Al Hirschfeld Signed Elvis FDC. An 8" x 10" heavy cardstock print of Elvis Presley as drawn by caricaturist Al Hirschfeld, signed in pencil by the artist, with a nice Elvis cancelled stamp affixed. In Excellent condition. Accompanied by LOA from PSA/DNA.
Elvis Presley Official Unused Jumper Dress (Little Jean Togs, Inc., 1956). This is one incredible item for any Elvis fan! This is one of the earliest of the Elvis Presley Enterprises-licensed clothing items, a size 14 flecked-grey felt sleeveless Jumper Dress, with half-inch red leather belt, red "diamond" buttons in front, pleated skirt, and a wonderful white and red applique of Elvis playing guitar and singing, standing in front of a musical chart. The figure of Elvis is approximately 11". The dress comes complete with all its original tags, including a 4" x 7" store tag with a full-color photo of the King, rocking out on his acoustic guitar. Even the original price tag is here, with a store price of $14.95 -- not too cheap by 1956 standards! The dress has been professionally mounted in a black wooden shadow-box frame, with a red felt lining, and comes with a plaque describing this as an original E.P.E. product. Everything is in Excellent condition. Even long-time Elvis collectors we've talked to have never seen an unused example of this rare item -- and only one or two in used condition!
Movie/TV Memorabilia
Elvis Presley's Training Gloves from "Kid Galahad." This pair of medium-sized leather training gloves was worn by Elvis in the 1962 boxing drama-musical, a remake of the 1937 Humphrey Bogart vehicle and widely considered to be one of the King's best movies. "E. Presley" is written on the inside of the right-hand glove, and overall they are in Very Fine condition with only minor wear and staining. Accompanied by COA from L.A. Prop & Wardrobe Co.
Priscilla Presley Letter to Altovise Davis About the Death of Elvis. Single page, handwritten letter dated August 26, 1977, from Priscilla Presley to Altovise Davis, thanking her for her condolences. It reads in part: "I just wanted to let you know how much I appreciated hearing from you at a truly difficult time like this...It took us all by complete shock and it will take us forever to get over. Again thank you." Written and signed in blue ballpoint, it is in Excellent condition with light overall tanning. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Music Memorabilia
Elvis and Colonel Tom Parker Signed Movie Contract. In 1956, Colonel Tom Parker negotiated a sizeable movie contract with the Wallis and Hazen production company for budding superstar Elvis Presley. Many historians and biographers have debated over the years whether or not Parker's deal was a great one for Elvis, or merely adequate. This original contract, dated April 2, 1956, and signed by Elvis, Parker, Hal Willis, and Joseph Hazen on the last page, gives the details of the deal -- a very modest one at that. It calls for Elvis to appear in one film a year over a period of seven years, at the starting rate of $15,000, with annual raises that had him earning $100,000 in the seventh and final year of the contract, plus the right to make one film a year for another production company of his choice. Elvis' first film under the contract was 1957's Loving You, and he made a total of nine films with Wallis/Hazen, the last being Easy Come, Easy Go in 1967. The contract is in overall excellent condition, with the standard binder holes to the top of each page, with some tape residue on the upper left corners of the first and last pages. A significant document that puts to rest a long-standing debate. Accompanied by LOA from PSA/DNA.
Elvis Signed "Frankie and Johnny" Contract. Four-page agreement, dated May 19, 1964, between Presley and Admiral Pictures Inc. concerning total payment after the distribution of the movie Frankie and Johnny, signed by Presley in blue ink. In fine condition with binder and staple holes to the top edges. Accompanied by LOA from PSA/DNA.
Musical Instruments
Elvis Presley's 1958 Isana Black Pearl Acoustic Guitar. This handsome jazz guitar with an arch top, mother of pearl headstock, pick guard, inlays, and a rosewood fret board was hand-made by the German music company Framus in October, 1958, and purchased by Elvis while stationed in Bad Nauheim during his stint in the Army. One of only 100-150 made that year, it is believed to be the only guitar that Elvis used while in the service, which means it was used to serenade his future bride Priscilla Beaulieu, whom he was dating at the time.
Years later it passed into the hands of friends and was eventually used to pay for tutoring fees by one of Elvis' secretaries. For the past two years, it has been on display at the Rock N Soul Museum in Memphis, Tennessee. Isana guitars are quite rare these days to boot, and this beauty is in Excellent condition with only a few tiny dings to the back edges of the body and some mild pick scratches.
Also included is a non-original carrying case from the same period (Fine to Very Fine with mild to moderate wear), a b&w 8" x 10" photo of Elvis in uniform and strumming the guitar in his barracks, and a notarized letter of provenance from the current owner. A legendary instrument of the King of Rock and Roll!
Years later it passed into the hands of friends and was eventually used to pay for tutoring fees by one of Elvis' secretaries. For the past two years, it has been on display at the Rock N Soul Museum in Memphis, Tennessee. Isana guitars are quite rare these days to boot, and this beauty is in Excellent condition with only a few tiny dings to the back edges of the body and some mild pick scratches.
Also included is a non-original carrying case from the same period (Fine to Very Fine with mild to moderate wear), a b&w 8" x 10" photo of Elvis in uniform and strumming the guitar in his barracks, and a notarized letter of provenance from the current owner. A legendary instrument of the King of Rock and Roll!
Music Memorabilia
AC/DC Signed Gibson Guitar. The hardest rocking band to ever come out of Australia and one of the biggest Rock acts in the world, AC/DC helped define Hard Rock and early Metal in the '70s and has stayed viable in the three decades since. This black 1998 Gibson SG-X guitar is signed by Angus Young, Malcolm Young, Brian Johnson, Cliff Williams, and Phil Rudd in silver Sharpie, and is in Excellent condition. Accompanied by LOA from PSA/DNA.
Allman Brothers Band/Gov't Mule Signed Stratocaster. An attractive Squire Fender Stratocaster with maroon sunburst finish and white pick guard, signed in blue marker by Gregg Allman, band manager Kirk West, Marc Quinones, Dickey Betts, and Jaimoe Johanson, as well as by Allen Woody and Warren Haynes of Gov't Mule in black marker on the pick guard. In Excellent condition. Accompanied by LOA from PSA/DNA.
Musical Instruments
Carlos Alomar's Alembic Guitar with Case. A beautiful, all original 1975 standard point Alembic guitar -- the oldest model in their history -- owned by David Bowie's guitarist/bandleader/songwriting partner and played exclusively by him on all of Bowie's world tours and recordings from 1976-2000. Custom made for Alomar in 1975, it features a zebra-mahogany body, walnut-maple neck, and ebony fingerboard. The Alembic company confirms that although the serial number on the headstock reads "75-156," marking it as the 156th instrument made by '75, that number also included top-end bass guitars made during the period, which was what the company was primarily known for. It was actually only the 40th (approximately) guitar made by 1975. The guitar comes with an ornate leather strap with the initials "CA" and an Anvil guitar case, used to ship the guitar internationally during tours, with Alomar's name stenciled on it. The case is, of course, a little battered from travel, but the guitar and strap are in Excellent condition with light rhythm pick marks on the front and belt marks on the back of the guitar, but no cracks, breaks, or repairs. A very rare axe with a lot of history behind it, this is one sweet instrument. With COA from Carlos Alomar himself!.
Tim Bachman Autographed Stage-Played Custom 1967 Fender Telecaster. This specially designed custom Telecaster has a green natural-wood finish, and was inscribed "Keep on 'Takin' Care of Business' " by Tim Bachman of Bachman Turner Overdrive. In Very Good condition, with only a few minor nicks to the body. Includes hardshell case as well as a signed color photo collage of Tim playing the guitar on stage with the band, plus an album sleeve for Bachman-Turner Overdrive II showing the guitar (no record is included), a color photo of the guitar with detailed info, and letters from Tim Bachman and well-known collector Phil Gross attesting to the guitar's provenance. With COA from PSA/DNA.
Johnny Cash Used Guitar. This gorgeous blue Alvarez guitar originally belonged to Country music legend Johnny Cash. It was purchased by Cash family friend Virginia Hallet in 1985 at a Christmas showing and sale held by June Carter Cash, who owned a matching guitar that was sold at auction two years ago. In Excellent condition, the guitar includes a copy of a handwritten letter of provenance from Johnny himself.
Eric Clapton's Fender USA Stratocaster Guitar. One of the most respected and influential musicians of the Rock-era, Eric Clapton has been inducted into the Rock and Roll Hall of Fame an unprecedented three times, and forged a distinctive style rooted in Chicago-style blues -- two important details that make this 1979 black Fender Stratocaster (serial number S913684) super-desirable.
A Gibson player for much of his early career, Clapton switched to Fender Strats under the influence of his Blind Faith bandmate Steve Winwood, and was eventually honored with the creation of an Eric Clapton Edition Stratocaster, introduced by Fender in 1988. This Strat was one of three guitars that Clapton donated to the Hill Richards Auction House to raise money for AIDS research at a charity auction held July 7, 1991.
A statement from Clapton on the enclosed certificate of authenticity reads: "This guitar was given to me by my friend Muddy Waters after a jam session I sat in on with him in Chicago, back in 1980. I have made some changes to this axe, like tuners, pick-ups, and bridge. This guitar has been kept in my London flat, and I have played it in some private jams when here in England. This axe plays like butter, and I hope whoever ends up with it will enjoy it as much as I have."
The guitar has been mounted in a 21.5" x 43" x 3.5" wood-and-glass display case along with a studded leather guitar strap, a framed 7" x 5" color photo of Clapton with a literal armload of Grammy awards, a description plate, and the aforementioned COA. On the whole, the display is in Excellent condition with a small, 3" crack in the glass along the lower right edge.
A Gibson player for much of his early career, Clapton switched to Fender Strats under the influence of his Blind Faith bandmate Steve Winwood, and was eventually honored with the creation of an Eric Clapton Edition Stratocaster, introduced by Fender in 1988. This Strat was one of three guitars that Clapton donated to the Hill Richards Auction House to raise money for AIDS research at a charity auction held July 7, 1991.
A statement from Clapton on the enclosed certificate of authenticity reads: "This guitar was given to me by my friend Muddy Waters after a jam session I sat in on with him in Chicago, back in 1980. I have made some changes to this axe, like tuners, pick-ups, and bridge. This guitar has been kept in my London flat, and I have played it in some private jams when here in England. This axe plays like butter, and I hope whoever ends up with it will enjoy it as much as I have."
The guitar has been mounted in a 21.5" x 43" x 3.5" wood-and-glass display case along with a studded leather guitar strap, a framed 7" x 5" color photo of Clapton with a literal armload of Grammy awards, a description plate, and the aforementioned COA. On the whole, the display is in Excellent condition with a small, 3" crack in the glass along the lower right edge.
Kurt Cobain's 1953 Martin Acoustic Guitar. Singer, songwriter, and reluctant spokesman for Generation X, Kurt Cobain played an important part in changing the face of popular music in the '90s. Purchased by Cobain while on tour shortly before 1991, the year the seminal Nevermind was released, this 1953 Martin D-18 acoustic guitar was played briefly by him before being gifted to indie-folk Rock musician Mary Lou Lord during their brief relationship.
The guitar being offered was Cobain's first Martin D-18, and the model became his favorite brand of acoustic. (Cobain continued to use this model throughout his career.) Miss Lord played the guitar regularly (with the guitar strung right-handed) both in live performances and in the recording studio. In the mid-1990s she toured several times with her close friend and label mate, Elliott Smith, whereupon he had several occassions to play the guitar, adding further to the uniqueness of this historic instrument. In recent years Miss Lord has curtailed her performing career and subsequently sold the guitar to a collector in Boston.
Historic considerations aside, the guitar is in Excellent condition and has a magnificent sound. There is significant pick scratching and some dings to the surface which only add to the guitar's mystique. Included is a color photo of Cobain playing the guitar.
The guitar being offered was Cobain's first Martin D-18, and the model became his favorite brand of acoustic. (Cobain continued to use this model throughout his career.) Miss Lord played the guitar regularly (with the guitar strung right-handed) both in live performances and in the recording studio. In the mid-1990s she toured several times with her close friend and label mate, Elliott Smith, whereupon he had several occassions to play the guitar, adding further to the uniqueness of this historic instrument. In recent years Miss Lord has curtailed her performing career and subsequently sold the guitar to a collector in Boston.
Historic considerations aside, the guitar is in Excellent condition and has a magnificent sound. There is significant pick scratching and some dings to the surface which only add to the guitar's mystique. Included is a color photo of Cobain playing the guitar.
Music Memorabilia
Pamela Des Barres Guitar and Memorabilia Lot. Author, actress, and former Rock and Roll groupie par excellence, Pamela Des Barres is best known for her relationships with rockers and celebrities such as Nick St. Nicholas, Mick Jagger, Keith Moon, Jim Morrison, Jimmy Page, Chris Hillman, Noel Redding, Jimi Hendrix, Ray Davies, Frank Zappa, and actor Don Johnson; the tell-all books she wrote about her experiences; and her stint as a member of the GTOs, an all-girl singing group formed by Zappa.
This vintage 1922 Gibson acoustic guitar was purchased from a Kentucky pawnshop by Des Barres' aunt Mabel in the '30s and, after being secretly coveted by her for years, was passed along to Des Barres in 1969. Pamela would often show off the heirloom to her friends and boyfriends, many of whom would strum it, including such lauded musicians as Gram Parsons, Frank Zappa, Jimmy Page and Robert Plant, and Waylon Jennings -- even actor Brandon de Wilde. Page offered her $2,500 for it, and Steve Jones of the Sex Pistols gave her son music lessons on it.
This divine guitar is in Very Fine to Excellent condition with appreciable wear, and has Aunt Mabel's initials stenciled on it. Included with it are signed copies of Des Barres' memoirs, I'm With the Band: Confessions of a Groupie and Take Another Piece of My Heart: A Groupie Grows Up, as well as her non-fiction book Rock Bottom: Dark Moments in Music Babylon; a feather boa from Des Barres' personal wardrobe; a copy of the GTOs' 1969 LP Permanent Damage, signed by her; and a vintage Mothers of Invention concert poster (for a show that also featured the GTOs and Alice Cooper) -- all in overall Excellent condition with very light to mild wear.
This vintage 1922 Gibson acoustic guitar was purchased from a Kentucky pawnshop by Des Barres' aunt Mabel in the '30s and, after being secretly coveted by her for years, was passed along to Des Barres in 1969. Pamela would often show off the heirloom to her friends and boyfriends, many of whom would strum it, including such lauded musicians as Gram Parsons, Frank Zappa, Jimmy Page and Robert Plant, and Waylon Jennings -- even actor Brandon de Wilde. Page offered her $2,500 for it, and Steve Jones of the Sex Pistols gave her son music lessons on it.
This divine guitar is in Very Fine to Excellent condition with appreciable wear, and has Aunt Mabel's initials stenciled on it. Included with it are signed copies of Des Barres' memoirs, I'm With the Band: Confessions of a Groupie and Take Another Piece of My Heart: A Groupie Grows Up, as well as her non-fiction book Rock Bottom: Dark Moments in Music Babylon; a feather boa from Des Barres' personal wardrobe; a copy of the GTOs' 1969 LP Permanent Damage, signed by her; and a vintage Mothers of Invention concert poster (for a show that also featured the GTOs and Alice Cooper) -- all in overall Excellent condition with very light to mild wear.
Musical Instruments
Dimebag Darrell/Damageplan Signed Washburn Guitar. Dimebag Darrell and Vinnie Paul started forming Damageplan in early 2003, not long after the awkward breakup of their previous band, Pantera. The brothers began working on tracks at Darrell's home studio in Dallas, and their first album, New Found Power, debuted in February 2004 to a strong response. But tragedy struck on December 8, 2004, at the Alrosa Village rock club in Columbus, Ohio, when Darrell and three other men were shot to death in a bizarre altercation with a disgruntled fan. This black Washburn Dime 332 Signature Model guitar, designed in 2003 to the guitarist's specs (he in turn endorsed the brand during his career), is signed in silver Sharpie by Dimebag Darrell, as well as Damageplan members Vinnie Paul, Patrick Lachman, and Bob Zilla. In Excellent condition. Accompanied by LOA from PSA/DNA.
Benny Goodman's Clarinet. Dubbed "The King of Swing," Benny Goodman's arrival on the music scene heralded the beginning of the Swing era. Mostly remembered as a band leader, Goodman was also a clarinet virtuoso with a distinctive style. Arguably the most technically proficient Jazz clarinetist of his time, he played the instrument for decades until his death in New York City in 1986 at the age of 77, and in the process inspired many budding musicians to take up the instrument. This Selmer brand clarinet was made in 1929 for the legendary Jazz man (his name is inscribed on the bell) and used by him early in his career. The instrument has been well-used but is still in great condition, and comes in the original carrying case, which is worn but still sturdy. A wonderful item whose significance in the history of music is immeasurable.
Steve Howe's Custom Made Gibson Guitar. Arguably the greatest progressive Rock guitarist alive today, Steve Howe has left an indelible mark on Rock history with both his solo work and his work in bands like Yes, the Syndicats, Asia, GTR, and Tomorrow. At age 17, Howe bought his first electric guitar, a Jazz-style Gibson ES 175 hollowbody electric, in 1964 -- at a time when nobody was playing hollowbodies in Rock bands. Despite the derision of his peers, Howe made a name for himself and established a lifelong affair with that particular make and model. (Matter of fact, Howe's guitar collection has been the subject of a book, and his instruments have been exhibited in museums.) This Gibson ES 175D custom guitar (serial #327081) -- his second electric guitar -- was made for Howe in 1978 and played extensively by him for over 20 years. Howe's name can be found engraved on two small plates, one on the headstock and the other on the tailpiece. Well cared for by Howe, it is in Excellent, like-new condition despite regular use, and is one hell of a nice axe.
Jonah Jones Trumpet. A talented and flashy trumpeter skilled at playing with orchestras, big bands, and small Jazz ensembles, Jonah Jones became a major attraction at home and abroad in the '50s and '60s playing concise versions of melodic Swing standards and show tunes with a quartet. This beautiful French-made LeBlanc trumpet, serial #14380, was owned and used by Jones, and is in Excellent condition. "Jonah Jones" is inscribed in the bell of the trumpet. It comes with a carrying case that is slightly dinged but in overall great condition.
Kiss Signed "MTV Unplugged" Acoustic Guitar. When the original line-up of Kiss re-united on MTV Unplugged in 1995, fan reaction was so positive that they began touring together again for the first time since 1979 (and the first -- and only -- time they performed together without their trademark make-up). This Takamine 12-string FP 400SC acoustic guitar was used by Paul Stanley in a performance of "Hard Luck Woman" during the taping of the show, and is signed by Ace Frehley, Gene Simmons, Peter Criss, and Stanley in black marker. Although the song was not featured in the broadcast version of the episode, a VHS tape of it being performed is included, as well as the original receipt, two signed letters of authenticity, and a color snapshot of Stanley signing the guitar. This fine instrument is in Excellent condition. With COA from PSA/DNA.
Music Memorabilia
Tom Petty & The Heartbreakers Signed Telecaster. One of the most enduring acts in Rock music, Tom Petty & The Heartbreakers are still going strong, having just wrapped their 30th anniversary tour. This off-white Fender Squire Telecaster is signed by Petty, Ron Blair, Benmont Tinch, Scott Thurston, and Mike Campbell in blue Sharpie. In Excellent condition. Accompanied by LOA from PSA/DNA.
Acoustic Guitar Signed by Various Country Stars. This attractive Gibson Epiphone 12-string acoustic guitar has been autographed by the likes of Travis Tritt; Randy Travis; Billy Burnett; Andy Dee; Molly Scheer, Chadwick Nelson, Jeff Nelson, and Mark O'Connor of Molly & the Heymakers; and a dozen others. In Excellent condition. Accompanied by LOA from PSA/DNA.
Roger Waters Signed Telecaster. Controversial, innovative, and intensely creative, Roger Waters was the driving force behind Pink Floyd from the mid-'60s, through the '70s, and into the early '80s, writing or co-writing much of their signature material. This Fender Squire Telecaster with sunburst finish is signed just below the bridge by Waters in blue Sharpie, and is in Excellent condition. Accompanied by LOA from PSA/DNA.
Jimmy Buffet Guitar Picks Group of Four. Here's a group that'll thrill "parrotheads" everywhere: a set of awesome picks from the acoustic guitar legend. Included in the group are two rare tortoise shell picks, one is rainbow style with a fish on it and the other in red with a hula girl. Don't wait 'til you get to "Margaritaville" to bid on these gems.
Country and Western Guitar Picks Group of 11. A nice set of stage used and promotional guitar picks here. Included in the group are picks from Clint Black, Trisha Yearwood, Kenny Chesney, Wynonna Judd, Garth Brooks (two), Tim McGraw (four promo), and Sun Studios (promo).
Metal and Hard Rock Guitar Pick Group of Nine. Whether you've got your own axe or prefer the air guitar, you'll play better with the right pick! Included in this group are picks from Andreas Kisser (Sepultura), Bobby Dall (Poison), James Iha (Smashing Pumpkins, promo), Billy Corrigan (Smashing Pumpkins, promo), Bruce Kulick (KISS), Eddie Van Halen (Van Halen, two), Slash (Guns n' Roses), and Gilby Clarke (Guns n' Roses). Some picks show mild wear but all are in excellent condition.
Session 3
Movie/TV Memorabilia
Set of Assorted Celebrity Invitations and Greeting Cards. Set of nine assorted greeting cards and party invites from the likes of Dean Martin, Kim Novak, and Bob Hope. In overall Excellent condition.
Renée Adorée Signed Photo. A beautiful b&w 11" x 14" of the French actress, one of the few silent-era starlets to make the transition to "talkies," inscribed and signed by her in black ink. The fact that most Adorée signatures were secretarial combined with her tragic death from tuberculosis at age 35 combine to make this actual signature by her a rare and prized item. The photo is in Very Fine condition with light wear and moderate overall tanning. Accompanied by LOA from PSA/DNA.
Mexican Uniform and Flag from "The Alamo." John Wayne drew on what he learned from John Ford and Howard Hawks when he made his own directorial debut in 1960 with The Alamo, his sprawling, ambitious, epic take on one of history's most famous last stands (the full-scale replica set alone took two years to build). The uniform consists of a pair of beige trousers and a red and blue jacket with white trim and a Republic Pictures property stamp on the lining; the flag is a replica of the Second National Flag of Mexico measuring 40" x 60". Both are in Excellent condition with a mild amount of staining from age and use during production. Accompanied by COA from L.A. Prop & Wardrobe Co.
Jack Albertson Signed Contract. One-page, double-sided contract dated January 22, 1973, allowing actor-comedian Jack Albertson to appear as a "mystery guest" on the game show What's My Line?, signed by Albertson in red ink and in Excellent condition with fold creases. Accompanied by LOA from PSA/DNA.
Chico and the Man Script, Signed by Jack Albertson. "You'd be surprised how being dead can louse up your day," says "The Man" (Jack Albertson) to Chico (Freddie Prinze) in this final draft script for the Chico and the Man episode "Champs Ain't Chumps," dated November 18, 1976, and signed by Albertson. Ironically, this episode was taped only a little over two months before Prinze's gunshot suicide in January of 1977. The script contains the cast list, the rehearsal and taping schedule, and several revised pages dated Nov. 19, 1976 (the taping date), as well as all the dialogue, cues for applause, etc. The popular TV series, which began its run in 1974, won an Emmy for Albertson (who already had a Tony and an Oscar for his performance in the play and film The Subject Was Roses, and made a star of Prinze (who'd scored as a stand-up comic on the Tonight Show). Albertson's signature is in pencil on the cover, and the script is in Excellent condition. Accompanied by LOA from PSA/DNA.
"Alice in Wonderland" Cast-Signed Script. Kaye Ballard's copy of the script for WNET's 1983 production of Alice in Wonderland, originally broadcast as an episode of Great Performances, signed by cast members Richard Burton (it was one of his last performances), Maureen Stapleton, James Coco, and others. In Excellent condition with mild cover wear. Accompanied by LOA from PSA/DNA.
Jennifer Aniston's Earrings from "Along Came Polly." Pair of silver filigree earrings with rose-colored beads worn by Jennifer Aniston in the 2004 romantic comedy. In Excellent condition.
Great Actresses Signed Photos. Included is an Alice Faye signature cut (with a b&w 8" x 10" photo of her), along with 8" x 10" photos signed by Betty Grable, June Allyson, Marlene Dietrich, Eve Arden, and Mildred June. The photos are in overall Very Fine to Excellent condition, with some mild wear. Accompanied by LOA from PSA/DNA.
Fred Astaire's Top Hat from "Top Hat." This classy black silk top hat was worn by legendary dancer Fred Astaire opposite Ginger Rogers in the 1935 romantic musical comedy Top Hat. Considered their definitive film together, it was the first written specifically for them, and featured the classic "Top Hat, White Tie and Tails," which remains one of Astaire's finest solo numbers. The movie earned $3 million at the box office (a very substantial amount at the time), the only other film in 1935 to outgross it being Mutiny on the Bounty. As a matter of fact, it and King Kong helped rescue RKO from bankruptcy. The titular chapeaux is collapsible for easy storage and comes in the original hatbox, which is labeled "RKO, Fred Astaire, Top Hat 1935, Store in Archives" on the inside of the lid. In Excellent condition with only the slightest bit of wear around the edge of the crown. Accompanied by COA from L.A. Prop & Wardrobe Co.
Lionel Atwill Autograph. An autograph album page signed by Lionel Atwill in black ink, dated February 23, 1940. In Excellent condition with faint discoloration to the page and small holes punched along the right edge. Accompanied by LOA from PSA/DNA.
Lucille Ball and Desi Arnaz Signed Contract. This double-sided licensing agreement, dated July 27, 1954, between the first couple of situation comedy and hat-maker Harry Sperling is signed by both Lucille Ball and Desi Arnaz, and also by Sperling, in blue ink on the back side, and is in Very Fine condition with three fold creases and very light discoloration. Also included are invoices from Sperling to the I Love Lucy show for hats used by the costume department. Eleven pages total, in Very Fine condition with mild wear and tanning. Accompanied by LOA from PSA/DNA.
Lucille Ball Signed Photo. A b&w 8" x 10" photo of the actress playing cowboys and indians with some kids, signed by her in black ink. In Excellent condition. Accompanied by LOA from PSA/DNA.
London Palladium Certificate Presented to Kaye Ballard. A handsome and impressive framed certificate, measuring 12" x 18", presented to Kaye Ballard "for being one of the representative Artistes selected to appear at the Royal Command Variety Performance held at the London Palladium on Monday, November 13, 1950, in the Presence of Their Majesties, The King and Queen..." The benefit was for "Indigent Variety and Circus Artistes." Portraits of the royalty are at the top of the certificate and there are several signatures.
Kaye Ballard's Guest Book. A green leatherbound guestbook used by the stage and television actress at events held in 1969 and '70, signed by the likes of June Havoc, Bruce Kirby, Larry Storch, Maureen Stapleton, Leslie Uggams, Doris Day, and Paul Lynde -- often more than once. More than 100 signatures are featured. In Excellent condition with only very light wear to the cover. Accompanied by LOA from PSA/DNA.
Script Binder from Burt Reynolds to Kaye Ballard. Brown leather script binder embossed with "Liberty, May 13, 1933, The year Kaye Ballard was born.....forgive me Lord for I have sinned.....Love, Burt and Dinah," given as a gift to the actress by Reynolds and Dinah Shore. In Excellent condition with light wear.
Vilma Banky Signed Photo. A very nice b&w 11" x 14" photo of the silent-era starlet, inscribed and signed by her in black ink and dated 1919. In Very Fine to Excellent condition with light edge wear, a very small tear to the left edge, and mild overall tanning. Accompanied by LOA from PSA/DNA.
Nine Ethel Barrymore Pictures. She was, of course, Queen of the Royal Family of Broadway and Hollywood: Ethel Barrymore, who won the Academy Award for None But the Lonely Heart (1944). She's bristling with majesty in this lot, which includes seven very rare 11.5" x 13.5" theater portraits of Ethel as a beautiful young woman ("Charles Froham Presents Ethel Barrymore," reads each one); an original 10" x 13" MGM publicity picture, taken at the time all three Barrymores were starring in Rasputin and the Empress (1932), showing John Barrymore passing his new baby John to Ethel to hold as various family members share the moment (original snipe and stamp by MGM photographer Wm. Grimes en verso); and an 11" x 14" portrait of Ethel, circa 1932. One of the theater shots (which is slightly larger than the others in that group, at 11.5" x 15") has border damage at the top; the 1932 portrait has some surface marks and creases; otherwise all are in Very Fine condition.
Hollywood Actors Signature Group. This selection of autographs by acting greats from the Golden Age of Hollywood includes a 5" x 7" b&w photo signed by Fredric March (secretarial) in black ink, plus cut signatures from Ronald Coleman, Richard Barthelmess, Eddie Cantor, Clive Brook, George Fawcett, and Russell Patterson. The items are in overall great condition. Accompanied by LOA from PSA/DNA.
Costume Gloves Worn by Adam West on "Batman." This pair of dark blue satin batgloves with black leather palms was worn by Adam West as the Caped Crusader throughout production on the classic 1966-68 TV series, and come directly from Adam's personal collection. The gloves are in Very Good to fine condition with mild to moderate wear, a 3" tear to the palm of the left glove and heavily torn and distressed palm on the right glove -- no doubt from years of regular use in punching out criminals. With LOA from Adam West.
Five Warner Baxter Photos. Warner Baxter won the Best Actor Academy Award for his performance as the Cisco Kid in the Western In Old Arizona -- quite an achievement, since he reportedly had a fear of horses. Here are five original photos of the matinee idol star, a dashing 11" x 14" portrait from the early/mid-1930s, and four pictures of him in his Oscar-winning role as the Cisco Kid. In overall Very Fine condition.
Wallace Beery Costume Vest from "Barbary Coast Gent." A handsome chocolate-brown vest worn by Wallace Beery in the 1944 comedic Western. An MGM costume tag sewn into the collar is labelled "W. Beery" and has a production number written on it. The vest is in overall Excellent condition with only very mild wear and some moderate discoloration to the lining.
Wallace Beery Photos. "He pinched my bottom once because he thought I was stealing a scene," lamented former child star Margaret O'Brien about working with Wallace Beery. "And once he even stole my lunch!" He might have been uncouth off the screen, but Beery was a major Hollywood attraction, an Academy Award winner for The Champ (1931) and one of MGM's most durable stars. This lot pays him respect with a terrific 11" x 14" portrait from The Mighty Barnum (1934), with snipe and the stamp of photographer Kenneth Alexander on the verso; a paper 8" x 10" portrait with dog and a facsimile signature; a 10" x 13" shot of Beery in a jeep with the 757th Tank Battalion on location for The Bugle Sounds (1942), with snipe; a 9.5" x 12.5" still with Marjorie Rambeau in Twenty Mule Team (1940), with photographer Clarence Bull's stamp and typed caption en verso; and a 9" x 11" portrait of Wally in Naval officer's uniform from Thunder Afloat (1939) with Bull's stamp and typed caption en verso. All but the second are originals, and all are in Very Fine to Excellent condition.
Vintage Photos of Three Leading Ladies of Horror. A trio of beautiful actresses who made their mark in classic horrors: Mary Nolan, "Maizie" of Lon Chaney's West of Zanzibar; Patsy Ruth Miller, "Esmeralda" of Chaney's The Hunchback of Notre Dame; and Madge Bellamy, "Madeleine" of Bela Lugosi's White Zombie. The Nolan and Bellamy portraits are 11" x 14" and each bears the stamp en verso of noted photographer Edwin Bower Hesser of New York; the MIller shot is 9" x 12" with original snipe (torn) en verso. The Mary Nolan picture identifies her en verso in pencil as "Imogene Wilson," her stage name from her era as a Ziegfeld Girl. The Bellamy picture is color-tinted. Gorgeous portraits in overall Very Fine condition. No wonder these ladies tempted the horror stars.
Set of Five "Saturday Night Live" Contracts Signed by Members of the Original Cast. One of the longest-running network entertainment programs in American television history, Saturday Night Live has set the standard for sketch comedy shows and launched the careers of numerous comedic actors. Featured are four contracts on NBC letterhead (each date October 9, 1975) and one standard AFTRA agreement dated September 22, 1975, signed by original "Not Ready for Prime Time Players" John Belushi, Gilda Radner, Dan Aykroyd, Jane Curtin, and Garrett Morris, respectively, engaging them for NBC's Saturday Night (the show's original title until ABC's Saturday Night Live with Howard Cosell was cancelled in 1976, allowing for a slight name change). The NBC contracts are in Very Fine condition with light tanning and staple and binder holes to the top edge, and Morris' AFTRA contract is In Excellent condition with light wear. Some wonderful items of TV history. Accompanied by LOA from PSA/DNA.
Bruce Bennett Costume Pants from "Task Force." Pair of olive green uniform pants worn by Bennett in the 1949 war movie. In Excellent condition with a Warner Bros. costume department tag dated October 13, 1948, and bearing the actor's name.
Tony Bennett Original Painting. Singer Tony Bennett has won praise and distinction as an artist (his work has been commissioned by the United Nations and the Kentucky Derby). This is a painting of boats against a pastoral background, signed by Bennett (as is his custom) under his real name, "Benedetto." Nicely matted in a 14 1/2 x 17 green frame. Personally consigned by Kaye Ballard.
Large Set of Vintage Photos of Theater and Silent Film Stars. A collection of 27 vintage b&w photos of varying sizes, many of them signed, featuring Sarah Benrhardt, Lillian Blauvelt, Rose Coghlan, Amelia Summerville, Katie Barry, Ethel Barrymore, Louise Dresser, Anna Pavlova, Marshall Wilder, Marguerita Silva, and Francis Starr. Overall condition is Fine, with mild to heavy wear.
Playboy Bunny Costume from "Beverly Hills Cop II." A Playboy Bunny costume consisting of a lilac-colored corset with a name badge reading "Cathy" on the hip and "5'5"-5'7" 36C" written on the label, matching bunny ears headband, starched white collar, black bow tie, black fishnet hose, white cuffs, and silver-and-onyx cufflinks with Playboy Bunny logo worn by an extra in the 1987 sequel and visible in the scene where Axel Foley (Eddie Murphy) crashes the gate at a party at the Playboy mansion. (Little known fact: The Playboy Bunny costume is the only non-military uniform to date to have been granted a patent number in the U.S.) In Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Marie Blake Autograph. An autograph album page signed by actress Marie Blake in in black ink, dated October 25, 1940. Blake later changed her name to Blossom Rock and gained fame as Grandmama on The Addams Family. A rare signature. In Excellent condition. Accompanied by LOA from PSA/DNA.
Humphrey Bogart Signed Photo. One of the finest Bogart signed photos to ever surface, this 7.25" x 9" b&w studio publicity photo is inscribed "To Betty with every good wish" and signed by the actor in black ink in the upper right corner. Autographed Bogart material is rare, and authentically signed photos are even rarer as Bogart had secretaries sign most of his correspondence. This particular photo is in Very Fine condition with minor tape stains to the corners, and a Warner Bros. Pictures stamp and Henry Waxman photographer's credit stamp on the back. Accompanied by a COA from Daniel Cohen, noted autograph authenticator.
Humphrey Bogart Photo by George Hurrell. A b&w 16" x 20" silver print of Bogart, #157 from a limited edition of 250 signed by photographer George Hurrell shortly before his death in 1992. Head of the portrait photography department at MGM, Hurrell photographed every star who worked at the studio in the 1930s and '40s, and helped shape the image of Hollywood glamour. The photo comes in a protective portfolio with a certificate of authenticity and is in Excellent condition.
Humphrey Bogart Signed Home Sale Authorization. One-page "Authorization to Sale -- California Real Estate Association Standard Form," dated April 24, 1952 and signed by Bogart on the front page in blue ink. The document lists his house at 2707 Benedict Canyon Drive in Los Angeles for $69,500 for 90 days -- a huge price at the time, foreshadowing the time when similar houses in the area would sell for millions of dollars. The document is in Very Fine condition with light wear and tanning to the edges, a crease down the middle, and the usual binder holes to the top edge. Accompanied by LOA from PSA/DNA.
Ray Bolger Signed Photo. A color 8" x 10" cast photo from The Wizard of Oz signed by Ray Bolger. In Excellent condition with some curling, light wear, and fading of the photo. Accompanied by LOA from PSA/DNA.
Ward Bond and John Garfield Autographs. A pair of autograph album pages, one each signed by Ward Bond (black ink, April 18, 1941) and John Garfield (black ink, undated). In overall Excellent condition with mild to moderate tanning and holes punched in the left edge of the Garfield signature. Accompanied by LOA from PSA/DNA.
Walter Brennan Signed Photo. A b&w 10" x 13" photo of Brennan, inscribed "To Bessie & Morris with best wishes always" and signed by him in black ink, mounted on heavy cardstock to an overall size of 14" x 18". In Very Fine condition with light wear and moderate tanning, wear, and soiling to the matte. Accompanied by LOA from PSA/DNA.
Johnny Mack Brown Signed Photo. A great b&w 11" x 14" photo of the the silent-era cowboy hero by early Hollywood glamour photographer Ruth Harriet Louise, inscribed and signed by Brown in black ink. The photo features Louise's studio stamp on the back, and her name is embossed on the lower right corner. In Very Fine to Excellent condition with light edge wear and light overall tanning. Accompanied by LOA from PSA/DNA.
Lenny Bruce Signed Check. A personal check dated october 16, 1962, and signed by the controversial comedic genius. In Excellent condition with the usual bank cancellation holes and marks. Accompanied by LOA from PSA/DNA.
Nigel Bruce Autograph. An autograph album page signed by Bruce, who played Dr. Watson opposite Basil Rathbone in numerous movies, in black ink, dated December 13, 1934. In Excellent condition with mild to moderate tanning and small holes punched along the right edge. Accompanied by LOA from PSA/DNA.
Lenny Bruce Signed Check. A personal check post-dated March 9, 1993, and written to actress Kaye Ballard for the amount of $25 million (seriously) and signed by the legendary comedian. Ballard and Bruce worked together at a club called The Hungry I in the '50s, and Bruce called her his best audience -- and decided that as such he should pay her with this check. Bruce later wrote a parody of the song "Autumn Leaves" that was recorded by Ballard, for which he received 14-cent residual check. "He said 'I'm never going to deposit this check'," recalls Ballard. " 'I want to f-- up their books!' " The check is in Excellent condition and without the usual bank cancellation marks or holes (for obvious reasons). Included is a handwritten letter of authenticity from Ballard. Accompanied by LOA from PSA/DNA.
Yul Brynner Award Statuette. This heavy bronze statuette was presented to Brynner in 1957 by the popular Dutch newspaper The Latest News during their annual film referendum, not long after Brynner dominated the screen with performances in The Ten Commandments, The King and I, and Anastasia. It stands approximately 12.5" tall and is in Excellent condition.
Vampire Cloak from "Buffy the Vampire Slayer." This long, black, hooded vampire's cloak was worn by an extra in an unspecified episode(s) of the popular, long-running television series. In Excellent condition with "Fox" written on the inside lining and a small tear to the upper left sleeve, highlighting the fact that it is not stake-proof. Accompanied by COA from L.A. Prop & Wardrobe Co.
Billie Burke Vintage Photo. A beautifully winsome portrait of a young Billie Burke, probably taken during the World War I years. She's holding a fan, wearing a hat with flowers, and her enchanting eyes show you why she was fated to play good witch Glinda in The Wizard of Oz. Photographer Alfred Cheney Johnston's embossed name is in the lower right corner; pencil writing en verso identifies the lady not only as Billie Burke, but also as "Mrs. Florenz Ziegfeld." In Very Fine condition.
Edgar Rice Burroughs Signed Tarzan Sketch. This unique Tarzan doodle is inscribed "Tarzan for John," dated October 21, 1944, and signed by the writer in pencil. It has been matted and framed along with a small b&w photo of Burroughs, a 7" x 8" color sketch of Tarzan, and small plaque, to an overall size of 22" x 18". In Excellent condition with a small tape stain to the inscription. Accompanied by LOA from PSA/DNA.
Celebrity Photo Group. Set of 15 vintage b&w and color photos and snapshots of various sizes of assorted celebrities at play. Featured Richard Burton and Liz Taylor, Marlon Brando, James Stewart, Larry Hagman, Bing Crosby, and others. In overall Excellent condition with light wear and cropping notes written on a couple.
James Cagney Costume Hat from "13 Rue Madeleine." This handsome black Homburg was worn by Cagney in his role as espionage agent Bob Sharkey in the 1947 spy thriller. It has "J. Cagney" written on the sweatband and is in Excellent condition with no wear. Accompanied by COA from L.A. Prop & Wardrobe Co.
James Cagney and Edward G. Robinson Signed Photos. Included are a b&w 4.5" x 7" photo signed by Robinson in black ink and a b&w 3" x 4" photo signed by Cagney, glued over the corner of a b&w 8" x 10" photo of him. Both have been matted to an overall size of 11" x 14" and are in Excellent condition with light wear and discoloration. Accompanied by LOA from PSA/DNA.
Leo Carillo Signed Photo with Doodle. An 8" x 10" photo of the Cisco Kid sidekick, signed by Carillo with a doodle sketch of his character "Pancho." Matted and framed to and overall size of 12" x 15", and in Excellent condition with moderate fading to the autograph. Accompanied by LOA from PSA/DNA.
John Carradine Signed "Voodoo Man" Poster. An accomplished stage and screen actor and patriarch of a family of actors, John Carradine is often remembered for his more diabolical roles as villains and madmen, including his performance in the 1944 classic Voodoo Man opposite Bela Lugosi. This 11" x 17" faux tabloid for the movie is inscribed "To Fred, Best wishes from John Carradine" in black ink in the top left corner. It is in Fine condition with mild discoloration, moderate creasing and tearing to the corners and edges, and some tape along the center fold, which is mostly split. Also included is a b&w 5" x 7" photo of Carradine reading the item, in Excellent condition. Accompanied by LOA from PSA/DNA.
Horror Movie Leading Men Autographs. Set of three autograph album pages includes one each for John Carradine (black ink, undated), Henry Hull (blue ink, dated December 4, 1939), and Gavin Gordon (black ink, November 5, 1939). In overall Excellent condition with very mild tanning to the edges and small holes punched in the right edge. Accompanied by LOA from PSA/DNA.
Johnny Carson Signed Letters with Photos. Included are three letters on personal stationery, dated 1967-73, to publicist Jack Drury, each signed by Carson; four b&w 8" x 10" photos of Carson and Drury hanging out together; a Tonight Show VIP parking pass from Carson's last show in 1992 with "McMahon" written lightly on it in pencil; and a promo publication for the 1968 Johnny Carson Discovers Cypress Gardens TV special; as well as a letter from Bob Hope to Drury, dated February 8, 1988, on personal stationery and signed by Hope. The items are from Drury's personal collection and are in overall Very Fine condition with mild to moderate wear and tear. Accompanied by LOA from PSA/DNA.
Vintage Autograph Book Signed by Elvis and Others. This vintage features more than three dozen signatures, dated 1956-60, including Elvis Presley (three times, including on a license pasted in the inside back cover), Johnny Cash, Wink Martindale, Natalie Wood Wagner, Ernest Tubb, and various local DJs. In overall Excellent condition with mild wear to the cover and mild discoloration to some pages. Accompanied by LOA from PSA/DNA.
CBS TV Eye Logo Artwork Its signature for more than half a century, the CBS Eye has become an American icon, and one of the most identifiable and most successful corporate symbols in history. Created during a 1954 redesign of the television network's famous eye logo designed by William Golden, this mixed-media piece is possibly the only surviving example of an early color broadcasting logo, handmade in Hollywood out of paper and paint long before the years of CGI. It measures 12" in diameter and is in Very Fine condition with light wear and a few tape stains around the edges. It comes in a metal archival storage box.
Cedric the Entertainer's Hat from "Intolerable Cruelty." This olive-colored snap-brim straw hat was worn by comedian-actor Cedric the Entertainer in his role of ethically challenged P.I. Gus Petch opposite George Clooney in the 2003 Coen Brothers romantic comedy. In Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Lon Chaney's Collar Storage Box. Nicknamed "the Man of a Thousand Faces" for his ability to dramatically transform himself without sophisticated make-up techniques, Lon Chaney Sr. became a legendary actor and pioneer in silent-era horror films such as The Phantom of the Opera and London After Midnight. This elegant wooden box was used by Chaney to store his starched dress shirt collars; it measures 8" x 6.5" x 7" and is has "Lon" stenciled on the maroon lining in gold lettering. The outer covering of the box has deteriorated over time, taking the hinging along with it, otherwise the box is in Fine condition with mild wear to the interior. Accompanied by COA from L.A. Prop & Wardrobe Co.
Vintage Lon Chaney "London After Midnight" Photo. A very rare b&w 11" x 14" promo shot of Chaney as the ghoulish Professor Burke in director Tod Browning's 1927 silent horror movie, a lost classic of which no prints are known to exist. This wonderfully vile photo features a great view of Chaney's stunning make-up for the role (one of his last performances), which included a set of false teeth -- made from animal teeth -- that were so uncomfortable he could only wear them for a few minutes at a time. In Excellent condition with very light wear and very little discoloration, it features legendary MGM photographer Ruth Harriet Louise's studio stamp on the back and embossed name stamp on the lower right corner.
Vintage Lon Chaney "Laugh, Clown, Laugh" Photo. A very rare b&w 11" x 14" promo photo of Chaney in costume for the 1928 drama, one his last movies and reportedly his personal favorite. The photo is in Very Fine condition with light edge wear, a small tear to the right edge with a tape repair on the reverse side, and mild to moderate overall tanning.
Charlie Chaplin Signed Photo. A b&w 8" x 10" photo signed "Sincerely yours/Chas. Chaplin" in black ink by the legendary comedian and film pioneer. In Fine to Very Fine condition with light wear around the edges. Accompanied by LOA from PSA/DNA.
Charlie Chaplin-Owned Cane. This stout, 36" wooden cane with metal tip and fleur de lis seal on the handle was once the property of an elderly Charlie Chaplin, and bears a resemblance to the whangee canes he made famous in his Little Tramp persona. It was given by Chaplin to a fan who was seated next to him on flight in 1972, when Chaplin was on his way to the U.S. from Switzerland to receive an honorary Oscar for career achievement, marking the end of his 20-year political exile from the States. The venerable comedian presented his cane to the man after the fellow told him how he had proposed to his wife in 1931 after a screening of City Lights; it was later passed along to a collector of Hollywood memorabilia. In Excellent condition with light wear from use. Includes Letter of Authenticity.
Charlie Chaplin Transfer Sheet. An uncut transfer sheet of Charlie Chaplin cartoons, matted and framed to an overall size of 14" x 19.5". In Very Fine condition with some light wear and tanning.
Charlie Chaplin Signed Letter. Typed on business letterhead and dated May 30, 1916, it reads in part: "How happy I am to bring a ray of sunshine into the dull gray lifes [sic] of those who need it most and if I can bring but one laugh to the countenances of those less fortunate than ourselves my work and hardest efforts are repaid a thousand fold and all my work is worth while." The letter is signed "Chas. Chaplin" in black fountain pen, and in Very Good to Fine condition with two fold creases, light wear and dark tanning to the edges, a piece missing near the top left corner, and heavy tanning to the back side, none of which affects the magnificent signature. Accompanied by LOA from PSA/DNA.
Mae Clarke Photos, Script, and Signed Items. One of the classiest actresses of the 1930s, Mae Clarke is best remembered for her role in Frankenstein and for getting a grapefruit rammed in her face by James Cagney in The Public Enemy. This mini-archive includes three assorted sketches of Clarke (overall Very Good condition with some chipping, wear, and heavy tanning to one, and much tape on another); ten assorted b&w 8" x 10" photos of Clarke (Very Fine), some with notations and/or studio stamps on the back; a flyer for The Impatient Maiden, an 8" x 10" scrapbook page, and a paper b&w 8" x 10" photo -- all signed by Clarke; and a file copy of the screenplay for The Impatient Maiden (Very Fine with light wear and tanning). A great selection of items. Accompanied by LOA from PSA/DNA.
Jean Cocteau Signed Pen and Ink Sketch. A wonderful stylized pen and ink sketch of a sailboat on the Mediterranean drawn by revered French writer-artist-director Jean Cocteau, signed by him and dated 1960. An important exponent of the Surrealist movement (the term was actually coined by writer Guillaume Apollinaire to describe Cocteau's 1917 collaboration with Erik Satie, Pablo Picasso, and Léonide Massine), Cocteau's films were a huge influence on the French New Wave and, consequently, American cinema as well. This particular sketch was completed by Cocteau about three years before his death at age 74. It is in Excellent condition with mild to moderate tanning, and has been matted and handsomely framed to an overall size of 24" x 28". Accompanied by LOA from PSA/DNA.
Gary Cooper's Campaign Hat from "Sergeant York." Gary Cooper won his only Academy Award for his performance as World War I hero and pacifist Alvin C. York in the 1941 biopic. York was initially against the idea of making his experiences into a movie, and only allowed it under the condition that Cooper would be cast to play him. The result is a classic, career-defining film. This brown felt World War I-style campaign hat was worn by Cooper in the movie, and has "Mr. Cooper" and a production number written inside in slightly faded black ink. The hat is in overall Very Good to Fine condition, with some warping to the brim and moderate to heavy wear, mostly on the underside of the brim. A handsome item nevertheless. Accompanied by COA from L.A. Prop & Wardrobe Co.
Lou Costello Signed Photo. A b&w 8" x 10" promo still from Jack and the Beanstalk (1952) inscribed "To 'Abe', Thanks a million for making me look good" and signed by Costello in black ink. (Abe was Abe Haberman, make-up artist for the production.) In Excellent condition with minor creases to the corners. Accompanied by LOA from PSA/DNA.
Kevin Costner "No Way Out" Costume Jacket. This black U. S. Navy dinner dress uniform jacket with bow tie was worn by Costner in the 1987 political thriller. A metal tag in the inside pocket states: "Property of Vietnam Veterans in the Media Production Inventory" and bears the date January 10, 1987. In Excellent condition.
Clifton Webb/Noel Coward Rare Photos. Three b&w 8" x 10" photos of Webb with friends and family, including great shots of him with Leslie Caron and Judy Garland. Included also is a rather disarming b&w 3" x 5" photo of Noel Coward clad in only a jock strap and slippers. In overall Excellent condition with mild wear.
Set of Fourteen Joan Crawford Letters. A series of 14 "thank you" notes from Joan Crawford to Mary and Stan Herman, postmarked from June 10, 1957 to December 30, 1966, thanking them for various birthday and Christmas cards. Each is typed on personal stationery and signed by Crawford. In overall great condition with minimal wear or fading to the letters, and light to moderate wear and fading to the envelopes. Accompanied by LOA from PSA/DNA.
Joan Crawford Signed Letters. Three typed letters to a fan, dated February 25, 1963; April 28, 1969; and January 27, 1970; signed by Crawford in blue ink. In the first letter, Crawford apologizes for not having any photos of herself with Whatever Happened to Baby Jane? co-star Bette Davis to send out; in reality Crawford and Davis despised each other and feuded for years. The letters are in Very Fine condition with some mild tanning. The envelope for the 1963 letter is not present. Accompanied by LOA from PSA/DNA.
Joan Crawford Early Signed Photo. This stunning b&w 11" x 14" photo of Joan Crawford by early Hollywood glamour photograph Ruth Harriet Louise, taking during her early days as a dancer and bit player in the late 1920s, is inscribed "To Andrew, My complete admiration for you, an artist" and signed "Joan" in black ink. The photo features Louise's studio stamp on the back, and her name is embossed on the lower right corner. In Very Fine condition, with light wear, a very small tear to the right edge, and mild overall tanning. Accompanied by LOA from PSA/DNA.
Laird Cregar and Maria Ouspenskaya Autographs. A pair of autograph album pages, one each signed by Laird Cregar in blue ink (dated March 5, 1941) and Maria Ouspenskaya in black ink (dated February 13, 1940, with a Lana Turner autograph in black ink en verso, dated February 11, 1940). Both made names for themselves in horror films in the '40s. The autographs are in Excellent condition with light wear. Accompanied by LOA from PSA/DNA.
Bing Crosby's Graduation cap from "High Time." This black mortarboard cap was worn by Crosby in the Blake Edwards' 1960 comedy about a 51-year-old man who decides to attend college. (Bing was cast as the lead and the script was rewritten for him when Gary Cooper's terminal cancer forced him to withdraw.) In Excellent condition with "Bing" written on the inside liner. Accompanied by COA from L.A. Prop & Wardrobe Co.
Bing Crosby's Figural Pipe. Bing Crosby has done more for the pipe than any other entertainer -- a pork pie hat, a sweater, and a pipe became his trademark, generating instant recognition among his multitude of fans. (So many of them wanted to emulate the crooner that a company called Merchant Service created and marketed a Crosby-inspired long-stem pipe). This hand-carved pipe came from Crosby's personal collection, and has a meerschaum bowl carved in the shape of a nude woman and an elegant red wooden stem. It was obviously regularly used by its owner, bearing the distinctive golden brown color of a well-smoked meerschaum. In Very Fine condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Curly Howard's Navy Hat from "Back From the Front." This vintage Donald Duck-style U.S. Navy uniform cap was worn by founding Stooge Jerome "Curly" Howard in the 1943 short film "Back From the Front." It is in Excellent condition and has "Curly H." written on the inside in slightly faded ink. Accompanied by COA from L.A. Prop & Wardrobe Co.
Dante "Sim-Sala-Bim" Signed Program Book. Popular during the 1930s and '40s, stage magician Dante (actually Harry August Jansen) quickly became known as the "King of the Magicians." This program book dates circa 1941, and is signed by the illusionist in blue ink. Contents include a bio, press notes, horoscopes, and 50 "how-to's" for aspiring stage magicians. In Fine condition with moderate wrinkling, spine stress, and general wear, none of which affects the signature.
Kim Darby's Hat from "True Grit." Black 19th century-style riding hat worn by actress Kim Darby opposite John Wayne and Glen Campbell in the 1969 Western. In Excellent condition, with Darby's name written on the sweatband. Accompanied by COA from L.A. Prop & Wardrobe Co.
Costume Bandage Hood Worn by Liam Neeson in "Darkman." Dark, brooding avengers were all the vogue following the release of Tim Burton's Batman in 1989, when director Sam Raimi was looking to adapt the classic pulp hero the Shadow. Unfortunately Alec Baldwin beat him to that property, so Raimi created his own pulp character: Darkman, a former scientist hideously disfigured by villainous thugs who becomes a master of disguise and embarks on a quest for justice and vengeance. An instant cult classic, it become one of the stepping stones on Raimi's path to helming the hugely successful Spider-Man franchise. This costume bandage hood was worn by actor Liam Neeson to hide the terrifying visage of his character and is in Excellent condition. Included with it is the September 1990 issue of Starlog featuring the character on the cover (Very Fine condition with some light wear and tear).
Linda Darnell's Coin Purse. A small, cream-colored coin purse from the personal belongs of late actress Linda Darnell. In Excellent condition with just a little soiling. From the estate auction of Linda Darnell.
Linda Darnell's Purse. Blue cloth purse with black lining and snap closure, in Excellent condition with light discoloration on the front. From the Linda Darnell estate auction.
Linda Darnell's Black Blouse. A stage actress and a model as a child, Linda Darnell grew up to become a popular and successful leading lady, appearing in 46 movies over 25 years before tragically dying in a fire at the age of 41. This black sleeveless top comes from Darnell's personal wardrobe and is in Excellent condition. From the Linda Darnell estate auction.
Linda Darnell's Photo Album. A beautiful 12" x15" green (Darnell's favorite color) and gold 55-page photo album, handmade by Linda Darnell in 1953 and filled with Western Union telegrams, a copy of La Settiman magazine, and original Italian 9" x 7" b&w production stills and 3" x 4" behind-the-scenes photos (many taken by Darnell), all related to the 1954 film Angels of Darkness, in which Darnell starred opposite Anthony Quinn. The album and its contents are in Excellent condition with light wear. From the Linda Darnell estate auction.
Tragic Leading Ladies Autograph Set. Set of three autograph album pages includes one each for Carole Landis (black ink, dated January 17, 1941), Linda Darnell (black ink, dated January 20, 1940), and Maria Montez (black ink, dated April 26, 1941). Each died in her 30s under tragic circumstances; Darnell in a house fire, Landis by suicide, and Montez drowned. In overall Excellent condition with very mild tanning and small holes punched along the right edge of the Darnell signature. Accompanied by LOA from PSA/DNA.
Linda Darnell Signed Photo. A b&w 8" x 10" portrait of a high-kicking Darnell, inscribed signed by her in blue ink. Matted to an overall size of 11" x 14" and in Excellent condition. Accompanied by LOA from PSA/DNA.
Assorted Vintage Opening Night Programs. Included are program books for David and Bathsheba, Red Garters, Giant, Lust for Life, How the West Was Won, The Robe, The Ten Commandments, This is Cinerama, Peyton Place, The Agony and the Ecstasy, So This is Paris, and Salome. In overall Excellent condition with mild wear. From the Clifton Webb Archive.
Large Set of Signed and Unsigned Photos of Legendary Actors. Set of 49 vintage b&w photos -- mostly 5" x 7" with some 8" x 10"s -- of great actors and actresses from the Golden Age of Hollywood. The 20 signed photos include Jane Wyman, Ruth Hussey, Susan Hayward, Ann Sheridan, Jack Oakie, Charlie Chaplin, James Cagney, Joan Crawford, Bette Davis, and Lionel Barrymore; the 29 unsigned photos include Ronald Reagan, Gene Tierney, Sonja Henie, and Abbott and Costello. In Overall Very Fine condition. Accompanied by LOA from PSA/DNA.
Leading Ladies Autograph Set. Set of four autographs by great leading ladies of Hollywood's Golden Age. Included are Bette Davis (blue ink, dated January 14, 1941), Paulette Goddard (blue ink, dated July 20, 1940), Rita Hayworth (black ink, dated April 2, 1940), and Barbara Stanwyck (blue ink, undated). In overall Excellent condition with areas of mild tanning and small holes punched along one edge. Accompanied by LOA from PSA/DNA.
Colin Clive Signed Letter. Best-remembered for his chillingly triumphant "It's alive!" as the Monster Maker of Frankenstein Colin Clive was three months away from reprising his role of tormented Henry Frankenstein in Bride of Frankenstein when he wrote this letter to his wife Jeanne De Casalis (they were separated at the time). Dated August 27, 1934, and written in Hollywood on his La Belle Tour apartment house stationary, Clive (who was now romantically involved with an alluring showgirl) asks his estranged wife for a copy of her play St. Helena, which was about to be produced in London. He reviews the pros and cons of her collaborating with R.C. Sherriff (author of Journey's End, the play and film that had made Clive a star), mentions he's "a few weeks" away from hs next film and playing in Hollywood stage revival of Journey's End ("No money in it, of course, but great houses"), bitterly notes that Sherriff ignored the revival, and wishes Jeanne well -- "Well Darling all the luck and money you deserve and my God that's a hell of a lot!," signing off, "Bisto Loco Colin." Jeanne, despite the engaging tone of the letter, tore it in half -- which is certainly an insight into their unhappy marriage -- but preserved and kept it, and it's the only communique from her ex-husband saved in her archive of letters. Written in black ink on four sides of paper, the letter is in overall Good condition and, despite the tear, entirely readable. Clive died almost 70 years ago, and material on this superb actor in any form is extremely scarce and very desirable. This is a wonderful private memento from one of the truly great legends of Golden Age Hollywood horror! Accompanied by LOA from PSA/DNA.
Vivien Leigh Letter from 1939 with Fabulous Content. Vivien Leigh and Jeanne De Casalis were longtime intimate friends, and this handwritten letter to "My darling Jennie," date November 24 (of 1939) and written from her home in Beverly Hills, finds Vivien presenting her fascinating private emotions about, among many things, Gone With the Wind ("..the preview here, or rather in Atlanta, is December 14....Everyone seems very pleased with it...Why the hell it shouldn't be good...after all 4 million dollars is no spit over the cliff..."). Vivien relates her unhappiness over Waterloo Bridge, which she's then currently filming at MGM ("..a beastly little opus, positively unpatriotic in its dreariness -- however, have absolutely no say in he matter, so there it is"), writes how happy she was that "Larry" was with her in Hollywood during the shooting of GWTW, and asks for Jeanne's honest opinion as to whether she and Olivier should return to wartime England. Leigh, signed the four-page, double-sided letter "Larry and Vivien," provided her home address (606 N. Camden Drive), and addressed the included envelope -- on which she has written "Air Mail to New York via Atlantic Clipper" and added two handsome $.30 postage stamps. In Excellent condition. Vivien Leigh material in any form is highly prized by collectors, and this charmingly-written letter captures the magic of a beloved star who was then on the eve of world acclaim for her unforgettable Scarlett O'Hara.
Three Letters from Maurice Evans. Film fans probably best-remember the elegant British actor Maurice Evans for his role as "Hutch" in Rosemary's Baby, his visits as "Maurice" to TV's Bewitched and, perhaps most of all, his "Dr. Zaius" in Planet of the Apes. Evans played Napoleon in Jeanne De Casalis' St. Helena during its 1936 Broadway run, and here are three letters from the esteemed actor. The February 27, 1937, two-page, double-sided letter includes news to Jeanne of his success in Richard II in New York ("..they throw their hats in the air at the end of the show on Saturday nights") and thanks her again for St. Helena. An April 29 two-page letter (on stationery with heading "St. James Theatre Maurice Evans in 'King RIchard II"") tells more about the success of Richard II, his plans to tour the show and aspirations to do more Shakespearean roles, and signs off with a quite "politically incorrect" joke. (Included is the envelope, on which is imprinted on the verso, "Offices of 'King Richard II' "). The third letter, dated January 12, 1968, is a letter of condolence after Jeanne's death to her husband, in which Evans reminisces about how he first met Jeanne, how she'd introduced him to Colin Clive (Evans claims in the letter that he was responsible for Clive's casting in Journey's End, in which Evans had co-starred in London), writes about the Napoleon characterization in St. Helena (Jeanne had based Napoleon on her own father), etc. The last was written on "aerogramme" stationery. In Very Fine condition. A wealth of show business history related by a highly respected classical star.
Letters from Sir John Gielgud and Sir Ralph Richardson. Gielgud was considered arguably the greatest stage Hamlet of the 20th Century, and one of only nine people ever to have won an Oscar, Emmy, Grammy, and Tony. Richardson was, along with Olivier and Gielgud, of of Britain's three giants of classical theater, a character star who once said: "I have so many makeups that sometimes I have feared that when I go to wipe it off there will be nothing left underneath." This lot offers three very gracious Gielgud letters (one of which thanks Jeanne for her "sincere criticism"), all on his stationery. The Richardson letter was written while the actor was serving in the Royal Naval Volunteer Reserve, and thanks Jeanne for for her letter after a broadcast he had made. In Very Fine condition, with desirable form and content from two of the world's most highly respected actors. Accompanied by LOA from PSA/DNA.
Six R.C. Sherriff Letters. The prolific R.C. Sherriff wrote the tragic war play Journey's End, in which Colin Clive starred in the London stage production (1929) and the Hollywood film (1930). He also penned the screenplay for James Whale's The Invisible Man, performed uncredited script work on the horror classics The Old Dark House, Bride of Frankenstein and Dracula's Daughter, and contributed to the scripts of such classic films as Goodbye Mr. Chips. Sherriff was also Jeanne De Casalis' collaborator on the play St. Helena, which opened in London in 1934 and in New York in 1936. This lot presents six letters from the writer (three hand-written and three typed), spanning 1936 to 1967, most alluding to St. Helena, and one regarding a possible collaboration on a play about Hitler and Eva Braun ("...and those last three days in the dugout..."). There's also a letter of condolence to Jeanne's husband after her death. All are written on Sherriff's personal stationery and are in Excellent condition.
Three Photos of Jeanne De Casalis and Her Husband. Jeanne's husband was R.A.F. Wing Commander Douglas Stephenson, and their apparently happy marriage lasted until her death in 1966. Curiously, he rather resembled an older and more husky version of Jeanne's previous husband, Colin Clive. These three 8" x 10" pictures of Jeanne and Wing Commander Stephenson (in his uniform) come from their personal collection and show the couple at home, relaxed and presumably in love. Excellent condition.
Jeanne De Casalis' Personal and Annotated Copy of the Script for "St. Helena". The major claim to fame for Jeanne De Casalis was probably the play St. Helena, a saga of Napoleon which opened in London in 1934 and on Broadway in 1936. Jeanne based her characterization of Napoleon on her own father. R.C. Sherriff collaborated on the play with her, but admitted his own contribution was minimal -- his established name helped the play get the necessary attention, and its success boosted his standing. This is Jeanne's personal copy of the script, published in 1936, with many annotations that she presumably made in later years when hoping to revamp the play for revival. Interestingly, Jeanne has crossed out first-billed Sherriff's name on the script, once on the cover and three times inside (twice on the same page). The book is in Fine condition, with tears at the binding and some pen marks and stains on the front and back cover, but these honestly add to the script's charmingly antiquated look. A unique and extremely rare piece of London and New York theater history.
Elinor Glyn Autographed Portrait. "Would you like to sin with Elinor Glyn on a tiger skin?" went the popular doggerel after this red-haired, green-eyed writer rocked the "proper" circles with the publication of her risque 1907 novel, Three Weeks. It was the free-living Ms. Glyn who coined the expression "It" (in her 1923 novel The Man and the Moment) that became the label for Roaring '20s sex symbol Clara Bow. (Glyn also wrote a 1927 novella entitled It in 1927.) Elinor sojourned in Hollywood, and was instrumental in the stardom of Rudolph Valentino. Here's a beautiful 8" x 10" signed portrait of Ms. Glyn, offering her best side profile and inscribing in black fountain pen, "To Jeanne de Casalis with every good wish from Elinor Glyn 1930." In Excellent condition. By the way, to continue the poem from above: "..Or would you prefer to err with her on some other fur?"
Two Richard Nixon Letters. Both of these typed letters come on "Office of the Vice President" stationery, one dated December 22, 1958, the other June 14, 1960, and both are addressed to Douglas Stephenson, Jeanne De Casalis's husband. In the first, Nixon writes of a "most memorable" trip to London; in the latter, the future President writes how he "very much enjoyed seeing the English cartoonists' slant on recent developments" and alludes to the "pleasant conversation" he had with Stephenson in London. The first signature appears perhaps dubious, but the later one looks genuine. Some creases and light staining, otherwise in Very Fine condition.
W. Somerset Maugham Signed Letter. The celebrated author whose masterpiece was Of Human Bondage, Maugham responds on stationery from Hotel Marhaba Agadir in Morocco to a request from Douglas Stephenson that he publish one or more of Maugham's letters. Maugham refuses absolutely, noting that, as far as his letters go: "I have begged any person who may have in their possession any to destroy them." The no-nonsense letter is signed "Yours sincerely W.S. Maugham." The letter is in Fine condition, with a small tear (no paper missing) at the top right center, various creases and light staining. The signature and its immediate area are clean.
Old Vic Letters and Clippings. The hub of British theatricality was the legendary "Old Vic," where the great thespians came to play the great classical roles. The "Lessee and Manager" was Lilian Baylis, a formidable woman whose sharp wit and tyrannical style terrorized many an actor and actress. She also trained them to be great artists, and here is a handsome piece of Old Vic stationery, with its coat of arms, and a note to Jeanne De Casalis (partially typed, partially hand-written and signed) from Ms. Baylis herself. Also in the lot are original press notices for De Casalis' play St. Helena. In overall Fine condition with creases and staining on the Old Vic letter, which do not affect the signature. A wonderful keepsake for devoted theater fans.
Photo of Jeanne De Casalis and Play Script. Here's a 2" x 5" picture of Jeanne De Casalis at age 17, apparently in age make-up for what the handwriting en verso says is her "First part in her own play 'Les Vacances des Potichon.' " This would date the picture circa 1914. Also included is a copy of the play. There are some surface creases on picture and the back cover is detached from the 90-plus year-old script, otherwise in Fine condition.
Signed Photo of Actor Jack Warner. Handsome autographed 8" x 10" portrait of British actor Jack Warner, star of such films as The Quatermass Experiment and The Ladykillers. Signed "To Jeanne With love and best wishes Your age Jack Warner." (Warner and Jeanne were born in the same year.) In Excellent condition. Accompanied by LOA from PSA/DNA.
Signed Letter from Rene Clair. Typed letter in French, dated March 28, 1935, from producer/director/writer/actor Rene Clair, perhaps best-remembered as director/writer of Les Belles de Nuit (1952). Clean blue ink signature on Clair's personal stationery. Small piece torn loose under lower crease, and some border wear along the top, otherwise in Fine condition.
Signed Letter from Writer P.G. Wodehouse. Personal letter to Jeanne De Casalis dated August 16, 1935, from P.G. Wodehouse, the great British comic writer of the Jeeves and Blandings Castle novels and short stories. The letter is handsomely written and signed in full on pale blue paper with a Paris return address, and refers to a book Wodehouse was providing Jeanne for a raffle. There is a tiny hole at top center, a very small tear at upper left border, and some surface creases, otherwise in Very Fine condition.
Signed Letters from Writers E.M. Forster and Rumer Godden. E.M. Forster, noted British author of Howard's End and Passage to India (and whose literary theme was "Only Connect") writes a June 22, 1944, letter on personal stationery to Jeanne De Casalis, in response to her desire (and Anthony Asquith's) to film Forster's book Howard's End. The double-sided letter, filled with Forster's ideas about the film, is written in black ink and signed in full. Rumer Godden, who was the author of such works as Black Narcissus (she hated the famous film version) and The River, writes on personal stationery an October 10, 1948, thank you to Jeanne for her letter applauding Godden's book A Candle for Saint Jude. The letter is signed in full. Both letters and autographs are in Excellent condition.
Noel Coward Signed Picture and Four Letters. The celebrated Mr. Coward gets a worthy showcase here -- a handsome 3" x 5" picture, signed in full in green ink and dated 1939; plus four letters to Jeanne De Casalis, all written with his characteristic flair and flamboyant signature. (In one letter he declines serving as president of a golf club because, stating the president should "be able to play golf"!) Three of the letters are handwritten and one is typed; three of the signatures are in pen and one is in pencil. A small tear in one letter; otherwise Very Fine condition.
Two Vivien Leigh Letters and Two Laurence Olivier Letters. "The Golden Lovers," as they were known at the peak of their careers (and marriage) find charming representation in this lot. The Leigh letters include a four-page January 24, 1945, handwritten note on her personal stationery, expressing interest in a play Jeanne De Casalis had written and offered her (Leigh writes she's currently busy rehearsing Skin of Our Teeth) and signed "Fond love, Vivien." The original envelope and a typed copy of the letter is included. The second letter is dated October 9 (no year, but it's during World War II) is five pages and written in pen and pencil on blue paper. Both Olivier letters to Jeanne are on his letterhead in black ink; the May 12 (no year) note includes, "Something is rotten in the State of Denmark and I think it's my acting," and the October 14 letter (no year) includes a poem ("Forgive delay, all work no play, all my gratitude for your beatitude"). The first is signed "Larry," the second "L." All are in overall Very Fine condition.
Vivien Leigh and Jeanne De Casalis Letters. This lot is a sad and compelling one. The Vivien Leigh letter, dated August 20, 1966, and written in blue ink on Hotel Grande-Bretagne Athenes letterhead, is addressed to Douglas Stephenson and is a very moving condolence letter following the death of Jeanne De Casalis. "The last time I saw her was such a painful experience," wrote Leigh, eloquently and emotionally. "I was not brave enough to repeat it...believe me when I tell you I would do anything -- anything to help you and I hope you will let me...I am devoted Vivien." The letter was written less than a year before Leigh's own death. Further illustrating the bond between the two is this 1944 letter from De Casalis to Leigh, writing that she was leaving her estate to Vivien in her will because "if I left it to Stevie it would be absorbed in his debts and he wouldn't benefit...you will see my Stevie somehow gets all this...I ask this favor of you darling because you have been so good a friend..." The de Casalis letter is in green ink on Savoy Hotel London letterhead. Very FIne + condition. Very personal, poignant letters.
One Vivien Leigh Letter and One Laurence Olivier Letter. This three-page, double-sided letter from Leigh is in black ink on her blue letterhead paper, and she writes to Jeanne De Casalis that she's "desperately disappointed" that she won't be able to do Jeanne's play Frou-Frou. It's dated simply "Tuesday," but based on content the year is most likely 1945, and signed "My love to you darling and to Stevie - Vivien." The Olivier letter is on his letterhead, typed, and dated May 23, 1950, thanking "My darling, dearest Jennie" her for her birthday greeting (they shared the same birthday), including "I do hope you had a happy day, and I pray you will have many millions more." Signed "Larry" in ink. Both letters are in Excellent condition and are fine examples of the florid (but clearly sincere) eloquence of both stars.
Three Letters from Laurence Olivier. The typed, December 5, 1961 note on Olivier's letterhead thanks "Darlings Jeanne and Stevie" for a telegram welcoming "our Dickie boy" and is signed "Please forgive type - a but overwhelmed! Ever with love, Larry." This is in reference to the birth of Olivier's son Richard after his divorce from Vivien Leigh and marriage to actress Joan Plowright. The typed May 25, 1967 typed note, with a Sussex address embossed at the top, is to Douglas Stephenson and apologies for not having written to him when Jeanne died the previous year ("...I had an idea it could only increase your burden...") and is signed in blue ink, Larry." The third letter, handwritten on Olivier's letterhead in blue ink, September 25 (probably 1967), thanks Douglas Stephenson for "that beautiful letter" that moved Olivier "profoundly." The star goes on to write about his youth, how people thought him pompous, and that he was only "acting" that way in those days. He closes, "Thank you for your forgiveness. Always very affectionately Larry." Excellent condition, with private insights into possibly the greatest actor of the 20th century.
Letter from John Van Druten. A letter to Jeanne De Casalis from John Van Druten, who wrote the plays Bell, Book and Candle and I Am a Camera (on which the musical Cabaret is based) and did Hollywood screenplays, including uncredited work on Gone With the Wind. The double-sided undated letter in black ink on his Hanover Square stationery, to Jeanne De Casalis, congratulating her on a play she'd written and performed the previous night. As Van Druten adds, "My congratulations...extend equally to Colin," likely referring to the play Let's Leave It at That, which Colin Clive and Jeanne De Casalis wrote and acted in together in the late 1920s. In Excellent condition. Accompanied by LOA from PSA/DNA.
Noel Coward Signed Picture and Letters. This lot includes a rather dashing 3" x 5" portrait of Mr. Coward, signed in full in green ink and dated 1939; also three letters, written to Douglas Stephenson after the death of Jeanne de Casalis. They include a handwritten condolence letter on Savoy Hotel letterhead, plus two typed letters on Coward's Les Avants sur Montreux letterhead, dated May 9 and June 2, 1967, both referring to a synopsis Jeanne had written of a literary property entitled The Tiara, which Coward was considering to adapt musically. Slight staining on the May 9 letter, otherwise both are in Excellent condition. Splendid examples of Coward's grace and charm.
Sandra Dee Costume Dress. Pink-and-white evening gown with sequined bodice worn by Sandra Dee in an unspecified movie, with her name written inside. In Excellent condition with some light yellowing from age.
Cecil B. DeMille Suitcase with Personal Items. One of the great Hollywood icons and a true film pioneer, Cecil B. DeMille directed hundreds of feature films during his 45-year career. This vintage 24" x 14.5" x 7.5" Oshkosh suitcase with "C. B. de M." (he preferred to use the small "d" in his private life) was carried regularly by the director on his various travels. Included with the suitcase is a plastic TWA luggage tag with DeMille's name and address (Excellent condition); a 5" x 6" "Cecil B. DeMille's Xmas Turkey" card (Very Fine); a vintage b&w 8" x 10" glossy of the director (Very Fine); three personal checks, dated April 15, 1952 (Fine), June 2, 1952 (Very Good), and January 31, 1957 (Very Fine), each signed by DeMille; an unused personalized mailing envelope (Very Fine); and a program book from a May 2, 1932, Academy All-Industry Conference. The suitcase itself is in Fine condition with appreciable wear and tear to the outside, but still in sturdy condition.
Hollywood Founders Autograph Set. A set of three autograph album pages signed by three of the most powerful and influential men to shape Hollywood during its formative years. Included are Samuel Goldwyn Jr. (black ink, dated October 29, 1939), Cecil B. DeMille (blue ink, dated November 11, 1939), and Jesse Laske (pencil, undated). In overall Excellent condition with mild tanning around the edges and small holes punched in the right edge. Accompanied by LOA from PSA/DNA.
Phyllis Diller Signed Lithograph. Comic Phyllis Diller (remember her husband "Fang"?) reveals her artistic side (she's an accomplished painter) in this lithograph, "Martha's Shoe," showing said white shoe against a red and green background. It's numbered 8/500, comes in a 13 x 16 white wooden frame and is signed and titled by Ms. Diller. Also included is a card (with envelope), reading, "Dear Sweet Kaye - Monet and I want you to have this print. Thank you for always being there for me. Love Phyllis." Personally consigned by Kaye Ballard.
Walt Disney Signed Photo to Harry Holt. This great b&w 8" x 10" photo of Walt Disney is inscribed to animator Harry Holt and signed by the Mickey Mouse creator in black ink. A notable animator for both film and television, Holt contributed to the success of such Disney classics as Snow White and the Seven Dwarfs and Lady and the Tramp, before moving on to Hanna-Barbera for a brief stint and later returning to the House of Mouse. The photo is in Very Fine condition with mild to moderate creasing and light edge wear (signature unaffected). Also included are two b&w 8" x 10" photos of Holt at work in his studio -- with the aforementioned signed Disney photo visible in one of them -- both in Excellent condition. Accompanied by LOA from PSA/DNA.
"Dracula" Wolfsbane Movie Promo Item. A nifty promo item from a legendary film, this small, 4.25" x 2.5" envelope contains the faint traces of dried plant matter and reads: "Here is your Wolfbane! Put it under your pillow tonight and then you need not fear 'Dracula' who will remain safely on the screen of Warner Bros." (An odd marketing choice, since wolfsbane is typically associated with werewolves, but then again we're talking about Hollywood, not Transylvania.) The item was used to promote March 15-17, 1931, screenings of Dracula at the Sheboygan Theatre. It is in great condition with a crease to the upper left corner, mild to moderate discoloration, and some light wear to the back side.
"Dracula and Frankenstein" Vintage Press Book. Dracula and Frankenstein, two of the greatest and most influential horror movies ever made, both premiered in 1931 to record-setting box office. A double-bill was a no-brainer, and this press book, released not long after their initial runs, was published to maximize profits. It touts "The 'double horror' show of the century!" and promises to tell "How to sell the double-horror for top box office coin!" with detailed advertising and promotion suggestions. The item is in Very Fine condition, with moderate staining, wear, and wrinkling to the cover page, mild overall tanning, and small pieces clipped from two pages.
Ian Hunter, Tom Drake, Lloyd Nolan, and Tom Neal Signed Photos. Included are a b&w 8" x 10" photo signed by Hunter in blue ink, a b&w 7" x 9" photo signed by Neal in blue ink, a b&w 7.5" x 9" photo signed by Drake in blue ink, and a b&w 7.5" x 9" photo signed by Nolan in black ink. All have been matted to an overall size of 11" x 14" and are in Excellent condition with two creases to the bottom right corner of the Neal photo. Accompanied by LOA from PSA/DNA.
Nurse's Hat Worn by Barbara Eden on "I Dream of Jeannie." Old-style nurse's hat worn by Eden on the popular '60s sitcom, with "Ms. Eden #1" written on the inside in blue ink. In Very Fine condition with light wear and mild discoloration and staining. Accompanied by COA from L.A. Prop & Wardrobe Co.
"Dudley Do-right" Cape and Poster. Full-length black costume cape with purple lining, tie up from, and built-in shoulder pads, all worn by Alfred Molina as Snidely Whiplash in the 1999 live-action film based on the cartoon character. In Excellent condition with some dirt and dust from use in a mine scene. Also included are a poster, VHS copy of the movie, and two letters of authenticity.
Vintage Jimmy Durante Photo and Cane. "Goodnight, Mrs. Calabash, wherever you are!" Jimmy Durante was one of the sensational comics of all time, and these two marvelous items are devoted to "The Great Schnozzola": Jimmy's s cane -- a dandy item with a silver horse's head (with the initials "JD" engraved at the head's base) topping the smooth, 32.5" bamboo stick; and a fascinating 7" x 13" picture of Jimmy, during his 1939 Broadway run in Stars in Your Eyes, with co-star Ethel Merman, as well as Mary Martin, Sophie Tucker, Victor Moore, and William Gaxton (all of whom were also on Broadway at the time in Leave It to Me!), Olsen and Johnson (then starring in Hellzapoppin), Jimmy Savo (then starring in The Boys from Syracuse) and others. The cane has some wear at the bottom and the matte of the picture has a bit of wear and a few cracks, but are otherwise in Very Fine condition. Great "Hot-cha-cha-cha!" artifacts from a show business legend. From the Kaye Ballard Collection.
Jimmy Durante's Hand-Carved Cane. A perfect cane for Jimmy, topped by a beautifully carved and detailed ivory head of an elfish-looking sprite with an epically-long "schnozzola." The polished bamboo stick extends 32.5" inches below the "neck" of the cane's smiling Durante-like head. In Excellent condition. "Stop the music!" and make your bid. From the Kaye Ballard Collection.
Amelia Earhart Autographed Heart with Photo. This small, red cardboard, heart-shaped tag is inscribed "To Lorabel with best wishes" and signed by the aviation pioneer in pencil, and has been matted along with an 11" x 14" b&w photo of Earhart to an overall size of 17" x 23". The famous pilot disappeared over the Pacific in 1937 while attempting to circumnavigate the globe by air, and her disappearance has never been explained, lending a great deal to the air of legend that surrounds her. Both the heart and the photo are in Excellent condition. Accompanied by LOA from PSA/DNA.
Eminem Original Screen-Worn "8 Mile" Costume. Sweatshirt and blue jeans outfit in Excellent condition worn by musician-actor Eminem (aka Marshall Mathers) for his award-winning performance in the motion picture "8 Mile." Included in this lot are Eminem's highly identifiable sweatshirt top and blue jeans, which can be seen in numerous scenes. Includes a signed letter of authenticity from Universal Studios.
13th Annual Emmy Awards Program Signed by Rod Serling and Others. A program book from the 13th Annual Emmy Awards, televised May 16, 1961, signed on the back cover by Fred Astaire, Rod Serling, Andre Previn, and John Conte. (Serling won an award that evening for Outstanding Writing Achievement in Drama for his work on The Twilight Zone.) In Very Fine condition with light edge wear and faint soiling to the cover. Accompanied by LOA from PSA/DNA.
Bob Euler, Richard Greene, and John Sutton Signed Photos. Included are a b&w 8" x 10" photo signed by Euler in blue ink, a b&w 7" x 9" photo signed by Greene in black ink, and a b&w 8" x 10" photo signed by Sutton in black ink. All have been matted to an overall size of 11" x 14" and are in Excellent condition. Accompanied by LOA from PSA/DNA.
Dale Evans Costume Gaucho Pants. A pair of black gaucho pants with suede fringe worn by the Queen of the Cowgirls in an unknown production. A Western Costume Co. tag is sewn inside the waistband, with "D. Evans" handwritten on it. In Excellent condition with virtually no wear.
Doug Fairbanks Signed Cowboy Photo. Nice, vintage b&w 6.5" x 8" photo of Fairbanks in cowboy regalia, signed by the early action hero in black ink. In Very Fine condition with mild wear and moderate overall tanning. Accompanied by LOA from PSA/DNA.
Douglas Fairbanks Signed Photo. A very nice b&w 8" x 10" photo portrait of Fairbanks, inscribed and signed by him, and dated 1919. In Very Fine to Excellent condition with light wear to the edges and corners and mild overall tanning. Accompanied by LOA from PSA/DNA.
Frances Farmer Autograph. An autograph album page signed by Frances Farmer in black ink, dated March 15, 1940. In Excellent condition with small holes punched along the right edge. Accompanied by LOA from PSA/DNA.
W.C. Fields Autograph. An autograph album page signed by the comedian in black ink, dated February 12, 1940. In Excellent condition with very mild tanning to the edges and small holes punched on the right edge. Accompanied by LOA from PSA/DNA.
Fiorucci Guest Book Signed by Cher, Jodie Foster, and Others. This fine cheetah-print guest book was used at the Fiorucci's Beverly Hills location grand opening in September, 1978, and rescued from a trash bin some time later by a designer who'd had a concession there. It features dozens of celebrity signatures -- a veritable "Who's Who" of '70s celebrity -- including Cher, Tatum O'Neal, Cindy Williams, Antonio Fargas, Priscilla Presley, Ken Russell, Roberta Flack, Linda Ronstadt, Suzanne Somers, Robin Williams, Jodie Foster, Danny DeVito, Billy Dee Williams, Joyce DeWitt, and others. In Excellent condition. Accompanied by LOA from PSA/DNA.
Halle Berry's Prehistoric Ring from "The Flintstones." Plaster prehistoric ring with dinosaur motif, worn by Halle Berry in the 1994 live-action movie based on the classic cartoon series. In Excellent condition.
Errol Flynn Signature with Photo. An autograph album leaf signed by the swashbuckling action hero in blue ink, matted along with a b&w 8" x 10" of Flynn in The Adventures of Robin Hood to an overall size of 10.5" x 17.5". In Excellent condition with a few very small, very light stains to the autograph. Accompanied by LOA from PSA/DNA.
Harrison Ford Signed Photo. A color 8" x 10" of Ford as Han Solo, signed by the actor in black marker, and in Excellent condition. Personally signed photos of Ford are rare; this one as Han Solo is as good as it gets! Accompanied by LOA from PSA/DNA.
Signed Display of Gerald Ford and Bob Hope. A matted display, featuring color 8" x 10" picture of Gerald Ford and Bob Hope with Kaye Ballard, and two signed pages: "To Kay [sic] Ballard with affection and appreciation. Gerry Ford" and "To Kaye Much Love Bob Hope." Ford's signature is on blue paper, Hope's on yellow. The brown wood frame is 15.5" x 16.5" and makes for an altogether impressive presentation. In Excellent condition with very sharp, clean autographs and an attractive picture of all principals. Accompanied by LOA from PSA/DNA.
"Frankenstein" Sound Disc. Released in theaters during the early days of the sound era, Frankenstein -- and many other films -- made use of the Vitaphone system that played the soundtrack off of records such as this one, which is matched to reels 2 and 4 of the horror classic. When the projector rolled, the phonograph turned at a fixed rate and played sound in sync with the film. Vitaphone discs were played at 33-1/3 rpm to increase the playing time so that it matched the running time of a reel of film. Also unlike most phonograph discs, the needle on Vitaphone records moved from the inside of the disc to the outside. This particular disc is well worn, a common factor with the system, with snatches of dialogue audible over the surface noise, as well as some quite audible yells from the Monster. A fascinating piece of film history.
"Frankenstein" and "Invisible Man" Promo Items. Two vintage promo items from two great Universal horror films from the '30s, both directed by James Whale. Included is a calling card inscribed "I called and you were out -- Phone 1768 -- Frankenstein" and a mask labelled "I am Gloria Stuart, appearing in 'The Invisible Man' a Universal Picture. Who are you?". The mask is in Excellent condition with minimal wear, and the card is in Excellent condition with light tanning to the right side.
"The Adventures of Fu Manchu" Bound Scripts. Based on Sax Rohmer's mind-bending novels, the short lived 1956 television series The Adventures of Fu Manchu brought the fiendish mastermind to small screens, but its repetitious formula and campy plots were just a tad ahead of its time, and it was cancelled after 13 episodes. Featured are archive copies of the revised shooting scripts for each episode bound together in a single hardcover volume. In Excellent condition with very light wear and discoloration to the pages.
Clark Gable Signed Agreement. A one-page agreement between Clark Gable and Paramount Studios, dated March 1, 1960, that extended his employment period with the studio from two years to three. Sadly, Gable passed away less than a year later. The document is signed by Gable in the lower left and accompanied by the Amendatory Memorandum cover sheet. It is in Very Fine condition with the usual file holes punched in the top edge and a paper clip impression in the top left corner. At the time he signed it, Gable was on Capri with Sophia Loren filming second-to-last feature, It Started in Naples, released three months before his passing. Accompanied by LOA from PSA/DNA.
Clark Gable Signed Check. A personal check dated October 7, 1946, written for the $37.50 and signed by Gable in black ink. In Very Fine condition with a vertical fold crease and the usual bank cancellation holes and marks. Accompanied by LOA from PSA/DNA.
Clark Gable and Carole Lombard Autographs. A pair of autograph album pages, one each signed by Clark Gable in black ink and by Carole Lombard in blue ink (with a Joan Crawford autograph in black ink en verso). Gable and Lombard were married for three years, until her untimely death in a plane crash during a war bond tour, a loss from which Gable never truly recovered. In overall Very Fine condition with an area of tanning around Lombard's name and some very minor tearing to the edges. Accompanied by LOA from PSA/DNA.
Clark Gable and Elizabeth Taylor Vintage "Command Decision" Photo. A b&w 11" x 14" photo of Gable and Taylor in the 1948 war drama. Graded Excellent by CGC. From the Culver Pictures Collection.
Greta Garbo Vintage "Conquest" Photo. A b&w 8" x 10" photo of Garbo in the 1937 period drama. Graded Very Fine by CGC. From the Culver Pictures Collection.
Ava Gardner Vintage Halloween Photo. A b&w 11" x 14" photo of Ava Gardner as a very attractive witch. Graded Very Fine by CGC. From the Culver Pictures Collection.
John Garfield Signed Photo. A great b&w 8" x 10" photo of Garfield in a bomber jacket and standing by a plane, inscribed "For Victory!" and signed by the actor in blue ink. In Very Fine condition with light wear, mild to moderate overall tanning, and thumbtack holes in the top edges and corners. Accompanied by LOA from PSA/DNA.
Judy Garland Signed Contract. A William Morris Agency contract, dated September 29, 1950, binding Garland to perform under the terms of the contract and to pay the agency 10 percent of her income during a three-year period. Garland's contract with MGM was terminated just days before this one was signed, either because she asked to be released or because she was fired due to her unreliability on the set of Royal Wedding, depending on whom you ask. She went on to revitalize her career with live concert performances and various television specials. The contract is in Excellent condition with a horizontal fold crease and the standard binder holes punched in the top. Accompanied by LOA from PSA/DNA.
Judy Garland Autograph. An autograph album page signed by Judy Garland in black ink, dated March 3, 1940. In Excellent condition with mild overall tanning and small holes punched along the right edge. Accompanied by LOA from PSA/DNA.
John Gilbert Vintage "Fires of Youth" Photo. A b&w 11" x 14" photo of John Gilbert in the haunted house drama. Graded Excellent by CGC. From the Lost Hollywood Collection.
Grass Skirt from "Gilligan's Island." Grass skirt worn by Bob Denver on the classic sitcom Gilligan's Island. In Excellent condition. Coconuts not included.
Vintage Hollywood Photos and Post Cards. This huge lot features 49 silent-era postcards bearing the images of Francis X. Bushman, Edna Purvance, Lila Lee, Mabel Normand, Conrad Nagel, May Allison, Ronald Coleman, Neil Hamilton, Mary Philbin, and Creighton Hale; and some 160 vintage b&w 5" x 7" and 7.5" x 9.5" photos featuring Gary Cooper, Clara Bow, Tim McCoy, Lillian Gish, Florence Vidor, Norma Shearer, Lupe Vélez, Joan Crawford, Louise Brooks, George O'Brien, Jason Robards, Ronald Coleman, Richard Barthelmess, Renée Adorée, Jackie Coogan, Harold Lloyd, Gloria Swanson, and scores of others -- many of them signed. In overall Fine condition with mild to moderate wear, curling, and/or discoloration.
Lillian Gish Signed Photo. A wonderful b&w 11" x 14" photo of the silent-movie starlet by early Hollywood glamour photographer Ruth Harriet Louise, inscribed and signed by Gish in black ink. The photo features Louise's studio stamp on the back, and her name is embossed on the lower right corner. In Very Fine to Excellent condition with mild edge wear and some light tanning. Accompanied by LOA from PSA/DNA.
Classic Hollywood Memorabilia. Included is a typed letter on personal stationery, dated March 15, 1927, signed by Lillian Gish in black ink (Very Fine with light tanning and wear, and a heavy fold crease); a vintage copy of volume two of Screen Players Fan News (Very Fine with a heavy fold crease; two 45rpm Louella Parsons interview recordings, featuring Norma Shearer (March 25, 1931) and Ruth Chatterton (April 8, 1931), in Fine to Very Fine condition with mild to moderate wear and staining; and 122 vintage b&w photo trading cards of various silent-era stars (overall Fine Very Fine condition with mild to moderate wear).
Margaret O'Brien, Paulette Goddard, Ida Lupino, and Frances Dee Signed Photos. Included are a b&w 7.5" x 9" photo signed by O'Brien in black ink, a b&w 7.5" x 9" photo signed by Goddard in blue ink, a 7.5" x 9" photo signed by Lupino in green grease pencil, and a b&w 7.5" x 9" photo signed by Dee in black ink. The Lupino photo has been matted to an overall size of 10" x 13, the rest have been matted to an overall size of 11" x 14". All are in Excellent condition. Accompanied by LOA from PSA/DNA.
Confederate Soldier's Jacket from "Gone With the Wind." A grey CSA sack coat worn by an extra in the 1939 classic, one of several hundred made for the epic. (In the scene where Scarlett searches for Dr. Meade in Atlanta, making her way among 1,600 dying Confederate soldiers, MGM scattering 800 dummies among an equal number of extras, thereby cutting costs while complying with a union rule that dictated the use of a certain percentage of extras.) In Excellent condition with very light wear and some tarnishing to the silver buttons. Accompanied by COA from L.A. Prop & Wardrobe Co.
Cuba Gooding Jr.'s Uniform from "Pearl Harbor." White pants and white enlisted man's tunic with rank insignia on the right sleeve, worn by Gooding as Petty Officer Second Class Dorie Miller in Michael Bay's 2001 war movie. In Very Fine to Excellent condition with some mild to moderate staining, and with Gooding's name written on the inside of the collar.
Leo Gorcey Autograph. An autograph album page signed by the Bowery Boy in blue ink, with a Zasu Pitts autograph in black ink en verso. In Very Fine to Excellent condition with some areas of mild tanning and small holes punched in the left edge.
Betty Grable Signed Photos. A pair of b&w 3.5" x 4.5" photos inscribed and signed by the actress in red ink. In Excellent condition with very light smearing to the ink, matted to an overall size of 11" x 14". Accompanied by LOA from PSA/DNA.
Cary Grant Signed Photo. A b&w 6" x 8" portrait of Grant, signed by him in black ink. Matted to an overall size of 11" x 14" and in Excellent condition. Accompanied by LOA from PSA/DNA.
Gene Hackman's Uniform from "Geronimo - An American Legend." A three-piece cavalry officer's uniform that was a stock costume made for Hackman in his role of Brigadier General George Crook in the 1993 historical drama. The costume consists of pants, jacket, and a waistcoat, all made from blue wool with brass buttons. The trousers have a Western Costume Co. tag sewn into the waistband with a production number and Hackman's name written on it. The costume is in Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Huntz Hall Signed Photo. A b&w 7" x 9" promo photo of the comedic actor, inscribed and signed by him in black ink. on the 11" x 14" matting. In Excellent condition. Accompanied by LOA from PSA/DNA.
Cedric Hardwicke and Louis Hayward Signed Photos. Included are a b&w 8" x 10" photos signed by Hayward and Hardwicke in blue ink. Both have been matted to an overall size of 11" x 14" and are in Excellent condition light toning. Accompanied by LOA from PSA/DNA.
Oliver Hardy's Bowler. This stylish black bowler was worn by Oliver Hardy in a number of Laurel and Hardy short film productions in the 1930s. More or less the unofficial symbol of the duo, the hats and their ill-fitting suits and ties became part of the the team's signature attire, the uniforms of a bumbling pair of would-be gentlemen. The bowler has "O. Hardy" written behind the sweatband, and is in Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Signed Guest Page from William Randolph Hearst Birthday Party. Inscribed "Birthday party Saturday, 2 May 1936, Santa Monica, W.R. Hearst" at the top, this 11" x 14" sheet of paper is signed in various colors of pencil by Marion Davies, Jean Harlow, Merle Oberon, Cesar Romero, Mary Doyle, Hearst's eldest son George, Errol Flynn, Jeanette MacDonald, and many more. A great collection of signatures in its own right, the presence of a rare, actual signature from starlet Jean Harlow, who died a year later at the age of 26, makes it even more worthwhile. In Fine to Very Fine condition with moderate overall tanning and and appreciable amount of wear and tear to the edges. Accompanied by LOA from PSA/DNA.
Jean Harlow Vintage Photo. A gorgeous b&w 8" x 10" portrait of Harlow. Graded Excellent by CGC. From the Lost Hollywood Collection.
Jonathan Harris "Lost in Space" Costume. By taking the Swiss Family Robinson formula and applying it to science fiction, Lost in Space quickly became a cult classic TV series, totaling 83 episodes in three seasons. Featured is a black and red felt costume worn by actor Jonathan Harris on the series in his role of the duplicitous Dr. Smith, a regular cast member who was credited as a "special guest star" throughout the run of the series. (The original pilot was reshot with his character added in because network executives wanted an antagonist, and contracts for the other players were already set.) In superb, like-new condition.
Goldie Hawn's Leather Sandals. Pair of tan leather sandals with crisscross straps, owned and worn by actress Goldie Hawn. In Excellent condition.
Susan Hayward Costume Dress. A very nice period dress, peach-colored with felt trim, worn by Susan Hayward in an unknown production. A Western Costume Co. tag with "S. Hayward" written on it is sewn inside the back. The dress is in Fine to Very Fine condition with yellowing to the lace collar and cuffs, some stitching that has come undone, and a few small areas of wear.
Set of William Randolph Hearst Party Photos. Set of four vintage b&w 8" x 10" photos taken at various Hearst soirees, including shots of Hearst, Marion Davies, Irving Thalberg, Norma Shearer, Claudette Colbert, and Douglas Fairbanks, most with studio stamps on the back. In Very Fine condition with mild overall tanning.
Katharine Hepburn Signed Letters. Two typed letters to a fan on 6" x 8" sheets of personal stationery. One is dated July 24, 1981, and reads: "I'm sorry but I do not sign photographs - Only send thanks for your nice letter." The other is dated April 26, 1988, and reads: "Thank you for your nice letter -- If I sign one I must sign all and there will be no end -- I'm sorry -- It's just not possible --". Both are signed by Hepburn in black ink and are in Excellent condition. With COA from PSA/DNA. Accompanied by LOA from PSA/DNA.
Audrey Hepburn Signed Picture. A 10" x 14" color magazine page featuring a gorgeous close-up of Hepburn, inscribed "To John Paul Jones, good luck" and signed by the actress in black ink. In Very Fine condition with regular mild wear, wrinkling, and a few very small tears around the edges. Accompanied by LOA from PSA/DNA.
Katharine Hepburn Autograph. Small notecard signed by Hepburn in black ink, along with a 5" x 7" vintage b&w photo of her and a certificate of authenticity. Accompanied by LOA from PSA/DNA.
Katharine Hepburn Signed Letters. Two brief thank-you letters on personal stationery to actress Kaye Ballard, dated December 17, 1992, and December 15, 1994, and signed by Hepburn in black ink. Each is in Excellent condition and has been framed with their respective mailing envelopes to an overall size of 7" x 10". Accompanied by LOA from PSA/DNA.
Bob Hope Signed "Road to Zanzibar" Shooting Script. Paramount executives owned the rights to a story by Sy Bartlett titled Find Colonel Fawcett, which they felt was too similar to Twentieth Century-Fox's recently released Stanley and Livingstone. Paramount turned the project over to Frank Butler and Don Hartman, the writers on the hugely successful Road to Singapore from the year before. The story was reborn as a comedy and what had been a one-off teaming of Bob Hope and Bing Crosby morphed into a hugely successful series of films. This hardbound copy of the shooting script, dated October 31, 1940, is inscribed "To Bill, thanks for a great memory" and signed by Hope in black ink on the title page. In Excellent condition with mild wear. Accompanied by LOA from PSA/DNA.
Bob Hope Personalized Christmas Cards. Set of eight personalized Christmas cards from Bob and Dolores Hope, dating from the 1980s and '90s. Hope and his wife Dolores enjoyed thinking up photos for unique Christmas cards such as these for their select friends. In overall Excellent condition.
Bob Hope Blanket. Black 42" x 40" knit blanket with "Warm Wishes/Bob Hope" embroidered on it in green, one of the special gifts Hope would send to select friends every year. In Excellent condition.
Bob Hope Clock. Watch-size Galway timepiece set in a 3.5" x 3" x 1" crystal base engraved with "Christmas 1991" and a reproduction of Hope's signature. One of only 200 made, given as gifts to contestants in the 1991 Bob Hope Golf Classic. In Excellent condition.
Bob Hope Clock. Watch-size Orrefors timepiece set in a small, blossom-shaped crystal base engraved with "Bob Hope Chrysler Classic 1990 Contestant." One of only 200 made, given as gifts to contestants in the 1990 Bob Hope Golf Classic. In Excellent condition with some chipping to the base.
Bob Hope and George Burns Signed Program with Ticket. A program book from their "George Burns/Bob Hope: 179 Years of Comedy" show at Madison Square Garden, signed by Burns in blue ink and Hope in red. In Very Fine condition with mild overall. Also included is a ticket stub from the October 1, 1989, one-time performance (Very Fine with moderate wear and some fading). Accompanied by LOA from PSA/DNA.
Miriam Hopkins Costume Dress. Cream-colored dress with lace trim worn by Hopkins in an unknown production, with her name handwritten on a Paramount costume tag. In Very Fine condition with light wear and some discoloration due to age.
Howard Hughes' Fedora. An aviator, engineer, industrialist, movie producer, playboy, eccentric, and one of the wealthiest people in the world, Howard Hughes was easily one of the most distinctive and controversial figures in American history. Dismissed in Hollywood as nothing more than a rich man's son, he spent a then unheard $3.8 million of his own money to produce Hell's Angels, the start of a 25-year filmmaking career that culminated in sole ownership of RKO Pictures. This beige fedora-style Stetson was owned and worn by Hughes, and has the initials "HRH" stamped on the sweatband. In Very Fine condition with a light amount of wear and some mild overall staining. Accompanied by COA from L.A. Prop & Wardrobe Co.
Howard Hughes Handwritten Letter Display. A two-page, handwritten letter in pencil to Colonel Robert C. Kuldell, the general manager of Hughes Tool Co., circa 1937, signed by Hughes. It reads: "Dear Colonel, Thanks for your letter of May 10th. I understand the Brewery radio situation thoroughly now, and will explain to Mr. Shurr why we are not interested. I am as glad as you are, no doubt, to find the $340,000 was not a loss. Shall appreciate hearing from you when you have completed your investigation of the various cost and profit ratios mentioned. As ever, my very best regards, Howard". The letter is in Very Fine condition with fold creases and mild staining and binder holes to the top of the second page. It has been matted and framed along with a b&w 8" x 10" photo of Hughes (with a Hughes Aircraft stamp en verso) to an overall size of 35" x 20". Accompanied by LOA from PSA/DNA.
Jeffrey Hunter Signed Photo. A b&w 8" x 10" portrait of actor Jeffrey Hunter, inscribed "For Roy with the sincere hope that good luck will always be yours" and signed by him in black ink. Matted to an overall size of 11" x 14" and in Excellent condition with a crease across the bottom. Accompanied by LOA from PSA/DNA.
"Independence Day" Screen-Worn Movie Costume. An original, military-issue U.S. Air Force flight suit, featuring an Air Command patch sewn on to the right breast pocket, and a leather name badge affixed to the left breast pocket. The costume was worn by supporting character "Ed Payne" in the successful science fiction film, and is in Excellent condition. This outfit, and all the other military outfits, were supplied to the production by Eastern Costume Company of Hollywood, California, whose military costume collection is the largest in the world. Obtained directly from Eastern Costume Company's owner, James H. Livie, this lot includes a letter of authenticity.
Boris Karloff Signed Photo. A b&w 8" x 10" photo signed by the Frankenstein star, matted and framed to an overall size of 12" x 15". In Excellent condition with some dings to the wooden frame. Accompanied by LOA from PSA/DNA.
Boris Karloff Signed Contract with Photo. A three-page, double-sided Theatrical Motion Picture Agency managerial contract dated July 24, 1959, engaging the company to represent the horror movie legend for three years, signed by Karloff on the last page in black ink. (Karloff was doing a lot of television work around this time, and it wasn't long after this contract was signed that he began hosting Thriller.) Also included is a vintage 5" x 7" b&w photo of a young Karloff. Both are in Excellent condition with very light wear, and the usual binder holes to the top edge of the contract. Accompanied by LOA from PSA/DNA.
Boris Karloff Vintage "Charlie Chan at the Opera" Photo. A b&w 11" x 14" photo of Karloff in the 1936 sequel. Graded Good by CGC. From the Culver Pictures Collection.
Boris Karloff Vintage "Tower of London" Photo. A b&w 8" x 10" photo of Karloff as Mord the Executioner in the 1939 horror classic. Graded Excellent by CGC. From the Culver Pictures Collection.
Robert Kennedy Signed Letter. Single-page typed letter to Clifton Webb on U.S. Attorney General letterhead, dated November 29, 1962, signed by Robert Kennedy in black ink. In Excellent condition with minimal wear. From the Clifton Webb Archive. Accompanied by LOA from PSA/DNA.
Thank You Card Signed by Ethel Kennedy. A thank you card from Ethel Kennedy to actress Kaye Ballard sent after Robert Kennedy's funeral, signed by Ethel in pencil. In Excellent condition, framed with the original envelope and a photo of Kennedy to an overall size of 9" x 19". Accompanied by LOA from PSA/DNA.
Jackie Kennedy Handwritten Note. Note from the former First Lady to actress Kaye Ballard, on business stationery and undated, written and signed in pencil. It reads: "For Kaye Ballard with best wishes. Jacqueline Kennedy Onassis." In Excellent condition, matted and framed with a color picture of Jackie to an overall size of 12" x 21". Accompanied by LOA from PSA/DNA.
Ethel and Ted Kennedy Handwritten Letters. A typed letter with handwritten post-script, dated September 29, 1965, and signed by Ethel Kennedy in black ink, plus a handwritten letter dated June, 1984, and signed by Ted Kennedy in black ink. Both are in Excellent condition. Accompanied by LOA from PSA/DNA.
Jack Kerouac Thrice-Signed Check. Nonpersonal check written for $100 and dated March 25, 1958, signed twice on the front by Kerouac and endorsed on the back by him. It's worth noting that Viking Press will publish a complete, uncensored version of On the Road next year, to coincide with the 50th anniversary of the book's initial publication, likely causing an increase in interest in Kerouac. In Excellent condition with the usual bank cancellation marks. Accompanied by LOA from PSA/DNA.
Vintage Early Hollywood Actor Photos. Set of 20 vintage b&w 8" x 10" photos of early stage and screen actors, many of them autographed, featuring Denis King, Pedro de Cordoba, Wallace MacDonald, Willard Wayne, Grant Mitchell, Jack Sheehan, William Keighley, and others. In overall Fine condition with mild to moderate wear and moderate toning. Accompanied by LOA from PSA/DNA.
Evelyn Knapp, Pat Morrison, Marie Windsor, Judy Canova, and Vera Ralston Signed Photos. Included are a b&w 7" x 10" photo signed by Knapp in black ink, a b&w 7.5" x 9" photo signed by Morrison in black ink, a b&w 7.5" x 9" photo signed by Windsor in black ink, a b&w 7.5" x 9" photo signed by Canova in black ink, and a b&w 7.5" x 9" photo signed by Ralston in blue ink. All have been matted to an overall size of 11" x 14" and are in Excellent condition. Accompanied by LOA from PSA/DNA.
Assorted Telegrams to Mac Krim from Famous Friends. Set of 39 Western Union telegrams, dating from 1935 to 1941, to theater and film entrepreneur Mac Krim from various celebrity friends, including Katherine Hepburn, Ginger Rogers, Walt Disney, Charlie Chaplin, Bing Crosby, Broderick Crawford, Paul Muni, and many others. In Fine to Very Fine condition with mild to moderate wear and tanning.
Alan Ladd Signed Photo. A b&w 8" x 10" portrait of the Shane star, inscribed and signed by him in blue ink. Matted to an overall size of 11" x 14" and in Excellent condition. Accompanied by LOA from PSA/DNA.
Veronica Lake Autograph. An autograph album page signed by the platinum-blonde bombshell in black ink, dated April 14, 1941. In Excellent condition. Accompanied by LOA from PSA/DNA.
Burt Lancaster's Costume Sweater from "Jim Thorpe -- All-American." This blue virgin wool sweater with black buttons was worn by Lancaster in his performance as legendary, tragic athlete Jim Thorpe in the 1951 biopic by Michael Curtiz. In Excellent condition, marred only by two tiny holes near the right shoulder.
Allan "Rocky" Lane Signed Photo. A b&w 8" x 10" photo of the Western star and voice of Mister Ed, signed by Lane in black ink. Framed and in Excellent condition. Accompanied by LOA from PSA/DNA.
Stan Laurel Signed Letter with Photo. Typed letter with envelope to acquaintances dated February 3, 1961, and signed by the comedic actor in black ink. Also included is a 5" x 4" b&w photo of Laurel with some friends. Both items are in Excellent condition with very light wear. Accompanied by LOA from PSA/DNA.
Stan Laurel Costume Cape. Red silk cape with white lining and black trim, worn by the comedian in an unknown production. The cape has a Western Costume Co. tag (with Laurel's name handwritten on it) sewn on the inside, and is in Very Fine to Excellent condition with some fraying and discoloration along the edges
Christopher Lee Signed Poster. This 19" x 25" photo portrait of the actor, number 99 of a limited edition of 500, is signed by Lee in white marker and is in Excellent condition. Accompanied by LOA from PSA/DNA.
Gypsy Rose Lee Signed Photo. Vintage b&w 8" x 10" photo of Lee, inscribed and signed by her in black ink. In Fine to Very Fine condition with some fading to the signature, framed to an overall size of 11.5" x 13.5". Accompanied by LOA from PSA/DNA.
Laurence Olivier and Vivien Leigh Autographs. A pair of autograph album pages, one each signed by Laurence Olivier and Vivien Leigh in black ink and dated November 19, 1939. In Very Fine condition with some areas of discoloration around the signatures and holes punched along one edge. Accompanied by LOA from PSA/DNA.
Vivien Leigh Signed Photo. A great b&w 8" x 10" photo of Leigh in Caesar and Cleopatra, signed by her in black ink. Matted to an overall size of 11" x 14" and in Excellent condition. Accompanied by LOA from PSA/DNA.
"Our Gang" Prop Football Helmet. A vintage leather football helmet worn by various cast members in several of the Our Gang shorts of the 1920s, '30s, and '40s. In Excellent condition with light wear from use.
Shelley Long's Cocktail Dress from "Frasier." Blue satin cocktail dress with beaded trim worn by Long in the episode "Adventures in Paradise: Part 2" of the series Frasier. Long was nominated for numerous Emmy and Golden Globe awards (with a total of three wins) for her performance as Diane Chambers during the first fives seasons of Cheers, and reprised the role in four episodes of the equally successful spin-off series, earning another Emmy nomination in the process. The dress has Long's name and the "1994" written on the inside label, and is in Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
"Dracula" Stage Production Program. It could be said that Bela Lugosi's American career began and ended with Dracula. His performance in the Broadway stage play helped him earn the title role in Tod Browning's 1931 film version, which launched him to stardom, albeit of the typecast sort. Still, Lugosi was willing to reprise his most famous role onstage more than a decade later, and it's from that production that this program book comes. It is in Excellent condition with only very light wear and discoloration.
Bela Lugosi Photo from His Estate. Typecast playing monsters and villains in movies such as Dracula, Son of Frankenstein, and (briefly) Plan 9 From Outer Space, it's often forgotten how handsome Bela Lugosi actually was. This vintage 11" x 14" photo portrait of the actor, matted and framed to an overall size of 17.5" x 20.5", comes from Bela's personal collection. Taken for publicity before the release of the film version of Dracula during the late '20s -- which launched his film career -- it illustrates the man's striking good looks in a striking pose, and the reverse side bears the stamp of Lugosi's agent. In Excellent condition.
Bela Lugosi Signed Letter with Photo. This typed letter from Lugosi to Rudy Vallee is dated February 15, 1938, and was written in response to a letter congratulating Lugosi on the birth of his son. It reads simply: "My dear 'Rudy Vallee' -- Thank you, thank you." and is signed by Lugosi in black ink. It has been matted and framed along with a b&w 8" x 10" photo of the actor to an overall size of 19" x 15". The letter is in Excellent condition, with very mild tanning and two horizontal fold creases. Accompanied by LOA from PSA/DNA.
Bela Lugosi Cummerbund and Photos. This elegant pocketed cummerbund was worn by Bela Lugosi opposite Walter Oland in the Charlie Chan thriller The Black Camel, a borderline lost film that has not been included in syndication packages containing other Fox-produced Charlie Chan films and never made available on home video. The label sewn into the cummerbund bears the name of the hotel where the cast and crew stayed while filming the movie in Hawaii; it is still in business. It is in Excellent condition marred only by two missing buttons. Also included are four b&w 8" x 10" photos from the feature in Excellent condition with very light wear. Accompanied by LOA from Richard Sheffield, close friend to Bela Lugosi.
Vintage Bela Lugosi Photo. A vintage b&w 8" x 10" photo of the legendary actor, in Excellent condition with mild tanning and almost no wear. The photo has the stamp of Lugosi's agent en verso.
Bela Lugosi's Fedora. A handsome suede finish, blue-grey fedora, from Lugosi's personal wardrobe. In Excellent condition with light staining to the hatband.
Bela Lugosi Signed Letter. Single-page, typed letter on personal stationery, dated October 3, 1931, and signed by the actor in black ink. Written in response to a fan, it reads in part: "Many thanks for your letter of commendation. I like the roles I have played as they have offered a variety of characterizations. In 'The Thirteenth Chair,' I was a detective; 'Such Men Are Dangerous,' a doctor; 'Broadminded,' a tempermental [sic] South American; 'Renegades," an Arab chieftain; 'Oh! For a Man,' an impresario." The letter is in Excellent condition with two heavy fold creases and mild tanning. Also included is the original mailing envelope. Accompanied by LOA from PSA/DNA.
Bela Lugosi Autograph. An autograph album page signed by the Dracula star in pencil. In Very Fine to Excellent condition with small areas of mild discoloration and small holes punched in the right edge. Accompanied by LOA from PSA/DNA.
Bela Lugosi Vintage "Dracula" Photo. A b&w 8" x 10" photo of Lugosi in his most famous role, likely printed for the late '30s re-release. Graded Good by CGC. From the Culver Pictures Collection.
Vintage Photos of Early Actors. Set of 20 vintage b&w 8" x 10" photos of early stage and screen actors, many of them autographed, dating from 1913-1925, featuring Charles Stratton, Earle Williams, William B. Mack, Henry Miller, Aubrey Yates, and others. In overall Fine condition with mild to moderate wear and moderate toning.
Original Music Manuscript Signed by Henry Mancini to Kaye Ballard. Four Oscars, 20 Grammys, two Emmys, Moon River, The Pink Panther Theme -- all the creations of Henry Mancini, who signed this sheet of music, "To Kay - I've never played second flute to anyone - But you Henry Mancini 21 Aug 72." Matted in an 11" x 14" gold-colored frame. Slight fading of signature, Very Good + condition. Desirable form for Mancini (one of the composers honored in 2004 with a $.37 stamp). Accompanied by LOA from PSA/DNA.
Set of Unpublished Jayne Mansfield Photos. Eight b&w 8" x 10" unpublished photos of the famous actress and pin-up, including shots of her in a bathing suit, with a much-adored puppy, and with her second husband, bodybuilder Mickey Hargitay. In overall Very Fine to Excellent condition with light wear and some very mild discoloration. From the collection of Jack Drury.
Jayne Mansfield "Lost at Sea" Archive. In February, 1962, actress Jayne Mansfield, her husband Mickey Hargitay, and friend Jack Drury were water skiing in the Bahamas when their boat capsized. The trio swam to a nearby isle and spent the night shivering in their bathing suits while tabloid speculation ran rampant as to their whereabouts. (They were rescued the next day, suffering from mild exposure and plenty of insect bites.) Included here are eight b&w 8" x 10" photos of Mansfield, Hargitay, and Drury, taken after the ordeal, including some of an obviously shaken Mansfield shortly after her rescue, as well as both vintage and xerox copies newspaper clippings regarding the event. The photos are in Excellent condition with some curling, and the clippings are in Fine condition with some wear and tear and heavy tanning due to age. The items come from Drury's personal collection.
Jayne Mansfield Signed Letter. Single-page, typed letter to a friend on personal stationery, dated April 27, 1962, and signed by Mansfield in blue ink, with husband Mickey Hargitay's name added by her. In Very Fine to Excellent condition with two fold creases, a paperclip indentation in the top left corner, and some staining near the lower corners. From the collection of Jack Drury. Accompanied by LOA from PSA/DNA.
Jayne Mansfield Signed Photo. A b&w 8" x 10" cheesecake portrait of the buxom actress, inscribed "To Roy! Here's to next time!", dated November 17, 1961, and signed by her in black ink. Matted to an overall size of 11" x 14" and in Excellent condition. Accompanied by LOA from PSA/DNA.
Fredric March "The Buccaneer" Costume Pants. Pair of tan costume pants worn by March in Cecil B. DeMille's 1938 semi-fictional account of Jean LaFitte and the War of 1812. The trousers have a Western Costume Co. label sewn in them with March's name written on it. In Excellent condition with light wear, missing one wooden button.
Dean Martin, Jerry Lewis and Others Signature Cutting. A 6" x 2" slip of lined paper featuring the signatures of Martin and Lewis in blue ink, and by Kim Hunter, Dixie Lee, and Jack Palance en verso. In Excellent condition with a little tanning along the left edge. Accompanied by LOA from PSA/DNA.
Louis B. Mayer Vintage Oversized Hollywood Photos. "L.B." Mayer was the almighty power of Metro-Goldwyn-Mayer, the king of the moguls. These four rare, original 11" x 14" photos include a shot of Mayer ensconced in his office, "Welcoming a new starlet to Hollywood," according to the typed caption en verso; a beautiful matte finish close-up of Jeanette MacDonald, one of Mayer's favorite contractees, whose singing invariably brought the very emotional man to tears; a radiantly full-length pose of Mayer personal discovery Ilona Massey, with lilies ("An Easter greeting" reads the typed caption), with Clarence Bull's stamp (Massey was later fired by MGM amidst a sex scandal, but Mayer allowed her back on the lot years later); and an atmospheric still from one of Mayer's very favorite films (it also made him cry), Lassie Come Home (1943), with a typed caption on verso. All are in Excellent condition.
Steve McQueen's Hat from "Wanted: Dead or Alive." This khaki-colored Stetson was worn by the legendary actor in his role as the sawed-off Winchester-wielding bounty hunter Josh Randall in the 1958-61 television Western series. A young newcomer at the time, McQueen made an impression on critics, viewers, and film producers with his intense portrayal of the grim manhunter. McQueen's movie career began heating up around that time, and he purposely made himself difficult to work with on the show, to the point that the studio was more than happy to cancel it and let him out of his contract. The hat has "Mr. McQueen #4" written on the inside behind the sweatband, and is in Very Fine condition with light wear and a little reshaping needed on the brim. Accompanied by COA from L.A. Prop & Wardrobe Co.
Steve McQueen's Hat from "Soldier in the Rain." Olive drab Army fatigue cap worn by Steve McQueen in the 1963 war comedy opposite Jackie Gleason and Tuesday Weld. In Excellent condition with "S. McQueen #2" written on the sweat band. Accompanied by COA from L.A. Prop & Wardrobe Co.
Army Air Force Uniform Jacket from "Memphis Belle." Olive-colored WWII-style U.S. Army Air Force uniform jacket from the 1990 war drama based on the true story of a B-17 bomber that was the first to fly 25 missions in the European theater of operations. In Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Female Agent's Suit from "Men In Black." This suit worn by an extra appearing as an MiB agent in the 1997 sci-fi comedy. The costume consists of black pants, jacket, tie, and leather belt, with a white dress shirt. In Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Tommy Lee Jones' Agent Costume from "Men in Black." One of the big hits of 1997, the sci-fi comedy Men In Black amused audiences to the tune of a $250 million domestic box office gross. This costume, worn by actor Tommy Lee Jones in his role as Agent K opposite Will Smith, is comprised of a black suit jacket (with the initials T.L.J. written on the lining near the collar) and trousers ("Tommy Lee" written inside the waistband), black tie, black shoes (Rockport size 9, if you must know), and a white dress shirt ("Tommy Lee" written inside the collar). Jones reprised his role in the 2002 sequel (despite his memory being erased in '97). The costume is in Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Alien Cloak from "Men in Black II." Worn by a very tall actor (it measures 5' in length from shoulder to hem) in the 2002 sequel, this silvery brown floor-length cloak with a swanky silver lining and large hood is perfect for an evening out on Mars, exploring the furthest reaches of the cosmos, or just lounging around the house. In Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Mercury Theatre Vintage Window Card. A 14" x 22" window card from 1938 advertising the theatre's spring season. The productions on the bill include Julius Caesar (an adaptation set in Fascist Italy that was far ahead of its time), The Shoemakers Holiday, and The Cradle Will Rock, the controversial musical that led to actor-director Orson Welles and John Houseman creating the theatre the year before. In Very Fine condition with moderate wear and bumping to the edges and corners.
Gustav Frohlich Vintage "Metropolis" Photos. Two b&w 8" x 10" photos of Gustav Frohlich in the silent-era sci-fi epic, one featuring him with Brigitte Helm. Both are graded Very Fine by CGC. From the Lost Hollywood Collection.
Four Vintage "Metropolis" Photos. Four b&w 8" x 10" photos of crowd scenes from the seminal 1927 film, two featuring Brigitte Helm. Three are graded Very Fine and one is graded Fine by CGC. From the Lost Hollywood Collection.
Four Vintage "Metropolis" Photos. Four great b&w 8" x 10" photos from the Fritz Lang classic. Three have been graded Very Fine and one has been graded Excellent by CGC. From the Lost Hollywood Collection.
Brigitte Helm Vintage "Metropolis" Photos. Four b&w 8" x 10" photos of Brigitte Helm in Fritz Lang's seminal silent sci-fi classic. Two are graded Very Fine and two are graded Excellent by CGC. From the Lost Hollywood Collection.
Toshiro Mifune Signed Japanese Movie Poster. With his imposing bearing, broad acting range, and a dynamic partnership with director Akira Kurosawa, Toshiro Mifune became arguably the most famous Japanese actor of the 20th century, immensely popular with both Eastern and Western audiences. This copy of issue #3 of Mifune Productions News is signed by the legendary actor in black marker, is in Excellent condition with a few fold creases, and has been matted and framed to an overall size of 24" x 18". Accompanied by LOA from PSA/DNA.
Two Photos of Mary Miles Minter. Is there something eerily attractive about this notorious silent screen star, or does that impression come from her sad history? Mary Miles Minter was swept up in the notorious 1922 William Desmond Taylor murder -- her love letters and lingerie were found in the dead director's bungalow -- and she never made another movie after 1924's ironically titled The Sainted Devil. While not an official suspect at the time, she's become a prime one since her 1984 death (at least one recent book has conjectured that she was the killer). These two lovely pieces on Ms. Minter include an 8" x 10" portrait on paper with a facsimile autograph, and a breathtaking 13" x 17" study, from the New York studio of photographer Edward Thayer Monroe (whose stamp is en verso, and whose signature appears in the upper left of the portrait). The 8" x 10" has a crease at the lower left area and the 13" x 17" has a tear at the upper right border, not protruding into picture. Both are in overall Fine condition and create, thanks to Mary's unusual beauty and what we know about her tragically terminated career, a genuinely haunting effect.
Carmen Miranda Sequined Halter. Green sequined top worn by singer-actress and samba superstar, from an unknown production, with "C. Miranda" written on the inside of the strap. In Very Fine condition with mild wear and a fair amount of tanning to the lining.
Margaret Mitchell Signed "Gone With the Wind" First Edition. A great American novel that quickly became a great American movie, Gone With the Wind won the Pulitzer in 1937; the film version broke all box office records in 1939 and won eight Academy Awards. Here is a wonderful, rare July 1936 printing of the first edition of the book, signed by author Margaret Mitchell on the first end paper in black ink. "Elsie R Bidwell/Blowing Rock, N. C./July 1936" is inscribed on the upper right corner of said end paper in black ink. The volume is in great condition with some mild to moderate discoloration on the spine and back cover, some tanning to the inside cover, mild foxing to the page edges, and overall off-white pages. The binding is in very solid condition. A magnificent collectible. With COA from PSA/DNA. Accompanied by LOA from PSA/DNA.
Elizabeth Montgomery Costume Dress from "Bewitched." This pastel blue Eve Le Coq dress was worn by Montgomery in an unspecified episode of the popular '60s sitcom, and has her name written on the label and a Western Costume Co. stamp underneath that. In very Fine condition with a few instances of mild to moderate tanning from age.
Elizabeth Montgomery Signed Photo. A stunning b&w 8" x 10" photo of the Bewitched star, signed by her in black ink. In Excellent condition. Accompanied by LOA from PSA/DNA.
Seven Robert Montgomery Photos. Robert Montgomery was a major MGM star, a USNR Commander, the president of the Screen Actors Guild, a film director, a Tony Award-winning Broadway director, an early TV star (Robert Montgomery Presents), and the father of Bewitched star Elizabeth Montgomery. This lot offers tribute to Montgomery with a striking 10" x 13" exterior shot of Robert with Constance Bennett in 1931's The Easiest Way, with original snipe (torn but complete) en verso; a paper 8" x 10" portrait with facsimile signature; a full-length 10" x 13" portrait of Montgomery in The Earl of Chicago (1940), with MGM photographer Willinger's stamp on it; another 10" x 13" from The Earl of Chicago, with Ronnie Sinclair and the Willinger stamp en verso; a 10" x 13" portrait of Montgomery in Yellow Jack (1938), with the stamp of legendary MGM photographer Clarence Bull plus production information en verso; a 14" x 17" shot of Montgomery, Helen Broderick, and Frank Morgan in Piccadilly Jim (1936); and a 14" x 17" portrait of Montgomery with Rosalind Russell in Night Must Fall (1937), in which Montgomery gave probably his finest performance as the psychotic Danny. All the pieces are in Very Fine to Excellent condition.
Four Photos of Colleen Moore, Two Signed. Credited with having define the look of the "flapper" in Flaming Youth (1923), Colleen Moore was a top silent screen star who had saved her money, retired early, and invested so wisely she was able to indulge her special dream to create a $500,000 doll house, "The Enchanted Castle" (now on display at Chicago's Museum of Science and Industry). Here are four portraits of the shrewd and pretty star, including an 8.5" by 12" portrait inscribed and signed in black ink; a 9" x 13" portrait inscribed and signed in white ink; a 10" x 13.5" portrait of her in Dutch girl costume; and an 11" x 14" color-tinted portrait, stamped en verso by famed photographer Clarence S. Bull. Both signed photos (each of which have surface creases, and one of which has a tiny bit of chipping) bear the stamp of photographer Edward Thayer Monroe en verso, and all are in overall Fine condition. Accompanied by LOA from PSA/DNA.
Frank Morgan Autograph. An autograph album page signed by the Wizard of Oz actor in black ink, dated April 15, 1940, with a Tom Mix signature in black ink, date April 13, 1940. In Excellent condition with mild tanning around the edges and holes punched along the right edge. Accompanied by LOA from PSA/DNA.
Mother Teresa Signed Letter and Display. An inspiring display, encased in a 12.5" by 13.5" gold-colored frame, devoted to Mother Teresa. It includes including a typed card to Kaye Ballard, who had been praying for Mother Teresa and the work of her society. The message includes, "....Love to pray. For prayer enlarges the heart until it contains God Himself..." The note is signed "God bless you M Teresa," and is matted with two pictures of Mother Teresa, one color and one b&w. A moving tribute to a great and compassionate humanitarian. From the collection of Kaye Ballard. Accompanied by LOA from PSA/DNA.
Nanook of the North Lobby Cards. Nanook of the North (1922) is one of the classic film outdoor sagas, chronicling the life of an Eskimo family. It mixed the human story and the nature photography so dynamically that it's still powerful entertainment more than 80 years after its shooting. This lot offers seven 11.5 x 16" cards, each proclaiming the film "A human and thrilling story of the Snowlands" and featuring an inset b&w picture -- six charming ones of members of the Eskimo family, and one dramatic close-up of snarling wolf. In overall Very Fine condition. Vivid relics from a milestone silent film.
Helmut Newton Signed Photo of Coral Browne. A wonderful 8" x 10" b&w photo of Vincent Price's wife, Coral Browne, by influential fashion photographer Helmut Newton, inscribed "For Coral, in admiration. Helmut 1989." across the bottom in green ink. In Excellent condition. Accompanied by LOA from PSA/DNA.
Leonard Nimoy Wax Head. Wax likeness of actor Leonard Nimoy as Mr. Spock, from the Movieland Wax Museum. In Very Fine condition with numerous scratches and dings, and some paint loss to the pointy ears.
Richard Nixon Framed SIgnature Boldly written black ink signature - "To Kaye Ballard with best wishes from Richard Nixon 6-15-79." Signature on ornate "Ocean to Ocean Service" map-like paper, attractively housed in a 10 x 14" frame, makes for a very impressive presentation. Personally consigned by Kaye Ballard and in Excellent condition. Accompanied by LOA from PSA/DNA.
Richard Nixon Items from Clifton Webb Estate. Clifton Webb was a huge Richard Nixon supporter, as evidenced by this lot. Included is a letter on Nixon's personal stationery, dated November 8, 1961, that thanks Webb "for all that you did for our cause...No candidate for the Presidency could have had a more dedicated and loyal group of supporters. Pat joins me in sending our best wishes." The letter is signed "Dick Nixon" in black ink, with the original envelope included. Also in the lot are two unsigned, undated Christmas cards, one printed "Pat and Dick Nixon" and the other "The Richard Nixon Family." Finally, there's a letter typed on "Office of Dwight D. Eisenhower" stationery, dated September 30, 1952, thanking Webb for "your deep faith in Richard Nixon," This apparently followed Nixon's famous "Checkers" speech, and Ike insists that his "personal confidence" in Nixon "was never shaken." A very desirable lot in overall great condition. From the Clifton Webb Archive. Accompanied by LOA from PSA/DNA.
Mabel Normand Personal Photos. A wonderful lot of 13 snapshots from the files of Mabel Normand's secretary -- including an especially charming shot of a tousled-haired Mabel aloft in a tree. There are also pictures of Mabel with her dog, shots of various Los Angeles houses (intriguing architecture and vintage cars) and a shot of a woman identified as "The Mamma (Ben Turpin's 2nd)" -- maybe Ben's wife? Pictures have minor chips and wear, but certainly Very Fine considering their 80-plus years of age. The packet is rich in nostalgia for the star and her era.
Mabel Normand Personal Photos, Set of 13. Another great group of 13 photos of Mabel and/or company, including one of Mabel providing a great, wide-eyed mug at the camera. Pictures include "on location" shots with vintage cars, a sporty motorcycle, and director F. Richard Jones. There are also shots of a Hollywood house under construction, Mabel's sister Gladys, Mabel's husband Lew Cody, and Mabel entertaining a Naval officer. A nice, widely-varied assortment.
Mabel Normand Personal Photos. A charming shot of Mabel and her dog steals the show in this 12-shot packet. The dog obviously loved the camera as much as Mabel did -- there are six pictures of the pup, two with Mabel, who clearly doted on him/her. Also in the lot are six evocative shots of location shooting, including two showing a squad of cameramen (one with a director and a megaphone). All in Very Fine+ condition.
Three Original Mabel Normand Photos, One with Charles Chaplin. This packet offers a wonderful trio of Mabel portraits. Number one shows a smiling, full-length Mabel in Mickey (1918), the film that, thanks to her wildly energetic performance and amazing stunts (including jumping into water nude!), fully established her as a comedy superstar. The second is a marvelous publicity picture, capturing Mabel in a funny hat (and white high heels!), straddling a wall as she puts up a poster for "Mabel Normand in The Slim Princess". The third is a great candid shot of Mabel with Charlie Chaplin, at a time when they were King and Queen of movie comedy. The Mickey portrait has a matte finish, and the other two are glossy. Photographer Albert J. Kopec's stamp is on the verso of the shot of Mabel and Chaplin. There are small chips out of the upper and lower right border of the shot for The Slim Princess, and a crease though the middle of the shot, not detracting from the overall impact. These are wonderful mementoes of Mabel Normand at the apex of her stardom.
Three Original Mabel Normand Photos. Here's Mabel in three distinct fashion styles of stardom. There's a quintessential smiling portrait of her in cowboy hat (the photography studio, "Tyeko, L.A.," stamped in white ink in lower right corner); a wide-eyed close-up (stamped in white ink, "Mishin, N.Y.9," in lower right corner); and a full-length of Mabel in flapper finery, marked in white ink stamp in lower left corner, "Mack Sennett Comedies." All have a matte finish and are in Very Fine+ condition (the wide-eyed close-up has a pinhole at the top border, a tiny tear at the top right border and a very small crease at the lower right border). Little wonder Mabel's secretary personally saved these three superb portraits.
Four Original Mabel Normand Photos. Four delightful images of Mabel: In shimmery, dressed-to-kill flapper garb, complete with turban (the Abbe Studio credited in white stamp, lower right); a more down-to-earth, full-length pose (with the Albert J. Kopec studio stamp on the back and the front lower right corner); a strikingly elegant costume portrait, in white wig and plume ("Mabel Normand as she is seen in Mack Sennett's Molly O', Distributed by Associated Producers," reads the stamp on the verso); and a very youthful, demure Mabel, all in white (the White Studio credit at lower right of photo). All are 8" x 10" photos, except the shimmery flapper pose, which is 7" x 9". Numbers 1 and 2 are matte finish, while numbers 3 and 4 are glossy. Exquisite portraits that reveal Mabel's maturing as a star and versatility as a performer.
Six Original Mabel Normand Photos. A grab-bag of a half-dozen photos, including a stunning profile shot of Mabel (the lower part of the picture has been trimmed away); a lovely picture of her as a child, standing by a fountain; and others of Mabel at both work and play. Very Fine condition.
Mabel Normand with Pauline Frederick and Phyllis Haver. A wonderful threesome from the files of Mabel Normand's secretary. Shot number one shows Mabel in period costume for Molly O' (1921), visited by the great stage and screen star, Pauline Frederick (1883-1938). (Written on the verso in ink is "With Pauline Frederick, who dropped in when they were taking stills of Molly O.") Shot number two captures Mabel in a solo portrait revealing both glamour and humor, with the Abbe studio stamp in the lower right front. Shot number three is an attractive portrait of Phyllis Haver (1899-1960), one of Mabel's fellow Mack Sennett comediennes, and a real-life charmer who gave up her career after marrying a New York City millionaire. The Haver portrait (with Sennett's credit on the front and verso) is glossy, while the other two have a matte finish. There's a small piece missing from the upper right margin of the Haver portrait, and a pin hole at the lower right margin -- otherwise this lot is in Excellent condition. "They had faces then" -- and these three ladies certainly prove it!
Two of Mabel Normand's 8 x 10 Photos of Tragic "Bathing Beauty" Marie Prevost. Few Hollywood tragedies were more grim than that suffered by Marie Prevost, who basically starved to death in 1937 -- so pitiful a demise that it sparked the full activation of the Motion Picture Relief Fund. Her nearly-starved dog shared her apartment with her, and had nibbled on the corpse -- was the dog trying to awaken Marie, or...? At any rate, here are two remarkable pictures from Mabel Normand's collection, each showing Marie Prevost at her loveliest during her Bathing Beauty days for Mack Sennett. The first is an expansive, superbly atmospheric shot of Venice Beach, California, with Marie sitting on the sand as Ben Turpin comically collapses as a life guard. The film crew and camera equipment appear in this wonderful shot. Normand's secretary (presumably) had written on the verso in pencil, "Taken at Venice, the beach about which I have written you before. The girl is Marie Prevost no longer with us." The second shot shows a full gaggle of Bathing Beauties, with a life-saver bearing the legend "Mack Sennet Comedies," and features a charmingly mugging Marie Prevost along with Phyllis Haver (prominent, casting a fishing line) and Kathryn McGuire -- all identified on the verso in pencil. Both shots are glossy, with only minor creasing and a tiny tear on the right margin of the shot with Haver. Very Fine+ condition. Mabel Normand is not in either shot. Superior evocations of early Hollywood comedy and, based on the sad fate of Marie Prevost, rather haunting ones.
Mabel Normand Portrait and Shot of the Keystone Studios Cafeteria. A super-rare glimpse of very old Hollywood, this packet includes not only a striking 7" x 9" matte finish profile full-length portrait of Mabel (with the Abbe photographer stamp in the lower right corner), but also a glossy 8" x 10" candid shot showing the Keystone Studios commissary! Written on the verso, in pencil, is "Scene from inside of our cafeteria taken during the filming of Home Talent" - which dates this picture as 1921. The writing on the verso identifies Kathryn McGuire, Phyllis Haver, Charlie Murray (with "not here anymore" under his name), and Billy Bevan, all seen dining. The Normand portrait is in Excellent condition and the cafeteria picture is Very Fine with only minor surface creases, offering a magical, behind-the-scenes glimpse of the long-lamented Keystone Studios.
Two of Mabel Normand's Original Photos, One of the Mack Sennett Lot, with Notation. This is the site where it all happened -- the pie fights, the Keystone Cops chases, the Bathing Beauty antics and the legendary performances of such stars as Mabel Normand, Charlie Chaplin and Fatty Arbuckle. Here's an ultra-rare shot of the Mack Sennett Studios in its heyday, and printed in white in the lower right hand section are the words, "Mack Sennett Studios which cover thirty acres in the heart of Los Angeles." The verso of the picture has annotations in pencil (probably by Mabel's secretary): "Hold to light," and you can see "where I work," "entrance," and "the cafeteria." Also notated is "Allesandro Street, or Glendale Blvd. as it is now called." The address was 1712 Glendale Blvd., but the studio is long gone now, with only a warehouse still standing. Also included in this packet is an original still from the major Mabel Normand hit Molly O, showing Mabel with Eddie Gribbon and George Nichols, all identified on the back in pencil. The verso also includes the stamp, "Appearing in Mack Sennett's comedy-drama Molly O of which Mabel Normand is the star Distributed by Associated Producers." These artifacts of Hollywood history are in Excellent condition, from the archives of one of its major players.
15-Page Hand-Written Letter by Mabel Normand to Her Doctor After an Apparent Breakdown. A sad, rambling and very touching letter, written by Mabel in pencil on Western Union telegram paper (15 sheets) to her physician, Dr. Fulton. The letter was written at a time that Mabel was suffering both physical and emotional distress, and had been a patient at Good Samaritan Hospital in Los Angeles. Her trusted Dr.Fulton apparently had taken a cruise to Alaska, and Mabel desperately writes to him about her other physicians, noting, "God only made one Dr. Dudley Fulton,so my opinions of the rest I could write line one little sentence of french [sic]..." Mabel writes of "dreadful painful nights" and of observing mothers with their babies - "those lovely young mothers who taught me a great lesson, and their sincereness [sic] in loving something thats [sic] part of them will make a tremendous difference in my work..." (Mabel had no children.) She ends the letter, "I wish you were home affectionately to my only Dr. Fulton Mabel." There are various tiny tears in the 15 pages, otherwise they're in overall Very Fine condition. This is a truly intimate and very moving piece, giving insight into the private torments of Mabel Normand.
Telegram and Letter by Mabel Normand. This lot includes a telegram and a letter to Miss Betty Coss, Mabel's secretary. The telegram, dated June 19, 1924, writes "Dear Betty Don't be a baby and come tomorrow morning and lets [sic] talk things over...do not think at this time should take any offense at whatever I said will expect you in the morning it is very urgent," and signed "M Normand." The letter, written in hand by Mabel, asks Betty if she remembers the terms offered Mabel for a job with "Consolidate" studio, regarding a salary and percentage deal and whether she'd have to work on Sundays. The note mentions Paul Bern, and that since Bern could not remember the proposed terms, he had suggested that Mabel ask Betty. Mabel ends with "Thanks so much we miss you M Normand." Hand-written note is tattered on the right margin. The correspondence suggests a rift had taken place between the star and her secretary -- indeed, Betty Coss had left Mabel's employ after the stormy repercussions of the star's various personal problems. These are intriguing curiosities from a time that Mabel was fighting to revive her scandal-wracked career.
Paul Bern Letter to Mabel Normand. The Labor Day 1932 "suicide" of MGM producer Paul Bern, after two months of marriage to Jean Harlow, remains one of the great scandals and unsolved mysteries of Hollywood history. Bern (who supervised Grand Hotel and other major Metro films) had a reputation for falling in love with various famous ladies, and it appears Mabel Normand was one of them. In this letter, penned in black ink on pale green Ambassador Hotel stationary, Bern writes: "There is nothing in the world about which a man is as stupid as the purchaser of a gift for a woman -- unless he happens to be in love with her -- and then he makes the most senseless present it is possible to desire. Would you mind very much if I ask you to get your own gift, as useless and unnecessary as your mind may dictate? Many thanks for favors and kindnesses -- and best wishes for the New Year -- Paul Bern." The letter has a small tear (no paper missing) at the left middle top, otherwise it is in Excellent condition with a fine, full Bern signature. There's no date, but it's circa 1924. This is a fascinating artifact, associated not only with Normand (who died two years before Bern) but also with one of the most infamous dark figures of Golden Age Hollywood.
Various Yuletide Cards as Mack Sennett, Mabel Normand and Ben Turpin Wish You a Merry Christmas. A charming lot of four colorful Christmas cards -- all with the original stamped envelopes -- including two from Mr. and Mrs.Ben Turpin, one from Mabel and (husband) Lew Cody, and one from Mack Sennett. Each card bears a printed name (but no signature) and all were sent to Mabel's ex-secretary Betty. The Turpin cars are postmarked 1926 and 1927, and the Sennett card 1924; the date isn't legible on the envelope from the Codys, but it's probably 1926. All cards and envelopes (love those stamps!) are in Excellent condition. These are ideal Yuletide decorations for a movie lover, and an attractively festive lot.
Three Letters from the Files of Mabel Normand's Secretary. This lot includes a love letter to Betty Coss from her soon-to-be-husband, Carlos Duncan, as well as a newspaper clipping Carlos sent Betty noting his recent divorce and newsy letter from Mrs. Ben Turpin, mentioning Ben's recent personal appearances and film projects. They come with the original envelopes and are in Very Fine+ condition.
Mabel Normand Letter with Great Content Requesting the Name and Telephone Number of a Bootlegger! A silent screen superstar seeking a bootlegger -- what could be more evocative of Hollywood's Roaring '20s? Here's a handwritten-in-pencil, two-page note, in which Mabel asks her secretary for "the address of Freeman's bootlegger -- I mean the one you deal with for me and also his telephone number..." Mabel goes on to write that she'd had "very bad news" about her right ear, signs off with a reminder to send the bootlegger's address and "...most important (his telephone number)," initials the note and adds, "Be happy Betty I love you." Excellent condition. This is an endearing little letter, handwritten by "the Female Chaplin" with a very desirable reference to the Prohibition era.
Mabel Normand Letter and Envelope, with Excellent Full Autograph. This letter, handwritten by Mabel in blue fountain pen ink, is addressed to the R.M. Hollingshead Co. of Seattle, providing former secretary Betty Coss a positive reference for a job. The letter reads in part: "...Her business ability while in my employ included large sums of money being responsible for my personal jewelery [sic] also very confidential matters." Considering all the publicity about Mabel in the early 1920s, this reference letter must surely have been impressive! The letter concludes with a full signature, as well as Mabel's handwritten home address (526 Camden Drive, Beverly Hills, California). Also included is the envelope, on which Mabel had simply written "Betty." Very desirable format and a wonderful signature, in Excellent condition.
Mabel Normand Signed Letter. This typed letter on Mabel's letterhead is dated May 19, 1925, a time when the star was desperately fighting for a comeback. Apparently concerned about finances, Mabel asks her ex-secretary for "the address of the firm where you purchased the last fan pictures that were cheaper than Kopec...". Albert J. Kopec was a masterful Hollywood photographer (and some of his portraits of Mabel are included in this archive). Mabel also asks where to buy folders, cardboard and more letterhead paper. She signs the letter "Mabel N." and adds a warm handwritten note inviting Betty to visit her. It appears Mabel was at a loss, personally and professionally, without her trusted secretary. In Excellent condition.
Six Pieces of Fan Mail to Mabel Normand. This is a fascinating variety of letters, dated 1923-1925, to Mabel from fans with wildly-varied agendas. One fan wishes he/she were closer "so I could aid you whenever possible," and requests a picture and letter. Another is from a six-year-old boy in Los Angeles who writes that his daddy is dead, his mother works at the Broadway Department Store, his sister is two, and that "if you ever need two nice little children will you let me know..." He also includes "the only picture" he has of himself with his mother and sister, assuring Mabel "...we are better than the picture." A third letter comes from a brash gentleman in Flushing who's "just one of those fellows that would like to own a car" and asks Mabel to buy it for him. There's a missive from a Los Angeles lady who wants to sell Mabel her family's real estate in Alberta, Canada; a letter from a 20-year-old Staten Island lady, who unfortunately has "found men wanted my body not me" and hopes Mabel will help her meet the right people; and a lady in Pittsfield, Mass., who wants Mabel to send her money ("You can send me as much as you want I can use it all"). Three of the letters come with the original postmarked envelopes and their $.02 stamps. In Very Fine condition, with minor age wear. Truly unique curios, which show the bizarre types of fan mail stars have received (and continue to receive) over the years.
Miscellaneous Mabel Normand and Betty Coss Correspondence and Cards. Quite a variety here: A letter dated August 26, 1923, to Mabel's secretary, Betty Coss, from an admirer of Mabel's in Chicago, thanking Betty for writing a letter to a magazine defending Mabel's honor; a typed statement, dated October 6, 1924, in which Betty denies that Mabel indulged in any impropriety with a "Mr. Church" while she was a patient at Los Angeles' Good Samaritan Hospital in August of 1923; a postcard showing Mabel's Beverly Hills home, postmarked August 31, 1929, with a $.02 stamp, signed "Marion McDonald" and sent to Betty Coss after she had married and moved to Chicago; a winter scene card, with a thank you note to Mabel for a picture she had sent; and a postcard of Ben Turpin's house, Beverly Hills, dated March 25, 1929, bearing a $.01 stamp, wishing Betty a "Happy Easter" and signed "Ben and Babette" (Turpin). In overall Very Fine condition.
Ben Turpin Signed Photo. One of Mack Sennett's most vivid slapstick attractions was Ben Turpin (1896-1940), famed for his crossed eyes (he had an insurance policy with Lloyds of London that they wouldn't uncross!), backwards tumble (he called it "the 108") and spirited take-offs on the great stars of the silent film (e.g., Rudolph Valentino in 1923's The Sheik of Araby). This is a superb matte finish portrait of Ben, sporting his derby, chomping his cigar and signed in black ink to Mabel Normand's secretary Betty Coss -- "To my pal Betty Best Wishes Ben Turpin Los Angeles 5/18/23." The still-sharp autograph looks as if it were signed yesterday. There's a pin hole at the center of the top border, flanked by two small pencil marks very slightly protruding into the picture near Ben's derby; also very minor surface creases, and some residue on the verso from the picture's apparent attachment in a scrapbook. None of this detracts from the terrific overall Very Fine+ impact of this wonderful Turpin portrait, which virtually screams "Mack Sennett comedy." Accompanied by LOA from PSA/DNA.
Two Photos of Mabel Normand. Here's Mabel Normand as she surely would have wanted her fans to remember her: pretty, wistful, and happily assured (or so it seems) in her star power. Picture one shows Mabel adorned in feathers; picture two presents her in bonnet, pearls, and a white mink coat. Both have the stamp of photographer Edwin Bower Hesser en verso. Both are in Excellent condition with a one-inch scratch near Mabel's left eye, visible only if held in a certain light, on the second photo.
Four Mabel Normand Photos and Drawings. This lot presents two exquisite 11" x 14" portraits of Mabel, both remarkable for the sadness in her eyes -- as if pleading with fans who'd forsaken her for their forgiveness and favor. Both bear the stamp en verso of photographer Edwin Bower Hesser. There are also two 11" x 14" reproductions of paintings of Mabel, one of her in tousled hair with a Gibson girl look, the other Mabel in a babushka, as captured by famed artist James Montgomery Flagg. The Flagg reproduction bears the embossed stamp of photographer Albert J. Kopec (his stamp also appears en verso). Superbly evocative pictures make you feel that Mabel's in the room with you, In overall Very Fine condition with very minor surface creases on the photos (and some border staining on picture two), and some border wear on the sketch reproductions.
Miscellaneous Mabel Normand Items. Included are five pieces of correspondence: Mabel's calling card, on which she has written, "Please give Miss Coss my check book and canceled check," fully signed, "Mabel Normand," on the back of the card she has added the name and address of a bank and (presumably) a banker; the calling card of Mabel's secretary, Miss Elizabeth Coss; envelopes addressed to Mabel at 1712 Glendale Boulevard (the Mack Sennett Studio) from 1923, with $.02 stamp; another envelope addressed to Mabel care of the Good Samaritan Hospital in Los Angeles, with the hospital's address crossed out and another address added, from 1928 with a $.02 stamp; and a very nice heavy stock card with a gold-embossed design, bearing "Christmas Greetings and Best Wishes for the New Year from Mabel Normand." All pieces are in Very Fine condition.
Photo of Mabel Normand Drawing. A lovely pencil sketch of the actress, by famed illustrator James Montgomery Flagg, captured in a photo by noted Hollywood photographer Kopec, signed by him and framed to an overall size of 5" x 7". In Excellent condition.
Mack Sennett Studio Newspapers from 1917. The Sennett Studio published a four-page newspaper, Mack Sennett Weekly, packed with exhibitor-aimed information and publicity about its stars and new releases, as well as Sennett's various editorials about the industry and some terrific pictures. This lot includes eight editions, January to April of 1917. Mabel Normand is featured prominently in pictures and text, and there is also material on Gloria Swanson, Marie Prevost, The Bathing Beauties, Teddy the Dog, Sennett himself, and much more. Rare and wonderful artifacts from the Golden Age of slapstick comedy, in Very Fine condition.
Mack Sennett Studio Newspapers. Another time capsule featuring an inside look at the Mack Sennett Studios, this lot of seven editions of Mack Sennett Weekly, dating May of 1917 to April of 1918, includes material on Mabel Normand, the Bathing Beauties, Gloria Swanson, Chester Conklin, Marie Prevost, Teddy the Dog, the Sennett Lobster, and other comic attractions. Great samples of the in-house voice of the long-lamented Sennett lot, in Very Fine condition.
Kim Novak's "Look" Award. Kim Novak's Film Achievement Award, presented to her by Look magazine in 1955. In Excellent condition with very light wear.
Large Kim Novak Pictures. A b&w 10" x 13" photo and a matted color 13" x 16" photo of the glamorous Novak, in overall Excellent condition with mild wear and moderate tanning to the matting on the color portrait.
Glamorous Kim Novak Portraits. A gorgeous 15" x 19" b&w portrait of Novak and a color 16" x 13" photo of her lying on a tiger-skin rug. Both are in Excellent condition with light edge wear.
Large Kim Novak Photos. Stunning 14" x 17" b&w and color 12" x 15" close-ups of Novak. Both are in Excellent condition with heavy wear and tanning tot he matting on the color photo.
Beautiful Color Portrait of Kim Novak. A great color 13" x 16" portrait of Novak in a beautiful black-and-white gown with floral print. In Excellent condition with a 3" crease near the top left corner.
Kim Novak Photos. Set of six photos of the Vertigo actress, including two autographed b&w 8" x 10" portraits, three b&w 8" x 10" photos of her with Mac Krim at an Academy Awards after-party, and a color 4" x 6" portrait of her. In overall Excellent condition with little to no wear. Accompanied by LOA from PSA/DNA.
Laurence Olivier Signed Photo. A b&w 8" x 10" portrait of the great actor, inscribed and signed by him in black ink. Matted to an overall size of 11" x 14" and in Excellent condition. Accompanied by LOA from PSA/DNA.
Our Gang Set of Five Framed Vintage Photos. Five vintage Our Gang promo photos, framed and matted to an overall size of 15" x 12". In Excellent condition.
Al Pacino Costume Hat from "The Godfather." This striking black Homburg was worn by Al Pacino as Michael Corleone in the 1971 classic. Francis Ford Coppola demanded Pacino for the role. The young actor was not well known at the time, and the studio did not consider him right for the part, but gave in after Coppola threatened to quit the production. The role changed Pacino's status from struggling unknown to household name almost overnight. In Excellent condition, the hat has a Western Costume Co. stamp and "Mr. Pacino" written on the inside of the brim.
George Pal Signed Letter. Typed letter to actor Gray Daniels on Paramount letterhead, dated August 22, 1972, signed by the legendary fantasy and sci-fi film director in blue ink. It reads: "It was a pleasant surprise to receive the copy of 'Facts About Destination Moon' you were kind enough to send me. As you probably know, our home was completely destroyed in the big Bel Air [sic] fire some years ago together with all the momentos [sic] I had of my pictures up to that date. Therefore, I am doubly appreciative of your very nice gesture." In Excellent condition with mild overall tanning and moderate tanning to the top edge. Comes with original Paramount envelope. Accompanied by LOA from PSA/DNA.
Original Cowgirl Sketch by Jack Parr. Framed 10" x 13" cowgirl sketch by the late TV and radio talk show host. From the collection of Kaye Ballard. In Excellent condition.
Tri-Cornered Hat from "The Patriot." A prop Colonial-era British uniform hat worn by an extra in Roland Emmerich's historical action-drama. Black with white trim and "Sony #64" written on the inside, and in Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
"Pirates of Penzance" Signed Poster. Colorful 14" x 22" poster for The Pirates of Penzance, the Gilbert and Sullivan musical that made a splash on Broadway, winning the 1981 Tony Award for "Best Reproduction of a Play or Musical." Kaye Ballard eventually replaced Estelle Parsons as Ruth ("a piratical 'maid of all work'") during the play's long run, and this was her poster, signed by the company, including Treat Williams (who'd replaced Kevin Kline as the Pirate King) and Karla DeVito (who'd replaced Linda Ronstadt as Mabel). In Excellent condition. From the collection of Kaye Ballard. Accompanied by LOA from PSA/DNA.
"Playboy" Magazine Group of 7 (1954). From 1954, the first full year of its publication (the first issue came out in December 1953), here are vintage copies of the January (the hard-to-find second issue in Good condition with a 3" spine split), March (GD), May (FN), June (GD-VG), July (VG-FN), August (VG), and September (VG with some spine splitting) of the men's magazine.
"Playboy" Magazine Group of 10 (1955-56) Condition: Average Fine. Vintage copies of the June, July, August, and November 1955, and January, February, March, August, September, and October, 1956 issues of the men's magazine. These 50+ year-old books show some wear, but average in Fine condition.
"Playboy" Magazine Group of 9 (1957-58) Condition: Average FN/VF. Vintage copies of the February, March, April, July, August, September, October, November 1957, and May 1958 issues of the men's magazine. The books vary in grade, but average a nice Fine/Very Fine.
"Playboy" Magazine Group of 12 (1958-59) Condition: Average Fine. Vintage copies of the June, July, and November 1958, and January, February, March, May, June, July, August, November, and December 1959 copies of the men's magazine.
"Playboy" Magazine Group of 16 (1960-63) Condition: Average Very Good. Vintage copies of the January, April, May, June, August, and November 1960; January, March, April, August, and September 1961; January, March, July, and August 1962; and August 1963 issues of the men's magazine. Condition varies from Good (showing some moderate wear) to Very Fine, with an overall average of Very Good.
Tyrone Power and Loretta Young Photo by George Hurrell. A b&w 16" x 20" silver print of Power and Young, #9 in a limited edition of 15 from George Hurrell's personal collection, signed by photographer shortly before his death in 1992. Head of the portrait photography department at MGM, Hurrell photographed every star who worked at the studio in the 1930s and '40s, and helped shape the image of Hollywood glamour. (Norma Shearer, who effectively discovered Hurrell, refused to be photographed by anyone else.) In Excellent condition. 80
Vincent Price-Owned Painting with Signature. This mixed-media portrait of a flower by Phyllis Shapiro comes from the actor's personal collection, and is signed on the back by Price with the note "purchased 1969" handwritten in pencil. Framed and matted to an overall size of 19.5" x 17.5", it is in Excellent condition with some very light wear to the frame and glass.
Vincent Price-Owned "The Great Mouse Detective" Animation Cel with Signed Photo. Price provided the voice for the evil Professor Ratigan in Disney's 1986 animated feature, one of his favorite roles and Disney's first success after a period of poorly received films. This animation cel of the character, framed to an overall size of 13" x 11.5", was personally owned and proudly displayed by Price. Also included is an 8" x 10" color photo of Price and an unidentified animator on the film, signed by Price in black marker. Both items are in Excellent condition.
Vincent Price's Wig from "Diversions & Delights." From 1977-78, Vincent Price toured the country performing Diversions & Delights, a one-man show in which he portrayed flamboyant, controversial writer Oscar Wilde, staged as a supposed lecture by the dramatist on November 28, 1899 -- a year and two days before Wilde's death -- in a Parisian concert hall. Price toured amphitheaters and college campuses with the show, giving 800 performances in some 300 cities including Sydney and Hong Kong. It was Price's favorite role of his six decades as an actor, and about a year before his death in 1993 he stated "I believe my role as Oscar Wilde was my...greatest achievement as an actor." Featured is the wig worn by Price during his performances as Wilde, as well as two 8" x 10" photos -- one color, one b&w -- from the show and a handbill promoting a performance at the Nazareth College Arts Center in Rochester, New York. All items are in great condition, with only minor wear.
Awards to Vincent Price. This pair of awards presented to the great actor includes an unspecified award with a white marble base, metal nameplate and metal reproduction of the St. Louis Arch (measuring 5" x 2.5" x 5"); and an award with a wooden base and metal reproduction of an elephant (measuring 3" x 3" x 4"), with a plate that reads: "Vincent Price, In recognition of your contribution to circus art, Thank you, C.F.A. 1985." Both are in Excellent condition with very minor wear and some tarnishing to the arch on the first item.
Vincent Price Signed Items. This great selection of Vincent Price signatures includes a first day cover postmarked March 23, 1990, and signed by the actor as well as fellow The Fly cast members David Hedison, Brett Halsey, Betty Lou Gerson, and Kathleen Freeman; a personal check for $29.41, dated October 17, 1977, and signed by Price; and a self-portrait sketch in blue ink signed by Price. Each is in Excellent condition and elegantly matted to an overall size of 16" x 12". Accompanied by LOA from PSA/DNA.
"House of the Long Shadows" Autograph Group. Released in 1983, the horror comedy House of the Long Shadows is notable for being the only on-screen teaming of horror movie icons Vincent Price, Peter Cushing, Christopher Lee, and John Carradine. This set of b&w photos includes an 8" x 10" promo still for the movie signed by Carradine, a 3.5" x 5.5" signed headshot of Cushing, and 8" x 10" portraits signed by Price and Lee. A perfect group of four masters of the macabre! All are in Excellent condition. Accompanied by LOA from PSA/DNA.
Set of Rare Vincent Price Photos. This set of seven b&w photos, ranging from 6" x 8" to 8" x 10", features mostly portraits of a very young Vincent Price, great shots of the actor in elaborate evening dress, and in costume as Abraham Lincoln. The photos have photographer credit stamps and are in overall Very Fine condition with light wear, toning, and warping, and thumbtack holes to the corners of the smallest photo.
Vincent Price Caricature. An amusing ink-and-paper caricature, circa 1952, of Vincent Price being apprehended by a pair of "bobbies," inscribed "To Vincent/Long successful career/Bob/St. Louis, MO, Empress Theatre/April 24, 1952" in ink. The drawing measures 8" x 8" and is in Excellent condition, with a cardboard backing that has separated from the drawing due to glue deterioration (glue residue on the back does not affect the drawing).
Vincent Price White House Correspondence. During the early part of his tenure, President John F. Kennedy and his wife Jackie made it a point to renovate the White House and establish it as a repository of American fine and decorative arts, and actor and art connoisseur Vincent Price contributed to the effort. This set of four outstanding pieces of correspondence from the White House to Vincent Price includes a letter dated August 7, 1962, on Department of the Interior letterhead, accepting Price's gift of an Albert Bierstadt oil painting; a Western Union telegram dated October 9, 1962, inviting Price to a White House Fine Arts Committee meeting; and a September 30, 1963, typed and signed letter from curator and committee member James W. Fosburgh, informing Price that JFK had hung the aforementioned Bierstadt at the foot of his bed and was "crazy about it." Last but not least is a handwritten letter from Fosburgh to Price dated January, 1964, in which he discusses the then-recent assassination of Kennedy and its aftermath. A great set of correspondence, in Very Fine to Excellent condition with fold creases, light wear, and some moderate toning to the telegram. Accompanied by LOA from PSA/DNA.
Vincent Price Signed and Annotated "Diversions and Delights" Script. In the summer of 1977, during a period in which he reduced his film work in favor of the stage and voiceover work, Vincent Price began performing as Oscar Wilde in the one man stage play Diversions and Delights. Written by John Gay and directed by Joe Hardy, and set in a Parisian theater about one year before Wilde's death, Price (as Wilde) speaks to the audience about his life, his works, and his love for Lord Alfred Douglas, which led to his downfall. The original tour of the play was a success in every city that it played with the exception of New York City, and in the summer of 1979, Price performed it at the Tabor Opera House in Leadville, Colorado, on the same stage from which Wilde had spoken to local miners about art almost 100 years prior. This copy of the blocking script is dated November 11, 1977, is signed by Price on the cover, and and features copious handwritten annotations by Price throughout. In Very Fine condition with moderate wear to the cover from age and use. Accompanied by LOA from PSA/DNA.
Vincent Price Signed and Annotated "Well Chosen Enemies" Script (Act One). Later re-titled Diversions and Delights, this one-man show by dramatist John Gay became Vincent Price's arguably greatest achievement on stage. Price earned great acclaim for his performance as notorious playwright Oscar Wilde, and felt it was his "greatest achievement as an actor." This early draft of this partial script was Price's personal copy, and is signed by him on the front cover and features a number of handwritten notations throughout. In Very Fine condition with moderate wear from use. Accompanied by LOA from PSA/DNA.
Vincent Price Fan Correspondence From the 1930s A set of two telegrams and four typed and four handwritten letters, dated June 18, 1935, to March 25th, 1939, from friends, colleagues, and admirers congratulating him on his performance in the play Victoria Regina. Price appeared as Prince Albert in the play, and most of the letters are addressed to him as either "Price" or "Albert." The play opened on the 26th December 1935 and ran for three years -- and a telegram from that opening is among those included. After Victoria Regina wrapped up in London, Price was asked to reprise his role in stateside performances in New York. After the play's success on Broadway, Price was offered a Hollywood contract, which he turned down in order to gain more acting experience. He continued to do theatre work before finally kicking off his film career in 1938 with the comedy Service de Luxe. Wonderful mementoes from the early days of a budding actor, these letters are in overall Very Fine condition with very minor wear, light tanning, and some fold creases. Accompanied by LOA from PSA/DNA.
Vincent Price Signed Photo. A b&w 8" x 10" promo photo of the actor circa 1953, inscribed to make-up artist Abe Haberman and twice signed by Price in black ink. Haberman worked with price on Born in Freedom: The Story of Colonel Drake (1955). The photo is in Excellent condition with light wear, staining to the lower edge, and some very light smudging to the second signature. Accompanied by LOA from PSA/DNA.
Vincent Price Signed Photo. A b&w 8" x 10" portrait of a brooding Price, inscribed "To Roy with thanks for a great evening. Ever, Vincent Price" by him in black ink. Matted to an overall size of 11" x 14" and in Excellent condition with two small spots of soiling to the matte. Accompanied by LOA from PSA/DNA.
Queen Elizabeth and Prince Philip Signed Christmas Card. This vintage Christmas card features a coronet front cover and a 4" x 6" wedding photo of Queen Elizabeth II and Prince Philip, and is signed by both in black ink. Elizabeth and Philip were married on November 20, 1947, and decided to use this photo of Elizabeth in her wedding dress and Philip in naval dress uniform on their Christmas cards. The photo was taken by Baron, one of Britain's leading photography studios at the time. In Very FIne condition with mild wear, matted and framed to an overall size of 22" x 18". Accompanied by LOA from PSA/DNA.
Hollywood Tough Guys Autograph Set. Set of three autograph album pages includes one each for George Raft (blue ink, undated), William Holden (black ink, May 5, 1940), and Paul Armstrong (black ink, August 27, 1940). In overall Very Fine to Excellent condition with mild to moderate tanning (especially the Raft signature) and small holes punched along one edge. Accompanied by LOA from PSA/DNA.
Basil Rathbone Vintage Portrait Photo. A b&w 11" x 14" photo of Rathbone as a young man. Graded Excellent by CGC. From the Culver Pictures Collection.
Ronald Reagan "Knute Rockne" Football Cleats. Pair of costume football shoes with mud cleats worn by Ronald Reagan in his memorable role of George "The Gipper" Gipp in the classic 1940 biopic, Knute Rockne All American. Many actors, including William Holden, John Wayne, Robert Young, and Robert Cummings, were considered for the role, but only Dennis Morgan and Reagan tested for it; ultimately, it wound up becoming one of Reagan's signature roles, along with King's Row and The Killers. The shoes are in Very Fine to Excellent condition, with a moderate amount of wear from use. An appealing item for movie and sports fans alike. C'mon bidders, go out and, ahem, win this one for the Gipper.
Signed Ronald and Nancy Reagan Photos. An impressive array from a revue called An Evening with Cole Porter, performed at the White House, featuring June Allyson, Patti Austin, Kaye Ballard and Mel Torme and hosted by Marvin Hamlisch. The lot includes 1.) an 8 x 10 color photo of Ms. Ballard with President Reagan, who has signed on the border beneath the picture, "To Kaye - With our heartfelt thanks, every good wish and Warm Regard. Ronald Reagan," 2.) an 8 x 10 color picture of Ms. Ballard embracing Nancy Reagan, who has written on the border, "To Kaye - with so many thanks - my best Nancy Reagan" (Mel Torme and Marvin Hamlisch are also in this photo), and 3.) a matted display of the revue program in a ten-by-fifteen-and- a- half-inch gold frame. All three pieces are in Excellent condition. Personally consigned by Kaye Ballard. Accompanied by LOA from PSA/DNA.
Robert Redford's Watch from "An Unfinished Life." Silver-tone Timex watch worn by Redford in the 2005 drama. In Excellent condition.
Rare Wallace Reid Signature. Rare fountain pen signature by silent-screen actor Wallace Reid on a 5" x 3" autograph album page. The handsome actor died at the age of 31 as a result of addiction to alcohol and morphine (primarily the fault of the studio he was working for at the time). The autograph is in Excellent condition with two small holes punched in the left edge, and comes with a b&w 5" x 7" photo of Reid (Very Fine with some mild tanning). COA included. Accompanied by LOA from PSA/DNA.
Pencil Drawing by Burt Reynolds. Detailed pencil drawing of a country lane by Burt Reynolds, inscribed "To Kaye Ballard" and signed by him in the bottom left corner and framed to an overall size of 11" x 9". In Excellent condition.
Edward G. Robinson Signed Photo. A b&w 8" x 10" photo signed by the Little Caesar star in black. Matted and framed to an overall size of 12" x 15" and in Excellent condition. Accompanied by LOA from PSA/DNA.
Cocoanut Grove Celebrity Signed Menu. A menu for the Fifth Annual Dominos Dinner Dance, held April 22, 1935, at the famous Cocoanut Grove restaurant in the Ambassador Hotel in Los Angeles, signed by Edward G. Robinson, James Cagney, Dorothy Parker, Pat O'Brien, and several others in pencil. In Very Fine condition with Mild wear and moderate tanning. Accompanied by LOA from PSA/DNA.
Edgar G. Robinson and Walter Winchell Signed Photos. Included are a b&w 8" x 6" photo signed by Robinson in blue ink and a b&w 8" x 10" photo signed by Winchell in black ink. Both have been matted to an overall size of 11" x 14" and are in Excellent condition with some creases and discoloration to the Robinson photo. Accompanied by LOA from PSA/DNA.
Roy Rogers' Stetson. Dubbed "King of the Cowboys" by his legions of fans, Roy Rogers' career as a singing cowboy and actor spanned several decades and hundreds of performances on radio, television, and film. This handsome, tanned Stetson cowboy hat with a distinctive rattlesnake skin hatband (rattle still attached) was owned a regularly worn by Rogers, and has his first name stamped on the sweat band. The hat is in Very Fine condition with a very light amount of wear to the crown and edges of the brim, and some very mild tearing to the lining. Accompanied by COA from L.A. Prop & Wardrobe Co.
Ginger Rogers, Marguerite Chapman, Betty Hutton, and Wanda Hendrix Signed Photos. Included are a b&w 6" x 9" photo signed by Rogers in green ink, a b&w 7.5" x 9" photo signed by Chapman in black ink, a 7.5" x 9" photo signed by Hutton in black ink, and a b&w 7.5" x 9" photo signed by Hendrix in black ink. Each has been matted to an overall size of 11" x 14". All are in Excellent condition with some light toning.
Dale Evans' Cowgirl Hat. A Bailey of California barrel racer cowgirl hat with ornate decorations on the sides of the brim, with Dale Evans' name on the inside of the brim, owned and worn by the Queen of the Cowgirls. In Excellent condition with some very mild discoloration from age.
Mickey Rooney Signed Photo. A b&w 8" x 10" photo of Rooney in uniform, inscribed and signed by him in black ink. Matted to an overall size of 11" x 14" and in Excellent condition with a very mild amount of tanning. Accompanied by LOA from PSA/DNA.
Miklos Rozsa Signed Music. The great composer, whose superb music ranged from the Dragnet theme to the exultant scores for Ben-Hur and The King of Kings, signed this page "For Kaye [Ballard] with love Miklos Rozsa." He's also added a bar of musical notes. The other half of the sheet includes the signature and musical notes of another (unidentified) composer. Matted in a 12" x 15" gold frame, in Very Fine condition with slight fading. Accompanied by LOA from PSA/DNA.
Screen Actors Guild Signed Poster. This 27" x 44" poster for SAG's 2005 "Conversations" lecture series is signed by 50 stars, including Jason Alexander, Maria Bello, Brenda Blethyn, Sandra Bullock, Don Cheadle, Johnny Depp, Judi Dench, Anthony Hopkins, Terrence Howard, Bill Murray, Carl Reiner, Donald Sutherland, and numerous others. In Excellent condition. Accompanied by LOA from PSA/DNA.
Vintage Photos of Early Female Stars. Set of 20 vintage b&w 8" x 10" photos of early stage and screen stars, many of them autographed, dating from roughly 1915-1921, that includes Katherine Sayre, Edith Shayne, Lillian Shaw, Myrtle Schaaf, Joyce Stillman, Suzanne Keener, Frances White, and others. In overall Fine condition with mild to moderate wear and moderate toning. Accompanied by LOA from PSA/DNA.
Charles Schulz Signed Photo. A b&w 8" x 10" photo of Peanuts creator Charles Schulz with a Snoopy background drawing, inscribed "For Kaye, the Luciest Lucy of them all" and signed "Sparky" by the cartoonist in blue ink. In Fine to Very Fine condition with appreciable staining to the top portion and a large area of surface wear near the top right corner. From the collection of Kaye Ballard.
Special Effects Ship Model from "The Sea Hawk." Five years after Captain Blood made him a swashbuckling star, Errol Flynn returned to the high seas as a privateer in The Sea Hawk (1940), also directed by the great Michael Curtiz. Neither movie used actual ships in the filming of their epic sea battles, relying instead on process shots and miniatures such as this one. This highly detailed model features tiny cannons, rigging, and other elements made of wood, canvas, and string, and is in surprisingly good condition considering its age and no doubt some heavy use. (The center mast has a significant split near the top, however.) It measures roughly 17" x 17" and comes with a wood display stand.
Set Vintage Photos of Early Hollywood Actors. Set of 16 vintage b&w photos -- sizes 3" x 5" to 8" x 10" -- of early stage and screen actors, many of them autographed, featuring Oscar Seagle, Frank Keenan, Mulhall, Herbert Kelcy, Oscar Shaw, Antonio Torello, and others. In overall Fine condition with mild to moderate wear and moderate toning.
Norma Shearer Signed Photo. A beautiful b&w 11" x 14" photo of the Canadian actress by early Hollywood glamour photographer Ruth Harriet Louise, inscribed and signed by her in black ink. The photo features Louise's studio stamp on the back, and her name is embossed on the lower right corner. In Very Fine to Excellent condition with light edge wear and light overall tanning. Accompanied by LOA from PSA/DNA.
Anne Shirley Costume Dress from "The Devil and Daniel Webster." Blue-grey costume dress worn by Shirley in the Oscar-winning movie, with Shirley's name handwritten on a costume tag sewn inside. This costume was designed by Edward Stevenson. The dress is in Fine condition with heavy soiling to the shoulders and light overall soiling, and a few very small moth holes.
Siegfried and Roy Signed Photos. Two color 8" x 10" photos signed by the famous magicians to Kaye Ballard, who can be seen standing with them in one of the photos, dated 1988. In Excellent condition. Accompanied by LOA from PSA/DNA.
Neil Simon Signed "Goodbye Girl" Script and Others. Included is a shooting script for The Goodbye Girl signed by writer Neil Simon, as well as final drafts for Butch Cassidy and the Sundance Kid, Bonnie & Clyde, The Illustrated Man, and Rocky. The scripts are in overall Very Fine to Excellent condition with mild to moderate wear to the covers. Accompanied by LOA from PSA/DNA.
Nicole Simpson's Fur Coat. This luxurious mink was owned and worn by Nicole Simpson. She called it her "lucky" fur and wore often when she was gambling in Atlantic City or Las Vegas. The coat was given by Nicole to John Cohan, noted celebrity psychic, and includes a handwritten letter from him.
Frank Sinatra and Others Signed Flyer. A flyer for the December 10, 1951 "Midnight Matinee Gallery of Stars," autographed by Frank Sinatra, Tony Curtis, Janet Leigh, and Dorothy Kirsten, along with a ticket stub from the event. The flyer is in Excellent condition with light wear, and the stub is in Very Fine condition with mild wear and creasing. Accompanied by LOA from PSA/DNA.
Vintage Hollywood Actress Photos. Set of 20 vintage b&w photos -- sizes 3" x 5" to 8" x 10" -- of early stage and screen stars, many of them autographed, dating from 1913-1922, that includes Lucille Lee Stewart, Bird Williams, Quincie Smith, Elizabeth M. Murray, Mary MacLaren, Adrienne Morrison, Dorothy Kelly, Eileen Wilson, and others. In overall Fine condition with mild to moderate wear and moderate toning.
"Star Trek: The Motion Picture" Cast-Signed Photo. Glossy b&w 8" x 10" publicity still from the 1979 feature film, inscribed to a crew member named "Mike" and signed by director Robert Wise and cast members William Shatner, Leonard Nimoy, DeForest Kelly, James Doohan, George Takei, Majel Barrett, Walter Koenig, Nichelle Nichols, Persis Khambatta, Stephen Collins, and Grace Lee Whitney in black felt tip. In Excellent condition with a few scattered dings, COA included. Accompanied by LOA from PSA/DNA.
Patrick Stewart Framed Signature Ensemble. Included is a copy of Playbill from an off-Broadway production of The Christmas Carol and a dinner theater handbill, both signed by actor Patrick Stewart and matted and framed along with a Christmas Carol ticket stub to an overall size of 11" x 25.5". Items are in overall Excellent condition. Accompanied by LOA from PSA/DNA.
James Stewart Signed "Harvey" Photo with Doodle. A b&w 8" x 10" promo still for the 1950 comedy, featuring Stewart holding a toy rabbit, signed and with a rabbit doodle by him in black ink. In Excellent condition. Accompanied by LOA from PSA/DNA.
Larry Fine Signed Letter and Photo. An excellent letter to a fan, handwritten and signed by founding Stooge Larry Fine, and postmarked May 13, 1974, in which he discusses the debilitating stroke he suffered and the publishing of his memoirs. Included with the letter is a 3" x 5" photo of the Three Stooges signed by Fine, encased in a protective plastic slab. Both are in Excellent condition. Accompanied by LOA from PSA/DNA.
Three Stooges Signed Page. This leaf from an autograph album features the signatures of the three original Stooges -- Moe Howard, Larry Fine, and Jerome "Curly" Howard. Each is big and bold and a great specimen, with only slight smudging to Larry's. The paper is in Excellent condition with very mild tanning and two binder holes punched in the lefthand corners, none of which affects the signatures. A fabulous piece from the Golden Age of American slapstick. Accompanied by LOA from PSA/DNA.
Barbara Streisand's Black Boots. Pair of black leather boots with spiral zippers, owned and worn by Barbara Streisand. In Excellent condition.
Original Signed Sketch of Gloria Swanson. This is a wonderful, framed black-and-white profile sketch of Gloria Swanson, capturing her in the pre-Sunset Blvd. era when she was a superb cinema attraction of the Roaring '20s. The great star signed the picture, "To Kay Embrace you with much love Gloria 73." The lower right corner bears the name of the artist, Gosta Viertel, and is date 1967. Accompanying the art is a 7" x 10" photograph of Swanson presenting the sketch to a delighted Kaye Ballard, who consigned it. The 18" x 21" picture frame, appropriately colored black and silver, has a few blemishes on it, and the signature is slightly faded. Overall it's in Very Fine condition. As this picture proves, "they had faces then" (and eyes, and eyelashes!). This is a stunning tribute to a fabled star with a very desirable signature and personal connection. Accompanied by LOA from PSA/DNA.
Loretta Swit's Costume and Prop Items from "M*A*S*H." A talented stage and television actress, Loretta Swit's star-making role came when she inherited Sally Kellerman's "Hot Lips" Houlihan character on the TV sitcom version of the movie M*A*S*H. She was one of four actors who stayed with the show during its entire 11-season run, and received two Emmy Awards in the process. Featured are her costume lab coat (with her name written inside the collar) and olive drab "Daisy Mae" hat, plus a leather carrying case containing her prop stethoscope and blood pressure cuff. All are in overall Excellent condition with light wear from use. Accompanied by COA from L.A. Prop & Wardrobe Co.
Letter from Shirley Temple's Mom. A handwritten letter from Gertrude Temple, dated October 5, 1936. It reads: "Dear Mr. Costa -- Confirming our conversation, I agree to pay you $1,200 for life size portrait of Shirley Temple, including frame." Signed by Gertrude in green ink and in overall Very Fine to Excellent condition with light tanning, a fold crease, and a couple of very small stains. Also included is a b&w 8" x 10" photo of Shirley with the completed painting and the artist, In Excellent condition with some soiling around the edges. Accompanied by LOA from PSA/DNA.
Shirley Temple Autograph. An autograph album page signed by Shirley Temple in black ink, dated October 13, 1940. In Excellent condition. Accompanied by LOA from PSA/DNA.
Signed Copy of "Theatre World 1946-47." A vintage copy of the annual publication, signed by 83 actors, including Tallulah Bankhead, James Mason, Zero Mostel, Burgess Meredith, Eli Wallach, Martin Balsam, and Jose Ferrer. The book is in Fine to Very Fine condition with mild to moderate wear to the binding and considerable wear and chipping to the dustjacket. Accompanied by LOA from PSA/DNA.
Signed Copy of "Theatre World 1947-48." A vintage copy of the annual publication, signed by 61 actors, including Henry Fonda, Jessica Tandy, Hume Cronyn, Raymond Massey, Maurice Evans, Jose Ferrer, Otto Kruger, and Elaine Stritch. The book is in Very Fine condition with mild to moderate wear to the binding and moderate wear and chipping to the dustjacket. Accompanied by LOA from PSA/DNA.
Signed Copy of "Theatre World 1948-49." A vintage copy of the annual publication, signed by 49 actors, including Tallulah Bankhead, Julie Harris, Ruth Gordon, Carol Channing, Carol Bruce, Martin Balsam, Una O'Connor, and others. The book is in Very Fine condition with mild wear to the binding and considerable wear and chipping to the dustjacket. Accompanied by LOA from PSA/DNA.
Signed Copy of "Theatre World 1950-51." A vintage copy of the annual publication, signed by 74 actors, including Ethel Merman, Franchot Tone, Jessica Tandy, Burgess Meredith, Leo G. Carroll, Ralph Meeker, and Pearl Bailey. The book is in Very Fine condition with mild wear to the binding and moderate wear and chipping to the dustjacket. Accompanied by LOA from PSA/DNA.
Signed Copy of "Theatre World 1951-52." A vintage copy of the annual publication, signed by Julie Harris, Romney Brent, Francis Compton, Irwin Corey, Diedre Owens, Claude Horton, Harry Ellerbe, Doris Patston, and Signe Hasso. The book is in Very Fine condition with mild wear to the binding and dustjacket. Accompanied by LOA from PSA/DNA.
Signed Copy of "Theatre World 1945-46." The statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the country, Theatre World has become a major source of info on all things theatrical in the United States during its 60-year existence. This copy of Theatre World 1945-46 is autographed by no less than 73 performers, including famous names such as Yul Brynner, Mary Martin, Ray Bolger, Pearl Bailey, Wendall Corey, Fay Bainter, Maurice Evans, Carol Bruce, and many others. The book is in Fine to Very Fine condition, with light wear and moderate discoloration to the cover and heavy chipping to the dustjacket. Accompanied by LOA from PSA/DNA.
Spencer Tracy's Costume from "Northwest Passage." Faux buckskin pants and tunic worn by Tracy in the 1940 adventure film. (The title of which was a misnomer, as the characters never actually reach the Northwest Passage in the movie; director King Vidor intended to tell that part of the story in a second film which ultimately was never made.) Both articles of clothing have an MGM costume tag with the actor's name written on it, and are in Excellent condition with light production wear.
Vintage Photos of Early Hollywood Actors. Set of 17 vintage b&w 8" x 10" photos of early stage and screen actors, many of them autographed, dating from 1913-1926, featuring Carl Miller, Harry Wolf, Charles Trowbridge, Henry Mortimer, Earl Metcalf, Reginald Sheffield, Howard Langford, George S. Mack, and others. In overall Fine condition with mild to moderate wear and moderate toning.
President Harry S. Truman's Stetson. A stylish pearl gray "Open Road" Stetson owned and worn by the 33rd President of the United States, with Truman's name embossed on the sweatband. The style was one of Truman's favorites and, along with his round-rimmed glasses, it became part of his signature style. In Excellent condition.
Sci-Fi Movie Brown Prints from the Collection of George Turner. Despite getting a late start in the sci-fi genre (he was in his early sixties when his first SF novel was published), Australian writer and critic George Turner (1916-1997) established a reputation as a high-profile author, historian, and critic, on top of his considerable success as a mainstream novelist. Featured here are four brown prints from an unknown science fiction film from Turner's personal collection, each featuring explorers on a harsh, alien landscape. Each measures 24" x 18" and is in Excellent condition and includes a COA.
USA Film Festival Correspondence Archive from G. William Jones. This innocuous black three-ring binder contains a fantastic collection of signed letters from an astounding assortment of actors, producers, and directors, written over several years to USA Film Festival co-founder and Southern Methodist University cinema professor Dr. G. William Jones. Spanning the period from December 23, 1969, to November 18, 1991, the 52 pieces of correspondence featured here come from Dr. Jones' personal collection, and offer a fair amount of insight into the filmmaking process and film festival experience in general. Highlights include typed, signed letters from directing giants Joseph Mankiewicz, Ingmar Bergman, and George Cukor; a two-page signed letter from Robert Wise, dated December 30, 1980, in which he lists his favorite personal projects; three typed, signed letters and one handwritten letter from William Wyler dating from August 2, 1974 to November 12, 1978, regarding a career retrospective and other topics; a typed, three signed letters from Frank Capra, dated from 1972 to 1976; and a typed, signed "thank you" from Gene Autry dated February 4, 1987. Included are more signed missives from Rouben Mamoulian, Gene Kelly, Greer Garson, James Caan, Doris Day, Charlton Heston (four of them), James Stewart (two), and others. Also included is a folder of letters and news clippings relating to a screening of Easy Rider at SMU in 1969 that featured Dennis Hopper and Jack Nicholson in attendance. The items are in overall Excellent condition with only a few instances of light wear and/or tanning. A thrilling, unique item. Accompanied by LOA from PSA/DNA.
USA Film Festival Rare Original Photos of Filmmaker Guests. Founded in Dallas in 1970 by SMU Professor of Cinema and Video Dr. G. William Jones and actor-filmmaker L.M. Kit Carson, the USA Film Festival is one of the oldest, most prestigious film festivals in the country. This set of 60 b&w 8" x 10" photos and several smaller snapshots is from the personal collection of the late Dr. Jones, and features rare and never-before-seen shots of such festival guests as Dennis Hopper, Jack Nicholson, George Cukor, Gregory Peck, Robert Altman, Sydney Pollack, King Vidor, William Wyler, Joseph L. Mankiewicz, and others at receptions and Q&A sessions circa 1980. The photos are enclosed in a three-ring binder and are in overall Excellent condition with very light wear.
Rudolph Valentino Vintage Photos. Six vintage b&w 8" x 10" promotional photos from the actor's estate, sold for auction after his untimely death, one of which is autographed by the silent-era legend. The photos are in overall Very Fine condition, with light to mild tanning and wear to the corners and edges.
Rudolph Valentino Funeral Card. A 3" x 5" card announcing the August 20, 1926, funeral mass for Rudolph Valentino, the first great movie sex symbol, following his untimely death from a perforated ulcer at age 31. An estimated 100,000 people lined the streets of New York City to pay their respects at his funeral. The card is in Excellent condition with very light wear to the corners.
Rudolph Valentino Signed Check. A personal check dated January 4, 1920, signed by the legendary silent-era heartthrob. In Very Fine condition with mild wear, corner creasing, a little staining around the edges, and the usual bank cancellation marks. His status as the first true male sex symbol and untimely death after a too-brief career make his autograph both rare and much sought-after, and such samples don't circulate often. Accompanied by LOA from PSA/DNA.
Gloria Vanderbilt Signed Original Sketch. Nicely framed and matted sketch by heiress Gloria Vanderbilt, showing what appear to be two puppies, one happy ("Emily") and one sad ("Sally"). The artist has signed the sketch, "For Kaye and Myranwy with so much love from Gloria Vanderbilt." The 8" x 10" sketch is inside a 12" x 14" frame, and in Excellent condition. From the collection of Kaye Ballard. Accompanied by LOA from PSA/DNA.
Lupe Vélez Costume Dress. Elaborately brocaded red and white gown with red sequins worn by Mexican actress Lupe Vélez in an unspecified film, with a Western Costume Co. tag bearing her name sewn inside next to the zipper. In Excellent condition with very light wear and discoloration.
Leading Ladies Autograph Set. Set of three autograph album pages includes one each for Susan Hayward (black ink, dated August 27, 1940), Helen Morgan (black ink, dated May 18, 1940), and Lupe Vélez (pencil, undated, with Irene Dunne's autograph in pencil en verso). In overall Excellent condition with small holes punched along one edge. Accompanied by LOA from PSA/DNA.
Erich von Stroheim Signed Agreement. Dated November 27, 1939, this ten-page document engaged actor-writer-director Erich von Stroheim to appear opposite Peter Lorre in the 1940 crime comedy I Was an Adventuress for the sum of $35,000. It is signed on page 8 by von Stroheim in black ink, and bears the notation "Contract completed and closed January 31, 1940" on the upper left corner of the cover. In Overall Very Fine condition with mild wear and discoloration to the cover. Accompanied by LOA from PSA/DNA.
"Wagon Train" Title Card. Following the trials and tribulations of pioneering families as they set out from the East to carve out a new life in the West shortly after the Civil War, Wagon Train rolled onto the air on September 18, 1957, for what would be an eight-year, 284-episode run that eventually earned in the number one spot in the Nielson ratings. Featured here is the original art used for the series' title sequence, matted and framed to and overall size of 35" x 29". In Excellent condition.
Vintage Early Actress Photos. Set of 12 vintage b&w 8" x 10" photos of early stage and screen stars, many of them autographed, dating from roughly 1913-1920, that includes Edith Wynne Matthison, Dorothy Smoller, Nydia Westman, Charlotte Walker, Christine Miller, and others. In overall Fine condition with mild to moderate wear and moderate toning. Accompanied by LOA from PSA/DNA.
Eli Wallach Handwritten Letter. A handwritten response letter from Wallach to a fan, dated February 12, 2002, in which he discusses his performance in spaghetti Western classic The Good, the Bad, and the Ugly. It reads in part: "Tuco was a challenge for me -- for beneath the veneer and the fun -- there was a serious misfit who made his way in the world by his wits. I thought the scene with my priestly brother (for me) was the best scene in the film for one could understand his wounded soul." Written in black ink on personal stationery and signed by Wallach, in Excellent condition. Included is the mailing envelope (Excellent with tearing to the top edge) and a postcard featuring the movie's poster. Accompanied by LOA from PSA/DNA.
Andy Warhol Signed Copy of "Exposures." A first edition, first printing of Warhol's 1979 book, featuring 360 photographs of his famous friends such as Bianca Jagger, Salvador Dali, Truman Capote, Paulette Goddard, Warren Beatty, Jimmy Carter, Muhammad Ali, Debbie Harry, and George Hamilton. The book is inscribe "To Bill/love/Andy Warhol" in black felt tip on the title page, possibly referring to artist and publisher Bill Copley, and is signed again on the cover in what appears to be black marker. It is in Excellent condition with some mild to the lower edge of the back side of the dustjacket. Accompanied by LOA from PSA/DNA.
John Wayne's Fedora from "The Fighting Seabees." Though he caught a lot of flak for staying home during WWII while actors such as James Stewart and David Niven joined the military and fought overseas, John Wayne instead contributed to the war effort by appearing in a number of films such as The Fighting Seabees (one of the few in movies in which his character is killed on-screen). This light grey fedora was worn by Wayne in the 1944 war drama, has "Duke" typed on a label on the inside of the sweatband, and is in Very Fine condition with a few small stains and mild to moderate wear to the felt. Accompanied by COA from L.A. Prop & Wardrobe Co.
John Wayne's Prop Revolver from "Brannigan." Prop .357 Colt Python used by the actor in the 1975 crime drama, Wayne's spin on the gritty Dirty Harry-style cop dramas of the day. (Ironically, Wayne turned down the role that helped catapult Clint Eastwood to stardom.) In Excellent condition.
John Wayne's Cavalry Scarf from "Rio Lobo." U.S. Cavalry scarf worn by Wayne as part of his costume in the 1970 Western (director Howard Hawks' final film). In Excellent condition with light soiling and some very light fading.
Prop Flag from "They Were Expendable." The aft flag from the ill-fated PT Boat #34 in the 1945 war drama, directed by John Ford and starring John Wayne. Measuring 34" x 21" and with 48 stars, it is in Excellent condition with light wear.
Early John Wayne Autograph. An autograph album page signed by the Duke in black ink, dated January 25, 1940. In Excellent condition with small holes punched in the right edge. A great rare sample of an early Wayne signature. Accompanied by LOA from PSA/DNA.
Cast-Signed "What Price Glory" Program. An impressive array of autographs is featured in this program book for John Ford's 1949 all-star production of the Maxwell Anderson play. Inscribed to fellow cast member George O'Brien, featured signatures include Gregory Peck, John Wayne, Maureen Sullivan, Pat O'Brien, Ward Bond, Oliver Hardy, Harry Carey Jr., and Ed Begley, as well as sundry other cast members and even some key military personnel. Ford later adapted the play for film in 1952, a version with James Cagney that was redesigned as a musical. Also included is a small flyer for the one-night-only performance, two congratulatory telegrams to O'Brien dated February 21 and 22, 1949, two newspaper clippings with reviews of the performance, and a thank you letter to O'Brien from the Military Order of the Purple Heart, dated May 12, 1949. A great array of signatures and memorabilia; the program is in Fine to Very Fine condition with mild wear and some soiling to the cover, and the other items are in Fine condition with wild wear and soiling and mild to heavy tanning. Accompanied by LOA from PSA/DNA.
John Wayne Signed Photo Display. A b&w 8" x 10" photo inscribed "Barbara, Best wishes to you -- also your grandparents" and signed by Wayne in blue ink, mated and framed to an overall size of 19" x 23". In Excellent condition. Accompanied by LOA from PSA/DNA.
John Wayne Flying Tigers Model Plane. When Republic Studios released the film Flying Tigers in 1942, starring John Wayne, the film was a smash hit -- the biggest to that time in Republic's history. The P-40 Warhawk, with its painted, ferocious tiger mouth, rip-roaring speed, and blasting machine guns, was as big a star of the film as the Duke himself. Yet wartime audiences who flocked to the film probably never guessed that Wayne's P-40B fighter (in the combat scenes) was actually a model created by the legendary Lydecker brothers, Republic's special effects magicians. In 1951, the same model appeared in Warner Bros.' Flying Leathernecks, where, as fate would have it, John Wayne was again the star, and again the plane's "pilot." This magnificent model warplane, fully-restored to its 45" length and 55" wingspan. After being decommissioned, this miniature P-40B went on display at the late James Brucker's Movie World in Buena Park, California, and it was Brucker who did a complete restoration of the historic prop. The plane comes with a letter of provenance, plus three great bonuses: a folder of terrific photos, showing the plane's amazing restoration process; two stills of John Wayne from Flying Tigers, one with his plane; and a colorful, star-filled poster from Movie World, featuring a list of the "Cars of the Stars" and "Planes of Fame" that were retired to the attraction. The entire lot is in Excellent condition. Here's a very rare chance to own this venerable Hollywood warbird, masterfully restored to all its former glory!
Original Painting by Charlie Weaver. Actor Cliff Arquette (1905-1974) created the character of Charlie Weaver, "the wild old man from Mount Idy," who read his letters from Mamma<" filled with rustic humor ("We had a fire in the bathroom. Luckily it didn't spread to the house"). The grandfather of actress Patricia Arquette, he painted this self-portrait, showing Charlie Weaver impishly playing a broom as a guitar while silting by a column topped by a giant apple and grapes. The amusing picture comes in a 14" x 18" gold-painted frame and was personally consigned by Kaye Ballard.
Clifton Webb's "Gone with the Wind" Premiere Invitation. A typed note on 20th Century-Fox letterhead, dated February 5, 1945, from publicity chief harry Brand congratulating Webb on his Academy Award nomination for Best Actor in Laura. (Unfortunately, he lost to Barry Fitzgerald for Going My Way.) Also included is Webb's invite to the premiere of Gone With the Wind. Both are in Excellent condition with a couple of light creases to the note. From the Clifton Webb Archive.
Clifton Webb Vintage Photos. Set of six b&w 8" x 10" photos with family and at various social outings (including him with Cole Porter), and one color 5" x 7" photo of Webb horseback riding. In overall Very Fine to Excellent condition with mild wear and tanning. From the Clifton Webb Archive.
Clifton Webb Vintage Photos. Five assorted b&w photos in varying sizes of the actor as a boy and young actor. In overall Excellent condition with mild wear. From the Clifton Webb Archive.
Clifton Webb Photos and Funeral Book. Five striking b&w 8" x 10" photos of Webb by George Hurrell, as well as a copy of the booklet featuring Samuel G. Engel's eulogy from Webb's funeral. All items are in Excellent condition with very mild wear. From the Clifton Webb Archive.
Clifton Webb Assorted Photos. Set of five b&w 8" x 10" photos of Webb, most of him entertaining guests at a dinner party, and one of him and his mother boarding a TWA flight. In overall Very Fine condition with mild wear and tanning. From the Clifton Webb Archive.
JFK Remembrance Cards to Clifton Webb from Peter Lawford. A thank-you card and remembrance card sent to actor Clifton Webb by Kennedy-in-law Peter Lawford and wife Patricia Kennedy shortly after JFK's assassination. Both are in Excellent condition, accompanied by the original mailing envelope (Very Fine with some tearing and wear).
Vintage Photos of Early Female Stars. Set of 19 vintage b&w 8" x 10" photos of early stage and screen stars, many of them autographed, dating from 1913-1929, that includes Vivienne Osbourne, Marguerite Snow, Renee Kelly, Audrey Maple, Marcia Moore, Ada Mae Weeks, Constance McKay, and others. In overall Fine condition with mild to moderate wear and moderate toning.
Orson Welles and Michael Todd Autographs. A pair autograph album pages signed by two influential directors. Included are Orson Welles (in black ink, dated December 19, 1939) and Michael Todd (in pencil, undated). In Very Fine to Excellent condition with areas of mild to moderate tanning and small holes punched in the left edges. Accompanied by LOA from PSA/DNA.
Cast-Signed Copy of "Captain Blood." Warner Bros.'s film version of Rafael Sabatini's epic novel was a box office smash that shot an unknown actor named Errol Flynn into superstardom upon its 1935 release. This vintage copy of the original novel is signed on the first free page by actors Flynn, Olivia de Havilland, Ross Alexander, Robert Barrat, and Guy Kibbee. In Very Fine to Excellent condition with mild tanning, some cover soiling and wear, and moderate discoloration to the spine. Accompanied by LOA from PSA/DNA.
Orson Welles' Delft Tile Tray. A 13" x 13" Delftware tray made of four tiles depicting a pastoral sheep-shearing scene, set in a wood frame with small metal handles. From Orson Welles' estate, and in Excellent condition.
Orson Welles' Silver-on-Copper Butter Dish with Knife. A silver-on-copper covered butter dish with small knife, from the estate of Orson Welles. In Excellent condition with mild to moderate overall tarnishing.
Orson Welles' Queen Lace Crystal Vase. A Queen Lace Bohemian cut crystal cabinet vase from the estate of Orson Welles. It measures 5" high and is in Excellent condition.
Orson Welles' Ishafan Rug. A 54" x 90" Ishafan-design rug, from Orson Welles' estate. In Excellent condition.
Orson Welles' Derby. This black felt derby hat was obtained at auction from Welles estate in 1992, and comes from the acclaimed actor-writer-director's personal wardrobe. Welles always told his friends that the hat had originally belonged to Charlie Chaplin -- one of Welles' inspirations -- but there are no markings inside to support the claim. Nonetheless, it is a fantastic item in Excellent condition.
Vendome Menu Signed by Celebrities. Vendome special dinner menu, dated June 5, 1935, signed in pencil by H.G. Wells, Paulette Goddard, Harold Lloyd, Fredric March, Hedda Hopper, Gene Tierney, Irwin S. Cobb, and others. In Very Fine condition with mild wear and tanning. Accompanied by LOA from PSA/DNA.
Mae West Signed Check with Photo. "It's better to be looked over than overlooked" once quipped actress Mae West, whose frank and open sexuality was an almost constant source of controversy. Featured here is a personal check dated May 5, 1978, written for $60 in cash and signed by West in black ink. It is in great condition with an approximately 1" tear near the bottom edge, and has been matted and framed along with a b&w 8" x 10" photo of the gorgeous actress, to an overall size of 16" x 21". Accompanied by LOA from PSA/DNA.
Mae West Signed Check. A personal check dated January 9, 1974, written for $50 in cash and signed by the She Done Him Wrong star in black ink. The signature is nice and clear, and the check is in Excellent condition with the usual bank stamps. Accompanied by LOA from PSA/DNA.
Richard Whorf Original Drawing Presented to Kaye Ballard. Color pencil sketch of a Broadway street scene by late actor-director Richard Whorf, matted and framed to an overall size of 10" x 12". In Excellent condition.
Johnny Carson Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the legendary comedian and talk show host. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Charles Laughton Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the great actor. In Excellent condition with no smearing. Accompanied by LOA from PSA/DNA.
Mike Nichols and Elaine May Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the acclaimed comedy duo. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Nancy Kwan Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by ballerina and actress Nancy Kwan in both English and Chinese. In Excellent condition with almost no smearing. Accompanied by LOA from PSA/DNA.
Tuesday Weld Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the starlet. In Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Bob Newhart Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the talented comedian. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Jonathan Winters Signed "What's My Line?" Card. A 26" x 18" black card from the show signed boldly in white chalk by comedian Jonathan Winters. In Excellent condition with almost no smearing. Accompanied by LOA from PSA/DNA.
Laurence Harvey Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by actor Laurence Harvey, star of The Manchurian Candidate. In Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Gary Cooper Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the High Noon star. In Excellent condition. Accompanied by LOA from PSA/DNA.
Sammy Davis Jr. Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the singer-actor. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Lucille Ball Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the comedienne and sitcom pioneer. In Excellent condition. Accompanied by LOA from PSA/DNA.
John Wayne Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by legendary actor John Wayne. In Excellent condition with very minor smearing. Accompanied by LOA from PSA/DNA.
Billy Graham Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the influential and renowned Baptist minister. In Excellent condition. Accompanied by LOA from PSA/DNA.
Bob Hope Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the infamous and ubiquitous entertainer. In Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Mahalia Jackson Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the Gospel singer. In Excellent condition. Accompanied by LOA from PSA/DNA.
Jack Paar Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the the talk show host. In Excellent condition. Accompanied by LOA from PSA/DNA.
Rodgers & Hammerstein Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the songwriting team. In Excellent condition. Accompanied by LOA from PSA/DNA.
Joan Crawford Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the controversial actress. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Henry Fonda Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the legendary actor. In Excellent condition with some smudging at the end of the autograph. Accompanied by LOA from PSA/DNA.
Peter Lorre Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the actor. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Kirk Douglas Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the actor. In Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Ingmar Johansson Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the Swedish boxer. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Edward G. Robinson Signed "What's My Line?" Card. A 26" x 18" black card from the show signed as "Little Caesar" in white chalk by the great actor. In Excellent condition with very little smearing. Accompanied by LOA from PSA/DNA.
Harry Belafonte Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the singer. In Excellent condition. Accompanied by LOA from PSA/DNA.
Janet Leigh Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the Psycho leading lady. In Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Van Cliburn Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the legendary pianist. In Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Sophia Loren Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by Italy's most famous actress. In Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Jane Fonda Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by the actor-writer-activist. In Excellent condition. Accompanied by LOA from PSA/DNA.
Janet Leigh Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by Leigh. In Excellent condition. Accompanied by LOA from PSA/DNA.
Peggy Lee Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by Jazz vocalist. In Excellent condition with very light smearing. Accompanied by LOA from PSA/DNA.
Mark Goodson and Bill Todman Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by game show producers Bill Goodson and Bill Todman, the creators of the wildly successful game shows What's My Line?, The Price is Right, and Beat the Clock. Often remembered as a study in urbanity and good manners in television (guests and panelists often wore formal attire), What's My Line? featured a panel of four celebrities who attempted to determine the occupation of an unknown contestant, with an occasional celebrity "mystery" guest thrown in. Contestants would enter the show and sign in on cards such as this one, which is in Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Dorothy Kilgallen Signed "What's My Line?" Card. A 26" x 18" black card from the show signed in white chalk by newspaper columnist and What's My Line? panelist Dorothy Kilgallen. A vocal critic of the Warren Commission, Kilgallen died under unusual circumstances shortly after claiming to have new information regarding JFK's assassination. The card is in Excellent condition with no smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Jerry Lewis and Others Set of five 26" x 18" black cards from the show signed in white chalk by Jerry Lewis, Zsa Zsa Gabor, Horst Bucholz, Arthur and Catherine Murray, and John Sellers. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Mickey Rooney and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Mickey Rooney, June Allyson, Barrie Chase, T.J. O'Malley, and Louella Parsons. In overall Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Joan Collins and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Joan Collins, Charles Goran, Maurice Evans, French singer Genevieve, and Nancy Walker. In overall Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Claudette Colbert and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Claudette Colbert, Maureen O'Hara, Esther Williams, Phil Silvers, and Eddie Fisher. In overall Excellent condition with mild to moderate smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Van Johnson and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Van Johnson, Gertrude Berg, Arlene Dahl, Piper Laurie, and Jayne and Audrey Meadows and Farley Granger. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by George Burns and Others. Set of five 26" x 18" black cards from the show signed in white chalk by George Burns, Joey Bishop, Art Carney, Walter Brennan, and Anna Maria Albergetti. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Olivia de Havilland and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Olivia de Havilland, Myrna Loy, Anthony Quinn, Dick Powell, and the Ritz Brothers. In overall Excellent condition with mild to moderate smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Shelley Winters and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Shelley Winters, June Allyson, Connie Francis, the McGuire Sisters, and Peter Lynde and Mary Hayes. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Sergeant Shriver and others. Set of five 26" x 18" black cards from the show signed in white chalk by Sergeant Shriver, Phil Lynn and Den Crosby, Bill Cullen, Julie London, and Raoul Levy. In overall Excellent condition with little to mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Rudy Vallee and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Rudy Vallee, Red Skelton, Tallulah Bankhead, Michael Redgrave, and Polly Bergen. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by the McGuire Sisters and Others. Set of five 26" x 18" black cards from the show signed in white chalk by the McGuire Sisters, Tom Poston, Dina Merrill, Shelly Berman, and Bob Cummings. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Julie Newmar and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Julie Newmar, Victor Borge, Simone Signoret, Mickey Rooney, and Nelson Eddy. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Tony Randall and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Tony Randall, Ben Gazarra, Hedda Hopper, Gary Moore, and Jack E. Leonard. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Carol Burnett and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Yves Montand, Tony Martin, Chubby Checker, Gary Crosby, and Carol Burnett. In overall Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by June Allyson and Others. Set of five 26" x 18" black cards from the show signed in white chalk by June Allyson, Ralph Hauk, Frank Paul LaVechio, Hedda Hopper, and Joe E. Lewis. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Seven "What's My Line?" Guest Cards Signed by Jack Lemmon and Others. Set of seven 26" x 18" black cards from the show signed in white chalk by Jack Lemmon, Peter Ustinov, Mort Sahl, Toots Shor, and Gisele MacKenzie, plus two unknown signatures. In overall Excellent condition with very little smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Danny Kaye and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Danny Kaye, Ginger Rogers, Eartha Kitt, Stephen Boyd, and Mitch Miller. In overall Excellent condition with mild smearing. Accompanied by LOA from PSA/DNA.
Set of Five "What's My Line?" Guest Cards Signed by Victor Borge and Others. Set of five 26" x 18" black cards from the show signed in white chalk by Victor Borge, the von Trapp children, Gordon and Sheila MacRae, Mr. and Mrs. George Montgomery, and Shirley Jones. In overall Excellent condition with very mild smearing. Accompanied by LOA from PSA/DNA.
Original Billboard Art from "The Wild Bunch." No less controversial and stunning today than it was during its original theatrical run in 1969, Sam Peckinpah's The Wild Bunch still gets a lot of attention for its violent content (supposedly, more blank rounds were discharged during the production than live rounds were fired during the Mexican Revolution of 1914, around which the film is loosely based), as well as its thematically rich story of "bad men in changing times." Featured here is the original artwork used in the design of the movie's billboard advertisement displayed on Sunset Boulevard in '69. In Excellent condition with very light wear around the edges, it measures 39" x 23.5".
Bruce Willis Screen Worn "Die Hard" Badge. Prop NYPD detective lieutenant's badge on leather mount with chain, worn by Willis in the 1995 sequel Die Hard: With a Vengeance. In Excellent condition, mounted and framed to an overall size of 12.5" x 16". Comes with a COA from Hollywood Prop Supply.
Vintage Photos of Early Hollywood Actresses. Set of 22 vintage b&w 8" x 10" photos of early stage and screen stars, many of them autographed, dating from 1914-1925, that includes Emily Ann Mellman, Ann Winston, Peggy Gallimore, Doris Mitchell, Thelma Harvey, Florence Walton, Eleanor Woodruff, and others. In overall Fine condition with mild to moderate wear and moderate toning.
Anna May Wong Signed Photo. A gorgeous b&w 11" x 14" photo of the pioneering Chinese-American actress by early Hollywood glamour photographer Ruth Harriet Louise, inscribed and signed by Wong in black ink. The photo features Louise's studio stamp on the back, and her name is embossed on the lower right corner. In Very Fine to Excellent condition with light edge wear and moderate overall tanning. Accompanied by LOA from PSA/DNA.
Large Set of Vintage Promo Photos of Early Hollywood Stars. A very nice selection of 61 vintage promo photos featuring such Golden Age talent as Douglas Fairbanks, Richard Barthelmess, Marion Davies, Norma Talmadge, Greta Garbo, Carol Dempster, Joan Crawford, Adolph Menjou, Mary Pickford, Richard Dix, Mabel Normand, Gloria Swanson, Lillian Gish, and Renée Adorée, most with secretarial signatures. Overall condition is Fine to Very Fine with mild to moderate wear.
Silent Era Movie Stars Vintage Photos. This stunning set of almost four dozen b&w photos includes Harrison Ford, Lloyd Hughes, Dorothy Rich, Pola Hages, Alice Brady, Florence Vidor (two photos), Mae Marsh, Reginald Denney (two photos), Clara Horton, Beatrice Joy, Blanche Sweet, Colleen Moore, Alberta Vaughn, Marjorie Daw, Aileen Pringle (two photos), Elsie Ferguson, Pauline Frederick, Ethel Clayton, Betty Thompson, Fannie Ward, May Allison, Marion Davies, Bebe Daniels, Gloria Swanson, Alice Joyce, Marie Prevost, Rudolph Valentino, Mary Miles Minter (two photos), Dorothy Gish, Lillian Gish, Irene Castle, Monte Blue, Jobyna Ralston, Lou Tellegen, Louise Huff, Olive Thomas, Susy Tarvers, Theda Bara, and Constance Talmadge. The photos range in size from 5" x 7" to 8" x 10" and in quality from Fine to Excellent, with overall mild to moderate tanning and wear.
Marlon Brando's Personal "Variety" Magazines from Spring 2004. Set of 23 copies of Daily Variety with Brando's name on the subscription label, dating from February 27 to April 21, 2004, just a couple of months before his death. In overall Excellent condition with mild wear. From the collection of Marlon Brando.
Marlon Brando's Personal "Variety" Magazines from Just Before His Death. Set of 30 copies of Daily Variety with Brando's name on the subscription label, dating from May 6 to June 30, 2004 (the day before he died). In overall Excellent condition with mild wear. From the collection of Marlon Brando.
Marlon Brando's Personal "Variety" Magazines from after His Death. Set of 16 copies of Daily Variety with Brando's name on the subscription label, dating from July 1 (the day he died) to August 13, 2004. In overall Excellent condition with mild wear. From the collection of Marlon Brando.
Marlon Brando Signed "The Appaloosa" Photo. A b&w 8" x 10" glossy of Brando from the 1966 Western, inscribed "Donald - Thanks for the help" and signed by Brando in black ink. Made during Brando's so-called "lost decade," the movie featured him opposite John Saxon as a man seeking to reclaim a stolen horse. Brando's signature is a tough find, as he rarely signed autographs, especially later in life. In fact, his autograph is so valued by collectors that many of the personal checks he wrote were never cashed because his signature was usually worth more than the amount on the check. This particular sample -- and the photo itself -- is in Excellent condition. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando and John Huston "Reflections in a Golden Eye" Set Photo A great b&w 8" x 10" silver gelatin print of Marlon Brando with director John Huston on the set of the 1967 drama. Brando replaced his friend Montgomery Clift, who died shortly before production began. In Excellent condition, with photographer Robert Penn's studio stamp en verso. From the collection of Marlon Brando.
Marlon Brando, Mario Puzo, and Red Buttons "The Godfather" Set Photo by Jack Stager. A great 11" x 14" b&w silver gelatin print of the late Red Buttons posing alongside Marlon Brando and author Mario Puzo during a visit to the set of The Godfather. Brando and Buttons became good friends during the filming of Sayonara in 1957. Buttons would appear in The Poseidon Adventure in December, 1972, would ultimately rank behind Godfather as the two top-grossing movies of that year. In Excellent condition with photographer Jack Stager's studio stamp on the reverse side. From the collection of Marlon Brando.
Photo of Marlon Brando as Vito Corleone with Albert S. Ruddy. A wonderful b&w 14" x 11" silver gelatin print of Marlon Brando in conversation with producer Albert S. Reddy on the set of The Godfather. Taken by photographer Jack Stager, the print is in Excellent condition, with Stager's studio stamp on the back. From the collection of Marlon Brando.
Marlon Brando and Richard Conte in "Godfather" Photo by Jack Stager. A great b&w 14" x 11" silver gelatin print by photographer Jack Stager, from a scene in The Godfather featuring actors Marlon Brando and Richard Conte. The photo was taken during filming of the scene where Don Corleone negotiates an end to the war between the Five Families, shot in the board room of the New York Central Railroad (thus, the train mural visible in the background). The print is in Excellent condition, with Stager's studio stamp on the back. From the collection of Marlon Brando.
Photo of Marlon Brando as Vito Corleone by Jack Stager. A wonderful b&w 14" x 11" silver gelatin print by photographer Jack Stager, from the set of The Godfather. Taken during the filming of the assassination attempt on Vito Corleone as he visited a fruit seller, it features a bloodied Marlon Brando lying prone in the street. Note the orange near the right edge; in all three Godfather movies, whenever an orange (a symbol of the Cosa Nostra's roots as a protection racket for Sicilian citrus growers in the 19th century) was present in a scene it indicated that violence -- and often death -- was about to occur. The print is in Excellent condition, with Stager's studio stamp on the back. From the collection of Marlon Brando.
"The Godfather" Prop Newspaper. "Vito Corleone Feared Murdered" screams the headline on this faux Daily News tabloid, "dated" December 22, 1945, printed for use as a prop in the 1972 classic, and given as a gift to Brando, who wanted it as a memento. Several such prop newspapers were used onscreen in the film; this particular one was used in the scene where Michael Corleone (Al Pacino) learns his father has been shoot and throws the paper in the street. An extremely rare item, as screen-used Godfather props are virtually nonexistent these days. There are several unrelated photos on the back, and the inside is entirely blank. The paper is in Excellent condition with mild overall tanning. From the collection of Marlon Brando.
"The Godfather" Prop Newspaper. "Corleone Gambling Chief Shot Down in Street" reads the headline on this prop New York American Journal newspaper, "dated" December 21, 1945, printed for use as a prop in the 1972 film. Given as a gift to Brando, who wanted it as a memento. Several such prop newspapers were used onscreen in the film, but few remain. An extremely rare item, as screen-used Godfather props are virtually nonexistent. The single-sheet faux newspaper is entirely blank on the reverse side, and is in Excellent condition with very mild overall tanning. From the collection of Marlon Brando.
Marlon Brando's 1973 Academy Awards Programs and Other Items. Always one to defy convention, Marlon Brando turned down the Academy Award he won for his performance as Don Vito Corleone in The Godfather, the second actor to refuse an Oscar (the first being George C. Scott for Patton). Instead, Brando boycotted the March 27, 1973 awards ceremony and sent his longtime assistant Alice Marchak instead with little-known actress Sacheen Littlefeather to state his reasons, which were based on his objections to the depiction of Native Americans by Hollywood and television. There was later much controversy when it emerged Littlefeather was not a Native American at all, but a Mexican actress named Maria Cruz. Included in this lot are two program books from the event (in Excellent condition with very light wear and tanning), two ticket stubs from the ceremony (Excellent), two unused tickets to the Board of Governors Ball held after the event (Excellent), and a collection of newspaper clippings regarding Littlefeather's "acceptance speech" (Fine with heavy tanning). Included is a handwritten letter of authenticity from Marchak. From the collection of Marlon Brando.
Marlon Brando in "The Missouri Breaks" Photo. A very nice 11" x 14" silver gelatin print featuring Marlon Brando as Robert E. Lee Clayton with a pair of binoculars and tree-branch camouflage, taken by photographer Mary Ellen Mark on the set of The Missouri Breaks. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando Up a Tree in "The Missouri Breaks" Photo. A great 11" x 14" silver gelatin print of Marlon Brando as Robert E. Lee Clayton, perched atop a tree in Arthur Penn's The Missouri Breaks, taken by photographer Mary Ellen Mark. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando and Jack Nicholson "Missouri Breaks" Set Photo. A splendid 14" x 11" silver gelatin print of Marlon Brando and Jack Nicholson in costume on the set of Arthur Penn's The Missouri Breaks, shot by photographer Mary Ellen Mark. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando in Drag in "The Missouri Breaks." A double take-inducing 14" x 11" silver gelatin print of Marlon Brando in drag The Missouri Breaks, taken on the set of the 1976 Western by photographer Mary Ellen Mark. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando in "The Missouri Breaks" Photo. A very nice 11" x 14" silver gelatin print of Marlon Brando as Robert E. Lee Clayton, barefoot and with a pair of binoculars, taken by photographer Mary Ellen Mark on the set of Arthur Penn's 1976 Western The Missouri Breaks. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando In Drag with Jack Nicholson in "The Missouri Breaks." An amusing 14" x 11" silver gelatin print of Marlon Brando in drag and with a derringer drawn on Jack Nicholson, taken on the set of the Western by photographer Mary Ellen Mark. Look closely; a crew member can be seen in the background near the left edge. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
"The Missouri Breaks" Cast Photo by Mary Ellen Mark. A wonderful 14" x 11" silver gelatin print of Marlon Brando, Harry Dean Stanton, Kathleen Lloyd, and Jack Nicholson, taken by photographer Mary Ellen Mark during production. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando in "The Missouri Breaks" Photo. A very nice 11" x 14" silver gelatin print of Marlon Brando as Robert E. Lee Clayton, barefoot and with a pair of binoculars, taken by photographer Mary Ellen Mark on the set of Arthur Penn's surreal Western The Missouri Breaks. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Missouri Breaks" Photo by Mary Ellen Mark. A very nice 11" x 14" silver gelatin print featuring a close-up of Marlon Brando as "regulator" Robert E. Lee Clayton, shot against a pastoral backdrop by photographer Mary Ellen Mark on the set of The Missouri Breaks. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando and Arthur Penn "Missouri Breaks" Set Photo. A 14" x 11" silver gelatin print of Marlon Brando and director Arthur Penn on the set of The Missouri Breaks, taken by photographer Mary Ellen Mark. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Missouri Breaks" Photo by Mary Ellen Mark. A very nice 14" x 11" silver gelatin print featuring Marlon Brando as Robert E. Lee Clayton against a pastoral backdrop, taken by photographer Mary Ellen Mark on the Montana set of The Missouri Breaks. The photo was later used on the cover of the book Mary Ellen Mark: Portraits in 1995. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Photo of Marlon Brando as Colonel Kurtz by Mary Ellen Mark. An 11" x 14" b&w silver gelatin print of Marlon Brando as Colonel Kurtz, from a portrait taken by accomplished photographer Mary Ellen Mark on the set of Apocalypse Now, one of the many productions on which Mark worked as a still photographer during the '60s and '70s. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Apocalypse Now" Photo by Mary Ellen Mark. A 14" x 11" b&w silver gelatin print of Marlon Brando in costume as Colonel Kurtz, taken by accomplished photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Photo of Marlon Brando as Colonel Kurtz by Mary Ellen Mark. An 11" x 14" b&w silver gelatin print of Marlon Brando as Colonel Kurtz, from a portrait taken by accomplished photographer Mary Ellen Mark on the set of Apocalypse Now, one of the many productions on which Mark worked as a still photographer during the '60s and '70s. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Apocalypse Now" Set Photo by Mary Ellen Mark. A smaller, 8" x 10" b&w glossy print of the close-up of Marlon Brando with his hand resting on his shaved head, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando as Colonel Kurtz Photo by Mary Ellen Mark. A 8" x 10" glossy Marlon Brando as Colonel Kurtz, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando as Colonel Kurtz Photo by Mary Ellen Mark. A 8" x 10" glossy Marlon Brando as Colonel Kurtz, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Smaller Close-up of Marlon Brando as Colonel Kurtz by Mary Ellen Mark. An 8" x 10" b&w glossy of the close-up of Marlon Brando as Colonel Kurtz, gazing off to one side, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando Behind Bamboo Photo by Mary Ellen Mark. An 11" x 14" b&w silver gelatin print of Marlon Brando in costume as Colonel Kurtz and posing behind a bamboo construction, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando in Shadows Photo by Mary Ellen Mark. A 14" x 11" b&w silver gelatin print of a brooding Marlon Brando, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. Brando showed up on the set not only having not learned his lines, but also massively overweight when his character had been been scripted as tall and emaciated. Both Mark and director Francis Ford Coppola photographed him in basically the same way: shrouded in shadows and with careful angles that hid his belly and made the 5'10" actor appear to be a 6'5" brute. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando With Dragonfly Photo by Mary Ellen Mark. A stunning 14" x 11" b&w silver gelatin print of Marlon Brando contemplating a dragonfly perched on the tip of his finger, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando in Shadows Photo by Mary Ellen Mark. A wonderful 11" x 14" b&w silver gelatin print of Marlon Brando with several Filipino children, taken by photographer Mary Ellen Mark on the set of Apocalypse Now during the filming of one of Brando's key scenes opposite Martin Sheen. (Note the "War" medallion worn by one of the children in the background.) In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Apocalypse Now" Photo by Mary Ellen Mark. A 14" x 11" b&w silver gelatin print of Marlon Brando in costume as Colonel Kurtz, taken by accomplished photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando Behind Bamboo Photo by Mary Ellen Mark. An 11" x 14" b&w silver gelatin print of Marlon Brando in costume as Colonel Kurtz and posing behind a bamboo construction, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando in Shadows Photo by Mary Ellen Mark. A 14" x 11" b&w silver gelatin print of a brooding Marlon Brando, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. Brando showed up on the set not only without having learned his lines, but also massively overweight, when his character had been been scripted as tall and emaciated. Both Mark and director Francis Ford Coppola photographed him in basically the same way: in shadows and with careful angles that hid his belly and made the 5'10" actor appear to be a 6'5" brute. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Apocalypse Now" Set Photo by Mary Ellen Mark. A piercing 11" x 14" b&w silver gelatin print of a close-up of Marlon Brando with his hand resting on his shaved head, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Apocalypse Now" Tree Photo by Mary Ellen Mark. A 14" x 11" b&w silver gelatin print of Marlon Brando leaning against a tree in the Philippine jungle, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando With Bottle Cap Photo by Mary Ellen Mark. An intriguing 11" x 14" b&w silver gelatin print of Marlon Brando with his chin resting on a stone pedestal and a Coca-Cola bottle cap over one eye, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Close-up of Marlon Brando as Colonel Kurtz by Mary Ellen Mark. A very nice 11" x 14" silver gelatin print of a tight close-up of Marlon Brando as Colonel Kurtz, shrouded in shadows, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando "Apocalypse Now" Alternate Tree Photo by Mary Ellen Mark. An 11" x 14" b&w silver gelatin print of an alternate shot of Brando leaning against a tree, shot as a close-up and from a different angle, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Marlon Brando as Colonel Kurtz Photo by Mary Ellen Mark. A "gripping" 11" x 14" silver gelatin print of Marlon Brando as Colonel Kurtz, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Close-up of Marlon Brando as Colonel Kurtz by Mary Ellen Mark. An 11" x 14" silver gelatin print close-up of Marlon Brando as Colonel Kurtz, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Close-up of Marlon Brando as Colonel Kurtz by Mary Ellen Mark. An 11" x 14" silver gelatin print close-up of Marlon Brando as Colonel Kurtz, gazing off to one side, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Close-up of Marlon Brando as Colonel Kurtz by Mary Ellen Mark. A very nice 11" x 14" silver gelatin print of a tight close-up of Marlon Brando as Colonel Kurtz, shrouded in shadows, taken by photographer Mary Ellen Mark on the set of Apocalypse Now. In Excellent condition with Mark's studio stamp on the reverse side. From the collection of Marlon Brando.
Slides of Marlon Brando on the Set of "Superman." Uncut strip of six rare, unpublished color slide images of Marlon Brando on the set of Superman. The shots are from the filming of the trial scene that sets up the first sequel, and director Richard Donner and actors Terence Stamp and Sarah Douglas can be seen in them. (Donner was eventually fired by the studio over creative differences and replaced on the sequel by Richard Lester, to the dismay of many fans.) A great set of behind-the-scenes images. In Excellent condition. From the collection of Marlon Brando.
Uncut Color Slides of Marlon Brando and Susannah York in "Superman." Two uncut strips of color slides from Superman, one with three shots of Marlon Brando and Susannah York in costume as Superman's ill-fated parents, the other with three medium close-ups of Brando in costume. Great rare and unpublished images. In Excellent condition. From the collection of Marlon Brando.
Set of 10 Slides of Marlon Brando in "Superman." This set of ten great color slides features rare, unpublished images of Marlon Brando in Superman, including shots of him with actors Susannah York and Jack O'Halloran. All are in Excellent condition. From the collection of Marlon Brando.
Slides of Marlon Brando in "Superman." Fifteen assorted color slides of rare, unpublished images of Marlon Brando in scenes from the 1978 comic book adaptation, including shots of him opposite actors Susannah York, Terence Stamp, Sarah Douglas, and Jack O'Halloran. (Brando received a whopping $14 million for roughly 10 minutes of screen time.) One slide has slipped loose from its holder, otherwise all are in Excellent condition. From the collection of Marlon Brando.
Slides of Marlon Brando in "Superman." Five color slides of Marlon Brando in costume as Jor-El from the first Superman movie, including some rare, unpublished "backstage" shots of him with director Richard Donner. In Excellent condition. From the collection of Marlon Brando.
Slides of Unused Marlon Brando "Superman II" Footage. This set of uncut color slides features 13 rare and unpublished images taken of Brando and Christopher Reeve during the filming of Superman II. Director Richard Donner had shot footage of Superman talking to his father, Jor-El (Brando), during the production of the first movie for use in the sequel (shot simultaneously with the first one), but when Brando sued for a percentage of the profits of the first film the producers had his scenes reshot, with Brando replaced by Susannah York as Superman's mother. The lawsuit also resulted in Brando receiving a share of the proceeds from this movie, even though he doesn't appear in it. (A tiny amount of the footage was recycled for use in this summer's Superman Returns.) The images feature Reeve and Brando performing against a blue screen and laughing between takes. In Excellent condition. From the collection of Marlon Brando.
Tetiaroa Pamphlet with Quote Handwritten by Marlon Brando. A prototype color pamphlet advertising Brando's Tahitian atoll, with the quote "A lifetime of laughter for as long as death endures" handwritten by him on the back in black ink. In Excellent condition with mild wear. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Five Tetiaroa Wine Labels. Five unused wine labels for the Cuvee del Hotel special reserve wine served at the hotel owned by Brando on his Tahitian atoll. All are in Excellent condition. From the collection of Marlon Brando.
Three Posters for Marlon's Tahitian Atoll. These full-color posters were part of a handful printed by Brando in the early '90s as he worked on developing a vacation resort on Tetiaroa, the Tahitian atoll he leased on the '70s. Brando fell in love with the islands of Tahiti after filming Mutiny on the Bounty in 1962, and used the atoll as his private getaway, building a small 14-bungalow hotel which closed in March 2004. (An eco-resort is currently under development on Tetiaroa). The posters are in Excellent condition with minimal wear. From the collection of Marlon Brando.
Marlon Brando's British Academy Award for "Viva Zapata!". Marlon Brando received his second career Academy Award nomination for Best Actor (following one for A Streetcar Named Desire the previous year) for his performance as Mexican revolutionary Emiliano Zapata in this 1952 biopic, written by John Steinbeck and directed by Elia Kazan. Unfortunately for him, he was up against Gary Cooper's performance in High Noon, and went home empty-handed that night. The British Academy of Film and Television Arts, however, bestowed upon him top honors for the performance, presenting him with this British Film Academy Award. He would collect two more over the next two years, for Julius Caesar and On the Waterfront. Made of blue porcelain and measuring 9" in diameter, the award comes in a reddish-brown leather-covered box with Brando's name embossed on it. The award is in Excellent condition, and the box is in Fine to Very Fine condition with a broken hinge and several dings and scuffs. An outstanding, one-of-a-kind piece. From the collection of Marlon Brando.
Marlon Brando Costume Pants from "Desiree." Khaki riding pants worn by Brando in his performance as Napoleon Bonaparte in the 1954 historical romance, opposite Jean Simmons and Merle Oberon. A Western Costume Co. tag is sewn into the waistband and has Brando's name printed on it. Two costume designers worked on the film -- Rene Hubert and Charles Le Maire. The pants are in Excellent condition with virtually no wear, staining, or discoloration.
Marlon Brando Costume Sketch from "The Ugly American." A costume sketch by Rosemary Odell for the 1963 drama. The notation on the front reads: "Change #4 Light weight Olive-Brown suit worn at first visit to Atkins at Chang Dong." On the reverse side is a production label states that the costume was for Marlon Brando in his role as Ambassador Harrison MacWhite and lists the scenes it was to be worn in. Drawn in pen and ink with a heavy watercolor wash on heavy drawing board, it measures 15" x 20" and is in Very Fine condition with mild to moderate staining around the edges. From the collection of Marlon Brando.
Marlon Brando Costume Design Sketch from "The Ugly American." A costume sketch by Rosemary Odell for the 1963 drama. The notation on the front reads: "Change #6 White suit worn at dedication ceremony thru to end of picture," designed for Marlon Brando in his role as Ambassador Harrison MacWhite. Drawn in pen and ink with a heavy watercolor wash on heavy drawing board, it measures 15" x 20" and is in Very Fine condition with heavy waterstaining along the left edge and lower left corner, and a very small piece missing from the top right corner. From the collection of Marlon Brando.
Fedora Worn by Marlon Brando in "The Godfather." Aside from an Oscar nomination for his performance in Sayonara, Marlon Brando's acting had lost much of its energy and direction by the end of the 1950s, and his career continued to spiral downwards in the '60s, as he gave increasingly uninspired performances -- or sometimes intriguing and nuanced ones in marginal movies that were often commercial failures. His career had virtually ground to a halt by the end of the decade thanks to his reputation as a difficult star and his record as box-office poison. His performance as Vito Corleone in The Godfather changed all that. Director Francis Ford Coppola convinced Brando to submit to a screen test, for which Brando did his own make-up. Coppola was impressed by Brando's characterization as the head of a crime family, but had to fight the studio in order to cast him (they lobbied for Laurence Olivier, Ernest Borgnine, and Burt Lancaster). Ultimately, Brando won the Academy Award for Best Actor for his performance, which he (in)famously rejected. This striking brown fedora was worn by Brando in that career defining role, in the scene that involved the attempt on Vito's life at the fruit stand. The hat is in Excellent condition with minimal wear, and has "Mr. Brando 2A" written in black ink on the sweatband.
Marlon Brando's White Dress Shirt from "The Chase." A white Machin dress shirt with the initials "MB" sewn into the collar, was worn by Brando when he appeared opposite Robert Redford in the 1966 Western. In Excellent condition, it was at one point cleaned and pressed and subsequently stored away in a plastic dry cleaning bag, largely protecting it from yellowing with age. From the collection of Marlon Brando.
Marlon Brando's Personal "Variety" Magazines. Set of nine issues of Variety, dating from March 22 to August 3, 2004, with Brando's name and that of his former business manager, Jo An Corrales, and her Kalama, Washington, mailing address on the subscription label. In overall Excellent condition. From the collection of Marlon Brando.
Incredible Handwritten Fan Letter to Brando From Clara Bow. A personalized Christmas card from silent-era actress Clara Bow to her "favorite artist," with a handwritten message in blue ink asking him for a replacement autographed photo. It reads in part: "I know how busy you are with your career but...I'd appreciate a new autographed photo from my favorite artist. The one you autographed and sent me almost two years ago is still framed and on my dressing table, but the writing on it has almost vanished -- for what reason I can't understand. You didn't by any chance write with vanishing ink, did you?" A valid question, since Brando was known to be a prankster throughout his life. The card is signed by Bow and dated 1954, and is in Excellent condition with light wear. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Book of Marlon Brando Photos from a Fan. This small leather photo book contains 12 b&w 3" x 4" snapshots of a young Brando in Central Park. The photos were taken by Philomena Ignelzi, a foreign woman who formed the first Marlon Brando fan club, and her friends Gertrude Heim and Pat Mulqueen, all of whom arranged a meeting with the actor in the park one wintry day and spent part of the afternoon with him. Brando posed with the girls in numerous photos, which Philomena assembled into two such sets of photos, one for her and this one, which she sent to Brando, who cherished it and kept until his death 49 years later. (He once described it as his most cherished possession to his longtime personal secretary, Alice Marchak.) The book bears the inscription: "Thank you for a truly memorable day. -- Philomena -- Jan. 8, 1955, Central Park, NY" in white ink on the inside front cover, and is in overall Excellent condition with light wear. The photos themselves are pristine. From the collection of Marlon Brando.
Tennessee Williams Signed Reply Letter to Marlon Brando. A lengthy, single-page, front-and-back typed letter on United States Lines stationery, undated, written by Williams while on a boat to Italy in response to Brando's May 24, 1955 letter regarding the play Orpheus Descending and actor Anna Magnani. It reads in part: "...I know with you and Anna, the production would have to be set up very carefully in advance to compensate for the time that you both would lose from film work and so forth. I also know it would be an historical event in modern theatre, you and Anna together in roles that fitted your styles, your power as actors...I'm relieved you feel as you do about Anna. I know she has a 'crush' on you but I don't think it is a predatory thing at all, I think it is based on her huge regard for you as an artist, and I also know she wants whoever she plays with, at least if he's her male lead, to be as good as she is. Lancaster looked good with her, better than he's ever looked before." The letter is signed "Tennessee" in blue ink and is in Very Fine condition, with light overall tanning, mild wrinkling, and three heavy fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Tennessee Williams Signed Letter to Marlon Brando. Single-page, typed letter, dated June 24, 1955, from Williams to Brando. It reads in part: "Have you come to any decision about 'Orpheus Descending'? As I told you before, there's no fixed date for the production, But I have to let Anna know so that she can arrange her affairs in Italy accordingly. She is willing to play for six months, and I think it should please you to know that she feels that playing with you would give her the necessary confidence to do a play in English. Her English has improved amazingly even in the short interval since she left the States, she has been on a strict diet and taken off a lot of weight. It's hard to believe that such an emotional person could be so highly disciplined and balanced as an artist. We have talked about you a lot. Her regard for you as an actor I'm sure would touch you. I think for a little while it was tinged with romantic feelings but she's gotten over that, now, so you could work together without embarrassment of that kind."
Near the end of the letter he writes: "I'm still working on 'Hide & Seek' for Gadg [director Elia Kazan]. Hardest thing I've ever done, maybe because the material dates back to 1941 and it's hard to get your gun off again on stuff that long ago...At first there was the same problem with 'Orpheus' which was based on 'Battle of Angels'...but Gadg...will probably go ahead with it this fall, unless my present work on it is a dreadful disappointment to him.
Kazan filmed Hide & Seek and released it in 1956 as the scandalous Baby Doll. Brando and Magnani eventually appeared together in the film version of Orpheus, titled The Fugitive Kind, in 1959. Magnani was still very attracted to Brando, but the feeling was not mutual. Williams later became upset with Brando, convinced that he was deliberately slurring his dialogue to pun Accompanied by LOA from PSA/DNA.ish Magnani, who was playing her role phonetically and had trouble picking up her cues from Brando. The letter is signed "Tenn." in pencil and is in Very Fine condition with light overall tanning, mild wrinkling, and some heavy fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Near the end of the letter he writes: "I'm still working on 'Hide & Seek' for Gadg [director Elia Kazan]. Hardest thing I've ever done, maybe because the material dates back to 1941 and it's hard to get your gun off again on stuff that long ago...At first there was the same problem with 'Orpheus' which was based on 'Battle of Angels'...but Gadg...will probably go ahead with it this fall, unless my present work on it is a dreadful disappointment to him.
Kazan filmed Hide & Seek and released it in 1956 as the scandalous Baby Doll. Brando and Magnani eventually appeared together in the film version of Orpheus, titled The Fugitive Kind, in 1959. Magnani was still very attracted to Brando, but the feeling was not mutual. Williams later became upset with Brando, convinced that he was deliberately slurring his dialogue to pun Accompanied by LOA from PSA/DNA.ish Magnani, who was playing her role phonetically and had trouble picking up her cues from Brando. The letter is signed "Tenn." in pencil and is in Very Fine condition with light overall tanning, mild wrinkling, and some heavy fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando and Tennessee Williams Signed Letters. A fascinating bit of correspondence that includes letter from playwright Tennessee Williams to Brando discussing Williams' Orpheus Descending, with a response letter from the latter. Williams' single-page, typed letter reads in part: "Gadg [director Elia Kazan's nickname] says he doesn't think you would be interested in doing a play but Sam Spiegel says he talked to you about his enthusiasm for 'Orpheus Descending' which he felt as I do contains a great part for you...[actress Anna] Magnani is interested in doing this play sometime next year...Is it true that you are frightened of Magnani? That I don't believe, and certainly there would be no reason for it, to have you and Magnani playing together would give the theatre something to remember for many years to come, it would be an electrifying experience...". It features the notations "In 10 days -- 323 E. 58; N.Y.C.", the date May 2, 1955, and Williams' signature in red pencil.
Brando gives a priceless, eyebrow-raising response to Williams' queries in his two-page, typed letter dated May 24, 1955 and signed "Marlon" in black ink on the last page. It reads in part: "I have read the play three times since yesterday and am going to read it again. I think that it is the best play that you have done so far. I have been afraid for you sometimes, because success sings a deadly lullaby to most people. Success is a real subtle whore, who would like nothing better than to catch you sleeping and bite your [expletive] off."
In regards to Magnani, he adds: "Magnani doesn't frighten me. How can anyone so homely and so choked with longing frighten anyone. I think that she is a woman of unusual force who'd had a very hard time because she can't find anyone that would be willing to defeat her if they could. She yearns to be subjigated [sic] in a way that is natural t Accompanied by LOA from PSA/DNA.o all women but she can't find anybody with enough fire to 'burn her down'. As well as strength, she has weakness, and that makes her pitifully incongruous because it makes her domineering in her search to being dominated. As an actress, She is a different rag on a different shoe. I can't think of an actress I would rather play with providing the potential dynamics of the parts are equal. I have not seen ROSE TATTOO yet, but I am sure that Burt Lancaster, trapeze artist and all, was given a lesson in the art of not being remembered after the lights go on. When you play with her you either make sure that the parts are equally volatile, or plan to carry a fair-sized rock in your hand when you go on stage." Both letters are in overall Excellent condition with only very mild wear and some fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Brando gives a priceless, eyebrow-raising response to Williams' queries in his two-page, typed letter dated May 24, 1955 and signed "Marlon" in black ink on the last page. It reads in part: "I have read the play three times since yesterday and am going to read it again. I think that it is the best play that you have done so far. I have been afraid for you sometimes, because success sings a deadly lullaby to most people. Success is a real subtle whore, who would like nothing better than to catch you sleeping and bite your [expletive] off."
In regards to Magnani, he adds: "Magnani doesn't frighten me. How can anyone so homely and so choked with longing frighten anyone. I think that she is a woman of unusual force who'd had a very hard time because she can't find anyone that would be willing to defeat her if they could. She yearns to be subjigated [sic] in a way that is natural t Accompanied by LOA from PSA/DNA.o all women but she can't find anybody with enough fire to 'burn her down'. As well as strength, she has weakness, and that makes her pitifully incongruous because it makes her domineering in her search to being dominated. As an actress, She is a different rag on a different shoe. I can't think of an actress I would rather play with providing the potential dynamics of the parts are equal. I have not seen ROSE TATTOO yet, but I am sure that Burt Lancaster, trapeze artist and all, was given a lesson in the art of not being remembered after the lights go on. When you play with her you either make sure that the parts are equally volatile, or plan to carry a fair-sized rock in your hand when you go on stage." Both letters are in overall Excellent condition with only very mild wear and some fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Annotated "The Young Lions" Script Pages. Brando's personal copy of 20 pages from the script of the 1958 World War II drama The Young Lions, consisting of revisions to scenes 234 and 235 and dated September 9-10 and 12, 1957, with numerous handwritten notations by Brando in red and blue ink. A huge box-office success, it was the only movie that Brando and Montgomery Clift -- good friends and two of the most dynamic actors of the '50s -- ever made together, and was the key to Dean Martin's comeback after his split with partner Jerry Lewis. (Years later, Brando would substitute for the lead in Reflections in a Golden Eye after Clift's untimely death.) The pages are unbound and in Fine condition with binder holes punched in the left edge, and some moderate tanning and light chipping and tearing to roughly half of the pages. the handwriting is nevertheless clear and unaffected by age or wear. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando's Personal "The Godfather" Script - Signed and Annotated. A Holy Grail item for the serious collector if there ever was one. This is Marlon Brando's personal copy of the screenplay for The Godfather, with an red faux leather cover, signed by the actor and with handwritten notations on several pages.
Director Francis Ford Coppola clashed repeatedly with Paramount Studios over casting Brando for the now iconic role of Don Vito Corleone, one of several sticking points that almost got Coppola fired from the production. Paramount wanted Ernest Borgnine, Burt Lancaster, or Italian producer Carlo Ponti for the role, whereas Coppola wanted either Laurence Olivier or Marlon Brando. Olivier was ill at the time, and Brando was considered box office poison after a long string of flops. It's worth noting that Brando wasn't originally interested in the role, repeatedly telling his long-time assistant Alice Marchak that he would not be in a film that glorified the Mafia. He eventually relented and agreed to a screen test. The role revived Brando's career, and he won his second Oscar for his performance as the Don, infamously boycotting the award ceremony and opting to make a politically statement by sending little-known actress Sacheen Littlefeather in his place.
This copy of the third draft of the script, dated March 29, 1971, was issued to Brando by the producers; red-covered editions were issued to the principal actors, blue-covered copies were given to supporting players, and green-covered copies of the final draft were given as gifts to a select few after the movie's release. It was taken to the studio each day by Marchak, who would leave it in his dressing room so that he use it to refresh his memory. Ironically, he would wind up reading most of his lines off cue cards. It is signed by Brando in pencil on the title page, and features a number of handwritten notati Accompanied by LOA from PSA/DNA.ons, also in pencil, many of them consisting of portions of dialogue that have been circled or underlined. One intriguing note can be found on page 24, in dialogue by Corleone the sentence "Learn what he has under his fingernails..." is underlined, with the words "dirt" and "past sins" are pencilled in. The script is in Very Fine to Excellent condition, with a nice clear signature by Brando, and some moderate wear to the cover but virtually no wear or discoloration to the contents. Included is a handwritten letter of authenticity signed by Marchak. A wonderful, one-of-a-kind item. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Director Francis Ford Coppola clashed repeatedly with Paramount Studios over casting Brando for the now iconic role of Don Vito Corleone, one of several sticking points that almost got Coppola fired from the production. Paramount wanted Ernest Borgnine, Burt Lancaster, or Italian producer Carlo Ponti for the role, whereas Coppola wanted either Laurence Olivier or Marlon Brando. Olivier was ill at the time, and Brando was considered box office poison after a long string of flops. It's worth noting that Brando wasn't originally interested in the role, repeatedly telling his long-time assistant Alice Marchak that he would not be in a film that glorified the Mafia. He eventually relented and agreed to a screen test. The role revived Brando's career, and he won his second Oscar for his performance as the Don, infamously boycotting the award ceremony and opting to make a politically statement by sending little-known actress Sacheen Littlefeather in his place.
This copy of the third draft of the script, dated March 29, 1971, was issued to Brando by the producers; red-covered editions were issued to the principal actors, blue-covered copies were given to supporting players, and green-covered copies of the final draft were given as gifts to a select few after the movie's release. It was taken to the studio each day by Marchak, who would leave it in his dressing room so that he use it to refresh his memory. Ironically, he would wind up reading most of his lines off cue cards. It is signed by Brando in pencil on the title page, and features a number of handwritten notati Accompanied by LOA from PSA/DNA.ons, also in pencil, many of them consisting of portions of dialogue that have been circled or underlined. One intriguing note can be found on page 24, in dialogue by Corleone the sentence "Learn what he has under his fingernails..." is underlined, with the words "dirt" and "past sins" are pencilled in. The script is in Very Fine to Excellent condition, with a nice clear signature by Brando, and some moderate wear to the cover but virtually no wear or discoloration to the contents. Included is a handwritten letter of authenticity signed by Marchak. A wonderful, one-of-a-kind item. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando's AFTRA Membership Card. Brando's unsigned American Federation of Television & Radio Artists membership card, good through May 1, 1973. In Excellent condition. From the collection of Marlon Brando.
Marlon Brando's Director's Guild of America Membership Card. Brando's unsigned DGA membership card for the 1972-73. Despite his proven talent in handling actors and a large production while directing One-Eyed Jacks (1961), Brando found the editing process boring and never again directed another film. The card is in Excellent with a little tanning along the right edge. From the collection of Marlon Brando.
Marlon Brando's Actors' Equity Card. Marlon Brando's unsigned Actors' Equity Association card, member #45487, good through May 1, 1973. In Excellent condition with some light tanning. From the collection of Marlon Brando.
Marlon Brando's Annotated Personal Script for "The Island of Dr. Moreau." The 1996 film version of H.G. Welles' The Island of Dr. Moreau was a troubled production almost from the start. Marlon Brando was still recovering from his daughter's suicide, and the day production started the French set off an underwater atomic bomb near his Tahiti atoll. Actor Val Kilmer learned that he was getting divorced when he turned on the TV. Two days later, director Richard Stanley was fired by the studio due to creative differences. John Frankenheimer (The Manchurian Candidate) was hired as a replacement, but clashed with Brando, Kilmer, and studio executives almost immediately. Savaged by critics upon release, it ultimately became a cult classic that features one of Brando's most curious, unfettered, scene-stealing performances.
This is Brando's personal copy of the screenplay's second draft, dated April 26, 1994, featuring numerous handwritten notations by Brando in red ink throughout. Better still, the front cover features the phrase "Dio -- By craft + stealth" and a lengthy bit of handwritten dialogue notes by Brando. In full: "Make speech about inability to invent religeous [sic], political, military, economic, philosophical ethics. Most destructive animal that ever evolved women are different are life protectors. Animals are not the problem humans are and virises [sic] as well. We will either find a solution to male ferocity. or we will find our graves in the poisoned snow of a dead planet. I have sacrificed everything I have on this earth. I see myself as a soldier of the mind, and death holds only a sliver of fear for me -- my work is my life." An intriguing look into Brando's technique as an actor, the script is in Excellent condition with mild wear to the cover and pages. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
This is Brando's personal copy of the screenplay's second draft, dated April 26, 1994, featuring numerous handwritten notations by Brando in red ink throughout. Better still, the front cover features the phrase "Dio -- By craft + stealth" and a lengthy bit of handwritten dialogue notes by Brando. In full: "Make speech about inability to invent religeous [sic], political, military, economic, philosophical ethics. Most destructive animal that ever evolved women are different are life protectors. Animals are not the problem humans are and virises [sic] as well. We will either find a solution to male ferocity. or we will find our graves in the poisoned snow of a dead planet. I have sacrificed everything I have on this earth. I see myself as a soldier of the mind, and death holds only a sliver of fear for me -- my work is my life." An intriguing look into Brando's technique as an actor, the script is in Excellent condition with mild wear to the cover and pages. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Personalized Envelope with Strands of Brando's Hair. A small white envelope with Brando's name and Beverly Hills mailing address, containing two strands of Brando's hair. The envelope is in Excellent condition with some mild tanning along the edges. From the collection of Marlon Brando.
Personalized Envelope with Strands of Brando's Hair. A small white envelope with Brando's name and Beverly Hills mailing address, containing three strands of Brando's hair. The envelope is in Excellent condition with some light overall tanning and very mild wear. From the collection of Marlon Brando.
Personalized Envelope with Strands of Brando's Hair. A small white envelope with Brando's name and Beverly Hills mailing address, containing four strands of Brando's hair. The envelope is in Excellent condition with some very mild discoloration. From the collection of Marlon Brando.
Personalized Envelope with Strands of Brando's Hair. A small white envelope with Brando's name and Beverly Hills mailing address, containing several strands of the Brando's hair. The envelope is in Excellent condition with some areas of moderate discoloration. From the collection of Marlon Brando.
Marlon Brando's Personal Black Leather Script Cover. A handsome, black leather hardcover with attached matching bookmark, used by Brando as a protective holder for his various scripts. One of only two script covers used by Brando during his entire career, he used this particular one for 25 years. The supple leather cover is in Very Fine to Excellent condition with a few dings, scratches, and scuffs from use. From the collection of Marlon Brando.
Marlon Brando's Gucci Leather Script Cover. A handsome, dark brown leather hardcover with large, ornate metal corner guards, used by Brando as a protective holder for his various scripts. One of only two script covers used by Brando during his entire career, he used this particular one for 15 years, including during the making of The Godfather. A Gucci logo is embossed on the lower right corner of the inside back cover. (It originally had a monogrammed nameplate on the front when it was given to Brando, but he couldn't stand such things and promptly yanked it off.) The supple leather cover is in Excellent condition with a few dings and scuffs from use, and some discoloration along the spine. From the collection of Marlon Brando.
Marlon Brando's Small, Zippered Attache Case. A very stylish brown leather zippered carrying case that opens to reveal storage pockets for items and documents, including one large pocket with a tiny lock (the key is also included). According to Alice Marchak, Brando's personal secretary, the mercurial actor hated large attache cases and used this particular one extensively from the 1950s on. The leather is still soft and supple, and case is in Excellent condition with a few very small dings and scrapes from use. From the collection of Marlon Brando.
Marlon Brando's Personalized "Godfather" Ashtray. A porcelain ashtray, made by Hermes in Paris, with a Godfather logo pattern and inscribed with Brando's name and the movie's October 17, 1972 French release date. Francis Ford Coppola had great trouble getting Brando to attend any of the movie's premiere screenings, and had this ashtray custom-made for the actor in order to get him to attend the Paris premiere. This one-of-a-kind item is in Excellent condition. From the collection of Marlon Brando.
Personalized Envelope with Strands of Brando's Hair. A small white envelope with Brando's name and Beverly Hills mailing address, containing two strands of Brando's hair. The envelope is in Excellent condition with some mild tanning along the edges. From the collection of Marlon Brando.
Christmas Card from Clara Bow to Marlon Brando. Undated holiday greeting card from the silent-film actress to Brando, with the handwritten inscription: "Dear Mr. Brando, A belated thanks for your most gracious note and the autographed picture of your son -- it is on my den wall in the place of honor -- I will always cherish it, so thanks once again for your kindness. I do hope you and yours enjoy the happiest of holidays! Good luck to you always!" and signed by Bow in blue ink. In Excellent condition with almost no wear, with the original mailing envelope (Very Fine with mild wear). From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Harmonica. Can you picture Stanley Kowalski, Zapata, Don Vito Corleone, or Dr. Moreau kicking back and relaxing by playing the harmonica? Maybe they didn't, but the actor who created them onscreen, Marlon Brando, certainly did. This "Lee Oskar" model harmonica, produced by Tombo of Japan, was played by him at his leisure. (He also played a harmonica onscreen in Last Tango in Paris.) In her letter of authentification, consigner Alice Marchak, Brando's former secretary, wrote that Brando had several harmonicas and that she heard him playing this one. "I remarked I was surprised he played so well," remembered Ms. Marchak. "He said it was easy and gave me the harmonica to learn how to play. Needless to say, I never did play it. It languished in a drawer all these years." Well, the harmonica languishes no longer - it's out of the drawer and eager for a new owner to take it to the musical heights it had visited with Brando. In Excellent condition, and still shiny with only a few scratches. Play The Godfather theme on it!
Marlon Brando Signed Camera Receipt. Store receipts and shipping receipts for a Leica model M-3 camera with a Summeron lens and pair of Zeiss 15x50 binoculars ($354 total) purchased by Marlon Brando in Hong Kong on April 25, 1956, and sent to him in Tokyo, Japan. Brando was there for the filming of The Teahouse of the August Moon at the time, and would take pictures with the camera on and off the set during his stay. One part of the store receipt was signed twice by Brando in black ink. The items are in Fine to Very Fine condition with mild to moderate wear. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Affidavit. A notarized affidavit dated March 10, 1969, certifying the date and place of Brando's birth, signed by him in blue ball point. A nice sample of a rare signature, in Very Fine condition with two heavy fold creases and very mild overall wear and discoloration. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page photocopy of a letter dated October 23, 1971, and signed by Brando in blue felt tip. Written in French, it is a letter of introduction for architect Bernard Judge, who assisted Brando with development on the Tahitian island of Tetiaroa. The letter is in Excellent condition with binder holes punched in the top edge and two very faint fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page photocopy of a letter dated October 23, 1971, and signed by Brando in blue felt tip. Written in French, it is a letter of introduction for architect Bernard Judge, who assisted Brando with development on the Tahitian island of Tetiaroa. The letter is in Excellent condition with binder holes punched in the top edge, two faint fold creases, and moderate staining to the upper right portion. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Letter - English Version. A single-page photocopy of a letter dated October 1, 1971, and signed by Brando in blue felt tip. This is the original, English-language version of the letter of introduction for architect Bernard Judge, who assisted Brando with development on the Tahitian island of Tetiaroa. Addressed to Territorial Governor Pierre Angeli, it reads in part: "This will introduce Mr. Bernard Judge, AIA, of Los Angeles, California, who will present to you on my behalf the Master Plan for the development of Tetiaroa." The letter is in Excellent condition with binder holes punched in the top edge and some very minor overall wear. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page photocopy of a letter dated October 23, 1971, and signed by Brando in blue felt tip. Written in French, it is a letter of introduction for architect Bernard Judge, who assisted Brando with development on the Tahitian island of Tetiaroa. The letter is in Excellent condition with binder holes punched in the top edge and two fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page photocopy of a letter dated October 23, 1971, and signed by Brando in blue felt tip. Written in French, it is a letter of introduction for architect Bernard Judge, who assisted Brando with development on the Tahitian island of Tetiaroa. The letter is in Excellent condition with binder holes and a little wear along the top edge. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page photocopy of a letter dated October 23, 1971, and signed by Brando in blue felt tip. Written in French, it is a letter of introduction for architect Bernard Judge, who assisted Brando with development on the Tahitian island of Tetiaroa. The letter is in Excellent condition with binder holes punched in the top edge and two fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Design Contract for his Tetiaroa Home. An 11-page AIA Standard From of Agreement Between Owner and Architect contract between Brando and Bernard Judge, dated October 15, 1971, with handwritten revisions and addenda throughout, initialed by Brando seventeen times and signed by him on the last page in black ink. The reverse of the last page features an addendum that appears to have been handwritten by Brando. The contract engaged Judge to assist Brando with the construction of an airplane runway and required support facilities on Brando's atoll of Tetiaroa in French Polynesia. Brando had fallen in love with Tahiti while making Mutiny on the Bounty, and he took a 99-year lease on part of Tetiaroa, where he intended to build an environmental laboratory and an eco-resort. The hotel was eventually built after numerous redesigns and changes by Brando over the years, and is now closed. (A new hotel consisting of 30 deluxe villas is due to open in 2008.) The contract is in Excellent condition with only very minor wear. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page, typed letter dated October 21, 1972, and signed by Brando in blue ball point. Written in French, the letter grants architect Bernard Judge permission to act as Brando's representative in regards to development on the atoll of Tetiaroa. The letter is in Excellent condition with two fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page, typed letter dated October 21, 1972, signed by Brando in blue ball point. Written in French, the letter grants architect Bernard Judge permission to act as Brando's representative in regards to development on the atoll of Tetiaroa. The letter is in Excellent condition with two creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Letter to Governor of French Polynesia. Two copies of a single-page, typed letter dated January 24, 1972, signed by Brando in blue ink. Written in French, the letter requests permission to build a runway on Brando's Tahitian atoll of Tetiaroa. Both are in Excellent condition with very light tanning and binder holes punched in the top edge. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Protocole D'Accord Document. A one-page, typed document, dated October 21, 1972, written in French and pertaining to Brando's development of the atoll of Tetiaroa, with his signature in blue ink. In Excellent condition. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page, typed letter dated October 21, 1972, and signed by Brando in blue ball point. Written in French, the letter grants architect Bernard Judge permission to act as Brando's representative in regards to development on the atoll of Tetiaroa. The letter is in Excellent condition with two fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Tetiaroa Letter. A single-page, typed letter dated October 21, 1972, and signed by Brando in blue ball point. Written in French, the letter grants architect Bernard Judge permission to act as Brando's representative in regards to development on the atoll of Tetiaroa. The letter is in Excellent condition with two fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Protocole D'Accord. A one-page, typed document, dated October 21, 1972, written in French and pertaining to Brando's development of the atoll of Tetiaroa, with his signature in blue ink. In Excellent condition. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
"Apocalypse Now" DVD Release Contract Signed by Marlon Brando and Francis Ford Coppola. A stunning item, this 34-page photocopy of the original contract engaging Brando to appear in the 1979 Vietnam War epic is an updated agreement with language added regarding the movie's DVD release, and is signed by both Coppola and Brando on the next-to-last page in black ink. The original contract engaged Brando for principal photography on September 1-8, 1976, at the rate of $1 million in advance, for what would become one of the most contentious working relationships in film history. Coppola believed that Brando was familiar with Joseph Conrad's novel Heart of Darkness -- the basis for Apocalypse Now -- and would be prepared for the role before he arrived on the set. When Brando did arrive, Coppola was horrified to find that he had not only never read the book, or even the script, and had become extremely overweight when Brando's character, Colonel Kurtz, had always been written as a tall and emaciated. Coppola spent days reading Heart of Darkness out loud to Brando on the set, and used some creative cinematography to make him appear brutish and imposing instead of merely overweight. An ad-libbed script was agreed upon after days of arguments over single lines of dialogue, and Coppola had become so infuriated that he turned over the filming of Brando's scenes to assistant director Jerry Ziesmer. In the end, both Brando's performance and Coppola's film obtained legendary status. The document is in Excellent condition with virtually no wear. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Signed Letter to Bernard Judge. A single-page, typed letter on personal stationery, dated January 11, 1999, and signed by Brando in black ink. In a rather terse message, Brando takes architect and business representative Bernard Judge to task for failing to properly fill out certain forms in regards to development of Brando's Tahitian atoll of Tetiaroa. It reads in part: "The consequences of your failure to see that the papers were properly filled out may or may not have direful results. You have up to date the hard cash in your pocket. I have to date the Tetiaroa book and disparate information about building materials plus a few sketches. I don't know if that constitutes your having met your responsibilities in the fullest sense." In Excellent condition with two fold creases and binder holes along the top edge. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Handwritten Letter from Brando to Bernard Judge. An outstanding, single-page handwritten letter in blue ink on Pan American World Airways letter, undated, from Brando to Bernard Judge. It reads: "Dear Bernie, The winds of change blew out of Roger's mouth this morning. He said, after he heard that I persuaded you to stay, that it was, in short, you or him. I couldn't talk him out of it. I don't have a second position to take. However it's not the end of the waltz. I'm going to further discuss it with him in California. I think he might be less intractable. I'll let you know from there.Love, Marlon". A great item, made doubly so by the rarity of Brando autographs. In Excellent condition with two binder holes punched in the top edge and some fold creases. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Marlon Brando Initialed Document. A cover sheet titled "A Proposal for Archaeological and Historical Survey and Restoration of Sites on Tetiaroa Atoll, Society Islands" Initialed by Brando in black felt tip. In Excellent condition with very light overall discoloration and staple holes to the top left corner. From the collection of Marlon Brando. Accompanied by LOA from PSA/DNA.
Session 4
Set of 45s from Sammy's Personal Collection. Two storage albums containing a total of 39 vintage 45s from Sammy's personal record collection. Artists include Johnny Mathis, Harry Belafonte, Sarah Vaughan, Judy Garland, Perry Como, Dean Martin, and lots of Frank Sinatra. The records are in overall VG+ condition. From the Sammy Davis Jr. Estate.
Acetates from Sammy's Collection. Includes a 45 acetate of "Sunrise Sunset/Do I Hear a Waltz" by Sammy; a 33 1/3 acetate with eight tracks by Buddy Greco; and a 33 1/3 acetate with ten tracks by Lonette. In overall very Fine condition with mild wear. From the Sammy Davis Jr. Estate.
Martin Luther King Jr. Signed Letter to Sammy Davis Jr. A stirring, two-page typed letter on personal letterhead, dated December 20, 1960, thanking Davis for his involvement with the civil rights movement, the role of art in said movement, and Davis' interest in Oscar Brown's play Kicks and Co. It reads in part: "Art can move and alter people in subtle ways because, like love, it speaks through and to the heart. This young man's work will, in its own special way, affect the conscience of vast numbers with the moral force and vigor of our young people. And coming as it does from a source so eminently influential, the Broadway theatre and an actor of such stature as yourself, it will be both an inspiration and a sustenance to us all." The letter is signed "Martin" in blue ink on the second page, and is in Excellent condition with staple holes and light wear to the top left corner. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy Davis Jr. Annotated "Sammy Meets the Girls" Script. Leatherbound, 32-page script for the 1960 TV special, with Davis' name embossed on the cover and some handwritten notations throughout in blue ballpoint. In Excellent condition with very light wear to the cover. From the Sammy Davis Jr. Estate.
Anthony Quinn Signed Letter to Sammy Davis Jr. Single-page, typed letter on personal stationery, dated November 28, 1960, from Quinn to Davis congratulating him on his marriage to second wife May Britt. It reads in part: "I am sincerely sorry that such a great event as your wedding, went by without a wire or an acknowledgement by me. (Not that you need it, but my affection for you does.) I can't tell you how much hope I have for your happiness, and May's. You both deserve it." The wedding was the cause of some controversy, as at that time interracial marriages were forbidden by law in 31 states out of 50, and only in 1967 were those laws abolished by the Supreme Court. Signed "Tony Q." in blue ink, the letter is in Excellent condition with two faint fold creases and very mild wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Original "Ocean's Eleven" Cast Photo. A classic heist movie, the original Ocean's Eleven (1960) also established the Rat Pack in all their swingin' glory. This rare 11" x 14" print of a great Ocean's cast photo by Sid Avery -- arguably the second-most iconic image associated with the movie -- has previously only been seen as a limited edition poster printed for a charity auction. In Excellent condition with Avery's studio stamp on the back and very mild wear and thumbtack holes to the corners, easily matted out. From the Sammy Davis Jr. Estate.
Sammy's Personal Hardbound "Ocean's Eleven" Photo Presentation Book. One of only a tiny handful made and presented to members of the cast as a gift from director Lewis Milestone, this personalized hardbound photo album is embossed with the movie's title and Sammy's name on the cover in gold lettering, and contains 50 handsomely mounted b&w 11" x 14" photos of Davis and the rest of the cast taken during the movie's production. In Excellent condition with a few tiny dings and a little bit of scuffing to the cover, it's a magnificent and very rare piece of Rat Pack memorabilia. From the Sammy Davis Jr. Estate.
Records and Tapes from Sammy's Collection. Two reel-to-reel tapes, twenty-five 45s, and twelve LPs from Sammy's personal music collection. Artists include Joe Williams, Dizzy Gillespie, Harry Belafonte, Mel Torme, Nelson Eddy, Deanna Durbin, and Sammy himself. In overall Very Fine to Excellent condition with mild to moderate wear. From the Sammy Davis Jr. Estate.
Martin Luther King Telegram and and John Murray Letter to Sammy Davis Jr. A Western Union telegram from Rev. Wyatt T. Walker, undated, asking him to present an award to Dr. Martin Luther King Jr., plus a typed letter from John Murray on personal stationery, dated March 17, 1961, discussing a tribute to Dr. King. The documents are in Very Fine condition with light wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Richard Harris Signed Letter to Sammy Davis Jr. Single-page, typed letter on personal stationery, dated April 7, 1963. It reads in part: "Jesus Christ, Sammy Davis, I have never felt so impotent as I did watching you on Sunday night. Jealousy and envy raged through me to the extent that I declared when your show was finished that I was going to chuck it up and retire from the business altogether. I felt like a broken-nosed, bog-trotting gentile Irish git of an amateur who has not even begun to know. Thank you." Signed by Harris in blue ink, and in Excellent condition with a single faint fold crease. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Bertrand Russell Signed Letter to Sammy Davis Jr. Single-page, typed letter to Davis from the famed philosopher and mathematician, dated May 17, 1963. It reads in part: "I am grateful to you for discussing sympathetically with my secretaries my immediate plans with regard to the struggle against nuclear war. It was encouraging to me to learn that you approve of this work and that you wish to consider whether you will be able to involve yourself in it in a manner more serious than merely lending your name to its activity." The letter is signed in blue ink by Russell, and is in Excellent condition with two fold creases. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Set of Vintage Sammy Photos. Great set of six b&w 8" x 10" photos and two b&w 11" x 14" photos of Sammy with friends and family, including second wife May Britt and their daughter, as well as Muhammad Ali (his eyes are closed!). From his personal collection. In Excellent condition with light wear and tape on the top and bottom edges of one photo. From the Sammy Davis Jr. Estate.
Sammy Davis Jr.'s Personal "Golden Boy" Script. Sammy's personal copy of the 40-page script for the Broadway musical Golden Boy, dated July 17, 1964. Having married Swedish-born actress May Britt a few years earlier, Davis received much hate mail during the play's run (interracial marriages being illegal in many states until 1967). The script is in Excellent condition with mild to moderate wear on the cover and white, supple pages. From the Sammy Davis Jr. Estate.
Martin Luther King Jr. Signed Letter to Sammy Davis Jr., Referencing the Selma to Montgomery Marches. A single-page, typed letter from Martin Luther King Jr. to Sammy Davis Jr., dated April 6, 1965, thanking Davis for his participation in the third Selma to Montgomery civil rights march. It reads in part: "Dear Sammy: The march from Selma to Montgomery was 50 miles. It was a long walk, but it is a symbol that those who have suffered deprivation and brutality can make their voices heard and that freedom will one day be not a cry in the dark, but a living, breathing proclamation that we have overcome, and that a whole nation has turned to a new course." (The marches ultimately led to the passing of the Voting Rights Act of 1965.) The letter is signed by King in blue ink and features a handwritten postscript that reads: "P.S. -- Atlanta is looking forward to your coming. It will be one of the great days of the South!" The letter is in Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's Galley Pages for "Yes I Can." When Sammy Davis, Jr. published his autobiography, Yes I Can: The Story of Sammy Davis Jr. in 1965, it was an immediate long-running bestseller that still stands as one of the greatest memoirs ever published. Sammy laid his soul bare for readers as he described his journey from the ghetto to superstardom, and the racism he endured along the way. This is Sammy's personal set of the galley pages given to him for proofreading purposes before the book's actual publication. In Fine to Very Fine condition with mild to moderate tanning and some wear and tear to the edges. From the Sammy Davis Jr. Estate.
Set of Sammy's Vintage Personal Photos. Includes 20 b&w 8" x 10" and three 11" x 14" photos of Sammy during various performances and TV appearances, from his personal collection. In overall Excellent condition with mild wear. From the Sammy Davis Jr. Estate.
Robert F. Kennedy Signed Letter to Sammy Davis Jr. with Photo. Single-page, typed letter on U.S. Senate stationery dated July 12, 1966, from Bobby Kennedy to Sammy Davis Jr. It reads in part: "Many thanks for your telegram, and for the invitation to the party at the new Living Room. As you may know, Ethel and I were in Canada, July 6, and, therefore, unable to come. However, we look forward to getting together with you sometime soon." The letter is signed by Kennedy in black ink, and is in Excellent condition with light overall tanning and two punch holes to the top. Also included is a 3.25" x 4.5" b&w photo of the two men together, also signed by Kennedy and in Excellent condition with very light wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Group of Political Letters Written to Sammy Davis Jr. Set of eight typed, signed letters to Sammy includes Nelson Rockefeller (dated April 3, 1966), Brigadier General James Hamlet (February 8, 1972), Governor of California Edmund G. Brown (October 16, 1962), Bob Dole (September 22, 1972), Donald Rumsfeld (January 19, 1973), Robert Schuller (March 10, 1989), Senator Pete Wilson (February 23, 1987), Colin Powell (to Altovise, August 1, 1991), and Governor of California George Deukmejian (April 1, 1990), all in overall Excellent condition with a few instances of very mild wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Rod Serling Signed Letter to Sammy Davis Jr. Single-page, typed letter on personal stationery, dated December 6, 1967, from the Twilight Zone creator to Davis. It reads in full: "No sweat, no strain, no recriminations, no nothin'. I'm just glad that you got the book, you saw your name, and you know the affection and respect that motivated its inclusion. So next time you're in town, take me to that bloody Factory. I've yet to get inside." and signed by Serling in black ink. In Very Fine condition with two fold creases, some crumpling to the top corners, and a rust stain from a paper clip. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Robert Kennedy Signed Letter to Sammy Davis Jr. Single-page, typed letter on U.S. Senate stationery, dated March 28, 1968, from Bobby Kennedy to Sammy Davis Jr. It reads in full: "Many thanks for supporting my candidacy. It's great for me to know that you are with us. I'm sure that signing the Citizens for Kennedy ad will influence your many fans and I'm very grateful" and is signed by Kennedy in black ink. Sadly, Kennedy would be assassinated two months later, leaving his vision for the future unfulfilled. The letter is in Excellent condition, with two fold creases and a tiny hole near the left edge. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy Davis Jr.'s NAACP Medal. Created by Joel Elias Springarn and awarded annually by the National Association for the Advancement of Colored People for outstanding achievement by a Black American, this particular Springarn medal was presented to Sammy Davis Jr. in 1969 for the calendar year 1968. The 3" medallion is in Excellent condition with some mild scratches on the back. From the Sammy Davis Jr. Estate.
Sammy's Personal "Laugh-In" Script. Sammy's personal copy of the teleplay and shooting script for the March 25, 1968, episode of Rowan & Martin's Laugh-In. Sammy was the episode's special guest star, and he was joined by Joey Bishop and Pamela Austin. The first of seven appearances on the show, this was the episode in which he delivered the classic line "Here come the judge!", which became one of the show's signature catchphrases. The script is bound in an eyeball-searing cover that matches the show's psychedelic production design, and has the series' title and Sammy's name embossed on the cover in gold lettering. There are a few handwritten notations, mostly underlined words and single-word notes. It is in Very Fine to Excellent condition with some minor soiling and corner bumping to the cover and very light wear to the pages. From the Sammy Davis Jr. Estate.
Mounted "Mod Squad" Letter Signed by Harve Bennett. A copy of a typed, signed letter on personal stationery, undated, from Sammy to producer-writer Harve Bennett that reads: "Dear Harve: Your script, 'Keep the Faith, Baby,' is the finest script I have ever read. It was a rare privilege playing Father Banks. I hop your Mod Squad fans enjoy the show and what you say in it. Thanks again, Harve, and keep the faith." Years later, Bennett made this copy of the letter and sent it to Davis with the handwritten inscription: "Jan. 1, 1987/Sammy: Twenty years later and we've both kept the Faith. I love you, man." In Excellent condition, the letter has been mounted on a wood frame measuring 11" x 14.5". From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Vintage Sammy Photos. One b&w 8" x 10" and 11 b&w 11" x 14" photos of Sammy with friends (including in the pool with Jerry Lewis) and practicing and performing onstage and in front of TV cameras, from his personal collection. In overall Excellent condition with light wear. From the Sammy Davis Jr. Estate.
Anthony Newley Letters to Sammy Davis Jr. Included are three handwritten messages on personalized cards dated May 24-June 1, 1974, and signed "Newberg"; a one-page, typed letter on personal stationery dated April 15, 1971, and signed "Love, love, love, Tony" in black ink; and an undated six-page, handwritten letter on personal stationery written and signed "Love, N." in black ink. In over all Excellent condition with fold creases and a paperclip indentation and rust stain the handwritten letter. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's 1st Air Cavalry Vietnam Photo Album and Other Photos. This large white photo album, emblazoned with the insignia of the U.S. Army 1st Air Cavalry Division on the front and a "Cav Country" Vietnam campaign map on the back, includes 12 b&w 8" x 10" glossies of Sammy and his wife Altovise visiting with and performing for troops in Vietnam during a February 23, 1972, USO appearance. Also included are 23 loose b&w 8" x 10" photos of Sammy visiting troops at an Air Force base. The album is in Very Fine condition with mild cover wear and moderate discoloration to the album pages from age, and the photos are in overall Excellent condition. From the Sammy Davis Jr. Estate.
Vintage Photos of Sammy Visiting Troops in Vietnam. This set of two photo albums, both with "Vietnam February 1972, photos by Sammy Davis Jr." embossed on the cover, containing a total of 70 color 11" x 14" photos of Sammy, his wife Altovise, and folk singer Lynn Kellogg, visiting with and performing for troops during a February 23, 1972, USO performance in Long Binh. (Many of the photos were taken by Sammy himself.) The albums are in Very Fine condition with some wear to the covers, and the photos are in Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Personal "NBC Follies" Script. Sammy's personal copy of the third draft copy (dated December 11, 1972) of the script for his 1973 television special. Hardbound in a red cover with the title and Sammy's name embossed on the cover in silver lettering, it is in Very Fine condition with mild cover wear and mild edge wear and tanning to the edges of some pages. From the Sammy Davis Jr. Estate.
Sammy Davis Jr.'s Gold Necklace from "Poor Devil." A serious piece of bling, this heavy gold necklace consists of 18 thick faux gold links connected to a medallion roughly the size of a human ear, with a large costume diamond set in the center and "RSN '69" soldered onto the back. The piece was worn by Sammy in the 1973 TV pilot Poor Devil, a comedy in which he played a bumbling demon opposite Christopher Lee (as Lucifer), Jack Klugman, and Adam West. Needless to say, it wasn't picked up as a series. In Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Signed Riviera Country Club Membership Certificate. Sammy's membership certificate to "Hogan's Alley," dated February 28, 1973, and signed by Sammy in blue ink. In Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Letters from Frank Sinatra to Sammy Davis Jr. Included are Western Union telegram dated May 1, 1974, from Sinatra to Sammy congratulating him on being honored by "the Academy"; a typed "thank you" letter on personal stationery dated July 1986, signed by Frank and Barbara in blue ink; and typed letter on personal stationery dated February 25, 1988, congratulating Sammy on being honored by the American Technion Society, signed "Francis Albert" in black ink. the telegram reads in part: "Dear Smokey: I was delighted to learn the Academy is honoring you today. I should have known something special was up when the guy at FAO Schwartz told me you stopped in and bought a new suit. Anyway Smokey congratulations and all that jazz. Warmest regards." All are in Excellent condition with fold creases and very minor wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy Davis Jr. Signed Receipt for Furs. Dated November 4, 1974, this receipt from Furs by Mannis in the Caesars Palace Hotel for a chinchilla cape and ranch mink jacket (both valued at $5,500) is signed by Davis in blue ballpoint. In Very Fine condition with some small creases and stains. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's Personal Copies of Unproduced Screenplays. This set of five unproduced screenplays from the 1970s and '80s, sent to Sammy Davis Jr. for consideration includes Mephistopheles, Dragonfire!, The Most Colorful Christmas, The Crooner, and Bolt Striker. In overall Very Fine to Excellent condition, with some mild to moderate wear. From the Sammy Davis Jr. Estate.
Joseph Barbera Signed Letter to Sammy Davis Jr.'s Agent. Single-page, typed letter on Hanna-Barbera letterhead from president and co-founder Joseph Barbera to Sy Marsh, dated October 4, 1976. Barbera discusses the upcoming production Heidi's Song, stating: "The part of 'Super Rat' is the role that we were thinking of for Sammy Davis Jr. The number 'Ode to a Rat' is going to be dynamic and is a high spot of the motion picture." Davis ultimately accepted the role, later renamed "Head Ratte," in the 1982 animated musical. The letter is signed by Barbera in black ink, and is in Fine to Very Fine condition with light discoloration, fold creases, and a small tear to the right edge, signature unaffected. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's Plaque from the Crew of the USS Drum. A 9" x 10" wood and metal plaque presented to Sammy by the crew of the USS Drum during a visit to the submarine. In Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Copy of "Roots" Inscribed by Alex Haley. A first edition copy of the classic novel, inscribed "Sammy and Altovise, my brother and my sister - The very warm best to you and your families from the family of Kunta Kinte...and my love in particular for the beautiful people and the dear friends that you are!", dated February 9, 1977, and signed by the author in black felt tip. In Excellent condition with a Very Fine dustjacket that exhibits moderate wear and tear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy Davis Jr. Annotated "Stop the World" Script. Sammy Davis Jr.'s personal leatherbound copy of the play for a remake of the movie musical Stop the World - I Want to Get Off, ultimately released as Sammy Stops the World in 1978, with Davis' name embossed on the front cover. The pages feature many handwritten annotations, although they have been removed from the binding (easily repaired), and are in Very Fine condition with light wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Richard Nixon Signed Letter to Sammy Davis Jr. Single-page, typed letter on personal stationery, dated June 24, 1977, from Nixon to Davis that accompanied a copy of daughter Julie Nixon Eisenhower's book Special People. It reads in part: "While I must admit to a bit of parental prejudice, I hope you will find, as I have, that it portrays insight into the very sensitive lives of some of the famous personalities of our time." Signed "Dick Nixon" in black ink. In Excellent condition with a single horizontal fold crease. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's Personal "Stop the World" Script. A revised copy of the first draft of the screenplay, dated September 8, 1978. Based on the musical Stop the World: I Want to Get Off (1966) and updated for Sammy, it was released in 1978 as Sammy Stops the World. The script is in Very Fine condition with mild wear and discoloration, and includes a typed letter to Sammy from producer Hillard Elkins, dated September 13, 1978 (Fine to Very Fine with moderate tanning, soiling, and edge wear). From the Sammy Davis Jr. Estate.
Telegrams to Sammy Davis from His Showbiz Friends. Set of eight Western Union telegrams, dated from December 3, 1979, to May 17, 1990, sending best wishes to Sammy from the likes of Shirley MacLaine, Johnny Carson, Liza Minelli, Robert Goulet, Elizabeth Taylor, Bob Hope, Robert Conrad, and Nina Simone (sent to Sammy after his death). In overall Very Fine condition with light wear. From the Sammy Davis Jr. Estate.
Sammy's Personal Copy of the "Cannonball Run II" Script. Sammy's copy of the final draft of the script for the 1984 action-comedy sequel, with revisions dating May 1-16, 1984. As odd as it may sound, the movie was something of a last hurrah for the Rat Pack; it was the final feature film appearance of both Dean Martin and Frank Sinatra (in a brief cameo), and one of Sammy's last performances as well. The script is in Very Fine to Excellent condition, with mild soiling and cover wear, and very light wear and dog-eared corners on some pages. From the Sammy Davis Jr. Estate.
Sammy Davis Jr. "60th Anniversary in Show Business" Bound Copy of "Daily Variety." Leatherbound copy of the May 24, 1989, issue of Daily Variety, which was dedicated to the 60th anniversary of Sammy Davis Jr.'s career as a singer and actor. The first free page is inscribed " Dear Mr. Davis, I can't sing and I can't dance, but then again -- you can't bind books! Thank you for all the joy and happiness you have given me and the world -- so far. With deep appreciation, Ronnie, June '89." The volume is in Very Fine condition with a mild to moderate amount of wear on the cover. From the Sammy Davis Jr. Estate.
Coretta Scott King Letter to Sammy Davis Jr. Single-page, typed letter on King Center letterhead, dated September 15, 1989, offering support to Davis after his cancer diagnosis. It reads: "Dear Sammy, Having just learned of your illness, I want to add my wishes for your speedy recovery to the many you must be receiving. The King family and I are praying for your recuperation and restoration to the best of health." Sadly, the disease claimed Davis eight months later. The letter is signed by Scott King in black ink, and is in Excellent condition with two fold creases. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Hugh Hefner Signed Letter to Altovise Davis. A typed letter on personal stationery from Hugh Hefner to Sammy Davis Jr.'s wife, Altovise Gore, dated May 14, 1990. It reads: "All my thoughts and prayers are with you and Sammy at this time. No one has brought the world more joy in the last half century than Sammy. I know, because I was there. 'Mr. Wonderful' is what he was and will always be" and is signed "Love, Hef" in black ink. Davis was suffering from throat cancer at the time, and died just two days after this letter was written. In Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Steve Allen Letter of Condolence to Altovise Davis. Two-page, typed letter on personal stationery dated June 27, 1990, from Allen to Sammy Davis Jr.'s widow, written shortly after the entertainer's death. It reads in part: "Although I've done a great deal of writing during the years since, I've never felt really comfortable composing a letter of condolence. The words come easily enough, it's just that I'm aware of how little they can do to ease the pain and sense of loss that the bereaved members of a family feel." Allen also writes about a number of brief anecdotes regarding him and Davis. The letter is in Excellent condition with two fold creases. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
George Bush Signed Letter of Condolence To Sammy Davis Jr.'s Wife. Single-page, typed letter on White House stationery, dated May 18, 1990, from then-president George Bush to Altovise Davis just two days after Davis' death. It reads in part: "May it comfort you to know that others share your sorrow now and will share with pride Sammy's legacy for years to come. To you and your family, our deepest sympathy and respect." and is signed by Bush in black ink. In Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Cards and Letters of Sympathy to Sammy Davis Jr.'s Widow. Single-page, typed letter on personal stationery, dated May 17, 1990, from Ed McMahon to Sammy's family following the showbiz legend's death, signed by McMahon in black ink, plus cards of condolence handwritten and signed by Sugar Ray Leonard, Freda Payne, Cesar Romero, and Whitney Houston. All items are in overall Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy Davis Jr. Death Certificate and Burial Plot Document. A photocopy of Davis' death certificate, dated May 16, 1990, and listing cardio-respiratory arrest due to pneumonia and laryngeal carcinoma as the cause of death, along with an undated receipt for a headstone for Davis' mother, signed by the singer-actor in black ink. Both are in very fine condition with some light wear to the receipt. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Lucille Ball Handwritten "Happy New Year" Card to Sammy Davis Jr. and Altovise Gore. Small, 5" x 3.5" handwritten card from Ball to Davis and his wife that reads: "Your plaque is in a place of honor and your gifts await your return -- + ours from P. Springs" and is signed "Have a Happy New Year, Love Lucy + Gary" in blue ink. In Excellent condition with very light wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Lucille Ball Handwritten Card to Sammy Davis Jr. and Altovise Davis. Yellow, 6" x 4" card with a handwritten invitation from Lucille Ball to Sammy Davis Jr. and his wife for cocktails and dinner. Dated December 17 (year unknown) and signed "Love, Lucy" in black ink, it is in Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Letter and Cards From Sammy Davis Jr. to Wife. Two handwritten notes, three handwritten cards from flower arrangements (one reading "Roses are red/Violets are blue/today is Valentine's Day/and these flowers is you.") from Davis to his wife Altovise, and a signed passport photo, all in overall Excellent condition with some tanning. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Handwritten Letters from Liza Minelli to Sammy Davis Jr. Two handwritten letters, undated (one each to Sammy and Altovise) and a handwritten notecard, all in blue ink and signed "Liza & Jack." In overall Excellent condition with some instances of creasing, tanning and mild staining. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy Davis Jr. "Love Is" Medallion. This trippy medallion has a white stone set in the center that is engraved with "Love is" on one side and a large letter "S" on the other. It measures 2" x 4" and is in Excellent condition. From the Sammy Davis Jr. Estate.
Sammy Davis Jr. "Peace and Love" Medallion. This swanky 2" medallion has a stylized rendition of Sammy on one side and reads "Peace and Love Sammy" on the other. In Excellent condition with a few faint scratches. From the Sammy Davis Jr. Estate.
Sammy's Personal Tape Recorder. A Philips Stereo D6910 portable tape recorder, owned and used by Sammy Davis Jr. in the late '80s. Archaic by today's standard, yet still an intriguing and nostalgic piece of electronics, and in Excellent condition. From the Sammy Davis Jr. Estate.
Large Vintage Photos of Sammy. Set of 15 assorted b&w 11" x 14" photos of Sammy, from his personal collection. In overall Very Fine condition with mild to moderate wear. From the Sammy Davis Jr. Estate.
Vintage Photos of Sammy with Celebrity Friends. Set of five great b&w 11" x 14" photos of Sammy and various famous pals, including a great photo of him onstage with Dean Martin and Frank Sinatra, from his personal collection. In Excellent condition with mild to moderate wear to the edges. From the Sammy Davis Jr. Estate.
Vintage Photos of Sammy and Friends. Set of nine great vintage b&w 10" x 12" and 11" x 14" photos of Sammy on the set of One More Time -- including some with Jerry Lewis -- and various other shots, from his personal collection. In overall Excellent condition with mild wear. From the Sammy Davis Jr. Estate.
Sammy's Trip to Israel Photos. Nine b&w 8" x 10" photos of Sammy making a pilgrimage to Israel, including shots of him visiting with Israeli troops and praying at the Wailing Wall, plus a letter on ornate stationery to Altovise Davis dated June, 1990, that reads: "Seven trees have been planted in Israel in memory of your beloved husband and father Sammy Davis Jr. Planted by Carol Connors and parents..." The photos are in Excellent condition with mild wear (three are duplicates), and the letter is in Excellent condition with very light wear, and framed to an overall size of 8" x 10". From the Sammy Davis Jr. Estate.
Set of Photos Taken by Sammy. Set of 41 large vintage photos in various sizes taken by Sammy. Most are in b&w and many are shots of Sammy's third wife, Altovise. From his personal collection and in overall Excellent condition with some instances of mild wear. From the Sammy Davis Jr. Estate.
Vintage Photos of Sammy. Set of ten vintage b&w 11" x 14" photos of Sammy at work and play, including great shots of him with Dean Martin and Judy Garland, from his personal collection. In overall very Fine condition with mild to moderate wear. From the Sammy Davis Jr. Estate.
Assorted Personal Photos of Sammy. Set of 17 b&w and color photos of Sammy with family and various celebrity friends -- including Red Foxx, Liza Minelli, and the Jackson Five -- from his personal collection. In overall Excellent condition with very light wear. From the Sammy Davis Jr. Estate.
Sammy's Atlanta University Diploma and Mortarboard. Sammy's honorary Doctor of Literature diploma awarded to him by the Atlanta University on October 16, 1981, and the mortarboard cap worn by him during the ceremony. Both are in Excellent condition with moderate to heavy wear to the back of the diploma's cover. From the Sammy Davis Jr. Estate.
Sammy's Variety Club Medallion. A Variety Club International Lifeline medallion awarded to Sammy by the children's charity circa 1984. In Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's USO Uniform Shirt. This olive drab uniform shirt was worn by Sammy during a USO performance for 15,000 servicemen in Long Binh, Vietnam on February 23, 1972. Sammy's name is sewn on the right breast and the shirt is festooned with military unit insignia, pins, and decorations (the rank insignia on the collar is that of a Major General) on the front, and the back features a large, gold, silk-screened fist logo with the motto "Peace, Love, and Togetherness." The shirt is in Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Costume Belt. Snazzy belt made from heavy faux gold links, worn by Sammy in the 1973 TV series pilot. In Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Black Western Shirt and Hat. This striking black wool shirt with silver buttons and double-breasted front and black Tardan hat from Sammy's personal wardrobe, possibly from an unknown production. The shirt is in Excellent condition with a Western Costume Co. label sewn inside the collar; the hat is in Very Fine to Excellent condition and could use just a little reshaping. Included is a color snapshot of Sammy wearing both items (as well as a sixgun!) in later years. From the Sammy Davis Jr. Estate.
Music Memorabilia
Sammy's Black Velvet Tuxedo. A quite stunning velvet tuxedo jacket with red lining and matching pants with satin piping, by Sy Devore of Hollywood, with the initials "SD Jr." embroidered on the left breast. In Excellent condition with very light wear. From the Sammy Davis Jr. Estate.
Movie/TV Memorabilia
Letter and Books Pertaining to Sammy's Gun Collection. An avid gun collector, Sammy owned dozens of firearms -- including a number of antiques -- that were unfortunately seized by the government and used to pay for back taxes. Included are copies of Blue Steel & Gunleather (inscribed to Davis by author John Bianchi) and The Peacemaker and It's Rivals from Sammy's personal library; a typed letter of appraisal of some of Sammy's guns from the Pony Express Sport Shop, dated April 27, 1971; and a color snapshot of a portion of his collection. All Items are in overall Excellent condition with mild wear to the dustjackets of the books. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's Colonel and Deputy Sheriff ID Cards. A card identifying Sammy as a colonel in the Honorable Order of Kentucky Colonels, dated 1969; and a card identifying him as an honorary deputy sheriff in Fulton County, Georgia, dated 1973. Both are in Excellent condition with light wear and tanning around the edges. From the Sammy Davis Jr. Estate.
Sammy's Book of Personal Photos. Small photo album of 94 color snapshots of Sammy and Altovise with the Kennedy clan circa 1971 (with some great shots of Teddy and Ethel), as well as event photos from the '80s featuring Sammy with Liza Minelli, Ben Vereen, Gregory Hines, Russ Tamblyn, and others. In overall Excellent condition. From the Sammy Davis Jr. Estate.
Large Set of Sammy's Personal Photos. This great set of photos from Sammy's personal collection includes 36 vintage color snapshots taken from backstage at what appears to be a performance for servicemen given in 1972, as well 31 color photos from the 1980s featuring Sammy performing with various other singers at one of his live shows. In overall Excellent condition with very light wear and fading to the older pics. The original negatives are included. From the Sammy Davis Jr. Estate.
Sammy's Press and Blue Cross Cards. A Blue Cross card for a S.A.G. medical coverage plan issued to Sammy on October 1, 1977 (unsigned), and a press card listing sammy as a senior staff photographer for Jet magazine, dated 1987, and signed by him in black ink. Both are in Very Fine to Excellent condition with mild wear. From the Sammy Davis Jr. Estate.
Sammy's Directors Guild of America Card. A DGA membership card dated 1988, issued to and signed by Sammy in black ink. In Excellent condition with light soiling. From the Sammy Davis Jr. Estate.
Group of Letters to Sammy from VIPs. Seven great pieces of correspondence that include a birthday card to Sammy signed "Dino"; a typed letter from Julio Iglesias on personal stationery, dated February 7, 1990 and signed by him; a typed note on a Christmas-themed notecard from Douglas Fairbanks Jr., dated December 28, 1989; a small, handwritten "thank you" card from Liza Minelli to Altovise Davis; a handwritten letter on personal stationery from Jan Murray, postmarked November 30, 1989; a Christmas card from Loretta Young; and a handwritten letter to Sammy from his sister Ramona. The items are in overall Excellent condition with very light wear. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Large Set of Sammy's Personal Photos. Two packages containing a total of 34 color snapshots, circa 1989, of Sammy and some of his famous friends -- including Dean Martin, Charles Nelson Reilly, Clint Eastwood, Loni Anderson and Burt Reynolds, Robert Stack, Ernest Borgnine, and Robert Wagner and Jill St. John. The original negatives included. In overall Excellent condition. From the Sammy Davis Jr. Estate.
Sammy Davis Jr. Personal Firearms Record Booklet. An avid gun collector, Sammy used this booklet to keep track of his collection, and it has handwritten notes detailing the make, model, and condition of the more than 100 firearms he owned -- many of which were antiques. In Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's Gucci Address Book. Sammy's personal address book, with Gucci logo design on the cover, loaded up with phone numbers and addresses. Most of the entries are typed, but several are handwritten. Famous entries include Frank Sinatra, Liza Minella, Norman Lear, Robert Blake, Lucille Ball, Bjorn Borg, Johnny Carson, Bill Cosby, Rosemary Clooney, Danny Thomas, and many others. In Excellent condition with mild to moderate wear around the edges of the cover. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Sammy's Jewelry Case. Ornate jewelry box with snakeskin design and the initials "SD" embossed on the lid, from Harrod's of London, containing old keys, matchbooks, and other sundry items. In Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Birthday Party Photos. Fifty-six color snapshots from a birthday party for Sammy, circa mid-1980s, with numerous shots of Sammy, his dad and other family members, and famous guests such as Liz Taylor and Jack Palance. The photos are all in Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Small Jewelry Case With Tie Clasps. This small 4" x 3" wooden jewelry case comes from Sammy's personal wardrobe, and includes four collar stays and three tie clasps. In Excellent condition with some moderate scuffing to the lid. From the Sammy Davis Jr. Estate.
Set of Early Sammy Photos. Album containing 41 great b&w 11" x 14" photos of Sammy practicing and performing circa the late 1950s-early 1960s. The album is in poor condition with the front cover having separated and the back cover completely missing, but the photos are all in Very Fine to Excellent condition with little wear and binder holes punched in the edges. From the Sammy Davis Jr. Estate.
Sammy's Christmas Card from Groucho Marx. A Christmas card to Sammy, signed "Groucho" in blue ink. In Excellent condition. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Photos of Sammy in Japan. A red photo album with 40 great b&w 14" x 11" shots of Sammy singing, dining, smoking like a chimney, and enjoying a bottle of Suntory with friends and guests in Japan. All are in Excellent condition, with very mild wear to the album. From the Sammy Davis Jr. Estate.
Sammy's Black Attache Case. Black leather attache case with alligator hide pattern by Hugo Boss, owned and used by Sammy. In Very Fine to Excellent condition with mild to moderate wear from use. From the Sammy Davis Jr. Estate.
Sammy's Friars Club Watch. This neat little item features a 2" leather casing that slides open to reveal an elegant watch with "Friars Club/In Honor of Sammy Davis Jr. 1966" printed on the face. Still in working order and in overall Excellent condition with mild wear.. From the Sammy Davis Jr. Estate.
Sammy's Gold Chain Belt. Heavy, gold-colored link belt owned and worn by Sammy. In Excellent condition. From the Sammy Davis Jr. Estate.
Sammy's Calling Cards. At&T and Pacific Telephone international calling cards issued to Sammy, in Excellent condition with mild wear. From the Sammy Davis Jr. Estate.
Signed Sammy Davis-May Britt Divorce Property Settlement Agreement. When Sammy married his second wife, Swedish actress May Britt, in 1960, it caused a firestorm of controversy. At the time, interracial marriages were forbidden by law in most states, and only in 1967 were those laws abolished by the U.S. Supreme Court. The couple had one daughter and adopted two sons. Davis performed almost continuously and spent little time with his wife; the marriage collapsed and they divorced in 1968, after Davis admitted to having had an affair with singer Lola Falana. This 35-page property settlement agreement from the divorce is dated December 12, 1968, and is signed by both Davis and Britt on page 32. According to the document, Britt got the kids, a car, and a house and Davis got hit with $1,000 a month in child support payments, $2,000 a month in alimony payments, and the bill for his wife's legal fees ($15,000 worth). Love does indeed hurt, especially when it nails one in the pocketbook. The document is in Fine condition with an appreciable amount of wear and soiling to the front and back pages, none of which affects the large, bold signatures. From the Sammy Davis Jr. Estate. Accompanied by LOA from PSA/DNA.
Bob Hope Shirts, Video, and Button. Includes a red sports shirt with Bob Hope caricature logo (size L, one of only four ever made), a black "Bob Hope: The First 90 Years" t-shirt (size XL), a VHS copy of Bob Hope: Shanks for the Memories, and a "I Helped Celebrate Bob's 90th" pinback button, all in Excellent condition.
Rare Photos of Jayne Mansfield Rescue at Sea. Set of eight rare, unpublished b&w 9" x 13" proof sheet photos of a shaken (but not stirred) Mansfield, husband Mickey Hargitay, and friend Jack Drury, shortly after being rescued at sea. The three had been forced to spend the night on a tiny island in the Bahamas after their boat capsized during a waterskiing outing, and were rescued the next day. From Drury's personal collection, the photos are in Fine to Very Fine condition with mild to heavy tearing, creasing and wear around the edges, and all have Life magazine studio stamps en verso.
Pirate Pistol from "Captain Blood." A beautiful prop flintlock pistol, made from wood and steel, measuring 20" long, used in the 1935 epic starring Errol Flynn (a role that made him an overnight sensation). Despite a moderate amount of rust, it is in great condition, and the elaborate mother of pearl inlays are all present and unblemished. A wonderful piece from a Hollywood classic. Accompanied by COA from L.A. Prop & Wardrobe Co.
Humphrey Bogart's Helmet from "Sahara." This prop WWII tanker-style helmet was worn by Bogart in 1943 war drama in which the actor appeared as a tank commander in one of the few movies made about the desert conflict during the war. It features radio earpieces sewn into the ear flaps, and has "Bogie" handwritten on the inside. It is in Very Fine condition, with some deterioration to the leather in places. Accompanied by COA from L.A. Prop & Wardrobe Co.
Prop Cannon from "Mutiny on the Bounty." One of roughly a half-dozen movie versions of the controversial incident, the 1962 version of Mutiny on the Bounty showcased Marlon Brando as Fletcher Christian and Trevor Howard as Captain Bligh, and is widely considered to be among both actors' finest work (as well as one of the least historically accurate depictions of the event). This small prop cannon, a four-pounder measuring approximately 9" x 21" x 36", was used as an aft-mounted gun aboard the H.M.S. Bounty in the movie, and is in Excellent condition with light wear. Accompanied by COA from L.A. Prop & Wardrobe Co.
Gong from "Confessions of a Dangerous Mind." This life-size replica of the infamous gong from the even more infamous The Gong Show was used in the 2002 adaptation of Chuck Barris' memoirs, in which he gamely claimed to have been an undercover hitman for the CIA during his years as a game show producer. Part of the film chronicles the making of The Gong Show and features several clips from the original series. The gong measures 39" in diameter; the metal stand measures 51" x 82", is decorated with gold glitter, and has 20 working light bulb sockets. The 24" mallet is included. In overall Excellent condition with some very mild wear from use. Ideal for karaoke night. Accompanied by COA from L.A. Prop & Wardrobe Co.
Dan Aykroyd's Badge from "Dragnet." A prop L.A.P.D. sergeant's badge used by Dan Aykroyd in his role as Detective Joe Friday opposite Tom Hanks in the 1987 comedy. "Universal" and the initials "DA" are engraved on the back. In Excellent condition with minor surface wear. Accompanied by COA from L.A. Prop & Wardrobe Co.
Cast Signed "No Parking" Sign from "Dukes of Hazzard." This 24" x 30" "No Parking -- Hazzard County" prop road sign was used in the Dukes of Hazzard television series, and is inscribed "He means it! But go ahead. Love, Katherine Bach, Daisy Duke" and "Hey y'all! This is an authentic prop from 'The Dukes of Hazzard,' Ben 'Cooter' Jones" in black marker. In Excellent condition with moderate overall production wear. Accompanied by COA from L.A. Prop & Wardrobe Co. Accompanied by LOA from PSA/DNA.
Flying Fickle Finger of Fate Award. Broadcast from 1968 to 1973 on NBC, Rowan & Martin's Laugh-In provided a heady dose of comedy and biting satire during a turbulent period in history, and boosted the careers of Goldie Hawn, Lily Tomlin, and a few others in the process. This genuine Flying Fickle Finger of Fate award was used on the show in the recurring segment that "lauded" noteworthy, dubious achievements by celebrities or government officials. Recipients of this uncoveted award included then Los Angeles Chief of Police Ed Davis, who suggested that gallows be put in all airports so hijackers could be hung on the spot; the City of Cleveland for their Cuyahoga River (it caught fire due to its high pollution levels); William F. Buckley for his philosophy "Never clarify tomorrow what you can obscure today"; and the Pentagon, who won the Nifty Knuckle five times. The bronze hand-with-winged-finger statuette is mounted atop a wooden base, which stands 9.5" tall and is stamped "copyright George Schlatter and Ed Friendly productions -- Romart 1969" on the bottom, and is in Excellent condition with very minor wear.
Desi Arnaz's Prop Grooming Set from "I Love Lucy." his black leather case unzips to reveal a clothes brush, comb, nail file, shaving mirror, shaving lotion bottle, razor case, shaving brush case, and soap case (all empty). All items are in Excellent condition with little to no wear, and the case is in Very Fine condition with light wear and mild discoloration. Accompanied by COA from L.A. Prop & Wardrobe Co.
Prop Telephone from "I Love Lucy." A vintage Western Electric telephone from the greatest sitcom ever, with "Murray Hill 5-9099" printed on the rotary dial. Murray Hill and Circle were actual call names used in Manhattan at the time the show was on the air, and the Ricardos had three different telephone numbers during the series: MUrray-hill 5-9975, CIrcle-7-2099, and MUrray-hill 5-9099. In actuality these numbers were unused telephone numbers of the New York Bell Telephone Company. (When the numbers were entered in to service, the company would advise the show's producers and give them a new number to use.) The phone is in Very Fine condition with very light wear. Accompanied by COA from L.A. Prop & Wardrobe Co.
Prop Guns from "Men in Black II." A pair of black-and-silver "alien containment guns" from the 2002 sequel to the sci-fi comedy starring Will Smith and Tommy Lee Jones. Made of plastic and highly detailed, they are in Excellent condition with minimal wear. Extraterrestrials not included. Accompanied by COA from L.A. Prop & Wardrobe Co.
Al Lewis' Prop Bag from "The Munsters." The Munsters and its "rival" series, The Addams Family both debuted within a week of one another in September, 1964. At the end of that year's TV season, The Munsters ranked #18 in the Nielsens, while The Addams Family came in at #23; by the end of the following year, both had been were cancelled. Nevertheless, both found renewed life in syndication and have entertained generations of sitcom fans. This black doctor-style leather carrying bag was regularly used by Al Lewis (who died earlier this year) in his role as "Grandpa" on the series, typically as a running sight-gag in which he would pull all sorts of sundry items from it -- including many that logically shouldn't have fit. It is in Fine condition with a fair amount of wear and tear and some mild to moderate discoloration. A real TV-land treasure. Accompanied by COA from L.A. Prop & Wardrobe Co.
Prop Flintlock Pistol from "The Patriot." A handsome colonial-style British officer's pistol from the 2000 historical drama, 12" in length with an ornately decorated solid-metal construction and working trigger action. In Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
"Pride of the Yankees" Prop Baseball Glove. Vintage cowhide fielder's glove used by an unknown cast member in the 1942 Lou Gehrig biopic The Pride of the Yankees, which featured Gary Cooper in one of his most memorable performances. The glove has "props GC 106" written on the inside, and is in Very Fine condition with mild to moderate wear. Accompanied by COA from L.A. Prop & Wardrobe Co.
United States Flag Used in "Sands of Iwo Jima." This U.S. flag with 48 stars was used in the 1949 war movie Sands of Iwo Jima starring John Wayne, which told the stories of the Navy corpsman and five marines who raised the flag on Mount Suribachi, one of the most iconic images of World War II. The three who survived the battle, Rene A. Gagnon, Ira H. Hayes, and John H. Bradley, appeared in the movie opposite Wayne. In Fine to Very Fine condition with some areas of moderate tanning and a few very small moth holes. A great conversation piece. Accompanied by COA from L.A. Prop & Wardrobe Co.
Julia Louis-Dreyfus Mannequin from "Seinfeld." Ranked #1 in TV Guide's 2002 list of the "50 Greatest Shows of All Time," it's no surprise Seinfeld is considered one of the most influential TV programs of the 1990s. In the popular Season 5 episode "The Pie" (February 17, 1994), Elaine Benes (Julia Louis-Dreyfus) discovers that there is a mannequin that eerily resembles her displayed in some revealing apparel in a local clothing store. Featured is a rare piece of memorabilia from the show: the original upper torso mannequin from that now-classic episode. The face has had extensive make-up and latex work applied to form it into a perfect likeness of Louis-Dreyfus. The wig and top are not original, having been applied to restore the mannequin to an approximation of its original appearance; it is otherwise in Excellent condition.
"Stargate" Miniature Prop Ship. A big-budget sci-fi feature produced by Dean Devlin and Roland Emmerich and released in 1996, Stargate was intended to be the first in a movie franchise, until it stalled at the box office. In the meantime, it has spawned two television series and numerous other spin-offs in various media. This small (4" x 2") miniature was used in the production of the feature film, and is in great condition, although it's missing a laser cannon and has some chipping to the leading edge of the right wing.
"Star Trek: First Contact" Phaser Prop. The second Star Trek film to feature the cast of the "Next Generation," and the first in which none of the original Star Trek cast members appear, Star Trek: First Contact (1996) grossed a healthy $92 million at the box office and helped secure the spin-off series' jump to the big screen. This prop hand phaser from the production includes a holster with belt clips, and is in Excellent condition with only aesthetic wear and tear applied by the prop department.
Vintage Intercom from "The Adventures of Superman." Running from 1952 to 1958, The Adventures of Superman was the first television series based on the Man of Steel. This vintage Western Electric intercom was used as a prop in the show, most likely in the offices of the Daily Planet. It measures 13" x 7.5" x 7" and is in Very Fine condition with a few tiny dings and some wear to wiring sheath. Big, bulky, and heavy, it makes ya glad we have e-mail now... Accompanied by COA from L.A. Prop & Wardrobe Co.
"The Untouchables" Prop Phone. Prop old-style wall-mounted phone used in the 1959 TV series starring Robert Stack. Solid oak construction with realistic crank action, it measures 9" x 20" x 6" and is in Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Marilyn Monroe as a Teenager Rare Photo. An aspiring young photographer attending a war-bond golf tournament in Los Angeles during the Summer of 1944, Ed Baird happened to encounter a striking 18-year-old blonde. The two talked for a little while, and Baird convinced her to allow him to shoot this b&w 5" x 7" photo. It wasn't until years later that he realized he'd encountered a teenage Marilyn Monroe. The rare, unpublished photo is in Excellent condition and includes a letter of authenticity from Baird.
Rare Marilyn Monroe Issue of "Escapade" Magazine. One of the many gentleman's magazines to hit the market in the 1950s, Escapade never quite became the phenomenon that Playboy did. Featured is a hard-to-find copy of the December 1956 issue, featuring a nude Marilyn Monroe-pin-up calendar. Monroe had finally hit superstardom the year before with the The Seven Year Itch -- and posed for the debut issue of Playboy two years before that. The magazine is in Fine condition with some mild wrinkling, staining, and wear, and four detached center pages.
Happy Birthday, Mr. President...!" Spectacular Never-Before-Available Pictures with Copyrights of Marilyn Monroe at JFK's 45th Birthday Party May 19, 1962. The site is Madison Square Garden, and 15,000 people have gathered for a show celebrating the 45th birthday of President John F. Kennedy.
The show, a live telecast, boasted such stars as Jack Benny, Peggy Lee, Ella Fitzgerald, Jimmy Durante, and Maria Callas. Host Peter Lawford gallantly tried to introduce Marilyn Monroe -- who at first failed to come on stage. As Lawford kept ad-libbing, Marilyn finally made her spectacular entrance in a Jean Louis-designed flesh-colored dress decorated with 2,500 rhinestones. Adlai Stevenson described the dress (fated to sell at a 1999 auction for $1.26 million) as "skin and beads," and it was so sensually tight that Marilyn had been literally sewn into it. "The late Marilyn Monroe," joked Lawford in his introduction, and the actress -- terrified, vulnerable, and iconically sexy -- sang in her purring, almost breathless voice: Happy Birthday, Mr. President...
Marilyn Monroe, then waging a last-stand battle with drug abuse and her own demons, would be dead (a suicide?) 78 days later. A year-and-a-half later, JFK was assassinated. Yet the Happy Birthday episode has won its own strange immortality, parodied by everybody from Madonna on Saturday Night Live to The Sopranos to Wayne's World and The Simpsons. Despite its basic innocence, the awesomely seductive way Marilyn delivered the song, and the persistent rumors about the mysteries of the private relationship of Monroe and Kennedy made this possibly the most openly racy and sensational confluence of sex and U.S. Politics.
Featured are ten newly-discovered bombshell photos and their negatives, along with the copyrights. Nine photos are from the original negatives, and an additional close-up print was cropped from the photo of Marilyn with two unidentified members of her entourage. The pictures come from New York photographer Irv Steinberg (see bio), who arrived late to the event and caught Marilyn on film backstage, at that point wearing a white mink stole and flushed with excitement after her show-stopping appearance. Seven shots show her surrounded by celebrities and friends, including Arthur Miller's father (then Marilyn's father-in-law), and Jack Benny. Two additional shots show Marilyn in her limousine, and finally, a stunning close-up of her.
Gorgeous candid pictures of Marilyn with connections to two of the 20th century's most glamorous figures and hints of the possibly dark mysteries of "Camelot," as well as original artifacts from one of pop culture's most recognizable and unforgettable moment, these photos capture a memorable night when Hollywood flirted with Washington D.C. as the world watched.
The show, a live telecast, boasted such stars as Jack Benny, Peggy Lee, Ella Fitzgerald, Jimmy Durante, and Maria Callas. Host Peter Lawford gallantly tried to introduce Marilyn Monroe -- who at first failed to come on stage. As Lawford kept ad-libbing, Marilyn finally made her spectacular entrance in a Jean Louis-designed flesh-colored dress decorated with 2,500 rhinestones. Adlai Stevenson described the dress (fated to sell at a 1999 auction for $1.26 million) as "skin and beads," and it was so sensually tight that Marilyn had been literally sewn into it. "The late Marilyn Monroe," joked Lawford in his introduction, and the actress -- terrified, vulnerable, and iconically sexy -- sang in her purring, almost breathless voice: Happy Birthday, Mr. President...
Marilyn Monroe, then waging a last-stand battle with drug abuse and her own demons, would be dead (a suicide?) 78 days later. A year-and-a-half later, JFK was assassinated. Yet the Happy Birthday episode has won its own strange immortality, parodied by everybody from Madonna on Saturday Night Live to The Sopranos to Wayne's World and The Simpsons. Despite its basic innocence, the awesomely seductive way Marilyn delivered the song, and the persistent rumors about the mysteries of the private relationship of Monroe and Kennedy made this possibly the most openly racy and sensational confluence of sex and U.S. Politics.
Featured are ten newly-discovered bombshell photos and their negatives, along with the copyrights. Nine photos are from the original negatives, and an additional close-up print was cropped from the photo of Marilyn with two unidentified members of her entourage. The pictures come from New York photographer Irv Steinberg (see bio), who arrived late to the event and caught Marilyn on film backstage, at that point wearing a white mink stole and flushed with excitement after her show-stopping appearance. Seven shots show her surrounded by celebrities and friends, including Arthur Miller's father (then Marilyn's father-in-law), and Jack Benny. Two additional shots show Marilyn in her limousine, and finally, a stunning close-up of her.
Gorgeous candid pictures of Marilyn with connections to two of the 20th century's most glamorous figures and hints of the possibly dark mysteries of "Camelot," as well as original artifacts from one of pop culture's most recognizable and unforgettable moment, these photos capture a memorable night when Hollywood flirted with Washington D.C. as the world watched.
Marilyn Monroe "Happy Birthday, Mr. President" Limited Edition Prints. Ten sets of ten prints of photographer Irv Steinberg's rare and exclusive backstage photos of Monroe taken by him shortly after her unforgettable birthday serenade of JFK. The b&w 11" x 14" prints are limited edition sets of ten, each print signed and numbered by Steinberg and in overall Excellent condition. These are rare and astounding shots. Total 100 prints in this chance-of-a-lifetime lot. Comes with a document from Irv Steinberg stating these will be the only Monroe prints he will sign.
Marilyn Monroe Vintage Photos. A set of nine vintage b&w photos of the legendary actress ranging in size from 2.5" x 5" to 8" x 10". In overall Very Fine condition.
Marilyn Monroe Swimsuit Photo. A stunning vintage 8" x 10" b&w cheesecake photo of Marilyn in a bathing suit, with attached caption lauding her status as "Miss Morale" of the U.S.M.C. In Fine to Very Fine condition with moderate overall creasing and a small tear near the lower left corner.
Rare Photos of Marilyn Monroe with Mac Krim. Included are two b&w original photos of Marilyn Monroe hanging out with film and theater entrepreneur Mac Krim, one measuring 8" x 10" the other 5" x 4". Both are in Excellent condition.
Marilyn Monroe's Mink Cocktail Coat. Gorgeous, mid-length brown mink cocktail coat from Marilyn's personal wardrobe. Her initials, "MM" are embroidered in red script inside the coat. In Excellent condition. Accompanied by COA from L.A. Prop & Wardrobe Co.
Marilyn Monroe's Black Polka Dot Dress. This black layered-tulle dress with white polka dots and spaghetti straps comes rom Monroe's personal wardrobe. The dress is in Fine condition with considerable tearing to the tulle and deterioration to the felt polka dots, easily restored by a seamstress. Previously auctioned at Christie's, with the Christie's receipt included.
Marilyn's White Beaded Purse. Small purse covered by tiny white beads and decorated with an elaborate design, owned and carried by Marilyn. In Excellent condition, with only a few missing beads and mild staining to the interior.
Marilyn's Satin and Mink Hat. Designer crown-style satin hat with netting and mink trim, from Marilyn Monroe's personal wardrobe. In Excellent condition.
Marilyn's Costume Jewelry Set. This set of vintage costume jewelry includes a necklace and pair of earrings decorated with glass jewels, all owned and worn by Marilyn. In Excellent condition.
Marilyn Monroe Handwritten Letter. This two-page handwritten letter was written in 1954 by the legendary blonde bombshell, during the period inbetween her breakout role in Gentlemen Prefer Blondes and her classic performance in The Seven Year Itch. Her brief marriage to baseball player Joe DiMaggio was already in decline, as was her rate of work due to illnesses (whether real or imagined), her habit of showing up late to the set, and generally being uncooperative with her producers, directors, and fellow actors. Monroe had been scheduled to accompany Bob Hope and William Holden on a USO performance at the U.S. Air Force base in Thule, Greenland; illness forced her to bow out and she was replaced by Anita Ekberg. (It was during this tour that Hope began filming his USO performances and selling them as specials to NBC.) Written to the troops in blue ink on plain white paper, the letter reads in part: "I'm a lot more disappointed than you are that I can't be there with you this New Years [sic]. But the fact is I'm sick and my doctor won't let me go, but as soon as I'm able I'll be there any time you can persuade Secretary Talbot to give me a seat in a plane, to do a show for you, to meet you all and tell you I think you're the best men in the world," and is signed by Monroe in big, bold handwriting. The letter is in Fine condition with light tanning, significant staining along the lower right edges of both pages, two horizontal fold creases, and moderate edge and corner wear. Also included is a typed transcript of the letter (Very Fine, significant staining) and the original envelope with Monroe's name written on it in an unknown hand (Very Fine with light wear). A fantastic item. Accompanied by LOA from PSA/DNA.
Marilyn Monroe's Engraved Matchbook Case from Joe DiMaggio. Married in January 1954, Marilyn Monroe and Joe DiMaggio's union was a turbulent one that only lasted about nine months, when Monroe initiated a divorce on the grounds of mental cruelty. Nevertheless, the two remained friends until her death in 1962. In 1960, he secured her release from a psychiatric clinic and, alarmed by how his ex-wife had fallen in with people he felt detrimental to her, quit his job with a PX supplier and asked her to remarry him. Later, he claimed her body and arranged her funeral, and for 20 years he had a dozen red roses delivered to her crypt three times a week. Unlike her other two husbands, he never talked about her publicly -- despite being offered substantial sums of money -- nor did he remarry. A gift to his wife, this sterling silver matchbook case is decorated with a colored rhinestone floral design and engraved with "Marilyn, My true love, Joe" inside the lid. In Very Fine condition with mild wear and some tarnishing. Accompanied by COA from L.A. Prop & Wardrobe Co.
Marilyn Monroe's Monogrammed Vanity Set. Marilyn's personal vanity set, including a hand mirror and powder box monogrammed with the letter "M", shoe brush, and make-up box with various utensils. The beige plastic set is in Very Fine condition with Mild wear and discoloration from age. One can imagine using it to prepare for an evening of glamour amongst the Hollywood elite. Accompanied by COA from L.A. Prop & Wardrobe Co.
Marilyn Monroe's Make-Up Case. Carried regularly by Monroe, this small, 5" x 3" Brass make-up case features an elaborate mother of pearl inlay on the top, and inside features a lipstick holder, small comb with vinyl case, make-up compartment, and a small mirror. Also included is a protective chamois storage cover (fine condition with moderate wear and staining). In Very Fine condition with mild scratching and wear to the outside, moderate wear to the mirror, and some mild to moderate tarnishing of the interior. Accompanied by COA from L.A. Prop & Wardrobe Co.
Marilyn Monroe's Mirrored Bedside Cabinet and Chest of Drawers. Included are a cabinet with rectangular top over a single drawer and two doors that open to reveal a quilted paper-covered interior on molded plinth, plus a chest of drawers with five graduated drawers decorated with gilt-metal handles. The cabinet has had the mirror on the drawer replaced. The chest of drawers has had the mirrors on the top two drawers replaced. These items were auctioned by Christie's in 1999, and copies of the catalog pages, receipts, invoices, and tags from that sale are included here, as well as photos of the pieces before the drawers were refurbished. Also included with the lot is the book My Sister Marilyn in which the chest of drawers in mentioned on page 159. Both pieces are in overall Very Fine to Excellent condition with a few areas of mild to moderate wear.
James Dean Conga Record. Released in late 1957, "James Dean on Conga Drums in an Ad-Lib Jam Session" was a limited-edition 45 featuring a B-side recording of Dean chatting with friends. Featured is one of the discs, in the original packaging, along with a 7" x 7" charcoal print of the actor that was included with the item and a magazine ad for the record. All items are in Excellent condition, with moderate tanning to the ad. From the James Dean Museum archive.
Fairmount High School National Thespian Society Pennant. James Dean got his first acting experience while studying drama at Fairmount High School in the late '40s. After graduating in 1949, He moved back to California to live with his father and stepmother and enrolled in Santa Monica College as a pre-law student, only to transfer to UCLA and change his major to drama -- an action that resulted in estrangement between he and his father. This 11" x 28" pennant for the National Thespian Society Troupe 682 is in Very Fine condition with mild wear. From the James Dean Museum archive.
James Dean Yearbook Photos. This set of five vintage b&w photos, ranging from 2.5" x 1.5" to 8" x 6" in size, consists of various yearbook group shots, each featuring a very young James Dean (wearing glasses in most of them). The photos, spanning 1942 to circa 1947, are in overall Very Fine condition with mild to moderate wear. From the James Dean Museum archive.
Vintage Editions of "East of Eden" and "Rebel Without a Cause." Includes the 1944 red cover edition of Robert M. Lindner's Rebel Without a Cause, plus the 1952 U.S. and 1959 Danish edition of East of Eden, in overall Very Fine condition with mild to moderate wear. From the James Dean Museum archive.
James Dean School Sports Team Photos. An active kid, Dean was involved in sports throughout his academic career. Featured are three b&w school team photos featuring Dean: an 8" x 5" gym class photo (Dean is in the front row, first on the left), a baseball team photo (back row, second from the right), and a basketball team photo (front row second from the left). These are the actual photos that were later used in FHS yearbooks. Overall condition ranges from Fine to Very Fine with mild to moderate wear and the occasional heavy crease. From the James Dean Museum archive.
James Dean 1947 High School Yearbook Display. A copy the 1947 edition of the Fairmount High School Black and Gold yearbook (titled "Our Times") with photos from the annual featuring Dean during his sophomore year of high school, matted and framed to an overall size of 25" x 15". In Very Fine condition with mild wear. From the James Dean Museum archive.
James Dean School Play Photos. Dean got his first real taste of acting in high school while under the guidance of drama teacher Adeline Nall and performing in a number of plays. Featured are five original b&w photos, ranging in size from 1.5" x 3" to 9" x 6", of teenage Dean performing in various Fairmount High School productions -- including a photo of Dean as Frankenstein's Monster in Goon with the Wind from 1948. These are the actual photos that were later used in FHS yearbooks. Overall condition is Fine to Very Fine with moderate wear and some tack holes. From the James Dean Museum archive.
James Dean 1948 High School Yearbook Display. A copy the 1948 edition of the Fairmount High School Black and Gold yearbook with photos from the yearbook featuring Dean during his junior year of high school, matted and framed to an overall size of 25" x 15". In Very Fine condition with mild to moderate wear. From the James Dean Museum archive.
Three Letter Patches and Charm Bracelet from James Dean's High School. Two sweater letters, a patch, and charm bracelet from Fairmount High School, Dean's alma mater. All are in Excellent condition. From the James Dean Museum archive.
Bricks and Doorknobs from Fairmount High School with Miniature Replica. A large red brick with a wooden base from Fairmount High School, where Dean started down the path to becoming a serious actor, plus a piece of cloth from the original FHS stage curtain, a vintage black lacquered doorknob set, and a small plaster replica of the school. All are in Excellent condition. From the James Dean Museum archive.
James Dean High School Graduation Photo. A b&w photo of Fairmount High School's Class of '49, with a senior and future film legend named James Dean seated in the front row on the far right. In Excellent condition, framed to an overall size of 19" x 7.5". From the James Dean Museum archive.
James Dean First Place Winner Fairmount News Front Page. An April 14, 1949, edition of The Fairmount News featuring a front-page story regarding James Dean taking first place in the dramatic speaking category of the National Forensic League state-level competition with his rendition of "The Madman" by Charles Dickens. Dean would later place sixth in the national competition. The page is framed to an overall size of 17.5" x 23" and is in Fine condition with moderate tanning from age and a large piece missing from the left edge that does not affect the Dean article. From the James Dean Museum archive.
James Dean Front Page Fairmount News Article. An April, 28, 1949, edition of The Fairmount News, featuring front-page coverage of Fairmount High's academic and athletic competitions, including an article on James Dean's entry onto the National Forensic League contest in Longmont, Colorado. Dean would ultimately place sixth in the national competition with his dramatic reading of "The Madman" by Charles Dickens. Framed to an overall size of 17.5" x 23" and in Fine condition with a fold crease, tape stains, and moderate tanning due to age. From the James Dean Museum archive.
James Dean Framed High School Yearbook. In 1945, James Dean began attending Fairmount High School, where he was an average student but excelled in sports, art, drama, and band and received a few academic awards. Featured is a copy of the 1949 Fairmount High "Black & Gold" yearbook from Dean's senior year, matted and framed along with original photos from the book that feature Dean's various athletic and academic exploits, including school plays and team photos. The items have been matted and framed to an overall size of 36" x 15" and are in overall Fine to Very Fine condition with a little yellowing on the photos. From the James Dean Museum archive.
James Dean Photos by Wilson Millar. Set of four original b&w 8" x 10" photo portraits of Dean taken by Hollywood-based photographer Wilson Millar circa 1951, when Dean was a struggling actor-student at UCLA. All are in Excellent condition, matted and framed along with a letter from Millar regarding the photos and accompanying envelope (postmarked September 2, 1957) to an overall size of 30.5" x 37". From the James Dean Museum archive.
Large Oil Painting of James Dean as Malcolm in "Macbeth," Painted by Kenneth Kendall, in Heavy Golden Frame. When James Dean won the role of Malcolm in UCLA's 1951 production of Macbeth, he wrote to friends that landing the part was the biggest thrill of his life. This is a magnificent oil profile portrait of Dean, a dashing, almost angelic likeness of Dean as the tragedy's hero who leads his armies against the demonic Macbeth and becomes, at the play's triumphant close, the new King of Scotland. The artist is Kenneth Kendall, who met Jimmy in 1955 and whose more than 100 artistic tributes to James Dean include the bronze busts at Griffith Park, California and the James Dean Memorial Park in Fairmount, Indiana. Kendall based his portrait on a surviving photograph from the UCLA production and has painted the words "Dean as Malcolm" in the lower left area. The impressive 37.5" x 42" wooden frame has a vintage, antiquated look and perfectly suits the classical-style painting. A plaque on the frame reads, "James Dean Macbeth Kenneth Kendall," with "U.C.L.A." to the left of the play's title and "1951" to the right of it. A dashing, atypical, and beautifully-rendered study of a pre-stardom James Dean. From the James Dean Museum archive.
"Fixed Bayonets" (20th Century Fox, 1951) and James Dean Television Poster. One Sheet (27" X 41") and Poster (20" X 28"). This lot includes two items that celebrate the early work of Dean. First is a folded one sheet for Fixed Bayonets. This was Dean's first feature film role although he is uncredited. The sheet has some fold wear with separations at the edges. There is also some staining in the borders and pinholes in the corners. The television poster is rolled and in mint condition. With a nice shot of Dean, this poster promotes a retrospective of Dean's early television work. Very Fine/Near Mint. From the James Dean Museum archive.
Four Editions of "Giant" From the '50s. Included are two U.S. editions (1952), the 1957 U.K. edition, and the 1958 French edition, in overall Very Fine condition with moderate wear to the covers and mild wear to the pages. From the James Dean Museum archive.
Doorknobs from James Dean's Manhattan Apartment. Two sets of antique doorknobs and a key to room 82 at the Iroquois Hotel, 49 W. 44th Street, New York, where Dean lived from December of 1952 until early 1953. This apartment, made famous in photos, is frequently visited by Dean fans from around the world. These pieces were donated to the museum by the then-owner, and are the originals used by Dean. In Very Fine condition with mild to moderate wear from regular use. From the James Dean Museum archive.
Rare Vintage James Dean Promotional Photos. This large collection of rare b&w photos includes nine promo stills from East of Eden, 21 stills from Giant, and four color and 49 b&w head shots, on-set photos, candids, and other assorted photos (including five with then-girlfriend Ursula Andress). Many are rare original prints bearing the studio stamps of Sanford Roth, Phil Stern, and others. The photos are in overall Very Fine to Excellent condition with minor wear. From the James Dean Museum archive.
James Dean Signed Postcard. A postcard from Salinas, California, inscribed "To Sue/my best wishes" and signed by Dean in black ink, with "James Dean of East of Eden" and "6-7-54" added in small print in the upper right corner by an unknown hand. A famous star for only nine months before his tragic death, Dean signed relatively few autographs in his short lifetime, and this particular specimen is a doozy. The signature is clear and unadulterated, and the card is in Excellent condition with only light wear. From the James Dean Museum archive. With COA from David Loehr.
Photos Signed by Famous Friends of James Dean. Four b&w 8" x 10" photos of Dean and his acquaintances, signed by the likes of Eartha Kitt (a close friend and sister figure to Dean, in a shot by Dennis Stock of the two at a Katherine Dunham dance class), actress Terry Moore, composer Leonard Rosenman, and friend Lew Bracker. All are in Excellent condition. From the James Dean Museum archive.
James Dean Risque "Be My Valentine" Sketch. A wide-eyed male, in supine position, with "Be my Valentine" proclaimed on his buttocks. Valentine's Day, 1954 arrived six days after The Immoralist opened on Broadway and Dean was undoubtedly still in high spirits over his reviews -- and still devoted to Geraldine Page, who received this risque offering. Blue ink on white paper, 3" x 5", and in Excellent condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean Arrow Through Woman Sketch. Perhaps another Valentine's Day, 1954, offering from James Dean to Geraldine Page: a woman with an upside-down heart-shaped fanny, pierced by Cupid's arrow. Blue ink on white paper, 3" x 5", with slight staining to right of picture, otherwise in Very Fine condition. From the James Dean Museum archive.
James Dean Sketch of a Woman's Face. The woman looks like Geraldine Page -- the very feminine collar resembles that of one of her costumes from The Immoralist. At any rate, the lady appears distressed, especially after having been scribbled over by her artist. Blue ink on white paper, 3" x 5", with a small nick in left margin, otherwise in Very Fine condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean Nude Figure Studies. A compelling trio, with the nude female clearly enjoying straddling and sampling her two male compatriots. Blue ink on white paper, 3" x 5", in Excellent condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean "Tough Guy" Sketch. A horrid ruffian (yet another creepy creation from artist James Dean) that looks like a Dead End Kid from Hell. The blue ink on 3" x 5" white paper creation has a small doodle of blue ink in upper right corner. In Excellent condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean Sketch of a Well-Dressed Gentleman. Rather dissipated, pampered-looking male character; his hairstyle and costume suggest this sketch was inspired by an actor in The Immoralist. With a faint crease in the middle of the blue ink-on-3" x 5" white paper drawing, it's in overall Excellent condition with subtle shadings by artist James Dean. From the James Dean Museum archive. With COA from David Loehr.
James Dean Portrait Study of an Arab from "The Immoralist." One of the best of the James Dean bunch: a diabolic sketch of a sinister-looking Arab, which captures the menacing undercurrent that ran throughout The Immoralist. Both subtle and nightmarish, the very slight staining on the upper right corner of this blue ink/3" x 5" white paper sketch doesn't detract from this Very Fine showcase of Dean's artistic flair. From the James Dean Museum archive. With COA from David Loehr.
James Dean Woman with a Hammer Sketch. Neat study of a woman with one hand on her hip, other hand holding a hammer. The subject in the blue ink on white paper sketch is possibly Geraldine Page. Dean, intentionally or not, has given her a strikingly blue nose. There's a slight crease down left middle of this 3' x 5" picture, otherwise it is in Very Fine condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean "The Immoralist" Stage Scene Sketch. Evocative sketch by Dean of one of the sets from The Immoralist, with five characters dressing the stage. The fairly simple blue ink sketch on 3' x 5" white paper nicely captures the darkly oppressive mood of the play. In Excellent condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean Sketch of a Woman. Striking 3" x 5" drawing of a woman apparently in the throes of hysteria -- hair and costume suggest it could be a portrait of Geraldine Page in her highly emotional role in The Immoralist. The blue ink sketch has small stain spot in the center and creases in the upper third of the white paper. In Fine condition with a dramatic overall impact. From the James Dean Museum archive. With COA from David Loehr.
"Automatic Clorophill [sic] Fart Filter with Instruction Pamphlet" Sketches by James Dean. What rising young superstar-to-be doesn't enjoy flatulence humor? James Dean clearly did. This is a 8.5" x 11" flyer for a double feature classic Greek tragedy concert performance of Elektra and Woman of Trachis (in which Dean appeared, along with such players as Eli Wallach) at New York's New School on February 14, 1954 (his night off from The Immoralist, which had opened the previous week). The flyer itself has historic distinction, especially this copy -- en verso is Dean's fanciful sketch of the "Automatic Chlorophill ([sic]) Fart Filter," which resembles a stubby clarinet. The artist has added the name of the invention and the words "with instruction pamphlet." Blue ink on yellow paper; some of the black ink on the flyer front has bled through to the back, but does not touch Jimmy's words or artwork. The folded flyer is partially separated at center crease (no paper missing). A remarkable curiosity, charmingly capturing Dean's epic irreverence and humor. In Very Fine condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean Flyer with Three Drawings. James Dean, flush with success after the opening of The Immoralist, took an 8.5" x 11" flyer for Women of Trachis and created on the back a nearly naked harpooner preparing to spear a roped, dangling, leering hot dog (a giant roll and jar of mustard flank the harpooner); a fish alarmed to see it has lost its tail; and a weird creature with a treble-clef tail, oozing an aura of 1950s cool. Freudians could have a field day analyzing these images. Suffice to say, they certainly convey Dean's wild and wicked imagination. Small dashes of black ink have bled through the front to the back, touching a bit of the harpoon, but the item is in overall Excellent condition. Some amazing insight into the whims and fantasies of James Dean. From the James Dean Museum archive. With COA from David Loehr.
Three Drawings by James Dean. James Dean again uses an 8.5" x 11" flyer for Women of Trachis to create three images: at left, a sketch of a right hand; at right, a sketch of a right leg and foot (all appendages believed to be Dean's); and in the center a very bizarre and none-too-jolly looking jester. The flyer is missing a piece of its upper left corner, but this has only touched (marginally) the right leg/foot drawing. In Fine condition. Yet another example of Dean's genuine talent as an artist. From the James Dean Museum archive. With COA from David Loehr.
James Dean Character Study for "The Immoralist." Geraldine Page's performance as Marcelline in The Immoralist surely impressed James Dean, and this sketch appears to be a tribute to the powerhouse star -- her hovering caricature dominates this sketch. While Dean's career was cut so tragically short, Ms.Page had a magnificent resume, with such historic stage hits as The Rainmaker and Sweet Bird of Youth (both stage and screen), as well as her Academy Award-winning performance in 1985's The Trip to Bountiful. Many considered her the greatest actress of her generation. This 8.5" x 11" blue ink sketch has very minor staining and some paper separation at the right middle crease -- still, in Very Fine condition. It says much that Geraldine Page saved this art work from James Dean. From the James Dean Museum archive. With COA from David Loehr.
James Dean Bizarre Female Marionette Sketch. Hauntingly eerie drawing -- surely the most harrowing of the bunch -- showing a horrific, dessicated female marionette (strings attached, including one to a hook in her head). She lies naked in an X-rated pose upon a stage with floodlights, curtains and a cloudy sky backdrop, and above the curtain is a circle, upon which looms a large "?". The 8.5" x 11" sketch is undeniably gruesome, but fascinating and created with true and quite stunning artistry. Blue ink drawing on yellow paper, and in Excellent condition. Whatever James Dean was conveying here about women, theatre, life or all these things is lost to the ages, but there's much here to ponder, and the mind boggles. Here's a lurid peek into the psyche of one of the screen's most legendary stars. From the James Dean Museum archive. With COA from David Loehr.
Incredible James Dean Inscribed Photo. Absolutely iconic shot of James Dean, switchblade in hand, in the famous Griffith Observatory battle from Rebel Without a Cause. Boldly signed in green ink, "To Bill a pleasure to work with you all my best - James Dean." This original still, with "Warner Bros. publicity dept." stamped en verso, has some slight glue traces on the four corners from its previous attachment, otherwise Excellent condition. For a James Dean, this one has it all: Dean's trademark film, a legendary scene, and a superb inscription and signature. You won't find a better signed Dean photo anywhere! From the James Dean Museum archive. With COA from David Loehr.
"Marty with Horns" Photo by James Dean. An extremely rare original 8" x 10" silver gelatin print shot of Martin Landau taken by James Dean in 1954 and hand-developed by Roy Schatt. The photo was taken in Dean's apartment -- Landau and Dean were good friends during the period Dean was living in New York -- with Landau carefully positioned near a pair of bull's horns. (Dean was an avid fan of bullfighting.) Schatt's studio stamp en verso. One of only two or three known to have been printed, it is in Excellent condition, and has been matted to an overall size of 13.5" x 13.5".
Original Printing Plates for "East of Eden" and "Giant" Promo Materials. These two small printing plates were used by the National Program & Printing Company of Chicago, to print programs of coming attractions for theaters across the country -- specifically, ads for East of Eden and Giant. Both are in Excellent condition with light wear.
James Dean Painting. Might James Dean have won distinction as a Dali-esque artist of bizarre and spectral images? You decide as you study this painting, created by Dean about 1954. He titled it The Road to Happiness -- an ironic title, due to the tragic fate of the artist and the dark nature of the painting. Upon first glance, the painting appears to show a shiningly white, giant God-like figure towering behind a sinister forest of gaunt, stark, fire-charred trees, and presumably one must cross the wicked forest to reach the light (and the "happiness"). But what are those gangrenous-looking gouges on the god-like figure, and is he at the back of the forest, or trapped inside it? The interpretation is entirely your own. However, there's no denial here of Dean's fervent imagination and his clearly taunting emotion to get his own gods, demons, and private fascinations out of his mind and onto a canvas. On the reverse side, the words "The Road to Happiness by J.D. About 1954" are written in red marker, as is the inscription, "For Lion A True Friend Always - Pat 1962." Added later in black ink are the words, "A gift to my friends Rose and Ralph - Lion 4/14/70." The name "Pat Jordan" is stamped five times en verso and several times on the wooden frame, the front and sides of which are painted gold (with several blotches). The frame measures 21.5" x 27.5". An astounding look into the complexity of James Dean, and an example of his dark nature that continues to tease and fascinate more than 50 years after his death. With COA from David Loehr.
Two "East of Eden" Programs. From Warner Bros. 1955 release, the film that established Dean as a leading man during his brief career. Both are in Very Fine condition with minor wear, rusted staples, and slight tanning along the edges. From the James Dean Museum archive.
James Dean Inscribed Photo. Katherine Fernandez grew up in the Salinas Valley and visited the set of East of Eden, where she met James Dean. As she told it, Dean was an "outrageous flirt" -- and she enjoyed every minute of it! Dean wrote on this small photo: "This is Salinas?", and Katherine carried it with her for many years. It has been framed to an overall size of 2.5" x 3.5", and is in Very Fine condition with some creasing that does not affect the inscription. From the James Dean Museum archive. With COA from David Loehr.
"Rebel Without a Cause" Script." A file copy of the final draft of the Rebel Without a Cause screenplay from the Warner Bros. Story Department, dated March 25, 1955. In Very Fine to Excellent condition with very light wear. From the James Dean Museum archive.
James Dean Signature Cut. James Dean's autograph is one of the rarest and most sought after by autograph hounds and Hollywood enthusiasts. Featured here is a signature clipped from an autograph album that reads "To Linda/With my best wishes/James Dean" and mounted on black cardboard. "Linda" was none other than Linda Bennett, a child actor during the 1950s. In Excellent condition, with some slight fading that does not detract from the signature. Letter of authenticity included. From the James Dean Museum archive. With COA from David Loehr.
James Dean Signed Hubcap. A fan of motorcycles and sports cars, James Dean was an avid motorist with a short but impressive racing career, finishing in the top three of his first two professional races. Rather appropriately, Warner Bros. had Dean sign this hubcap as part of a promotion for Rebel Without a Cause, and the rising star gamely inscribed it with "Hey, hope the cops don't catch you stealing hubcaps" around the rim before signing his name boldly in black grease pencil in the center. Two other hubcaps were signed, whether by Dean or his Rebel co-stars Sal Mineo and Natalie Wood is unknown as they have both long since disappeared. Fortunately, the most prized of the three has been meticulously cared for and preserved, and is in Excellent condition with only the slightest smudging to the signature. A fascinating and unique piece of Hollywood history, bearing a great sample of a rare and much sought after autograph. From the James Dean Museum archive. With COA from David Loehr.
Program and Passes from Santa Barbara Road Race. When Dean scored a role in East of Eden, he bought himself a red race-prepared MG TD, which he later upgraded to a Porsche 356 Speedster when he began racing in earnest. Dean came in second in the Palm Springs Road Races in March 1955; third at Bakersfield in May 1955, and was running fourth at the Santa Monica Road Races later that month until he was forced to retire from the race due to engine failure. (Dean traded the car in for a Porsche 550 Spyder -- the one that claimed his life just a few months later.) Featured are three pit passes and a program book from the latter race, all in Very Fine condition with light wear and some tanning to the book. From the James Dean Museum archive.
Original Eulogy to James Dean by Pastor Xen Harvey. Titled "The Life of James Dean -- A Drama in Three Acts," this two-page eulogy was given during Dean's funeral services on October 8, 1955, at Friends Church in Fairmount. The number of attendees at the service is said to have been greater than the small town's total population, and Harvey concluded it with th immortal words "The career of James Dean has not ended. It has just begun. And God Himself is directing the production." Featured is Harvey's typewritten original copy of the document, in Fine condition with moderate tanning and some light wear to the edges. A unique document tied to a fateful day. From the James Dean Museum archive.
Roadside Reflector from Site of James Dean's Fatal Crash. Roadside reflector from the intersection of highways 46 and 41 in Cholame, California, the site of the fatal car accident that claimed the life of James Dean on September 30, 1955. In Excellent condition with light wear from the elements. From the James Dean Museum archive.
Photos of James Dean and "The Little Bastard" by Sanford Roth and Others. An assortment of 12 framed b&w photos, ranging in size from 20" x 13.5" to 20" x 16.5", of Dean and his prized Porsche 550 Spyder, taken both before and after his fatal car wreck. Many of the photos were taken by Sanford Roth, others by an unknown photographer. Some of them include images of Dean and mechanic Rolf Wuetherich traveling in the car, and one features the traveling highway safety exhibit the wreckage was used in prior to its disappearance. All are in Excellent condition. From the James Dean Museum archive.
Fairmount News "East of Eden" Movie Review. An April 7, 1955, edition of The Fairmount News featuring a front-page review of East of Eden, the first starring film role of hometown hero James Dean. In an ironic twist, a brief story about a traffic accident is located directly below the review. Framed to an overall size of 17.5" x 23" and in Fine condition with fold creases and mild to moderate tanning due to age. From the James Dean Museum archive.
Fairmount News Front Page Death of James Dean Feature. An October 6, 1955, edition of The Fairmount News with a front-page obituary and an article on the tragic death of James Dean, Fairmount's favorite son. Framed to an overall size of 17.5' x 23" and in Fine condition with fold creases and moderate tanning due to age. From the James Dean Museum archive.
Fairmount News Front Page Coverage of Dean's Funeral. An October 13, 1955, edition of The Fairmount News with the front-page headline "Fairmount Buries James Dean's Body" over an article describing Dean's funeral services. Framed to an overall size of 17.5" x 23" and in Fine condition with moderate tanning due to age. From the James Dean Museum archive.
Vintage "East of Eden" Promo Stills. A nice selection of 46 b&w 8" x 10" promo stills from Dean's first starring role, adapted from the novel by John Steinbeck. Overall condition is Very Fine to Excellent with little to mild wear. From the James Dean Museum archive.
James Dean Photos by Sid Avery. Equipped with a long lens and a high-quality Hasselblad camera, renowned photographer Sid Avery turned up at the Griffith Park Observatory where Rebel Without a Cause was then being shot. Though he tried to work at a distance, it wasn't long before Sid and his camera attracted Dean's curiosity and the actor, a budding photographer himself, asked to examine the camera. The two quickly became friends, and Sid was one of the few still photographers permitted on location during the filming of Giant. Featured are two b&w 11" x 14" photos of Dean, dated 1955 and taken during that period; one features Dean making home movies on the Giant set with a Bolex camera, the shows him lighting a cigarette while lounging on the set. Both are in Excellent condition, and feature Avery's signature and credit stamp on the back. From the James Dean Museum archive.
James Dean's Autograph. A large signature from James Dean in black ink on an autograph album page, obtained by a fan at Bob J. Norton's Diner in California on March 15, 1955. Given the brevity of his career and star status, autographs by Dean are notoriously hard to find and much sought after. This particular specimen is in Excellent condition, marred only by some tearing along the left edge from being removed from the autograph book, which in no way affects this handsome signature. From the James Dean Museum archive. With COA from David Loehr.
Rare Original Photos from the Accident that Killed James Dean. Three vintage 4.5" x 3.5" b&w photos taken by Don Dooley shortly after the road accident that killed James Dean. Sixteen-year-old Dooley was travelling behind then-23-year-old student Donald Turnupseed when the wreck happened. These are the only three such snapshots of the wreck in existence. One shot is of Turnupseed's wrecked Ford Tudor sedan, which collided with Dean's car almost head-on; the other two show the shattered remains of Dean's 1955 Porsche Spyder 550. Contrary to rumors, Dean had not been speeding; the silver color of his car and fading light of day had made his car difficult to see, causing Turnupseed to pull out in front of him. The photos are in Very Fine condition, with light wear and some fading. From the James Dean Museum archive.
Original James Dean Funeral Photos. A somber set of 12 b&w 3.5" x 6" photos of James Dean's funeral that includes shots of his casket, the hearse that delivered him to the cemetary, and Fairmount Friends Church where services were held. Like Rudolph Valentino before him, Dean's tragic, untimely death struck a chord with the American public and raised his status to that of a cult icon. The little church was packed with 600 mourners, and at least four times as many more listened outside as the proceedings were relayed on loudspeakers. The number of attendees is said to have outnumbered the town's total population, a surprising turnout considering only one of his three features had been seen by the general public; his last two films were released after his death, and he received two posthumous Academy Award nominations as well. These rare photos are in overall Fine to Very Fine condition with mild wear, and half were glued into a photo album and later cut out, and still have the heavy paper attached to the backing, which does not affect the images. From the James Dean Museum archive.
"Rebel Without a Cause" Signed Cast Photos. Set of four b&w 8" x 10" photos feature autographs from Ann Doran, Corey Allen, Frank Mazzola, Beverly Long, and Steffi Sidney. In overall Excellent condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean Movie Flyers. Includes five vintage Rebel Without a Cause flyers and handouts from the U.S.; three Danish mini-programs, one for each of Dean's movies; and three Austrian programs, one for each of Dean's movies. In overall Very Fine to Excellent condition with some mild wear and tanning. From the James Dean Museum archive.
Assorted James Dean-Themed Records. Set of 18 assorted soundtracks and Dean-centric LPs, including nine Japanese imports, two picture discs, a "Movie God" bootleg, plus a picture sleeve, and a shaped A.I.R. In overall Excellent condition. From the James Dean Museum archive.
Vintage French James Dean Magazines. Fourteen vintage French magazines with James Dean covers and stories, published between 1955 and 1958, plus a copy of the Italian magazine Epoca dated 1957, with a Dean cover and feature. In overall Very Fine to Excellent condition with mild wear. From the James Dean Museum archive.
James Dean Chair from Visit to Kenneth Kendall. This innocuous but attractive wooden chair was sat in by Dean during a January 22, 1955, visit to artist Kenneth Kendall's Melrose Ave. studio. During the visit, Dean and Kendall discussed the art of sculpting, and Dean asked Kendall if he would be interested in doing a sculpture of him. Dean went so far as to have Warner Bros. prepare a life mask for Kendall to use as source material, but Kendall did not begin to sculpt Dean's likeness until the evening following the actor's death. During the ensuing years, Kendall would dedicate his life to perpetuating Dean's legend through his art. The chair is in Excellent condition, and a label describing the chair's history and bearing Kendall's signature is affixed to the underside of this intriguing item. From the James Dean Museum archive.
Actual Gate from "Rebel Without a Cause." The original wooden gate from "Rebel Alley" location in Culver City, California, where Dean and Natalie Wood's characters meet in Rebel Without a Cause. Attached to gate is a life-size figure of Dean by artist John Leslie. The gate was found in pieces at the Culver City location by James Dean Gallery archivist David Loehr in 1988 and shipped to Indiana and reassembled. Included is a photo Dean and Sal Mineo from the production. In overall Excellent condition with some mild wear. An amazing piece of Hollywood history. From the James Dean Museum archive. With COA from David Loehr.
"The James Dean Story" Script and Assorted Memorabilia. Included are a final draft script for the 1957 documentary The James Dean Story (Excellent condition with mild wear to the cover); a copy of issue #72 of the Academy Players Directory dated 1955, the year of his Oscar-nominated performance in East of Eden (Excellent); a James Dean Memorial Foundation receipt for a charitable contribution, dated July 7, 1957 (Excellent with some tanning); and 1955 and '56 copies of the Motion Picture Herald products digest with info on East of Eden and Giant (Very Fine with moderate wear and mild tanning). From the James Dean Museum archive.
Wire Recorder and Microphone Used by James Dean. This Minifon P55 wire recorder and microphone was used by entertainment reporter and Dean biographer Joe Hyams to secretly interview such celebrities as Frank Sinatra, Ava Gardner, Humphrey Bogart, and James Dean. When Dean came home to Fairmount in February of 1955, he borrowed the recorder from Hyams and recorded his grandparents as they told stories around the dining room table. Parts of that recording were used in the 1957 documentary The James Dean Story. In Excellent condition with only minor wear and tear from years of regular use. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). One Sheet (27" X 41"). This was the only film of James Dean's that was released in his lifetime. Taken from the last section of John Steinbeck's sprawling book, it tells the story of the Trask family, father Adam (Raymond Massey) and his two sons, Cal and Aron (Dean and Richard Davalos). This original release folded one sheet has wear and separations at the fold lines. A bit of toning is present in the borders and there are pinholes in the corners. The colors are still very fresh and the images are strong. With a simple restoration and linen backing, this sheet will display very well. Fine/Very Fine. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). Window Card (14" X 22"). Elia Kazan's big screen adaptation of John Steinbeck's novel made James Dean a household name. This folded original release window card has a small amount of wrinkling and toning. There is some wear along the edges and at the corners. The artwork is the same as that used on the one sheet and maintains very fresh color. The printing in the imprint area promotes the showing of the film at the Meade Theatre. Very Fine-. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). Insert (14" X 36"). In his film debut, James Dean stunned the world of drama with his riveting portrayal of Cal Trask, based on the Steinbeck novel. This original release insert has fold separations and pinholes at the borders. There are corner dings and wear along the edges and cracks and scuffs in the image. Faint writing is present in the borders along with several small tears. A 5" tear reaches from the left border into the image. There are 3" tears in the top and bottom borders. There are also dings and small chips in the corners. The color has faded a bit but the imagery remains strong. With a professional restoration, this insert will display very well. Good/Very Good on Linen. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, 1955). Polish Poster (23" X 33.25"). Nicholas Ray's movie about teen alienation spoke to an entire generation upon its release and has since continued to captivate audiences. James Dean had risen to stardom the previous year in East of Eden, depicting a young man searching for direction and acceptance. With Rebel, Dean, Natalie Wood, and Sal Mineo solidified the personae of misunderstood youth and became idols and symbols of teens across America. This Polish poster features haunting imagery of Dean's face between two sports cars. There is a little bit of fold wear with fold separations at the borders and crossfolds. There is also some wear and tear along the edges, but the color remains very strong on this incredibly unique poster for one of the greatest films of all time. Very Fine-. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). French Poster (31" X 45") and Swedish Poster (24.5" X 33"). This East of Eden French poster features a touching shot of Dean and Julie Harris. The poster is in very presentable condition with linen backing. There are fold separations with a little bit of paper loss and tiny chips at the corners. There are also a few small tears in the image. With a professional restoration, this sheet would be fabulous. Also included is a 1970s re-release Swedish poster with excellent artwork, minor fold wear and pinholes in the corners. Fine/Very Fine. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, 1955). French Grande (47" X 63"). With paper loss at the folds and minor toning, this gorgeous French grande is in nice, unrestored shape. The color artwork is by Mascii and features a great image of Dean that dominates the poster. This poster is a perfect candidate for a professional restoration. Fine. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). French Grande (47" X 63"). Legendary director Elia Kazan guided this big-screen adaptation of John Steinbeck's novel. Cal Trask (James Dean) tries in vain to compete with his older brother Adam (Raymond Massey) for the affections of their parents and a better place in the world. This folded French grande has minor crossfold separations with paper loss. There are also minor wear along the edges. If a simple restoration is carried out, this poster will display well for years to come. Folded, Fine/Very Fine. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brother, 1955). Argentinean One Sheet (29" X 43"). This poster has fold wear and separations but remarkably fresh color. There is a bit of toning in the borders but that is common to Argentinean paper. A snipe over the Warnercolor logo has been painted over. There are pinholes in the corners and very minor chips along the edges. The poster has undergone a very nice restoration but it is beginning to separate from its linen backing. The stellar color artwork captures Dean at his rebel best. Very Good+ on linen. From the James Dean Museum archive.
"East of Eden" (Warner Brother, 1955). Argentinean One Sheet (29" X 43"). This original release one sheet from Argentina has fold wear and separations with a little bit of paper loss and toning. There are also censor stamps in the top corners. The imagery on this poster is far superior to that of the American paper. This is highlighted by the passionate image of James Dean and Julie Harris that dominates the sheet. Fine/Very Fine on linen. From the James Dean Museum archive.
James Dean Belgian Poster Lot (Warner Brothers, 1955/1956). Belgian Posters (three 14" X 21.5" and one 13" X 21.5"). Belgian posters are renowned for the dazzling color and stellar artwork. These three posters are no exception. The Giant poster has been trimmed to 13" X 21.5" but is otherwise clean. The folded Rebel Without a Cause poster has paper loss on the back, tears in the image and chips in the corners. The folded East of Eden poster is has paper loss in the top corners. All three posters have undergone a level of restoration and are linen backed. Very Good/Fine. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). Three Sheet (41" X 81"). Like all three sheets of this era, this original release poster was folded and has some wear and paper loss at the fold lines. A stamp on the back has faintly bled through into the orange image section. There are also pinholes at the corners and a few faint scuffs. Thanks to a very nice restoration, this gorgeous large format poster is ready for display. Fine+ on linen. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, 1955). French Grande (47" X 63"). With a little bit of paper loss at the folds and minor toning, this gorgeous French grande is in nice, unrestored shape. It has interesting artwork that contrasts the Mascii style and features a great image of Dean. This poster is a perfect candidate for a professional restoration. Fine on linen. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). Argentinean 2-Panel (43.5" X 57"). This was the only film of James Dean's that was released in his lifetime. Taken from the last section of John Steinbeck's sprawling book, it tells the story of the Trask family, father Adam (Raymond Massey) and his two sons, Cal and Aron (Dean and Richard Davalos). Argentinian 2-panel poster is unrestored and linen backed. There is some toning in the borders and wear and tear along the edges. Although there is minor fold wear, the color artwork remains strong. Fine/Very Fine on linen. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). Half Sheet (22" X 28"). This rolled original release half sheet has pinholes in the corners and light wrinkling. There is a bit of soiling and smudging in the borders and heavy brown tape on the back. Writing on the back has faintly bled through into the top right corner and wear has formed along the edges. The color imagery remains very strong making this a gorgeous poster that will restore easily. Very Fine-. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). Lobby Card Set of Eight (11" X 14"). In his film debut, James Dean stunned the world of drama with his riveting portrayal of Cal Trask, based on the Steinbeck novel. Offered here lot is a full lobby card set to this classic film. They have pinholes and smudging in the corners and borders. there is also some wear along the edges. Each card has a fantastic shot from the film. Fine/Very Fine. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, 1955). Lobby Card Set of Eight (11" X 14"). The seminal James Dean classic, this card set features the brooding star on every card. These cards have minor corner dings, pinholes in the borders and images and light scuffing. Lobbies for this film are highly collectable, and complete sets are extremely rare. Very Fine-. From the James Dean Museum archive.
"East of Eden"/"Giant" (1955/R-1970/R-1963). Pressbooks (3, Multiple Pages). This lot includes pressbooks for the original release of East of Eden and re-release pressbooks for Giant from 1963 and 1970. The East of Eden pressbook has separations at the spine and wear along the edges. The 1963 Giant pressbook has foxing on the front cover. All three books are complete and are full of great info about both films. Very Fine+. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, 1955/R-1957). Pressbooks (3, Multiple Pages). This lot of complete pressbooks is from the 1955 original release and the 1957 re-release. An Academy Awards supplement is also included. The 1955 pressbook has water damage at the bottoms of the pages. All three items have minor toning and wear along the edges. The supplement has staining at the fold lines. These pressbooks are filled with fantastic information about the film and wonderful shots of Dean. Fine/Very Fine. From the James Dean Museum archive.
James Dean Mexican "Giant" and "Rebel Without a Cause" Lobby Card Lot (Warner Brothers, 1955/1956). Lobby Card Sets of Eight (three 12" X 16"). This collection of cards is in presentable shape. A few of the cards have small chips in the corners and border. Others have fine pinholes in the corners and wear along the edges. The color border artwork is absolutely fabulous and the images from the films are excellent. By set, the cards from Giant seem to have the most flaws while the cards from the other films are very nice. Very Fine-. From the James Dean Museum archive.
"Giant" (Warner Brother, 1955/R-1960s). Original Release Photobustas (two 18.75" X 26.75"), 1960s Re-Release Photobusta (18.25" X 25") and French Poster (14" X 29.5"). Photobustas are Italian posters that often capture some of the most powerful images from a motion picture. These three are no exception. All three have wear and tear along the edges. The folded re-release sheet has pinholes in the corners and borders. The folded original release French poster features fabulous likenesses of James Dean, Elizabeth Taylor, and Rock Hudson. It has fold separations, minor toning and wear along the edges. Linen back will preserve the condition of the poster for years to come. Fine+. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, 1955). Spanish Lobby Card Set of Ten (9.5" X 13.5"). This is a set of full-color lobby cards from the original Spanish release of Rebel Without a Cause. The cards have minor corner dings and faint bending in the borders. Five of the cards have pinholes in the corners. One card has a tiny bit of paper loss in the top right corner. All but two of these cards feature the immortal James Dean. Very Fine. From the James Dean Museum archive.
"East of Eden" (Warner Brothers, 1955). Photobustas (two 18.5" X 26"). These Italian-produced original release photobustas feature excellent shots from East of Eden were used at the Cannes Film Festival. Both have been folded and show slight signs of fold wear. There is a bit of wrinkling and creasing in the imagery but the color remains very fresh. Fine-. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, 1955, R-1960s) Original Release Photobusta (18.25" X 26.5") and 1960s Re-release Photobusta (two 18" X 25"). Nicholas Ray's powerful depiction of teenage struggles starred James Dean, Natalie Wood, Sal Mineo and a young Dennis Hopper. These three Italian photobustas feature fabulous images from the film. The rolled photobusta is from the original Italian release and has a small chip in the left border, wear along the edges and cracking in the image. The other two folded photobustas are from a 1960s Italian re-release. They have wear and tear along the edges. They have the punch hole serial numbers common to Italian paper of this period and tape in the top border. All three sheets feature fantastic shots from the film that made Dean an icon. Folded, Fine-. From the James Dean Museum archive.
Personal Effects of Geraldine Page, James Dean's Co-star in Broadway's "The Immoralist," Including her Annotated Script, Playbill, Telegram and Letters Related to Dean, 8 x 10 Photo of Dean, Magazines Devoted to Him, Also Material on her Career - One Large Lot. When F. Murray Abraham announced the Best Actress Oscar winner of 1985, he said, "Ladies and Gentlemen, I consider this woman the greatest actress in the English language." She was, of course, Geraldine Page (1924-1987), who won her Academy Award (her eighth nomination) for The Trip to Bountiful. She was also known as "The First Lady of the Theater," via her brilliant stage performances, such as the ferocious Alexandra in Sweet Bird of Youth (a role she reprised in the 1962 movie version). In 1954, she starred in the Broadway play The Immoralist, in which she played a tormented soul whose misery is compounded by an evil Arab houseboy, played by James Dean. The two brilliant performers became close and trusted friends (see the Dean art work he gave Page, lots 24151 through 24165) and she saved a remarkable file on Dean -- which the James Dean Museum in Fairmount, Indiana acquired from Page's daughter. Geraldine Page's James Dean collection is incredible: her script for The Immoralist (incomplete, with her annotations), her copy of the playbill, an offstage snapshot of Jimmy in tux and glasses, an 8 x 10 of Dean, copies of the New York reviews of the play, a condolence telegram to her from a friend after Dean's death ("...I know how attached you were to him..."), seven contact prints from the play (none with Dean), letters from The James Dean Memorial Foundation (inviting her to serve on the Board of Advisors), a 1967 letter from the James Dean Memory Club, a postcard of Jimmy, and a white banner with gold lettering attached -- made by Page and reading "James Dean Foundation." Also in the file is an envelope, on which Page wrote, "Please save these masterpieces for me by Mr. James Dean...," referring to the aforementioned drawings. There's an entire second file of magazine clippings, including the entire issue of Look , October 16, 1956, with its Dean cover story, and a photocopy of Life magazine story "Moody New Star" (March 17, 1955). A bonus feature: Page's annotated script for the play Master Pierre Patelin. Condition of material varies -- certainly at least averaging Very Fine. The fact that Geraldine Page saved this material for over 30 years after Dean's death, and until her own, speaks volumes about her respect and affection for him. This is a wonderful tribute to James Dean, from the personal files of one of America's greatest all-time actresses. From the James Dean Museum archive. With COA from David Loehr.
Pre Columbian-Style Bull Statue Featured in Sanford Roth Photos of James Dean. This medium-sized, ornate 14" x 18" pre-Columbian painted pottery model of a bull, visible in the foreground of a series of photos of James Dean (and his cat, Marcus) by Sanford Roth. The famed photographer met Dean during the filming of Giant, and served as the actor's photography tutor and also shot a number of great photos of the actor during the final months -- and final hours -- of his life. The bull was made in Pucara, Peru, is approximately 70 years old, and in Excellent condition, on a wood pedestal measuring 14" x 3" x 6". Included with the lot is a print of the photo.
French Kiosk Mechanical Bank Featured in Sanford Roth Photos of James Dean. A hexagonal, 11"-tall tin French kiosk that doubles as a mechanical coin bank, scene in the background in a series of photos of James Dean by photographer Sanford Roth. Roth met Dean during the filming of Giant, and served as the actor's photography tutor and also shot a number of great photos of the actor near the end of his life. The sculpture is in Very Fine condition with mild to moderate wear. Included is a print of the photo.
Folded Paper "Bearded Man" Figure Featured in Sanford Roth Photos of James Dean. A small, detailed origami work of a diving or flying man by italian artist Franco Gentilini (1909-81), measuring 8" in length, scene in the background of a series of photos of James Dean by photographer Sanford Roth. Roth met Dean during the filming of Giant, and served as the actor's photography tutor and also shot a number of great photos of the actor near the end of his life. The delicate item is in Excellent condition. A print of the photo is included.
Contact Sheet of Six Shots from "Rebel Without a Cause" and Negatives. Here are a half-dozen shots from Rebel, all featuring Dean, and all taken in the pivotal Griffith Observatory setting. Three are from the climax (one featuring Natalie Wood and Sal Mineo), and three are from the alternate ending, in which Mineo's "Plato" falls to his death from the observatory tower. The alternate ending shots have Dean and Mineo in all three, and Ian Wolfe (as the observatory lecturer) in one. Jimmy wears his glasses in one of the alternate ending shots, and the night lights of Los Angeles are visible in two of them. Ultra-rare material.
Contact Sheet of Four "Rebel Without a Cause" Shots and Negatives. This lot of four shots includes two at the deadly "Chickie Race," including Sal Mineo with Natalie Wood and James Dean with Corey Allen (as Buzz Anderson). Also two shots of Dean with Jim Backus as his apron-clad father, putting an anguished Jimmy to bed.
Contact Sheet of Six Shots for "Rebel" and Negatives. This lot includes five shots of the classic "Chickie Race" scene, showing James Dean tumbling from his car and mournfully looking over the cliff after Buzz's death. Natalie Wood, Sal Mineo, and Dennis Hopper are among others in these shots. Also included is a shot of apron-clad Jim Backus as Mr. Stark, with Dean sadly sprawled on his bed.
Contact Sheet for Four "Rebel" Shots and Negatives. Four photos -- clearly rehearsal shots, as James Dean is wearing is glasses in them all -- showing Dean on the police station set with actor Edward Platt (as "Ray Fremick"). Both men are fully in character in these fascinating glimpses of the actors immersed in their creative process.
Contact Sheet of Five Shots from "Rebel" and Negatives. Nice assortment of Rebel moments, all with James Dean, including two of the alternate ending featuring Plato's fall from the Observatory rooftop. These alternate climax shots feature Sal Mineo and Ian Wolfe. There's also a shot from the "Chickie Race" (a terrific dramatic shot with Natalie Wood) and two in the Stark home -- including a wonderful shot of Dean in his classic red jacket, standing by the static-filled TV.
Contact Sheet for Three "Rebel" Shots and Negatives. These three shots of the alternate climax are all taken at Griffith Observatory, with the lights of Los Angeles below. Dean is in all three shots, including two with Sal Mineo and Ian Wolfe.
Two Photos and Negatives from "Rebel." Fascinating, wonderfully atmospheric shots of James Dean, Natalie Wood, and Sal Mineo working at night on the old mansion set -- clearly a rehearsal, because the klieg lights are reflected in the windows and Dean is wearing his glasses in one of the shots. Each shot has a piece torn from upper left border, but the negative is fine.
One Photo of James Dean from "Rebel" with Negative. Here's a nice shot of Dean, in spectacles and shirtsleeves, holding coffee cup as he reviews script. Production crew members, cable and the rear of the set are all visible in background. The picture is torn at the upper right corner, but the negative is complete.
Contact Sheet Two Proofs from "Rebel" with Negatives. Two great shots from the police station set of Rebel, one of Dean and Jim Backus rehearsing, and an especially fine candid of Jimmy in glasses and with cigarette, dozing on the set, the crew and a klieg light reflected in the glass behind him. Shots have a time and date stamp en verso (probably made by the development lab) and the solo of Dean has crop marks. The negatives are clean and complete.
Two Photos of James Dean Shaving on Set of "Rebel" with Negatives. Wonderful candids of Jimmy, shaving with an electric shaver in his dressing room trailer and holding a cigarette and a mirror. Both shots are time stamped en verso "1955, May 13 AM 9:56." Each shot has a tear at upper right corner; the negatives are complete. Great casual poses.
Photo of James Dean on Bicycle on "Rebel" Set and Negative. Here's Jimmy straddling a bicycle, in glasses, shirt and tie, talking on the Rebel set (soundstage interior in the background) to a company member. The picture is torn at the upper right corner; the negative is complete.
Photo of James Dean, Natalie Wood, and Sal Mineo on "Rebel" Set with Negative. Wonderful full-length candid shot of the three stars of Rebel -- Natalie Wood with hand on hip and smiling right at the photographer, Sal Mineo (semi- hidden by soundstage equipment) looking at Dean, and Jimmy between his co-stars, looking right at you. Excellent studies of all three stars. with the original negative included.
Contact Sheet for "Rebel" with Four Shots and Negatives. Jim Stark meets Buzz' s gang -- we see the company setting up the sequence in these four shots, two showing Dean in his car and all featuring Natalie Wood, Corey Allen and others, including Nick Adams in his derby. Various company members also visible. One contact sheet is bent at lower right corner; negatives are clean and complete.
Two Photos from "Rebel" with Negatives. Three great shots; one shows Jimmy between scenes in the Griffith Observatory (apparently running and slightly out of focus); another is a night shot of Jim's car, parked outside the Stark family garage; and the third is of Dean rummaging in his drawer. Upper right tear in observatory picture, upper left tear in car photo. Development lab time stamps en verso of the car and observatory pictures. Negatives complete.
Photo from "Rebel" with Negative. This is an excellent production shot from the Rebel soundstage -- James Dean at far left in a picture that captures much of the technical crew and equipment. The klieg light at far right gives the impression of a hothouse atmosphere of the set. Negative included.
James Dean "Rebel" Candid with Negative. A terrific Rebel behind-the-scenes photo featuring a nighttime exterior shoot and showing the red-jacketed Jimmy sitting in a trash can, mugging for the camera, and attended to by four obviously adoring starlets. Development lab date and time en verso (April 21, 1955, 10:05 am.). There's a piece missing from the upper right corner, but the negative is complete. An endearing and evocative image.
James Dean and Natalie Wood "Rebel" Photo with Negative. Moody night exterior shot of Jimmy and Natalie moving through the bushes, looking both attractive and vulnerable as only true superstars can. Film development lab stamp en verso (May 19, 1955, 10:26 a.m.). There's a piece torn from the upper right margin of the picture, but the negative is complete.
Two Contact Proof Sheets from "Rebel" with Negatives. Two sharp shots, one of Jimmy with his car and another of Dean with car and Sal Mineo, with a film development lab time stamp en verso of both. Negatives included.
One Photo and One Copy from "Rebel" with Two Negatives. The photo shows James Dean apparently exercising between two cars. The photocopy catches Jimmy and Sal Mineo relaxed and smiling between scenes by the car. Negatives for both are included.
Photo and Negative of James Dean on "Rebel" Set. Here's Jimmy in a casual moment on the set, in glasses and holding a coffee cup and chatting with the crew. Film development lab time stamp en verso. There's a piece torn from upper left border, but the negative is complete.
Four Photos and Negatives from "Rebel." Superbly atmospheric shots of the old mansion set of Rebel where Jim, Judy, and Plato gather before the tragic climax. This poetically eerie set with its broken windows and empty pool becomes even more haunting when seen with camera boom crane, klieg lights, visible tech crew members and the three stars almost dwarfed on the massive set. Each picture has border damage, but the negatives are clean and complete. These ultra-rare pictures make you feel you're actually on this remarkable set.
Negative and Photocopy from Alternate Climax of "Rebel." Director Nicholas Ray filmed an alternate ending for Rebel -- Plato (Sal Mineo) falling to his death from the Griffith Observatory tower. Here's a photocopy of a scene from that ending with James Dean and Mineo, above the lights of Los Angeles. The negative is included.
Contact Proof of James Dean and Natalie Wood Kissing in "Rebel" with Negative. It's one of the most sensual and gratifying kisses in the movies, and here's an original contact proof of the James Dean and Natalie Wood kiss in Rebel Without a Cause. Crystal clear and complete with the negative.
Three Photos with Negatives and Two Contact Proofs from the "Chickie Race" of "Rebel" with Negatives. It's one of the darkest and most exciting scenes of any classic film, and here are five shots from the tragic "Chickie Race" sequence of Rebel Without a Cause. There are three "long-shot" photographs with negatives of the night exterior set, plus two contact proofs -- one of James Dean and Natalie Wood at his car, and one of the company apparently between scenes. Negatives included for each shot.
Photo of James Dean on Ground from "Rebel" with Negative. It's the unforgettable opening scene of Rebel Without a Cause, as James Dean drunkenly falls in the night, begins playing with the toy monkey, and instantly establishes his classic vulnerability. Here's an original photo of the scene, with the film developing lab date and time stamp en verso. There's a small piece missing from upper right border, but the full negative included. A haunting and heartbreaking image.
Two Photos of James Dean and Girls from "Rebel" with Negatives. These great candid shots show Jimmy, during night shooting, in glasses and red jacket, smoking and chatting casually with some wide-eyed young ladies. Both pictures have the film developing lab time and date stamp en verso; each is missing a piece of the upper left border, but complete negatives are included.
Two Contact Proofs from the School Scene of "Rebel" with Negatives. These shots present James Dean rehearsing in dark glasses as his character haplessly enters his new high school. Natalie Wood is seen in one (from the rear), and Sal Mineo is in both along with supporting players. Negatives included.
James Dean and Natalie Wood Eating Hot Dogs Between Scenes of "Rebel" with Negative. Nice to see Jim and Natalie, taking a break from all the angst of Rebel Without a Cause and chowing down on hot dogs. The upbeat shot has the film developing lab time and date stamp en verso; there's a tear to the upper left border, but the full negative comes with the lot.
Photo of James Dean and Natalie Wood at Hot Dog Stand with Negative. Here's a super shot of Jimmy with a hot dog and cigarette in one hand and a bottle of soda in the other as he cuddles with co-star Natalie Wood at the snack stand between scenes of Rebel Without a Cause. The film developing lab time and date stamp is en verso; there's a small piece torn from the upper left corner of the shot, but the full negative comes in the bargain. A you'll-never-see-this-one-again rarity.
Photo of James Dean and Director Nicholas Ray at Shoe Shine Stand Set on "Rebel" with Negative. Here's Jimmy, wearing his glasses and sporting what appear to be moccasins, sitting in the shoe shine stand chair of the police station set of Rebel Without a Cause. He's paying close attention to director Nicholas Ray, who handled Dean's explosive talent so dynamically. The remarkably rare shot is accompanied with the original negative.
Contact Sheet Proof of Natalie Wood and Copy of Photo of James Dean on "Rebel" with Negatives. Two superb images: a contact proof of a smiling Natalie Wood with a tech crew member between scenes of Rebel Without a Cause, and a photocopy of James Dean, in sunglasses, sitting on a wall and talking with an associate at the Griffith Observatory. The shot of Natalie has the film developing lab's time and date stamp, and negatives are included for both pictures. These outstanding behind-the-scenes of both stars are magical.
Three Contact Sheet Proofs of James Dean from "Rebel" with Negatives..Three shots from the police station scene, two of them showing Jimmy rehearsing in glasses. Jim Backus and Ed Platt are included in the shots, as well as a (presumed) makeup/costume lady; Ann Doran, as Dean's mother, is nicely reflected in the glass in one of the proofs. One of the shots has the developing lab time/date stamp, and all three come with their negatives.
Two Contact Sheet Proofs of James Dean from "Rebel' with Negatives. There are two stunners in his lot: Jimmy and Natalie running in the sunlight (obviously rehearsing the climactic Griffith Observatory scene, which was filmed at night); and a very intense shot of Jimmy, on hs knees in the night, covering his face. Seated with him is a man with his back to the camera -- possibly co-star Jim Backus or director Nicholas Ray. These are especially marvelous images, both of which come with their negatives.
Three Photos from "Rebel" Pool Scene with Negatives. The attack of a gang member, caught in three ominous shots. Each is time and date-stamped by the film developing lab, and all three have torn upper right corners but come with the undamaged negatives.
Contact Sheet Proof of James Dean and Director Nicholas Ray from "Rebel" with Negative. This picture shows the intense rapport between star James Dean (in glasses, sitting in the show shine chair on the police station set) and his Rebel Without a Cause director, Nicholas Ray. The picture comes with its negative.
Photo of James Dean and Natalie Wood with Car in "Rebel" with Negative. A perfect shot that captures the essence of Rebel Without a Cause: James Dean and Natalie Wood romantically eyeing each other in the night by his car. The picture, date and time-stamped by the developing lab, has a torn upper left area but comes with the full negative. A charming, poignant image.
James Dean and Natalie Wood Contact Proofs and Photos from "Rebel" with Negatives. The "Chickie Race" gets the dramatic focus here. Included are two pictures (time and date-stamped by the developing lab), one showing Jimmy in his car, the other Natalie signaling the start of the fatal race. Also included are are two contact proofs of Dean kneeling penitently at the cliffside, with Sal Mineo and the gang flanking him. Negatives are included with all four shots. Timeless images from a classic film.
Two Photos, One Copy, and One Contact Sheet for James Dean from "Rebel" with Negatives. It was a scene that resonated with countless disillusioned teens in 1955, when James Dean as Jim Trask confronted his weak-willed father (Jim Backus) and emasculating mother (Ann Doran). Two photos (with original time/date stamp from the developing lab), a contact sheet proof, and a photocopy show the agony of this epically dysfunctional filmic family. The photos have tears in the upper right corners, but all four shots come with their negatives. Modern drama tragedy at its most excruciatingly real.
One Contact Sheet Proof and One Copy of James Dean in Jail Scene of "Rebel" with Negatives. Two images from Rebel's police station episode: Jimmy grimacing in the shoe shine chair; and an on-set candid showing Jimmy standing at the shoe shine stand and talking to a crew member. Negatives included.
Two Contact Sheet Proofs and One Copy of James Dean Pictures in "Rebel" with Negatives. This lot offers a trip to the police station scene of Rebel, with two proofs of Dean with Jim Backus (as his father) and a photocopy of Dean with Edward Platt. Negatives are included for all three shots.
Contact Sheet Proof of James Dean and Natalie Wood Hugging in "Rebel" with Negative. Moving study of a climactic embrace between Dean and Wood, complete with the negative.
Two Contact Sheet Proofs of James Dean in "Rebel" with Negatives. These two highly dramatic shots include James Dean with Sal Mineo at the observatory in the alternate ending to Rebel Without a Cause; and Jimmy about to wage the famous switchblade battle with Buzz (Corey Allen). The original negatives are included.
Four Contact Proofs of James Dean and Natalie Wood in "Rebel" with Negatives. Two shots of Jimmy in front of the observatory; and two of Natalie, one inside the observatory and an especially lovely study of her sitting in the night in a robe. All four come with negatives.
Three Photos of the Parents from "Rebel" with Negatives. Jim Backus and Ann Doran made a crucial contribution to Rebel Without a Cause via their performances as Jim Trask's largely clueless parents. The three shots here include a candid of the couple in formal costume attire, apparently reviewing their lines (back of set flat is visible in the background); a scene in the police station (with Virginia Brissac and Edward Platt also in the shot); and a shot of them at home in night clothes. Each picture has a damaged corner but the original negatives are included.
Three Contact Sheets of James Dean and Parents in "Rebel" with Negatives. Two nice rehearsal shots of Dean with Jim Backus and Ann Doran, as well as a nice shot of the unhappy parents. Negatives included.
James Dean on "Rebel" Set, Displaying his Finger If any shot ever captured the humor and irreverence of James Dean, it's this one of Dean on the police station set of Rebel Without a Cause, relaxed between scenes, sporting his glasses, and giving the camera man his middle digit while offering an Ain't-I-Innocent grin. Dean flashed his finger in 1955, figuring nobody outside the studio circle would ever see the picture. Now, 51 years after his death, this fascinating picture of Jimmy is the main attraction in a once-in-a-lifetime lot.
James Dean Rare "Rebel Without a Cause" Photos. Four rare, unpublished b&w snapshots from the set of Rebel Without a Cause. Included are two shots from the jail scene, one from the "Chickie Race" scene, and one of Dean as Jim Stark in front of the school trophy case. In overall Excellent condition with very light wear and one or two tiny creases.
James Dean Rare "Rebel Without a Cause" Set Photos. Three small, rare, unpublished b&w snapshots from the set of 1955 classic, including two shots of Dean's character being booked early in the film and a shot of Sal Mineo and Natalie Wood from the "Chickie Race" scene. In overall Very Fine to Excellent condition, with the top right corner missing from the Mineo/Wood photo and cropping marks in black ink on one of the Dean photos.
James Dean Rare "Rebel Without a Cause" Photos. Four rare, unpublished b&w snapshots from the set of Rebel Without a Cause. Included are one shot each from Jim's confrontation with Buzz at the observatory, of Dean in the empty pool at the abandoned mansion, Dean kicking a hole in the painting of his grandmother, and Dean and Wood in his car. In overall Very Fine condition with a corner missing from three and cropping marks in blue ink on one.
James Dean Rare "Rebel Without a Cause" Photos. Three rare, unpublished b&w snapshots from the set of Rebel Without a Cause, including a great production shot taken during exterior night-time location filming and the abandoned mansion. In overall Excellent condition with the top left corner missing from one.
James Dean Rare "Rebel Without a Cause" Photos. Three rare, unpublished b&w snapshots from the set of Rebel Without a Cause, including shots of Dean clowning around on the set and a shot from the knife fight sequence. In overall Very Fine to Excellent condition with the top right corners missing from two of them and cropping marks in black ink on one.
James Dean Rare Snapshot. A rare, unpublished b&w 3" x 3.5" photo of Dean at an outdoor location believed to be the set of Giant. In Excellent condition with minimal wear.
Three Pieces of the Reata Ranch from "Giant." Three pieces of concrete from the Reata Ranch, the center of the action in Dean's final film, along with a 8" x 6" heavy cardboard miniature of the estate. In Excellent condition. From the James Dean Museum archive.
Set of Prop Drinking Glasses from "Giant." A set of five glasses tumblers with equestrian motif used as props in the 1956 epic, immortalized as James Dean's final screen appearance. All are in Excellent condition. From the James Dean Museum archive.
Signatures from James Dean and Other "Giant" Cast Members. The desirability of a James Dean autograph is enhanced here by the added bonus of signatures from Giant co-star Monte Hale and bit player Ana Maria Majalca on this autograph album page. Dean's signature is in bold, black ink, and the page is in Excellent condition with very minor tanning. From the James Dean Museum archive. With COA from David Loehr.
1956 Remembrance Service Program. Single-sheet program from a remembrance service held at Park Cemetery in Fairmount, Indiana, on the first anniversary of Dean's death. In Very Fine condition with two horizontal fold creases and very light tanning. From the James Dean Museum archive.
Photos and Remnants from the Marfa, Texas Set of "Giant." Three color 5" x 9" photos of the remains of the Reata Ranch set taken in Marfa, Texas, on September 2, 1993, matted and framed along with a small ladder from a prop oil derrick from the 1955 production. The frame is made from wood from the actual set, and measures 27" x 12". All items are in Excellent condition. From the James Dean Museum archive.
Fairmount News Article on Dean Memorial Service. An October 4, 1956, edition of The Fairmount News featuring front-page coverage of the memorial service held on the first anniversary of Dean's death. Framed to an overall size of of 17.5" x 23" and in Fine condition with two fold creases and and moderate tanning from age. From the James Dean Museum archive.
James Dean Photos by Sanford Roth. A set of three 11" x 14" b&w photos of Dean taken by photographer Sanford Roth during production on Giant. Roth was the still photographer on the production and shot numerous poses of Dean both on and off the set. Included here are shots of Dean on the set with Elizabeth Taylor, teaching Giant author Edna Ferber how to use a lasso, and at an amusement park. Each has Roth's credit stamp on the back and is in Very Fine condition with mild wear. From the James Dean Museum archive.
James Dean Trading Cards from Sweden. A set of 48 full-color 1.75" x 3.75" James Dean trading cards printed in Sweden (from a total run of 62 cards). The cards are in overall Fine to Very Fine condition with some blunted corners, light to moderate tanning and edge wear, and the occasional crease. From the James Dean Museum archive.
Ten James Dean Magazines From England and Chile. Six British magazines with Dean covers and articles dating from 1956-90 (including the Spring 1956 issue of Sight and Sound), and four Chilean mags with Dean covers and articles spanning 1957-63. In overall Very Fine to Excellent condition with mild to moderate wear. From the James Dean Museum archive.
James Dean Tribute Magazines from Australia and Germany. Included are four Dean tribute magazines from Australia, three from 1957 and one from 1992, and eight from Germany dated 1980-92. In overall Excellent condition with mild wear. From the James Dean Museum archive.
Vintage James Dean Magazines from France. Set of 16 French magazines with Dean covers and feature stories, published between 1956-85 -- most in 1956 and '57 -- in Very Fine to Excellent condition with mild wear. From the James Dean Museum archive.
Ten Vintage James Dean Tribute Magazines. Seven U.S. magazines with covers and tribute stories on Dean, including an "Elvis and Jimmy" double-feature, published in 1956 and '57, plus three similar magazines from the '70s. In overall Very Fine to Excellent condition with some instances of mild wear and/or tanning. From the James Dean Museum archive.
Fifteen James Dean Movie Magazines. Set of 15 assorted U.S. magazines with Dean-themed covers and/or feature stories, spanning 1956-93. Included are Dig, Texas Monthly, Rave, and Hit Parader. In overall Very Fine to Excellent condition some mild wear. From the James Dean Museum archive.
James Dean Tribute Magazines and Foreign Editions. Included are three James Dean tribute magazines from 1956, four U.S. biographies dating from 1957-84, and five foreign edition tribute books and biographies dating from 1957 to 1977, from Belgium, France, Italy, and the U.K. In overall Very Fine condition with mild wear. From the James Dean Museum archive.
James Dean and Julie Harris Portraits. Set of two painted-porcelain miniatures by Kenneth Kendall of Dean and his East of Eden co-star Julie Harris. (Elia Kazan once said that he was grateful to have Harris on the set because she had a calming influence on Dean.) both measure 5.5" x 6.5" and are in Excellent condition. From the James Dean Museum archive.
James Dean Foreign Movie Programs. Included are three Austrian, six German, five French, two Belgian, and two Dutch movie program books for Dean's various films. In overall Very Fine condition with mild wear. From the James Dean Museum archive.
James Dean Charcoal Drawing by Kenneth Kendall. Kenneth Kendall's first drawing of Dean, created after the actor's visit to Kendall's Hollywood studio in 1955. Inscribed "James Dean was here Jan. 22, 1955 11pm Saturday" on the back. In Excellent condition and has been framed to an overall size of 21" x 27". From the James Dean Museum archive.
Kenneth Kendall "Jacob Wrestles the Angel" James Dean Drawing. A large charcoal sketch drawn by Kendall in 1956, titled Jacob Wrestles the Angel and depicting a winged James Dean wrestling Marlon Brando. In Excellent condition and framed to an overall size of 27" x 36". From the James Dean Museum archive.
Kenneth Kendall Painting of James Dean in "The Immoralist." A striking oil-on-canvas painting by Kendall of James Dean in the Broadway play that opened doors for him in Hollywood. A small plaque reads "James Dean/Kenneth Kendall" and notations on the back reads "James Dean as 'Bachir' in 'The Immoralist' Royal Theatre New York Feb '54." In Excellent condition, elaborately framed to an overall size of 27.5" x 34". From the James Dean Museum archive.
Large Kenneth Kendall Charcoal Drawing of James Dean. Circa 1956, this large charcoal cubist drawing features Dean as Hamlet, a role he played while briefly studying acting at UCLA in 1951. Dean was panned in reviews of the production, but received encouragement from others to further his acting studies in New York. The drawing is framed to an overall size of 34.5" x 41" and in Excellent condition. From the James Dean Museum archive.
Kenneth Kendall Charcoal Drawing of James Dean in "Giant." Drawing of Dean in an iconic pose from his final film, matted and framed to an overall size of 31" x 26" and in Excellent condition. From the James Dean Museum archive.
George Stevens' Folding Chair from the Set of "Giant." This wooden folding chair from the set of the movie (for which Stevens won the Oscar for Best Director) has "Geo. Stevens Co." stenciled on the back, visible under the peeling white paint. Still sturdy after all these years, the only real wear is to the aforementioned paint job as well as some moderate deterioration to the feet. The chair has been altered to hang on the wall, and cannot be unfolded. A great piece. From the James Dean Museum archive.
Rare Hardcover Edition of James Dean Bio by William Bast. A hardbound edition of the first book about James Dean, written by his friend and former roommate and published by Ballantine in 1956, very few of which were printed in hardcover. In Very Fine condition with a Very Good dustjacket that shows some stress to the edges and corners, a horizontal fold crease across the middle, and a piece missing from the top left corner of the back side. It has not been price clipped. From the James Dean Museum archive.
James Dean High School Newspaper Memorial Issue. An October 5, 1956, issue of the Fairmount High School Breeze with an article on a memorial service held for Dean on the first anniversary of his death. Also included is a small, wood-and-felt FHS basketball pin. Items are in overall Very Fine to Excellent condition with moderate tanning to the newspaper. From the James Dean Museum archive.
James Dean Magazine Tributes. Includes an extremely rare copy of the January 13-20, 1956 issue of Motor Racing; the October, 1956, issue of Look; two Chicago Tribune magazine inserts from 1956; and issues of the TV Scene (1976), Weekend (1982), and Leisure (1980) newsprint magazines. In overall Very Fine condition with mild wear and tanning. From the James Dean Museum archive.
Vintage European James Dean Magazines. Included are three L'Europeo and one Bolero Film (Italy, 1956 & '58); one copy each of Film Revue and Star Revue (Germany, 1957); two copies of Wereld-Kroniek (Netherlands, 1957); and one copy each of the English publications You (1985), Picture Show (1955), Night & Day (1994), TV Times (1976), and Sunday Review (1990). In overall Very Fine condition with mild to moderate wear. From the James Dean Museum archive.
Set of James Dean Tribute Magazines from Europe. Included are two copies of Vecko Revyn (Denmark, 1956) and one copy each of Ses (Turkey, 1965), Yelpoze (Turkey, 1957), Flama (Portugal, 1956), Shwiezer (Switzerland, 1980), Donauland (Austria, 1957), and Eikoves (Greece, 1957). In overall Very Fine condition with moderate wear. From the James Dean Museum archive.
Wrought Iron Parapet Section from "Giant." A 65" x 32" piece of the wrought iron parapet section from the Reata home featured in Giant. The house was actually a two-sided facade built by Warner Bros. and shipped in 60 sections to the Marfa, Texas shooting location on a series of flatcars. This piece and others were salvaged by Texas Women's University professor Dr. Warren Casey, after the set was razed in 1957. In Excellent condition with some wear and a couple of cracks and elements missing due to age and use. Also included is a framed 11" x 14" b&w photo of the grand homestead as seen in the movie. From the James Dean Museum archive.
James Dean Memorial Foundation Archive. A large selection of letters, some photos, event programs, newspaper clippings, and other documents dating from 1956-57, pertaining to the Foundation. In Overall Very Fine condition with some instances of mild wear. From the James Dean Museum archive.
Large Photo of James Dean in Giant by Sanford Roth. A striking b&w 20" x 15.5" photo of Dean in age make-up on the set of Giant by Sanford Roth, from his original 35mm negative. In Excellent condition with three small tape pulls along the top edge. From the James Dean Museum archive.
Photo of James Dean with Eagle Statue by Sanford Roth. A beautiful 12.5" x 19" b&w photo of James Dean sitting near a statue of a bald eagle in his Sherman Oaks home taken by Sanford Roth, printed from his original 35mm negative. In Excellent condition. From the James Dean Museum archive.
James Dean Commemorative Plate from 1956. A 10", green-on-white commemorative James Dean plate, designed by Kettlespring Kilns for Damar Productions in 1956. In Excellent condition. From the James Dean Museum archive.
James Dean "We Will Remember" Commemorative Plate. An 8.5", sepia-toned commemorative James Dean plate, #83 in a limited edition of 5,000, made by Character Plates in 1956. In Excellent condition. From the James Dean Museum archive.
"Giant" (Warner Brothers, 1956). One Sheet (27" X 41"). This stellar original release Giant one sheet features iconic images of Rock Hudson, Elizabeth Taylor and James Dean. The orange hues of the Texas sky are still very fresh. There are a few staple holes in the corners and wrinkling in the credits. There is also a little bit of fold wear and an enlarged pinhole in the top left corner. This very nice one sheet will restore very easily. Very Fine-. From the James Dean Museum archive.
"Giant" (Warner Brothers, 1956). Polish Poster (22.5" X 33.5"). This original release Polish poster for George Stevens' classic epic features a great image of James Dean. This poster has a tiny crossfold separation but the paper remains strong. There is a tiny chip in the left border and tape stains in the top corners. With an interesting layout and nice artwork, this poster will make a nice addition to any Giant collection. Very Fine. From the James Dean Museum archive.
"Giant" (Warner Brother, 1956). Swedish Poster (24" X 34.5"). This Swedish poster features the same artwork as the French release poster. The artist is the legendary Jean Mascii who is famous for creating some of the most beautiful movie posters in history. The image features Hudson, Taylor, and Dean with an oil rig in the distance. This fantastic poster is remarkably clean with tiny crossfold separations and minor toning at the crossfolds. Very Fine. From the James Dean Museum archive.
"Giant" (Warner Brothers, 1956). Standee (25" X 69"). This original standee of James Dean was used in lobbies across the country to promote Giant in 1956. The image of Dean is very clean with only a scuff at Dean's chin. Near the bottom is a facsimile of Dean's autograph. There is a little bit of wear along the edges but the color is very fresh. This is an rare find and an excellent addition to any Giant or Dean collection. Very Fine/Near Mint. From the James Dean Museum archive.
James Dean Pressbook Lot (Various). Pressbooks (Multiple Pages). This lot is anchored by an original release pressbook for Giant. The cover has separated from the book but it is other wise complete. Also included are press books for The James Dean Story, James Dean: First American Teenager and 9/30/55. All pressbooks are complete and full of great images from the films' marketing campaigns. Very Fine-. From the James Dean Museum archive.
"Giant" #0 (Warner Brothers, 1956) Argentina One Sheet (29" X 43"). It's hard to imagine that Giant director George Stevens wanted to cast Alan Ladd as Jett Rink. Fortunately, Stevens' wife stepped in and suggested James Dean. The rest is history. This folded Argentinean one sheet offers artwork far superior to the American paper. A gorgeous stone litho image of James Dean dominates this sheet. There is a bit if fold wear with a tiny crossfold separation. There are fold over lines in the borders and pinholes in the corners. This poster remains a fabulous un-restored example of original release foreign Giant paper. Folded, Very Fine on Linen. From the James Dean Museum archive.
"Giant" (Warner Brothers, 1956). Lobby Card Set of Eight (11" X 14"). The monumental struggle of wills between Texas cattle baron Bick Benedict (Rock Hudson) and hired hand turned rich oil man Jett Rink (James Dean) comes to a head when Jett announces his oil well strike to the lord of Reata. This famous epic tells the story of Bick and his wife Leslie (Elizabeth Taylor) and the generations that follow on the plains of West Texas, confronting hard times, death, and racism. This original lobby card set has pinholes in the borders and images. There is a bit of edge and corner wear, too. Card #2 has paper residue and staining in the borders. A complete original release lobby card set is a rarity and this one will restore easily. Fine. From the James Dean Museum archive.
Swedish Poster Lot (Warner Brothers, 1956/1957). Swedish Inserts (three 12.5" X 27") and Swedish One Sheet (24" X 33"). The Swedish inserts are from Giant, Rebel Without a Cause, and East of Eden. Two of the inserts have been folded while the other is rolled. All are in very nice condition. The folded Swedish one sheet has a stamp in the top right corner. There are pinholes in the corners and fold separations. The artwork is an interesting take on the traditional Giant artwork. Very Fine. From the James Dean Museum archive.
"Giant" (Warner Brothers, 1956). Half Sheet (22" X 28"), Color Stills (three 8" X 10") and French Lobby Cards (11" X 14"). An epic as big as Texas, Giant would become the highest grossing film in Warner Brothers history and would remain so until 1978. This lot includes a 1970 re-release half sheet, three original release color stills and five 1970s re-release French lobby cards. The rolled half sheet has foxing in the image and staining in the top border. There is also wrinkling in the image and wear and tear along the edges. The color remains very fresh and the images still stand the test of time. The stills have tape along the edges on the back. There is some light bending and scuffing. There are minor corner dings and creasing as well as faint edge wear. Included in the stills is a shot of James Dean on an oil rig. The French lobby cards are remarkably clean with only minor corner dings and include the original glassine delivery bag. Rolled, Fine/Very Fine. From the James Dean Museum archive.
"Giant" Poster Lot (Warner Brothers, Various). Re-release French Grande (47" X 63"), re-release Italian Locandinos (2) (13" X 27") and re-release German Poster (27.5" X 40"). These stunning posters feature fantastic artwork for the George Stevens epic about life in Texas. The German poster has chips in the borders and fold separations. The French Grande has crossfold separations and minor wear along the edges. It features artwork by Michel Jouin. The rolled Italian locandinos have a bit of toning along the edges but feature artwork by Angelo Cesselon. Very Fine. From the James Dean Museum archive.
Edna Ferber Signed Photo to Jane Withers. A vintage b&w 8" x 10" photo of Giant novelist Edna Ferber, dated December 1955, inscribed "Dear Jane Withers with gratitude for your fine characterization as Vashti" and signed by Ferber in black ink. In Excellent condition. Accompanied by LOA from PSA/DNA.
James Dean and Edna Ferber "Giant" Photo by Sanford Roth. A great b&w 11" x 14" photo of Dean teaching Giant author Edna Ferber how to use a lasso on the set of the 1956 movie, shot by noted Dean photographer Sanford Roth. In Excellent condition with Roth's photo stamp en verso.
Sixteen Foreign Edition James Dean Paperbacks. Sixteen paperback James Dean biographies and filmographies, published between 1957-79; three from Germany, five from England, four from Japan, and two each from Spain and Argentina. In overall Very Fine condition with mild to moderate wear. From the James Dean Museum archive.
James Dean Tribute Magazines Signed by Adeline Nall and Other Items. Included are two vintage James Dean tribute magazines signed by Adeline Nall, Dean's high school drama teacher (Fine to Very Fine condition with mild to moderate wear); a program book for the James Dean Memorial Foundation's second annual Playhouse Series, circa 1957 (Excellent); and the original metal mailbox owned by Nall (Excellent with moderate wear from exposure to the elements). From the James Dean Museum archive.
Four James Dean Tribute LPs. Included are Music James Dean Lived By (Unique Records LP-109), A Tribute to James Dean (Imperial LP-9021), and two copies of the soundtrack to The James Dean Story (Coral CRL-57099 and Capitol W881), one inscribed and signed by singer Tommy Sands. In overall Very Fine condition. From the James Dean Museum archive.
James Dean Charcoal Drawing by Kenneth Kendall. A charcoal portrait of a winged James Dean carrying a lantern, drawn by Kendall in 1957 and titled Dean Angel. Framed to an overall size of 22" x 28", and in Excellent condition with some mild tanning. From the James Dean Museum archive.
James Dean Chalk Bust. Small, 6.5" white chalk bust of James Dean, circa 1957 by Fine Arts Enterprises. In Excellent condition with some mild discoloration, original sales brochure, mailing box, and unused order form included. From the James Dean Museum archive.
Elia Kazan Signed Letter to Adeline Nall (1957). A typed, single-page letter to Dean's high school drama teacher on Kazan's personal stationery, dated February 20, 1957, and signed by Kazan in black ink. It reads: "Dear Mrs. Nall: I am inactive now, but the next time I am casting I will be glad to see you. When you hear that I'm doing something again, contact my secretary, Marie Fraioli, and she well arrange an appointment." In Excellent condition with minimal wear, framed along with the original envelope (Excellent with light wear and tape stains) to an overall size of 8.5" x 11.5". From the James Dean Museum archive.
James Dean Fan Art. Included is burnt-wood profile portrait of Dean on a 32" x 14" piece of wood; a portrait print by Shteiman (no first name given) framed to an overall size of 21" x 26"; a small Christmas card featuring Dean as an angel by Kenneth Kendall, framed to an overall size of 7.5" x 11.5", and a color photo of Dean's drama teacher Adeline Nall, framed to an overall size of 7.5" x 11.5". All items are in Excellent condition. From the James Dean Museum archive.
"The James Dean Story" (Warner Brothers, 1957). Insert (14" X 36") and Window Card (14" X 22"). This documentary, directed by Robert Altman and George W. George, tells the story of the rise and tragic fall of the Hollywood icon through interviews with friends and family and footage from his film and television appearances. The original release window card has been folded and has a small bit of toning and soiling at the borders. It has pinholes and staple holes in the image, borders and corners. Also included is a folded insert that has been linen backed. Like the window card, the insert has pinholes in the corners and toning along the edges. Both items feature haunting images of Dean on the farm, on set and behind the wheel of a race car. Very Fine. From the James Dean Museum archive.
"Rebel Without a Cause"/"Giant" (Warner Brother, R-1957/R-1958). Half Sheet (22" X 28") and Spanish One Sheet (27.5" X 39"). These two iconic films are well represented by two great posters. The rolled half sheet is from the 1957 re-release of Rebel Without a Cause and is dominated by a haunting image of Dean in the top left corner. There is a bit of smudging but the sheet is in very clean shape overall. The Spanish Giant poster has a chip in the bottom right corner and wear along the edges. The color artwork is dazzling. Very Fine-. From the James Dean Museum archive.
"The James Dean Story" (Warner Brothers, 1957). Three Sheet (41" X 81"). This original release three sheet for Robert Altman's documentary is in very good shape. There is a little bit of fold wear with minor paper loss. There is some faint smudging in the credits and a tiny stain to the left of the title but the poster is clean otherwise. Most notable on this poster are the haunting shots of Dean including a large image of his face. Very Fine on linen. From the James Dean Museum archive.
"The James Dean Story" (Warner Brothers, 1957). Poster (40" X 60"). This is a rolled poster for the 1957 documentary about the life of James Dean. Using archival footage, pictures and interviews with family and friends, director Robert Altman skillfully told the tragic tale of the young star. This poster has several tears along the borders including an eight inch tear in the bottom border. There is wrinkling and cracking in the margins and image. Tape stains are present in the borders and there is a small tear at Dean's nose. The bottom right corner has been cut and there is a bit of toning. The image of Dean is a lasting tribute to the sad end of a far too short life. Good/Very Good on linen. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, R-1957). One Sheet (27" X 41"). Following James Dean's tragic death, Warner Brothers re-released Rebel without a Cause. This poster for the re-release is considered by many collectors to be superior to the original poster. The picture of Sal Mineo and Natalie Wood in the top left corner was not part of the 1955 poster but has become one of the more recognized images associated with the film. With very faint fold and edge wear, this poster is in exceptional condition. Near Mint-. From the James Dean Museum archive.
"The James Dean Story" (Warner Brothers, 1957). Lobby Card Set of Eight (11" X 14"). This documentary was directed by Robert Altman and George W. George. Narrated by Martin Gabel, it tells the story of the brief and remarkable life of the young star. This lobby card set has minor corner dings, tape stains, pinholes and paper loss in the borders. This set is full of great shots of Dean at different points in his life. Very Fine-. From the James Dean Museum archive.
James Dean Re-Release Poster Lot (Warner Brothers, Various). Swedish Poster (12" X 27.5"), Israeli Poster (20" X 27.5"), French Poster (15" X 20"), Window Card (14" X 22"), British Poster (19" X 25"), Beacon Theatre Poster (15" X 22"). This incredible collection of posters represents James Dean's global appeal. Included are posters from Sweden, Israel, the United States, England and France. The Beacon Theatre card has pinholes in the corners. The Swedish poster is folded while the others are rolled. All six posters are very clean and feature wonderful representations of Dean including Mascii art on a French poster for The James Dean Story. Very Fine. From the James Dean Museum archive.
"The James Dean Story" (Warner Brothers, 1957). Half Sheet (22" X 28") and One Sheet (27" X 41"). The rolled half sheet has pinholes in the borders and a very small tear in the right border. There is also a bit of wrinkling and wear along the edges. The folded one sheet has toning and minor wear along the borders. A stamp on the back has bled through into the bottom border. Both posters retain very good color and are dominated by haunting images of Dean. Very Fine-. From the James Dean Museum archive.
"East of Eden" (Warner Brother, R-1957/R-1970s). Insert (13" X 36") and Japanese Posters (20" X 28"). The folded 1957 re-release insert has been linen backed and trimmed to 13" X 36". It has staple holes and small stains in the credits and image but retains its color. The Japanese poster has light wrinkling and fold wear. It is for a James Dean Anniversary re-release and features a fantastic shot of Dean and the anniversary logo. Fine on linen. From the James Dean Museum archive.
"The James Dean Story", "East of Eden" (Warner Brothers, 1957/R-1960s). Photobustas (three 18.5" X 26.75") and Italian Re-Release Lobby Cards (twelve 9.5" X 11.5"). This lot represents the beginning and the end of Dean's brief film career. The young actor won critical acclaim for his work for his first feature role in East of Eden. In 1957, director Robert Altman chronicled the short life of the star in The James Dean Story. The three photobustas from The James Dean Story feature fantastic images of Dean including one of him behind the wheel of his MG TD race car. Another features Dean seated next to his Porsche 356 Speedster. The third photobusta is a scene from East of Eden. All three have wear along the edges, pinholes in the corners and have been folded. The MG TD card has a small chip in the right margin. The Italian lobby cards for East of Eden are in fantastic condition and come with their original glassine delivery bag. Very Fine-. From the James Dean Museum archive.
James Dean Fan Correspondence. An intriguing and slightly off-kilter series of letters dated February 6-24, 1958, between writer-musician Charles "Chaw" Mank and a British fan of James Dean named Douglas Goodall, a fan so dedicated he had his name legally changed to James Byron Dean, or as hs he puts it: "I did publicly declare my life dedication...to defend against all infamy & tormentors, liars, and those who would attempt in England and the U.S.A. to debase or defame by printed slush and slander the ever treasured name of, both his by birth and mine by legal adoption, James Byron Dean." Also included is a signed letter from '50s rockabilly artist Vernon Taylor and b&w photos of Mank, Dean the actor, and Dean the fan. All items are in overall Very Fine condition with mild wear. From the James Dean Museum archive. With COA from David Loehr.
"The Immortal" by Walter Ross - First Edition. A thinly-veiled novel based on James Dean, with dustjacket illustration by Andy Warhol, published in 1958 by Simon & Schuster. In Very Fine condition with a Fine dustjacket that shows moderate wear and soiling, with slight tanning to the pages. From the James Dean Museum archive.
Assorted James Dean Fan Club Publications. Included are four issues of the French fan club newsletter Le Baladin from 1958-60; four issues of the James Dean Worldwide Fan Club Newsletter from 1958-59; The Giant James Dean Memorial Club (NYC) newsletter (undated); a James Dean Koerier club newsletter from Belgium (undated); a First Hungarian "Giant" James Dean Fan Club newsletter (1991); four issues of the Dutch memory club newsletter James Dean Kroniek (undated), and five assorted American fan club newsletters dated 1983-86. Rare items, in Overall Very Fine condition with mild to moderate wear. From the James Dean Museum archive.
"East of Eden" (Films S.A., 1958). Spanish One Sheet (26.5" X 39"). While East of Eden was released in the the U.S. in 1955, the film didn't make its way to Spain until a few years later. This 1958 original Spanish release one sheet has been often re-produced because of its breathtaking color artwork. This original poster is in excellent condition with only minimal fold wear and a faint smudge in the right margin. There are small pieces of tape on the back that should remove easily in the hands of a restoration professional. This may be the most beautiful paper ever released for this film. Very Fine/Near Mint. From the James Dean Museum archive.
James Dean Photo by Sanford Roth. Striking print of Dean smoking a cigarette by a reservoir, taken by Roth during the filming of Giant and hand-developed by him. In Excellent condition with light wear and Roth's studio stamp en verso.
Photo of James Dean and Elizabeth Taylor on the Set of "Giant." A great, rare b&w 11" x 14" photo of Dean and Liz between takes on the set of Giant by Sanford Roth. In Excellent condition.
Photos and Letters from James Dean's Grandparents. Included are two handwritten letters in pencil from Emma Dean to Josephine Regensburg, dated late 1960, and one of them on Charles Dean's personal stationery; a typed note titled "My Favorite Prayer by james Byron Dean (Jimmie Dean)" signed by Emma in blue ink; a handwritten letter in pencil from Charles Dean to Chaw Mank, dated March 10, 1956; a handwritten note title "Jimmy's Benediction" by Charles in black ink; and an undated three-page letter recalling details about James written by Charles in pencil. Also included are one b&w and three color snapshots of Emma and Charles Dean; a b&w 6" x 9" studio portrait of the two; and a great b&w 8" x 10" profile portrait of James. The items are in overall Very Fine condition, with moderate yellowing and wear to the benediction letter, and mild wear and tear to the rest. From the James Dean Museum archive. With COA from David Loehr.
James Dean Movie Programs from Japan. Set of 18 assorted James Dean movie program booklets from Japan, printed between 1963-91, in overall Very Fine to Excellent condition with mild wear. From the James Dean Museum archive.
"James Dean: The First American Teenager" (ZIV International, 1976) and "Rebel Without a Cause" (Warner Brothers, R-1960s). One-sheet (27" X 41") and French poster (22.5" X 30"). These two posters feature iconic images of Dean. The one sheet is tri-folded with minor wear at the fold lines and edges. The French poster features an image of Dean from Giant but the poster is indeed for Rebel Without a Cause. It is folded and in immaculate condition with Mascii art and small pieces of tape on the back. Very Fine+. From the James Dean Museum archive.
"Giant" (Warner Brothers, R-1960). French Grande (47" X 62"). This folded French grande from the 1960 re-release has a little bit of wrinkling in the borders. There are pinholes in the corners but the Mascii artwork is incredibly strong. This is one of the most powerful images ever created for the marketing of the film. Very Fine+. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, R-1960s). French Jumbo Lobby Card (12" X 15.5"), French Midget Window Card (9" X 12"), and French Lobby Cards (three 9" X 11.5"). Nicholas Ray's movie about teen alienation spoke to an entire generation upon its release and has since continued to captivate audiences. These French re-release promotional items have great images from the film. The jumbo lobby card has small holes in the corners. The midget window card is folded as is one of the lobby cards. The color lobby cards have fine pinholes and tape in the corners while the black and white card is very clean. Very Fine. From the James Dean Museum archive.
"East of Eden" (Warner Brothers/Interpeninsular Films S.A., R-1960s). Finnish Poster (24" X 33") and Spanish Poster (27" X 39"). Both of these posters have a bit of fold wear with separations. The Spanish poster is a beautiful example with fresh color. It has toning in the borders and minor edge wear. The Finnish poster has pinholes in the corners and faint wrinkling in the borders. It's striking color artwork captures the passion of the film. Fine/Very Fine. From the James Dean Museum archive.
Scandinavian Poster Lot (Warner Brothers, R-1960s). Posters (two 17" X 24", 15.5" X 23"). These gorgeous Scandinavian posters are in very nice shape with fresh color and great artwork. The Giant poster is folded and has fine pinholes in the corners. The East of Eden sheet is rolled with some bending. Very Fine. From the James Dean Museum archive.
Vintage James Dean Magazines from Holland and Yugoslavia. Two magazines with Dean cover stories from Yugoslavia (1963 and '64) and four from Holland (1956, '57, '68, and '89), in overall Excellent condition with mild to moderate wear. From the James Dean Museum archive.
"Giant" (Warner Brother, R-1963/R-1970). Re-release One Sheet (27" X 41") and Spanish One Sheet (27.5" X 39"). These two re-release posters are prized for their unique styles and layouts. The 1963 re-release "Liz and Rock" style features a passionate image of Taylor and Hudson. It has small tears in the image and credits. There are also also tiny crossfold separations and some wrinkling is present. The Spanish one sheet has pinholes and small tears in the corners. There are also small fold separations at the borders, a tape stain in the bottom left corner and minor fraying along the edges. The artwork is absolutely stunning with gorgeous, full-color images of Taylor, Hudson, and James Dean. Fine/Very Fine. From the James Dean Museum archive.
"Giant" (Warner Brothers, R-1963). Banner (24" X 82"), Insert (14" X 36") and Window Card (14" X 22"). Based on Edna Ferber's bestselling novel, this blockbuster film was directed by George Stevens, and supported an all-star cast including Rock Hudson, Elizabeth Taylor, and the legendary James Dean in his last role. All three items have a bit of wrinkling and scuffing in the images. The window card has a stapled snipe in the imprint area. The banner has velcro strips on the back. This 1963 paper has very fresh color and features great images of Hudson, Taylor, and Dean. Rolled, Very Fine. From the James Dean Museum archive.
"Giant" (Warner Brothers, R-1963). Poster (40" X 60") and Lobby Card (11" X 14"). Both of these items are from the 1963 re-release of Giant. The poster has pinholes in the corners and wear along the edges. The borders show some signs of toning. The image is classic Giant with a twist. The three large images of James Dean, Elizabeth Taylor, and Rock Hudson are in sharp contrast to the small images used on the original release paper. The lobby card features one of the most sought after images from the film. It has a minor dust shadow in the borders but is otherwise very clean. Very Fine+. From the James Dean Museum archive.
"Giant" (Warner Brothers, R-1963). One Sheet (27" X 41") and Lobby Card Set of Eight (11" X 14"). In 1963, Warner Brothers decided to re-release Giant nationwide, re-introducing America to the talent and passion of James Dean. The 1963 re-release one sheet has tape stains in the corners and borders but has very fresh color and excellent shots of the cast. The lobby cards depict some of the most powerful moments from the film. They have light foxing in the borders and pinholes in the corners. The poster and the lobby cards are excellent candidates for very simple restorations. Very Fine-. From the James Dean Museum archive.
Sketch of James Dean in "The Immoralist." A 22" x 31" sketch of Dean as Bachir in the Broadway play The Immoralist, his breakthrough role, by Kenneth Kendall and dated 1964. In Excellent condition. From the James Dean Museum archive.
Original James Dean Memorial Plaque from Fairmount High. A touching memorial to Fairmount High School's most famous graduate, written by Kent Williams and displayed in the school from 1965-84, that includes quotes from lyricist Oscar Hammerstein and poet Royden. Matted and framed to an overall size of 15" x 22.5", and in Excellent condition. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, R-1964). Spanish One Sheet (27.5" X 38.5"). James Dean made his definitive mark on cinema as the quintessential troubled youth Jim Stark in Nicholas Ray's Rebel Without a Cause. Natalie Wood and Sal Mineo co-starred in the picture as teens with their own set of problems that lead to dire consequences. This folded 1964 re-release Spanish one sheet has fold separations with paper loss. There are chips in the top left and bottom right corners as well and the borders. An 8" tear reaches from the left border through Natalie Wood's face. The artwork of Dean is breathtaking with very fresh color. With a proper restoration, this poster will display very well for years to come. Very Good on Linen. From the James Dean Museum archive.
Thirteen James Dean Magazines from Germany. Set of 13 issues of Bravo magazine from Germany, each with a Dean cover and story, spanning 1957-85. In overall Excellent condition with mild wear. From the James Dean Museum archive.
Rare Complete Set of James Dean Hand-Painted Porcelains. A set of 17 3.5" x 5" painted porcelain miniatures, each bearing a likeness of Dean painted by artist Kenneth Kendall in 1969-85. All are in Excellent condition. From the James Dean Museum archive.
"East of Eden" (Films S.A., R-1969). Spanish One Sheet (27" X 39"). This folded 1969 re-release Spanish one sheet features a haunting duo-tone image of James Dean. There is a 14" tear through Dean's hair. There is also a hole near the bottom border fold separations. While the poster has received a restoration and linen backing, the work should be re-done by a professional. Very Good. From the James Dean Museum archive.
"East of Eden" Poster Lot (Warner Brothers, R-1970s). Swedish Poster (24.25" X 33"), British Quad (30" X 40"), and Italian Poster (46" X 54"). These three folded posters from England, Sweden, and Italy are from 1970s re-releases of "East of Eden." These three sheets are very clean and feature fantastic shots of James Dean and great images from the film. The Swedish sheet has a bit of smudging in the image and at the fold lines. The British quad has a tiny chip in the bottom right corner and wrinkling in the borders and at the folds. The Italian poster has minor fold wear and a bit of scuffing and wrinkling. There is also writing on the back that has faintly bled through into the top left corner. All three are very presentable and will need no restoration. Very Fine. From the James Dean Museum archive.
"Giant" (Warner Brothers, R-1970). One-sheet (27" X 41") and lobby card set of eight (11" X 14"). The 1970 re-release of Giant introduced this classic epic to a new generation. The folded one sheet has minor wear along the fold lines and at the edges and pinholes in the borders. The lobby card set is incredibly clean with only minor corner dings and light scuffing. Very Fine. From the James Dean Museum archive.
The Smiths/James Dean Musical Posters. Large Smiths Poster (36" X 59"), Small Smiths Poster (11" X 22.5"), and Musical Poster (20" X 30"). Morrissey and The Smiths made no secret of their appreciation for James Dean and on these two posters, they let their affections show. These posters for the release of "Big Mouth Strikes Again" feature a wonderful image of Dean astride a motorcycle. But the posters are in fabulous condition with the large poster having been folded. Also included is a poster for "Dean: The Musical" which ran in London in the 1970s. The large Smiths poster and the musical poster do have small amounts of tape on the back but are otherwise clean. Near Mint/Mint. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, R-1970s). British Quad (30" X 40") and Japanese Poster (20" X 28.5"). These wonderful foreign posters are from 1970s re-releases of Rebel Without a Cause. The British quad has minor edge wear and small stains in the corners. The Japanese poster celebrates a James Dean anniversary and has minor fold wear. Both feature the vintage Dean Rebel image. Very Fine. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brothers, R-1970s). French Grande (47" X 63") and German Poster (27" X 39"). While the image on the French grande is actually from Giant, this poster is a Mascii-designed sheet for Rebel Without a Cause. The color is outstanding and the image is timeless "Dean." There is a little bit of wear along the edges including a fold separation and minor chipping. There is also some paper loss in the image and pinholes in the corners. The rolled German poster has very minor wear along the edges and tough Rebel imagery. Fine/Very Fine. From the James Dean Museum archive.
James Dean Photo Portfolio by Dennis Stock (1974). Dennis Stock was an aspiring, 27-year-old photographer who had won first prize in Life magazine's Young Photographer Contest when he first met James Dean in Los Angeles in late 1954. Stock had already achieved considerable success in Hollywood shooting photo-essays on various celebrities, and he instantly hit upon the possibilities in photographing Dean after seeing a preview of East of Eden. Stock followed Dean around his old haunts in Fairmount and New York shooting a variety of images in the waning days before Dean became a household name. Many of those iconic images are included in this limited edition set of one dozen 12" x 16" b&w photos, in Excellent condition. From the James Dean Museum archive.
"James Dean: First American Teenager" (ZIV International, 1976) and "Giant" (Warner Brother, R-1970s) Australian Daybill (2) (13" X 30"). Australian daybills have grown in popularity over the years primarily because of their ease of display and alternate imagery. Both of these folded daybills are in very nice condition. The Giant sheet has a tiny tear in tear in the bottom border and pinholes in the top border. Exceptionally clean, these posters are ready for display. Near Mint. From the James Dean Museum archive.
"Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean" Signed Playbill. From the Broadway play, signed on the cover in pen by cast members Cher, Karen Black, and Sandy Dennis -- who reprised their roles in the 1982 film -- and on the inside by director Robert Altman, who directed both the stage and film versions. In Excellent condition with minimal wear. From the James Dean Museum archive.
Original Robert W. Richards Drawings of James Dean. Four pencil sketches of Dean and one pen-and-ink sketch of Dean, Natalie Wood, and Sal Mineo. Each measures 14" x 17" and is in Excellent condition. From the James Dean Museum archive.
James Dean Italian Locandino Lot (Warner Brothers, R-1980s). Italian Locandinos (three 39" X 55"). This lot of folded posters covers Dean's three major film appearances. The Giant poster features one of the most prized images of Dean around. All three sheets have a few indentations and have been folded. There is tape on the back as well. Very Fine+. From the James Dean Museum archive.
"Rebel Without a Cause" (Warner Brother, R-1980s). French Grande (47" X 63"), Swedish Poster (24" X 33") and Italian Poster (28" X 40"). This is a group of folded Rebel Without a Cause posters from the 1980s. The one sheet has fold separations at the borders and crossfolds. The Swedish poster has a small amount of soiling at the fold lines. The French grande is in excellent shape. Very Fine+. From the James Dean Museum archive.
James Dean Italian 2-Folio Lot (Warner Brothers, R-1980s). Italian 2-Folios (two 39" X 55"). This lot of folded posters covers Dean's three major film appearances. The Giant poster has wear along the edges but features one of the most prized images of Dean around. The Rebel Without a Cause poster has a bit of wrinkling and cracking in the color while East of Eden is very clean. Very Fine+. From the James Dean Museum archive.
"Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean" (Cinecom, 1982). British Quad (30" X 40"). The Disciples of James Dean have a reunion on the anniversary of his death in this play that was recreated on film by Robert Altman. Starring Sandy Dennis, Cher, Karen Black, Sudie Bond, Marta Heflin and, in only her third film, Kathy Bates. This folded British quad has edge wear and tears with wrinkling and corner creases. A marvelous shot of Dennis, Cher and Black, as well as a ghostly image of Dean. Fine. From the James Dean Museum archive.
"Giant" (Warner Brothers, R-1982). One Sheet (27" X 41") and Italian Poster (27.5" X 41"). These posters demonstrate two of the finest images of Dean ever put to paper. The rolled Italian poster is near mint with tape on the back at the top corners. The folded 1982 re-release sheet has stains in the borders and chips in the corners. There is also some light wrinkling. The color images are stunning and immortalize Dean at his best. Very Fine+. From the James Dean Museum archive.
James Dean Pencil Drawing by Kenneth Kendall. Red pencil drawing of Dean in Giant by Kendall, 1984, matted and framed to an overall size of 14.5" x 32.5". Used as a template for the wooden stand-up offered as lot #24375. In Excellent condition. From the James Dean Museum archive.
James Dean Wooden Stand-Up by Kenneth Kendall. Painted wooden stand-up of Dean crafted by artist Kenneth Kendall in 1984. It measures 54" tall and is in Excellent condition. From the James Dean Museum archive.
James Dean Porcelain Figurine. Special edition, 7" porcelain figurine released in 1985, the 30th anniversary of Dean's death, #1 from a limited edition of 2,500. In Excellent condition and in its original box. From the James Dean Museum archive.
Model Plaques from Dean Monument at Griffith Observatory. Full-scale foundry models of the two bronze plaques that form part of the Dean monument at Griffith Observatory in Los Angeles. Made by artist Kenneth Kendall in 1985 and presented as a proposal to the Observatory, they read in part: "This is not a monument to a rebel, those were only roles he played. James Dean was an American original who on a basis of high school honors and in the period of five years time rose to the very pinnacle of the theatrical profession and through the magic of motion pictures lives on in legend." Both are in Excellent condition and framed to an overall size of 15" x 18". From the James Dean Museum archive.
James Dean Bust By Kenneth Kendall. A hauntingly lifelike 12" hydro-stone bust by Dean sculptor Kenneth Kendall. In Excellent condition. From the James Dean Museum archive.
James Dean Hydro-Stone Bust by Kenneth Kendall. This 6" stone likeness served as a design prototype for the Dean memorial statue now found in Griffith Park. In Excellent condition. From the James Dean Museum archive.
James Dean Bust by Kenneth Kendall. A 12" bronze bust of the actor based on his role in the Broadway play The Immoralist, by sculptor Kenneth Kendall. One of only two made. In Excellent condition. From the James Dean Museum archive.
James Dean Nude Sculpture. An 8" bronze sculpture of Dean by Kenneth Kendall, inspired by his performance in the play The Immoralist. Look closely and you'll see that he is running with scissors. The only one ever made, it was intended as a study for a larger bronze statue. In Excellent condition. From the James Dean Museum archive.
James Dean "The Sleeping Prince" Painting by Kenneth Kendall. Charcoal drawing by Kendall, 1986, based on the opening scene of Rebel Without a Cause. The scene with Jim Stark and the toy monkey was improvised by Dean after the production had been shooting for nearly 24 straight hours. Dean told director Nicholas Ray that he wanted to try something and asked him to roll the camera. Ray obliged and Dean's improvised bit went on to become of of cinema's most famous opening scenes. The drawing is in Excellent condition and has been matted and framed to an overall size of 34" x 30". From the James Dean Museum archive.
Model of James Dean Monument at Griffith Observatory. Numerous movie and television productions have used the Griffith Observatory as a filming location, including The Terminator, The Rocketeer, and Star Trek: Voyager. The best known of these is Rebel Without a Cause, which used the observatory for several key scenes. Decades after the death of James Dean, the observatory decided to pay tribute to the young star by erecting a monument to him on the premises in 1988. This one-of-a-kind 20" model by artist Kenneth Kendall served as a prototype design for the monument, which still stands outside the observatory. A bronze bust sits atop a white column, which contains a gold star and the words "James Dean" written large, plus a bronze plaque commemorating the making of of Rebel. The model is in Excellent condition. From the James Dean Museum archive.
Charcoal Drawing of James Dean's Burial by Kenneth Kendall. A 50" x 40" charcoal drawing of Dean lying in state and surrounded by candles, titled "The Allegory of Fame," dated 1988, by Kenneth Kendall. In Excellent condition. From the James Dean Museum archive.
Rare James Dean Masks and Art. Included are a 14" clay bust, a rubber full-head James Dean mask, a French-made celluloid face mask, a ceramic Dean profile wall mask, a 6" plaster wall face, and 7" red clay bust by Morris Bennett. Items are in overall Excellent condition. From the James Dean Museum archive.
Full-Scale Original Model of James Dean Memorial. This full-scale hydro-stone bust by artist Kenneth Kendall served as a model for a matching bronze bust located atop the James Dean Monument at Griffith Observatory in Los Angeles, California. (An identical bronze monument is located in the James Dean Memorial Park in Fairmount, Indiana.) Dean had once visited Kendall's studio/home with Jazz singer Toni Lee Scott, to see Kendall's sculpture of Dean's idol, Marlon Brando. The two discussed Brando and the art of sculpting in general, and Dean asked Kendall if he might consider doing a sculpture of him. It was the only time the two would meet, as Dean died not long after. Kendall's card was found on the actor's desk after the crash. Kendall went home and started a sculpture of Dean that night, and did several more, as well as numerous paintings and drawings, over the course of the following decades, and his experience in replicating Dean's likeness made him the ideal candidate for designing the monument. Erected in 1988 and located just outside the domed building on the sidewalk to the west of the main lawn, it pays tribute to the actor, his work, and the pivotal scenes from Rebel Without a Cause that were filmed there. The bust stands 20" tall and rest atop a wood-and-plaster plinth that measures 18" x 76" x 18", both in Excellent condition. A one-of-kind historical rarity. From the James Dean Museum archive.
James Dean Laserdiscs. Included are the three-disc James Dean 35th Anniversary Collection box set; extended-play discs for East of Eden, Rebel Without a Cause, and Giant; regular edition Eden and September 30, 1955 laserdiscs; and a Japanese import disc of Giant. In Overall Excellent condition. From the James Dean Museum archive.
Set of James Dean Spray-Painted Paintings. Three spray-painted stencil paintings by John Smith in 1993, canvas on stretcher frames. Each measures 30" x 35.5" and is in Excellent condition. From the James Dean Museum archive.
James Dean Assorted Fan Art. Included is a Giant silk-screened glass panel with barbed wire by Greg Swenson framed to 26" x 36", a Dean bust by Thomas Jackson with a card signed by Marcus Winslow, a 17" statue by Diane Young, a 4" replica of Dean's headstone by Chris Miller, and set of silver keepsake medallions with Dean's likeness. All items are in overall Excellent condition. From the James Dean Museum archive.
Portrait of James Dean's Boyhood Home by Alan Hauge. Print of the Winslow farm in Fairmount, Indiana, where Dean lived with his aunt and uncle from age nine until shortly after he graduated from high school, from a painting by Hauge in 1996. In Excellent condition, matted and framed to an overall size of 40" x 14". From the James Dean Museum archive.
Set of James Dean U.S. Post Office Commenorative Stamps. Set of 45 U.S. Post Office's James Dean commemorative stamps, most first-day covers and postmarked June 24, 1996, and on a different Dean-themed envelope. There are some second-day issues in the grouping. In overall Excellent condition. From the James Dean Museum archive.
Set of James Dean U.S. Post Office Commenorative Stamps. Set of 45 U.S. Post Office's James Dean commemorative stamps, most first-day covers and postmarked June 24, 1996, and on a different Dean-themed envelope. There are some second-day issues in the grouping. In overall Excellent condition. From the James Dean Museum archive.
Set of James Dean U.S. Post Office Commenorative Stamps. Set of 40 U.S. Post Office's James Dean commemorative stamps, most first-day covers and postmarked June 24, 1996, and on a different Dean-themed envelope. There are some second-day issues in the grouping. In overall Excellent condition. From the James Dean Museum archive.
Set of James Dean U.S. Post Office Commenorative Stamps. Set of 44 U.S. Post Office's James Dean commemorative stamps, most first-day covers and postmarked June 24, 1996, and on a different Dean-themed envelope. There are some second-day issues in the grouping. In overall Excellent condition. From the James Dean Museum archive.
Casper Van Dien Costume Jacket from James Dean Biopic and Signed Items. A red windbreaker worn by Casper Van Dien in the 1997 made-for-TV James Dean biopic Race With Destiny, along with Van Dien's personal, annotated copy of the script and a b&w 8" x 10" photo (both signed by Van Dien), plus an 8" x 10" color still and copies of two print ads for the film. All items are in Excellent condition. From the James Dean Museum archive. With COA from David Loehr.
Dirt and Rock From James Dean's Grave. A small jar of dirt and a rock taken from Dean's grave in his hometown of Fairmount, Indiana, mounted with a sketch of Dean in a shadow box measuring 9.5" x 16". In Excellent condition. From the James Dean Museum archive.
James Dean Bullfighter Drawing Limited Edition Print. A huge fan of bullfighting, Dean would often take trips to Tijuana and the bullrings there. This print is number 19 from a limited edition of 500 from a sketch of matadors drawn by Dean, and bears the actor's signature in the bottom right corner. In Excellent condition, matted and framed to an overall size of 18" x 17". From the James Dean Museum archive.
Original James Dean Photos from Adeline Nall's Collection. A pair of b&w 8" x 10" publicity stills of Dean that were once displayed in the halls of Fairmount High School, from the collection of Dean's drama teacher, Adeline Nall. Matted and framed to an overall size of 21" x 15" and in Excellent condition. From the James Dean Museum archive.
James Dean Photo Portrait Signed by Roy Schatt. A striking print of a b&w 14" x 18" photo portrait by Schatt, Dean's friend and photography teacher, signed by him in black ink in the lower left corner. In Excellent condition. From the James Dean Museum archive.
Vintage James Dean Postcards from Europe. A nice set of 36 French, German, and British postcards bearing some stunning reproductions of Dean's likeness, most in b&w. In overall Very Fine condition with mild wear. From the James Dean Museum archive.
James Dean Postcards Signed by Roy Schatt. Two b&w postcards bearing the likeness of James Dean as photographed by Roy Schatt, who has signed each one. Schatt was Dean's friend and photography teacher during December of 1954, and during that time he captured numerous images of the man. The postcards measure 6" x 4.25" and 7" x 5" and are in Excellent condition. From the James Dean Museum archive.
James Dean Wax Head. A wax replica of Dean from a display at Coney Island's now shuttered The World In Wax Museum, founded by Ms. Lillie Santangelo in 1926. The museum featured wax figures of various politicians, celebrities, and infamous murderers -- mostly the latter. The head is in Excellent condition, which is rare given its age and fragile nature. From the James Dean Museum archive.
James Dean Profile Medallions. This set of six Dean profile medallions includes an 11" profile; two 3" round medallions; and three 2" medallions, one of which is on a chain. Designed by James Dean Memorial Foundation president Joe Payne in 1956. All are in Excellent condition. From the James Dean Museum archive.
James Dean-Themed Album Set. Includes the 10" "Ballad of James Dean" by Dylan Todd, 10" Memories of American Art Films, the 10" single "Money Changes Everything" and Bad Boy From a Good Family bootleg LP by The Smiths, and three Sal Mineo LPs. In overall Very Fine condition with mild wear. From the James Dean Museum archive.
James Dean "Pale Horseman" Charcoal Drawing by Kenneth Kendall. A 22" x 44" charcoal drawing of James Dean as a Horseman of the Apocalypse, titled "The Pale Horseman," undated, by Kenneth Kendall. In Excellent condition. From the James Dean Museum archive.
Framed Blueprint of James Dean's Porsche 550 Spyder. German blueprint drawings of the Porsche 550 Spyder, framed to an overall size of 36" x 24". in Excellent condition. From the James Dean Museum archive.
Chalome Road Sign and James Dean Crash Site Photos. A 54" x 24" highway sign for the town of Chalome, California, outside of which Dean suffered his fatal car accident. Also included are two color snapshots, one of the highway in place, the other a modern view of the crash site. The sign is in Very Fine to Excellent condition with some dents and scrapes, and the photos are in Excellent condition. From the James Dean Museum archive.
Kenneth Kendall Charcoal Drawing of James Dean as Jett Rink. Inspired by Dean's role in Giant, matted and framed to an overall size of 31" x 26". In Excellent condition. From the James Dean Museum archive.
Wind-Up Musical Chimp Toy. Vintage wind-up chimp toy with original box identical to the one used in Rebel Without a Cause. In Very Fine condition with mild to moderate wear and some tarnishing, and mild wear to the box. From the James Dean Museum archive.
James Dean Life-Size "Rebel Without a Cause" Figure. Life-size likeness of Dean as Jim Stark in the 1954 movie, with detailed costume that includes the signature red jacket and human hair. Crafted by Mark Anthony Creations, the index finger on the right hand has been repaired, otherwise in Excellent condition. This was an extremely popular display at the James Dean Museum. From the James Dean Museum archive.
James Dean in "Giant" Life-Size Figure. Life-size likeness of Dean as Jett Rink in the 1956 movie, with detailed costume, rock lasso, and human hair. Crafted by Mark Anthony Creations, and in Excellent condition. This figure was anther popular display at the James Dean Museum. From the James Dean Museum archive.
Bronze "The Immoralist" Sculpture by Kenneth Kendall. One of only two 36" bronze sculptures of Dean as Bachir in the Broadway play that paved his way to Hollywood stardom. Sculpted and painted by artist Kenneth Kendall, the sculpture rests on a 19.5" x 11.5" wooden base and bears a pair of stainless steel scissors in its left hand. In Excellent condition. From the James Dean Museum archive.
James Dean Abstract "Giant" Sculpture. Abstract painted wood-and-canvas sculpture of James Dean in Giant, by Jennifer Borton. Approximately 6-feet tall, and in Excellent condition. From the James Dean Museum archive.
James Dean Fan Painting. A large, stark portrait of Dean with blue and red spot color on the eyes and lips, respectively, in a black-lacquered wood frame measuring 33" x 49". In Excellent condition.
James Dean Bust by Kenneth Kendall. A rare and desirable seven-inch bronze bust of the actor by sculptor Kenneth Kendall. A rare and desirable item, in Excellent condition. From the James Dean Museum archive.
James Dean 3-D Art by Charles Fazzino. An elaborate Dean-themed 3-D artwork by pop artist Charles Fazzino, #3 in a limited edition of 15. The piece measures 24" x 30" and is in Excellent condition. From the James Dean Museum archive.
James Dean Double-Mirrored Facial Feature Sketch. Excellent and rather mystical sketch by Dean, a funhouse double reflection of a woman's nose lips, and seductive eyes (with ample eyelashes). Blue ink on white paper, 3" x 5" and in Excellent condition. From the James Dean Museum archive. With COA from David Loehr.
James Dean Grimacing Ballerina Jumping Over Blades Sketch. Baroque ballerina, with anguished face, leaping over (or maybe falling upon) a sea of blades. Blue ink on a white 3" x 3.5" envelope, in Excellent condition. What kind of night was Jimmy having when he drew this one? From the James Dean Museum archive. With COA from David Loehr.
Mike Hinge Oil Painting of James Dean. This haunting, orange-hued oil portrait of Dean is by the late Mike Hinge, a New Zealand-born artist and illustrator remembered for producing cover art for '70s pulp mags Analog and Amazing Stories, as well as Time magazine. The painting measures 30" x 22" and is in Excellent condition with some very light damage to the corners and a very slight amount of bowing.
Photo of James Dean Playing Bongos by Sanford Roth. Stunning b&w 11" x 14" photo of Dean playing bongo drums -- one of his favorite pastimes -- shot by photographer Sanford Roth. In Excellent condition.
James Dean's Red Sweater. A favorite of Dean's, this heavy-knit red sweater was worn by the screen legend while he was a struggling actor in New York. He had borrowed it one night from a tavern owner a few months earlier, and inadvertently left it at the home of actor and acquaintance John Gilmore during a visit in February 1954. At the time, Dean was performing in The Immoralist and testing for East of Eden. Earlier, in November 1953, Dean had worn the sweater to rehearsals for an episode of the television anthology series Armstrong Circle Theatre, where he used it to cause trouble by keeping it bunched over his lower face while delivering his lines, much to director James Sheldon's consternation. The sweater is in Excellent, like-new condition, due primarily to having been kept in storage for many years. Also included is a signed two-page letter from Gilmore to James Dean Gallery archivist David Loehr, dated July 19, 1991, detailing the history of the garment. From the James Dean Museum archive.
White T-Shirt Worn by James Dean in "Rebel Without a Cause." A bit of Hollywood irony: in 1934, sales of men's undershirts plummeted when Clark Gable was seen barechested in It Happened One Night. Twenty-one years later, t-shirt sales soared after James Dean was seen wearing this one in Rebel Without a Cause. Such is the world of fashion. The shirt is in Excellent condition with mild discoloration due to age, and is accompanied by a letter of provenance from Claire Gaynor who obtained the shirt from famed make-up artist Gordon Bau. Mr. Bau was Dean's make-up man for all three films Dean made. Also included is a b&w 8" x 10" photo of Dean wearing the shirt while on set. From the James Dean Museum archive.
Coat Jacket Worn by James Dean in "East of Eden." This heavy brown wool sport coat was worn by Dean in East of Eden, his first lead role and the only film to feature him as such that was released during his lifetime. Based on the novel by John Steinbeck, who felt that Dean had been perfectly cast as Cal Trask, a role that paralleled Dean's troubled relationship with his father and resonated with the young actor. He became known on the set for his improvised contributions to the script (often to the consternation of the cast and crew) and some of the most famous scenes in the film were his additions to the script. He would later receive an Academy Award nomination for Best Actor in a Leading Role (the first posthumous acting nomination in Academy Awards history.) It was one of a number of roles that Dean beat out Paul Newman for (ironically, after his death, Dean's next two roles went to Newman). Also included is an 8" x 10" promo still from the movie featuring Dean wearing the jacket. Both are in Excellent condition with minimal wear. From the James Dean Museum archive.
Brown Trousers Worn by James Dean in "Rebel Without a Cause." These brown wool Forstmarr trousers were worn by Dean in his second lead performance, Rebel Without a Cause. The project had circulated around Hollywood for nearly a decade before the film was finally released. Dean's idol, Marlon Brando, had filmed a five-minute screen test for the Jim Stark role in 1947; by the time it went into production several years later he was too old and had already played a similar role in The Wild One. Dean was free to star in Rebel when Elizabeth Taylor's pregnancy delayed the start of production on Giant. The result is arguably Dean's best known role. The Warner Bros. production tag sewn into the waistband is dated March 19, 1955 and bears the notation "Jas. Dean," which is also written twice more on the inside lining. They are in Excellent condition with virtually no wear. Also included is an 8" x 10" color photo of Dean wearing the trousers and conversing with director Nicholas Ray on the set of the film. From the James Dean Museum archive.
James Dean's Tie from "East of Eden." Tie worn by the actor in wardrobe tests for the movie, but not in the movie. In Excellent condition with two tiny stains near the bottom and a production label dated May 24, 1954, sewn onto the back. Included is a color photo of Dean wearing the tie. From the James Dean Museum archive.
Pants Worn by James Dean in "East of Eden." Pair of light gray pinstriped trousers worn by Dean in his Academy Award-nominated performance. The Warner Bros. production tag sewn into the waistband bears the date May 21, 1954, and the name "Jim Dean." Also included is a b&w 8" x 10" still of Dean wearing the trousers in the movie. Both are in Excellent condition with mild discoloration to the pants. From the James Dean Museum archive.
Shirt Worn by James Dean in "East of Eden." Cream-colored cotton shirt worn by Dean in his first lead role in Elia Kazan's East of Eden. The Warner Bros. production tag sewn into the interior bears the date May 27, 1954, and the name "Jim Dean." In Excellent condition with only very minor wear. From the James Dean Museum archive.
Fabric From James Dean's "Rebel Without a Cause" Sport Coat with Photo. This 3" x 7" swatch of fabric was cut from the sport coat worn by Dean during the fateful early scenes at Griffin Observatory in Rebel Without a Cause. In Excellent condition with a little fraying around the edges, it has been matted and framed along with a color 8" x 10" photo of Dean wearing the coat opposite co-star Sal Mineo to an overall size of 14" x 21". From the James Dean Museum archive.
James Dean's Leather Jacket. A handsome black leather motorcycle jacket with blue lining and Dean's nickname, "Little Bastard," embroidered on the inside under the collar. Both the jacket and the nickname were given to Dean by stuntman Bill Hickman (who helped stage the legendary car chases in Bullitt and The French Connection). A close friend of Dean's, Hickman often drove the actor's Ford station wagon that towed his famed Porsche 550 Spyder, also nicknamed "Little Bastard", and advised Dean on his driving technique. "In those final days, racing was what he cared about most," Hickman once said. "I had been teaching him things like how to put a car in a four-wheel drift, but he had plenty of skill of his own. If he had lived he might have become a champion driver. We had a running joke, I'd call him Little Bastard and he'd call me Big Bastard." Hickman, with photographer Sanford Roth in the passenger seat, was driving the station wagon and trailer a short distance behind Dean on the day of his fatal accident, and was the first person on the scene. As legend would have it, Hickman rescued the jacket from the car after the wreck, preventing it from being lost or stolen. The jacket is in Excellent condition with mild overall wear from having been worn and broken by Dean, and is enclosed in a 39" x 43" display case along with a plaque and b&w 8" x 10" photo of the actor.
Jeans Worn by James Dean in "Giant." This well-worn pair of Lee jeans was worn by Dean in Giant, the movie that earned him his second and last Academy Award nomination, of only three starring roles. Tragically, Dean died near the end of production; his death devastated co-stars Rock Hudson, who for years afterward felt guilty about having often clashed with Dean on the set, and Elizabeth Taylor, who was so distraught she had to take time off from the production. Actor Nick Adams, a skilled voice impersonator and friend of Dean, was asked to overdub a few lines for the late actor. A Warner Bros. production tag sewn into the waistband bears the date April 26, 1955 and the notation "Jas. Dean," and the initials "JD" are written just below. In Excellent condition; the only apparent wear was added by the costume department. Also included is a b&w 8" x 10" photo of Dean wearing the jeans for a wardrobe test. From the James Dean Museum archive.
James Dean's Cummerbund and Collar from "Giant." This black cummerbund and starched dress collar were worn by the actor in Giant, Dean's third and final lead role in a feature film, one that earned him one of two posthumous Academy Award nominations. Also included is a b&w 8" x 10" photo of Dean wearing the items in the movie. All items are in Excellent condition, with some mild discoloration to the collar. From the James Dean Museum archive.
James Dean Childhood Photos. Five 4" x 3" b&w photos featuring Dean and other children performing in a May Day production. Each is in overall Excellent condition with light wear. From the James Dean Museum archive.
Musical Instruments
James Dean's Violin. Dean's mother, Mildred, had every intention of making her son an artistic child, slightly more cultured than those around him. Mildred borrowed a violin for James when he was a small boy, and sent him off for lessons regularly. She read him a great deal of poetry, and as they spent so much time together, the boy developed a particularly strong sense of attachment to his mother. When she died from terminal cancer in 1940, it had a devastating effect on the boy; as he later recalled: "My mother died when I was eight. The violin was buried too." This handsome violin was obtained from Clyde Glessner, who had owned it since 1945 (It had been in the family since 1880). Clyde's mother and Dean's grandfather, Johnny Wilson, were cousins, and Wilson borrowed the violin so that Dean could take lessons. Made in Germany in 1877, the violin is in Very Fine condition with moderate scraping and scuffing to the finish but no actual body damage, and comes in a hard carrying case that is also in Very Fine condition with very light wear. A very unique and special item. From the James Dean Museum archive.
Movie/TV Memorabilia
James Dean's Fifth Grade Notebook. This three-ring binder was used by Dean in the course of his fifth grade education, circa 1941. The sixteen pages of notebook paper still in the notebook include history, geography, spelling, and math homework -- as well as a few doodles -- plus four loose pages, one of which features almost a dozen practice signatures by "Jimmie" Dean, and is also signed by him on the inside back cover. Dean had been enrolled in Brentwood Public School until his mother died of cancer in 1940; at age nine, his father sent him to live with his aunt Ortense and uncle Marcus Winslow on a farm in Fairmount, Indiana, where he was to complete his education. The binder is in Good condition with major wear, yet the binding is still in fairly sturdy shape. The pages are all in Very Fine condition with mild to moderate wear and tanning. A unique item, accompanied with a signed letter of authenticity from Dean's cousin, Marcus Winslow. From the James Dean Museum archive. Accompanied by LOA from PSA/DNA.
James Dean Handwritten Homework Page with Photo. Dean's unsigned, handwritten homework on both sides of a 6" x 9.5" sheet of notebook paper, written by a ten-year-old Dean in 1941 while attending school in Fairmount, Indiana. The work is a list of 25 spelling words written out three times each in black ink. Also included is a letter of authenticity from the James Dean Memorial Gallery and a b&w 8" x 10" photo of Dean. Accompanied by LOA from PSA/DNA.
James Dean's Elementary School Basketball Jersey. Worn by Dean while he was a student at West Ward Elementary in Fairmount, Indiana in 1942. The shirts were hand-made by coach Ivan Seward, who dyed old t-shirts red and sewed an "F" onto the front of each one. Also included is a letter of authenticity dated September 30, 1985 and signed by Seward, and a b&w 8" x 10" photo of the team; Dean can be seen in the back row, fourth from the left. The letter and photo are both in Excellent condition with very light wear, and the shirt is in Fine condition with moderate staining, fading, and wear. From the James Dean Museum archive.
James Dean Motorcycle Sketch. A motorcycle enthusiast like his idol Marlon Brando, James Dean went so far as to by a Triumph 500cc TR5 Trophy model bike after seeing Brando ride a similar model in The Wild One (the bike featured in a famous series of photographs of Dean by Phil Stern). Featured is a stylized pencil sketch paper of an Indian brand motorbike drawn on notebook and signed by a 17-year-old Dean in 1948 -- around the time he knocked out his two front teeth in a bike accident. The sketch is in Very Fine condition with moderate tanning and some tearing along the top from being torn from a pad. It also features one of the earliest known "James Dean" signatures. Up until this point he had signed his name as "Jimmie Dean" or "Jim Dean." A unique piece of artwork. From the James Dean Museum archive. Accompanied by LOA from PSA/DNA.
James Dean School Essay. Two-page, typed autobiographical essay by Dean titled "My Case Study." Very candid at times, it reads in part: "Dad's work with the government caused a change so Dad as a dental mechanic was transferred to California. There we lived until the fourth year. Mom became ill and passed out of my life at the age of nine. I never knew the reason for Mom's death, in fact it still preys on my mind." The essay was kept in the possession of Adeline Nall, Dean's high school drama teacher, for sometime before making its way to the James Dean Gallery. It is in Very Good condition with mild to moderate tanning and a moderate amount of chipping, tearing, and bug chews. This unique document provides fascinating insight into the heart and soul of a legend. From the James Dean Museum archive.
James Dean Senior Class Ring. Worn by one of Dean's classmates from Fairmount High School's class of '49. A small class, of whom only a few could afford such rings, meaning this is a rare item. From the James Dean Museum archive.
James Dean Signed High School "Log of Memories." A Fairmount High School "Log of Memories" belonging to one one of Dean's classmates, signed twice by the then aspiring-actor: Once as "Jim 'Rack' Dean" on page 12, and again as "Jim Dean" with a stylized J and D on page 14. Two scarce early samples of a very rare signature, and in Excellent condition with minimal tanning and light soiling to the covers. From the James Dean Museum archive. With COA from David Loehr.
Watercolor Painting by James Dean. A very abstract watercolor made by Dean in 1949, during his senior year of high school. The bizarre piece features a strange view from space and unknown creatures being crushed by an obelisk bristling with eyeballs on stalks. It is in Excellent condition and has been matted and framed to an overall size of 14" x 18". From the James Dean Museum archive. With COA from David Loehr.
James Dean Senior Class Card and Program. One of James Byron Dean's senior class cards, along with a copy of the program for the Class of '49 commencement ceremonies held on May 16, 1949. Both are in Very Fine condition with only mild tanning. From the James Dean Museum archive.
James Dean's Forensic Competition Scores and Newspaper. Dean's actual score papers from the National Forensic League competition, from the collection of Adeline Nall. Also included is a copy of the April 8, 1949, edition of the Peru, Indian Peruvian, detailing the state-level tournament that included more than 100 students from 13 Indiana high schools, among them a young James Dean. The aspiring actor excelled at public speaking, he would eventually place first in the dramatic speaking category of the competition with his rendition of "The Madman" by Charles Dickens, and ultimately place sixth in the national competition. The items are in Fine condition with moderate wear and discoloration. From the James Dean Museum archive.
James Dean's Forensic Competition Scores and Newspaper Clippings. Includes Dean's actual competition info and scores, a page from the Longmont, Colorado newspaper with a picture of James Dean and Adeline Nall during the National Speech Tournament; and copies of the April 28, 1949, Trojan News and Longmont Times-Call and April 29, 1949, Longmont Ledger with details on the competition, all from the collection of Adeline Nall. The aspiring actor and talented public speaker eventually placed first in the dramatic speaking category of the competition with his rendition of "The Madman" by Charles Dickens, and ultimately place sixth in the national competition. Items are in Very Good to Fine condition with moderate to heavy wear and discoloration. From the James Dean Museum archive.
Original Snapshots of James Dean's Class Trip. Five 3.5" x 3.5" b&w photos of Dean and his classmates during a 1949 class trip to Washington, D.C. In overall Very Fine condition. From the James Dean Museum archive.
Original Photos of Young James Dean with Classmates. Set of four 4.5" x 3.5" b&w photos of Dean with his high school classmates. Dean is prominent in each, his undeniable charisma already evident. Each is in Very Fine condition with light wear. From the James Dean Museum archive.
Original James Dean Photo Booth Pictures from 1949. This unique pair of photos features an 18-year-old Dean and was taken in a photo booth at the Terminal Arcade in Indianapolis, Indiana in 1949. In one shot he's posing serenely, wearing the eyeglasses he needed to combat his extreme myopia, and in the other he is laughing uproariously sans glasses. The pictures measure 2.5" x 3" and are in metal frames, as was often the case with booth photos at the time, and are in Fine condition with a little staining and tarnish. From the James Dean Museum archive.
Original Art From James Dean's Yearbook. This 11.5" x 15" drawing was used as an illustration in James Dean's senior yearbook, Fairmount High School's Black and Gold for the Class of '49. It is in black ink on heavy cardstock and signed by art teacher Gurney Mattingly, and is in Fine condition with a large stain across the top edge, mild soiling, and heavy creasing to the top and bottom edges and across the middle. From the James Dean Museum archive.
Painting by James Dean for School Play. This intriguing portrait of a Greek discus thrower was painted by an 18-year-old James Dean in 1949, and used as a stage prop in the senior class play You Can't Take it With You. The roughly 22" x 27" painting has long since been removed from its original stretch frame, mounted, and sealed in this 27.5" x 32.5" plexiglass display case. It is in Fine to Very Fine condition, with some rust marks around the side and bottom edges, and much of the top edge is missing. The colors are strong and vibrant, and very little fading has affected the painting. A rare and unique sample of the young artist's work. Also included with the lot is a LOA from Dean's speech and drama teacher who directed the play. From the James Dean Museum archive. With COA from David Loehr.
James Dean Mayan Ring. Heavy sterling silver ring with interesting Mayan head motif, in Excellent condition with moderate uniform tarnishing. Possibly purchased by Dean on one of his many trips to see the bullfights in Mexico. Signed letter of authenticity included. From the James Dean Museum archive.
Two Sets of James Dean's Cuff Links. Two sets of cuff links owned and worn by James Dean, one a set of brass links with dark blue stone settings, the other silver with faux mother of pearl inlays. Both sets are in Excellent condition with almost no wear. Letter of authenticity included. From the James Dean Museum archive.
Ticket from "A Star is Born" and Pier Angeli Signature Cut. James Dean's romance with actress Pier Angeli was one of his few with various starlets that was not made up by the Warner Bros. PR department. Reportedly, Dean was very much in love with Pier and they planned to marry, but her mother blocked the union because Dean wasn't Catholic, arranging for her daughter a disastrous, short-lived marriage to Vic Damone instead. (Before she committed suicide in 1971, Pier wrote that Dean was the only man she had ever really loved.) On September 29, 1954, Dean and Pier attended the world premiere of A Star is Born in Hollywood. This is his ticket and souvenir program from that night, along with a signature sample from Pier. All are in Excellent condition with minimal wear. From the James Dean Museum archive.
James Dean Signed Sketch. This gorgeous 3" x 5" blue pencil sketch of a ballerina was drawn by Dean in New York City in 1954, and is signed by him in the lower right corner. Dean worked as a struggling actor in New York for about two years, before leaving in early 1954 to star in East of Eden, his first lead role in a film. The sketch is in Excellent condition, with only light tanning. From the James Dean Museum archive. With COA from David Loehr.
James Dean Napkin Drawing. An innate artist, James Dean was known to have sketched and doodled on a regular basis. A rough sketch of friend and fellow actor Jack Simmons drawn by Dean in blue ink on a napkin. Simmons appeared opposite Dean in an episode of General Electric Theater in 1954 and Rebel Without a Cause the following year. In Excellent condition with a horizontal fold crease, matted to an overall size of 14.5" x 14.5". Included is a COA from Rock 'n Country signed by RNC president Scott Velvet. From the James Dean Museum archive. With COA from David Loehr.
"Billy Gunn with Stool" Original Photo Taken by James Dean. An original 10" x 8" silver gelatin print shot by James Dean in 1954 and hand developed by famed celebrity photographer Roy Schatt. Gunn, who introduced Dean to the Bongo drums, was also the actor's understudy for The Immoralist. Dean studied photography under Schatt, who hand-developed this print and others in his darkroom in New York City. Schatt studio stamp en verso with the handwritten notes: "Billy Gunn, Taken by James Dean." In Excellent condition. These photos are extraordinarily rare -- only two or three are known to have been printed -- and this is first time these images have been available at a public auction.
"Bobby Heller Head on Stool" Original Photo Taken by James Dean. An extremely rare original 8" x 10" silver gelatin print shot by James Dean in 1954 and hand-developed by Roy Schatt. Heller was an actor and friend of Dean's. Snapped by Dean in Schatt's apartment, the image was published on page 71 of James Dean: A Portrait by Schatt. Schatt studio stamp en verso with the handwritten notes: "Robb Heller/Taken by James Dean." One of only two or three known to have been printed, it is in Excellent condition.
"Roy Shooting Marty" Original Photo Taken by James Dean. An extremely original 8" x 10" silver gelatin photo taken by James Dean in 1954 and developed by photographer Roy Schatt. It features Schatt aiming the camera at actor Martin Landau, who befriended Dean when the two met on the set of Beat the Clock in 1952. The photo was published on page 74 of James Dean: A Portrait. Schatt studio stamp en verso along with handwritten notes: "Martin Landau & Roy Schatt/Taken by James Dean." One of only two or three known to have been printed, it is in Excellent condition.
Roy Schatt Original Photo Taken by James Dean. An extremely rare original 8" x 10" silver gelatin print shot by James Dean in 1954 of his photography teacher, Roy Schatt, in his studio. Schatt hand-developed the photo for Dean. Schatt studio stamp en verso along with the handwritten note: "Roy Schatt Photo taken by James Dean." One of only two or three known to have been printed, it is in Excellent condition.
James Dean with Cropped Hair Original Photo by Roy Schatt. An extremely rare 11" x 14" original photo by Roy Schatt, signed by the photographer on the front border. Shot in 1954 and developed by Schatt in the 1980s, this image was published on page 92 of James Dean: A Portrait. In Schatt's commentary he remarks: "When Dean became famous, he set out to change his image by chopping his hair short." Schatt studio and Dean Foundation stamps en verso. One of only two or three known to have been printed, it is in Excellent condition.
"James Dean at Window of New York Apartment" Original Photo by Roy Schatt. A classic photo of James Dean published on page 137 of James Dean: A Portrait. This extremely rare original 8" x 10" silver gelatin photo was snapped in 1954 and later printed by Schatt himself, and has Schatt's studio stamps and signature en verso. One of only two or three known to have been printed, it is in Excellent condition.
"James Dean Walking Down 68th St. In New York City" Signed Original Photo by Roy Schatt. One of the most iconic images of James Dean by legendary photographer Roy Schatt. An extremely rare original 8" x 10" silver gelatin photo shot in 1954 and printed later by Schatt, the photo is featured on the back cover of James Dean: A Portrait. Signed by Schatt on the front, with his studio stamps en verso. One of only two or three known to have been printed, it is in Excellent condition.
James Dean "Torn Sweater Series" Original Photo by Roy Schatt. One of the most recognizable sets of of Dean photographs, the "Torn Sweater" series was shot for Life magazine on December 29, 1954, and although it went unused in the magazine, a colorized version was used on a U.S. postage stamp in 1996 and featured on page 8 of James Dean: A Portrait. This extremely rare 8" x 10 " original silver gelatin print features Schatt's signature and studio stamp en verso. One of only two or three known to have been printed, it is in Excellent condition.
James Dean "Loft to Let" Original Photo by Roy Schatt. A scarce original Roy Schatt image of Dean in a pea coat in front of a loft in New York City. Photographed in 1954 and later hand-printed by Schatt, this uncommon 11" x 14" photo is almost never seen on the market. The silver gelatin print is matted to an overall size of 14" x 17" and is signed on the front matting in pencil with Schatt's studio stamps en verso.One of only two or three known to have been printed, it is in Excellent condition.
James Dean's 16mm Film Projector. A Revere brand 16mm film projector owned and used by Dean, from the estate of Jack Simmons, a friend of Dean's and fellow actor. They appeared together with Ronald Reagan in the General Electric Theater production "The Dark Dark Hour," and Simmons also appeared as a gang member in Rebel Without a Cause. (The character of Plato is said to have been based on Simmons, who, ironically, later auditioned for the role but was rejected in favor of Sal Mineo.) Simmons was infatuated with Dean and would gather up anything that belonged to him, both before and after his death. The projector is in Excellent overall physical condition with just a few minor dings and scrapes, and believed to be in working order. From the James Dean Museum archive.
Lili Kardell's Diary with Entry About James Dean. This five-year diary formerly belonged to Swedish actress and Dean's one-time girlfriend Lili Kardell, and includes almost three dozen entries regarding Dean, notably the following, written on the day he died: "Jimmy Dean, my only love, died on highway to Salinas for the races. Autocrash. Please take care of him God and let him be happier now than before. I can only hope I will find my Jimmy in some other person. My thoughts will always be with you Jimmy. Goodbye...forever...". The diary is in Very Fine condition with a strap that has torn free of the closure, mild wear to the cover, and very little discoloration to the pages. Also included is a 5" x 7" color photo of Kardell, Dean, and an unidentified woman, in Excellent condition. From the James Dean Museum archive.
James Dean's Silver Flask. This sterling silver, English-made liquor flask bears the initials "JD." Supposedly, Dean often used it to spike his coffee while filming Rebel Without a Cause. The flask is in great condition with a few dents and dings and some very mild tarnishing. Letter of authenticity included. A one-of-a-kind item. From the James Dean Museum archive.
Signed Natalie Wood Photo "To Jimmy." A beautiful 8" x 10" b&w photo of Dean's Rebel Without a Cause co-star, inscribed "To Jimmy/Best wishes/Natalie Wood." Wood's performance in the movie freed her from "child star" status and allowed for a transition to adult roles; unfortunately, she too died under tragic circumstances. In Very Fine condition with a 4" crease to the upper left corner, some tearing to the bottom edge, and moderate wear to the wood frame. A one-of-a-kind piece. From the James Dean Museum archive.
Family Acknowledgement Card from Dean's Funeral. This 4" x 3" card, sent to an unknown recipient after Dean's passing, reads "The family of James Dean acknowledges with grateful appreciation the kind expression of your sympathy." In Excellent condition with very slight edge and corner wear and mild to moderate tanning. Letter of authenticity included. From the James Dean Museum archive.
Handwritten Cat Care Instructions Written by James Dean. Later named "Marcus" (after his cousin) by the actor, a Siamese kitten was given as a gift to Dean by co-star Elizabeth Taylor near the end production on Giant. The night before his fateful trip to Salinas for the races, Dean left his cat with friend Jeanette Miller, along with these handwritten instructions for care and feeding of his pet: "1 teaspoon white Karo, 1 big can evaporated milk, equal part boiled water or distilled water, 1 egg yoke [sic], mix and chill. Don't feed him meat or formula cold. 1 drop vitamin solution per day. Take Marcus to Dr. Cooper on Melrose for shots next week." The document is in Very Fine condition with a fold crease and mild to moderate tanning and staining around the edges. It has been matted and framed along with a a small b&w photo of Marcus to an overall size of 14" x 16". From the James Dean Museum archive.
Piece of James Dean's Porsche 550 Spyder. This belt buckle-sized piece of the fragile aluminum body and glass fragment were removed from the left fender of "the Little Bastard" by road construction worker Harry Camby, mere hours after the crash that killed Dean. Eighteen years old at the time, Camby and his co-workers had stopped for coffee at the end of the day on September 30, 1955, and everyone in the shop was talking about the star's death earlier in the day, including a waitress who told them that the remains of the Porsche had been parked next door in a service station garage. Camby snuck in to have a look at the car, and kept these fragments, later having their authenticity verified by custom car legend George Barris, who had worked on the car before the crash and was able to match the primer.
After Dean's death, his Porsche became infamous as being the vehicle that killed not only him, but also for injuring and killing several others in various freak accidents in the years following his death. Barris later purchased the remains of the vehicle and used it as part of a driver's safety exhibit. The car disappeared in 1960 while being transported from Florida to Los Angeles while part of a traveling exhibit, making these fragments the last known remaining link to the infamous automobile. From the James Dean Museum archive.
After Dean's death, his Porsche became infamous as being the vehicle that killed not only him, but also for injuring and killing several others in various freak accidents in the years following his death. Barris later purchased the remains of the vehicle and used it as part of a driver's safety exhibit. The car disappeared in 1960 while being transported from Florida to Los Angeles while part of a traveling exhibit, making these fragments the last known remaining link to the infamous automobile. From the James Dean Museum archive.
"East of Eden" Script Given to Nick Adams by James Dean. A final draft copy of the screenplay for East of Eden, dated May 17, 1954, bound in leather and given as a gift to actor Nick Adams by James Dean, who had his friend's named embossed on the cover. Adams later passed it on to actress Yvonne Ginest. Adams became a close friend of Dean's after playing a small role in Rebel Without a Cause, and was devastated when Dean was killed. Adams began behaving recklessly and was arrested for speeding nine times in one year. His career began to falter, and eventually he was found dead of a drug overdose in 1968, at the age of 36. In Excellent condition with only light wear. From the James Dean Museum archive.
"Rebel Without a Cause" Production Photos. A great set of 37 vintage b&w 8" x 10" glossies that includes promo stills and behind-the-scenes production photos from the set, each with a credit stamp for Warner Bros. photographer Floyd McCarty on the back. In overall Excellent condition. From the James Dean Museum archive.
Donald Turnupseed Signed Letter. Just a 23-year-old Navy vet turned college student in 1955, Donald Turnupseed's life was forever altered when he became involved in the fatal car crash that claimed the life of James Dean. Turnupseed was heading home in his 1950 Ford Tudor. He made a left turn at the intersection of Highways 41 and 46, unaware that he was pulling into the path of Dean's Porsche 550 Spyder due to the fading daylight and neutral color of the vehicle. "Little Bastard" plowed into the Ford almost head-on and came to rest near a telephone pole 15 feet off the road. Dean's mechanic, Rolf Wuetherich, was thrown from the car, but survived with a broken leg and serious head injuries. Turnupseed escaped the accident with only minor injuries. Dean was dead at the scene.
This handwritten letter from Turnupseed to a friend is dated September 29, 1956 -- almost one full year after that fateful crash. In it, Turnupseed catches up on events with a friend he apparently hasn't spoken to in some time, and he briefly mentions the accident: "I am certainly sorry you have not heard from me before now but I have had quite a bit of excitement in the last year or so, first starting back to school then the affair with Dean. Bought another car & a home so I am now just getting time to catch my breath. I am enclosing some shots of mine and Dean's cars...Thank God I got out of it in one piece. But that is in the past and as I have said in poker games on the ship 'That was yesterday.' " For the remainder of his life, Turnupseed refused to discuss the accident with anyone, making this letter all the more remarkable. Included with the letter are the eight b&w photos by Turnupseed that he sent with the letter; five 5" x 3.5" shots of Turnupseed and his friends in the Navy, and three 3.5" x 3.5" shots of the mangled remains of his and Dean's cars, with handwritten notations on the back. (These three photos were taken by Turnupseed.) The letter is in Fine to Very Fine condition with moderately stressed fold creases and moderate tanning, and the photos are in Fine to Very Fine condition with mild to moderate wear. Turnupseed went on to become a successful businessman before succumbing to cancer in 1995, but spent the rest of his life under an intense desire for privacy and never gave interviews or discussed the incident outside close friends and family, making this letter a rare bit of insight into a tragic event. From the James Dean Museum archive.
This handwritten letter from Turnupseed to a friend is dated September 29, 1956 -- almost one full year after that fateful crash. In it, Turnupseed catches up on events with a friend he apparently hasn't spoken to in some time, and he briefly mentions the accident: "I am certainly sorry you have not heard from me before now but I have had quite a bit of excitement in the last year or so, first starting back to school then the affair with Dean. Bought another car & a home so I am now just getting time to catch my breath. I am enclosing some shots of mine and Dean's cars...Thank God I got out of it in one piece. But that is in the past and as I have said in poker games on the ship 'That was yesterday.' " For the remainder of his life, Turnupseed refused to discuss the accident with anyone, making this letter all the more remarkable. Included with the letter are the eight b&w photos by Turnupseed that he sent with the letter; five 5" x 3.5" shots of Turnupseed and his friends in the Navy, and three 3.5" x 3.5" shots of the mangled remains of his and Dean's cars, with handwritten notations on the back. (These three photos were taken by Turnupseed.) The letter is in Fine to Very Fine condition with moderately stressed fold creases and moderate tanning, and the photos are in Fine to Very Fine condition with mild to moderate wear. Turnupseed went on to become a successful businessman before succumbing to cancer in 1995, but spent the rest of his life under an intense desire for privacy and never gave interviews or discussed the incident outside close friends and family, making this letter a rare bit of insight into a tragic event. From the James Dean Museum archive.
Photo Album with Pics of James Dean's Grandparents. This small green photo album contains twenty 3.5" x 3.5" photos of Dean's grandparents posing with photos of their late grandson and visiting his grave and a shrine to him at Fairmount High School, providing some touching insight into Dean's family. All are in Very Fine condition with very mild wear, the color having faded from most of them with time. The album is in Very Fine condition with appreciable wear along the spine. From the James Dean Museum archive.
Contact Sheet of Originals Photos by James Dean. A sheet of 2.25" x 2.25" b&w photos taken by aspiring photographer James Dean of his friend, actor Perry Lopez, amongst the lighting equipment of an unknown set, with notations by photographer Frank Worth en verso. A number of the photos have been snipped free, leaving this sheet of six conjoined pics. In Fine to Very Fine condition with a couple of heavy creases. From the James Dean Museum archive.
Five Pieces of James Dean Business Correspondence. Included is an August 23, 1955, letter to Dean from the California Franchise Tax Board (Very Fine condition with staple holes and light wear); a September 1, 1955, letter to Dean's agent Jane Deacy, regarding a tax refund for Dean (Very Fine with some light creasing); an October 10, 1955, statement of Dean's earnings for the year from Warner Bros. (Very Good with heavy tanning and mild creasing); an October 21, 1955, letter from Deacy to Dean's business manager Carl Coulter regarding various arrangements in the wake of his death (Very Fine with considerable tanning and light wear); and a February 27, 1956, letter from Coulter to the Franchise Tax Board (Very Fine Condition with two fold creases and light wear). From the James Dean Museum archive.
Nick Adams Inscribed Photo. A friend and co-star of James Dean's on Rebel Without a Cause, actor Nick Adams was also a skilled voice imitator, and he subbed for Dean in looping a few lines of dialogue for Giant after Dean's death late in production. This b&w 8" x 10" photo is inscribed "To Caroline - I don't know how to tell you how much I appreciate your kind words about the greatest guy that ever lived. Thank you for saying all those wonderful things about Jimmy. I think you're a very wonderful person. God bless you always" and signed by the actor. In Excellent condition. From the James Dean Museum archive. Accompanied by LOA from PSA/DNA.
Sal Mineo Signed Script Pages. Included are four pages of script changes for the 1955 movie The Private War of Major Benson, dated February 1, 1955, and signed by actor Sal Mineo on the front page, as well as five unsigned pages of dialogue changes for Rebel Without a Cause, dated May 6, 1955. (Both Mineo and co-star James Dean were nominated for Academy Awards for their performances in the latter film.) In overall Very Fine condition with light wear and mild discoloration. From the James Dean Museum archive.
James Dean "To Sal" Autograph and Photo. Sal Mineo enjoyed great success as a teen idol during the late '50s, shooting to fame opposite James Dean in Rebel Without a Cause in 1955. Mineo was later reunited with Dean in Giant, although only in a few scenes. Sadly, he too would die under tragic circumstances, stabbed to death by a mugger at age 37. This autograph album page is inscribed "To Sal, my best" and signed by Dean in pencil. It is in Fine condition with some tearing along the left edge and moderate uniform tanning around the other edges, none of which affects the signature. It has been matted and framed along with a b&w 8" x 10" photo of Dean and Mineo in Rebel to an overall size of 16" x 20". From the James Dean Museum archive.
Natalie Wood Signed Contract from "Rebel Without a Cause." Dated March 30, 1955, and signed by Wood in blue ink in the lower right corner, this one-page document details Wood's salary and expenses during production on Rebel Without a Cause. Pigeon-holed as a child star up to that point, the then 16-year-old actor's performance in Rebel allowed her to make the transition to more grown-up roles. In Very Fine Condition with mild discoloration and very light wear. From the James Dean Museum archive. With COA from David Loehr.
James Dean "Monty Brandean" Autograph. As an aspiring young thespian, James Dean idolized the two most influential actors of the era -- Marlon Brando and Montgomery Clift -- to the point that he patterned much of his behavior after them (especially Brando). Occasionally, as if to announce his aspirations, he would sometimes sign letters as "James (Brando Clift) Dean." This 2.5" x 5" slip of paper bears one such signature, specifically "Monty Brandean," written in blue ink below his New York City address and telephone number (19 W. 68th St., TRafalgar 36086). On the reverse side is an intriguing to-do list in Dean's hand that includes a reminder to call celebrity photographer Pfil Stern, who photographed Brando, Bette Davis, and eventually Dean; a reminder to meet Rebel Without a Cause director Nicholas Ray; to pick up a change of address card and tax form; and other sundry tidbits. An extremely rare version of Dean's signature and handwriting, in Very Fine to Excellent condition with very light wear to the edges, a few very small creases, mild tanning, and tape along one side. A truly unique item. With COA from David Loehr.
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Dallas, Texas 75261-4127
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All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842